Mndsgn. // Rare Pleasure LP

¥2,970

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アメリカ・LAのトラックメイカーMndsgn.の2021年リリースアルバム。レイドバックなインストヒップホップ〜アーバンポップ13曲を収録。

レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira.

------------------------------------

Stones Throw:

"Rare Pleasure is Mndsgn's third album to be released on Stones Throw Records. Following 2016's Body Wash, this album truly shows the artist's evolution from his roots as a heralded beatmaker to vocalist, songwriter and arranger. Though he began writing for the album in 2018, the final recordings took just a week in studio with the help of trusted collaborators: Swarvy on bass, guitar and as Musical Director for the sessions, Stones Throw label mate Kiefer Shackelford on keys, drum work by Will Logan, the blessed percussion of Carlos Niño, Miguel Atwood-Ferguson on strings, and accompanying vocals from Fousheé and Anna Wise."

Artist : Mndsgn.

Label : Stones Throw

アメリカ・LAのトラックメイカーMndsgn.の2021年リリースアルバム。レイドバックなインストヒップホップ〜アーバンポップ13曲を収録。

レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira.

------------------------------------

Stones Throw:

Artist : Mndsgn.

Label : Stones Throw

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クイックビュー {"id":8734699061498,"title":"Naoki Zushi \/\/ Live Archives Vol.1 CD","handle":"頭士奈生樹-naoki-zushi-live-archives-vol-1-cdr","description":"\u003cp\u003e日本のギタリスト頭士奈生樹のライブ音源です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"オリジナルは自身のライブでCDR20枚程度販売されたのみだった自選ライブ音源集をリマスターCD再発。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e頭士自身が録音した音源のためエフェクターを踏む音やギターを搔き鳴らす生音まで聴こえる生々しい録音で、ライブという一回性の芸術の中で音のレイヤーが丁寧に重ねられてゆき、時空間に生起する様が記録されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e注目すべきは未発表曲「動物が死んだら」と「上昇する夜想曲」が収録されていることだが、1stアルバム「Paradise」でどこか牧歌的な雰囲気があった「童話」が覚醒するような激しく演奏されており、この曲のイメージを確実に更新するバージョンであることは間違いないだろう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eさらにオリジナルCDRの収録時間の都合上カットされていた未発表曲「向こう岸の風景」をデジタルダウンロードコードに収録し\u003cspan class=\"bcTruncateMore\"\u003e、当初のアルバム構想が完成された\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca 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sound are carefully layered and recorded as they arise in time and space in the one-time art of a live performance.\u003cbr\u003e\u003cbr\u003eThe unreleased songs Doubutsu ga shindara (When Animals Die) and Josyosuru yasoukyoku (Ascending Nocturne) are noteworthy.\u003cbr\u003eDouwa (Fairy Tale), which had a somewhat pastoral atmosphere on the first album “Paradise,” is played with an intensity that seems to awaken the audience, and there is no doubt that this version will certainly renew the image of this song.\u003cbr\u003e\u003cbr\u003eFurthermore, the unreleased song “Landscape on the Other Shore,” which was cut from the original CDR for reasons of recording time, is included as a digital download code, completing the original album conception.\u003cbr\u003ecredits\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : 頭士奈生樹 Naoki Zushi\u003c\/p\u003e\n\u003cp\u003eLabel : Advaita Records\u003c\/p\u003e","published_at":"2025-02-28T19:32:32+09:00","created_at":"2025-02-28T19:01:22+09:00","vendor":"Tobira Records","type":"","tags":["advaita records","cd","folk \/ left-field pop","new"],"price":260000,"price_min":260000,"price_max":260000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47161544999162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Naoki Zushi \/\/ Live Archives Vol.1 CD","public_title":null,"options":["Default Title"],"price":260000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/arch1_423dbfb3-b656-458f-b854-10e381b79a94.jpg?v=1740736640","\/\/tobirarecords.com\/cdn\/shop\/files\/arch2_4085de52-a044-4a13-a38a-fbe78f3250b8.jpg?v=1740736640"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/arch1_423dbfb3-b656-458f-b854-10e381b79a94.jpg?v=1740736640","options":["Title"],"media":[{"alt":null,"id":35642322485498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/arch1_423dbfb3-b656-458f-b854-10e381b79a94.jpg?v=1740736640"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/arch1_423dbfb3-b656-458f-b854-10e381b79a94.jpg?v=1740736640","width":700},{"alt":null,"id":35642322518266,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/arch2_4085de52-a044-4a13-a38a-fbe78f3250b8.jpg?v=1740736640"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/arch2_4085de52-a044-4a13-a38a-fbe78f3250b8.jpg?v=1740736640","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のギタリスト頭士奈生樹のライブ音源です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"オリジナルは自身のライブでCDR20枚程度販売されたのみだった自選ライブ音源集をリマスターCD再発。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e頭士自身が録音した音源のためエフェクターを踏む音やギターを搔き鳴らす生音まで聴こえる生々しい録音で、ライブという一回性の芸術の中で音のレイヤーが丁寧に重ねられてゆき、時空間に生起する様が記録されている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e注目すべきは未発表曲「動物が死んだら」と「上昇する夜想曲」が収録されていることだが、1stアルバム「Paradise」でどこか牧歌的な雰囲気があった「童話」が覚醒するような激しく演奏されており、この曲のイメージを確実に更新するバージョンであることは間違いないだろう。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eさらにオリジナルCDRの収録時間の都合上カットされていた未発表曲「向こう岸の風景」をデジタルダウンロードコードに収録し\u003cspan class=\"bcTruncateMore\"\u003e、当初のアルバム構想が完成された\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/advaita\"\u003ehere\u003c\/a\u003e to see more Advaita Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 2-layer bronze jacket with translucent film. \u003c\/p\u003e\n\u003cp\u003eAdvaita Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThis is the first volume of Naoki Zushi's self-selected live recordings!\u003cbr\u003e\u003cbr\u003eThis is a remastered CD reissue of a collection of self-selected live recordings, the originals of which were only sold on about 20 CDRs at his own live show.\u003cbr\u003e\u003cbr\u003eThe live recordings were made by Zushi himself, so you can hear the sound of him stepping on effectors and strumming his guitar, and the layers of sound are carefully layered and recorded as they arise in time and space in the one-time art of a live performance.\u003cbr\u003e\u003cbr\u003eThe unreleased songs Doubutsu ga shindara (When Animals Die) and Josyosuru yasoukyoku (Ascending Nocturne) are noteworthy.\u003cbr\u003eDouwa (Fairy Tale), which had a somewhat pastoral atmosphere on the first album “Paradise,” is played with an intensity that seems to awaken the audience, and there is no doubt that this version will certainly renew the image of this song.\u003cbr\u003e\u003cbr\u003eFurthermore, the unreleased song “Landscape on the Other Shore,” which was cut from the original CDR for reasons of recording time, is included as a digital download code, completing the original album conception.\u003cbr\u003ecredits\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : 頭士奈生樹 Naoki Zushi\u003c\/p\u003e\n\u003cp\u003eLabel : Advaita Records\u003c\/p\u003e"}

日本のギタリスト頭士奈生樹のライブ音源です。以下、レーベルによる解説です。"オリジナルは自身のライブでCDR20枚程度販売されたのみだった自選ライブ音源集をリマスターCD再発。頭士自身が録音した音源のためエフェクターを踏む音やギターを搔き鳴らす生音まで聴こえる生々しい録音で、ライブという一回性の芸術の中で音のレイヤーが丁寧に重ねられてゆき、時空間に生起する様が記録されている。注目すべきは未発表曲「動物が死んだら」と「上昇する夜想曲」が収録されていることだが、1stアルバム「Paradise」でどこか牧歌的な雰囲気があった「童話」が覚醒するような激しく演奏されており、この曲のイメージを確実に更新するバージョンであることは間違いないだろう。さらにオリジナルCDRの収録時間の都合上カットされていた未発表曲「向こう岸の風景」をデジタルダウンロードコードに収録し、当初のアルバム構想が完成された" レーベルその他作品はこちら /// Click here to see more Advaita Records releases available at Tobira. ---------------------------------------- CD...

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クイックビュー {"id":8732403335418,"title":"Little Kid \/\/ A Million Easy Payments LP [COLOR]","handle":"little-kid-a-million-easy-payments-lp-color","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る：救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-02-27T07:51:08+09:00","created_at":"2025-02-27T07:49:43+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47156656799994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Kid \/\/ A Million Easy Payments LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","options":["Title"],"media":[{"alt":null,"id":33779423150330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","width":700},{"alt":null,"id":33779422757114,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034848069_10.jpg?v=1713430850","width":1200},{"alt":null,"id":33785784762618,"position":3,"preview_image":{"aspect_ratio":1.442,"height":1985,"width":2862,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865"},"aspect_ratio":1.442,"height":1985,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6001.jpg?v=1713502865","width":2862}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る：救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}

カナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。ギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。オレンジ盤です。以下、Rosie Stocktonによる解説です。 "カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。...

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クイックビュー {"id":8732347859194,"title":"orchid mantis \/\/ i only remember the good parts LP [COLOR]","handle":"orchid-mantis-i-only-remember-the-good-parts-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2024年6月に同国インディーレーベルDaydream Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e切ないLo-Fiドリームポップ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e彼の作品の中でも最もエモい作品です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ew7r0lMy_U8?si=kYw26Hi44QUf-lGI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" splatter or marble vinyl.\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. good news 01:41\u003cbr\u003e2. wasted energy 02:09\u003cbr\u003e3. another life (ft. sign crushes motorist) 02:11 \u003cbr\u003e4. high time 02:00\u003cbr\u003e5. only here for you 02:09\u003cbr\u003e6. get back 01:34 \u003cbr\u003e7. in my head 02:04 \u003cbr\u003e8. signal breaks 01:35\u003cbr\u003e9. heartache 02:12\u003cbr\u003e10. it feels so far away now 02:08\u003cbr\u003e11. didn't mean (ft. mei semones) 01:28\u003cbr\u003e12. my forever (ft. jordana) 03:22\u003cbr\u003e13. two weeks (and i miss you) 01:36\u003cbr\u003e14. drove back 01:44 \u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This buried gem of the late 90s Atlanta DIY scene marks a very special release for the Orchid Mantis label. Recorded in '96 by reclusive lo-fi artist Blue Noon, 'i only remember the good parts' is a collection of muted, introspective lullabies assembled and delicately restored from their original master tapes. This is a remarkable discovery considering most of Blue Noon's catalogue had been lost in the aftermath of a foreclosure on the artist's residence due to their infamous disappearance in '97. \u003cbr\u003e\u003cbr\u003eFortunately, the artist's former home was recently sold by its subsequent owners, resulting in an auction which miraculously included a large cardboard box marked only by the cryptic phrase \"two weeks left\" scrawled hastily in black sharpie. An unnamed music journalist who attended the auction quickly realized its significance, knowing the residence's previous history. Sure enough, the box had been pulled from a shelf in the attic, untouched for over 15 years. The additional presence of a Tascam 4-track tape\u003cspan class=\"bcTruncateMore\"\u003e machine and condenser mic suggested this attic had been the recording space where much of Blue Noon's catalogue was recorded. \u003cbr\u003e\u003cbr\u003eThe conspiratorial types attracted by this enigmatic artist will no doubt find further lyrical material to support the strange and far-fetched theories that have circulated regarding Blue Noon's disappearance, which include debt evasion, a desperate PR hoax, or even the involvement of an esoteric procedure from obscure early-internet forums called the \"Possession Pact.\" Audio restoration hobbyist Thomas Howard, who mixed and mastered the release, can attest that there is a haunting aura embedded within the original tapes. \u003cbr\u003e\u003cbr\u003eHoward asserts that the audio began to affect his dreams, among other bizarre claims. In his own words, \"I spent about 6 hours straight one night mixing the album, and after a while, I could swear the lyrics changed entirely, almost as if they'd been reversed. I couldn't make anything out, but as crazy as it sounds, it started to feel as if they were responding to my thoughts.\" Curiously, Howard cut ties with the label shortly after conveying this to our staff, and has been unreachable since. \u003cbr\u003e\u003cbr\u003eWe're delighted to share that in loving tribute to Blue Noon's legacy, a selection of notable indie musicians have built upon three unfinished instrumentals from the era to bring them into 2024, almost as if the anonymous artist had never left.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : orchid mantis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Daydream Records\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: DDR014\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-27T07:27:25+09:00","created_at":"2025-02-27T07:25:08+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","start-track"],"price":447200,"price_min":447200,"price_max":447200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47156542046458,"title":"LP [Green Blue Splatter]","option1":"LP [Green Blue Splatter]","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":42504659435770,"product_id":8732347859194,"position":2,"created_at":"2024-10-19T05:32:00+09:00","updated_at":"2024-10-19T05:32:03+09:00","alt":null,"width":964,"height":956,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.29.03.png?v=1729283523","variant_ids":[47156542046458]},"available":true,"name":"orchid mantis \/\/ i only remember the good parts LP [COLOR] - LP [Green Blue Splatter]","public_title":"LP [Green Blue Splatter]","options":["LP [Green Blue Splatter]"],"price":447200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":35078509363450,"position":2,"preview_image":{"aspect_ratio":1.008,"height":956,"width":964,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.29.03.png?v=1729283523"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":47156542079226,"title":"LP [Blue White Pink Splatter]","option1":"LP [Blue White Pink Splatter]","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":42504659304698,"product_id":8732347859194,"position":3,"created_at":"2024-10-19T05:31:59+09:00","updated_at":"2024-10-19T05:32:01+09:00","alt":null,"width":966,"height":962,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.28.44.png?v=1729283521","variant_ids":[47156542079226]},"available":true,"name":"orchid mantis \/\/ i only remember the good parts LP [COLOR] - LP [Blue White Pink Splatter]","public_title":"LP [Blue White Pink Splatter]","options":["LP [Blue White Pink Splatter]"],"price":447200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":35078509330682,"position":3,"preview_image":{"aspect_ratio":1.004,"height":962,"width":966,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.28.44.png?v=1729283521"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020","\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.29.03.png?v=1729283523","\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.28.44.png?v=1729283521"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020","options":["Format"],"media":[{"alt":null,"id":34283991007482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0109724364_16.jpg?v=1717902020","width":700},{"alt":null,"id":35078509363450,"position":2,"preview_image":{"aspect_ratio":1.008,"height":956,"width":964,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.29.03.png?v=1729283523"},"aspect_ratio":1.008,"height":956,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.29.03.png?v=1729283523","width":964},{"alt":null,"id":35078509330682,"position":3,"preview_image":{"aspect_ratio":1.004,"height":962,"width":966,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.28.44.png?v=1729283521"},"aspect_ratio":1.004,"height":962,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-195.28.44.png?v=1729283521","width":966}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2024年6月に同国インディーレーベルDaydream Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e切ないLo-Fiドリームポップ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e彼の作品の中でも最もエモい作品です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ew7r0lMy_U8?si=kYw26Hi44QUf-lGI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" splatter or marble vinyl.\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. good news 01:41\u003cbr\u003e2. wasted energy 02:09\u003cbr\u003e3. another life (ft. sign crushes motorist) 02:11 \u003cbr\u003e4. high time 02:00\u003cbr\u003e5. only here for you 02:09\u003cbr\u003e6. get back 01:34 \u003cbr\u003e7. in my head 02:04 \u003cbr\u003e8. signal breaks 01:35\u003cbr\u003e9. heartache 02:12\u003cbr\u003e10. it feels so far away now 02:08\u003cbr\u003e11. didn't mean (ft. mei semones) 01:28\u003cbr\u003e12. my forever (ft. jordana) 03:22\u003cbr\u003e13. two weeks (and i miss you) 01:36\u003cbr\u003e14. drove back 01:44 \u003c\/p\u003e\n\u003cp\u003eStart-track:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This buried gem of the late 90s Atlanta DIY scene marks a very special release for the Orchid Mantis label. Recorded in '96 by reclusive lo-fi artist Blue Noon, 'i only remember the good parts' is a collection of muted, introspective lullabies assembled and delicately restored from their original master tapes. This is a remarkable discovery considering most of Blue Noon's catalogue had been lost in the aftermath of a foreclosure on the artist's residence due to their infamous disappearance in '97. \u003cbr\u003e\u003cbr\u003eFortunately, the artist's former home was recently sold by its subsequent owners, resulting in an auction which miraculously included a large cardboard box marked only by the cryptic phrase \"two weeks left\" scrawled hastily in black sharpie. An unnamed music journalist who attended the auction quickly realized its significance, knowing the residence's previous history. Sure enough, the box had been pulled from a shelf in the attic, untouched for over 15 years. The additional presence of a Tascam 4-track tape\u003cspan class=\"bcTruncateMore\"\u003e machine and condenser mic suggested this attic had been the recording space where much of Blue Noon's catalogue was recorded. \u003cbr\u003e\u003cbr\u003eThe conspiratorial types attracted by this enigmatic artist will no doubt find further lyrical material to support the strange and far-fetched theories that have circulated regarding Blue Noon's disappearance, which include debt evasion, a desperate PR hoax, or even the involvement of an esoteric procedure from obscure early-internet forums called the \"Possession Pact.\" Audio restoration hobbyist Thomas Howard, who mixed and mastered the release, can attest that there is a haunting aura embedded within the original tapes. \u003cbr\u003e\u003cbr\u003eHoward asserts that the audio began to affect his dreams, among other bizarre claims. In his own words, \"I spent about 6 hours straight one night mixing the album, and after a while, I could swear the lyrics changed entirely, almost as if they'd been reversed. I couldn't make anything out, but as crazy as it sounds, it started to feel as if they were responding to my thoughts.\" Curiously, Howard cut ties with the label shortly after conveying this to our staff, and has been unreachable since. \u003cbr\u003e\u003cbr\u003eWe're delighted to share that in loving tribute to Blue Noon's legacy, a selection of notable indie musicians have built upon three unfinished instrumentals from the era to bring them into 2024, almost as if the anonymous artist had never left.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : orchid mantis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Daydream Records\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: DDR014\u003c\/span\u003e\u003c\/p\u003e"}