Eric Schmid // Technology & Mythology (What Is Structure's Ontology) TAPE
Eric Schmid // Technology & Mythology (What Is Structure's Ontology) TAPE
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Recitalからも多数の作品を発表しているEric Schmidの最新作が英国異端レーベルRegional Bearsから2020年10月リリース。１時間以上の大ボリュームです。
Artist : Eric Schmid
Label : Regional Bears
Recitalからも多数の作品を発表しているEric Schmidの最新作が英国異端レーベルRegional Bearsから2020年10月リリース。１時間以上の大ボリュームです。
Artist : Eric Schmid
Label : Regional Bears
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{"id":9001185345786,"title":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","handle":"mark-fell-pat-thomas-reality-is-not-a-theory-lp","description":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e","published_at":"2025-11-14T14:20:29+09:00","created_at":"2025-11-14T12:52:53+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","new","recommended","strange beats"],"price":476500,"price_min":476500,"price_max":476500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957714206970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","public_title":null,"options":["Default Title"],"price":476500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101489839","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","options":["Title"],"media":[{"alt":null,"id":37502634393850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","width":700},{"alt":null,"id":37502634426618,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e"}
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イギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 シェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell & Pat...
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{"id":8988491088122,"title":"Lou Mallozzi \/\/ Became These 2xLP","handle":"lou-mallozzi-became-these-lp","description":"\u003cp\u003eアメリカ・シカゴの実験音楽家／大学教授Lou Mallozziが、2025年10月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ・ドローン6曲を収録。DLコードとインサート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=776264830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e11×22″ double-sided insert featuring texts by Lou Mallozzi, Mark Booth, Whitney Johnson, Hal Rammel, and Allen S. Weiss. \u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Captions 04:08\u003cbr\u003e2. Things in their place 19:16\u003cbr\u003e3. Coltello pesante 03:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Pass 19:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Deux Espaces Trois Temps (pt. 1) 17:38\u003cbr\u003e\u003c\/span\u003e6. Deux Espaces Trois Temps (pt. 2) 14:30\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePentiments is honored to present Became These, a double LP collection of archival sound works by artist, professor, Experimental Sound Studio director emeritus, and all-around singular Chicago arts fixture Lou Mallozzi. Gathering previously unreleased works from 1996-2020, the collection speaks to Mallozzi’s enduring versatility and aptitude for seamlessly adopting varieties of sonic approach—one will find pieces spanning conceptually engrossing spoken engagements with the listener, timbrally rich and unpredictable concrète compositions of varying densities and intensities, ensemble works drawing from the traditions of sound poetry and free improvisation in wholly unique manners, and more. Those who have had the opportunity to hear Mallozzi’s 1999 CD release Radiophagy on Hal Rammel’s Penumbra Music label or see him perform his works live most likely already have an inkling of the kind of skill and creativity with which he has been able to interrogate voice, word and sound for the past three decades. We hope that this collection is able to present this creativity to new audiences and encourage a wider celebration of this voice of many voices.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lou Mallozzi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003ePEN019\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-10T12:51:11+09:00","created_at":"2025-11-10T12:00:32+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","Pentiments"],"price":499000,"price_min":499000,"price_max":499000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47929736102138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lou Mallozzi \/\/ Became These 2xLP","public_title":null,"options":["Default Title"],"price":499000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_ccc29fe0-bf5f-4ff7-9a78-ae22d27ebf5e.jpg?v=1762743538","\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_197c3401-687e-4a38-abcf-a1d77352b328.jpg?v=1762743539"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_ccc29fe0-bf5f-4ff7-9a78-ae22d27ebf5e.jpg?v=1762743538","options":["Title"],"media":[{"alt":null,"id":37448167686394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_ccc29fe0-bf5f-4ff7-9a78-ae22d27ebf5e.jpg?v=1762743538"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_ccc29fe0-bf5f-4ff7-9a78-ae22d27ebf5e.jpg?v=1762743538","width":700},{"alt":null,"id":37448167719162,"position":2,"preview_image":{"aspect_ratio":1.619,"height":741,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_197c3401-687e-4a38-abcf-a1d77352b328.jpg?v=1762743539"},"aspect_ratio":1.619,"height":741,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_197c3401-687e-4a38-abcf-a1d77352b328.jpg?v=1762743539","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験音楽家／大学教授Lou Mallozziが、2025年10月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ・ドローン6曲を収録。DLコードとインサート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=776264830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e11×22″ double-sided insert featuring texts by Lou Mallozzi, Mark Booth, Whitney Johnson, Hal Rammel, and Allen S. Weiss. \u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Captions 04:08\u003cbr\u003e2. Things in their place 19:16\u003cbr\u003e3. Coltello pesante 03:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Pass 19:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Deux Espaces Trois Temps (pt. 1) 17:38\u003cbr\u003e\u003c\/span\u003e6. Deux Espaces Trois Temps (pt. 2) 14:30\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePentiments is honored to present Became These, a double LP collection of archival sound works by artist, professor, Experimental Sound Studio director emeritus, and all-around singular Chicago arts fixture Lou Mallozzi. Gathering previously unreleased works from 1996-2020, the collection speaks to Mallozzi’s enduring versatility and aptitude for seamlessly adopting varieties of sonic approach—one will find pieces spanning conceptually engrossing spoken engagements with the listener, timbrally rich and unpredictable concrète compositions of varying densities and intensities, ensemble works drawing from the traditions of sound poetry and free improvisation in wholly unique manners, and more. Those who have had the opportunity to hear Mallozzi’s 1999 CD release Radiophagy on Hal Rammel’s Penumbra Music label or see him perform his works live most likely already have an inkling of the kind of skill and creativity with which he has been able to interrogate voice, word and sound for the past three decades. We hope that this collection is able to present this creativity to new audiences and encourage a wider celebration of this voice of many voices.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lou Mallozzi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003ePEN019\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴの実験音楽家／大学教授Lou Mallozziが、2025年10月に同国シカゴの実験レーベルPentimentsからリリースした2枚組レコードです。 物音コラージュ・ドローン6曲を収録。DLコードとインサート付属。 レーベルその他作品はこちら /// Click here to see more Pentiments releases available at Tobira. ------------------------------ Includes...
¥4,990
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{"id":8988279996666,"title":"Roland Kayn \/\/ The Ortho-Project – Limited Edition 15xCD BOX","handle":"roland-kayn-the-ortho-project-limited-edition-15xcd-box","description":"\u003cp\u003eイタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eマスタリングはジムオルークが担当しています。\u003c\/p\u003e\n\u003cp\u003e※送料無料で発送いたします\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e15 x CD in individual sleeves, presented in sturdy gold-stamped box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003e1-1 Atharyt 47:50\u003cbr\u003e1-2 Itirsis 27:34\u003cbr\u003e1-3 Dat SR z 46:55\u003cbr\u003e1-4 Tirals 47:21\u003cbr\u003e1-5 Skips 47:42\u003cbr\u003e1-6 Synergy 46:53\u003cbr\u003e1-7 Les Rantoles 43:37\u003cbr\u003e1-8 Perikarya 35:35\u003cbr\u003e1-9 Kthoor 42:09\u003cbr\u003e1-10 Ataraly 35:10\u003cbr\u003e1-11 Conversions 28:24\u003cbr\u003e1-12 Anisotropy EE 1:01:14\u003cbr\u003e1-13 Antarary 53:04\u003cbr\u003e1-14 Rantho 45:07\u003cbr\u003e1-15 Sonoritys 41:30\u003cbr\u003e1-16 Antegry 20:02\u003cbr\u003e1-17 Ecardy 57:04\u003cbr\u003e1-18 La Grada 29:24\u003cbr\u003e1-19 Zazorith 30:06\u003cbr\u003e1-20 Arttiraes 45:08\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003efrozen reeds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReturning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Jim O’Rourke applying his signature restorative touch to the audio, and Robert Beatty taking his cryptic cybernetics-inspired artwork several steps beyond the label’s previous Kayn box, ‘The Ortho-Project’ (2007) – in its 14-hour\u003cspan class=\"bcTruncateMore\"\u003e entirety – finally sees a fitting release.\u003cbr\u003e\u003cbr\u003eIn 1970, Roland Kayn began a decades-long period of research, development and creation at the Instituut voor Sonologie in Utrecht. In the mid to late 90s, he retired, relocated to the Dutch countryside, and began to realise new electronic works at Reiger Recording Studio – his modest home facility. “I finally came to the conclusion,” Kayn would later point out, “that I no longer needed studios to construct my own electronic music.”\u003cbr\u003e\u003cbr\u003eThe working methods Kayn arrived at individually – without the room-filling synthesisers, mixing desks and signal-processing equipment of Sonology at his disposal – saw him turning his own career into a cybernetic process. From the hours of recorded sound amassed in prior decades, he began processing and assembling a mountainous quantity of new music. His works of this period are focused on reabsorbing and recontextualising his life’s work to produce yet another series of utterly alien landscapes.\u003cbr\u003e\u003cbr\u003eFrom his retirement until his death in 2011, Kayn was wildly prolific, leaving an archive of dozens of finished electronic pieces. Earlier source material is often re-sculpted using the technology Kayn had available to hand, while other techniques such as sampling radio broadcasts or the plunderphonic quotation of others’ works occasionally intercede.\u003cbr\u003e\u003cbr\u003eNo notes accompany any of this music – no word of explanation or expression of intent. Only the works and their titles remain, the latter often simply deepening the mystery. Their durations range from around 20 minutes to almost 18 hours. ‘The Ortho-Project’, presented here in its 14-hour entirety, is among the longest. At this scale, Kayn’s music is perhaps at its most immersive; the listener senses they are being invited to envelope themselves in a rich environment of diverse timbral physicality rather than a programmatic work. This is simply electronic music as you have never experienced it before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roland Kayn \u003c\/p\u003e\n\u003cp\u003eLabel : frozen reeds\u003c\/p\u003e\n\u003cp\u003eCAT no : fr25\/39\u003c\/p\u003e","published_at":"2025-11-09T15:33:20+09:00","created_at":"2025-11-09T15:32:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","new","recommended"],"price":1798000,"price_min":1798000,"price_max":1798000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47928328028410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roland Kayn \/\/ The Ortho-Project – Limited Edition 15xCD BOX","public_title":null,"options":["Default Title"],"price":1798000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972","\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","options":["Title"],"media":[{"alt":null,"id":34876949528826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","width":300},{"alt":null,"id":34876949561594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972","width":1200},{"alt":null,"id":34876949594362,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eマスタリングはジムオルークが担当しています。\u003c\/p\u003e\n\u003cp\u003e※送料無料で発送いたします\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e15 x CD in individual sleeves, presented in sturdy gold-stamped box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003e1-1 Atharyt 47:50\u003cbr\u003e1-2 Itirsis 27:34\u003cbr\u003e1-3 Dat SR z 46:55\u003cbr\u003e1-4 Tirals 47:21\u003cbr\u003e1-5 Skips 47:42\u003cbr\u003e1-6 Synergy 46:53\u003cbr\u003e1-7 Les Rantoles 43:37\u003cbr\u003e1-8 Perikarya 35:35\u003cbr\u003e1-9 Kthoor 42:09\u003cbr\u003e1-10 Ataraly 35:10\u003cbr\u003e1-11 Conversions 28:24\u003cbr\u003e1-12 Anisotropy EE 1:01:14\u003cbr\u003e1-13 Antarary 53:04\u003cbr\u003e1-14 Rantho 45:07\u003cbr\u003e1-15 Sonoritys 41:30\u003cbr\u003e1-16 Antegry 20:02\u003cbr\u003e1-17 Ecardy 57:04\u003cbr\u003e1-18 La Grada 29:24\u003cbr\u003e1-19 Zazorith 30:06\u003cbr\u003e1-20 Arttiraes 45:08\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003efrozen reeds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReturning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Jim O’Rourke applying his signature restorative touch to the audio, and Robert Beatty taking his cryptic cybernetics-inspired artwork several steps beyond the label’s previous Kayn box, ‘The Ortho-Project’ (2007) – in its 14-hour\u003cspan class=\"bcTruncateMore\"\u003e entirety – finally sees a fitting release.\u003cbr\u003e\u003cbr\u003eIn 1970, Roland Kayn began a decades-long period of research, development and creation at the Instituut voor Sonologie in Utrecht. In the mid to late 90s, he retired, relocated to the Dutch countryside, and began to realise new electronic works at Reiger Recording Studio – his modest home facility. “I finally came to the conclusion,” Kayn would later point out, “that I no longer needed studios to construct my own electronic music.”\u003cbr\u003e\u003cbr\u003eThe working methods Kayn arrived at individually – without the room-filling synthesisers, mixing desks and signal-processing equipment of Sonology at his disposal – saw him turning his own career into a cybernetic process. From the hours of recorded sound amassed in prior decades, he began processing and assembling a mountainous quantity of new music. His works of this period are focused on reabsorbing and recontextualising his life’s work to produce yet another series of utterly alien landscapes.\u003cbr\u003e\u003cbr\u003eFrom his retirement until his death in 2011, Kayn was wildly prolific, leaving an archive of dozens of finished electronic pieces. Earlier source material is often re-sculpted using the technology Kayn had available to hand, while other techniques such as sampling radio broadcasts or the plunderphonic quotation of others’ works occasionally intercede.\u003cbr\u003e\u003cbr\u003eNo notes accompany any of this music – no word of explanation or expression of intent. Only the works and their titles remain, the latter often simply deepening the mystery. Their durations range from around 20 minutes to almost 18 hours. ‘The Ortho-Project’, presented here in its 14-hour entirety, is among the longest. At this scale, Kayn’s music is perhaps at its most immersive; the listener senses they are being invited to envelope themselves in a rich environment of diverse timbral physicality rather than a programmatic work. This is simply electronic music as you have never experienced it before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roland Kayn \u003c\/p\u003e\n\u003cp\u003eLabel : frozen reeds\u003c\/p\u003e\n\u003cp\u003eCAT no : fr25\/39\u003c\/p\u003e"}
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イタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。 マスタリングはジムオルークが担当しています。 ※送料無料で発送いたします ------------------------------------- 15 x CD...
¥17,980
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{"id":8985437405434,"title":"Joana Guerra, Maria Do Mar, Romke Kleefstra, Jan Kleefstra \/\/ IT DEEL IV LP","handle":"joana-guerra-maria-do-mar-romke-kleefstra-jan-kleefstra-it-deel-iv-lp","description":"\u003cp\u003eオランダのJoana Guerra, Maria Do Mar, Romke Kleefstra, Jan KleefstraによるバンドIT DEELが、2025年11月に同国実験／ドローンレーベルMoving Furnitureからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wtBS9\" id=\"_aA0QafOkF-Hh2roPobq6iAI_91\" style=\"-webkit-line-clamp: 6;\"\u003e\u003cspan\u003eチェロ、バイオリン、ベース、声によるコンテンポラリー〜ドローン10\u003c\/span\u003e\u003c\/span\u003e曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2602049173\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Al Dy Kleuren 07:05\u003cbr\u003e2. It Deel IV\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kâlde Mage\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. De Skatekster\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hannen Op It Gêrs 04:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Sliep In Bytsje 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Trigreppel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Pear Wurden Mar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. In Nije Lilkens\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. As De Ljoft Meisjongt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMoving Furniture:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePoetry and music in an annually changing Frisian-international ensemble — that’s IT DEEL, a residency project by the Kleefstra brothers. After three previous sessions and releases with Jacaszek, Eivind Lønning \u0026amp; Espen Reinertsen, and Karen Willems, this beautiful project finds its conclusion with a fourth collaboration.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn the summer of 2024, the Kleefstras invited cellist Joana Guerra and violinist Maria do Mar de Brito Lopes for a week-long creative residency at a special location: the Thomas Church in Katlijk.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLike with the previous releases from the IT DEEL collaborations the central theme of for this work is the relationship between humans and nature, in all its beauty and complexity. It’s not a light topic, but one that is universal and deeply connecting. Each year, it’s remarkable to witness what has emerged from the Frisian soil in the dialogue between the Kleefstras and their guest musicians.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joana Guerra, Maria Do Mar, Romke Kleefstra, Jan Kleefstra\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture\u003c\/p\u003e\n\u003cp\u003ecat no : MFRID004\u003c\/p\u003e","published_at":"2025-11-09T12:50:32+09:00","created_at":"2025-11-06T10:33:21+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","moving furniture records","new"],"price":399500,"price_min":399500,"price_max":399500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47907837804794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joana Guerra, Maria Do Mar, Romke Kleefstra, Jan Kleefstra \/\/ IT DEEL IV LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/deel1.jpg?v=1762392662","\/\/tobirarecords.com\/cdn\/shop\/files\/deel2.jpg?v=1762392662"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/deel1.jpg?v=1762392662","options":["Title"],"media":[{"alt":null,"id":37410727002362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deel1.jpg?v=1762392662"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deel1.jpg?v=1762392662","width":700},{"alt":null,"id":37410727035130,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deel2.jpg?v=1762392662"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deel2.jpg?v=1762392662","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのJoana Guerra, Maria Do Mar, Romke Kleefstra, Jan KleefstraによるバンドIT DEELが、2025年11月に同国実験／ドローンレーベルMoving Furnitureからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wtBS9\" id=\"_aA0QafOkF-Hh2roPobq6iAI_91\" style=\"-webkit-line-clamp: 6;\"\u003e\u003cspan\u003eチェロ、バイオリン、ベース、声によるコンテンポラリー〜ドローン10\u003c\/span\u003e\u003c\/span\u003e曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2602049173\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Al Dy Kleuren 07:05\u003cbr\u003e2. It Deel IV\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kâlde Mage\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. De Skatekster\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Hannen Op It Gêrs 04:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Sliep In Bytsje 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Trigreppel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Pear Wurden Mar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. In Nije Lilkens\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. As De Ljoft Meisjongt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMoving Furniture:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePoetry and music in an annually changing Frisian-international ensemble — that’s IT DEEL, a residency project by the Kleefstra brothers. After three previous sessions and releases with Jacaszek, Eivind Lønning \u0026amp; Espen Reinertsen, and Karen Willems, this beautiful project finds its conclusion with a fourth collaboration.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn the summer of 2024, the Kleefstras invited cellist Joana Guerra and violinist Maria do Mar de Brito Lopes for a week-long creative residency at a special location: the Thomas Church in Katlijk.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLike with the previous releases from the IT DEEL collaborations the central theme of for this work is the relationship between humans and nature, in all its beauty and complexity. It’s not a light topic, but one that is universal and deeply connecting. Each year, it’s remarkable to witness what has emerged from the Frisian soil in the dialogue between the Kleefstras and their guest musicians.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joana Guerra, Maria Do Mar, Romke Kleefstra, Jan Kleefstra\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture\u003c\/p\u003e\n\u003cp\u003ecat no : MFRID004\u003c\/p\u003e"}
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オランダのJoana Guerra, Maria Do Mar, Romke Kleefstra, Jan KleefstraによるバンドIT DEELが、2025年11月に同国実験／ドローンレーベルMoving Furnitureからリリースしたレコードです。 チェロ、バイオリン、ベース、声によるコンテンポラリー〜ドローン10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to...
¥3,995