Lowtec // The Early Portrait CD
Lowtec // The Early Portrait CD
¥1,980
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ドイツ・ベルリンのテクノ作家Lowtecが、1997年に同国ダンスレーベルOut To LunchからリリースしたCDです。
レフトフィールド・テクノ12曲を収録。ジュエルケース仕様です。
レーベルその他作品はこちら /// Click here to see more Out To Lunch releases available at Tobira.
--------------------------------------------
CD in jewel case.
Released in 1997.
Tracklist:
1. Ken 06:42
2. It Is No Purpose 07:30
3. Mother Sky 04:22
4. Quartz 07:23
5. Spider`s Web 07:39
6. On My Way There 07:00
7. White Shirt 06:06
8. Phase 360 06:25
9. Birthmark 06:11
10. Channel 12 03:36
11. Mad Cap 01:17
12. The Early Portrait 07:21
Artist : Lowtec
Label : Out To Lunch
cat no : otl2
ドイツ・ベルリンのテクノ作家Lowtecが、1997年に同国ダンスレーベルOut To LunchからリリースしたCDです。
レフトフィールド・テクノ12曲を収録。ジュエルケース仕様です。
レーベルその他作品はこちら /// Click here to see more Out To Lunch releases available at Tobira.
--------------------------------------------
CD in jewel case.
Released in 1997.
Tracklist:
1. Ken 06:42
2. It Is No Purpose 07:30
3. Mother Sky 04:22
4. Quartz 07:23
5. Spider`s Web 07:39
6. On My Way There 07:00
7. White Shirt 06:06
8. Phase 360 06:25
9. Birthmark 06:11
10. Channel 12 03:36
11. Mad Cap 01:17
12. The Early Portrait 07:21
Artist : Lowtec
Label : Out To Lunch
cat no : otl2
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Earlier source material is often re-sculpted using the technology Kayn had available to hand, while other techniques such as sampling radio broadcasts or the plunderphonic quotation of others’ works occasionally intercede.\u003cbr\u003e\u003cbr\u003eNo notes accompany any of this music – no word of explanation or expression of intent. Only the works and their titles remain, the latter often simply deepening the mystery. Their durations range from around 20 minutes to almost 18 hours. ‘The Ortho-Project’, presented here in its 14-hour entirety, is among the longest. At this scale, Kayn’s music is perhaps at its most immersive; the listener senses they are being invited to envelope themselves in a rich environment of diverse timbral physicality rather than a programmatic work. This is simply electronic music as you have never experienced it before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roland Kayn \u003c\/p\u003e\n\u003cp\u003eLabel : frozen reeds\u003c\/p\u003e\n\u003cp\u003eCAT no : fr25\/39\u003c\/p\u003e","published_at":"2025-11-09T15:33:20+09:00","created_at":"2025-11-09T15:32:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","monooto","new","recommended"],"price":1798000,"price_min":1798000,"price_max":1798000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47928328028410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roland Kayn \/\/ The Ortho-Project – Limited Edition 15xCD BOX","public_title":null,"options":["Default Title"],"price":1798000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972","\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","options":["Title"],"media":[{"alt":null,"id":34876949528826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo1.jpg?v=1726136397","width":300},{"alt":null,"id":34876949561594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo2.jpg?v=1726124972","width":1200},{"alt":null,"id":34876949594362,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eo3.jpg?v=1726124972","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの即興集団Gruppo di Improvvisazione Nuova Consonanzaメンバーとしても活動していたドイツの実験音楽家Roland Kayn(1933-2011)が、2024年9月にフィンランドの実験レーベルFrozen Reedsからリリースした15枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eマスタリングはジムオルークが担当しています。\u003c\/p\u003e\n\u003cp\u003e※送料無料で発送いたします\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e15 x CD in individual sleeves, presented in sturdy gold-stamped box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003cp\u003e1-1 Atharyt 47:50\u003cbr\u003e1-2 Itirsis 27:34\u003cbr\u003e1-3 Dat SR z 46:55\u003cbr\u003e1-4 Tirals 47:21\u003cbr\u003e1-5 Skips 47:42\u003cbr\u003e1-6 Synergy 46:53\u003cbr\u003e1-7 Les Rantoles 43:37\u003cbr\u003e1-8 Perikarya 35:35\u003cbr\u003e1-9 Kthoor 42:09\u003cbr\u003e1-10 Ataraly 35:10\u003cbr\u003e1-11 Conversions 28:24\u003cbr\u003e1-12 Anisotropy EE 1:01:14\u003cbr\u003e1-13 Antarary 53:04\u003cbr\u003e1-14 Rantho 45:07\u003cbr\u003e1-15 Sonoritys 41:30\u003cbr\u003e1-16 Antegry 20:02\u003cbr\u003e1-17 Ecardy 57:04\u003cbr\u003e1-18 La Grada 29:24\u003cbr\u003e1-19 Zazorith 30:06\u003cbr\u003e1-20 Arttiraes 45:08\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003efrozen reeds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReturning to the unreleased oeuvre of the master of cybernetic sound Roland Kayn, frozen reeds hereby unveils a new high watermark for longform electroacoustic composition, unfolding across 15 CDs in a luxurious gold-stamped boxed set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Jim O’Rourke applying his signature restorative touch to the audio, and Robert Beatty taking his cryptic cybernetics-inspired artwork several steps beyond the label’s previous Kayn box, ‘The Ortho-Project’ (2007) – in its 14-hour\u003cspan class=\"bcTruncateMore\"\u003e entirety – finally sees a fitting release.\u003cbr\u003e\u003cbr\u003eIn 1970, Roland Kayn began a decades-long period of research, development and creation at the Instituut voor Sonologie in Utrecht. 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This is simply electronic music as you have never experienced it before.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roland Kayn \u003c\/p\u003e\n\u003cp\u003eLabel : frozen reeds\u003c\/p\u003e\n\u003cp\u003eCAT no : fr25\/39\u003c\/p\u003e"}
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{"id":8984454660346,"title":"Fani Konstantinidou \/\/ Undertones CD","handle":"fani-konstantinidou-undertones-cd","description":"\u003cp\u003eオランダの実験音楽家Fani Konstantinidouが、2025年9月に同国実験／ドローンレーベルMoving FurnitureからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wtBS9\" id=\"_aA0QafOkF-Hh2roPobq6iAI_91\" style=\"-webkit-line-clamp: 6;\"\u003e\u003cspan\u003e打楽器系イディオフォンや\u003c\/span\u003e\u003c\/span\u003eフィールドレコーディングを用いた物音ドローン4曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2280725810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 180. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Undertones I 07:47\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Undertones II 09:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Undertones III 06:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Undertones IV 13:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMoving Furniture:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"UNDERTONES is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe field recordings, identified as variable, change with each performance of the piece. Through the score, one of the two performers is instructed to record short sound fragments from (or near) the performance space itself. These recordings are then integrated in the performance, contributing to the development of the structure of each movement: the two musicians respond not only to each other but also to the these captured sounds. Among others, this approach experiments with the musical input of the concert space beyond its acoustic qualities, which are explored through the spatialization in four channels. Depending on the musical identity of the two performers and the chosen recordings, multiple musical elements of the piece—such as parts of the structure\u003cspan class=\"bcTruncateMore\"\u003e, timbre, pitch, and more—diversify and fluctuate. As a result, the piece can be expressed as a semi-improvised performance session or as a composition that can be reproduced, as long as it is performed in the same location.\u003cbr\u003e\u003cbr\u003eFor the needs of the album, UNDERTONES has been reconceived for the stereo format. In this version, in the absence of specific concert space, the locally specific field recordings are fragments of recordings made in several distinct locations in Amsterdam. These include the organ in the main hall of the Concertgebouw (without audience), the Utopa Baroque Organ in Orgelpark captured from inside the instrument (also without the presence of an audience), and a recording outdoors, beneath the exterior roof of the Stedelijk Museum.\u003cbr\u003e\u003cbr\u003eFani Konstantinidou (GR\/NL) is a composer and performer interested in the sonic imprints of cultural, cross-cultural, and social identities. She composes music utilizing urban and rural sonic environments, combined with conventional and self-designed digital musical instruments. Her musical ideas are expressed in various formats such as site-specific and multichannel compositions, improvisation, and through collaborative projects with artists of various disciplines. Within this context, she performs live-electronics and composes music for solo instruments and small ensembles.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fani Konstantinidou\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture\u003c\/p\u003e\n\u003cp\u003ecat no : MFR118\u003c\/p\u003e","published_at":"2025-11-09T12:44:40+09:00","created_at":"2025-11-05T11:40:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","moving furniture records","new"],"price":234000,"price_min":234000,"price_max":234000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47902672290042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fani Konstantinidou \/\/ Undertones CD","public_title":null,"options":["Default Title"],"price":234000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fani1.jpg?v=1762310348","\/\/tobirarecords.com\/cdn\/shop\/files\/fan2_e2e6d3fa-7045-4df4-8d3e-c94783818f91.jpg?v=1762310348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fani1.jpg?v=1762310348","options":["Title"],"media":[{"alt":null,"id":37400529436922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fani1.jpg?v=1762310348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fani1.jpg?v=1762310348","width":700},{"alt":null,"id":37400529404154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fan2_e2e6d3fa-7045-4df4-8d3e-c94783818f91.jpg?v=1762310348"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fan2_e2e6d3fa-7045-4df4-8d3e-c94783818f91.jpg?v=1762310348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験音楽家Fani Konstantinidouが、2025年9月に同国実験／ドローンレーベルMoving FurnitureからリリースしたCDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wtBS9\" id=\"_aA0QafOkF-Hh2roPobq6iAI_91\" style=\"-webkit-line-clamp: 6;\"\u003e\u003cspan\u003e打楽器系イディオフォンや\u003c\/span\u003e\u003c\/span\u003eフィールドレコーディングを用いた物音ドローン4曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2280725810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 180. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Undertones I 07:47\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Undertones II 09:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Undertones III 06:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Undertones IV 13:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMoving Furniture:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"UNDERTONES is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe field recordings, identified as variable, change with each performance of the piece. Through the score, one of the two performers is instructed to record short sound fragments from (or near) the performance space itself. These recordings are then integrated in the performance, contributing to the development of the structure of each movement: the two musicians respond not only to each other but also to the these captured sounds. Among others, this approach experiments with the musical input of the concert space beyond its acoustic qualities, which are explored through the spatialization in four channels. Depending on the musical identity of the two performers and the chosen recordings, multiple musical elements of the piece—such as parts of the structure\u003cspan class=\"bcTruncateMore\"\u003e, timbre, pitch, and more—diversify and fluctuate. As a result, the piece can be expressed as a semi-improvised performance session or as a composition that can be reproduced, as long as it is performed in the same location.\u003cbr\u003e\u003cbr\u003eFor the needs of the album, UNDERTONES has been reconceived for the stereo format. In this version, in the absence of specific concert space, the locally specific field recordings are fragments of recordings made in several distinct locations in Amsterdam. These include the organ in the main hall of the Concertgebouw (without audience), the Utopa Baroque Organ in Orgelpark captured from inside the instrument (also without the presence of an audience), and a recording outdoors, beneath the exterior roof of the Stedelijk Museum.\u003cbr\u003e\u003cbr\u003eFani Konstantinidou (GR\/NL) is a composer and performer interested in the sonic imprints of cultural, cross-cultural, and social identities. She composes music utilizing urban and rural sonic environments, combined with conventional and self-designed digital musical instruments. Her musical ideas are expressed in various formats such as site-specific and multichannel compositions, improvisation, and through collaborative projects with artists of various disciplines. Within this context, she performs live-electronics and composes music for solo instruments and small ensembles.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fani Konstantinidou\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture\u003c\/p\u003e\n\u003cp\u003ecat no : MFR118\u003c\/p\u003e"}
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オランダの実験音楽家Fani Konstantinidouが、2025年9月に同国実験／ドローンレーベルMoving FurnitureからリリースしたCDです。 打楽器系イディオフォンやフィールドレコーディングを用いた物音ドローン4曲を収録。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available at...
¥2,340
クイックビュー
{"id":8984453906682,"title":"Bruno Duplant \u0026 Judith Wegmann \/\/ Univers Parallèles - Des Nuits Et Des Jours CD","handle":"bruno-duplant-judith-wegmann-univers-paralleles-des-nuits-et-des-jours-cd","description":"\u003cp\u003eフランスのドローン作家Bruno DuplantとスイスのピアニストJudith Wegmannが、2025年9月にオランダの実験／ドローンレーベルMoving Furnitureからリリースした共作CDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなエレクトロアコースティック作品です。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=143844830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Univers Parallèles - Des Nuits Et Des Jours 42:24\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eSven Schlijper-Karssenberg, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe line is a whole, an identity, for a particular place and time.\" —Fred Sandback The room is defined by stark white walls, with the ceiling and floor crafted from concrete — its grey hue resembling the mist of fog. Sunlight floods the space through large windows on one side, illuminating the hall’s expansive volume, which is interrupted by a solitary wall bisecting the area. Within this space, drawings appear — crafted in the air itself, forms suspended as volumes of aether. Geometric shapes, pristine and untouched, manifest in the emptiness between surfaces. As one moves through the room, the act of walking becomes a meditation on perspective. It is as though the mind is unmoored, unable to retain its grasp on stable concepts. The realization there is only a certain amount of control one can have over a situation. Thin threads of knitting yarn — delicate, taut, and almost fragile — stretch across the room, demarcating zones, parallelograms, triangles, quadrants. They hold barely together, as if on the verge of disintegration. These threads exist in the precise moment before the dissolution of form; a point where all ideas inevitably unravel. There is an assertion of space here, of volume and place, yet without possession. The space is neither claimed nor\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e concealed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt simply is — existing and non-existing at once. The boundaries of shape and dimension blur, becoming ambiguous and transient. Being in a place and being a place, simultaneously. The universe is not a distillation. It is not a reflection of anything beyond itself. It simply is — pure fact, without reference or hierarchy. No instance of a system or order larger than itself. Except, perhaps, the existence of a parallel. Here and now, space and time are contained within sound, drawing itself into existence. Occam’s razor eliminates everything that is not line, cutting through the white cube as though emerging from an a priori ephemeral, shifting diffusion of perceptual poetry.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruno Duplant \u0026amp; Judith Wegmann\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture\u003c\/p\u003e\n\u003cp\u003ecat no : MFRC012\u003c\/p\u003e","published_at":"2025-11-09T12:11:31+09:00","created_at":"2025-11-05T11:37:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","moving furniture records","new"],"price":234000,"price_min":234000,"price_max":234000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47902670487802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bruno Duplant \u0026 Judith Wegmann \/\/ Univers Parallèles - Des Nuits Et Des Jours CD","public_title":null,"options":["Default Title"],"price":234000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/des1_0ec33c33-acd6-45bd-9390-2d3116faac93.jpg?v=1762310164","\/\/tobirarecords.com\/cdn\/shop\/files\/des2_3bfff617-415b-4a7d-a72e-4df2228c72c8.jpg?v=1762310164","\/\/tobirarecords.com\/cdn\/shop\/files\/des3.jpg?v=1762310165"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_0ec33c33-acd6-45bd-9390-2d3116faac93.jpg?v=1762310164","options":["Title"],"media":[{"alt":null,"id":37400518295802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_0ec33c33-acd6-45bd-9390-2d3116faac93.jpg?v=1762310164"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des1_0ec33c33-acd6-45bd-9390-2d3116faac93.jpg?v=1762310164","width":700},{"alt":null,"id":37400518328570,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des2_3bfff617-415b-4a7d-a72e-4df2228c72c8.jpg?v=1762310164"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des2_3bfff617-415b-4a7d-a72e-4df2228c72c8.jpg?v=1762310164","width":1200},{"alt":null,"id":37400518361338,"position":3,"preview_image":{"aspect_ratio":1.335,"height":899,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des3.jpg?v=1762310165"},"aspect_ratio":1.335,"height":899,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/des3.jpg?v=1762310165","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Bruno DuplantとスイスのピアニストJudith Wegmannが、2025年9月にオランダの実験／ドローンレーベルMoving Furnitureからリリースした共作CDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなエレクトロアコースティック作品です。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=143844830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Univers Parallèles - Des Nuits Et Des Jours 42:24\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eSven Schlijper-Karssenberg, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThe line is a whole, an identity, for a particular place and time.\" —Fred Sandback The room is defined by stark white walls, with the ceiling and floor crafted from concrete — its grey hue resembling the mist of fog. Sunlight floods the space through large windows on one side, illuminating the hall’s expansive volume, which is interrupted by a solitary wall bisecting the area. Within this space, drawings appear — crafted in the air itself, forms suspended as volumes of aether. Geometric shapes, pristine and untouched, manifest in the emptiness between surfaces. As one moves through the room, the act of walking becomes a meditation on perspective. It is as though the mind is unmoored, unable to retain its grasp on stable concepts. The realization there is only a certain amount of control one can have over a situation. Thin threads of knitting yarn — delicate, taut, and almost fragile — stretch across the room, demarcating zones, parallelograms, triangles, quadrants. They hold barely together, as if on the verge of disintegration. These threads exist in the precise moment before the dissolution of form; a point where all ideas inevitably unravel. There is an assertion of space here, of volume and place, yet without possession. The space is neither claimed nor\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e concealed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt simply is — existing and non-existing at once. The boundaries of shape and dimension blur, becoming ambiguous and transient. Being in a place and being a place, simultaneously. The universe is not a distillation. It is not a reflection of anything beyond itself. It simply is — pure fact, without reference or hierarchy. No instance of a system or order larger than itself. Except, perhaps, the existence of a parallel. Here and now, space and time are contained within sound, drawing itself into existence. Occam’s razor eliminates everything that is not line, cutting through the white cube as though emerging from an a priori ephemeral, shifting diffusion of perceptual poetry.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruno Duplant \u0026amp; Judith Wegmann\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture\u003c\/p\u003e\n\u003cp\u003ecat no : MFRC012\u003c\/p\u003e"}
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フランスのドローン作家Bruno DuplantとスイスのピアニストJudith Wegmannが、2025年9月にオランダの実験／ドローンレーベルMoving Furnitureからリリースした共作CDです。 ロングフォームなエレクトロアコースティック作品です。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available...
¥2,340