Hakobune // In Arboreal Whispering TAPE

¥1,585

Write a review

Item no:
Availability:

Hakobuneが、2016年にアメリカの老舗アンビエントレーベルconstellation tatsuからリリースしたカセットです。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Constellation Tatsu releases available at Tobira.

-------------------------------------

Includes DL code. Cassette in norelco case.

Tracklist:

airworthy 12:16
intransigence 04:09
in arboreal whispering 16:04

artist : hakobune

label : constellation tatsu

Hakobuneが、2016年にアメリカの老舗アンビエントレーベルconstellation tatsuからリリースしたカセットです。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Constellation Tatsu releases available at Tobira.

-------------------------------------

Includes DL code. Cassette in norelco case.

Tracklist:

airworthy 12:16
intransigence 04:09
in arboreal whispering 16:04

artist : hakobune

label : constellation tatsu

Related Products

クイックビュー {"id":9076540965114,"title":"Photay with Carlos Niño \/\/ An Offering LP [BLACK]","handle":"photay-with-carlos-nino-an-offering-lp-black","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e春風に揺れるカーテンのように心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。180g重量盤、見開きゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-02-09T14:10:51+09:00","created_at":"2026-02-09T14:09:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305060577530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering LP [BLACK]","public_title":null,"options":["Default Title"],"price":439000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992782","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0029880828_10_33f9cdde-a93b-47e1-b0ab-48935b52e498.jpg?v=1723955221"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":30864630776058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","width":1200},{"alt":null,"id":34726378045690,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880828_10_33f9cdde-a93b-47e1-b0ab-48935b52e498.jpg?v=1723955221"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880828_10_33f9cdde-a93b-47e1-b0ab-48935b52e498.jpg?v=1723955221","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e春風に揺れるカーテンのように心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。180g重量盤、見開きゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}

アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。春風に揺れるカーテンのように心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。180g重量盤、見開きゲートフォルド仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたしますレーベルその他作品はこちら /// Click here to see more International Anthem releases available at...

¥4,390

Carlos Niño & Friends // More Energy Fields, Current LP [COLOR]

クイックビュー {"id":9076539851002,"title":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP [COLOR]","handle":"carlos-nino-friends-more-energy-fields-current-lp-color-コピー","description":"\u003cp\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。Water Spiritsカラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" water spirits color vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr\u003e\u003cbr\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr\u003e\u003cbr\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eCat No : IARC0040LPWS\u003c\/p\u003e","published_at":"2026-02-09T14:06:55+09:00","created_at":"2026-02-09T14:06:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":516200,"price_min":516200,"price_max":516200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305041506554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP [COLOR]","public_title":null,"options":["Default Title"],"price":516200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991273","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","options":["Title"],"media":[{"alt":null,"id":33341293789434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","width":700},{"alt":null,"id":33341293822202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。Water Spiritsカラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" water spirits color vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr\u003e\u003cbr\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr\u003e\u003cbr\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eCat No : IARC0040LPWS\u003c\/p\u003e"}