Nick Hoffman // Parvae Harmoniae TAPE

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カリフォルニアの実験音楽レーベルPilgrim Talk主宰者Nick Hoffmanが、ギター1本で様々な古典クラシック曲を演奏した意欲作。全17曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Pilgrim Talk releases available at Tobira.

-------------------------

Edition of 100.

Artist : Nick Hoffman

Label : Pilgrim Talk

レーベルその他作品はこちら /// Click here to see more Pilgrim Talk releases available at Tobira.

-------------------------

Edition of 100.

Artist : Nick Hoffman

Label : Pilgrim Talk

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クイックビュー {"id":8950991192314,"title":"Joyer \/\/ On the Other End of the Line... LP [COLOR]","handle":"joyer-on-the-other-end-of-the-line-lp-color","description":"\u003cp\u003eアメリカのインディーデュオJoyerが、2025年10月に同国インディーレーベルJulia's Warからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーポップ10曲を収録。エレクトリックスモークカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4040286871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003ehere\u003c\/a\u003e to see more Julia's War releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 24th October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" 'electric smoke' vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Know Your Secret\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Cure 03:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Creases\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Glare of the Beer Can \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Spell \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Something to Prove\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Favorite\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. At the Movies \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Test\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Tell Me\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Julia's War:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSince their previous full-length, Night Songs, arrived in 2024, both Nick and Shane relocated to different cities—Nick from Brooklyn to Philadelphia, and Shane from Boston to Brooklyn—and were tasked with settling into new versions of themselves. Plus, they were dealing with Joyer’s increasingly hectic tour schedule, traveling across the country with Horse Jumper of Love, Wishy, and villagerrr, to name a few. Nick was seeking healthier approaches to his on-the-road life and home life, navigating simultaneous feelings\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eof guilt and anticipation. Meanwhile, Shane was grappling with a nagging loneliness in Boston, especially when he returned from tour, which prompted a move to be closer to friends and family. But through all the ups and downs, being on tour was life-affirming for Joyer—they met kindred spirits and grew closer as a band, and it sparked a desire for new material.\u003cbr\u003e\u003cbr\u003eEager to push the pop melodicism of Night Songs even further, Joyer began writing a new album, and they booked eight days in a Chicago studio with Henry Stoehr, having been fans of his catchy, detailed production style and guitar work in Slow Pulp. Feeling somewhat misunderstood by the response to Night Songs, they were also itching to dial back their shoegaze leanings in favor of folkier touches and less conventional, more ambitious arrangements. “Cure” and “Glare of the Beer Can” glisten with pastoral twang, while spidery rock rippers like “Favorite” and “Test” throb with fickle, explosive rhythms. This time around, Nick set out to compose more interesting drum parts, often skirting typical 4\/4 beats and setting songs tastefully askew, and the band’s guitars have a richer, more intentional sound, thanks to plenty of time spent layering in acoustic guitar textures, blending tones, and re-tracking parts dozens of times. For reference points, they looked to noisy guitar pop groups like Velocity Girl and Helvetia who, like Joyer, live and die by coarse guitar thrums and front-and-center pop hooks. Perhaps the best encapsulation of this ugly-pretty dichotomy is “Spell,” where staticky, muscular guitar solos punctuate delicate vocal melodies. [...]\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joyer\u003c\/p\u003e\n\u003cp\u003eLabel : Julia's War\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJWR088lp-C1 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:29:02+09:00","created_at":"2025-10-09T10:09:31+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","julia's war","lp","new"],"price":349400,"price_min":349400,"price_max":349400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805572088058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joyer \/\/ On the Other End of the Line... LP [COLOR]","public_title":null,"options":["Default Title"],"price":349400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"716892697869","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_2fdef699-309b-4fa8-950f-c627f244e73b.jpg?v=1759972045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044","options":["Title"],"media":[{"alt":null,"id":37042523472122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044","width":700},{"alt":null,"id":37042523504890,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_2fdef699-309b-4fa8-950f-c627f244e73b.jpg?v=1759972045"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_2fdef699-309b-4fa8-950f-c627f244e73b.jpg?v=1759972045","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのインディーデュオJoyerが、2025年10月に同国インディーレーベルJulia's Warからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーポップ10曲を収録。エレクトリックスモークカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4040286871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003ehere\u003c\/a\u003e to see more Julia's War releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 24th October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" 'electric smoke' vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Know Your Secret\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Cure 03:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Creases\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Glare of the Beer Can \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Spell \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Something to Prove\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Favorite\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. At the Movies \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Test\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Tell Me\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Julia's War:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSince their previous full-length, Night Songs, arrived in 2024, both Nick and Shane relocated to different cities—Nick from Brooklyn to Philadelphia, and Shane from Boston to Brooklyn—and were tasked with settling into new versions of themselves. Plus, they were dealing with Joyer’s increasingly hectic tour schedule, traveling across the country with Horse Jumper of Love, Wishy, and villagerrr, to name a few. Nick was seeking healthier approaches to his on-the-road life and home life, navigating simultaneous feelings\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eof guilt and anticipation. Meanwhile, Shane was grappling with a nagging loneliness in Boston, especially when he returned from tour, which prompted a move to be closer to friends and family. But through all the ups and downs, being on tour was life-affirming for Joyer—they met kindred spirits and grew closer as a band, and it sparked a desire for new material.\u003cbr\u003e\u003cbr\u003eEager to push the pop melodicism of Night Songs even further, Joyer began writing a new album, and they booked eight days in a Chicago studio with Henry Stoehr, having been fans of his catchy, detailed production style and guitar work in Slow Pulp. Feeling somewhat misunderstood by the response to Night Songs, they were also itching to dial back their shoegaze leanings in favor of folkier touches and less conventional, more ambitious arrangements. “Cure” and “Glare of the Beer Can” glisten with pastoral twang, while spidery rock rippers like “Favorite” and “Test” throb with fickle, explosive rhythms. This time around, Nick set out to compose more interesting drum parts, often skirting typical 4\/4 beats and setting songs tastefully askew, and the band’s guitars have a richer, more intentional sound, thanks to plenty of time spent layering in acoustic guitar textures, blending tones, and re-tracking parts dozens of times. For reference points, they looked to noisy guitar pop groups like Velocity Girl and Helvetia who, like Joyer, live and die by coarse guitar thrums and front-and-center pop hooks. Perhaps the best encapsulation of this ugly-pretty dichotomy is “Spell,” where staticky, muscular guitar solos punctuate delicate vocal melodies. [...]\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joyer\u003c\/p\u003e\n\u003cp\u003eLabel : Julia's War\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJWR088lp-C1 \u003c\/span\u003e\u003c\/p\u003e"}

アメリカのシューゲイズバンドHer New Knifeが、2025年10月に同国インディーレーベルJulia's Warからリリースしたレコードです。シューゲイズ〜ノイズ・ロック12曲を収録。シルバーマーブル盤です。レーベルその他作品はこちら /// Click here to see more Julia's War...

¥3,530

クイックビュー {"id":8950984114426,"title":"Weirs \/\/ Diamond Grove LP","handle":"weirs-diamond-grove-lp","description":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389696467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Want to Die Easy 02:48\u003cbr\u003e2. Lord Randall 09:14\u003cbr\u003e3. Everlasting 03:51\u003cbr\u003e4. Edward 07:14\u003cbr\u003e5. Doxology (I) 01:12\u003cbr\u003e6. (A Still, Small Voice) 02:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lord Bateman 20:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Doxology (II) 00:35\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eWeirs is an experimental collective grown out of central North Carolina’s music scene––one that is equal parts old-time and DIY noise. Non-hierarchical in form, past Weirs performances have included anywhere from two to twelve people. In September 2023, nine traveled up US-58 to pack into the living and\u003cspan class=\"bcTruncateMore\"\u003e dining rooms of the dairy farm main house, still in the family of band member and organizer Oliver Child-Lanning, whose relatives have been there for centuries. This Weirs lineup—neither definitive nor precious—includes Child-Lanning; Justin Morris and Libby Rodenbough (his collaborators in Sluice); Evan Morgan, Courtney Werner, and Mike DeVito of Magic Tuber Stringband; and stalwarts Andy McLeod, Alli Rogers, and Oriana Messer who played deep into those late-summer evenings. What resulted are the nine tracks of Diamond Grove, recorded with an ad hoc signal chain assembled from a greater-community’s worth of borrowed gear.\u003cbr\u003e\u003cbr\u003eThe Weirs project began as tape experiments on traditional tunes Child-Lanning made under the name Pluviôse in winter 2019. This evolved into the first Weirs record, Prepare to Meet God, which was self-released in July 2020 and was a collaboration between Child-Lanning and Morris during COVID. The strange conditions of that debut—a communal tradition of live songs recorded apart in isolation—are undone by Diamond Grove, a record rooted in the unrepeatable convergence of people, place, and time. On the new record, Weirs continue their search for how best to forward, uphold, and unshackle so-called “traditional” music. They are songcatchers, gathering tunes on the verge of obscure death. Their wild, centuries-spanning repertoire plays like an avant-call-the-tune session—a kind of Real Book for a scene fluent in porch jams, Big Blood, Amps for Christ, and Jean Ritchie. Weirs catch songs whose interpretive canon still feels ajar—open enough to stand next to but never above those who’ve sung them before. These aren’t attempts at definitive versions. The recordings on Diamond Grove feel like visitations rather than revisions. And the question Weirs asks on this record is not how to simply continue the tradition of their forebears, but how traditional music could sound today.\u003cbr\u003e\u003cbr\u003eFor Weirs, the history of this tradition could be taken less from the folk revival than from musique concrète; less from pristine old master recordings than something like The Shadow Ring if they’d come from the evangelical South. One listen to “(A Still, Small Voice)” and you’ll hear the power of the hymn give way to its equal: the floorboards, fire crackle, dinners made and eaten. This tension between preservation and degradation is the inner light of Diamond Grove. Take “Doxology I”: the melody of “Old Hundred”, a hymn from the Sacred Harp tradition, is converted to MIDI, played through iPhone speakers, and re-recorded in the September air. To some revivalists, this hymn sung with all the glory of fake auto-tuned voices might sound sacreligious. But ears attuned, say, to the hyperpop production of the last few decades will immediately understand the tense beauty of hearing digitally-artifacted shape-note singing. This same tension animates “I Want to Die Easy.” Weirs’ version draws from A Golden Ring of Gospel’s recording, monumentalized in the Folkways collection Sharon Mountain Harmony. The melodies, words, structure are largely unchanged. But the “pure” clarity of voice in the early recording is gone. In its place, we hear the distancing sound of the dairy farm silo where Weirs recorded their version, its natural two-second reverb replacing pristine proximity. In this way, the sound of the recording site itself becomes equal to the traditional performance. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLR064lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T10:11:27+09:00","created_at":"2025-10-09T09:53:54+09:00","vendor":"Tobira Records","type":"","tags":["dear life records","field recording","folk \/ left-field pop","lp","new"],"price":306000,"price_min":306000,"price_max":306000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805554262266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weirs \/\/ Diamond Grove LP","public_title":null,"options":["Default Title"],"price":306000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"617308104349","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","options":["Title"],"media":[{"alt":null,"id":37042463179002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","width":700},{"alt":null,"id":37042463211770,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389696467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Want to Die Easy 02:48\u003cbr\u003e2. Lord Randall 09:14\u003cbr\u003e3. Everlasting 03:51\u003cbr\u003e4. Edward 07:14\u003cbr\u003e5. Doxology (I) 01:12\u003cbr\u003e6. (A Still, Small Voice) 02:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lord Bateman 20:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Doxology (II) 00:35\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eWeirs is an experimental collective grown out of central North Carolina’s music scene––one that is equal parts old-time and DIY noise. Non-hierarchical in form, past Weirs performances have included anywhere from two to twelve people. In September 2023, nine traveled up US-58 to pack into the living and\u003cspan class=\"bcTruncateMore\"\u003e dining rooms of the dairy farm main house, still in the family of band member and organizer Oliver Child-Lanning, whose relatives have been there for centuries. This Weirs lineup—neither definitive nor precious—includes Child-Lanning; Justin Morris and Libby Rodenbough (his collaborators in Sluice); Evan Morgan, Courtney Werner, and Mike DeVito of Magic Tuber Stringband; and stalwarts Andy McLeod, Alli Rogers, and Oriana Messer who played deep into those late-summer evenings. What resulted are the nine tracks of Diamond Grove, recorded with an ad hoc signal chain assembled from a greater-community’s worth of borrowed gear.\u003cbr\u003e\u003cbr\u003eThe Weirs project began as tape experiments on traditional tunes Child-Lanning made under the name Pluviôse in winter 2019. This evolved into the first Weirs record, Prepare to Meet God, which was self-released in July 2020 and was a collaboration between Child-Lanning and Morris during COVID. The strange conditions of that debut—a communal tradition of live songs recorded apart in isolation—are undone by Diamond Grove, a record rooted in the unrepeatable convergence of people, place, and time. On the new record, Weirs continue their search for how best to forward, uphold, and unshackle so-called “traditional” music. They are songcatchers, gathering tunes on the verge of obscure death. Their wild, centuries-spanning repertoire plays like an avant-call-the-tune session—a kind of Real Book for a scene fluent in porch jams, Big Blood, Amps for Christ, and Jean Ritchie. Weirs catch songs whose interpretive canon still feels ajar—open enough to stand next to but never above those who’ve sung them before. These aren’t attempts at definitive versions. The recordings on Diamond Grove feel like visitations rather than revisions. And the question Weirs asks on this record is not how to simply continue the tradition of their forebears, but how traditional music could sound today.\u003cbr\u003e\u003cbr\u003eFor Weirs, the history of this tradition could be taken less from the folk revival than from musique concrète; less from pristine old master recordings than something like The Shadow Ring if they’d come from the evangelical South. One listen to “(A Still, Small Voice)” and you’ll hear the power of the hymn give way to its equal: the floorboards, fire crackle, dinners made and eaten. This tension between preservation and degradation is the inner light of Diamond Grove. Take “Doxology I”: the melody of “Old Hundred”, a hymn from the Sacred Harp tradition, is converted to MIDI, played through iPhone speakers, and re-recorded in the September air. To some revivalists, this hymn sung with all the glory of fake auto-tuned voices might sound sacreligious. But ears attuned, say, to the hyperpop production of the last few decades will immediately understand the tense beauty of hearing digitally-artifacted shape-note singing. This same tension animates “I Want to Die Easy.” Weirs’ version draws from A Golden Ring of Gospel’s recording, monumentalized in the Folkways collection Sharon Mountain Harmony. The melodies, words, structure are largely unchanged. But the “pure” clarity of voice in the early recording is gone. In its place, we hear the distancing sound of the dairy farm silo where Weirs recorded their version, its natural two-second reverb replacing pristine proximity. In this way, the sound of the recording site itself becomes equal to the traditional performance. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLR064lp\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。トラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。レーベルその他作品はこちら /// Click here to see more Dear Life releases available at Tobira. ----------------------------------------------...

¥3,060

El Michels Affair & Black Thought // Glorious Game LP [COLOR]

クイックビュー {"id":8950982148346,"title":"El Michels Affair \u0026 Black Thought \/\/ Glorious Game LP [COLOR]","handle":"el-michels-affair-black-thought-glorious-game-lp-color-1","description":"\u003cp\u003eアメリカのプロデューサーLeon Michels率いるネオソウルバンドEl Michels AffairとラッパーBlack Thoughtが、2023年に同国NYのソウルレーベルBig Crownからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eヒップホップ〜ネオソウル〜インディーポップ12曲を収録。スカイハイカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zz5Xqso7tCI?si=ewzxQGW_5CjVmuWJ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'sky high' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Grateful 02:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Glorious Game 03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. I'm Still Somehow 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Hollow Way 02:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Protocol 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. The Weather 02:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. That Girl 02:10\u003cbr\u003e\u003c\/span\u003e8. I Would Never 02:43\u003cbr\u003e9. Miracle 02:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Alone 02:06\u003cbr\u003e\u003c\/span\u003e11. Glorious Game (Reprise) 01:23\u003cbr\u003e12. Alter Ego 03:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eReleasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two first met in the 2000s when Thought was first getting familiar with the contemporary soul scene. \"Out of that whole world, Menahan Street Band was probably my favorite,\" recalling the funk and soul group\u003cspan class=\"bcTruncateMore\"\u003e Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective—Dave Guy on trumpet and Ian Hendrickson-Smith on sax —are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. \"Before long, Black Thought was coming around the studio and would jam with us from time to time,\" Michels explains. \"Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy.\"\u003cbr\u003e\u003cbr\u003eBeing that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. \"I'm a big fan of soul music,\" as if Michels has to remind us. \"And part of hip-hop's appeal to me has always been the sample-based production\" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and\/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people’s music but then adding live instrumentation on top. But for the most part, it's him reinterpreting his own compositions into something new.\u003cbr\u003e\u003cbr\u003eThe result is an organic feel of loop-based tracks that breathe and fluctuate enough for Black Thought to flex on. \"What I write about is determined by the equation of the producer's energy and my energy,\" Black Thought says. \"It's about where we meet.\" So armed with Michels sampled and re-sampled soul cinematics, Black Thought rhymes through personal memories and distinctive perspectives, all dripping with visuals. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : El Michels Affair \u0026amp; Black Thought\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBCR122lp-C2 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T10:03:04+09:00","created_at":"2025-10-09T09:49:53+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","folk \/ left-field pop","hiphop \/ funk","lp","new"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805550723322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"El Michels Affair \u0026 Black Thought \/\/ Glorious Game LP [COLOR]","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"349223012255","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gam_7fdcc65f-3105-4264-8e80-81c17bd28dd0.jpg?v=1759970793","\/\/tobirarecords.com\/cdn\/shop\/files\/gam2_38a9241d-ae73-48a8-a876-3e7ede0ebc7c.jpg?v=1759970793"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam_7fdcc65f-3105-4264-8e80-81c17bd28dd0.jpg?v=1759970793","options":["Title"],"media":[{"alt":null,"id":37042443944186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam_7fdcc65f-3105-4264-8e80-81c17bd28dd0.jpg?v=1759970793"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam_7fdcc65f-3105-4264-8e80-81c17bd28dd0.jpg?v=1759970793","width":700},{"alt":null,"id":37042443976954,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam2_38a9241d-ae73-48a8-a876-3e7ede0ebc7c.jpg?v=1759970793"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gam2_38a9241d-ae73-48a8-a876-3e7ede0ebc7c.jpg?v=1759970793","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのプロデューサーLeon Michels率いるネオソウルバンドEl Michels AffairとラッパーBlack Thoughtが、2023年に同国NYのソウルレーベルBig Crownからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eヒップホップ〜ネオソウル〜インディーポップ12曲を収録。スカイハイカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zz5Xqso7tCI?si=ewzxQGW_5CjVmuWJ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'sky high' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Grateful 02:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Glorious Game 03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. I'm Still Somehow 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Hollow Way 02:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Protocol 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. The Weather 02:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. That Girl 02:10\u003cbr\u003e\u003c\/span\u003e8. I Would Never 02:43\u003cbr\u003e9. Miracle 02:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Alone 02:06\u003cbr\u003e\u003c\/span\u003e11. Glorious Game (Reprise) 01:23\u003cbr\u003e12. Alter Ego 03:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eReleasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two first met in the 2000s when Thought was first getting familiar with the contemporary soul scene. \"Out of that whole world, Menahan Street Band was probably my favorite,\" recalling the funk and soul group\u003cspan class=\"bcTruncateMore\"\u003e Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective—Dave Guy on trumpet and Ian Hendrickson-Smith on sax —are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. \"Before long, Black Thought was coming around the studio and would jam with us from time to time,\" Michels explains. \"Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy.\"\u003cbr\u003e\u003cbr\u003eBeing that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. \"I'm a big fan of soul music,\" as if Michels has to remind us. \"And part of hip-hop's appeal to me has always been the sample-based production\" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and\/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people’s music but then adding live instrumentation on top. But for the most part, it's him reinterpreting his own compositions into something new.\u003cbr\u003e\u003cbr\u003eThe result is an organic feel of loop-based tracks that breathe and fluctuate enough for Black Thought to flex on. \"What I write about is determined by the equation of the producer's energy and my energy,\" Black Thought says. \"It's about where we meet.\" So armed with Michels sampled and re-sampled soul cinematics, Black Thought rhymes through personal memories and distinctive perspectives, all dripping with visuals. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : El Michels Affair \u0026amp; Black Thought\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBCR122lp-C2 \u003c\/span\u003e\u003c\/p\u003e"}