Pascoe & Martin // Here Comes Everything 18xCD BOX SET

Pascoe & Martin // Here Comes Everything 18xCD BOX SET

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オーストラリアのジャズ作家Derek PascoeとChris Martinが、2025年7月に同国de la Catessenからリリースした18枚組CD BOX SETです。

インプロ18曲を収録。ブックレット付属。

レーベルその他作品はこちら /// Click here to see more de la Catessen releases available at Tobira.

-------------------------------------------

18 x CD box set contains CDs in separate cardstock sleeves + 16 page booklet.
Edition of 300.

Tracklist:

1. Telemachus 42:49
2. Nestor 50:45
3. Proteus 41:19
4. Calypso 49:16
5. The Lotus Eaters 55:36
6. Hades 43:51
7. Aeolus 57:34
8. Lestrygonians 51:42
9. Scylla and Charybdis 41:21
10. Wandering Rocks 51:49
11. Sirens 49:45
12. Cyclops 56:11
13. Nausicaa 38:45
14. Oxen of the Sun 48:23
15. Circe 01:01:35
16. Eumaeus 01:02:36
17. Ithaca 01:06:21
18. Penelope 54:36

de la Catessen:

"De la Catessen Records triumphantly presents Here Comes Everything, a monumental 18CD box set marking the long-overdue recording debut of duo Pascoe & Martin. This is De la Catessen's most lavish production to date in its ongoing commitment to unearthing, documenting, and illuminating experimental music from Port Adelaide, Australia.

The world of Here Comes Everything is rich, playful, and virtuosic. In its limitless variety it invokes a day-long perspective – and what a glorious day - of quotidian experiences, from the wondrous to the mundane. Here Comes Everything is sublime in its reverence of detail; awesome in its cumulative flood of experience; revelatory in its many extemporary dialogues both whispered and roared.

Each of the 18 parts of this Here Comes Everything is a single long improvisation, named after one of the 18 chapters of Ulysses. James Joyce's schema for Ulysses – an 18-row chart he devised to help his friends navigate the labyrinth of each chapter's themes and references - is the structure on which Pascoe & Martin's far-reaching musical epic is based.

Here Comes Everything is the saga of two contradictory musical characters in their search for meaning and for each other. Chris Martin's piano is elevated, ravishing, and rapturous. Derek Pascoe's cabbalistic saxophone is sensual and profane. Pascoe and Martin's journey in Here Comes Everything is akin to that of Bloom and Dedalus in Ulysses, where the fundamental inspiration for Here Comes Everything can be found.

Pascoe & Martin have been honing their craft as a long-form improvising duo for 25 years. Since 2000 their public performances have been unmissable events. Pascoe & Martin continue to challenge and contradict each other in their open-ended Socratic dialogue. Years in the making, yet entirely and thrillingly in the moment, De la Catessen Records presents Here Comes Everything in an edition of just 300 copies. Lavishly illustrated by Michael Hocking with drawings taken from life during 18 recording sessions, Here Comes Everything is not to be missed. "

Artist : Pascoe & Martin

Label : de la Catessen

cat no: DLC020

Quantity

+ -

オーストラリアのジャズ作家Derek PascoeとChris Martinが、2025年7月に同国de la Catessenからリリースした18枚組CD BOX SETです。

インプロ18曲を収録。ブックレット付属。

レーベルその他作品はこちら /// Click here to see more de la Catessen releases available at Tobira.

-------------------------------------------

18 x CD box set contains CDs in separate cardstock sleeves + 16 page booklet.
Edition of 300.

Tracklist:

1. Telemachus 42:49
2. Nestor 50:45
3. Proteus 41:19
4. Calypso 49:16
5. The Lotus Eaters 55:36
6. Hades 43:51
7. Aeolus 57:34
8. Lestrygonians 51:42
9. Scylla and Charybdis 41:21
10. Wandering Rocks 51:49
11. Sirens 49:45
12. Cyclops 56:11
13. Nausicaa 38:45
14. Oxen of the Sun 48:23
15. Circe 01:01:35
16. Eumaeus 01:02:36
17. Ithaca 01:06:21
18. Penelope 54:36

de la Catessen:

Artist : Pascoe & Martin

Label : de la Catessen

cat no: DLC020

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クイックビュー {"id":8127698501882,"title":"Leitmotiv Limbo \/\/ Spiritual Disturbance CD \/ TAPE","handle":"leitmotiv-limbo-spiritual-disturbance-cd-tape","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2022年3月にde la Catessenからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン〜ポストインダストリアル・ストレンジビーツ13曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2542559625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as CD or TAPE. \u003cbr\u003eCD edition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1. Introduction on Entry 02:08\u003c\/li\u003e\n\u003cli\u003eA2. Ancestral Memories 07:48\u003c\/li\u003e\n\u003cli\u003eA3. Submersive 03:09\u003c\/li\u003e\n\u003cli\u003eA4. Troupe of Troops 05:05\u003c\/li\u003e\n\u003cli\u003eA5. Spiritual Disturbance 02:51\u003c\/li\u003e\n\u003cli\u003eA6. Rattle Without Roll 04:54\u003c\/li\u003e\n\u003cli\u003eB1. Indiscrete Exit 02:09\u003c\/li\u003e\n\u003cli\u003eB2. Another Folk Marched In 03:12\u003c\/li\u003e\n\u003cli\u003eB3. Two Note Gypsy Begging Tune For Two Notes 04:18\u003c\/li\u003e\n\u003cli\u003eB4. Ancestral Memory Fragment 02:37\u003c\/li\u003e\n\u003cli\u003eB5. Scraping With Nails 07:03\u003c\/li\u003e\n\u003cli\u003eB6. Folk Saunter \/ Waving \/ Killing Meditation Folk 06:22\u003c\/li\u003e\n\u003cli\u003eB7. Cat Calling 02:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDe la Catessen Records presents Spiritual Disturbance, from Elijah Värttö's project Leitmotiv Limbo. Currently based in Port Adelaide, Australia, Leitmotiv Limbo has developed, slowly but surely, over the past few decades, through international travel and relocation, including 5 years in Estonia (2008-2012), where Värttö set up the Servataguse Muusika concert series. Spiritual Disturbance was recorded in 2020 and released privately as a small run of recycled cassettes - this CD version is the first widely available Leitmotiv Limbo release since their 2018 split cassette with RNPno2 on Finnish label Hyster Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCentral to the Leitmotiv Limbo ethos are Värttö’s self-made instruments, built from discarded, repurposed, and found objects, such as loose springs and other metallic implements. Affixed to wood sourced from a disused and dismantled piano frame, their deep resonance, both percussive and timbral, positions Värttö’s approach within a trajectory of instrument builders \/ creators – you can hear echoes of the music of artists like Z’ev, Hal Rammel, and Rod Cooper in the shattered textures and industrial drones of tracks like “Submersive”, for example. There’s also a tactility to the performances here, a haptic resonance, and a strange\u003cspan class=\"bcTruncateMore\"\u003e, viscous sensuality to the material.\u003cbr\u003e\u003cbr\u003eVärttö recorded Spiritual Disturbance in a church hall in Adelaide, on a four-track, using room mics and direct line input, and it’s made up largely of one-take performances on Värttö’s self-made instruments, with minimal intervention, at times, from analogue filters and a drum synth. The combination of the evacuated tonalities of the instruments, plus the cavernous reverb of the recording space, gives Spiritual Disturbance a distinctly ritualistic sensibility; poetic and primitive, but eloquent in its exploration. It also brings to mind mysterious projects like Organum, Morphogenesis, Metgumbnerbone, perhaps even an acoustic Voice Crack, where conceptual rigour meets unpredictability via real-time improvisation.\u003cbr\u003e\u003cbr\u003eSpectral and haunted, Leitmotiv Limbo’s Spiritual Disturbance is a compelling collection of oneiric expression, and an eloquent articulation of a unique, invented universe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2024-01-04T07:49:39+09:00","created_at":"2024-01-04T07:49:07+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","drone","monooto","new","noise","strange beats","tape"],"price":178000,"price_min":178000,"price_max":198000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44955638497530,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":{"id":40261814845690,"product_id":8127698501882,"position":2,"created_at":"2024-01-04T07:49:13+09:00","updated_at":"2024-01-04T07:49:13+09:00","alt":null,"width":1200,"height":855,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_903d85d6-4745-4651-873e-636f07a91381.jpg?v=1704322153","variant_ids":[44955638497530]},"available":true,"name":"Leitmotiv Limbo \/\/ Spiritual Disturbance CD \/ TAPE - 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Available as CD or TAPE. \u003cbr\u003eCD edition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1. Introduction on Entry 02:08\u003c\/li\u003e\n\u003cli\u003eA2. Ancestral Memories 07:48\u003c\/li\u003e\n\u003cli\u003eA3. Submersive 03:09\u003c\/li\u003e\n\u003cli\u003eA4. Troupe of Troops 05:05\u003c\/li\u003e\n\u003cli\u003eA5. Spiritual Disturbance 02:51\u003c\/li\u003e\n\u003cli\u003eA6. Rattle Without Roll 04:54\u003c\/li\u003e\n\u003cli\u003eB1. Indiscrete Exit 02:09\u003c\/li\u003e\n\u003cli\u003eB2. Another Folk Marched In 03:12\u003c\/li\u003e\n\u003cli\u003eB3. Two Note Gypsy Begging Tune For Two Notes 04:18\u003c\/li\u003e\n\u003cli\u003eB4. Ancestral Memory Fragment 02:37\u003c\/li\u003e\n\u003cli\u003eB5. Scraping With Nails 07:03\u003c\/li\u003e\n\u003cli\u003eB6. Folk Saunter \/ Waving \/ Killing Meditation Folk 06:22\u003c\/li\u003e\n\u003cli\u003eB7. Cat Calling 02:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDe la Catessen Records presents Spiritual Disturbance, from Elijah Värttö's project Leitmotiv Limbo. Currently based in Port Adelaide, Australia, Leitmotiv Limbo has developed, slowly but surely, over the past few decades, through international travel and relocation, including 5 years in Estonia (2008-2012), where Värttö set up the Servataguse Muusika concert series. Spiritual Disturbance was recorded in 2020 and released privately as a small run of recycled cassettes - this CD version is the first widely available Leitmotiv Limbo release since their 2018 split cassette with RNPno2 on Finnish label Hyster Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCentral to the Leitmotiv Limbo ethos are Värttö’s self-made instruments, built from discarded, repurposed, and found objects, such as loose springs and other metallic implements. Affixed to wood sourced from a disused and dismantled piano frame, their deep resonance, both percussive and timbral, positions Värttö’s approach within a trajectory of instrument builders \/ creators – you can hear echoes of the music of artists like Z’ev, Hal Rammel, and Rod Cooper in the shattered textures and industrial drones of tracks like “Submersive”, for example. There’s also a tactility to the performances here, a haptic resonance, and a strange\u003cspan class=\"bcTruncateMore\"\u003e, viscous sensuality to the material.\u003cbr\u003e\u003cbr\u003eVärttö recorded Spiritual Disturbance in a church hall in Adelaide, on a four-track, using room mics and direct line input, and it’s made up largely of one-take performances on Värttö’s self-made instruments, with minimal intervention, at times, from analogue filters and a drum synth. The combination of the evacuated tonalities of the instruments, plus the cavernous reverb of the recording space, gives Spiritual Disturbance a distinctly ritualistic sensibility; poetic and primitive, but eloquent in its exploration. It also brings to mind mysterious projects like Organum, Morphogenesis, Metgumbnerbone, perhaps even an acoustic Voice Crack, where conceptual rigour meets unpredictability via real-time improvisation.\u003cbr\u003e\u003cbr\u003eSpectral and haunted, Leitmotiv Limbo’s Spiritual Disturbance is a compelling collection of oneiric expression, and an eloquent articulation of a unique, invented universe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}

オーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2022年3月にde la Catessenからリリースしたアルバムです。物音ドローン〜ポストインダストリアル・ストレンジビーツ13曲を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more de la Catessen releases available...

¥1,780

クイックビュー {"id":8002349498618,"title":"Leitmotiv Limbo \/\/ Superior State LP","handle":"leitmotiv-limbo-superior-state-lp","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2023年9月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパルスとリズムに焦点を当てた、フロア棒立ち系マイクロスコピック・物音テクノ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1928580878\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweeping an Arc 02:53\u003c\/li\u003e\n\u003cli\u003eBirds and Beasts 04:42\u003c\/li\u003e\n\u003cli\u003eParading Brutality 03:56\u003c\/li\u003e\n\u003cli\u003eRelative Peace 02:30\u003c\/li\u003e\n\u003cli\u003eCarving Itself 02:57\u003c\/li\u003e\n\u003cli\u003eState of Trance 02:02\u003c\/li\u003e\n\u003cli\u003eSuperior State 02:39\u003c\/li\u003e\n\u003cli\u003eForbidden Instruments 04:21\u003c\/li\u003e\n\u003cli\u003eLevitating Elevators 02:57\u003c\/li\u003e\n\u003cli\u003eBubble Trouble 02:36\u003c\/li\u003e\n\u003cli\u003eMiddle Age Cave 02:02\u003c\/li\u003e\n\u003cli\u003eBrightness 04:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSuperior State is the second Leitmotiv Limbo album released by Port Adelaide’s De la Catessen Records, after the 2022 CD Spiritual Disturbance. This time, Leitmotiv Limbo’s isolationist studies have been bumped to vinyl, which feels like the perfect format for these twelve miniatures. The project of Adelaide artist Elijah Värttö, Leitmotiv Limbo has, over the past few decades, tracked a history of quietly insistent experimentation, embracing several technologies – invented instruments; analogue filters; drum synth – to sketch desolate, cavernous structures, sometimes performed in reverberant spaces, such as church halls, which gifts the recordings a ritualistic air.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Superior State, Värttö is more intently focused on rhythms and pulses, resulting in a beautifully sculpted collection of poetic vignettes. You can hear some trace elements, here, of the minimalist techno-not-techno of artists like Pan Sonic, or Studio 1\/Freiland, in their reductionist ethos. But also, in the insistence of Värttö’s attention to detail, and his careful focus on a delimited number of elements, the twelve pieces on Superior State recall the work of mysterious German outfits Werkbund and Mechthild Von Leutsch, or the solo explorations of artists like Asmus Tietchens, Achim Wollscheid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and Goem.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's intensely evocative music, recalling all kinds of phenomena, both man-made and natural: electricity pulsing through wires; the humming of the central nervous system; the quiet hiss of deserted computer laboratories; the pulsations of plant life; the molecular vibration of atoms. Värttö has tapped into the poetry of the programmatic on Superior State, and he’s sharp in his grasp of the significant effect that the incremental shifting of a few simple parameters can have on the overarching structures he’s building here. Indeed, that poetry is echoed back in the beautiful liner notes by Adelaide artist Michael Hocking. Alive, flickering with incident, Superior State is energy transmitted, coursing through the collective’s veins.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2023-08-06T15:43:03+09:00","created_at":"2023-08-06T14:55:21+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","lp","monooto","techno \/ house"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430691041530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Leitmotiv Limbo \/\/ Superior State LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323","\/\/tobirarecords.com\/cdn\/shop\/files\/sup2_d2dbda35-bc9e-45a4-bf5b-c8d3a54623ab.jpg?v=1691301323"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323","options":["Title"],"media":[{"alt":null,"id":32302664220922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323","width":700},{"alt":null,"id":32302664253690,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup2_d2dbda35-bc9e-45a4-bf5b-c8d3a54623ab.jpg?v=1691301323"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup2_d2dbda35-bc9e-45a4-bf5b-c8d3a54623ab.jpg?v=1691301323","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2023年9月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパルスとリズムに焦点を当てた、フロア棒立ち系マイクロスコピック・物音テクノ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1928580878\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweeping an Arc 02:53\u003c\/li\u003e\n\u003cli\u003eBirds and Beasts 04:42\u003c\/li\u003e\n\u003cli\u003eParading Brutality 03:56\u003c\/li\u003e\n\u003cli\u003eRelative Peace 02:30\u003c\/li\u003e\n\u003cli\u003eCarving Itself 02:57\u003c\/li\u003e\n\u003cli\u003eState of Trance 02:02\u003c\/li\u003e\n\u003cli\u003eSuperior State 02:39\u003c\/li\u003e\n\u003cli\u003eForbidden Instruments 04:21\u003c\/li\u003e\n\u003cli\u003eLevitating Elevators 02:57\u003c\/li\u003e\n\u003cli\u003eBubble Trouble 02:36\u003c\/li\u003e\n\u003cli\u003eMiddle Age Cave 02:02\u003c\/li\u003e\n\u003cli\u003eBrightness 04:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSuperior State is the second Leitmotiv Limbo album released by Port Adelaide’s De la Catessen Records, after the 2022 CD Spiritual Disturbance. This time, Leitmotiv Limbo’s isolationist studies have been bumped to vinyl, which feels like the perfect format for these twelve miniatures. The project of Adelaide artist Elijah Värttö, Leitmotiv Limbo has, over the past few decades, tracked a history of quietly insistent experimentation, embracing several technologies – invented instruments; analogue filters; drum synth – to sketch desolate, cavernous structures, sometimes performed in reverberant spaces, such as church halls, which gifts the recordings a ritualistic air.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Superior State, Värttö is more intently focused on rhythms and pulses, resulting in a beautifully sculpted collection of poetic vignettes. You can hear some trace elements, here, of the minimalist techno-not-techno of artists like Pan Sonic, or Studio 1\/Freiland, in their reductionist ethos. But also, in the insistence of Värttö’s attention to detail, and his careful focus on a delimited number of elements, the twelve pieces on Superior State recall the work of mysterious German outfits Werkbund and Mechthild Von Leutsch, or the solo explorations of artists like Asmus Tietchens, Achim Wollscheid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and Goem.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's intensely evocative music, recalling all kinds of phenomena, both man-made and natural: electricity pulsing through wires; the humming of the central nervous system; the quiet hiss of deserted computer laboratories; the pulsations of plant life; the molecular vibration of atoms. Värttö has tapped into the poetry of the programmatic on Superior State, and he’s sharp in his grasp of the significant effect that the incremental shifting of a few simple parameters can have on the overarching structures he’s building here. Indeed, that poetry is echoed back in the beautiful liner notes by Adelaide artist Michael Hocking. Alive, flickering with incident, Superior State is energy transmitted, coursing through the collective’s veins.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}

オーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2023年9月にアデレイドのコンテンポラリーレーベルde la Catessenからリリースするレコードです。パルスとリズムに焦点を当てた、フロア棒立ち系マイクロスコピック・物音テクノ12曲を収録。マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたしますレーベルその他作品はこちら /// Click here to see more de la...

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クイックビュー {"id":8002349465850,"title":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD","handle":"benaud-trio-empyrean-traces-lp-cd","description":"\u003cp\u003eオーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家\u003cmeta charset=\"utf-8\"\u003eDavid Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレコードのマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1487579429\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or CD in digipack. \u003cbr\u003eLP edition of 300 \/ CD edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEmpyrean Traces 21:06\u003c\/li\u003e\n\u003cli\u003eUnder Stars 10:04\u003c\/li\u003e\n\u003cli\u003eChromatic Traces 13:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura performances: as Luke Altmann of De La Catessen says, “it often felt during these sessions less like we were listening to the Benaud Trio and more like we were scanning for a signal from outer space.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, Kotlowy’s compositions share something otherworldly. His compositional ethos is informed by several key influences – Japanese musical aesthetics; John Cage; Morton Feldman; Ross\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Bolleter and his ruined pianos – but while you can hear relationships between Kotlowy’s compositions and these forebears, Kotlowy is not beholden to that which has come before, and over several decades, has marked out his own patch of aesthetic territory with unerring clarity. The works on Empyrean Traces span the 1990s to 2020s, with two ‘earlier’ pieces, “Chromatic Traces” and “Under Stars”, revised earlier this decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile significant time has elapsed between their composition, the three pieces on Empyrean Traces share the same ‘sound world’, one where an exterior seeming-fragility masks a resolute interior: these are sturdy, powerful pieces. Kotlowy draws from several compositional tactics – the use of Cagean time brackets, or breathing as measure, such that this album, in his own words, “traces a transition from outer to inner clock time.” There is also a “relaxing of musical austerity” as Empyrean Traces progresses; the spare chill of “Chromatic Traces” acquiesces to the relative richness of the title composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA gorgeous album of deeply moving music, Empyrean Traces is sure to appeal to fans of composers such as Morton Feldman, Jürg Frey, or Tōru Takemitsu.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2023-08-06T15:30:21+09:00","created_at":"2023-08-06T14:51:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","de la catessen","lp","neo classical","recommended"],"price":219000,"price_min":219000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430690975994,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39680888865018,"product_id":8002349465850,"position":2,"created_at":"2023-08-06T14:51:32+09:00","updated_at":"2023-08-06T14:51:34+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094","variant_ids":[44430690975994]},"available":true,"name":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD - LP","public_title":"LP","options":["LP"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32302649442554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44430691008762,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39680888897786,"product_id":8002349465850,"position":3,"created_at":"2023-08-06T14:51:32+09:00","updated_at":"2023-08-06T14:51:34+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em3_b81a4025-8e30-49d1-b23d-0190e5af0f4e.jpg?v=1691301094","variant_ids":[44430691008762]},"available":false,"name":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD - CD","public_title":"CD","options":["CD"],"price":219000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32302649475322,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em3_b81a4025-8e30-49d1-b23d-0190e5af0f4e.jpg?v=1691301094"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/em1_837a7b9b-770b-4559-a5e6-734373326359.jpg?v=1691301094","\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094","\/\/tobirarecords.com\/cdn\/shop\/files\/em3_b81a4025-8e30-49d1-b23d-0190e5af0f4e.jpg?v=1691301094"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_837a7b9b-770b-4559-a5e6-734373326359.jpg?v=1691301094","options":["Format"],"media":[{"alt":null,"id":32302649409786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_837a7b9b-770b-4559-a5e6-734373326359.jpg?v=1691301094"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_837a7b9b-770b-4559-a5e6-734373326359.jpg?v=1691301094","width":700},{"alt":null,"id":32302649442554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094","width":1200},{"alt":null,"id":32302649475322,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em3_b81a4025-8e30-49d1-b23d-0190e5af0f4e.jpg?v=1691301094"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em3_b81a4025-8e30-49d1-b23d-0190e5af0f4e.jpg?v=1691301094","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家\u003cmeta charset=\"utf-8\"\u003eDavid Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレコードのマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1487579429\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or CD in digipack. \u003cbr\u003eLP edition of 300 \/ CD edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEmpyrean Traces 21:06\u003c\/li\u003e\n\u003cli\u003eUnder Stars 10:04\u003c\/li\u003e\n\u003cli\u003eChromatic Traces 13:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura performances: as Luke Altmann of De La Catessen says, “it often felt during these sessions less like we were listening to the Benaud Trio and more like we were scanning for a signal from outer space.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, Kotlowy’s compositions share something otherworldly. His compositional ethos is informed by several key influences – Japanese musical aesthetics; John Cage; Morton Feldman; Ross\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Bolleter and his ruined pianos – but while you can hear relationships between Kotlowy’s compositions and these forebears, Kotlowy is not beholden to that which has come before, and over several decades, has marked out his own patch of aesthetic territory with unerring clarity. The works on Empyrean Traces span the 1990s to 2020s, with two ‘earlier’ pieces, “Chromatic Traces” and “Under Stars”, revised earlier this decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile significant time has elapsed between their composition, the three pieces on Empyrean Traces share the same ‘sound world’, one where an exterior seeming-fragility masks a resolute interior: these are sturdy, powerful pieces. Kotlowy draws from several compositional tactics – the use of Cagean time brackets, or breathing as measure, such that this album, in his own words, “traces a transition from outer to inner clock time.” There is also a “relaxing of musical austerity” as Empyrean Traces progresses; the spare chill of “Chromatic Traces” acquiesces to the relative richness of the title composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA gorgeous album of deeply moving music, Empyrean Traces is sure to appeal to fans of composers such as Morton Feldman, Jürg Frey, or Tōru Takemitsu.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}

オーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家David Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベルde la Catessenからリリースしたアルバムです。 Morton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。レコードのマスタリングはGiuseppe Ielashiが担当しています。レーベルその他作品はこちら /// Click here to see more...

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クイックビュー {"id":8788554907898,"title":"Tristan Louth-Robins \/\/ Borrowed Out Of Time LP","handle":"tristan-louth-robins-borrowed-out-of-time-lp","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Tristan Louth-Robinsが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054770455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Conjuring 03:04\u003cbr\u003e2. Memento Trails 14:31\u003cbr\u003e3. Sunken Lodestone 14:40\u003cbr\u003e4. Eternal Exposure 04:04\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Jon Dale, via the label\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003eTristan is one of those consistent presences within Adelaide’s network of experimental musicians, sound artists, and general refuseniks. I remember him always being around, but at a remove from the circles I was in, and he seemed, at the time, aligned more with sound art and conservatorium practices, though that was a reductive understanding of the complexity of Tristan’s thinking, even two decades ago. It’s been lovely to catch up with his music on Borrowed Out Of Time and get to grips with both the eloquence of the compositional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approaches he’s arrived at here, and the sensitivity of his listening and recording; even in MP3 form, this is a lovely record to listen to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album itself started with Tristan’s use of remote acoustic recorders. Deploying them to a reef at low tide, near his hometown in Normanville, he found himself empathising with these lonely, passive technological presences: “It was the first time I could remember a profound pang of something for what the technology was experiencing, sensing and ‘feeling'.” A loosely contemporaneous encounter with James Bridie’s Ways Of Being and the concept of unwelt (“the way non-human things sense and experience the world around them”), plus a commission for an installation work for Adelaide Festival’s Neoterica, nudged Tristan further in the album’s direction, thinking through ideas of the uncanny\/unheimlich and interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf that material, plus other recordings sourced from those acoustic recorders, proffers the groundwork for Borrowed Out Of Time, Tristan’s embellishments and extrapolations in his home studio bring other voices to bear – a Tama acoustic guitar; tape hiss; digital noise; cymbals; fence wire; ring modulation; yet more – producing a suite of four works that strike as gently poignant, even as they deal with source material that is sometimes disembodied, denaturalised, or rendered adrift through processes of compositional dislocation. Reflecting on his ways of making, Tristan mentions, “A lot of my compositional process nowadays errs on the side of being very tactile,” and you can definitely hear that in Borrowed Out Of Time, alongside a spatialised dimension to the material that is maybe drawn from other studio practices – “I frequently spread sounds out in the space using many loudspeakers of different sizes, so I can move these around and treat them by covering them with bowls, turning them upside down, or placing them under or within resonant vessels.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout, I hear a cussed curiosity and a sharpness in attention, coupled with a compositional ear that’s hitherto been mostly implied; now, though, Tristan’s music has achieved an easeful poetics that has no need to ask you to be enamoured of it. It’s simply there, smartly designed, inviting even at its most austere, ready to welcome you to its world, on its own terms, but with warmth and understated wit.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tristan Louth-Robins\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : DLC017\u003c\/p\u003e","published_at":"2025-06-04T08:39:56+09:00","created_at":"2025-05-19T13:14:14+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","drone","lp","monooto","new"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47324668330234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tristan Louth-Robins \/\/ Borrowed Out Of Time LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_e539fa8a-25d0-497a-9d0b-d334925ea08c.jpg?v=1747627961"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961","options":["Title"],"media":[{"alt":null,"id":36052063158522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961","width":700},{"alt":null,"id":36052063191290,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_e539fa8a-25d0-497a-9d0b-d334925ea08c.jpg?v=1747627961"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_e539fa8a-25d0-497a-9d0b-d334925ea08c.jpg?v=1747627961","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Tristan Louth-Robinsが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054770455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Conjuring 03:04\u003cbr\u003e2. Memento Trails 14:31\u003cbr\u003e3. Sunken Lodestone 14:40\u003cbr\u003e4. Eternal Exposure 04:04\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Jon Dale, via the label\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003eTristan is one of those consistent presences within Adelaide’s network of experimental musicians, sound artists, and general refuseniks. I remember him always being around, but at a remove from the circles I was in, and he seemed, at the time, aligned more with sound art and conservatorium practices, though that was a reductive understanding of the complexity of Tristan’s thinking, even two decades ago. It’s been lovely to catch up with his music on Borrowed Out Of Time and get to grips with both the eloquence of the compositional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approaches he’s arrived at here, and the sensitivity of his listening and recording; even in MP3 form, this is a lovely record to listen to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album itself started with Tristan’s use of remote acoustic recorders. Deploying them to a reef at low tide, near his hometown in Normanville, he found himself empathising with these lonely, passive technological presences: “It was the first time I could remember a profound pang of something for what the technology was experiencing, sensing and ‘feeling'.” A loosely contemporaneous encounter with James Bridie’s Ways Of Being and the concept of unwelt (“the way non-human things sense and experience the world around them”), plus a commission for an installation work for Adelaide Festival’s Neoterica, nudged Tristan further in the album’s direction, thinking through ideas of the uncanny\/unheimlich and interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf that material, plus other recordings sourced from those acoustic recorders, proffers the groundwork for Borrowed Out Of Time, Tristan’s embellishments and extrapolations in his home studio bring other voices to bear – a Tama acoustic guitar; tape hiss; digital noise; cymbals; fence wire; ring modulation; yet more – producing a suite of four works that strike as gently poignant, even as they deal with source material that is sometimes disembodied, denaturalised, or rendered adrift through processes of compositional dislocation. Reflecting on his ways of making, Tristan mentions, “A lot of my compositional process nowadays errs on the side of being very tactile,” and you can definitely hear that in Borrowed Out Of Time, alongside a spatialised dimension to the material that is maybe drawn from other studio practices – “I frequently spread sounds out in the space using many loudspeakers of different sizes, so I can move these around and treat them by covering them with bowls, turning them upside down, or placing them under or within resonant vessels.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout, I hear a cussed curiosity and a sharpness in attention, coupled with a compositional ear that’s hitherto been mostly implied; now, though, Tristan’s music has achieved an easeful poetics that has no need to ask you to be enamoured of it. It’s simply there, smartly designed, inviting even at its most austere, ready to welcome you to its world, on its own terms, but with warmth and understated wit.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tristan Louth-Robins\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : DLC017\u003c\/p\u003e"}