Dajve // st TAPE
Dajve // st TAPE
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アメリカ・テキサスのダンスレーベルGrowth in Decay諸作を入荷しました。
本作は、レーベルお抱え作家Very Richがアンビエント名義Dajveでリリースしたセルフタイトルアルバムです。ほぼ全てワンテイクで録音した、チルアウトなシンセアンビエント6曲を収録。50本限定、DLコード付属。
Soft sounds from some of my favorite synthesizers. Dajve happened nearly all at once, during an extra chill period of renewal and joy.
artist : Dajve
label : Growth in Decay
アメリカ・テキサスのダンスレーベルGrowth in Decay諸作を入荷しました。
本作は、レーベルお抱え作家Very Richがアンビエント名義Dajveでリリースしたセルフタイトルアルバムです。ほぼ全てワンテイクで録音した、チルアウトなシンセアンビエント6曲を収録。50本限定、DLコード付属。
Soft sounds from some of my favorite synthesizers. Dajve happened nearly all at once, during an extra chill period of renewal and joy.
artist : Dajve
label : Growth in Decay
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{"id":9392824156410,"title":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence CD","handle":"ariel-kalma-jeremiah-chiu-marta-sofia-honer-the-closest-thing-to-silence-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu \u0026amp; Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational AnthemのレコーディングアーティストであるJeremiah ChiuとMarta Sofia Honerは、数ヶ月前にデュオデビュー作『Recordings from the Åland Islands』をリリースし高い評価を得ていた。Chiuは以前からKalmaのファンで、エレクトロニックミュージック作曲へのアプローチに大きな影響を与えたとさえ語っていたからだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレイト・ジャンクションのコラボレーションの基本的な構成は、アーティストが協力して約20分の音楽を創作するというものだった。Kalmaが始めた曲と、ChiuとHonorが始めた曲とが行き来し、それぞれがトラックを追加・編集してから、もう一方のアーティストに返す。音楽は数回行き来しただけで、最終的に完成する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e番組の20分の目標（計4曲）を達成した3人は、発表する内容に満足し、レイト・ジャンクションのプロデューサーに作品を送った。しかし、これで終わりではないのではないかという疑念があった。もう少しで完成しそうだったのに、ラジオ番組に収録するために送られなかった作品がいくつかあったし、完成した作品をさらに洗練させるためのアイデアもたくさんあった。このことを念頭に置いて3人は、音楽をさらに推し進めるために協力し続けることで合意した。生まれたばかりのトリオは、もっと言うべきこと、もっとやるべきことがたくさんあると感じていた。レイト・ジャンクションは2022年9月に放送された。同時に、3人は、放送のために始めた音楽をさらに発展させ始め、数ヶ月間、熱心に音楽制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品に対する彼らの集団的なアプローチは、即興の中で生まれ、コラージュに基づく編集によって実現された。その結果、時には数十年の時を経て録音された、いくつかの異なる音楽的瞬間が互いに会話を交わし、古い音楽の積み重ねから新しい物語を形成している。各ミュージシャンの即興演奏の断片が、Kalmaが70年代にGRMで録音したものと一緒に編集され、最終的なミックスに入ることになる、Kalmaが自分のアイデアを説明するような音声メモの瞬間さえある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最終的に、この音楽集はChiuとHonorの『Recording from the Åland Islands』で聴かれた文脈への没入と、Kalmaの数十年にわたる作品群に対する世代を超えた敬愛（そして紛れもない存在感）とを絡めながら、3人のミュージシャンの作品を際立たせている。それは、彼をニューエイジと第4世界の音楽における真の超越的なパイオニアであり、賢人のひとりとして決定的に祀り上げた作品である。この敬愛の念は、グループが選んだアルバムタイトル「The Closest Thing to Silence」（静寂に最も近いもの）にも表れている。このタイトルは、RVNG Intlが2014年にリリースしたコンペンディウム／レトロスペクティブ『An Evolutionary Music』のドキュメンタリーに収録されたKalmaの言葉から取られている。おそらく偶然だろうが、Kalmaの言葉は、伝説的なECMレコードのモットーを少し変えたものだった： \"音楽は沈黙に最も近いものである\"。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4067863479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTen Hour Wave 03:25\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits (Intro) 00:45\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits 05:59\u003c\/li\u003e\n\u003cli\u003eThe Closest Thing To Silence 03:52\u003c\/li\u003e\n\u003cli\u003eDizzy Ditty 04:33\u003c\/li\u003e\n\u003cli\u003eUne Ombre Légère 04:23\u003c\/li\u003e\n\u003cli\u003eNew Air 02:25\u003c\/li\u003e\n\u003cli\u003eÉcoute Au Loin 06:02 video\u003c\/li\u003e\n\u003cli\u003eA Treasure Chest 06:12\u003c\/li\u003e\n\u003cli\u003eStay Centered 02:15\u003c\/li\u003e\n\u003cli\u003eStack Attack 06:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter meeting their twenty minute goal for the program\u003cspan class=\"bcTruncateMore\"\u003e (four pieces total), the three musicians were satisfied in what they would present and sent along their work to the producers of Late Junction. However, there was a nagging suspicion that this wasn’t the end of the story. There were several pieces that they had nearly completed but that weren’t sent for inclusion in the radio program, and there were many ideas for refining those pieces that had. With this in mind Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done. The Late Junction program was broadcast in September of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months.\u003cbr\u003e\u003cbr\u003eTheir collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.\u003cbr\u003e\u003cbr\u003eUltimately, the collection of music highlights the work of all three musicians, intertwining the contextual immersion heard on Chiu \u0026amp; Honer’s 'Recordings from the Åland Islands' with an intergenerational reverence for (and the undeniable presence of) Kalma’s decades-spanning body of work. It is work that has definitively enshrined him as one of the true, transcendent pioneers and sages of new age and fourth-world music. That reverence is affirmed by the album title chosen by the group — \"The Closest Thing to Silence\" — which is taken from a quote by Kalma included in a documentary by RVNG Intl (as part of their release of the 2014 compendium\/retrospective An Evolutionary Music). Perhaps coincidental, Kalma’s quote was a slight modulation of a legendary ECM Records motto, as he said: 'Music is the closest thing to silence.'\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ariel Kalma, Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan\u003eIARC0077 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-29T11:41:45+09:00","created_at":"2026-08-29T11:40:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","new","post newage"],"price":288800,"price_min":288800,"price_max":288800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50194255249658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence CD","public_title":null,"options":["Default Title"],"price":288800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993956","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075","options":["Title"],"media":[{"alt":null,"id":33212670181626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu \u0026amp; Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational AnthemのレコーディングアーティストであるJeremiah ChiuとMarta Sofia Honerは、数ヶ月前にデュオデビュー作『Recordings from the Åland Islands』をリリースし高い評価を得ていた。Chiuは以前からKalmaのファンで、エレクトロニックミュージック作曲へのアプローチに大きな影響を与えたとさえ語っていたからだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレイト・ジャンクションのコラボレーションの基本的な構成は、アーティストが協力して約20分の音楽を創作するというものだった。Kalmaが始めた曲と、ChiuとHonorが始めた曲とが行き来し、それぞれがトラックを追加・編集してから、もう一方のアーティストに返す。音楽は数回行き来しただけで、最終的に完成する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e番組の20分の目標（計4曲）を達成した3人は、発表する内容に満足し、レイト・ジャンクションのプロデューサーに作品を送った。しかし、これで終わりではないのではないかという疑念があった。もう少しで完成しそうだったのに、ラジオ番組に収録するために送られなかった作品がいくつかあったし、完成した作品をさらに洗練させるためのアイデアもたくさんあった。このことを念頭に置いて3人は、音楽をさらに推し進めるために協力し続けることで合意した。生まれたばかりのトリオは、もっと言うべきこと、もっとやるべきことがたくさんあると感じていた。レイト・ジャンクションは2022年9月に放送された。同時に、3人は、放送のために始めた音楽をさらに発展させ始め、数ヶ月間、熱心に音楽制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品に対する彼らの集団的なアプローチは、即興の中で生まれ、コラージュに基づく編集によって実現された。その結果、時には数十年の時を経て録音された、いくつかの異なる音楽的瞬間が互いに会話を交わし、古い音楽の積み重ねから新しい物語を形成している。各ミュージシャンの即興演奏の断片が、Kalmaが70年代にGRMで録音したものと一緒に編集され、最終的なミックスに入ることになる、Kalmaが自分のアイデアを説明するような音声メモの瞬間さえある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最終的に、この音楽集はChiuとHonorの『Recording from the Åland Islands』で聴かれた文脈への没入と、Kalmaの数十年にわたる作品群に対する世代を超えた敬愛（そして紛れもない存在感）とを絡めながら、3人のミュージシャンの作品を際立たせている。それは、彼をニューエイジと第4世界の音楽における真の超越的なパイオニアであり、賢人のひとりとして決定的に祀り上げた作品である。この敬愛の念は、グループが選んだアルバムタイトル「The Closest Thing to Silence」（静寂に最も近いもの）にも表れている。このタイトルは、RVNG Intlが2014年にリリースしたコンペンディウム／レトロスペクティブ『An Evolutionary Music』のドキュメンタリーに収録されたKalmaの言葉から取られている。おそらく偶然だろうが、Kalmaの言葉は、伝説的なECMレコードのモットーを少し変えたものだった： \"音楽は沈黙に最も近いものである\"。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4067863479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTen Hour Wave 03:25\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits (Intro) 00:45\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits 05:59\u003c\/li\u003e\n\u003cli\u003eThe Closest Thing To Silence 03:52\u003c\/li\u003e\n\u003cli\u003eDizzy Ditty 04:33\u003c\/li\u003e\n\u003cli\u003eUne Ombre Légère 04:23\u003c\/li\u003e\n\u003cli\u003eNew Air 02:25\u003c\/li\u003e\n\u003cli\u003eÉcoute Au Loin 06:02 video\u003c\/li\u003e\n\u003cli\u003eA Treasure Chest 06:12\u003c\/li\u003e\n\u003cli\u003eStay Centered 02:15\u003c\/li\u003e\n\u003cli\u003eStack Attack 06:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter meeting their twenty minute goal for the program\u003cspan class=\"bcTruncateMore\"\u003e (four pieces total), the three musicians were satisfied in what they would present and sent along their work to the producers of Late Junction. However, there was a nagging suspicion that this wasn’t the end of the story. There were several pieces that they had nearly completed but that weren’t sent for inclusion in the radio program, and there were many ideas for refining those pieces that had. With this in mind Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done. The Late Junction program was broadcast in September of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months.\u003cbr\u003e\u003cbr\u003eTheir collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.\u003cbr\u003e\u003cbr\u003eUltimately, the collection of music highlights the work of all three musicians, intertwining the contextual immersion heard on Chiu \u0026amp; Honer’s 'Recordings from the Åland Islands' with an intergenerational reverence for (and the undeniable presence of) Kalma’s decades-spanning body of work. It is work that has definitively enshrined him as one of the true, transcendent pioneers and sages of new age and fourth-world music. That reverence is affirmed by the album title chosen by the group — \"The Closest Thing to Silence\" — which is taken from a quote by Kalma included in a documentary by RVNG Intl (as part of their release of the 2014 compendium\/retrospective An Evolutionary Music). Perhaps coincidental, Kalma’s quote was a slight modulation of a legendary ECM Records motto, as he said: 'Music is the closest thing to silence.'\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ariel Kalma, Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan\u003eIARC0077 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu & Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした共作CDです。 ポストニューエイジ・アンビエントジャズ11曲を収録。デジパック、シュリンク仕様です。 以下、レーベルによる解説です。 "2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。 International AnthemのレコーディングアーティストであるJeremiah...
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{"id":9392735912186,"title":"Mari Return \/\/ Mote of Interest 10inch","handle":"mari-return-mote-of-interest-10inch","description":"\u003cp\u003eイギリスのドローン・フォーク作家Mari Returnが、2025年11月に同国実験レーベルgoods outwardから160部限定でリリースした10\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験アンビエント・フォーク〜ドローン・フォーク9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1193372309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/goou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/goou\"\u003ehere\u003c\/a\u003e to see more Goods Outward releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cbr\u003eEdition of 160. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Eyesight 03:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Amass 03:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Annon 03:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Needs Mushed 01:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sun on Water 03:03\u003cbr\u003e\u003c\/span\u003e6. Moonlight Still Leaks 04:42\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. That Face Has Changed 04:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Mote of Silt 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Routines 02:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGoods Outward:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMari Return dispatch a quietly uncanny collection that sits\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esomewhere between decayed songform and domestic interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMote of Interest was recorded in a room beside the River Ribble, where environmental influence seeps into the fabric of the album - not through literal field recordings, but in the album’s fluid pacing and sediment-like layering. Pulsing beds of tone, gated hiss, and tape-warped textures feel half-submerged, eroded. Guitar phrases stagger and repeat with hazy logic - part instinct, part accident. While fragments of voice - often heavily treated; sometimes just barely there bubble up like half-remembered conversations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHammered and bowed utensils, household tools, and ad hoc instrumentation were deployed not just for their texture, but to \u003c\/em\u003e\u003cem\u003eintentionally disrupt familiar compositional habits. Mote of Interest holds a sense of stability at arms length and instead leans into restraint and fragility.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mari Return\u003c\/p\u003e\n\u003cp\u003eLabel : Goods Outward\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ego010\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-29T06:05:24+09:00","created_at":"2026-08-29T06:04:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","goods outward","lp","new"],"price":542200,"price_min":542200,"price_max":542200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50193931665658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mari Return \/\/ Mote of Interest 10inch","public_title":null,"options":["Default Title"],"price":542200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_72e937a8-e1bd-4285-af78-901bc5804e42.jpg?v=1763872287","\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_3daf5a84-647f-45b6-8925-adb1dde09eda.jpg?v=1763872287"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_72e937a8-e1bd-4285-af78-901bc5804e42.jpg?v=1763872287","options":["Title"],"media":[{"alt":null,"id":37590654091514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_72e937a8-e1bd-4285-af78-901bc5804e42.jpg?v=1763872287"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_72e937a8-e1bd-4285-af78-901bc5804e42.jpg?v=1763872287","width":700},{"alt":null,"id":37590654124282,"position":2,"preview_image":{"aspect_ratio":1.187,"height":1011,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_3daf5a84-647f-45b6-8925-adb1dde09eda.jpg?v=1763872287"},"aspect_ratio":1.187,"height":1011,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_3daf5a84-647f-45b6-8925-adb1dde09eda.jpg?v=1763872287","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのドローン・フォーク作家Mari Returnが、2025年11月に同国実験レーベルgoods outwardから160部限定でリリースした10\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験アンビエント・フォーク〜ドローン・フォーク9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1193372309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/goou\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/goou\"\u003ehere\u003c\/a\u003e to see more Goods Outward releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cbr\u003eEdition of 160. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Eyesight 03:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Amass 03:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Annon 03:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Needs Mushed 01:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sun on Water 03:03\u003cbr\u003e\u003c\/span\u003e6. Moonlight Still Leaks 04:42\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. That Face Has Changed 04:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Mote of Silt 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Routines 02:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGoods Outward:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMari Return dispatch a quietly uncanny collection that sits\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esomewhere between decayed songform and domestic interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMote of Interest was recorded in a room beside the River Ribble, where environmental influence seeps into the fabric of the album - not through literal field recordings, but in the album’s fluid pacing and sediment-like layering. Pulsing beds of tone, gated hiss, and tape-warped textures feel half-submerged, eroded. Guitar phrases stagger and repeat with hazy logic - part instinct, part accident. While fragments of voice - often heavily treated; sometimes just barely there bubble up like half-remembered conversations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHammered and bowed utensils, household tools, and ad hoc instrumentation were deployed not just for their texture, but to \u003c\/em\u003e\u003cem\u003eintentionally disrupt familiar compositional habits. Mote of Interest holds a sense of stability at arms length and instead leans into restraint and fragility.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mari Return\u003c\/p\u003e\n\u003cp\u003eLabel : Goods Outward\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ego010\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのドローン・フォーク作家Mari Returnが、2025年11月に同国実験レーベルgoods outwardから160部限定でリリースした10"です。 実験アンビエント・フォーク〜ドローン・フォーク9曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Goods Outward...
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{"id":9392735289594,"title":"Luke Cowan \/\/ Six Places (Special Edition) LP","handle":"luke-cowan-six-places-special-edition-lp","description":"\u003cp\u003eイギリス・ロンドンのアンビエント・フォーク作家Luke Cowanが、2025年11月に同国発掘専門レーベルInfinite Expanseから90部限定でリリースしたレコード（スペシャルエディション）です。\u003c\/p\u003e\n\u003cp\u003eギターとピアノ、チェロ、バイオリン、物音によるアンビエント・フォーク〜アンビエント・ジャズ6曲を収録。一点一点手作りのアートワーク仕様です。\u003c\/p\u003e\n\u003cp\u003e風物詩やBlue Diversが好きな方にオススメします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1046740284\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl - special edition version.\u003cbr\u003e\u003cspan\u003eSpecial edition is a numbered edition of 90, each sleeve has been individually hand-made with lino-printed hornbeam leaves on the reverse.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wavelengths\u003cbr\u003e2. Two Shades of Red\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Field Lane\u003cbr\u003e\u003c\/span\u003e4. Feathers (for Laurence)\u003cbr\u003e5. Under Hornbeams\u003cbr\u003e6. Diet of Figs \/ Spirit Ascent\u003c\/p\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLondon-based musician Luke Cowan delivers his most expansive work yet with ‘Six Places’, a quietly dazzling suite that renders memory, geography and imagination as sound. Across six extended pieces recorded in Ely, Cambridge, York and London, Cowan bends the borders between composition and improvisation, everyday resonance and ensemble interplay, to arrive at a music that feels porous, fragile and strangely luminous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCowan calls it “a collection of impressions of places. Some are real and some imagined. They all are idealisations.” That ambiguity seeps into every corner of the record. Piano, guitars, dulcimer and harmonium are set against pinecones, spoons, tankards, cake stands and wine glasses – objects that sound like themselves but also like something else, blurred and recontextualised. Around this core, friends appear on trumpet, saxophone, pedal steel, cello, violin, tuba, upright bass: an ensemble that never settles into the obvious grammar of chamber music, but instead stumbles across fleeting harmonies and collisions, guided more by instinct than design.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces are thick with location. Trumpet and saxophone echo in the Greenwich foot tunnel; nocturnal winds rattle leaves in an Ely garden; wine glasses sing in a York Lidl. Elsewhere\u003cspan class=\"bcTruncateMore\"\u003e, piano figures emerge from kitchens, violin lines are pulled from half-forgotten improvisations, drones accrue over years. The sense is of music taking root in the incidental – ideas overheard, accidents preserved – then expanded until they become whole geographies.\u003cbr\u003e\u003cbr\u003eLike his earlier work, ‘Six Places’ is pastoral but never nostalgic. It resists polish, holding onto imperfections as though they were clues. There’s a deep attention here to balance: sustained tones offset by staccato knocks, rhythmic pulses continually stretched out of shape, melodies remembered and replayed in shifting contexts. The album closes with ‘Diet of figs \/ Spirit ascent’, the only solo piece, which circles ideas of death and renewal with clarinet, spoons and singing wine glasses – a reminder that Cowan’s music is at once utterly ordinary in its materials and quietly transcendent in its effect.\u003cbr\u003e\u003cbr\u003eMastered by Mikey Young and visually imagined by London-based artist Finlay Abbott Ellwood, ‘Six Places’ is a work of idealised geographies, intimate and expansive in equal measure. It’s music that carries the texture of lived places while constantly reaching beyond them, opening into landscapes you half-recognise but can never quite locate.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Cowan\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIE17\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-29T06:02:06+09:00","created_at":"2026-08-29T06:01:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Infinite Expanse","jazz","lp","neo classical","new"],"price":641500,"price_min":641500,"price_max":641500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50193925767418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luke Cowan \/\/ Six Places (Special Edition) LP","public_title":null,"options":["Default Title"],"price":641500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cow1.jpg?v=1763872992"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cow1.jpg?v=1763872992","options":["Title"],"media":[{"alt":null,"id":37590668443898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":652,"width":652,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cow1.jpg?v=1763872992"},"aspect_ratio":1.0,"height":652,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cow1.jpg?v=1763872992","width":652}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのアンビエント・フォーク作家Luke Cowanが、2025年11月に同国発掘専門レーベルInfinite Expanseから90部限定でリリースしたレコード（スペシャルエディション）です。\u003c\/p\u003e\n\u003cp\u003eギターとピアノ、チェロ、バイオリン、物音によるアンビエント・フォーク〜アンビエント・ジャズ6曲を収録。一点一点手作りのアートワーク仕様です。\u003c\/p\u003e\n\u003cp\u003e風物詩やBlue Diversが好きな方にオススメします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1046740284\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl - special edition version.\u003cbr\u003e\u003cspan\u003eSpecial edition is a numbered edition of 90, each sleeve has been individually hand-made with lino-printed hornbeam leaves on the reverse.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wavelengths\u003cbr\u003e2. Two Shades of Red\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Field Lane\u003cbr\u003e\u003c\/span\u003e4. Feathers (for Laurence)\u003cbr\u003e5. Under Hornbeams\u003cbr\u003e6. Diet of Figs \/ Spirit Ascent\u003c\/p\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLondon-based musician Luke Cowan delivers his most expansive work yet with ‘Six Places’, a quietly dazzling suite that renders memory, geography and imagination as sound. Across six extended pieces recorded in Ely, Cambridge, York and London, Cowan bends the borders between composition and improvisation, everyday resonance and ensemble interplay, to arrive at a music that feels porous, fragile and strangely luminous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCowan calls it “a collection of impressions of places. Some are real and some imagined. They all are idealisations.” That ambiguity seeps into every corner of the record. Piano, guitars, dulcimer and harmonium are set against pinecones, spoons, tankards, cake stands and wine glasses – objects that sound like themselves but also like something else, blurred and recontextualised. Around this core, friends appear on trumpet, saxophone, pedal steel, cello, violin, tuba, upright bass: an ensemble that never settles into the obvious grammar of chamber music, but instead stumbles across fleeting harmonies and collisions, guided more by instinct than design.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces are thick with location. Trumpet and saxophone echo in the Greenwich foot tunnel; nocturnal winds rattle leaves in an Ely garden; wine glasses sing in a York Lidl. Elsewhere\u003cspan class=\"bcTruncateMore\"\u003e, piano figures emerge from kitchens, violin lines are pulled from half-forgotten improvisations, drones accrue over years. The sense is of music taking root in the incidental – ideas overheard, accidents preserved – then expanded until they become whole geographies.\u003cbr\u003e\u003cbr\u003eLike his earlier work, ‘Six Places’ is pastoral but never nostalgic. It resists polish, holding onto imperfections as though they were clues. There’s a deep attention here to balance: sustained tones offset by staccato knocks, rhythmic pulses continually stretched out of shape, melodies remembered and replayed in shifting contexts. The album closes with ‘Diet of figs \/ Spirit ascent’, the only solo piece, which circles ideas of death and renewal with clarinet, spoons and singing wine glasses – a reminder that Cowan’s music is at once utterly ordinary in its materials and quietly transcendent in its effect.\u003cbr\u003e\u003cbr\u003eMastered by Mikey Young and visually imagined by London-based artist Finlay Abbott Ellwood, ‘Six Places’ is a work of idealised geographies, intimate and expansive in equal measure. It’s music that carries the texture of lived places while constantly reaching beyond them, opening into landscapes you half-recognise but can never quite locate.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Cowan\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIE17\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのアンビエント・フォーク作家Luke Cowanが、2025年11月に同国発掘専門レーベルInfinite Expanseから90部限定でリリースしたレコード（スペシャルエディション）です。 ギターとピアノ、チェロ、バイオリン、物音によるアンビエント・フォーク〜アンビエント・ジャズ6曲を収録。一点一点手作りのアートワーク仕様です。 風物詩やBlue Diversが好きな方にオススメします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Infinite Expanse releases...
¥6,415
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{"id":9392734994682,"title":"Luke Cowan \/\/ Six Places LP","handle":"luke-cowan-six-places-lp","description":"\u003cp\u003eイギリス・ロンドンのアンビエント・フォーク作家Luke Cowanが、2025年9月に同国発掘専門レーベルInfinite Expanseからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターとピアノ、チェロ、バイオリン、物音によるアンビエント・フォーク〜アンビエント・ジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e風物詩やBlue Diversが好きな方にオススメします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1046740284\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wavelengths\u003cbr\u003e2. Two Shades of Red\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Field Lane\u003cbr\u003e\u003c\/span\u003e4. Feathers (for Laurence)\u003cbr\u003e5. Under Hornbeams\u003cbr\u003e6. Diet of Figs \/ Spirit Ascent\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLondon-based musician Luke Cowan delivers his most expansive work yet with ‘Six Places’, a quietly dazzling suite that renders memory, geography and imagination as sound. Across six extended pieces recorded in Ely, Cambridge, York and London, Cowan bends the borders between composition and improvisation, everyday resonance and ensemble interplay, to arrive at a music that feels porous, fragile and strangely luminous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCowan calls it “a collection of impressions of places. Some are real and some imagined. They all are idealisations.” That ambiguity seeps into every corner of the record. Piano, guitars, dulcimer and harmonium are set against pinecones, spoons, tankards, cake stands and wine glasses – objects that sound like themselves but also like something else, blurred and recontextualised. Around this core, friends appear on trumpet, saxophone, pedal steel, cello, violin, tuba, upright bass: an ensemble that never settles into the obvious grammar of chamber music, but instead stumbles across fleeting harmonies and collisions, guided more by instinct than design.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces are thick with location. Trumpet and saxophone echo in the Greenwich foot tunnel; nocturnal winds rattle leaves in an Ely garden; wine glasses sing in a York Lidl. Elsewhere\u003cspan class=\"bcTruncateMore\"\u003e, piano figures emerge from kitchens, violin lines are pulled from half-forgotten improvisations, drones accrue over years. The sense is of music taking root in the incidental – ideas overheard, accidents preserved – then expanded until they become whole geographies.\u003cbr\u003e\u003cbr\u003eLike his earlier work, ‘Six Places’ is pastoral but never nostalgic. It resists polish, holding onto imperfections as though they were clues. There’s a deep attention here to balance: sustained tones offset by staccato knocks, rhythmic pulses continually stretched out of shape, melodies remembered and replayed in shifting contexts. The album closes with ‘Diet of figs \/ Spirit ascent’, the only solo piece, which circles ideas of death and renewal with clarinet, spoons and singing wine glasses – a reminder that Cowan’s music is at once utterly ordinary in its materials and quietly transcendent in its effect.\u003cbr\u003e\u003cbr\u003eMastered by Mikey Young and visually imagined by London-based artist Finlay Abbott Ellwood, ‘Six Places’ is a work of idealised geographies, intimate and expansive in equal measure. It’s music that carries the texture of lived places while constantly reaching beyond them, opening into landscapes you half-recognise but can never quite locate.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Cowan\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e","published_at":"2026-08-29T06:01:06+09:00","created_at":"2026-08-29T06:00:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Infinite Expanse","jazz","lp","neo classical","new"],"price":597400,"price_min":597400,"price_max":597400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50193925308666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luke Cowan \/\/ Six Places LP","public_title":null,"options":["Default Title"],"price":597400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_51cb3ec8-df27-44ce-b4ba-f4917cd7f7ed.jpg?v=1758164361","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_50e05b65-a9ec-4940-8e2d-f27392d7b505.jpg?v=1758164360"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_51cb3ec8-df27-44ce-b4ba-f4917cd7f7ed.jpg?v=1758164361","options":["Title"],"media":[{"alt":null,"id":36833411956986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_51cb3ec8-df27-44ce-b4ba-f4917cd7f7ed.jpg?v=1758164361"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_51cb3ec8-df27-44ce-b4ba-f4917cd7f7ed.jpg?v=1758164361","width":700},{"alt":null,"id":36833411989754,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_50e05b65-a9ec-4940-8e2d-f27392d7b505.jpg?v=1758164360"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_50e05b65-a9ec-4940-8e2d-f27392d7b505.jpg?v=1758164360","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのアンビエント・フォーク作家Luke Cowanが、2025年9月に同国発掘専門レーベルInfinite Expanseからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターとピアノ、チェロ、バイオリン、物音によるアンビエント・フォーク〜アンビエント・ジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e風物詩やBlue Diversが好きな方にオススメします。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4235343154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1046740284\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wavelengths\u003cbr\u003e2. Two Shades of Red\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Field Lane\u003cbr\u003e\u003c\/span\u003e4. Feathers (for Laurence)\u003cbr\u003e5. Under Hornbeams\u003cbr\u003e6. Diet of Figs \/ Spirit Ascent\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLondon-based musician Luke Cowan delivers his most expansive work yet with ‘Six Places’, a quietly dazzling suite that renders memory, geography and imagination as sound. Across six extended pieces recorded in Ely, Cambridge, York and London, Cowan bends the borders between composition and improvisation, everyday resonance and ensemble interplay, to arrive at a music that feels porous, fragile and strangely luminous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCowan calls it “a collection of impressions of places. Some are real and some imagined. They all are idealisations.” That ambiguity seeps into every corner of the record. Piano, guitars, dulcimer and harmonium are set against pinecones, spoons, tankards, cake stands and wine glasses – objects that sound like themselves but also like something else, blurred and recontextualised. Around this core, friends appear on trumpet, saxophone, pedal steel, cello, violin, tuba, upright bass: an ensemble that never settles into the obvious grammar of chamber music, but instead stumbles across fleeting harmonies and collisions, guided more by instinct than design.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese pieces are thick with location. Trumpet and saxophone echo in the Greenwich foot tunnel; nocturnal winds rattle leaves in an Ely garden; wine glasses sing in a York Lidl. Elsewhere\u003cspan class=\"bcTruncateMore\"\u003e, piano figures emerge from kitchens, violin lines are pulled from half-forgotten improvisations, drones accrue over years. The sense is of music taking root in the incidental – ideas overheard, accidents preserved – then expanded until they become whole geographies.\u003cbr\u003e\u003cbr\u003eLike his earlier work, ‘Six Places’ is pastoral but never nostalgic. It resists polish, holding onto imperfections as though they were clues. There’s a deep attention here to balance: sustained tones offset by staccato knocks, rhythmic pulses continually stretched out of shape, melodies remembered and replayed in shifting contexts. The album closes with ‘Diet of figs \/ Spirit ascent’, the only solo piece, which circles ideas of death and renewal with clarinet, spoons and singing wine glasses – a reminder that Cowan’s music is at once utterly ordinary in its materials and quietly transcendent in its effect.\u003cbr\u003e\u003cbr\u003eMastered by Mikey Young and visually imagined by London-based artist Finlay Abbott Ellwood, ‘Six Places’ is a work of idealised geographies, intimate and expansive in equal measure. It’s music that carries the texture of lived places while constantly reaching beyond them, opening into landscapes you half-recognise but can never quite locate.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Cowan\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e"}
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イギリス・ロンドンのアンビエント・フォーク作家Luke Cowanが、2025年9月に同国発掘専門レーベルInfinite Expanseからリリースしたレコードです。 ギターとピアノ、チェロ、バイオリン、物音によるアンビエント・フォーク〜アンビエント・ジャズ4曲を収録。 風物詩やBlue Diversが好きな方にオススメします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Infinite Expanse releases...
¥5,974