Nichunimu // Bizcocho y devenir TAPE
Nichunimu // Bizcocho y devenir TAPE
¥1,790
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チリの実験ジャズトリオNichunimuが、2023年11月にイタリアの実験／物音レーベルtsssから100本限定でリリースしたカセットです。
トランペットとシンセ、パーカッションによる実験フリージャズ2曲を収録。DLコード付属。
tsss tapesその他作品はこちら /// Click here to see more tsss tapes releases available at Tobira.
--------------------------------
Includes DL code. Cassette in norelco case. Edition of 100.
Tracklist:
- Frescobaldi in vacanza 16:00
- Lo que murmulla 26:35
Artist : Nichunimu
Label : tsss tapes
チリの実験ジャズトリオNichunimuが、2023年11月にイタリアの実験／物音レーベルtsssから100本限定でリリースしたカセットです。
トランペットとシンセ、パーカッションによる実験フリージャズ2曲を収録。DLコード付属。
tsss tapesその他作品はこちら /// Click here to see more tsss tapes releases available at Tobira.
--------------------------------
Includes DL code. Cassette in norelco case. Edition of 100.
Tracklist:
- Frescobaldi in vacanza 16:00
- Lo que murmulla 26:35
Artist : Nichunimu
Label : tsss tapes
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Keith 05:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Further Than Your Headlights 07:08\u003cbr\u003e\u003c\/span\u003e6. Pilot 03:39\u003cbr\u003e7. Tray Tail 02:02\u003cbr\u003e8. Odd Low 03:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eEfficient Space:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWilson Tanner’s 69 returns to Australian soil for a new season. A uniquely provincial take on ambient music, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) assembled their prized debut over a shared love of seafood, wine and LPG. Recorded in a Perth backyard, these two new friends reached for the tools at hand and made the best of the fine weather. 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{"id":8924379939066,"title":"Angel Bat Dawid \/\/ The Oracle (IA11 Edition) LP","handle":"angel-bat-dawid-the-oracle-ia11-edition-lp","description":"\u003cp\u003e\u003cspan\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2025年9月にリリースした再発レコードです。（オリジナルは2019年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスピリチュアル・ジャズ8曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4179588316\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew \u003cmeta charset=\"utf-8\"\u003eIA11 version includes 8-page 11x11\" insert booklet with unpublished photos and new liner notes by drummer Asher Gamedze. \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eNOTE: vinyl contains album tracks 1-8. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Destination (Dr. Yusef Lateef) 02:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Black Family 06:18\u003cbr\u003e\u003c\/span\u003e3. What Shall I Tell My Children Who Are Black (Dr. Margaret Burroughs) 03:20\u003cbr\u003e4. Impepho 03:39\u003cbr\u003e5. We Are Starzz 04:23\u003cbr\u003e6. London 02:46\u003cbr\u003e7. Capetown (feat. Asher Gamedze) 15:36\u003cbr\u003e8. The Oracle 05:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAngel Bat Dawid’s International Anthem debut The Oracle introduced her multifaceted voice to the world. The response to its modest, initial cassette\/digital release in January of 2019 was immediate, and immense. Within a month of its announcement, Dawid was being featured on magazine covers and receiving offers from international festivals; and her subsequent activity marked the beginning of an epic run of creative output (including her critically-lauded 2020 LIVE album with Tha Brothahood, the same year's EP Transition East, 2021's Hush Harbor Mixtape Vol. 1 Doxology, and the sprawling opus Requiem for Jazz, released in 2023) that continues through the present moment (hear: Journey to Nabta Playa, her recently-released collaboration with Naima Nefertari).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collection of compositions on The Oracle present a deep blend of powerful and emotive songs alongside heavy and free improvisation. 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Destination (Dr. Yusef Lateef) 02:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Black Family 06:18\u003cbr\u003e\u003c\/span\u003e3. What Shall I Tell My Children Who Are Black (Dr. Margaret Burroughs) 03:20\u003cbr\u003e4. Impepho 03:39\u003cbr\u003e5. We Are Starzz 04:23\u003cbr\u003e6. London 02:46\u003cbr\u003e7. Capetown (feat. Asher Gamedze) 15:36\u003cbr\u003e8. The Oracle 05:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAngel Bat Dawid’s International Anthem debut The Oracle introduced her multifaceted voice to the world. The response to its modest, initial cassette\/digital release in January of 2019 was immediate, and immense. Within a month of its announcement, Dawid was being featured on magazine covers and receiving offers from international festivals; and her subsequent activity marked the beginning of an epic run of creative output (including her critically-lauded 2020 LIVE album with Tha Brothahood, the same year's EP Transition East, 2021's Hush Harbor Mixtape Vol. 1 Doxology, and the sprawling opus Requiem for Jazz, released in 2023) that continues through the present moment (hear: Journey to Nabta Playa, her recently-released collaboration with Naima Nefertari).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collection of compositions on The Oracle present a deep blend of powerful and emotive songs alongside heavy and free improvisation. In true DIY fashion, with pure presence and a spirit of creative abandon, Dawid recorded and mixed the album using only her cell phone, entirely. \"Angel's fieldnote approach affirms that the everyday remains a legitimate site of creative production,\" says percussionist, collaborator, and IARC labelmate Asher Gamedze in his liner notes for the album's IA11\u003cspan class=\"bcTruncateMore\"\u003e Edition.\u003cbr\u003e\u003cbr\u003eGamedze – the only other musician to appear on The Oracle besides Dawid, who constructed most of the album's tracks by layering, overdubbing, and arranging lo-fi symphonies of her own voice, wind instruments, percussions, and keyboards – waxes extensively about Dawid's significance in his notes, calling her \"a living exemplar and extension of the spacious sonic horizons opened by the likes of the AACM and their refusal of any limitations on their creative vision and the destruction of the demarcation between composer and improviser.\"\u003cbr\u003e\u003cbr\u003eRevisiting The Oracle, it's abundantly clear that it was Dawid’s artistic vision and compositional skill that pushed the scope of her explorations so far. It’s how, despite their sonic contrast, the layered delay-drenched clarinet improvisations of “Black Family” or “Impepho” sit nicely with the unadorned fly-on-the-wall majesty of “London” or the nearly sidelong freedom of “Capetown” (which documents her first-time meeting with Gamedze, at his home in South Africa). The laid-back minor key gospel-folk of Dawid’s vocal tunes tie The Oracle together and sit similarly comfortable within the sides of the record.\u003cbr\u003e\u003cbr\u003eGamedze gets to the essence when he writes: \"The album's profundity perhaps lies in its everydayness. Its beauty is in the worlds and work which are the music's root. What I do know is that it is a joy that this album exists. An instant classic with anthems ancient to the future. A totally idiosyncratic and grounded orientation to technology and production. A refusal of the lines between composition and improvisation. A multi-layered collage of history, struggle, organising and travel, both physical and metaphysical.\"\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IMRC0023\u003c\/p\u003e"}
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International Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2025年9月にリリースした再発レコードです。（オリジナルは2019年リリース） スピリチュアル・ジャズ8曲を収録。ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥3,960
クイックビュー
{"id":8924199452922,"title":"Mike Cooper \u0026 Jason Kolàr \/\/ Mauve\/Pink TAPE","handle":"mike-cooper-jason-kolar-mauve-pink-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイギリスのギタリストMike Cooperとスペインのアンビエント作家Jason Kolarが、\u003cspan data-mce-fragment=\"1\"\u003e2024年5月にポーランドの実験／アンビエントレーベルmondoj\u003c\/span\u003eからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e独特の浮遊感を纏ったインプロ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e両作家のソロ作品とはまた違った世界観が楽しめます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3384148433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3384148433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1315833497\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mdj\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mdj\"\u003ehere\u003c\/a\u003e to see more Mondoj releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Resemblance of Percussive Acts 02:52\u003cbr\u003e2. Mirage Dance Pageant 04:11\u003cbr\u003e3. Continental Drift 03:25\u003cbr\u003e4. Poinciana 03:32\u003cbr\u003e5. Bog 03:32\u003cbr\u003e6. Lo Spettacolo della Scarpetta 02:16\u003cbr\u003e7. Swan Whisperer 03:23\u003cbr\u003e8. Inner Sound World 03:58\u003cbr\u003e9. Soupspoon and Tiki 03:43\u003cbr\u003e10. Inna won ear\/outa nudder 04:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMondoj:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNestled beside the sea and a cluster of palm trees, La Malvarrosa, the neighborhood in Valencia where Cooper resides, derives its name from a fusion of \"Malva,\" meaning mauve, and \"Rosa,\" meaning pink. Here, La Malvarrosa serves as the primary backdrop for the recordings, symbolizing two distinct colors and artistic approaches.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese hues become the emblematic colors of a fictitious flag from an imagined island located on a forgotten expanse of ocean. From this ethereal site, melodies emerge, seeking to unravel the essence of certain insular music while intertwining with Cooper's post-everything sensibilities and Kòlar's minimalist electronics. \"Mauve\/Pink\" navigates the delicate balance between playfulness, intricacy, and simplicity, blurring boundaries between tradition and innovation, reality and imagination, change and repetition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album serves as a showcase for contrasting methodologies and viewpoints, acting as a sonic document of an ongoing conversation between generations, where Cooper and Kòlar's efforts illuminate a boundless creative process and timeless aesthetics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper \u0026amp; Jason Kolàr\u003c\/p\u003e\n\u003cp\u003eLabel : Mondoj\u003c\/p\u003e","published_at":"2025-09-16T09:24:35+09:00","created_at":"2025-09-16T09:23:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","mondoj","new","tape"],"price":259600,"price_min":259600,"price_max":259600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47723084415226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Cooper \u0026 Jason Kolàr \/\/ Mauve\/Pink TAPE","public_title":null,"options":["Default Title"],"price":259600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pink1_158fc117-2b82-407d-ab5a-48150f45742b.jpg?v=1724120250","\/\/tobirarecords.com\/cdn\/shop\/files\/pin2.jpg?v=1724120250"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pink1_158fc117-2b82-407d-ab5a-48150f45742b.jpg?v=1724120250","options":["Title"],"media":[{"alt":null,"id":34739557105914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pink1_158fc117-2b82-407d-ab5a-48150f45742b.jpg?v=1724120250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pink1_158fc117-2b82-407d-ab5a-48150f45742b.jpg?v=1724120250","width":700},{"alt":null,"id":34739557073146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pin2.jpg?v=1724120250"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pin2.jpg?v=1724120250","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイギリスのギタリストMike Cooperとスペインのアンビエント作家Jason Kolarが、\u003cspan data-mce-fragment=\"1\"\u003e2024年5月にポーランドの実験／アンビエントレーベルmondoj\u003c\/span\u003eからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e独特の浮遊感を纏ったインプロ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e両作家のソロ作品とはまた違った世界観が楽しめます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3384148433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3384148433\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1315833497\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mdj\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mdj\"\u003ehere\u003c\/a\u003e to see more Mondoj releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Resemblance of Percussive Acts 02:52\u003cbr\u003e2. Mirage Dance Pageant 04:11\u003cbr\u003e3. Continental Drift 03:25\u003cbr\u003e4. Poinciana 03:32\u003cbr\u003e5. Bog 03:32\u003cbr\u003e6. Lo Spettacolo della Scarpetta 02:16\u003cbr\u003e7. Swan Whisperer 03:23\u003cbr\u003e8. Inner Sound World 03:58\u003cbr\u003e9. Soupspoon and Tiki 03:43\u003cbr\u003e10. Inna won ear\/outa nudder 04:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMondoj:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNestled beside the sea and a cluster of palm trees, La Malvarrosa, the neighborhood in Valencia where Cooper resides, derives its name from a fusion of \"Malva,\" meaning mauve, and \"Rosa,\" meaning pink. Here, La Malvarrosa serves as the primary backdrop for the recordings, symbolizing two distinct colors and artistic approaches.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese hues become the emblematic colors of a fictitious flag from an imagined island located on a forgotten expanse of ocean. From this ethereal site, melodies emerge, seeking to unravel the essence of certain insular music while intertwining with Cooper's post-everything sensibilities and Kòlar's minimalist electronics. \"Mauve\/Pink\" navigates the delicate balance between playfulness, intricacy, and simplicity, blurring boundaries between tradition and innovation, reality and imagination, change and repetition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album serves as a showcase for contrasting methodologies and viewpoints, acting as a sonic document of an ongoing conversation between generations, where Cooper and Kòlar's efforts illuminate a boundless creative process and timeless aesthetics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Cooper \u0026amp; Jason Kolàr\u003c\/p\u003e\n\u003cp\u003eLabel : Mondoj\u003c\/p\u003e"}
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イギリスのギタリストMike Cooperとスペインのアンビエント作家Jason Kolarが、2024年5月にポーランドの実験／アンビエントレーベルmondojからリリースした共作カセットです。 独特の浮遊感を纏ったインプロ・アンビエント10曲を収録。 両作家のソロ作品とはまた違った世界観が楽しめます。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Mondoj releases available at...
¥2,596
クイックビュー
{"id":8922626785530,"title":"Third Ear Band s\/t LP","handle":"third-ear-band-s-t-lp","description":"\u003cp\u003e1960年代に結成されたイギリスのサイケデリックグループThird Ear Bandが、2025年8月にリリースした再発レコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003e電子楽器を使用せず制作したトライバル・ジャズ〜ストレンジビーツ4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、ライナーノーツの抜粋です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"多くのバンドにとって、機材を全て盗まれることは壊滅的な打撃となるだろう。しかしThird Ear Bandにとって、この1968年の不幸な事件は有益な変化への扉を開いた。リーダー兼パーカッショニストのグレン・スウィーニーはこの盗難をバンドの方向転換の兆しと捉え、彼らは完全にアコースティック楽器のみを使用する方針へ転換した。エレクトリックなサイケデリックが全盛期を迎えた中、スウィーニー、ポール・ミンズ（オーボエ、リコーダー、ホイッスル、フルート）、リチャード・コフ（ヴァイオリン、ヴィオラ）は独自の道を歩み始め、インドのラーガと室内楽を融合させた——電気楽器を使わずに。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThird Ear Bandの1969年デビューアルバム『アルケミー』は、彼らを世界的なアンダーグラウンドシーンにおける厳粛で力強い存在として確立した。『アルケミー』では、スウィーニーがハンドドラムで安定した拍子を刻み、ミンスとコフがオーボエ、リコーダー、ヴァイオリン、ヴィオラで旋律的なパターンを織り込んだ。このアプローチはセカンドアルバム『Third Ear Band』（通称『エレメンツ』）にも引き継がれた。そのタイトルは中世ヨーロッパの錬金術師の教義における四元素に由来する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの1970年のLPにおいて、Third Ear Bandは古代と現代を同時に感じさせる音色を奏でつつ、無限の秘儀を思わせる叙事詩的なトランス誘導ジャムでヒッピーたちを魅了した。西側のカウンターカルチャー最盛期に活躍したにもかかわらず、彼らは音響レベルで奇妙なほどその潮流から隔絶していた。コモスやジャン・デュークス・デ・グレイといった過激な同時代人ですら、TEBと比べればポップグループのように聞こえた。伝統的なフロントマンも電気楽器も持たないThird Ear Bandは独自の道を切り開き、その花は『エレメンツ』で最も鮮やかに咲いた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここに収められた長大な楽曲は、彼らの熟練した手から流れ出るように奏でられ、音による共同体の超越を喚起する——それは揺れるのではなく、閉ざされた美しさとともに漂い、うねる催眠的な渦だ。TEBの音楽は永遠の「今」、絶え間ない驚嘆の中に存在する。有機的なテクスチャーのウロボロス（自己嚥下する蛇）であり、まるで空中に魔法のように即興で生み出されたかのように見えながら、実験室での長い時間を思わせる厳密さを備えている。電気を使わないからこそ、それはなぜかあなたの意識の奥深くまで潜り込んでいくのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JuByNkoTTJk?si=PhsgKO3SOy9l8W8g\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve. \u003cbr\u003e2025 reissue by Antarctica Starts Here - originally released in 1970. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAir\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEarth\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFire\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWater\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDave Segal (excerpt from the liner notes):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change. Leader\/percussionist Glen Sweeney viewed the heist as a sign to alter Third Ear Band's approach, and they switched to exclusively using acoustic instruments. With electrified psychedelia in full bloom, Sweeney, Paul Minns (oboe, recorder, whistles, flutes) and Richard Coff (violin, viola) struck out on an individualistic path, blending Indian raga with chamber music – without plugging in.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThird Ear Band's 1969 debut album, Alchemy, established them as a solemn, powerful force in the global underground. On Alchemy, Sweeney laid down a steady pulse on hand drums, while Minns and Coff wove in melismatic patterns on oboe, recorder, violin and viola. This approach carried over to Third Ear Band's self-titled sophomore album, often called Elements due to its track titles being named after the four basic components of medieval European alchemists' doctrines.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn this 1970 LP, Third Ear Band sounded at once ancient and contemporary, yet they turned on the hippies with their epic, trance-inducing jams that suggested secret knowledge of infinity. Although Third Ear Band flourished during the West's countercultural zenith, they were peculiarly estranged from it on a sonic level. Even outré contemporaries such as Comus and Jan Dukes De Grey sounded like pop groups compared to TEB. Having no traditional front person or electric instruments, Third Ear Band forged a singular path that flowered most vividly on Elements.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe long songs here stream forth from their skilled hands, evoking a communal transcendence in sound – a hypnotic swirl that doesn't swing, but rather wafts and undulates with cloistered beauty. TEB's music exists in an eternal now, a perpetual wow. It is an ouroboros of organic textures, seemingly magicked into the air spontaneously, yet possessing a rigor that suggests long hours in the lab. Without electricity, it somehow burrowed deeper into your consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Third Ear Band\u003c\/p\u003e\n\u003cp\u003eLabel : Antarctica Starts Here\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eASH104\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-15T08:59:38+09:00","created_at":"2025-09-14T09:01:14+09:00","vendor":"Tobira Records","type":"","tags":["antarctica starts here","jazz","lp","new","post newage","strange beats"],"price":499400,"price_min":499400,"price_max":499400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47718900105466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Third Ear Band s\/t LP","public_title":null,"options":["Default Title"],"price":499400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"857661008605","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/band1_9e668d4c-537e-4e8b-bc99-7155de69cc65.jpg?v=1757807666"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/band1_9e668d4c-537e-4e8b-bc99-7155de69cc65.jpg?v=1757807666","options":["Title"],"media":[{"alt":null,"id":36804925063418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/band1_9e668d4c-537e-4e8b-bc99-7155de69cc65.jpg?v=1757807666"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/band1_9e668d4c-537e-4e8b-bc99-7155de69cc65.jpg?v=1757807666","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960年代に結成されたイギリスのサイケデリックグループThird Ear Bandが、2025年8月にリリースした再発レコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003e電子楽器を使用せず制作したトライバル・ジャズ〜ストレンジビーツ4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、ライナーノーツの抜粋です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"多くのバンドにとって、機材を全て盗まれることは壊滅的な打撃となるだろう。しかしThird Ear Bandにとって、この1968年の不幸な事件は有益な変化への扉を開いた。リーダー兼パーカッショニストのグレン・スウィーニーはこの盗難をバンドの方向転換の兆しと捉え、彼らは完全にアコースティック楽器のみを使用する方針へ転換した。エレクトリックなサイケデリックが全盛期を迎えた中、スウィーニー、ポール・ミンズ（オーボエ、リコーダー、ホイッスル、フルート）、リチャード・コフ（ヴァイオリン、ヴィオラ）は独自の道を歩み始め、インドのラーガと室内楽を融合させた——電気楽器を使わずに。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThird Ear Bandの1969年デビューアルバム『アルケミー』は、彼らを世界的なアンダーグラウンドシーンにおける厳粛で力強い存在として確立した。『アルケミー』では、スウィーニーがハンドドラムで安定した拍子を刻み、ミンスとコフがオーボエ、リコーダー、ヴァイオリン、ヴィオラで旋律的なパターンを織り込んだ。このアプローチはセカンドアルバム『Third Ear Band』（通称『エレメンツ』）にも引き継がれた。そのタイトルは中世ヨーロッパの錬金術師の教義における四元素に由来する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの1970年のLPにおいて、Third Ear Bandは古代と現代を同時に感じさせる音色を奏でつつ、無限の秘儀を思わせる叙事詩的なトランス誘導ジャムでヒッピーたちを魅了した。西側のカウンターカルチャー最盛期に活躍したにもかかわらず、彼らは音響レベルで奇妙なほどその潮流から隔絶していた。コモスやジャン・デュークス・デ・グレイといった過激な同時代人ですら、TEBと比べればポップグループのように聞こえた。伝統的なフロントマンも電気楽器も持たないThird Ear Bandは独自の道を切り開き、その花は『エレメンツ』で最も鮮やかに咲いた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここに収められた長大な楽曲は、彼らの熟練した手から流れ出るように奏でられ、音による共同体の超越を喚起する——それは揺れるのではなく、閉ざされた美しさとともに漂い、うねる催眠的な渦だ。TEBの音楽は永遠の「今」、絶え間ない驚嘆の中に存在する。有機的なテクスチャーのウロボロス（自己嚥下する蛇）であり、まるで空中に魔法のように即興で生み出されたかのように見えながら、実験室での長い時間を思わせる厳密さを備えている。電気を使わないからこそ、それはなぜかあなたの意識の奥深くまで潜り込んでいくのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JuByNkoTTJk?si=PhsgKO3SOy9l8W8g\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve. \u003cbr\u003e2025 reissue by Antarctica Starts Here - originally released in 1970. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAir\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEarth\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFire\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWater\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDave Segal (excerpt from the liner notes):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change. Leader\/percussionist Glen Sweeney viewed the heist as a sign to alter Third Ear Band's approach, and they switched to exclusively using acoustic instruments. With electrified psychedelia in full bloom, Sweeney, Paul Minns (oboe, recorder, whistles, flutes) and Richard Coff (violin, viola) struck out on an individualistic path, blending Indian raga with chamber music – without plugging in.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThird Ear Band's 1969 debut album, Alchemy, established them as a solemn, powerful force in the global underground. On Alchemy, Sweeney laid down a steady pulse on hand drums, while Minns and Coff wove in melismatic patterns on oboe, recorder, violin and viola. This approach carried over to Third Ear Band's self-titled sophomore album, often called Elements due to its track titles being named after the four basic components of medieval European alchemists' doctrines.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn this 1970 LP, Third Ear Band sounded at once ancient and contemporary, yet they turned on the hippies with their epic, trance-inducing jams that suggested secret knowledge of infinity. Although Third Ear Band flourished during the West's countercultural zenith, they were peculiarly estranged from it on a sonic level. Even outré contemporaries such as Comus and Jan Dukes De Grey sounded like pop groups compared to TEB. Having no traditional front person or electric instruments, Third Ear Band forged a singular path that flowered most vividly on Elements.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe long songs here stream forth from their skilled hands, evoking a communal transcendence in sound – a hypnotic swirl that doesn't swing, but rather wafts and undulates with cloistered beauty. TEB's music exists in an eternal now, a perpetual wow. It is an ouroboros of organic textures, seemingly magicked into the air spontaneously, yet possessing a rigor that suggests long hours in the lab. Without electricity, it somehow burrowed deeper into your consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Third Ear Band\u003c\/p\u003e\n\u003cp\u003eLabel : Antarctica Starts Here\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eASH104\u003c\/span\u003e\u003c\/p\u003e"}
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1960年代に結成されたイギリスのサイケデリックグループThird Ear Bandが、2025年8月にリリースした再発レコードです。（オリジナルは1970年リリース） 電子楽器を使用せず制作したトライバル・ジャズ〜ストレンジビーツ4曲を収録。ゲートフォルド仕様です。 以下、ライナーノーツの抜粋です "多くのバンドにとって、機材を全て盗まれることは壊滅的な打撃となるだろう。しかしThird Ear Bandにとって、この1968年の不幸な事件は有益な変化への扉を開いた。リーダー兼パーカッショニストのグレン・スウィーニーはこの盗難をバンドの方向転換の兆しと捉え、彼らは完全にアコースティック楽器のみを使用する方針へ転換した。エレクトリックなサイケデリックが全盛期を迎えた中、スウィーニー、ポール・ミンズ（オーボエ、リコーダー、ホイッスル、フルート）、リチャード・コフ（ヴァイオリン、ヴィオラ）は独自の道を歩み始め、インドのラーガと室内楽を融合させた——電気楽器を使わずに。 Third Ear Bandの1969年デビューアルバム『アルケミー』は、彼らを世界的なアンダーグラウンドシーンにおける厳粛で力強い存在として確立した。『アルケミー』では、スウィーニーがハンドドラムで安定した拍子を刻み、ミンスとコフがオーボエ、リコーダー、ヴァイオリン、ヴィオラで旋律的なパターンを織り込んだ。このアプローチはセカンドアルバム『Third Ear Band』（通称『エレメンツ』）にも引き継がれた。そのタイトルは中世ヨーロッパの錬金術師の教義における四元素に由来する。 この1970年のLPにおいて、Third...
¥4,994