Quilting // Quilting LP
Quilting // Quilting LP
¥3,740
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カナダ・トロントのアンビエントフォーク作家Quilting aka Holy Fuckが、2022年10月にトロントのインディーポップレーベルTelephone Explosion Recordsからリリースしたレコードです。
ハープやアコギによるアンビエントフォーク〜フォークドローン5曲を収録。DLリンク付属。
レーベルその他作品はこちら /// Click here to see more Telephone Explosion Records releases available at Tobira.
-------------------------------------
Includes DL link.
Artist : Quilting
Label : Telephone Explosion Records
カナダ・トロントのアンビエントフォーク作家Quilting aka Holy Fuckが、2022年10月にトロントのインディーポップレーベルTelephone Explosion Recordsからリリースしたレコードです。
ハープやアコギによるアンビエントフォーク〜フォークドローン5曲を収録。DLリンク付属。
レーベルその他作品はこちら /// Click here to see more Telephone Explosion Records releases available at Tobira.
-------------------------------------
Includes DL link.
Artist : Quilting
Label : Telephone Explosion Records
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{"id":9012370505978,"title":"Toni Dimitrov \/\/ Ghosts Of Atlantis CDr","handle":"toni-dimitrov-ghosts-of-atlantis-cdr","description":"\u003cp\u003e\u003cspan\u003e東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217173047\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003ehere\u003c\/a\u003e to see more Kirigirsu Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCDr in cardstock sleeve with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efront image printed on photo paper and back information sticker.\u003c\/span\u003e\u003cbr\u003eEdition of 40.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ghosts Of Atlantis 28:16\u003cbr\u003e2. African Temples 28:16\u003c\/p\u003e\n\u003cp\u003eKirigirisu Recordings:\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGhosts of Atlantis” unfolds as a sweeping, immersive soundscape. From the opening of the first track, “Ghosts of Atlantis”, you’re plunged into a submerged realm where ambient textures stretch out like the endless deep. Layers of drifting drones and subtle hums evoke the vastness of an ancient sunken continent, while intermittent glitches, crackles, and bursts of feedback add a tension that disrupts the calm — the sound remains ambient at its core, but is threaded through with noise elements that hint at decay, ruin, and the passage of time. The piece moves slowly, evolving almost imperceptibly, so that one becomes aware less of melodic development than of shifting atmospheres, pressure changes, and the slow dissolution of forms.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe second track, “African Temples”, extends this sonic exploration into a different terrain — less mythic undersea ruin, more primordial landmass, ancient rhythms, and continental drift. Again, the ambient base is present: washes of sound, shimmering high harmonics, subterranean rumbles. But the noise elements here are more visceral — metallic rattles, distant percussive blasts, hiss and static, like tectonic plates grinding beneath a hidden land, or a ghost-memory of some lost civilization rising and falling. The track is long-form, meditative yet uneasy — it invites the listener to sink\u003cspan class=\"bcTruncateMore\"\u003e into a state of listening rather than simply hearing, to inhabit a sound world of half-remembered geographies and fading empires. In both pieces, the dual qualities of serenity and unrest are held in tension: ambient calm meets the raw energy of noise, and the result is haunting, expansive, and richly textured.\u003cbr\u003eTogether, the two long-form compositions function as a diptych — an exploration of the watery underworld of a mythic lost empire that gradually extends its metaphor into land, drift, origins, and memory. The ambient core of each piece invites deep listening, focusing on atmosphere rather than melody, while the noise elements draw the listener into a palpable sense of impermanence and collapse. This is sound art that rewards patience, offering an auditory architecture built from memory, myth, and erasure.\u003cbr\u003e\u003cbr\u003eAtlantis as an Obsession\u003cbr\u003eToni Dimitrov’s fascination with the myth of Atlantis serves as the conceptual backbone for this album. Atlantis, in its classical formulation, is the lost island — the vanished super-civilization, the memory of something once mighty and now gone beneath the waves. For Dimitrov, Atlantis becomes a metaphor: for forgotten histories, collapsed ecologies, and the ghost-echoes of human ambition. His obsession manifests in the sonic architecture of the album — the submerged drones mirror the ocean’s enveloping power; the noise bursts reflect collapse and rupture; and the long-form structure echoes geological or mythic time rather than conventional track sequencing. In this way, the album becomes less a collection of songs and more a mythic sound-journey: one enters the realm of Atlantis, wanders through its ruins, listens to the water reclaiming walls and towers, and contemplates what remains when a civilisation disappears. In “African Temples”, he extends this obsession outward — Atlantis as a metaphor for other lost or hidden worlds, for the deep time of continents, and for the sense that beneath the surface of what we see lies something far older and far stranger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toni Dimitrov\u003c\/p\u003e\n\u003cp\u003eLabel : Kirigirisu Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekgr064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-28T13:27:46+09:00","created_at":"2025-11-28T09:35:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","kirigirisu","new"],"price":80000,"price_min":80000,"price_max":80000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48012477169914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Toni Dimitrov \/\/ Ghosts Of Atlantis CDr","public_title":null,"options":["Default Title"],"price":80000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","options":["Title"],"media":[{"alt":null,"id":37635865411834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","width":700},{"alt":null,"id":37635865379066,"position":2,"preview_image":{"aspect_ratio":1.012,"height":1186,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035"},"aspect_ratio":1.012,"height":1186,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217173047\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003ehere\u003c\/a\u003e to see more Kirigirsu Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCDr in cardstock sleeve with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efront image printed on photo paper and back information sticker.\u003c\/span\u003e\u003cbr\u003eEdition of 40.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ghosts Of Atlantis 28:16\u003cbr\u003e2. African Temples 28:16\u003c\/p\u003e\n\u003cp\u003eKirigirisu Recordings:\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGhosts of Atlantis” unfolds as a sweeping, immersive soundscape. From the opening of the first track, “Ghosts of Atlantis”, you’re plunged into a submerged realm where ambient textures stretch out like the endless deep. Layers of drifting drones and subtle hums evoke the vastness of an ancient sunken continent, while intermittent glitches, crackles, and bursts of feedback add a tension that disrupts the calm — the sound remains ambient at its core, but is threaded through with noise elements that hint at decay, ruin, and the passage of time. The piece moves slowly, evolving almost imperceptibly, so that one becomes aware less of melodic development than of shifting atmospheres, pressure changes, and the slow dissolution of forms.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe second track, “African Temples”, extends this sonic exploration into a different terrain — less mythic undersea ruin, more primordial landmass, ancient rhythms, and continental drift. Again, the ambient base is present: washes of sound, shimmering high harmonics, subterranean rumbles. But the noise elements here are more visceral — metallic rattles, distant percussive blasts, hiss and static, like tectonic plates grinding beneath a hidden land, or a ghost-memory of some lost civilization rising and falling. The track is long-form, meditative yet uneasy — it invites the listener to sink\u003cspan class=\"bcTruncateMore\"\u003e into a state of listening rather than simply hearing, to inhabit a sound world of half-remembered geographies and fading empires. In both pieces, the dual qualities of serenity and unrest are held in tension: ambient calm meets the raw energy of noise, and the result is haunting, expansive, and richly textured.\u003cbr\u003eTogether, the two long-form compositions function as a diptych — an exploration of the watery underworld of a mythic lost empire that gradually extends its metaphor into land, drift, origins, and memory. The ambient core of each piece invites deep listening, focusing on atmosphere rather than melody, while the noise elements draw the listener into a palpable sense of impermanence and collapse. This is sound art that rewards patience, offering an auditory architecture built from memory, myth, and erasure.\u003cbr\u003e\u003cbr\u003eAtlantis as an Obsession\u003cbr\u003eToni Dimitrov’s fascination with the myth of Atlantis serves as the conceptual backbone for this album. Atlantis, in its classical formulation, is the lost island — the vanished super-civilization, the memory of something once mighty and now gone beneath the waves. For Dimitrov, Atlantis becomes a metaphor: for forgotten histories, collapsed ecologies, and the ghost-echoes of human ambition. His obsession manifests in the sonic architecture of the album — the submerged drones mirror the ocean’s enveloping power; the noise bursts reflect collapse and rupture; and the long-form structure echoes geological or mythic time rather than conventional track sequencing. In this way, the album becomes less a collection of songs and more a mythic sound-journey: one enters the realm of Atlantis, wanders through its ruins, listens to the water reclaiming walls and towers, and contemplates what remains when a civilisation disappears. In “African Temples”, he extends this obsession outward — Atlantis as a metaphor for other lost or hidden worlds, for the deep time of continents, and for the sense that beneath the surface of what we see lies something far older and far stranger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toni Dimitrov\u003c\/p\u003e\n\u003cp\u003eLabel : Kirigirisu Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekgr064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。 本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。 フィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kirigirsu Recordings releases...
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{"id":9012368638202,"title":"The Ullulators \/\/ Simply Conscious Dub b\/w Eternal Now 12inch","handle":"the-ullulators-simply-conscious-dub-b-w-eternal-now-12inch","description":"\u003cp\u003eイギリスのダブデュオThe Ullulatorsが、2025年10月にカナダ・トロントのオールジャンルレーベル\u003cspan\u003eTelephone Explosion RecordsサブラインSpiritual Worldからリリースした再発12\"です。（オリジナルは1985年と1986年にカセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ダブ〜アンビエント2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英国バース発の実験的ダブ＆グローバル・ミュージック・アンサンブルThe Ullulatorsは、1980年代半ばに遡る創造的系譜を持ち、長年にわたり英国のフリー・フェスティバル運動と深く関わってきた。今回、カセット盤のみでリリースされていた初期作品群から、重要な2曲「Simply Conscious Dub」と「Eternal Now」が史上初めて12インチ・ヴァイナルで発表され、スピリチュアル・ワールドからの初のアーカイヴ作品となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面「Simply Conscious Dub」は、1986年カセット『Beyond the Gates of Ull』に収録された楽曲で、重厚なダブ・リズムと広がりある陶酔的なエレクトロニクスを融合させたバンドの代名詞的サウンドを体現している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e対照的に、B面「Eternal Now」は1985年カセット『Share a Calm with the Ullulators』収録曲で、より内省的な音響領域へ踏み込む。ミニマルな構造とアンビエントな質感で構築され、コズミックミュージックの伝統を想起させ、マヌエル・ゲッチングのE2-E4が持つ空間的感性と共鳴する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4200991686\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records \/ Spiritual World releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eReissue - tracks originally recorded in 1985-1986. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Simply Conscious Dub 06:41\u003cbr\u003e2. Eternal Now 05:52\u003c\/p\u003e\n\u003cp\u003eSpiritual World:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Spiritual World's first archival 12\" vinyl release from the UK’s free festival dub pioneers\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Ullulators, an experimental dub and global music ensemble from Bath, UK, have long been associated with the UK’s free festival movement, tracing their creative lineage back to the mid-1980s. For the first time ever, two pivotal tracks from their early cassette-only discography—“Simply Conscious Dub” and “Eternal Now”—are being issued on 12” vinyl, marking the first archival release on Spiritual World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe A-side, “Simply Conscious Dub”, originally featured on the 1986 cassette Beyond the Gates of Ull, exemplifies the band’s signature fusion of weighty dub rhythms with expansive and euphoric electronics.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn contrast, the B-side, “Eternal Now”, drawn from the 1985 cassette Share a Calm with the Ullulators, ventures into more introspective sonic territory. Built on minimalist structures and ambient textures, it evokes the kosmische tradition and aligns with the spatial sensibilities of Manuel Göttsching’s E2-E4.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTogether, these tracks not only showcase the group’s wide stylistic range but also underscore their forward-thinking approach to genre hybridity. This release stands as a unique document of a formative era in the evolution of UK underground, dub, and ambient music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ullulators\u003c\/p\u003e\n\u003cp\u003eLabel : Spiritual World (Telephone Explosion sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SW012\u003c\/p\u003e\n\u003cp\u003eRelease date : 19th September 2025\u003c\/p\u003e","published_at":"2025-11-28T09:57:34+09:00","created_at":"2025-11-28T09:18:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","lp","new","telephone explosion","Telephone Explosion Records"],"price":387800,"price_min":387800,"price_max":387800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48012461801722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Ullulators \/\/ Simply Conscious Dub b\/w Eternal Now 12inch","public_title":null,"options":["Default Title"],"price":387800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881","\/\/tobirarecords.com\/cdn\/shop\/files\/sim2_b8346d83-3b08-4575-b9b7-39ee8bb3c298.jpg?v=1764288881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881","options":["Title"],"media":[{"alt":null,"id":37635704783098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1_8b1ca638-6f62-4383-a1c4-bda5841fa47d.jpg?v=1764288881","width":700},{"alt":null,"id":37635704815866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2_b8346d83-3b08-4575-b9b7-39ee8bb3c298.jpg?v=1764288881"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2_b8346d83-3b08-4575-b9b7-39ee8bb3c298.jpg?v=1764288881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのダブデュオThe Ullulatorsが、2025年10月にカナダ・トロントのオールジャンルレーベル\u003cspan\u003eTelephone Explosion RecordsサブラインSpiritual Worldからリリースした再発12\"です。（オリジナルは1985年と1986年にカセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ダブ〜アンビエント2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英国バース発の実験的ダブ＆グローバル・ミュージック・アンサンブルThe Ullulatorsは、1980年代半ばに遡る創造的系譜を持ち、長年にわたり英国のフリー・フェスティバル運動と深く関わってきた。今回、カセット盤のみでリリースされていた初期作品群から、重要な2曲「Simply Conscious Dub」と「Eternal Now」が史上初めて12インチ・ヴァイナルで発表され、スピリチュアル・ワールドからの初のアーカイヴ作品となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面「Simply Conscious Dub」は、1986年カセット『Beyond the Gates of Ull』に収録された楽曲で、重厚なダブ・リズムと広がりある陶酔的なエレクトロニクスを融合させたバンドの代名詞的サウンドを体現している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e対照的に、B面「Eternal Now」は1985年カセット『Share a Calm with the Ullulators』収録曲で、より内省的な音響領域へ踏み込む。ミニマルな構造とアンビエントな質感で構築され、コズミックミュージックの伝統を想起させ、マヌエル・ゲッチングのE2-E4が持つ空間的感性と共鳴する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2634530138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4200991686\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records \/ Spiritual World releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eReissue - tracks originally recorded in 1985-1986. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Simply Conscious Dub 06:41\u003cbr\u003e2. Eternal Now 05:52\u003c\/p\u003e\n\u003cp\u003eSpiritual World:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Spiritual World's first archival 12\" vinyl release from the UK’s free festival dub pioneers\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Ullulators, an experimental dub and global music ensemble from Bath, UK, have long been associated with the UK’s free festival movement, tracing their creative lineage back to the mid-1980s. For the first time ever, two pivotal tracks from their early cassette-only discography—“Simply Conscious Dub” and “Eternal Now”—are being issued on 12” vinyl, marking the first archival release on Spiritual World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe A-side, “Simply Conscious Dub”, originally featured on the 1986 cassette Beyond the Gates of Ull, exemplifies the band’s signature fusion of weighty dub rhythms with expansive and euphoric electronics.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn contrast, the B-side, “Eternal Now”, drawn from the 1985 cassette Share a Calm with the Ullulators, ventures into more introspective sonic territory. Built on minimalist structures and ambient textures, it evokes the kosmische tradition and aligns with the spatial sensibilities of Manuel Göttsching’s E2-E4.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTogether, these tracks not only showcase the group’s wide stylistic range but also underscore their forward-thinking approach to genre hybridity. This release stands as a unique document of a formative era in the evolution of UK underground, dub, and ambient music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Ullulators\u003c\/p\u003e\n\u003cp\u003eLabel : Spiritual World (Telephone Explosion sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SW012\u003c\/p\u003e\n\u003cp\u003eRelease date : 19th September 2025\u003c\/p\u003e"}
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イギリスのダブデュオThe Ullulatorsが、2025年10月にカナダ・トロントのオールジャンルレーベルTelephone Explosion RecordsサブラインSpiritual Worldからリリースした再発12"です。（オリジナルは1985年と1986年にカセットリリース） レフトフィールド・ダブ〜アンビエント2曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "英国バース発の実験的ダブ＆グローバル・ミュージック・アンサンブルThe Ullulatorsは、1980年代半ばに遡る創造的系譜を持ち、長年にわたり英国のフリー・フェスティバル運動と深く関わってきた。今回、カセット盤のみでリリースされていた初期作品群から、重要な2曲「Simply Conscious Dub」と「Eternal Now」が史上初めて12インチ・ヴァイナルで発表され、スピリチュアル・ワールドからの初のアーカイヴ作品となる。 A面「Simply...
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{"id":9012352712954,"title":"Kristen Roos \/\/ Universal Synthesizer Interface Vol I LP","handle":"kristen-roos-universal-synthesizer-interface-vol-i-lp","description":"\u003cp\u003e\u003cspan\u003eカナダ・バンクーバーのIDM作家Kristen Roosが\u003c\/span\u003e、2023年6月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。（オリジナルは2021年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e80年代のMIDIソフトのみを使用して制作したポストニューエイジ・アンビエント〜IDM6曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2624726985\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500.\u003c\/p\u003e\n\u003cp\u003eHotham Sound Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2019, Vancouver artist Kristen Roos came across a floppy disk for sale on eBay containing the Commodore Amiga version of Laurie Spiegel's 'Music Mouse'. This was one of the first intelligent instruments for personal computers, created by Spiegel in 1985 as an interactive and playable MIDI sequencer for the 68k era of Macintosh computers. Curious, he bid on the item and ended up winning it for a few dollars. Upon investigation, the simple and intuitive nature of its interface appealed to him, especially in comparison to the dense ‘menus within menus’ design of contemporary DAWs, and he soon began to seek out other programs from this ‘first wave’ of music software development.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe result of over a year of study, experimentation, and creation (often involving direct correspondence with the software creators themselves), 'Universal Synthesizer Interface' is Roos’s homage to this early era of algorithmic music making. From the delicately unfolding beauty of Midi Draw, to the wavelike pulses of Interactive Phrase, each of these tracks was composed and sequenced with a single piece of vintage MIDI software. The result is a stunning two-volume collection (VOL II arriving later this year) of electronic music that melds the technology of the past with the current sensibilities of one of Vancouver’s most talented creators.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristen Roos\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-28T06:58:17+09:00","created_at":"2025-11-28T06:57:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lp","new","post newage","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48012396265722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kristen Roos \/\/ Universal Synthesizer Interface Vol I LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_117d6582-0da8-4acf-9ead-53bc48d7da93.jpg?v=1687777895"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_117d6582-0da8-4acf-9ead-53bc48d7da93.jpg?v=1687777895","options":["Title"],"media":[{"alt":null,"id":32156871786746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_117d6582-0da8-4acf-9ead-53bc48d7da93.jpg?v=1687777895"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_117d6582-0da8-4acf-9ead-53bc48d7da93.jpg?v=1687777895","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・バンクーバーのIDM作家Kristen Roosが\u003c\/span\u003e、2023年6月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。（オリジナルは2021年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e80年代のMIDIソフトのみを使用して制作したポストニューエイジ・アンビエント〜IDM6曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2624726985\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 500.\u003c\/p\u003e\n\u003cp\u003eHotham Sound Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2019, Vancouver artist Kristen Roos came across a floppy disk for sale on eBay containing the Commodore Amiga version of Laurie Spiegel's 'Music Mouse'. This was one of the first intelligent instruments for personal computers, created by Spiegel in 1985 as an interactive and playable MIDI sequencer for the 68k era of Macintosh computers. Curious, he bid on the item and ended up winning it for a few dollars. 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The result is a stunning two-volume collection (VOL II arriving later this year) of electronic music that melds the technology of the past with the current sensibilities of one of Vancouver’s most talented creators.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristen Roos\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9012038074618,"title":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","handle":"shabason-krgovich-harris-philadelphia-lp","description":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-27T16:17:53+09:00","created_at":"2025-11-27T16:17:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48011065229562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"195081976235","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","options":["Title"],"media":[{"alt":null,"id":32265786556666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","width":700},{"alt":null,"id":32265786589434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース） ポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Idée Fixe...
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