Closing // II TAPE
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Closing // II TAPE
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イギリス・ゲーツヘッドのフェティッシュドローンレーベルInvisible City Recordsの2021年8月新バッチを入荷しました。
本作は、アメリカ・NYのドローン作家Closingが50本限定でリリースした最新カセットです。終始低空飛行なドローン2曲、60分を収録。
レーベルその他作品はこちら /// Click here to see more Invisible City Records releases available at Tobira.
------------------------
Murky dissonance. Dark isolation.
artist : Closing
label : invisible city records
イギリス・ゲーツヘッドのフェティッシュドローンレーベルInvisible City Recordsの2021年8月新バッチを入荷しました。
本作は、アメリカ・NYのドローン作家Closingが50本限定でリリースした最新カセットです。終始低空飛行なドローン2曲、60分を収録。
レーベルその他作品はこちら /// Click here to see more Invisible City Records releases available at Tobira.
------------------------
artist : Closing
label : invisible city records
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{"id":9002435182842,"title":"Ben Bennett \/\/ ANSWERS LP","handle":"ben-bennett-answers-lp","description":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:06:28+09:00","created_at":"2025-11-17T10:29:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lobby art","lp","new","strange beats"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966605410554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Bennett \/\/ ANSWERS LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","options":["Title"],"media":[{"alt":null,"id":37529691259130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","width":700},{"alt":null,"id":37529691291898,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースしたレコードです。 インプロ〜ドローン7曲を収録。帯付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lobby Art releases available...
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クイックビュー
{"id":9002432463098,"title":"Ryan Sawyer's Shaker Ensemble \/\/ For Those Who Wish to Sing Will Always Find a Song LP","handle":"ryan-sawyers-shaker-ensemble-for-those-who-wish-to-sing-will-always-find-a-song-lp","description":"\u003cp\u003eアメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177569146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. For Those Who Wish to Sing Will Always Find a Song 43:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMargaret Welsh, via \u003c\/span\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Louis, Henry Fraser on double bass, and Sawyer playing maracas.They’d all be singing, too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first moments of the performance move like mist, solidifying gradually into more knowable sounds: A reedy hum becomes a human voice; another human’s voice morphs into a bright, breathy flutter of the flute. A low mechanical whirring strengthens into a warm trumpet’s strain; strings murmur and groan and blossom. Vocals and instruments blend with one another, twisting around the crisp rhythmic clatter of the maracas. There are stretches of soft menace – one imagines a rattlesnake stalking a chattering aviary, or a ritual performed in a storm – but ultimately the verdant, hallucinatory wilderness that flourishes across the runtime is a site of emotional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resuscitation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSawyer was given the pair of maracas – Columbian in origin, and mismatched – as a thank-you gift for helping a friend move. Each has a slightly different timbre and pitch. Played together, Sawyer found, they create a phasing effect, the shimmery swirling sound that happens when similar soundwaves are slightly out of sync. That’s interesting, he thought. “Every time I would look over at the maracas in my practice space,” he says, “I would think, oh I wonder if that’s still resonant,” and pick them up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs he built stamina and speed he began playing the maracas for friends and colleagues when they’d come by his space for casual practice sessions, many of them the same musicians who now populate the Shaker Ensemble. “Everyone was kind of extraordinarily intrigued by them, and wanted to know more, didn't want to play other music, just wanted to listen to that and play along with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaracas and other shaker instruments have long been used both ceremonially and therapeutically to clear energy, balance the body, and induce deep meditative states. Chanting, humming, singing: These things, of course, can have a similar effect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a playfulness to abstract singing, but Sawyer also wanted to exploit the power of the voice as an instrument, as well as the vulnerability it can require. He’s not terribly comfortable with the hierarchy implied by the term “band leader,” and is more interested in the collective experience to which, in this case, the audience – at-home listener included - is invited to participate, to get lost in the communion of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There’s something really elemental about it, the closeness that you feel when you sing with somebody,” Sawyer says. “There’s also a sort of a trickster thing. [These musicians] all work so hard at their instruments but none of them are singers. So it might not be a comfortable place but we can all sit together in that uncomfortable place.” The byproduct of that discomfort, he hopes, is healing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Sawyer's Shaker Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:10:31+09:00","created_at":"2025-11-17T10:14:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","lobby art","lp","new"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966580375802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ryan Sawyer's Shaker Ensemble \/\/ For Those Who Wish to Sing Will Always Find a Song LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","options":["Title"],"media":[{"alt":null,"id":37529565266170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","width":700},{"alt":null,"id":37529565298938,"position":2,"preview_image":{"aspect_ratio":1.48,"height":811,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843"},"aspect_ratio":1.48,"height":811,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177569146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. For Those Who Wish to Sing Will Always Find a Song 43:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMargaret Welsh, via \u003c\/span\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Louis, Henry Fraser on double bass, and Sawyer playing maracas.They’d all be singing, too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first moments of the performance move like mist, solidifying gradually into more knowable sounds: A reedy hum becomes a human voice; another human’s voice morphs into a bright, breathy flutter of the flute. A low mechanical whirring strengthens into a warm trumpet’s strain; strings murmur and groan and blossom. Vocals and instruments blend with one another, twisting around the crisp rhythmic clatter of the maracas. There are stretches of soft menace – one imagines a rattlesnake stalking a chattering aviary, or a ritual performed in a storm – but ultimately the verdant, hallucinatory wilderness that flourishes across the runtime is a site of emotional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resuscitation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSawyer was given the pair of maracas – Columbian in origin, and mismatched – as a thank-you gift for helping a friend move. Each has a slightly different timbre and pitch. Played together, Sawyer found, they create a phasing effect, the shimmery swirling sound that happens when similar soundwaves are slightly out of sync. That’s interesting, he thought. “Every time I would look over at the maracas in my practice space,” he says, “I would think, oh I wonder if that’s still resonant,” and pick them up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs he built stamina and speed he began playing the maracas for friends and colleagues when they’d come by his space for casual practice sessions, many of them the same musicians who now populate the Shaker Ensemble. “Everyone was kind of extraordinarily intrigued by them, and wanted to know more, didn't want to play other music, just wanted to listen to that and play along with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaracas and other shaker instruments have long been used both ceremonially and therapeutically to clear energy, balance the body, and induce deep meditative states. Chanting, humming, singing: These things, of course, can have a similar effect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a playfulness to abstract singing, but Sawyer also wanted to exploit the power of the voice as an instrument, as well as the vulnerability it can require. He’s not terribly comfortable with the hierarchy implied by the term “band leader,” and is more interested in the collective experience to which, in this case, the audience – at-home listener included - is invited to participate, to get lost in the communion of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There’s something really elemental about it, the closeness that you feel when you sing with somebody,” Sawyer says. “There’s also a sort of a trickster thing. [These musicians] all work so hard at their instruments but none of them are singers. So it might not be a comfortable place but we can all sit together in that uncomfortable place.” The byproduct of that discomfort, he hopes, is healing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Sawyer's Shaker Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA024\u003c\/span\u003e\u003c\/p\u003e"}
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Ond Brad Dod 01:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Crematorius\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Phage Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ecat no : PT:\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e529\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-16T08:02:02+09:00","created_at":"2025-11-14T12:34:54+09:00","vendor":"Tobira Records","type":"","tags":["drone","new","noise","phage tapes","tape"],"price":216600,"price_min":216600,"price_max":216600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957704769786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crematorius \/\/ Efterbord TAPE","public_title":null,"options":["Default Title"],"price":216600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_fe48ef1f-3e43-4a39-b0dd-4178580f15c4.jpg?v=1763091333","\/\/tobirarecords.com\/cdn\/shop\/files\/cre4.jpg?v=1763091333"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_fe48ef1f-3e43-4a39-b0dd-4178580f15c4.jpg?v=1763091333","options":["Title"],"media":[{"alt":null,"id":37502394827002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_fe48ef1f-3e43-4a39-b0dd-4178580f15c4.jpg?v=1763091333"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_fe48ef1f-3e43-4a39-b0dd-4178580f15c4.jpg?v=1763091333","width":700},{"alt":null,"id":37502394859770,"position":2,"preview_image":{"aspect_ratio":1.296,"height":926,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre4.jpg?v=1763091333"},"aspect_ratio":1.296,"height":926,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre4.jpg?v=1763091333","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのデスインダストリアル作家Crematorius aka Henrik Nordvargr Bjorkkが、2025年8月にアメリカ・ミネソタの老舗実験／ノイズレーベルPhage Tapesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eデスインダストリアル〜パワーエレクトロニクス9曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGrant Richardsonが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4279712324\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/phage\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/phage\"\u003ehere\u003c\/a\u003e to see more Phage Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCassette in norelco case.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pale As Your Rotting Skin 03:28\u003cbr\u003e2. Forbidden Nightmares (ft. Megaptera) 06:17\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. We Are Broken. We Have Wasted Away. This Is Our Way Out Of This Hell. 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Schicksal 03:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Dead Oral Tradition 06:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Weeping Without Tears 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Dry Tombs 05:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. You Never Happened 03:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Ond Brad Dod 01:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Crematorius\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Phage Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ecat no : PT:\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e529\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデンのデスインダストリアル作家Crematorius aka Henrik Nordvargr Bjorkkが、2025年8月にアメリカ・ミネソタの老舗実験／ノイズレーベルPhage Tapesからリリースしたアルバムです。 デスインダストリアル〜パワーエレクトロニクス9曲を収録。 マスタリングはGrant Richardsonが担当しています。 レーベルその他作品はこちら /// Click here to see more Phage...
¥2,166
![Crematorius // Efterbord LP [COLOR]](http://tobirarecords.com/cdn/shop/files/cre1_23324e86-2f53-46f9-95ec-78e6b4394aab_medium.jpg?v=1763091277)
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{"id":9001181118714,"title":"Crematorius \/\/ Efterbord LP [COLOR]","handle":"crematorius-efterbord-lp-color","description":"\u003cp\u003eスウェーデンのデスインダストリアル作家Crematorius aka Henrik Nordvargr Bjorkkが、2025年8月にアメリカ・ミネソタの老舗実験／ノイズレーベルPhage Tapesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eデスインダストリアル〜パワーエレクトロニクス9曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGrant Richardsonが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4279712324\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/phage\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/phage\"\u003ehere\u003c\/a\u003e to see more Phage Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12\" grey with white splatter vinyl.\u003cbr\u003eColor vinyl edition of 100.\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pale As Your Rotting Skin 03:28\u003cbr\u003e2. Forbidden Nightmares (ft. Megaptera) 06:17\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. We Are Broken. We Have Wasted Away. This Is Our Way Out Of This Hell. 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Schicksal 03:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Dead Oral Tradition 06:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Weeping Without Tears 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Dry Tombs 05:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. You Never Happened 03:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Ond Brad Dod 01:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Crematorius\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Phage Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ecat no : PT:\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e529\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-16T08:03:12+09:00","created_at":"2025-11-14T12:33:51+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","noise","phage tapes"],"price":473800,"price_min":473800,"price_max":473800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957702934778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Crematorius \/\/ Efterbord LP [COLOR]","public_title":null,"options":["Default Title"],"price":473800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_23324e86-2f53-46f9-95ec-78e6b4394aab.jpg?v=1763091277","\/\/tobirarecords.com\/cdn\/shop\/files\/cre3_2b20861a-c5df-4433-9d9b-8fae8b137605.jpg?v=1763091277"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_23324e86-2f53-46f9-95ec-78e6b4394aab.jpg?v=1763091277","options":["Title"],"media":[{"alt":null,"id":37502379589882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_23324e86-2f53-46f9-95ec-78e6b4394aab.jpg?v=1763091277"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre1_23324e86-2f53-46f9-95ec-78e6b4394aab.jpg?v=1763091277","width":700},{"alt":null,"id":37502379622650,"position":2,"preview_image":{"aspect_ratio":1.724,"height":696,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre3_2b20861a-c5df-4433-9d9b-8fae8b137605.jpg?v=1763091277"},"aspect_ratio":1.724,"height":696,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cre3_2b20861a-c5df-4433-9d9b-8fae8b137605.jpg?v=1763091277","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのデスインダストリアル作家Crematorius aka Henrik Nordvargr Bjorkkが、2025年8月にアメリカ・ミネソタの老舗実験／ノイズレーベルPhage Tapesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eデスインダストリアル〜パワーエレクトロニクス9曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGrant Richardsonが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4279712324\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/phage\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/phage\"\u003ehere\u003c\/a\u003e to see more Phage Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12\" grey with white splatter vinyl.\u003cbr\u003eColor vinyl edition of 100.\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pale As Your Rotting Skin 03:28\u003cbr\u003e2. Forbidden Nightmares (ft. Megaptera) 06:17\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. We Are Broken. We Have Wasted Away. This Is Our Way Out Of This Hell. 05:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Schicksal 03:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Dead Oral Tradition 06:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Weeping Without Tears 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Dry Tombs 05:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. You Never Happened 03:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Ond Brad Dod 01:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : Crematorius\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Phage Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ecat no : PT:\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e529\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデンのデスインダストリアル作家Crematorius aka Henrik Nordvargr Bjorkkが、2025年8月にアメリカ・ミネソタの老舗実験／ノイズレーベルPhage Tapesからリリースしたアルバムです。 デスインダストリアル〜パワーエレクトロニクス9曲を収録。 マスタリングはGrant Richardsonが担当しています。 レーベルその他作品はこちら /// Click here to see more Phage...
¥4,738