Lewis Fautzi & The Advent // Gravity Won’t Hold Me 12inch
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Lewis Fautzi & The Advent // Gravity Won’t Hold Me 12inch
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テクノ作家Lewis Fautzi & The Adventが、2026年9月にポルトガルのGravity Won’t Hold Meからリリースした再発12"です。（オリジナルは2025年リリース）
ヒプノティック・テクノ4曲を収録。
----------------------------------------
12" black vinyl.
Tracklist:
1. Graviton Field 05:08
2. Deep Sector 05:08
3. Cosmic Static 04:12
4. Echoes Of The Void 02:50
From the label:
"Lewis Fautzi and The Advent join forces on “Gravity Won’t Hold Me”, a four-track Sci-Fi techno journey that breaks through the limits of sound and space.
Fusing mechanical energy, futuristic tension, and cosmic textures, the EP unfolds with relentless precision and force, a statement of pure propulsion beyond gravity itself."
Artist : Lewis Fautzi & The Advent
Label : Faut Section
cat no : FAUT067
Release date : 24th November 2025
テクノ作家Lewis Fautzi & The Adventが、2026年9月にポルトガルのGravity Won’t Hold Meからリリースした再発12"です。（オリジナルは2025年リリース）
ヒプノティック・テクノ4曲を収録。
Faut Section Official · Lewis Fautzi & The Advent - Gravity Won’t Hold Me [FAUT067]----------------------------------------
12" black vinyl.
Tracklist:
1. Graviton Field 05:08
2. Deep Sector 05:08
3. Cosmic Static 04:12
4. Echoes Of The Void 02:50
From the label:
"Lewis Fautzi and The Advent join forces on “Gravity Won’t Hold Me”, a four-track Sci-Fi techno journey that breaks through the limits of sound and space.
Fusing mechanical energy, futuristic tension, and cosmic textures, the EP unfolds with relentless precision and force, a statement of pure propulsion beyond gravity itself."
Artist : Lewis Fautzi & The Advent
Label : Faut Section
cat no : FAUT067
Release date : 24th November 2025
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His debut release as Babaka showcases four masterful tracks that differ widely from one another while remaining within his new realm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe opening track, \"Exterminating Angel,\" is a pulsating, airy dub experiment featuring a deeply infectious bass line, ghostly key stabs, tight percussion and an oddly dramatic vocal sample creating a profound sonic climax before tapering off, allowing you to escape its vacuum and recalibrate. 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Exterminating Angel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. A bug in the dark\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Woodsman Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Hysteria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eModern Hypnosis is proud to introduce Babaka, the new alias of esteemed German producer Jörg Müller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReigniting his passion for physical, visceral sound system music, Jörg uses classic analog gear and a few self-built instruments to create a unique, potent dub sound. While reminiscent of Jörg’s earlier ambient and dub techno styles on his 2019 album Drawn From Memory, his new direction has evolved those styles and primed them for sound system use. 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ドイツのテクノ作家Babaka aka Jörg Müllerが、2026年9月にオーストラリア・メルボルンのダンスレーベルModern Hypnosisからリリースした12"です。 レフトフィールド・ダブテクノ4曲を収録。180g重量盤です。 Modern Hypnosis · MH016 - Babaka - Woodsman...
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{"id":15403579736314,"title":"Turning Jewels Into Water \/\/ Morning Birds and Distant Drums 12inch","handle":"turning-jewels-into-water-morning-birds-and-distant-drums-12inch","description":"\u003cp\u003e\u003cspan\u003eベトナム／インドのテクノデュオ\u003c\/span\u003eが、2026年9月にイギリスのテクノレーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れる実験トライバル・テクノ〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003ci\u003e「Turning Jewels Into Water」としてのコラボレーションの初期段階から、\u003cem\u003eVal JeantyとRavish Momin\u003c\/em\u003eは、クリエイティブ・ミュージシャンズ振興協会（AACM）の長年の信条である「Ancient to the Future」を指針として掲げた。謎めいた言葉に思えるかもしれないが、このAACMのモットーは、過去から神聖なものを引き出し、それを現在へと持ち込み、新たな手法を用いて自らの系譜に響く音楽を創り出すよう導く指針となっている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003eJeanty\u003c\/i\u003eは80年代半ばにハイチから米国へ移住し、\u003ci\u003eMomin\u003c\/i\u003eはインド生まれだが、現在はニューヨークを拠点としている。2017年にパイオニア・ワークスで共に即興演奏を行って以来、彼らは、ブードゥーやフードゥー、ムバラックス、ドラムサークルといった様々な信仰や音の世界を、センソリー・パーカッションズのドラムからスマート・ファブリックのMIDIコントローラーに至る最先端のエレクトロニクスを用いて生み出す躍動感あふれる音楽に融合させてきた。彼らは過去を現在へと引き寄せ、それを用いてより良い未来を想像しているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2122484288\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1 A Fire Of Flowers \u003cbr\u003eA2 In Dombivili \u003cbr\u003eA3 An Invocation \u003cbr\u003eB1 Tasha Bhasha (Language Of The Drum) \u003cbr\u003eB2 Tapori Beat Special \u003cbr\u003eB3 Closing (Sunken Cages Edit)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEarly into their collaboration as Turning Jewels Into Water, Val Jeanty and Ravish Momin adopted the Association for the Advancement of Creative Musicians’ longtime credo “Ancient to the Future” as a lodestar. Perhaps it seems like a riddle, but the AACM motto offers instruction to take what is sacred from the past and pull it into the present, using new means to make music that resonates with your lineage.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJeanty emigrated to the United States from Haiti in the mid-’80s, while Momin was born in India but now calls New York home. Since improvising together at Pioneer Works in 2017, Momin and Jeanty have integrated a world of beliefs and sounds—voodoo and hoodoo, mbalax and drum circles—into kinetic music made with cutting-edge electronics, from Sensory Percussions drums to Smart Fabric MIDI controllers. They pull the past into the present, then use it to imagine a better future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Turning Jewels Into Water\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003ecat no : TRULE034\u003c\/p\u003e\n\u003cp\u003eRelease date : 11th September 2026\u003c\/p\u003e","published_at":"2026-10-02T14:49:01+09:00","created_at":"2026-10-02T09:33:11+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","strange beats","techno \/ house","trule"],"price":397000,"price_min":397000,"price_max":397000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67619539058938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Turning Jewels Into Water \/\/ Morning Birds and Distant Drums 12inch","public_title":null,"options":["Default Title"],"price":397000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/morn1_9260d3c9-cd08-4d87-9aaa-554edfeab502.jpg?v=1790901062","\/\/tobirarecords.com\/cdn\/shop\/files\/morn2_2e7edd67-6dc3-4deb-91da-eb93b500d5af.jpg?v=1790901062"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/morn1_9260d3c9-cd08-4d87-9aaa-554edfeab502.jpg?v=1790901062","options":["Title"],"media":[{"alt":null,"id":46310548406522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/morn1_9260d3c9-cd08-4d87-9aaa-554edfeab502.jpg?v=1790901062"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/morn1_9260d3c9-cd08-4d87-9aaa-554edfeab502.jpg?v=1790901062","width":350},{"alt":null,"id":46310548439290,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/morn2_2e7edd67-6dc3-4deb-91da-eb93b500d5af.jpg?v=1790901062"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/morn2_2e7edd67-6dc3-4deb-91da-eb93b500d5af.jpg?v=1790901062","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eベトナム／インドのテクノデュオ\u003c\/span\u003eが、2026年9月にイギリスのテクノレーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れる実験トライバル・テクノ〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003ci\u003e「Turning Jewels Into Water」としてのコラボレーションの初期段階から、\u003cem\u003eVal JeantyとRavish Momin\u003c\/em\u003eは、クリエイティブ・ミュージシャンズ振興協会（AACM）の長年の信条である「Ancient to the Future」を指針として掲げた。謎めいた言葉に思えるかもしれないが、このAACMのモットーは、過去から神聖なものを引き出し、それを現在へと持ち込み、新たな手法を用いて自らの系譜に響く音楽を創り出すよう導く指針となっている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003eJeanty\u003c\/i\u003eは80年代半ばにハイチから米国へ移住し、\u003ci\u003eMomin\u003c\/i\u003eはインド生まれだが、現在はニューヨークを拠点としている。2017年にパイオニア・ワークスで共に即興演奏を行って以来、彼らは、ブードゥーやフードゥー、ムバラックス、ドラムサークルといった様々な信仰や音の世界を、センソリー・パーカッションズのドラムからスマート・ファブリックのMIDIコントローラーに至る最先端のエレクトロニクスを用いて生み出す躍動感あふれる音楽に融合させてきた。彼らは過去を現在へと引き寄せ、それを用いてより良い未来を想像しているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2122484288\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1 A Fire Of Flowers \u003cbr\u003eA2 In Dombivili \u003cbr\u003eA3 An Invocation \u003cbr\u003eB1 Tasha Bhasha (Language Of The Drum) \u003cbr\u003eB2 Tapori Beat Special \u003cbr\u003eB3 Closing (Sunken Cages Edit)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEarly into their collaboration as Turning Jewels Into Water, Val Jeanty and Ravish Momin adopted the Association for the Advancement of Creative Musicians’ longtime credo “Ancient to the Future” as a lodestar. Perhaps it seems like a riddle, but the AACM motto offers instruction to take what is sacred from the past and pull it into the present, using new means to make music that resonates with your lineage.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJeanty emigrated to the United States from Haiti in the mid-’80s, while Momin was born in India but now calls New York home. Since improvising together at Pioneer Works in 2017, Momin and Jeanty have integrated a world of beliefs and sounds—voodoo and hoodoo, mbalax and drum circles—into kinetic music made with cutting-edge electronics, from Sensory Percussions drums to Smart Fabric MIDI controllers. They pull the past into the present, then use it to imagine a better future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Turning Jewels Into Water\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003ecat no : TRULE034\u003c\/p\u003e\n\u003cp\u003eRelease date : 11th September 2026\u003c\/p\u003e"}
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ベトナム／インドのテクノデュオが、2026年9月にイギリスのテクノレーベルTruleからリリースした12"です。 ポリリズム溢れる実験トライバル・テクノ〜ストレンジビーツ6曲を収録。 以下、レーベルによる解説です。 "「Turning Jewels Into Water」としてのコラボレーションの初期段階から、Val JeantyとRavish Mominは、クリエイティブ・ミュージシャンズ振興協会（AACM）の長年の信条である「Ancient to the Future」を指針として掲げた。謎めいた言葉に思えるかもしれないが、このAACMのモットーは、過去から神聖なものを引き出し、それを現在へと持ち込み、新たな手法を用いて自らの系譜に響く音楽を創り出すよう導く指針となっている。 Jeantyは80年代半ばにハイチから米国へ移住し、Mominはインド生まれだが、現在はニューヨークを拠点としている。2017年にパイオニア・ワークスで共に即興演奏を行って以来、彼らは、ブードゥーやフードゥー、ムバラックス、ドラムサークルといった様々な信仰や音の世界を、センソリー・パーカッションズのドラムからスマート・ファブリックのMIDIコントローラーに至る最先端のエレクトロニクスを用いて生み出す躍動感あふれる音楽に融合させてきた。彼らは過去を現在へと引き寄せ、それを用いてより良い未来を想像しているのだ。" レーベルその他作品はこちら...
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{"id":15403578720506,"title":"Yassokiiba \/\/ Dub 16 \/ Dub 14 12inch","handle":"yassokiiba-dub-16-dub-14-12inch","description":"\u003cp\u003e東京のダブテクノ作家Yassokiibaが、2026年9月にイギリスのコンテンポラリー・ダブレーベル\u003cspan\u003eC\u003c\/span\u003e\u003cspan\u003ehallenger Deepからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eディープ・ダブテクノ2曲を収録。\u003c\/span\u003e 45rpmです。廃盤です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2411716761\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2411716857\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; 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![Gary Gwadera // Far, far in Chicago. Footberk Suite LP [COLOR]](http://tobirarecords.com/cdn/shop/files/a0928581574_10_0fe22d51-bdc4-485d-80ae-cb7bb71c810d_medium.jpg?v=1757806090)
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{"id":15402228416762,"title":"Gary Gwadera \/\/ Far, far in Chicago. Footberk Suite LP [COLOR]","handle":"gary-gwadera-far-far-in-chicago-footberk-suite-lp-color","description":"\u003cp\u003eポーランド・ウッチのジュークフットワーク作家Gary Gwaderaが、2025年7月に同国ワルシャワの実験\u003cspan\u003eレーベルPointless Geometryからリリースした再発レコードです。（オリジナルは2024年カセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフロア置き去り突っ走り系実験ジュークフットワーク11曲を収録。180g重量緑盤です。DLコード付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E7doarMRhiI?si=t5KNEM1DjkU_gnvU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2195191535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1275900266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003ehere\u003c\/a\u003e to see more Pointless Geometry releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180g green vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003col\u003e\n\u003cli\u003eI. Chicago 08:12\u003cbr\u003e2. F 00:04\u003cbr\u003e3. II. Battle („kasowanie”) 06:07\u003cbr\u003e4. I 00:18\u003cbr\u003e5. III. Phazurek 05:33\u003cbr\u003e6. E 00:04\u003cbr\u003e7. IV. Cool in the boiler room 07:28\u003cbr\u003e8. L 00:07\u003cbr\u003e9. V. Dwapotrzy 04:14\u003cbr\u003e10. D 00:08\u003cbr\u003e11. VI. Weksel 08:28 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003ePointless Geometry :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e“It’s nothing else but a Chicago-style oberek!’ – that was my first thought when I heard the compilation ‘Bangs \u0026amp; Works’, an album that introduced the footwork style to a global audience. At first I was drawn by the triple, syncopated rhythm, based on the iconic sounds of the Roland TR-808 drum machine. My musical explorations have long been centering around triple rhythms of rural Poland. The clash of this archaic, distinctly Polish form with the freedom of the underground, electronic sound from the Black suburbs of Chicago seemed to aesthetically hit the perfect spot. As an anthropologist - dreamer, I also imagined that the presence of a triple rhythm in Chicago – the largest hub of the Polish diaspora in the USA – was not a coincidence. It was a result of a meeting between our native musical tradition and the musical sensitivity of the Black community in the United States. I must admit that this hypothesis was, and still is, purely my musical dream, unsupported by any scientific evidence. However, regardless of the actual roots of this fascinating phenomenon known as footwork, it is hard not to notice certain correlations between footwork and the Polish oberek tradition. This is in both cases music rather meant for dancing than for listening. It’s supposed to present a certain musical and rhythmic challenge to dancers, who can test themselves in a fun-oriented setting, where competition is an integral part. In Polish villages, these are traditional battles of village bands, while in Chicago, they are footwork battles in underground clubs. Both in the oberek and footwork, the most important are a sense of community, energy, and excitement built around dance, accompanied by a characteristic triple pulse. \u003cbr\u003e\u003cbr\u003eTherefore, the footberk suite “Far, far in Chicago”, is intended as an imagined musical journey through time and space, where the Polish oberek and Chicago footwork find a common ground in dynamic, triple rhythms. I aim to show that the syncopated rhythm of the mazurka (or of the oberek) can sound just as contemporary and bold as the beats created for Chicago dancers. The composition is meant to be an auditory tribute to both cultures’ dance spirit and their sense of community. It is an attempt to capture the emotions that accompany both footwork dancers and participants of rural dance parties – spaces where music and dance become tools of self-expression. \u003cbr\u003e\u003cbr\u003eTo connect these two seemingly distant worlds I use a specially designed rhythmic machine. At its heart lies a rural jaz, with build-on Lem-esque pads packed with samples from the TR-808 and TR-909, as well as other electronic sounds.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gary Gwadera\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e","published_at":"2026-10-01T12:57:30+09:00","created_at":"2026-10-01T12:56:55+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","pointless geometry","recommended","techno \/ house"],"price":597000,"price_min":597000,"price_max":597000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67613906469114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gary Gwadera \/\/ Far, far in Chicago. Footberk Suite LP [COLOR]","public_title":null,"options":["Default Title"],"price":597000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0928581574_10_0fe22d51-bdc4-485d-80ae-cb7bb71c810d.jpg?v=1757806090","\/\/tobirarecords.com\/cdn\/shop\/files\/0040695185_10.jpg?v=1757806090"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928581574_10_0fe22d51-bdc4-485d-80ae-cb7bb71c810d.jpg?v=1757806090","options":["Title"],"media":[{"alt":null,"id":36804887347450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928581574_10_0fe22d51-bdc4-485d-80ae-cb7bb71c810d.jpg?v=1757806090"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0928581574_10_0fe22d51-bdc4-485d-80ae-cb7bb71c810d.jpg?v=1757806090","width":900},{"alt":null,"id":36804886135034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040695185_10.jpg?v=1757806090"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040695185_10.jpg?v=1757806090","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランド・ウッチのジュークフットワーク作家Gary Gwaderaが、2025年7月に同国ワルシャワの実験\u003cspan\u003eレーベルPointless Geometryからリリースした再発レコードです。（オリジナルは2024年カセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフロア置き去り突っ走り系実験ジュークフットワーク11曲を収録。180g重量緑盤です。DLコード付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E7doarMRhiI?si=t5KNEM1DjkU_gnvU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2195191535\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1275900266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003ehere\u003c\/a\u003e to see more Pointless Geometry releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180g green vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003col\u003e\n\u003cli\u003eI. Chicago 08:12\u003cbr\u003e2. F 00:04\u003cbr\u003e3. II. Battle („kasowanie”) 06:07\u003cbr\u003e4. I 00:18\u003cbr\u003e5. III. Phazurek 05:33\u003cbr\u003e6. E 00:04\u003cbr\u003e7. IV. Cool in the boiler room 07:28\u003cbr\u003e8. L 00:07\u003cbr\u003e9. V. Dwapotrzy 04:14\u003cbr\u003e10. D 00:08\u003cbr\u003e11. VI. Weksel 08:28 \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003ePointless Geometry :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e“It’s nothing else but a Chicago-style oberek!’ – that was my first thought when I heard the compilation ‘Bangs \u0026amp; Works’, an album that introduced the footwork style to a global audience. At first I was drawn by the triple, syncopated rhythm, based on the iconic sounds of the Roland TR-808 drum machine. My musical explorations have long been centering around triple rhythms of rural Poland. The clash of this archaic, distinctly Polish form with the freedom of the underground, electronic sound from the Black suburbs of Chicago seemed to aesthetically hit the perfect spot. As an anthropologist - dreamer, I also imagined that the presence of a triple rhythm in Chicago – the largest hub of the Polish diaspora in the USA – was not a coincidence. It was a result of a meeting between our native musical tradition and the musical sensitivity of the Black community in the United States. I must admit that this hypothesis was, and still is, purely my musical dream, unsupported by any scientific evidence. However, regardless of the actual roots of this fascinating phenomenon known as footwork, it is hard not to notice certain correlations between footwork and the Polish oberek tradition. This is in both cases music rather meant for dancing than for listening. It’s supposed to present a certain musical and rhythmic challenge to dancers, who can test themselves in a fun-oriented setting, where competition is an integral part. In Polish villages, these are traditional battles of village bands, while in Chicago, they are footwork battles in underground clubs. Both in the oberek and footwork, the most important are a sense of community, energy, and excitement built around dance, accompanied by a characteristic triple pulse. \u003cbr\u003e\u003cbr\u003eTherefore, the footberk suite “Far, far in Chicago”, is intended as an imagined musical journey through time and space, where the Polish oberek and Chicago footwork find a common ground in dynamic, triple rhythms. I aim to show that the syncopated rhythm of the mazurka (or of the oberek) can sound just as contemporary and bold as the beats created for Chicago dancers. The composition is meant to be an auditory tribute to both cultures’ dance spirit and their sense of community. It is an attempt to capture the emotions that accompany both footwork dancers and participants of rural dance parties – spaces where music and dance become tools of self-expression. \u003cbr\u003e\u003cbr\u003eTo connect these two seemingly distant worlds I use a specially designed rhythmic machine. At its heart lies a rural jaz, with build-on Lem-esque pads packed with samples from the TR-808 and TR-909, as well as other electronic sounds.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gary Gwadera\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e"}
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