Bolet Blafard // AUDIO1-4 TAPE
Bolet Blafard // AUDIO1-4 TAPE
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フランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベルFaltの2021年4月最新バッチを本邦初入荷しました。
本作は、Faltお抱え作家Bolet Blafardの最新作です。物音コラージュ2曲を収録。DLコード付属。廃盤です。
Last copies!
Bolet Blafard is the recent solo project of sound artist Neurath Grau.
artist : Bolet Blafard
label : Falt
フランス・マルセイユの物音作家Chemiefaserwerkが主宰するレーベルFaltの2021年4月最新バッチを本邦初入荷しました。
本作は、Faltお抱え作家Bolet Blafardの最新作です。物音コラージュ2曲を収録。DLコード付属。廃盤です。
Last copies!
Bolet Blafard is the recent solo project of sound artist Neurath Grau.
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{"id":9226855547130,"title":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","handle":"nijiumu-when-i-sing","description":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e","published_at":"2026-05-15T07:14:41+09:00","created_at":"2026-05-15T07:13:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","noise"],"price":787000,"price_min":787000,"price_max":787000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890735558906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","public_title":null,"options":["Default Title"],"price":787000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486524","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","options":["Title"],"media":[{"alt":null,"id":37502565581050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","width":700},{"alt":null,"id":37502565613818,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e"}
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灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース） 未発表音源を含む4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
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{"id":9226854400250,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2026-05-15T07:09:56+09:00","created_at":"2026-05-15T07:09:25+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":836900,"price_min":836900,"price_max":836900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890731561210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":836900,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥8,369
クイックビュー
{"id":9225211478266,"title":"Bruno Duplant \/\/ athanor 2xCD","handle":"bruno-duplant-athanor-2xcd","description":"\u003cp\u003eフランスのドローン作家Bruno Duplantが、2026年3月にイタリアの実験レーベルDissipatioからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eドローン〜アンビエントドローン3曲を収録。6面カードストック、デジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=353298128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003ehere\u003c\/a\u003e to see more Dissipatio releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x CD in 6-panel cardstock digisleeve. \u003cbr\u003eEdition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. sublimation 23:32 \u003cbr\u003e2. éternité 23:32 \u003cbr\u003e3. albedo 36:36\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eathanor\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe word\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e burned down to\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e a listening\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eash breath\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e metal sleep\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e light thinks itself\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewe ore once\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e raw \/ remembering\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea prayer folded\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e in the margin of heat\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e nothing lost\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eonly shifting\u003c\/em\u003e\u003cbr\u003e\u003cem\u003egold in the syntax\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e of dust\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithin him lies a chamber made of attention rather than walls. There, a quiet warmth works without flame, loosening certainties, refining what has settled into form. Nothing is forced; everything is listened into being.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA tone, a shadow, a fragment of light; each pass through\u003cspan class=\"bcTruncateMore\"\u003e him as trace rather than possession. The world is not captured but accompanied, allowed to breathe, to fade, to re-emerge altered. In this inward vessel, transformation is a discipline of patience, where sound thins into image, image into silence, and silence becomes the threshold where presence quietly appears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : Dissipatio\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDISS039\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-18T15:18:39+09:00","created_at":"2026-05-14T08:07:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","dissipatio","drone","new"],"price":284200,"price_min":284200,"price_max":284200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883542163706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bruno Duplant \/\/ athanor 2xCD","public_title":null,"options":["Default Title"],"price":284200,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/atha1.jpg?v=1778713526","\/\/tobirarecords.com\/cdn\/shop\/files\/atha2.jpg?v=1778713527"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/atha1.jpg?v=1778713526","options":["Title"],"media":[{"alt":null,"id":39362839773434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/atha1.jpg?v=1778713526"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/atha1.jpg?v=1778713526","width":350},{"alt":null,"id":39362839806202,"position":2,"preview_image":{"aspect_ratio":1.609,"height":746,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/atha2.jpg?v=1778713527"},"aspect_ratio":1.609,"height":746,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/atha2.jpg?v=1778713527","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Bruno Duplantが、2026年3月にイタリアの実験レーベルDissipatioからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eドローン〜アンビエントドローン3曲を収録。6面カードストック、デジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=353298128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003ehere\u003c\/a\u003e to see more Dissipatio releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x CD in 6-panel cardstock digisleeve. \u003cbr\u003eEdition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. sublimation 23:32 \u003cbr\u003e2. éternité 23:32 \u003cbr\u003e3. albedo 36:36\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eathanor\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe word\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e burned down to\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e a listening\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eash breath\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e metal sleep\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e light thinks itself\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewe ore once\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e raw \/ remembering\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea prayer folded\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e in the margin of heat\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e nothing lost\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eonly shifting\u003c\/em\u003e\u003cbr\u003e\u003cem\u003egold in the syntax\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e of dust\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWithin him lies a chamber made of attention rather than walls. There, a quiet warmth works without flame, loosening certainties, refining what has settled into form. Nothing is forced; everything is listened into being.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA tone, a shadow, a fragment of light; each pass through\u003cspan class=\"bcTruncateMore\"\u003e him as trace rather than possession. The world is not captured but accompanied, allowed to breathe, to fade, to re-emerge altered. In this inward vessel, transformation is a discipline of patience, where sound thins into image, image into silence, and silence becomes the threshold where presence quietly appears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : Dissipatio\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDISS039\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのドローン作家Bruno Duplantが、2026年3月にイタリアの実験レーベルDissipatioからリリースした2枚組CDです。 ドローン〜アンビエントドローン3曲を収録。6面カードストック、デジスリーブ仕様です。 レーベルその他作品はこちら /// Click here to see more Dissipatio releases available at...
¥2,842
クイックビュー
{"id":9222919487738,"title":"Igor Dyachenko \/\/ Spatial TAPE","handle":"igor-dyachenko-spatial-tape","description":"\u003cp\u003eドイツのアンビエント作家Igor Dyachenkoが、2025年10月にカザフスタンの実験レーベルsoakからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなアンビエントドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1839190039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soak\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soak\"\u003ehere\u003c\/a\u003e to see more soak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A - ascent: 0:00-30:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSide B - descent: 30:00-53:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"'\u003cem\u003eSpatial' is a documented sound installation by Igor Dyachenko that emerges at the intersection of tracking data sonification and artistic exploration. Inspired by a hike up Agung volcano in Indonesia the work transforms the journey's experience into an emotional soundscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe artist converts gps data and biometric indicators collected during the trek into an auditory plane, reimagining the physical and emotional journey as an auditory experience. The foundation of \"Spatial\" lies in the sonification of diverse personal data gathered during the ascent of volcano. Altitude, coordinates, time, heart rate, and blood oxygen levels serve as the source elements, each shaping the resulting soundscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe soundscape of \"Spatial\" is an atmospheric composition that immerses the listener in the artist's unique personal experience. Flowing textures and multilayered sound atmospheres unfold as a journey, blurring the boundaries between physical presence and auditory imprint. The installation evokes a sense of timelessness, engaging the audience in an emotional journey that reflects the acquired experience, state, and challenges of the ascent and descent—both physical and mental.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Igor Dyachenko\u003c\/p\u003e\n\u003cp\u003eLabel : soak\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003es005ak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T06:20:40+09:00","created_at":"2026-05-12T06:20:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","new","soak","tape"],"price":399500,"price_min":399500,"price_max":399500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48875592089850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Igor Dyachenko \/\/ Spatial TAPE","public_title":null,"options":["Default Title"],"price":399500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/igo1.jpg?v=1768949180","\/\/tobirarecords.com\/cdn\/shop\/files\/igo2.jpg?v=1768949180"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/igo1.jpg?v=1768949180","options":["Title"],"media":[{"alt":null,"id":38130033262842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/igo1.jpg?v=1768949180"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/igo1.jpg?v=1768949180","width":700},{"alt":null,"id":38130033295610,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/igo2.jpg?v=1768949180"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/igo2.jpg?v=1768949180","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのアンビエント作家Igor Dyachenkoが、2025年10月にカザフスタンの実験レーベルsoakからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなアンビエントドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1839190039\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soak\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soak\"\u003ehere\u003c\/a\u003e to see more soak releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A - ascent: 0:00-30:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSide B - descent: 30:00-53:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"'\u003cem\u003eSpatial' is a documented sound installation by Igor Dyachenko that emerges at the intersection of tracking data sonification and artistic exploration. Inspired by a hike up Agung volcano in Indonesia the work transforms the journey's experience into an emotional soundscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe artist converts gps data and biometric indicators collected during the trek into an auditory plane, reimagining the physical and emotional journey as an auditory experience. The foundation of \"Spatial\" lies in the sonification of diverse personal data gathered during the ascent of volcano. Altitude, coordinates, time, heart rate, and blood oxygen levels serve as the source elements, each shaping the resulting soundscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe soundscape of \"Spatial\" is an atmospheric composition that immerses the listener in the artist's unique personal experience. Flowing textures and multilayered sound atmospheres unfold as a journey, blurring the boundaries between physical presence and auditory imprint. The installation evokes a sense of timelessness, engaging the audience in an emotional journey that reflects the acquired experience, state, and challenges of the ascent and descent—both physical and mental.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Igor Dyachenko\u003c\/p\u003e\n\u003cp\u003eLabel : soak\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003es005ak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツのアンビエント作家Igor Dyachenkoが、2025年10月にカザフスタンの実験レーベルsoakからリリースしたカセットです。 ロングフォームなアンビエントドローン作品です。 レーベルその他作品はこちら /// Click here to see more soak releases available at...
¥3,995