+plattform // SMV008 12"
+plattform // SMV008 12"
¥2,676
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ノルウェーのテクノ作家+plattform が、2023年8月にドイツのテクノレーベルSomov Recordsからリリースした12"です。
フロア仕様のディープ・ミニマルテクノ4曲を収録。
--------------------------------------------
12" black vinyl.
Tracklist:
1. Laanda 05:32
2. Briks 05:11
3. Frak 06:43
4. Raqqa 05:32
Somov Records:
"Norway’s +plattform delivers four sophisticated deep cuts that immerse listeners in an endless range of dynamic and melancholic soundscapes. These compositions were crafted during the artist's van travel across the scenic landscapes of Europe."
Artist : +plattform
Label : Somov Records
ノルウェーのテクノ作家+plattform が、2023年8月にドイツのテクノレーベルSomov Recordsからリリースした12"です。
フロア仕様のディープ・ミニマルテクノ4曲を収録。
--------------------------------------------
12" black vinyl.
Tracklist:
1. Laanda 05:32
2. Briks 05:11
3. Frak 06:43
4. Raqqa 05:32
Somov Records:
"Norway’s +plattform delivers four sophisticated deep cuts that immerse listeners in an endless range of dynamic and melancholic soundscapes. These compositions were crafted during the artist's van travel across the scenic landscapes of Europe."
Artist : +plattform
Label : Somov Records
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{"id":8945738776826,"title":"HARZ \/\/ polychromatic TAPE","handle":"harz-polychromatic-tape","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e前作が当店で大人気だったスイスのダウンテンポ作家HARZが、2025年9月に同国実験／ダンスレーベルEmpty Spaceから200本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eヴィンテージのサンプラーとコンソール、エフェクトループを用いたグリッチ・ダウンテンポ〜アンビエント・ダブ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190456492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1539668682\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190456492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190456492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1912953784\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsp\"\u003ehere\u003c\/a\u003e to see more Empty Space releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the cassette's artwork (text from the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFor the visual identity of the tape release, we collaborated with YOMA from Biel\/Bienne, whose design reflects the album’s aesthetic philosophy. Created using a sample-and-hold process, the artwork was produced as a four-layer RISO print. During printing, each of the 200 cassette covers was individually shifted and rotated, resulting in unique gradients and ever-evolving visual compositions.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. 13-0647 04:32 \u003cbr\u003e2. 18-1750 04:50 \u003cbr\u003e3. 15-4020 05:05 \u003cbr\u003e4. 17-5641 04:40 \u003cbr\u003e5. 19-4052 06:24 \u003cbr\u003e6. 18-3224 07:22 \u003cbr\u003e7. 15-3919 06:53\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEmpty Space:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAfter three years of silence, HARZ returns with \"polychromatic\", his long-awaited second album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce again, the experimental sampling wizard from Empty Space delves deep into the aesthetics of early clicks and cuts, employing his signature technique of microsampling. While \"polychromatic\" retains the sound signature of his debut, it marks a clear evolution—offering a more elaborate and emotionally nuanced listening experience. Each track is thoughtfully curated, shifting in mood and texture, while maintaining HARZ’s distinctive looping, ever-evolving structures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn \"polychromatic\", HARZ not only embraces the degrading textures and inherent bit reduction of microsampling, but pushes further into the sonic possibilities of his vintage tape machines—particularly exploring the saturation and distortion that occur when they’re cross-fed into themselves. This interplay between digital decay and analog warmth lends the album a unique character in terms of timbre. It’s this deep focus on \"Klangfarben\"—the \"colors of sound\"—that creates the album’s signature tension and textural depth. The result is a minimalistic, yet dreamy, eerie, and psychedelic journey through sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs before, HARZ builds his tracks around his\u003cspan class=\"bcTruncateMore\"\u003e trusted old-school sampler, manipulating fragments of field recordings, vinyl artifacts, and acoustic instruments until they’re transformed beyond recognition. These sonic elements are then reassembled into mesmerizing, highly saturated landscapes. The mixing console acts as his compositional tool of choice—every track from the sampler and drum machine is routed through it, allowing HARZ to sculpt his soundscapes live in real time using analog EQs, vintage effects pedals, and his faithful tape machines. All seven tracks on polychromatic were recorded live in single takes, with no overdubs—what you hear is how it was performed.\u003cbr\u003e\u003cbr\u003eFor the visual identity of the tape-release, we teamed up with YOMA from Biel\/Bienne, whose design mirrors the album’s aesthetic philosophy. Created using a sample-and-hold process, the artwork was realized as a four-layer RISO print. YOMA generated three randomized, noise-influenced patterns, each assigned a specific color. During printing, every one of the 200 cassette covers was individually shifted and rotated, resulting in unique gradients and ever-changing visual compositions—united by concept, yet singular in form. The fourth layer, featuring the typesetting, was designed by HARZ himself.\u003cbr\u003e\u003cbr\u003eMastering was entrusted to longtime friend Formen, who gave the album its final polish. Tape duplication was handled by T.A.P.E. MUZIK in Leipzig, ensuring pristine analog sound quality.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : HARZ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEmpty Space\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-04T12:12:01+09:00","created_at":"2025-10-04T10:30:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","empty space","hiphop \/ funk","house","new","recommended","tape","techno \/ house"],"price":214000,"price_min":214000,"price_max":214000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792683942138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"HARZ \/\/ polychromatic TAPE","public_title":null,"options":["Default Title"],"price":214000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_1127d59a-1c5a-44dd-95e5-6da7b4120efe.jpg?v=1759541244","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_8be1a161-36c2-4603-a363-2621b4a14b9b.jpg?v=1759541244"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_1127d59a-1c5a-44dd-95e5-6da7b4120efe.jpg?v=1759541244","options":["Title"],"media":[{"alt":null,"id":37001294479610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_1127d59a-1c5a-44dd-95e5-6da7b4120efe.jpg?v=1759541244"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_1127d59a-1c5a-44dd-95e5-6da7b4120efe.jpg?v=1759541244","width":700},{"alt":null,"id":37001294512378,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_8be1a161-36c2-4603-a363-2621b4a14b9b.jpg?v=1759541244"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_8be1a161-36c2-4603-a363-2621b4a14b9b.jpg?v=1759541244","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e前作が当店で大人気だったスイスのダウンテンポ作家HARZが、2025年9月に同国実験／ダンスレーベルEmpty Spaceから200本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eヴィンテージのサンプラーとコンソール、エフェクトループを用いたグリッチ・ダウンテンポ〜アンビエント・ダブ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190456492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1539668682\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190456492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3190456492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1912953784\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsp\"\u003ehere\u003c\/a\u003e to see more Empty Space releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout the cassette's artwork (text from the label):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFor the visual identity of the tape release, we collaborated with YOMA from Biel\/Bienne, whose design reflects the album’s aesthetic philosophy. Created using a sample-and-hold process, the artwork was produced as a four-layer RISO print. During printing, each of the 200 cassette covers was individually shifted and rotated, resulting in unique gradients and ever-evolving visual compositions.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. 13-0647 04:32 \u003cbr\u003e2. 18-1750 04:50 \u003cbr\u003e3. 15-4020 05:05 \u003cbr\u003e4. 17-5641 04:40 \u003cbr\u003e5. 19-4052 06:24 \u003cbr\u003e6. 18-3224 07:22 \u003cbr\u003e7. 15-3919 06:53\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEmpty Space:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAfter three years of silence, HARZ returns with \"polychromatic\", his long-awaited second album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce again, the experimental sampling wizard from Empty Space delves deep into the aesthetics of early clicks and cuts, employing his signature technique of microsampling. While \"polychromatic\" retains the sound signature of his debut, it marks a clear evolution—offering a more elaborate and emotionally nuanced listening experience. Each track is thoughtfully curated, shifting in mood and texture, while maintaining HARZ’s distinctive looping, ever-evolving structures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn \"polychromatic\", HARZ not only embraces the degrading textures and inherent bit reduction of microsampling, but pushes further into the sonic possibilities of his vintage tape machines—particularly exploring the saturation and distortion that occur when they’re cross-fed into themselves. This interplay between digital decay and analog warmth lends the album a unique character in terms of timbre. It’s this deep focus on \"Klangfarben\"—the \"colors of sound\"—that creates the album’s signature tension and textural depth. The result is a minimalistic, yet dreamy, eerie, and psychedelic journey through sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs before, HARZ builds his tracks around his\u003cspan class=\"bcTruncateMore\"\u003e trusted old-school sampler, manipulating fragments of field recordings, vinyl artifacts, and acoustic instruments until they’re transformed beyond recognition. These sonic elements are then reassembled into mesmerizing, highly saturated landscapes. The mixing console acts as his compositional tool of choice—every track from the sampler and drum machine is routed through it, allowing HARZ to sculpt his soundscapes live in real time using analog EQs, vintage effects pedals, and his faithful tape machines. All seven tracks on polychromatic were recorded live in single takes, with no overdubs—what you hear is how it was performed.\u003cbr\u003e\u003cbr\u003eFor the visual identity of the tape-release, we teamed up with YOMA from Biel\/Bienne, whose design mirrors the album’s aesthetic philosophy. Created using a sample-and-hold process, the artwork was realized as a four-layer RISO print. YOMA generated three randomized, noise-influenced patterns, each assigned a specific color. During printing, every one of the 200 cassette covers was individually shifted and rotated, resulting in unique gradients and ever-changing visual compositions—united by concept, yet singular in form. The fourth layer, featuring the typesetting, was designed by HARZ himself.\u003cbr\u003e\u003cbr\u003eMastering was entrusted to longtime friend Formen, who gave the album its final polish. Tape duplication was handled by T.A.P.E. MUZIK in Leipzig, ensuring pristine analog sound quality.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : HARZ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEmpty Space\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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※当店限定販売です 前作が当店で大人気だったスイスのダウンテンポ作家HARZが、2025年9月に同国実験／ダンスレーベルEmpty Spaceから200本限定でリリースしたカセットです。 ヴィンテージのサンプラーとコンソール、エフェクトループを用いたグリッチ・ダウンテンポ〜アンビエント・ダブ7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Empty Space releases available at Tobira. ...
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August 05:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Scree\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e","published_at":"2025-10-04T13:23:03+09:00","created_at":"2025-10-04T12:16:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","recommended","ruination record co."],"price":385000,"price_min":385000,"price_max":385000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792868196602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scree \/\/ August LP","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aug1.jpg?v=1759547711","\/\/tobirarecords.com\/cdn\/shop\/files\/aug2.jpg?v=1759547711"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aug1.jpg?v=1759547711","options":["Title"],"media":[{"alt":null,"id":37002174955770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aug1.jpg?v=1759547711"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aug1.jpg?v=1759547711","width":700},{"alt":null,"id":37002174988538,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aug2.jpg?v=1759547711"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aug2.jpg?v=1759547711","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのギタリスト\u003ca href=\"https:\/\/tobirarecords.com\/products\/ryan-el-solh-music-of-the-years-gone-by-tape\"\u003e\u003cspan\u003eRyan El-Solh\u003c\/span\u003e\u003c\/a\u003e率いる地下ラウンジバンドScreeが、2025年9月にNYのインディーレーベルRuination Record Co.からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ラウンジ〜フュージョン〜ポストロック〜アンビエント・ジャズ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1887398941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2487985046\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1887398941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2724734567\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1887398941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2121107375\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lethe 04:14\u003cbr\u003e2. Zikra 05:54\u003cbr\u003e3. Shadows In The Library 00:36\u003cbr\u003e4. White Roses 04:14\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Me Me Me 05:01\u003cbr\u003e\u003c\/span\u003e6. Either Way 03:28\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Season 2 03:36\u003cbr\u003e\u003c\/span\u003e8. TV Sometimes 02:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. My Life Through The Eyes Of A Cat 07:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Look Back 00:40\u003cbr\u003e\u003c\/span\u003e11. August 05:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Scree\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}
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アメリカ・NYのギタリストRyan El-Solh率いる地下ラウンジバンドScreeが、2025年9月にNYのインディーレーベルRuination Record Co.からリリースしたレコードです。 レフトフィールド・ラウンジ〜フュージョン〜ポストロック〜アンビエント・ジャズ11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at...
¥3,850
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{"id":8945914151162,"title":"Adeline Hotel \/\/ Watch The Sunflowers LP","handle":"adeline-hotel-watch-the-sunflowers-lp","description":"\u003cp\u003eアメリカ・NYのインディーレーベルRuination Records Co.主宰Adeline Hotelが、2025年10月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eMoon MullinsやJackie Westも参加しています。\u003c\/p\u003e\n\u003cp\u003eDan Knishkowy - guitars \u0026amp; vocals\u003cbr\u003eWinston Cook-Wilson - piano, keyboards, programming\u003cbr\u003eNate Mendelsohn - saxophone, bass, guitar, keyboards, programming\u003cbr\u003eJackie West - vocals\u003cbr\u003eJ.R. Bohannon - pedal steel\u003cbr\u003eMari Rubio - violin, viola\u003cbr\u003eSean Mullins - drums \u0026amp; percussion\u003cbr\u003eAndrew Stocker - bass \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-whodunnit-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=947896871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=947896871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2738029689\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dreaming\u003cbr\u003e2. Nothing\u003cbr\u003e3. Swimming\u003cbr\u003e4. Ego\u003cbr\u003e5. Just Like You\u003cbr\u003e6. Spaces\u003cbr\u003e7. Watch The Sunflowers\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Ruination Records:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eWhat I’m going through is hard to describe,' Dan Knishkowy sings near the end of his kaleidoscopic new album, Watch the Sunflowers. Recording as Adeline Hotel, the songwriter, guitarist, and Ruination Record Co. label head has made an art of complicated feelings, whether zooming in so closely that he can describe each individual thread or panning out until the view becomes psychedelic and strange. At a prolific pace, he has accompanied these observations with music that’s just as creatively restless. On one record, he is a solo guitarist improvising in a quiet room; on the next, he’s a piano balladeer backed by strings. He may front a rock band that draws inspiration from Neil Young at his most ragged and Richard Thompson at his most stately; on another, he may blend into the autumnal hush of a complex jazz group.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe expertly written, masterfully delivered Watch the Sunflowers is the most colorful music of Knishkowy’s career. This, of course, is a direct response to what came before it. These seven imagistic songs arrive after 2024’s breakthrough Whodunnit, a record whose stark portraits of codependency and isolation were delivered as raw and nakedly as Knishkowy ever allowed himself. If those songs seemed to burst forward on the immediacy of their feelings, this time, he\u003cspan class=\"bcTruncateMore\"\u003e compares his approach to a Richard Linklater film. This process encouraged him to live inside the stories and notice how the passing of time changed the atmosphere, whether that meant embellishing the compositions with lush, expansive arrangements or sanding them down to impressionistic loops. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adeline Hotel\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e","published_at":"2025-10-04T13:32:00+09:00","created_at":"2025-10-04T12:14:00+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","ruination record co."],"price":385000,"price_min":385000,"price_max":385000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792857547002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adeline Hotel \/\/ Watch The Sunflowers LP","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ad1_04fc7ba5-edd6-4b25-8e7e-9fdbee7103e4.jpg?v=1759547514","\/\/tobirarecords.com\/cdn\/shop\/files\/ad2_100eae2c-c1b1-40d5-8a38-621ecda61c90.jpg?v=1759547514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ad1_04fc7ba5-edd6-4b25-8e7e-9fdbee7103e4.jpg?v=1759547514","options":["Title"],"media":[{"alt":null,"id":37002144415994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ad1_04fc7ba5-edd6-4b25-8e7e-9fdbee7103e4.jpg?v=1759547514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ad1_04fc7ba5-edd6-4b25-8e7e-9fdbee7103e4.jpg?v=1759547514","width":700},{"alt":null,"id":37002144448762,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ad2_100eae2c-c1b1-40d5-8a38-621ecda61c90.jpg?v=1759547514"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ad2_100eae2c-c1b1-40d5-8a38-621ecda61c90.jpg?v=1759547514","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのインディーレーベルRuination Records Co.主宰Adeline Hotelが、2025年10月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eMoon MullinsやJackie Westも参加しています。\u003c\/p\u003e\n\u003cp\u003eDan Knishkowy - guitars \u0026amp; vocals\u003cbr\u003eWinston Cook-Wilson - piano, keyboards, programming\u003cbr\u003eNate Mendelsohn - saxophone, bass, guitar, keyboards, programming\u003cbr\u003eJackie West - vocals\u003cbr\u003eJ.R. 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Dreaming\u003cbr\u003e2. Nothing\u003cbr\u003e3. Swimming\u003cbr\u003e4. Ego\u003cbr\u003e5. Just Like You\u003cbr\u003e6. Spaces\u003cbr\u003e7. Watch The Sunflowers\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Ruination Records:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eWhat I’m going through is hard to describe,' Dan Knishkowy sings near the end of his kaleidoscopic new album, Watch the Sunflowers. Recording as Adeline Hotel, the songwriter, guitarist, and Ruination Record Co. label head has made an art of complicated feelings, whether zooming in so closely that he can describe each individual thread or panning out until the view becomes psychedelic and strange. At a prolific pace, he has accompanied these observations with music that’s just as creatively restless. On one record, he is a solo guitarist improvising in a quiet room; on the next, he’s a piano balladeer backed by strings. He may front a rock band that draws inspiration from Neil Young at his most ragged and Richard Thompson at his most stately; on another, he may blend into the autumnal hush of a complex jazz group.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe expertly written, masterfully delivered Watch the Sunflowers is the most colorful music of Knishkowy’s career. This, of course, is a direct response to what came before it. These seven imagistic songs arrive after 2024’s breakthrough Whodunnit, a record whose stark portraits of codependency and isolation were delivered as raw and nakedly as Knishkowy ever allowed himself. If those songs seemed to burst forward on the immediacy of their feelings, this time, he\u003cspan class=\"bcTruncateMore\"\u003e compares his approach to a Richard Linklater film. This process encouraged him to live inside the stories and notice how the passing of time changed the atmosphere, whether that meant embellishing the compositions with lush, expansive arrangements or sanding them down to impressionistic loops. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adeline Hotel\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}
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¥3,850
クイックビュー
{"id":8945664786682,"title":"Danna \u0026 Clément \/\/ A Gradual Awakening LP","handle":"danna-clement-a-gradual-awakening-lp","description":"\u003cp\u003eカナダ・トロントのニューエイジ夫婦デュオDanna \u0026amp; Clémentが、2025年10月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースした再発レコードです。（オリジナルは1983年カセットリリース）\u003c\/p\u003e\n\u003cp\u003eオールドスクールなニューエイジ・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マイケルと私は文字通り1980年1月1日、新たな10年の最初の日からこの音楽の録音を開始した。当初から私たちは何か新しいものを見つけたと確信していたが、それがどこへ導くかは確信が持てなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後2年間、私たちは各地を転々とする中で、可能な限り録音を重ねた。セッションはバーリントンとダンダスの自宅スタジオで行われ、後にメイプルリーフの私の自宅やメイヌースの僻地にある丸太小屋スタジオでも行われた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e当時は全てアナログだった。私たちは重いモジュラーシンセサイザーやテープデッキ、様々な機材をオンタリオ州の奥深い荒野へと運び込んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムに織り込まれた自然の屋外音は、私が100エーカーの森の中でオフグリッド生活を送っていた山小屋で録音された。頭上には電線はなく、木々とテープレコーダーだけがあった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eスタジオの電源は、納屋にある発電機まで森の中を数百メートルも延長コードを引き伸ばして確保した。ポータブルデジタルレコーダーはまだ存在しなかったため、54ポンド（約24kg）のスタダー・レヴォックス製オープンリール式デッキを森に運び込み、同じ方法で電源を供給しながらサウンドスケープを録音した。こうした環境での録音は容易ではなかったが、アルバムが形作られる上で核心的な役割を果たした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『A Gradual Awakening』は、私たちが住んだ場所、手にした道具、そして音楽が導くままに追いかけるという共有された本能によって形作られ、ゆっくりと静かに育まれた。時間をかけて——層を重ね、季節を重ね——周囲の環境と密接に結びつきながら生まれた作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jlIUU7HLIcY?si=i0ZDXlAYH_5cmajX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 400.\u003cbr\u003e2025 vinyl reissue by We Are Busy Bodies - originally released in 1983 by Summerland Music.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lydian Lights\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. As The Earth Weeps\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4:40\u003cbr\u003e\u003c\/span\u003e3. Ontario\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:47\u003cbr\u003e4. Chrysolite\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:09\u003cbr\u003e5. Waterscape\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:22\u003cbr\u003e6. A Gradual Awakening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e11:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eFrom the artist (\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eTim Clément):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Mychael and I literally began recording this music on January 1st, 1980—the very first day of the new decade. From the outset, we knew we were onto something different, though we weren’t sure exactly where it would lead.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the next two years, as we both moved from place to place, we recorded whenever we could. Sessions took place in our home studios in Burlington and Dundas, and later at my homestead in Maple Leaf and a secluded log cabin studio in Maynooth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEverything was analog back then. We hauled heavy modular synthesizers, tape decks, and various equipment deep into Ontario’s wilderness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe natural outdoor sounds woven into the album were recorded at my cabin, where I was living off the grid on a 100-acre patch of forest—no overhead electrical lines, just trees and tape decks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo power the studio, we ran long extension cords hundreds of meters through the woods to a generator in the barn. Since portable digital recorders did not yet exist, we carried a 54-pound Studer Revox reel-to-reel deck into the forest to record the soundscape and powered it the same way. Recording in those conditions wasn’t easy, but it was central to how the album came\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA Gradual Awakening grew out of a slow, quiet process, shaped by the places we lived, the tools we had, and a shared instinct to follow the music wherever it led. It was created over time—layer by layer, season by season—and in close connection with our surroundings.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danna \u0026amp; Clément\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003ecat no : WABB-213\u003c\/p\u003e","published_at":"2025-10-04T10:55:31+09:00","created_at":"2025-10-04T10:03:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage","we are busy bodies"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47792534716666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Danna \u0026 Clément \/\/ A Gradual Awakening LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dann1_fd22e51a-7a83-48be-905b-9193f4e0fa66.jpg?v=1759539550","\/\/tobirarecords.com\/cdn\/shop\/files\/dann2_d93edd97-cdc4-4eaa-9154-90a1d9e2e360.jpg?v=1759539550"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dann1_fd22e51a-7a83-48be-905b-9193f4e0fa66.jpg?v=1759539550","options":["Title"],"media":[{"alt":null,"id":37000942616826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dann1_fd22e51a-7a83-48be-905b-9193f4e0fa66.jpg?v=1759539550"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dann1_fd22e51a-7a83-48be-905b-9193f4e0fa66.jpg?v=1759539550","width":700},{"alt":null,"id":37000942649594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dann2_d93edd97-cdc4-4eaa-9154-90a1d9e2e360.jpg?v=1759539550"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dann2_d93edd97-cdc4-4eaa-9154-90a1d9e2e360.jpg?v=1759539550","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのニューエイジ夫婦デュオDanna \u0026amp; Clémentが、2025年10月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースした再発レコードです。（オリジナルは1983年カセットリリース）\u003c\/p\u003e\n\u003cp\u003eオールドスクールなニューエイジ・アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マイケルと私は文字通り1980年1月1日、新たな10年の最初の日からこの音楽の録音を開始した。当初から私たちは何か新しいものを見つけたと確信していたが、それがどこへ導くかは確信が持てなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後2年間、私たちは各地を転々とする中で、可能な限り録音を重ねた。セッションはバーリントンとダンダスの自宅スタジオで行われ、後にメイプルリーフの私の自宅やメイヌースの僻地にある丸太小屋スタジオでも行われた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e当時は全てアナログだった。私たちは重いモジュラーシンセサイザーやテープデッキ、様々な機材をオンタリオ州の奥深い荒野へと運び込んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムに織り込まれた自然の屋外音は、私が100エーカーの森の中でオフグリッド生活を送っていた山小屋で録音された。頭上には電線はなく、木々とテープレコーダーだけがあった。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eスタジオの電源は、納屋にある発電機まで森の中を数百メートルも延長コードを引き伸ばして確保した。ポータブルデジタルレコーダーはまだ存在しなかったため、54ポンド（約24kg）のスタダー・レヴォックス製オープンリール式デッキを森に運び込み、同じ方法で電源を供給しながらサウンドスケープを録音した。こうした環境での録音は容易ではなかったが、アルバムが形作られる上で核心的な役割を果たした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『A Gradual Awakening』は、私たちが住んだ場所、手にした道具、そして音楽が導くままに追いかけるという共有された本能によって形作られ、ゆっくりと静かに育まれた。時間をかけて——層を重ね、季節を重ね——周囲の環境と密接に結びつきながら生まれた作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jlIUU7HLIcY?si=i0ZDXlAYH_5cmajX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 400.\u003cbr\u003e2025 vinyl reissue by We Are Busy Bodies - originally released in 1983 by Summerland Music.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lydian Lights\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. As The Earth Weeps\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4:40\u003cbr\u003e\u003c\/span\u003e3. Ontario\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:47\u003cbr\u003e4. Chrysolite\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:09\u003cbr\u003e5. Waterscape\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:22\u003cbr\u003e6. A Gradual Awakening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e11:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eFrom the artist (\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eTim Clément):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Mychael and I literally began recording this music on January 1st, 1980—the very first day of the new decade. From the outset, we knew we were onto something different, though we weren’t sure exactly where it would lead.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the next two years, as we both moved from place to place, we recorded whenever we could. Sessions took place in our home studios in Burlington and Dundas, and later at my homestead in Maple Leaf and a secluded log cabin studio in Maynooth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEverything was analog back then. We hauled heavy modular synthesizers, tape decks, and various equipment deep into Ontario’s wilderness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe natural outdoor sounds woven into the album were recorded at my cabin, where I was living off the grid on a 100-acre patch of forest—no overhead electrical lines, just trees and tape decks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo power the studio, we ran long extension cords hundreds of meters through the woods to a generator in the barn. Since portable digital recorders did not yet exist, we carried a 54-pound Studer Revox reel-to-reel deck into the forest to record the soundscape and powered it the same way. Recording in those conditions wasn’t easy, but it was central to how the album came\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA Gradual Awakening grew out of a slow, quiet process, shaped by the places we lived, the tools we had, and a shared instinct to follow the music wherever it led. It was created over time—layer by layer, season by season—and in close connection with our surroundings.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danna \u0026amp; Clément\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003ecat no : WABB-213\u003c\/p\u003e"}
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カナダ・トロントのニューエイジ夫婦デュオDanna & Clémentが、2025年10月にトロントのオールジャンルレーベルWe Are Busy Bodiesからリリースした再発レコードです。（オリジナルは1983年カセットリリース） オールドスクールなニューエイジ・アンビエント6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "マイケルと私は文字通り1980年1月1日、新たな10年の最初の日からこの音楽の録音を開始した。当初から私たちは何か新しいものを見つけたと確信していたが、それがどこへ導くかは確信が持てなかった。 その後2年間、私たちは各地を転々とする中で、可能な限り録音を重ねた。セッションはバーリントンとダンダスの自宅スタジオで行われ、後にメイプルリーフの私の自宅やメイヌースの僻地にある丸太小屋スタジオでも行われた。 当時は全てアナログだった。私たちは重いモジュラーシンセサイザーやテープデッキ、様々な機材をオンタリオ州の奥深い荒野へと運び込んだ。 アルバムに織り込まれた自然の屋外音は、私が100エーカーの森の中でオフグリッド生活を送っていた山小屋で録音された。頭上には電線はなく、木々とテープレコーダーだけがあった。スタジオの電源は、納屋にある発電機まで森の中を数百メートルも延長コードを引き伸ばして確保した。ポータブルデジタルレコーダーはまだ存在しなかったため、54ポンド（約24kg）のスタダー・レヴォックス製オープンリール式デッキを森に運び込み、同じ方法で電源を供給しながらサウンドスケープを録音した。こうした環境での録音は容易ではなかったが、アルバムが形作られる上で核心的な役割を果たした。 『A...
¥3,980