de la Catessen Records
クイックビュー
{"id":9021391601914,"title":"Golonka \/\/ Cut Out the Day LP","handle":"golonka-cut-out-the-day-lp","description":"\u003cp\u003eオーストラリアのフォークバンドGolonkaが、2024年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジプシー・フォーク11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2882125231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2882125231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1075296953\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dona Dona 03:43\u003cbr\u003e2. Farewell, Summer 01:46\u003cbr\u003e3. Tzur Mishelo - All My Love 04:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Adje Jano 06:15\u003cbr\u003e\u003c\/span\u003e5. Bon Fromage 04:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Waltz #2 04:15\u003cbr\u003e\u003c\/span\u003e7. Matase 03:15\u003cbr\u003e8. Belly of a Whale 03:37\u003cbr\u003e9. Bovril 03:02\u003cbr\u003e10. Fairground 04:39\u003cbr\u003e11. Ukrainian Tune 03:01\u003c\/p\u003e\n\u003cp\u003eArtist : Golonka\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st November 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T09:23:14+09:00","created_at":"2025-12-06T11:27:14+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","lp","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069290361082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Golonka \/\/ Cut Out the Day LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_6f5375ed-1aab-4f8d-b2de-ff711661781f.jpg?v=1764987962","\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_47cd035f-e847-4c70-bb51-cd9a79d1ca20.jpg?v=1764987962"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_6f5375ed-1aab-4f8d-b2de-ff711661781f.jpg?v=1764987962","options":["Title"],"media":[{"alt":null,"id":37712619143418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_6f5375ed-1aab-4f8d-b2de-ff711661781f.jpg?v=1764987962"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_6f5375ed-1aab-4f8d-b2de-ff711661781f.jpg?v=1764987962","width":700},{"alt":null,"id":37712619176186,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_47cd035f-e847-4c70-bb51-cd9a79d1ca20.jpg?v=1764987962"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_47cd035f-e847-4c70-bb51-cd9a79d1ca20.jpg?v=1764987962","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのフォークバンドGolonkaが、2024年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジプシー・フォーク11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2882125231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2882125231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1075296953\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dona Dona 03:43\u003cbr\u003e2. Farewell, Summer 01:46\u003cbr\u003e3. Tzur Mishelo - All My Love 04:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Adje Jano 06:15\u003cbr\u003e\u003c\/span\u003e5. Bon Fromage 04:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Waltz #2 04:15\u003cbr\u003e\u003c\/span\u003e7. Matase 03:15\u003cbr\u003e8. Belly of a Whale 03:37\u003cbr\u003e9. Bovril 03:02\u003cbr\u003e10. Fairground 04:39\u003cbr\u003e11. Ukrainian Tune 03:01\u003c\/p\u003e\n\u003cp\u003eArtist : Golonka\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st November 2024\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのフォークバンドGolonkaが、2024年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。 ジプシー・フォーク11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more De la Catessen releases available...
¥3,480
クイックビュー
{"id":9021391438074,"title":"Music of Transparent Means \/\/ Selected Live Recordings LP","handle":"music-of-transparent-means-selected-live-recordings-lp","description":"\u003cp\u003eオーストラリアのギタリストMusic of Transparent Meansが、2022年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=762766664\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eIncludes\u003cspan\u003e insert with notes by Jon Dale.\u003c\/span\u003e\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rose Street Womb 15:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Burial Music 05:52\u003cbr\u003e\u003c\/span\u003e3. Second Presencing 10:45\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Mountain Piece 2 (excerpt) 04:18\u003cbr\u003e\u003c\/span\u003e5. Disappearance #1 (excerpt) 05:34\u003c\/p\u003e\n\u003cp\u003eText excerpt by Jon Dale \/ De la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom Iggy on the cover of Raw Power to Black Sabbath, circa 1980, in Milwaukee, from the ’52 Cleveland riot through to Suicide in Brussels, a healthy dose of chaos and danger is at the heart of all great rock music. So, it comes as no surprise to hear Alex Carpenter, the musician behind Music Of Transparent Means (MOTM), talk about chaos as core to the development of his music: “Even though there was this purity and mathematical elegance throughout some of the thinking and theory, what I remember almost more than that was the chaos and the mess, the forcefulness, the saturation and obliteration. The clear ideal gave way to this kind of loud, intense chaos, which in turn opened a path back to the clear.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic Of Transparent Means has always struck me as a particularly rock-reverent kind of minimalism, as though Alex has removed all the excess baggage that rock has picked up over the decades and focused on its most important aspects: noise and intensity, energy and mayhem. There is, of course, a great tradition of rock minimalism, from the Velvet Underground through AC\/DC to Rhys Chatham and Glenn Branca, on into Band Of Susans, Spacemen 3 and Loop, but Alex’s music is curious for the way it flips the script on those examples and gives us an altogether different take on the\u003cspan class=\"bcTruncateMore\"\u003e intersection of these two forces.\u003cbr\u003e\u003cbr\u003eYou can hear the ‘elegant chaos’ of Alex’s compositions throughout this second archival release by the ensemble, which is filled with music that’s both seriously beautiful and deliriously serious. If the first MOTM release on De la Catessen gave an extended view into Alex’s work, with one long piece per side, here we have excerpts from performances throughout the years, allowing a more expansive take on both process and outcome. What strikes me, listening to this music, is the way that Alex indeed allows chaos to take its own non-form, to coalesce and congeal into huge, abraded blocks of sound, to allow the meeting of musicians, many from different walks of life, to morph into one throbbing brain at the centre of the sonorous universe. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Music of Transparent Means\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2nd August 2022\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-06T11:29:41+09:00","created_at":"2025-12-06T11:24:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","de la catessen","lp","new","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069289935098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Music of Transparent Means \/\/ Selected Live Recordings LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sel1_20c02890-68c2-451c-be9d-a8de4f7be268.jpg?v=1764987740","\/\/tobirarecords.com\/cdn\/shop\/files\/sel2_f6a59452-68ef-463d-ba0a-01b19a79b0be.jpg?v=1764987739"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1_20c02890-68c2-451c-be9d-a8de4f7be268.jpg?v=1764987740","options":["Title"],"media":[{"alt":null,"id":37712603152634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1_20c02890-68c2-451c-be9d-a8de4f7be268.jpg?v=1764987740"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1_20c02890-68c2-451c-be9d-a8de4f7be268.jpg?v=1764987740","width":700},{"alt":null,"id":37712603185402,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2_f6a59452-68ef-463d-ba0a-01b19a79b0be.jpg?v=1764987739"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2_f6a59452-68ef-463d-ba0a-01b19a79b0be.jpg?v=1764987739","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのギタリストMusic of Transparent Meansが、2022年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=762766664\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eIncludes\u003cspan\u003e insert with notes by Jon Dale.\u003c\/span\u003e\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rose Street Womb 15:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Burial Music 05:52\u003cbr\u003e\u003c\/span\u003e3. Second Presencing 10:45\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Mountain Piece 2 (excerpt) 04:18\u003cbr\u003e\u003c\/span\u003e5. Disappearance #1 (excerpt) 05:34\u003c\/p\u003e\n\u003cp\u003eText excerpt by Jon Dale \/ De la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom Iggy on the cover of Raw Power to Black Sabbath, circa 1980, in Milwaukee, from the ’52 Cleveland riot through to Suicide in Brussels, a healthy dose of chaos and danger is at the heart of all great rock music. So, it comes as no surprise to hear Alex Carpenter, the musician behind Music Of Transparent Means (MOTM), talk about chaos as core to the development of his music: “Even though there was this purity and mathematical elegance throughout some of the thinking and theory, what I remember almost more than that was the chaos and the mess, the forcefulness, the saturation and obliteration. The clear ideal gave way to this kind of loud, intense chaos, which in turn opened a path back to the clear.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic Of Transparent Means has always struck me as a particularly rock-reverent kind of minimalism, as though Alex has removed all the excess baggage that rock has picked up over the decades and focused on its most important aspects: noise and intensity, energy and mayhem. There is, of course, a great tradition of rock minimalism, from the Velvet Underground through AC\/DC to Rhys Chatham and Glenn Branca, on into Band Of Susans, Spacemen 3 and Loop, but Alex’s music is curious for the way it flips the script on those examples and gives us an altogether different take on the\u003cspan class=\"bcTruncateMore\"\u003e intersection of these two forces.\u003cbr\u003e\u003cbr\u003eYou can hear the ‘elegant chaos’ of Alex’s compositions throughout this second archival release by the ensemble, which is filled with music that’s both seriously beautiful and deliriously serious. If the first MOTM release on De la Catessen gave an extended view into Alex’s work, with one long piece per side, here we have excerpts from performances throughout the years, allowing a more expansive take on both process and outcome. What strikes me, listening to this music, is the way that Alex indeed allows chaos to take its own non-form, to coalesce and congeal into huge, abraded blocks of sound, to allow the meeting of musicians, many from different walks of life, to morph into one throbbing brain at the centre of the sonorous universe. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Music of Transparent Means\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2nd August 2022\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのギタリストMusic of Transparent Meansが、2022年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。 ライブ録音5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more De la...
¥3,480
クイックビュー
{"id":9021391044858,"title":"Luke Altmann \/\/ Transfusion: Original Motion Picture Soundtrack LP","handle":"luke-altmann-transfusion-original-motion-picture-soundtrack-lp","description":"\u003cp\u003eオーストラリアのアンビエント作家Luke Altmannが、2023年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e映画『Transfusion』のサウンドトラック17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292970311\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eOriginaly soundtrack for the film 'Transfusion' (2023) directed by Matt Nable. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Friendly Friendly 02:35\u003cbr\u003e2. Take the Shot 03:14\u003cbr\u003e3. Heated Up 01:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Justine 04:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Daughters 01:45\u003cbr\u003e\u003c\/span\u003e6. Useless 02:54\u003cbr\u003e7. Hunting 02:11\u003cbr\u003e8. Passengers 03:53\u003cbr\u003e9. Maroubra 02:30\u003cbr\u003e10. Blood 01:12\u003cbr\u003e11. Don't Test Me 01:29\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Sniper on the Hill 01:37\u003cbr\u003e\u003c\/span\u003e13. Don't Say That 01:15\u003cbr\u003e14. A Decision 01:29\u003cbr\u003e15. I'm Sorry 01:28\u003cbr\u003e16. You're Finished 01:30\u003cbr\u003e17. Steer Us 01:27\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBass: Jono Coco\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCello: Gemma Phillips\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Percussion: Sami Butler\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePiano: Luke Altmann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRonroco: Alex Tsiboulski\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrombones: Ian Denbigh, Andrew Ey, Colin Prichard\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrumpets: Robin Finlay, William Madden, Martin Phillipson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eViola: Linda Garrett\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eViolins: Helen Ayres, Belinda Gehlert, Emma Perkins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Altmann\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th January 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T09:16:07+09:00","created_at":"2025-12-06T11:18:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","de la catessen","lp","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069289312506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luke Altmann \/\/ Transfusion: Original Motion Picture Soundtrack LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/luk1.jpg?v=1764987365","\/\/tobirarecords.com\/cdn\/shop\/files\/luk2.jpg?v=1764987365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/luk1.jpg?v=1764987365","options":["Title"],"media":[{"alt":null,"id":37712573137146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/luk1.jpg?v=1764987365"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/luk1.jpg?v=1764987365","width":700},{"alt":null,"id":37712573169914,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/luk2.jpg?v=1764987365"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/luk2.jpg?v=1764987365","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのアンビエント作家Luke Altmannが、2023年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e映画『Transfusion』のサウンドトラック17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292970311\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eOriginaly soundtrack for the film 'Transfusion' (2023) directed by Matt Nable. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Friendly Friendly 02:35\u003cbr\u003e2. Take the Shot 03:14\u003cbr\u003e3. Heated Up 01:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Justine 04:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Daughters 01:45\u003cbr\u003e\u003c\/span\u003e6. Useless 02:54\u003cbr\u003e7. Hunting 02:11\u003cbr\u003e8. Passengers 03:53\u003cbr\u003e9. Maroubra 02:30\u003cbr\u003e10. Blood 01:12\u003cbr\u003e11. Don't Test Me 01:29\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Sniper on the Hill 01:37\u003cbr\u003e\u003c\/span\u003e13. Don't Say That 01:15\u003cbr\u003e14. A Decision 01:29\u003cbr\u003e15. I'm Sorry 01:28\u003cbr\u003e16. You're Finished 01:30\u003cbr\u003e17. Steer Us 01:27\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBass: Jono Coco\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCello: Gemma Phillips\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Percussion: Sami Butler\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePiano: Luke Altmann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRonroco: Alex Tsiboulski\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrombones: Ian Denbigh, Andrew Ey, Colin Prichard\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrumpets: Robin Finlay, William Madden, Martin Phillipson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eViola: Linda Garrett\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eViolins: Helen Ayres, Belinda Gehlert, Emma Perkins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Altmann\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th January 2023\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのアンビエント作家Luke Altmannが、2023年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。 映画『Transfusion』のサウンドトラック17曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more De la Catessen releases...
¥3,480
クイックビュー
{"id":9021390356730,"title":"Konstantin Shamray \/\/ Idle Hands CD","handle":"konstantin-shamray-idle-hands-cd","description":"\u003cp\u003eロシアのピアニストKonstantin Shamrayが、2020年にオーストラリア・アデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eオーストラリアの作曲家Luke Altmannの楽曲をKonstantin Shamrayが演奏した12曲を収録。デジパック、シュリンク仕様です。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3447157012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eIncludes 16-page booklet.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A sort of introduction 08:00\u003cbr\u003e2. Idle Hands - Idyll 03:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Idle Hands - Crosscurrents 02:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Idle Hands - The Right Environment 07:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Idle Hands - Sprite Mockery 02:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Idle Hands - Berceuse 03:21\u003cbr\u003e\u003c\/span\u003e7. Three Little Pieces - I 00:57\u003cbr\u003e8. Three Little Pieces - II 05:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Three Little Pieces - III 01:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Leunig Fragments - It Comes Back 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Leunig Fragments - Distilled and Light Hearted 05:24\u003cbr\u003e\u003c\/span\u003e12. Leunig Fragments - The Age of Joan 05:45\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing his recordings of Russian masterpieces for Naxos and ABC Classics, Konstantin Shamray presents this intimate portrait of Port Adelaide composer Luke Altmann with a selection of twelve intriguing pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNotwithstanding flashes of virtuosity and humour, and\u003cspan class=\"bcTruncateMore\"\u003e moments of gravitas, Idle Hands inhabits a hushed world of stillness and wonder; familiar, but scattered with disquiet.\u003cbr\u003e\u003cbr\u003eIdle Hands spans 20 years of Luke’s career, and was supported by the Sidney Myer Fund and the Australian Cultural Fund.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Konstantin Shamray\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 2020\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-28T07:48:53+09:00","created_at":"2025-12-06T11:14:18+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","de la catessen","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069281120506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Konstantin Shamray \/\/ Idle Hands CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113","\/\/tobirarecords.com\/cdn\/shop\/files\/han2_4051308e-3e50-4689-aed5-3700a7b319c8.jpg?v=1764987112","\/\/tobirarecords.com\/cdn\/shop\/files\/han3.jpg?v=1764987169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113","options":["Title"],"media":[{"alt":null,"id":37712560816378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113","width":700},{"alt":null,"id":37712560849146,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han2_4051308e-3e50-4689-aed5-3700a7b319c8.jpg?v=1764987112"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han2_4051308e-3e50-4689-aed5-3700a7b319c8.jpg?v=1764987112","width":1200},{"alt":null,"id":37712561373434,"position":3,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han3.jpg?v=1764987169"},"aspect_ratio":1.667,"height":720,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han3.jpg?v=1764987169","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシアのピアニストKonstantin Shamrayが、2020年にオーストラリア・アデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eオーストラリアの作曲家Luke Altmannの楽曲をKonstantin Shamrayが演奏した12曲を収録。デジパック、シュリンク仕様です。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3447157012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eIncludes 16-page booklet.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A sort of introduction 08:00\u003cbr\u003e2. Idle Hands - Idyll 03:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Idle Hands - Crosscurrents 02:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Idle Hands - The Right Environment 07:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Idle Hands - Sprite Mockery 02:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Idle Hands - Berceuse 03:21\u003cbr\u003e\u003c\/span\u003e7. Three Little Pieces - I 00:57\u003cbr\u003e8. Three Little Pieces - II 05:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Three Little Pieces - III 01:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Leunig Fragments - It Comes Back 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Leunig Fragments - Distilled and Light Hearted 05:24\u003cbr\u003e\u003c\/span\u003e12. Leunig Fragments - The Age of Joan 05:45\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing his recordings of Russian masterpieces for Naxos and ABC Classics, Konstantin Shamray presents this intimate portrait of Port Adelaide composer Luke Altmann with a selection of twelve intriguing pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNotwithstanding flashes of virtuosity and humour, and\u003cspan class=\"bcTruncateMore\"\u003e moments of gravitas, Idle Hands inhabits a hushed world of stillness and wonder; familiar, but scattered with disquiet.\u003cbr\u003e\u003cbr\u003eIdle Hands spans 20 years of Luke’s career, and was supported by the Sidney Myer Fund and the Australian Cultural Fund.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Konstantin Shamray\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 2020\u003c\/span\u003e\u003c\/p\u003e"}
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ロシアのピアニストKonstantin Shamrayが、2020年にオーストラリア・アデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。 オーストラリアの作曲家Luke Altmannの楽曲をKonstantin Shamrayが演奏した12曲を収録。デジパック、シュリンク仕様です。16ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more De la...
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{"id":9021389668602,"title":"Raymond Chapman Smith \/\/ Traktat vom Licht \/ Variations on a Minuet by Mozart CD","handle":"amir-farid-raymond-chapman-smith-traktat-vom-licht-variations-on-a-minuet-by-mozart-cd","description":"\u003cp\u003eオーストラリアの作曲家Raymond Chapman Smithが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽39曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eピアノはAmir Faridが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470781310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Traktat vom Licht: 01. Andante con moto 01:48\u003cbr\u003e2. Traktat vom Licht: 02. Allegro assai 01:01\u003cbr\u003e3. Traktat vom Licht: 03. Moderato cantabile 01:18\u003cbr\u003e4. Traktat vom Licht: 04. Quasi allegretto 01:06\u003cbr\u003e5. Traktat vom Licht: 05. Allegro moderato 01:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Traktat vom Licht: 06. Allegro, ma non troppo 00:57\u003cbr\u003e\u003c\/span\u003e7. Traktat vom Licht: 07. Allegretto, con moto e cantabile 02:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Traktat vom Licht: 08. Molto grazioso 01:02\u003cbr\u003e\u003c\/span\u003e9. Traktat vom Licht: 09. Andante, molto sostenuto 01:44\u003cbr\u003e10. Traktat vom Licht: 10. Allegro 00:53\u003cbr\u003e11. Traktat vom Licht: 11. Molto moderato 02:09\u003cbr\u003e12. Traktat vom Licht: 12. Vivace assai 00:49\u003cbr\u003e13. Traktat vom Licht: 13. Poco adagio, espressivo e molto cantabile 02:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Traktat vom Licht: 14. Andante sostenuto 01:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Traktat vom Licht: 15. Allegro, ma non troppo 01:02\u003cbr\u003e\u003c\/span\u003e16. Traktat vom Licht: 16. Presto 00:36\u003cbr\u003e17. Traktat vom Licht: 17. Andantino 02:07\u003cbr\u003e18. Traktat vom Licht: 18. Andante, molto espressivo 02:32\u003cbr\u003e19. Traktat vom Licht: 19. Vivace, ma non troppo 01:18\u003cbr\u003e20. Traktat vom Licht: 20. Adagio, ma non troppo 02:08\u003cbr\u003e21. Traktat vom Licht: 21. Allegretto, quasi andante 01:29\u003cbr\u003e22. Traktat vom Licht: 22. Allegretto 00:59\u003cbr\u003e23. Traktat vom Licht: 23. Allegro assai 01:03\u003cbr\u003e24. Traktat vom Licht: 24. Andante cantabile 02:11\u003cbr\u003e25. Traktat vom Licht: 25. Quasi allegretto 01:13\u003cbr\u003e26. Traktat vom Licht: 26. Andante cantabile e con moto 02:00\u003cbr\u003e27. Variations on a Minuet by Mozart: Thema: Tempo di minuetto (Mozart K.1), G Major 00:52\u003cbr\u003e28. Variations on a Minuet by Mozart: Var. I Tempo di minuetto, E-flat Major 01:20\u003cbr\u003e29. Variations on a Minuet by Mozart: Var. II Allegretto, C minor 00:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e30. Variations on a Minuet by Mozart: Var. III Andante sostenuto, A-flat Major 02:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e31. Variations on a Minuet by Mozart: Var. IV Presto, F minor 00:26\u003cbr\u003e\u003c\/span\u003e32. Variations on a Minuet by Mozart: Var. V Adagio sostenuto, D-flat Major 02:15\u003cbr\u003e33. Variations on a Minuet by Mozart: Var. VI Allegro, ma non troppo, A Major 00:48\u003cbr\u003e34. Variations on a Minuet by Mozart: Var. VII Andante, F-sharp minor 01:17\u003cbr\u003e35. Variations on a Minuet by Mozart: Var. VIII Vivace, D Major 00:44\u003cbr\u003e36. Variations on a Minuet by Mozart: Var. IX Allegretto, B-flat Major 00:48\u003cbr\u003e37. Variations on a Minuet by Mozart: Var. X Allegro, G minor 00:46\u003cbr\u003e38. Variations on a Minuet by Mozart: Var. XI Larghetto 'For Sarastro', E-flat Major 02:10\u003cbr\u003e39. Variations on a Minuet by Mozart: Var XII Allegro molto, G Major (Coda) 02:03\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAmir Farid returns to De la Catessen Records with the premiere recordings of Traktat vom Licht \/ Variations on a Minuet by Mozart - the second volume in an ongoing survey of endearingly quixotic piano music by Adelaidean composer Raymond Chapman Smith. In this new collection, following on from 2023’s Nachschriften \/ Ländler, pianist Amir Farid sheds further light on a fruitful period of Chapman Smith’s work, in which he utters in a uniquely mellifluous voice a beautiful old language recognised by so many but spoken by so few.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChapman Smith’s musical journey, through Sydney’s experimental scene of the early ‘70s, to his study with Australian modernist doyen Richard Meale, and his leadership of the notorious ACME New Music through the ‘90s, has led him to - of all places - the green\u003cspan class=\"bcTruncateMore\"\u003e pastures of nineteenth century German romanticism, where he invites us to join him in thoughtful spiritual contentedness through the current phase of his craft.\u003cbr\u003e\u003cbr\u003eThe title of Chapman Smith’s 26-part Traktat vom Licht is borrowed from a cycle of 26 poetic-scientific-metaphysical fragments by Novalis, a crucial voice in the formulation of the first phase of German Romanticism.\u003cbr\u003e\u003cbr\u003eWritten in 2006 as an acknowledgement of the 250th anniversary of Mozart’s birth, Variations on a Minuet by Mozart takes the theme from the first piece in Mozart’s catalogue - his K1, written when he was five years old - and turns it through a set of twelve variations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid, Raymond Chapman Smith\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th November 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T10:44:55+09:00","created_at":"2025-12-06T11:10:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","de la catessen","neo classical","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069280432378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raymond Chapman Smith \/\/ Traktat vom Licht \/ Variations on a Minuet by Mozart CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805","\/\/tobirarecords.com\/cdn\/shop\/files\/trak2.jpg?v=1764986805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805","options":["Title"],"media":[{"alt":null,"id":37712543088890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805","width":700},{"alt":null,"id":37712543121658,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak2.jpg?v=1764986805"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak2.jpg?v=1764986805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの作曲家Raymond Chapman Smithが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽39曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eピアノはAmir Faridが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470781310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Traktat vom Licht: 01. Andante con moto 01:48\u003cbr\u003e2. Traktat vom Licht: 02. Allegro assai 01:01\u003cbr\u003e3. Traktat vom Licht: 03. Moderato cantabile 01:18\u003cbr\u003e4. Traktat vom Licht: 04. Quasi allegretto 01:06\u003cbr\u003e5. Traktat vom Licht: 05. Allegro moderato 01:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Traktat vom Licht: 06. Allegro, ma non troppo 00:57\u003cbr\u003e\u003c\/span\u003e7. Traktat vom Licht: 07. Allegretto, con moto e cantabile 02:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Traktat vom Licht: 08. Molto grazioso 01:02\u003cbr\u003e\u003c\/span\u003e9. Traktat vom Licht: 09. Andante, molto sostenuto 01:44\u003cbr\u003e10. Traktat vom Licht: 10. Allegro 00:53\u003cbr\u003e11. Traktat vom Licht: 11. Molto moderato 02:09\u003cbr\u003e12. Traktat vom Licht: 12. Vivace assai 00:49\u003cbr\u003e13. Traktat vom Licht: 13. Poco adagio, espressivo e molto cantabile 02:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Traktat vom Licht: 14. Andante sostenuto 01:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Traktat vom Licht: 15. Allegro, ma non troppo 01:02\u003cbr\u003e\u003c\/span\u003e16. Traktat vom Licht: 16. Presto 00:36\u003cbr\u003e17. Traktat vom Licht: 17. Andantino 02:07\u003cbr\u003e18. Traktat vom Licht: 18. Andante, molto espressivo 02:32\u003cbr\u003e19. Traktat vom Licht: 19. Vivace, ma non troppo 01:18\u003cbr\u003e20. Traktat vom Licht: 20. Adagio, ma non troppo 02:08\u003cbr\u003e21. Traktat vom Licht: 21. Allegretto, quasi andante 01:29\u003cbr\u003e22. Traktat vom Licht: 22. Allegretto 00:59\u003cbr\u003e23. Traktat vom Licht: 23. Allegro assai 01:03\u003cbr\u003e24. Traktat vom Licht: 24. Andante cantabile 02:11\u003cbr\u003e25. Traktat vom Licht: 25. Quasi allegretto 01:13\u003cbr\u003e26. Traktat vom Licht: 26. Andante cantabile e con moto 02:00\u003cbr\u003e27. Variations on a Minuet by Mozart: Thema: Tempo di minuetto (Mozart K.1), G Major 00:52\u003cbr\u003e28. Variations on a Minuet by Mozart: Var. I Tempo di minuetto, E-flat Major 01:20\u003cbr\u003e29. Variations on a Minuet by Mozart: Var. II Allegretto, C minor 00:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e30. Variations on a Minuet by Mozart: Var. III Andante sostenuto, A-flat Major 02:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e31. Variations on a Minuet by Mozart: Var. IV Presto, F minor 00:26\u003cbr\u003e\u003c\/span\u003e32. Variations on a Minuet by Mozart: Var. V Adagio sostenuto, D-flat Major 02:15\u003cbr\u003e33. Variations on a Minuet by Mozart: Var. VI Allegro, ma non troppo, A Major 00:48\u003cbr\u003e34. Variations on a Minuet by Mozart: Var. VII Andante, F-sharp minor 01:17\u003cbr\u003e35. Variations on a Minuet by Mozart: Var. VIII Vivace, D Major 00:44\u003cbr\u003e36. Variations on a Minuet by Mozart: Var. IX Allegretto, B-flat Major 00:48\u003cbr\u003e37. Variations on a Minuet by Mozart: Var. X Allegro, G minor 00:46\u003cbr\u003e38. Variations on a Minuet by Mozart: Var. XI Larghetto 'For Sarastro', E-flat Major 02:10\u003cbr\u003e39. Variations on a Minuet by Mozart: Var XII Allegro molto, G Major (Coda) 02:03\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAmir Farid returns to De la Catessen Records with the premiere recordings of Traktat vom Licht \/ Variations on a Minuet by Mozart - the second volume in an ongoing survey of endearingly quixotic piano music by Adelaidean composer Raymond Chapman Smith. In this new collection, following on from 2023’s Nachschriften \/ Ländler, pianist Amir Farid sheds further light on a fruitful period of Chapman Smith’s work, in which he utters in a uniquely mellifluous voice a beautiful old language recognised by so many but spoken by so few.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChapman Smith’s musical journey, through Sydney’s experimental scene of the early ‘70s, to his study with Australian modernist doyen Richard Meale, and his leadership of the notorious ACME New Music through the ‘90s, has led him to - of all places - the green\u003cspan class=\"bcTruncateMore\"\u003e pastures of nineteenth century German romanticism, where he invites us to join him in thoughtful spiritual contentedness through the current phase of his craft.\u003cbr\u003e\u003cbr\u003eThe title of Chapman Smith’s 26-part Traktat vom Licht is borrowed from a cycle of 26 poetic-scientific-metaphysical fragments by Novalis, a crucial voice in the formulation of the first phase of German Romanticism.\u003cbr\u003e\u003cbr\u003eWritten in 2006 as an acknowledgement of the 250th anniversary of Mozart’s birth, Variations on a Minuet by Mozart takes the theme from the first piece in Mozart’s catalogue - his K1, written when he was five years old - and turns it through a set of twelve variations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid, Raymond Chapman Smith\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th November 2024\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの作曲家Raymond Chapman Smithが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。 室内楽39曲を収録。デジパック、シュリンク仕様です。 ピアノはAmir Faridが担当しています。 レーベルその他作品はこちら /// Click here to see more De...
¥1,980
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{"id":9021389177082,"title":"Luke Altmann \/\/ Iron Winter (OST) LP","handle":"luke-altmann-iron-winter-ost-lp","description":"\u003cp\u003eオーストラリアのアンビエント作家Luke Altmannが、2023年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドキュメンタリー映画『Iron Winter』のサウンドトラック16曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3513110062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eOriginal Soundtrack Recording of the \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edocumentary IRON WINTER, directed by \u003cmeta charset=\"utf-8\"\u003eKasimir Burgess.\u003c\/span\u003e\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Iron Winter 04:44\u003cbr\u003e2. Breaking Horses 01:38\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Teach and Warn You 02:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Pure Experience 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Initiation 02:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Worthy Enemy 05:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lost 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Two Monks 01:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Aftermath 01:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Jijer 02:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Snowstorm 02:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. We Must Shake Hands 01:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Strangers 01:55\u003cbr\u003e\u003c\/span\u003e14. We Return 02:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. His Eyes are Cold 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Ride Into It 04:06\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe La Catessen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eTo coincide with the International Premiere of Kasimir Burgess’ cinematic documentary IRON WINTER at the 2025 Melbourne International Film Festival, de la Catessen proudly presents the original soundtrack recording by Luke Altmann, available in a hand-numbered edition of 250 LPs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIron Winter follows two young herdsmen from the Tsakhir Valley in their quest to keep their community’s herd of 2000 horses alive through Mongolia's harshest winter. The temperature regularly falls below -40°C as they drive their herd into the mountains in search of pastures under the snow. As deteriorating climatic conditions make winter herding even more gravely dangerous, and the city lures away the young people, this ancient traditional rite of passage has nearly entirely disappeared.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThrough Iron Winter’s score the Mongolian landscape shimmers and shivers with harmonics. Endless snowscapes glisten and swish, but stress and upheaval are also evident in the score’s ominous murmurs. Tremors of imminent environmental and cultural collapse can be felt in the creak and clatter of the unseen, while tradition groans under the weight of obligation resting upon fewer and fewer shoulders. But, to the sound of a mysterious reveille, the courageous herders and their horses are pulled irresistibly deeper into the mountains, exacerbating their vulnerability to dire cold and starvation, to the accompaniment of the howling wolves of the steppe.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Altmann\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T09:18:44+09:00","created_at":"2025-12-06T11:05:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","de la catessen","lp","neo classical","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069279580410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Luke Altmann \/\/ Iron Winter (OST) LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/iron1_149f1efc-1bb6-4296-b3ba-896c8f6c1985.jpg?v=1764986576","\/\/tobirarecords.com\/cdn\/shop\/files\/iron2.jpg?v=1764986576"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/iron1_149f1efc-1bb6-4296-b3ba-896c8f6c1985.jpg?v=1764986576","options":["Title"],"media":[{"alt":null,"id":37712519528698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/iron1_149f1efc-1bb6-4296-b3ba-896c8f6c1985.jpg?v=1764986576"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/iron1_149f1efc-1bb6-4296-b3ba-896c8f6c1985.jpg?v=1764986576","width":700},{"alt":null,"id":37712519561466,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/iron2.jpg?v=1764986576"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/iron2.jpg?v=1764986576","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのアンビエント作家Luke Altmannが、2023年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドキュメンタリー映画『Iron Winter』のサウンドトラック16曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3513110062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eOriginal Soundtrack Recording of the \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edocumentary IRON WINTER, directed by \u003cmeta charset=\"utf-8\"\u003eKasimir Burgess.\u003c\/span\u003e\u003cbr\u003eEdition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Iron Winter 04:44\u003cbr\u003e2. Breaking Horses 01:38\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Teach and Warn You 02:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Pure Experience 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Initiation 02:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Worthy Enemy 05:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lost 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Two Monks 01:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Aftermath 01:12\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Jijer 02:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Snowstorm 02:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. We Must Shake Hands 01:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Strangers 01:55\u003cbr\u003e\u003c\/span\u003e14. We Return 02:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. His Eyes are Cold 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Ride Into It 04:06\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe La Catessen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eTo coincide with the International Premiere of Kasimir Burgess’ cinematic documentary IRON WINTER at the 2025 Melbourne International Film Festival, de la Catessen proudly presents the original soundtrack recording by Luke Altmann, available in a hand-numbered edition of 250 LPs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIron Winter follows two young herdsmen from the Tsakhir Valley in their quest to keep their community’s herd of 2000 horses alive through Mongolia's harshest winter. The temperature regularly falls below -40°C as they drive their herd into the mountains in search of pastures under the snow. As deteriorating climatic conditions make winter herding even more gravely dangerous, and the city lures away the young people, this ancient traditional rite of passage has nearly entirely disappeared.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThrough Iron Winter’s score the Mongolian landscape shimmers and shivers with harmonics. Endless snowscapes glisten and swish, but stress and upheaval are also evident in the score’s ominous murmurs. Tremors of imminent environmental and cultural collapse can be felt in the creak and clatter of the unseen, while tradition groans under the weight of obligation resting upon fewer and fewer shoulders. But, to the sound of a mysterious reveille, the courageous herders and their horses are pulled irresistibly deeper into the mountains, exacerbating their vulnerability to dire cold and starvation, to the accompaniment of the howling wolves of the steppe.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Luke Altmann\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのアンビエント作家Luke Altmannが、2023年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。 ドキュメンタリー映画『Iron Winter』のサウンドトラック16曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more De la Catessen...
¥3,480
クイックビュー
{"id":9021388390650,"title":"Jon Dale \/\/ Last Blues CD","handle":"jon-dale-last-blues-cd","description":"\u003cp\u003eオーストラリアの実験音楽家Jon Daleが、2022年にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜ドローン5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=940300676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:04\u003cbr\u003e2. A2 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:33\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. A3\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. B1 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. B2 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Dale\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : February 2022\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-06T11:10:33+09:00","created_at":"2025-12-06T11:01:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","de la catessen","drone","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069276434682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jon Dale \/\/ Last Blues CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1957e996-2492-47ce-9e9d-4cced908e6c4.jpg?v=1764986366","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_3850f324-0714-42fa-9288-b043034e172b.jpg?v=1764986367"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1957e996-2492-47ce-9e9d-4cced908e6c4.jpg?v=1764986366","options":["Title"],"media":[{"alt":null,"id":37712493674746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1957e996-2492-47ce-9e9d-4cced908e6c4.jpg?v=1764986366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_1957e996-2492-47ce-9e9d-4cced908e6c4.jpg?v=1764986366","width":700},{"alt":null,"id":37712493707514,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_3850f324-0714-42fa-9288-b043034e172b.jpg?v=1764986367"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_3850f324-0714-42fa-9288-b043034e172b.jpg?v=1764986367","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Jon Daleが、2022年にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜ドローン5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=940300676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:04\u003cbr\u003e2. A2 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:33\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. A3\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. B1 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. B2 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Dale\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC006\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : February 2022\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの実験音楽家Jon Daleが、2022年にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。 アンビエントドローン〜ドローン5曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more De la Catessen releases...
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{"id":9021387899130,"title":"Chester Schultz \/\/ Within Our Reach CD","handle":"chester-schultz-within-our-reach-cd","description":"\u003cp\u003eオーストラリアの実験音楽家／学者Chester Schultzが、2022年にアデレイドの実験レーベルde la Catessenから500部限定でリリースした再発CDです。（オリジナルは1996年リリース）\u003c\/p\u003e\n\u003cp\u003e1989-1995年に録音したフィールドレコーディング13曲を収録。デジパック、シュリンク仕様です。24ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Chester Schultzが1996年に自身のレーベルWaterholeから自主リリースした『Within Our Reach』は、当初コミュニティ資源として無料で配布され、販売はされなかった。デ・ラ・カテッセンによる再発盤は、アデレード発の音楽と作曲の歴史を構築する上で計り知れない貢献を果たしている。同時に、後期資本主義、ジェントリフィケーション、そして「開発」が景観と住民の双方に及ぼす影響について、本質的な考察の機会を提供している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSchultzは本作において、フィールドレコーディングを通じて、アデレード大都市圏のポート川潮汐湾岸地域の音を記録した複雑で豊かな構成を構築した。録音は1989年から1995年にかけて行われ、この期間にポート川上流の河岸に拠点を置いていた産業が最後の一角まで閉鎖された。『Within Our Reach』の一部には、過去の産業が幽霊のように漂う心理地理学的な要素が感じられ、Schultzの喚起力あるフィールドレコーディングの活用は、ポート川地域の進行中の空間的再編について聴き手に手がかりを与える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Within Our Reach』全体を通して、複数の現象が交錯する音が聞こえる。鳥たちの鳴き声やさえずりが、単独でも集団でも、現代の交通手段が都市の音風景に「贈る」水没したドローンの音の上に響き渡る。例えば、伝統的な歌「ダウン・バイ・ザ・リバーサイド」を歌う人間の呟くような声が、交通のうなりや唸り、カモメの鳴き声と絡み合う。水と風が交わる； 風はギター弦をエオリアンのハープのように奏でる。「Hulks」では、Schultzと仲間たちが干潟の残骸を『演奏』し、錆びたボルトや腐った木材を叩く。日常を彷徨う人々のスケルツォが、干潟に集いギターやリコーダー、クラリネットを奏で、気ままに口ずさむ家族の記録へと導く。Schultzらによる物語の断片が漂い去っていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自然界の音、工業世界の侵入、そしてこれらの空間の内外に生きる人間と動物の絶え間ない交渉の間に、ここでなされた繊細なバランス感覚は、Schultzの敏感な耳と慎重に練られた構成の証左である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e神学者であり社会批評家のジャック・エルール、作曲家であり鳥類学者であるオリヴィエ・メシアン、サウンドスケープ作曲家のR・マレー・シェイファー、そしてポート・アデレードの住民たちに捧げられた『Within Our Reach』は、公共空間の変容を深く感動的に記録した作品であり、真に批判的な「場所の音楽」としての深遠な作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4090431621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold ecopack with 24-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Riverside 02:31\u003cbr\u003e2. The Old Port Reach 04:24\u003cbr\u003e3. Wind, Water, Castle of Wizardry 06:32\u003cbr\u003e4. Mangrove Creek 06:18\u003cbr\u003e5. Hulks 08:07\u003cbr\u003e6. River Play 03:30\u003cbr\u003e7. Dance of the Mudflats 07:19\u003cbr\u003e8. Voices 04:49\u003cbr\u003e9. East Bank - Not Really a Life 06:32\u003cbr\u003e10. West Bank - When the Owl Comes a-Looking 08:31\u003cbr\u003e11. The Beasts of Babylon 02:44\u003cbr\u003e12. Ground Water, Sea Water 06:18\u003cbr\u003e13. Study War No More 09:32\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first widely available edition of this singular, long-form composition, WITHIN OUR REACH: A Symphony Of The Port River, by Port Adelaide, Australia-based pianist, composer, writer and researcher Chester Schultz, is proudly presented by De la Catessen Records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally self-released by Schultz in 1996, on his own Waterhole imprint, Within Our Reach was initially distributed free as a community resource, and not available for sale. De La Catessen’s reissue is an invaluable contribution to developing histories of music and composition from Adelaide. It also offers the chance for germane reflection on the implications of late capitalism, gentrification, and ‘development’ for both landscape and inhabitants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Within Our Reach, Schultz has mapped out, via field recordings, an intricate, generous composition that documents the sounds of the Port River tidal inlet area of the greater Adelaide city. The recordings cover the period between 1989 to 1995, during which time the last of the industries based on the banks of the Port’s higher land closed; there’s something of a ghosted psychogeography of industry past during parts of Within Our Reach, with Schultz’s evocative use of field recordings offering the listener clues as to the\u003cspan class=\"bcTruncateMore\"\u003e ongoing spatial rearrangement of the Port River area.\u003cbr\u003e\u003cbr\u003eThroughout Within Our Reach, we hear the interaction of multiple phenomena. The cawing and singing of birds, individual and en masse, broadcasts out over the submerged drone that modern transport ‘gifts’ to the urban soundscape; for example, a rambling human voice, singing the traditional song “Down By The Riverside”, is tangled up in the hum and purr of traffic, and the call of the seagull. Water and wind interact; the wind plays the guitar strings like an Aeolian harp; on “Hulks”, Schultz and friends ‘play’ the debris of the mudflats, tapping on rusty bolts and rotting wood; a scherzo of people, wandering through the everyday, leads into a documentation of families gathered on the mudflats, playing guitar, recorder and clarinets, humming along idly; story fragments drift by, from Schultz and others.\u003cbr\u003e\u003cbr\u003eThe delicate balancing act undertaken here, between the sounds of the natural world, the intrusions of the industrial world, and the constant negotiations of the people and animals that live within, and around, these spaces, is testament to Schultz’s sensitive ear and careful, considered composition.\u003cbr\u003e\u003cbr\u003eDedicated to theologian social critic Jacques Ellul, composer and ornithologist Olivier Messiaen, soundscape composer R. Murray Schafer, and the residents of Port Adelaide, Within Our Reach is a deeply moving document of the transformation of public space, and a profound, genuinely critical “music of place.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd August 2022\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T10:36:49+09:00","created_at":"2025-12-06T10:57:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","field recording","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069275582714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chester Schultz \/\/ Within Our Reach CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145","\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_abc5b38b-5dd4-4300-a271-c7ab23deb599.jpg?v=1764986145"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145","options":["Title"],"media":[{"alt":null,"id":37712476438778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou1_6095ca8a-9f21-43fc-84dc-c8c319f00367.jpg?v=1764986145","width":700},{"alt":null,"id":37712476471546,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_abc5b38b-5dd4-4300-a271-c7ab23deb599.jpg?v=1764986145"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ou2_abc5b38b-5dd4-4300-a271-c7ab23deb599.jpg?v=1764986145","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家／学者Chester Schultzが、2022年にアデレイドの実験レーベルde la Catessenから500部限定でリリースした再発CDです。（オリジナルは1996年リリース）\u003c\/p\u003e\n\u003cp\u003e1989-1995年に録音したフィールドレコーディング13曲を収録。デジパック、シュリンク仕様です。24ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Chester Schultzが1996年に自身のレーベルWaterholeから自主リリースした『Within Our Reach』は、当初コミュニティ資源として無料で配布され、販売はされなかった。デ・ラ・カテッセンによる再発盤は、アデレード発の音楽と作曲の歴史を構築する上で計り知れない貢献を果たしている。同時に、後期資本主義、ジェントリフィケーション、そして「開発」が景観と住民の双方に及ぼす影響について、本質的な考察の機会を提供している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSchultzは本作において、フィールドレコーディングを通じて、アデレード大都市圏のポート川潮汐湾岸地域の音を記録した複雑で豊かな構成を構築した。録音は1989年から1995年にかけて行われ、この期間にポート川上流の河岸に拠点を置いていた産業が最後の一角まで閉鎖された。『Within Our Reach』の一部には、過去の産業が幽霊のように漂う心理地理学的な要素が感じられ、Schultzの喚起力あるフィールドレコーディングの活用は、ポート川地域の進行中の空間的再編について聴き手に手がかりを与える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Within Our Reach』全体を通して、複数の現象が交錯する音が聞こえる。鳥たちの鳴き声やさえずりが、単独でも集団でも、現代の交通手段が都市の音風景に「贈る」水没したドローンの音の上に響き渡る。例えば、伝統的な歌「ダウン・バイ・ザ・リバーサイド」を歌う人間の呟くような声が、交通のうなりや唸り、カモメの鳴き声と絡み合う。水と風が交わる； 風はギター弦をエオリアンのハープのように奏でる。「Hulks」では、Schultzと仲間たちが干潟の残骸を『演奏』し、錆びたボルトや腐った木材を叩く。日常を彷徨う人々のスケルツォが、干潟に集いギターやリコーダー、クラリネットを奏で、気ままに口ずさむ家族の記録へと導く。Schultzらによる物語の断片が漂い去っていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自然界の音、工業世界の侵入、そしてこれらの空間の内外に生きる人間と動物の絶え間ない交渉の間に、ここでなされた繊細なバランス感覚は、Schultzの敏感な耳と慎重に練られた構成の証左である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e神学者であり社会批評家のジャック・エルール、作曲家であり鳥類学者であるオリヴィエ・メシアン、サウンドスケープ作曲家のR・マレー・シェイファー、そしてポート・アデレードの住民たちに捧げられた『Within Our Reach』は、公共空間の変容を深く感動的に記録した作品であり、真に批判的な「場所の音楽」としての深遠な作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4090431621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold ecopack with 24-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Riverside 02:31\u003cbr\u003e2. The Old Port Reach 04:24\u003cbr\u003e3. Wind, Water, Castle of Wizardry 06:32\u003cbr\u003e4. Mangrove Creek 06:18\u003cbr\u003e5. Hulks 08:07\u003cbr\u003e6. River Play 03:30\u003cbr\u003e7. Dance of the Mudflats 07:19\u003cbr\u003e8. Voices 04:49\u003cbr\u003e9. East Bank - Not Really a Life 06:32\u003cbr\u003e10. West Bank - When the Owl Comes a-Looking 08:31\u003cbr\u003e11. The Beasts of Babylon 02:44\u003cbr\u003e12. Ground Water, Sea Water 06:18\u003cbr\u003e13. Study War No More 09:32\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first widely available edition of this singular, long-form composition, WITHIN OUR REACH: A Symphony Of The Port River, by Port Adelaide, Australia-based pianist, composer, writer and researcher Chester Schultz, is proudly presented by De la Catessen Records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally self-released by Schultz in 1996, on his own Waterhole imprint, Within Our Reach was initially distributed free as a community resource, and not available for sale. De La Catessen’s reissue is an invaluable contribution to developing histories of music and composition from Adelaide. It also offers the chance for germane reflection on the implications of late capitalism, gentrification, and ‘development’ for both landscape and inhabitants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Within Our Reach, Schultz has mapped out, via field recordings, an intricate, generous composition that documents the sounds of the Port River tidal inlet area of the greater Adelaide city. The recordings cover the period between 1989 to 1995, during which time the last of the industries based on the banks of the Port’s higher land closed; there’s something of a ghosted psychogeography of industry past during parts of Within Our Reach, with Schultz’s evocative use of field recordings offering the listener clues as to the\u003cspan class=\"bcTruncateMore\"\u003e ongoing spatial rearrangement of the Port River area.\u003cbr\u003e\u003cbr\u003eThroughout Within Our Reach, we hear the interaction of multiple phenomena. The cawing and singing of birds, individual and en masse, broadcasts out over the submerged drone that modern transport ‘gifts’ to the urban soundscape; for example, a rambling human voice, singing the traditional song “Down By The Riverside”, is tangled up in the hum and purr of traffic, and the call of the seagull. Water and wind interact; the wind plays the guitar strings like an Aeolian harp; on “Hulks”, Schultz and friends ‘play’ the debris of the mudflats, tapping on rusty bolts and rotting wood; a scherzo of people, wandering through the everyday, leads into a documentation of families gathered on the mudflats, playing guitar, recorder and clarinets, humming along idly; story fragments drift by, from Schultz and others.\u003cbr\u003e\u003cbr\u003eThe delicate balancing act undertaken here, between the sounds of the natural world, the intrusions of the industrial world, and the constant negotiations of the people and animals that live within, and around, these spaces, is testament to Schultz’s sensitive ear and careful, considered composition.\u003cbr\u003e\u003cbr\u003eDedicated to theologian social critic Jacques Ellul, composer and ornithologist Olivier Messiaen, soundscape composer R. Murray Schafer, and the residents of Port Adelaide, Within Our Reach is a deeply moving document of the transformation of public space, and a profound, genuinely critical “music of place.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd August 2022\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの実験音楽家／学者Chester Schultzが、2022年にアデレイドの実験レーベルde la Catessenから500部限定でリリースした再発CDです。（オリジナルは1996年リリース） 1989-1995年に録音したフィールドレコーディング13曲を収録。デジパック、シュリンク仕様です。24ページのブックレット付属。 以下、レーベルによる解説です。 "Chester Schultzが1996年に自身のレーベルWaterholeから自主リリースした『Within Our Reach』は、当初コミュニティ資源として無料で配布され、販売はされなかった。デ・ラ・カテッセンによる再発盤は、アデレード発の音楽と作曲の歴史を構築する上で計り知れない貢献を果たしている。同時に、後期資本主義、ジェントリフィケーション、そして「開発」が景観と住民の双方に及ぼす影響について、本質的な考察の機会を提供している。 Schultzは本作において、フィールドレコーディングを通じて、アデレード大都市圏のポート川潮汐湾岸地域の音を記録した複雑で豊かな構成を構築した。録音は1989年から1995年にかけて行われ、この期間にポート川上流の河岸に拠点を置いていた産業が最後の一角まで閉鎖された。『Within Our Reach』の一部には、過去の産業が幽霊のように漂う心理地理学的な要素が感じられ、Schultzの喚起力あるフィールドレコーディングの活用は、ポート川地域の進行中の空間的再編について聴き手に手がかりを与える。 『Within...
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{"id":9021387505914,"title":"Raymond Chapman Smith \/\/ Nachschriften \/ Ländler CD","handle":"amir-farid-nachschriften-landler-cd","description":"\u003cp\u003eアメリカ出身オーストラリア在住のピアニストAmir Faridが、2023年7月にオーストラリア・アデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽38曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527219918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No. 1 A flat major, Moderato cantabile molto espressivo 01:01\u003cbr\u003e2. No. 2 F minor, Andante con moto 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. No. 3 D flat major, Allegretto grazioso 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. No. 4 B flat minor, Andante non troppo e con molto espressione 01:37\u003cbr\u003e\u003c\/span\u003e5. No. 5 G flat major, Molto adagio 01:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. No. 6 E flat minor, Andante, ma non troppo 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. No. 7 B major, Vivace 00:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. No. 8 G sharp minor, Andante cantabile, quasi allegretto 01:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. No. 9 E major, Allegro vivace 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. No. 10 C sharp minor, Quasi allegretto 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. No. 11 A major, Allegretto 00:50\u003cbr\u003e\u003c\/span\u003e12. No. 12 F sharp minor, Andantino 01:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. No. 13 D major, Lento assai, tranquillo e ritenuto 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. No. 14 D major, Andante cantabile 01:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. No. 15 B minor, Tranquillo 01:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. No. 16 G major, Andante amabile e con moto 01:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. No. 17 E minor, Allegro ma non troppo 00:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. No. 18 C major, Adagio molto semplice e cantabile 01:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e19. No. 19 A minor, Allegretto 00:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20. No. 20 F major, Vivace moderato 00:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e21. No. 21 D minor, Un poco agitato 00:49\u003cbr\u003e\u003c\/span\u003e22. No. 22 B flat major, Adagio sostenuto 02:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e23. No. 23 G minor, Molto passionato, ma non troppo allegro 00:45\u003cbr\u003e\u003c\/span\u003e24. No. 24 E flat major, Dolce ed intimo 01:27\u003cbr\u003e25. No. 25 C minor, Andante con moto 01:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e26. No. 26 A flat major, Allegretto moderato 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e27. No. 1 A major, Con tenerezza 01:50\u003cbr\u003e\u003c\/span\u003e28. No. 2 F sharp minor, Andantino 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29. No. 3 E major, Grazioso e giocoso 01:45\u003cbr\u003e\u003c\/span\u003e30. No. 4 C sharp minor, Andante moderato 02:29\u003cbr\u003e31. No. 5 D flat major, Allegretto, ma non troppo 01:14\u003cbr\u003e32. No. 6 B flat minor, Andante non troppo e con molto espressione 02:04\u003cbr\u003e33. No. 7 A flat major, Allegretto teneramente 01:46\u003cbr\u003e34. No. 8 F minor, un poco agitato 00:51\u003cbr\u003e35. No. 9 F major, Adagietto, molto lento e ritenuto 01:57\u003cbr\u003e36. No. 10 D minor, Vivace, molto grazioso 01:30\u003cbr\u003e37. No. 11 C major, Allegro con brio 00:45\u003cbr\u003e38. No. 12 A minor, Non presto 02:27\u003c\/p\u003e\n\u003cp\u003eExcerpt from De La Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs co-director of new music organisation The Firm, Raymond Chapman Smith has quietly presented over 130 concerts of new music. But his uncomplicated disinterest in recognition or recording means his music is rarely heard beyond the walls of Adelaide's Elder Hall, where The Firm's annual concert series is presented to a regular audience of 50-100 initiates. This is the first album of his work, played by US born Australian-Iranian pianist Amir Farid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a teenager in 1970 Chapman Smith began performing in AZ Music in Sydney with the recently returned Australian assistant to Cardew and Stockhausen, David Ahern, feeding new ideas into the local music scene, and fielding phoned-in performance instructions from La Monte Young for their improvisations at Brett Whiteley's gallery. After moving to Adelaide to study with Richard Meale, through the '80s and '90s Chapman Smith founded and co-helmed\u003cspan class=\"bcTruncateMore\"\u003e loosely Cageian composer-performer collectives. Since 1996 he has co-directed new music organisation The Firm, revelling in the poetic aesthetic of 19th Century German romanticism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 19th July 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T09:32:02+09:00","created_at":"2025-12-06T10:54:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","de la catessen","neo classical","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069275189498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raymond Chapman Smith \/\/ Nachschriften \/ Ländler CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887","\/\/tobirarecords.com\/cdn\/shop\/files\/nach2.jpg?v=1764985887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887","options":["Title"],"media":[{"alt":null,"id":37712434987258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887","width":700},{"alt":null,"id":37712435020026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach2.jpg?v=1764985887"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach2.jpg?v=1764985887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身オーストラリア在住のピアニストAmir Faridが、2023年7月にオーストラリア・アデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽38曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527219918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No. 1 A flat major, Moderato cantabile molto espressivo 01:01\u003cbr\u003e2. No. 2 F minor, Andante con moto 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. No. 3 D flat major, Allegretto grazioso 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. No. 4 B flat minor, Andante non troppo e con molto espressione 01:37\u003cbr\u003e\u003c\/span\u003e5. No. 5 G flat major, Molto adagio 01:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. No. 6 E flat minor, Andante, ma non troppo 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. No. 7 B major, Vivace 00:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. No. 8 G sharp minor, Andante cantabile, quasi allegretto 01:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. No. 9 E major, Allegro vivace 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. No. 10 C sharp minor, Quasi allegretto 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. No. 11 A major, Allegretto 00:50\u003cbr\u003e\u003c\/span\u003e12. No. 12 F sharp minor, Andantino 01:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. No. 13 D major, Lento assai, tranquillo e ritenuto 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. No. 14 D major, Andante cantabile 01:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. No. 15 B minor, Tranquillo 01:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. No. 16 G major, Andante amabile e con moto 01:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. No. 17 E minor, Allegro ma non troppo 00:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. No. 18 C major, Adagio molto semplice e cantabile 01:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e19. No. 19 A minor, Allegretto 00:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20. No. 20 F major, Vivace moderato 00:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e21. No. 21 D minor, Un poco agitato 00:49\u003cbr\u003e\u003c\/span\u003e22. No. 22 B flat major, Adagio sostenuto 02:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e23. No. 23 G minor, Molto passionato, ma non troppo allegro 00:45\u003cbr\u003e\u003c\/span\u003e24. No. 24 E flat major, Dolce ed intimo 01:27\u003cbr\u003e25. No. 25 C minor, Andante con moto 01:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e26. No. 26 A flat major, Allegretto moderato 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e27. No. 1 A major, Con tenerezza 01:50\u003cbr\u003e\u003c\/span\u003e28. No. 2 F sharp minor, Andantino 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29. No. 3 E major, Grazioso e giocoso 01:45\u003cbr\u003e\u003c\/span\u003e30. No. 4 C sharp minor, Andante moderato 02:29\u003cbr\u003e31. No. 5 D flat major, Allegretto, ma non troppo 01:14\u003cbr\u003e32. No. 6 B flat minor, Andante non troppo e con molto espressione 02:04\u003cbr\u003e33. No. 7 A flat major, Allegretto teneramente 01:46\u003cbr\u003e34. No. 8 F minor, un poco agitato 00:51\u003cbr\u003e35. No. 9 F major, Adagietto, molto lento e ritenuto 01:57\u003cbr\u003e36. No. 10 D minor, Vivace, molto grazioso 01:30\u003cbr\u003e37. No. 11 C major, Allegro con brio 00:45\u003cbr\u003e38. No. 12 A minor, Non presto 02:27\u003c\/p\u003e\n\u003cp\u003eExcerpt from De La Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs co-director of new music organisation The Firm, Raymond Chapman Smith has quietly presented over 130 concerts of new music. But his uncomplicated disinterest in recognition or recording means his music is rarely heard beyond the walls of Adelaide's Elder Hall, where The Firm's annual concert series is presented to a regular audience of 50-100 initiates. This is the first album of his work, played by US born Australian-Iranian pianist Amir Farid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a teenager in 1970 Chapman Smith began performing in AZ Music in Sydney with the recently returned Australian assistant to Cardew and Stockhausen, David Ahern, feeding new ideas into the local music scene, and fielding phoned-in performance instructions from La Monte Young for their improvisations at Brett Whiteley's gallery. After moving to Adelaide to study with Richard Meale, through the '80s and '90s Chapman Smith founded and co-helmed\u003cspan class=\"bcTruncateMore\"\u003e loosely Cageian composer-performer collectives. Since 1996 he has co-directed new music organisation The Firm, revelling in the poetic aesthetic of 19th Century German romanticism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 19th July 2023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身オーストラリア在住のピアニストAmir Faridが、2023年7月にオーストラリア・アデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。 室内楽38曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more De la Catessen releases...
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{"id":9021385081082,"title":"Chester Schultz \/\/ Sounds Like Work LP","handle":"chester-schultz-sounds-like-work-lp","description":"\u003cp\u003eオーストラリアの実験音楽家／学者Chester Schultzが、2024年8月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。（オリジナルは1974年リリース）\u003c\/p\u003e\n\u003cp\u003eタイトルの通り様々な労働環境にフォーカスしたフィールドレコーディング8曲を収録。ライナーノーツ、エッセイ、音響詩が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"南オーストラリアの作曲家／学者Chester Schultzによる、長年埋もれていたサウンドスケープ作品『Sounds Like Work』が、1978年のプライベートカセットリリース以来初めて、De la Catessen Recordsより公開される。1976年末にメイランズ・キリスト教会信徒の職場で録音された素材を基に、1978年初頭にアデレード大学電子音楽スタジオで編集された本作は、その洗練された知性的な構成と、Chester Schultzが探求する「労働環境」の意味という普遍的なテーマゆえに、奇妙なほど現代的な趣を帯びている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし音を通じてこれを表現することで、私たちの労働生活においてこれまで気づかれなかった、あるいは過小評価されてきた多くの事象が浮き彫りになる。Chester Schultzの作品は直接的な論争や政治的介入を驚くほど排しているが、職場が私たちに苦痛を与えつつも期待への順応を強いる仕組みに対する、微妙な批判の潮流が流れている。Chester Schultzが投げかける職場への問い――労働者に何をもたらすか、労働者が労働時間を掌握しようとする試み、仕事と内なる私生活・信念との整合性（あるいは不整合）――は、叙情的な編集、奇妙な並置、そして「あるがままに任せる」べき時を見極める確かな手腕を通じて、詩的に探求されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e ここには、音の社会文化的文脈には固有性と普遍性の両面があるという理解も存在する。ここで聴こえる声はオーストラリア以外ではありえないものだが、彼らが語る内容や周囲に満ちる日常の音は、ほぼどこでも起こりうるものだ。Schultzがサウンドスケープを通じて音の使用と理解にアプローチする手法は、主にR・マレー・シェイファーの著作と音源に触れた経験から生まれたものであり、『Sounds Like Work』には確かにシェイファーの思想の影響が聴き取れる。また、リュック・フェラーリの音響芸術の傑作『Presque Rien』など、他の大まかに類似した作品群を想起させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし何よりも、『Sounds Like Work』は衝撃的な作品であり、私たちが長年聞かされてきた南半球の前衛音響史を、繊細に描き直す試みなのである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=551682942\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003einsert featuring the original liner notes, sound-poem, and previously unreleased essay from 1978 \"Sounds Like Work: Reflections by the Composer\".\u003c\/span\u003e\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a symphony of work sounds, recorded at places of work around Adelaide, South Australia in November 1976. Conceived, recorded and arranged by Chester Schultz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sounds Like Work: 1 01:50\u003cbr\u003e2. Sounds Like Work: 2 04:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Sounds Like Work: 3 04:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sounds Like Work: 4 05:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sounds Like Work: 5 05:59\u003cbr\u003e\u003c\/span\u003e6. Sounds Like Work: 6 03:14\u003cbr\u003e7. Sounds Like Work: 7 07:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sounds Like Work: 8 04:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSounds Like Work, a long-lost soundscape composition by South Australian composer and scholar, Chester Schultz, is made available by De la Catessen Records, for the first time since its private cassette release in 1978. Drawing from material recorded in late 1976 in the workplaces of members of the Maylands Church of Christ congregation, subsequently edited at the electronic music studio of Adelaide University in early 1978, Sounds Like Work has an oddly contemporary cast, given both the sophistication and intelligence of its composition, and the ever-relevant address of the meanings of the ‘working environment’ that Schultz explores here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDoing this via sound, however, reveals plenty of previously unnoticed, or under-recognised, things about our lives at work. Schultz’s composition is refreshingly free of direct polemical or political intervention, though there is a subtle undercurrent of critique of the way the workplace makes us both suffer, and conform to expectation. Schultz’s questions about the workplace – what it does to the worker; the ways the worker tries to wrest control of the working day; work’s alignment, or not, with our inner private lives and beliefs – are poetically explored through lyrical editing, curious juxtaposition, and an unerring ability to know when to ‘leave\u003cspan class=\"bcTruncateMore\"\u003e things be’.\u003cbr\u003e\u003cbr\u003eThere’s also an understanding here that the socio-cultural context of sound has both its specificities and its generalities. The voices heard here could be from nowhere other than Australia, yet what they speak of, and the everyday sounds they’re surrounded by, could come from most anywhere. Schultz’s approach to the use and understanding of sound via the soundscape came predominantly from reading and listening to R. Murray Schafer, and you can certainly hear the implications of Schafer’s thinking in Sounds Like Work. It also recalls other, loosely analogous compositions, like Luc Ferrari’s acousmatic tour de force, Presque Rien.\u003cbr\u003e\u003cbr\u003eMost of all, though, Sounds Like Work is a startling composition, one which subtly redraws the histories we’ve long been told about Antipodean avant-garde sound.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th June 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-06T11:21:41+09:00","created_at":"2025-12-06T10:50:05+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","field recording","lp","monooto","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069268275450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chester Schultz \/\/ Sounds Like Work LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676","\/\/tobirarecords.com\/cdn\/shop\/files\/sou2_4f1e76a1-b349-403d-b1f2-b456bf0ec157.jpg?v=1764985676"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676","options":["Title"],"media":[{"alt":null,"id":37712406151418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_3b93bab4-48ed-450e-9087-2f157411634f.jpg?v=1764985676","width":700},{"alt":null,"id":37712406184186,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou2_4f1e76a1-b349-403d-b1f2-b456bf0ec157.jpg?v=1764985676"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou2_4f1e76a1-b349-403d-b1f2-b456bf0ec157.jpg?v=1764985676","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家／学者Chester Schultzが、2024年8月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。（オリジナルは1974年リリース）\u003c\/p\u003e\n\u003cp\u003eタイトルの通り様々な労働環境にフォーカスしたフィールドレコーディング8曲を収録。ライナーノーツ、エッセイ、音響詩が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"南オーストラリアの作曲家／学者Chester Schultzによる、長年埋もれていたサウンドスケープ作品『Sounds Like Work』が、1978年のプライベートカセットリリース以来初めて、De la Catessen Recordsより公開される。1976年末にメイランズ・キリスト教会信徒の職場で録音された素材を基に、1978年初頭にアデレード大学電子音楽スタジオで編集された本作は、その洗練された知性的な構成と、Chester Schultzが探求する「労働環境」の意味という普遍的なテーマゆえに、奇妙なほど現代的な趣を帯びている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし音を通じてこれを表現することで、私たちの労働生活においてこれまで気づかれなかった、あるいは過小評価されてきた多くの事象が浮き彫りになる。Chester Schultzの作品は直接的な論争や政治的介入を驚くほど排しているが、職場が私たちに苦痛を与えつつも期待への順応を強いる仕組みに対する、微妙な批判の潮流が流れている。Chester Schultzが投げかける職場への問い――労働者に何をもたらすか、労働者が労働時間を掌握しようとする試み、仕事と内なる私生活・信念との整合性（あるいは不整合）――は、叙情的な編集、奇妙な並置、そして「あるがままに任せる」べき時を見極める確かな手腕を通じて、詩的に探求されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e ここには、音の社会文化的文脈には固有性と普遍性の両面があるという理解も存在する。ここで聴こえる声はオーストラリア以外ではありえないものだが、彼らが語る内容や周囲に満ちる日常の音は、ほぼどこでも起こりうるものだ。Schultzがサウンドスケープを通じて音の使用と理解にアプローチする手法は、主にR・マレー・シェイファーの著作と音源に触れた経験から生まれたものであり、『Sounds Like Work』には確かにシェイファーの思想の影響が聴き取れる。また、リュック・フェラーリの音響芸術の傑作『Presque Rien』など、他の大まかに類似した作品群を想起させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし何よりも、『Sounds Like Work』は衝撃的な作品であり、私たちが長年聞かされてきた南半球の前衛音響史を、繊細に描き直す試みなのである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=551682942\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003einsert featuring the original liner notes, sound-poem, and previously unreleased essay from 1978 \"Sounds Like Work: Reflections by the Composer\".\u003c\/span\u003e\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a symphony of work sounds, recorded at places of work around Adelaide, South Australia in November 1976. Conceived, recorded and arranged by Chester Schultz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sounds Like Work: 1 01:50\u003cbr\u003e2. Sounds Like Work: 2 04:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Sounds Like Work: 3 04:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sounds Like Work: 4 05:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Sounds Like Work: 5 05:59\u003cbr\u003e\u003c\/span\u003e6. Sounds Like Work: 6 03:14\u003cbr\u003e7. Sounds Like Work: 7 07:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sounds Like Work: 8 04:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSounds Like Work, a long-lost soundscape composition by South Australian composer and scholar, Chester Schultz, is made available by De la Catessen Records, for the first time since its private cassette release in 1978. Drawing from material recorded in late 1976 in the workplaces of members of the Maylands Church of Christ congregation, subsequently edited at the electronic music studio of Adelaide University in early 1978, Sounds Like Work has an oddly contemporary cast, given both the sophistication and intelligence of its composition, and the ever-relevant address of the meanings of the ‘working environment’ that Schultz explores here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDoing this via sound, however, reveals plenty of previously unnoticed, or under-recognised, things about our lives at work. Schultz’s composition is refreshingly free of direct polemical or political intervention, though there is a subtle undercurrent of critique of the way the workplace makes us both suffer, and conform to expectation. Schultz’s questions about the workplace – what it does to the worker; the ways the worker tries to wrest control of the working day; work’s alignment, or not, with our inner private lives and beliefs – are poetically explored through lyrical editing, curious juxtaposition, and an unerring ability to know when to ‘leave\u003cspan class=\"bcTruncateMore\"\u003e things be’.\u003cbr\u003e\u003cbr\u003eThere’s also an understanding here that the socio-cultural context of sound has both its specificities and its generalities. The voices heard here could be from nowhere other than Australia, yet what they speak of, and the everyday sounds they’re surrounded by, could come from most anywhere. Schultz’s approach to the use and understanding of sound via the soundscape came predominantly from reading and listening to R. Murray Schafer, and you can certainly hear the implications of Schafer’s thinking in Sounds Like Work. It also recalls other, loosely analogous compositions, like Luc Ferrari’s acousmatic tour de force, Presque Rien.\u003cbr\u003e\u003cbr\u003eMost of all, though, Sounds Like Work is a startling composition, one which subtly redraws the histories we’ve long been told about Antipodean avant-garde sound.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chester Schultz\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th June 2024\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの実験音楽家／学者Chester Schultzが、2024年8月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。（オリジナルは1974年リリース） タイトルの通り様々な労働環境にフォーカスしたフィールドレコーディング8曲を収録。ライナーノーツ、エッセイ、音響詩が付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "南オーストラリアの作曲家／学者Chester Schultzによる、長年埋もれていたサウンドスケープ作品『Sounds Like Work』が、1978年のプライベートカセットリリース以来初めて、De la Catessen Recordsより公開される。1976年末にメイランズ・キリスト教会信徒の職場で録音された素材を基に、1978年初頭にアデレード大学電子音楽スタジオで編集された本作は、その洗練された知性的な構成と、Chester...
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{"id":9021382754554,"title":"Benaud Trio \/\/ Oblivion CD","handle":"benaud-trio-oblivion-cd","description":"\u003cp\u003eオーストラリアのネオクラシカルトリオBenaud Trioが、2025年7月にアデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル8曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3080694142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. En Aranjuez con tu Amor (Rodrigo, arr. Buc) 01:19\u003cbr\u003e2. Spain (Corea, arr. Buc) 02:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Closer (Isaacs) 07:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Cuatro Estaciones Porteñas: Verano Porteño (Piazzolla, arr. Bragato) 07:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Cuatro Estaciones Porteñas: Otoño Porteño (Piazzolla, arr. Bragato) 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Cuatro Estaciones Porteñas: Invierno Porteño (Piazzolla, arr. Bragato) 06:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Cuatro Estaciones Porteñas: Primavera Porteña (Piazzolla, arr. Bragato) 04:44\u003cbr\u003e\u003c\/span\u003e8. Oblivion (Piazzolla, arr. Bragato) 04:13\u003c\/p\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFusion is such an evocative word. Most immediately it might recall the collision of acoustic jazz with the new electronic instruments of the 1970s and the exciting style it created. But more broadly, fusion describes the unifying creativity that occurs when contrasting musical styles rub against each other. The music on this album embraces both these concepts. It sparks and smoulders with the contact of jazz, classical, and tango music, sometimes feistily, sometimes sensually, sometimes with passionate longing and nostalgia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe soulfulness of Joaquín Rodrigo's Concierto de Aranjuez was so irresistible to Chick Corea that he lifted the iconic second movement melody to introduce his most famous tune, 'Spain: Chick replaced the solo cor anglais with a Fender Rhodes electric piano, but in Benaud Trio's version, that statement is carried by the most charismatic of all instruments, the cello. The fast and funky samba that follows has everything there is to love about jazz fusion. This energetic arrangement by Nicholas Buc has all the dancing, sunburn and laughter of a Spanish beachside holiday.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTaking the concept of fusion in an entirely different direction, Jacques Loussier captivated music lovers around the world in the 1970s with his jazz reinventions of classical masterpieces\u003cspan class=\"bcTruncateMore\"\u003e. Australian composer Mark Isaacs has since proved that it can go both ways, reverse engineering his tune 'Closer' from jazz quintet to classical piano trio. The sensibilities and vocabularies of late 20th century smooth jazz coalesce beautifully with those of late 19th century chamber music, sharing both melodic lyricism and warm chromatic harmony. This new classical setting brings a beauty and intimacy to the music and the notated approach allows for scored duets in the string parts that play as if improvised together.\u003cbr\u003e\u003cbr\u003ePerhaps the quintessential fusion composer, Astor Piazzolla managed to upset both the classical conservatives and the tango traditionalists with his tango nuevo style. But he won the hearts of music lovers the world over by blending the traditional Argentinian tango with the jazz he experienced in New York and the classical training he received from composers Alberto Ginastera and Nadia Boulanger. The Four Seasons of Buenos Aires are among his best music. While Vivaldi's famous seasonal works are picturesque and evocative, Piazzolla's are a personal and gritty tribute to the porteños (or port people) of his hometown. Each season is characterised with drama and beauty in equal measure. These classic arrangements are by José Bragato, one of Piazzolla's closest musical collaborators. The title track Oblivion has far outgrown its origins as film underscore to become Piazzolla's most loved melody. The slow tempo and swaying milonga rhythm are melancholic but intoxicating, leaving the listener staring nostalgically into nothing... into oblivion.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC 022CD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 11th July 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T09:26:12+09:00","created_at":"2025-12-06T10:41:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","neo classical","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069259821306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Benaud Trio \/\/ Oblivion CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_21a4e436-cd33-4765-b999-523086035787.jpg?v=1764985201","\/\/tobirarecords.com\/cdn\/shop\/files\/ob2_5d7feb67-b87d-43b2-a671-3bc873de69f5.jpg?v=1764985200"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_21a4e436-cd33-4765-b999-523086035787.jpg?v=1764985201","options":["Title"],"media":[{"alt":null,"id":37712365945082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_21a4e436-cd33-4765-b999-523086035787.jpg?v=1764985201"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob1_21a4e436-cd33-4765-b999-523086035787.jpg?v=1764985201","width":700},{"alt":null,"id":37712365977850,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob2_5d7feb67-b87d-43b2-a671-3bc873de69f5.jpg?v=1764985200"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ob2_5d7feb67-b87d-43b2-a671-3bc873de69f5.jpg?v=1764985200","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのネオクラシカルトリオBenaud Trioが、2025年7月にアデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル8曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3080694142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. En Aranjuez con tu Amor (Rodrigo, arr. Buc) 01:19\u003cbr\u003e2. Spain (Corea, arr. Buc) 02:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Closer (Isaacs) 07:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Cuatro Estaciones Porteñas: Verano Porteño (Piazzolla, arr. Bragato) 07:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Cuatro Estaciones Porteñas: Otoño Porteño (Piazzolla, arr. Bragato) 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Cuatro Estaciones Porteñas: Invierno Porteño (Piazzolla, arr. Bragato) 06:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Cuatro Estaciones Porteñas: Primavera Porteña (Piazzolla, arr. Bragato) 04:44\u003cbr\u003e\u003c\/span\u003e8. Oblivion (Piazzolla, arr. Bragato) 04:13\u003c\/p\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFusion is such an evocative word. Most immediately it might recall the collision of acoustic jazz with the new electronic instruments of the 1970s and the exciting style it created. But more broadly, fusion describes the unifying creativity that occurs when contrasting musical styles rub against each other. The music on this album embraces both these concepts. It sparks and smoulders with the contact of jazz, classical, and tango music, sometimes feistily, sometimes sensually, sometimes with passionate longing and nostalgia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe soulfulness of Joaquín Rodrigo's Concierto de Aranjuez was so irresistible to Chick Corea that he lifted the iconic second movement melody to introduce his most famous tune, 'Spain: Chick replaced the solo cor anglais with a Fender Rhodes electric piano, but in Benaud Trio's version, that statement is carried by the most charismatic of all instruments, the cello. The fast and funky samba that follows has everything there is to love about jazz fusion. This energetic arrangement by Nicholas Buc has all the dancing, sunburn and laughter of a Spanish beachside holiday.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTaking the concept of fusion in an entirely different direction, Jacques Loussier captivated music lovers around the world in the 1970s with his jazz reinventions of classical masterpieces\u003cspan class=\"bcTruncateMore\"\u003e. Australian composer Mark Isaacs has since proved that it can go both ways, reverse engineering his tune 'Closer' from jazz quintet to classical piano trio. The sensibilities and vocabularies of late 20th century smooth jazz coalesce beautifully with those of late 19th century chamber music, sharing both melodic lyricism and warm chromatic harmony. This new classical setting brings a beauty and intimacy to the music and the notated approach allows for scored duets in the string parts that play as if improvised together.\u003cbr\u003e\u003cbr\u003ePerhaps the quintessential fusion composer, Astor Piazzolla managed to upset both the classical conservatives and the tango traditionalists with his tango nuevo style. But he won the hearts of music lovers the world over by blending the traditional Argentinian tango with the jazz he experienced in New York and the classical training he received from composers Alberto Ginastera and Nadia Boulanger. The Four Seasons of Buenos Aires are among his best music. While Vivaldi's famous seasonal works are picturesque and evocative, Piazzolla's are a personal and gritty tribute to the porteños (or port people) of his hometown. Each season is characterised with drama and beauty in equal measure. These classic arrangements are by José Bragato, one of Piazzolla's closest musical collaborators. The title track Oblivion has far outgrown its origins as film underscore to become Piazzolla's most loved melody. The slow tempo and swaying milonga rhythm are melancholic but intoxicating, leaving the listener staring nostalgically into nothing... into oblivion.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC 022CD\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 11th July 2025\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのネオクラシカルトリオBenaud Trioが、2025年7月にアデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。 ネオクラシカル8曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more de la Catessen releases available...
¥1,980
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{"id":9017164300538,"title":"Tristan Louth-Robins \/\/ Borrowed Out Of Time LP","handle":"tristan-louth-robins-borrowed-out-of-time-lp","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Tristan Louth-Robinsが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054770455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Conjuring 03:04\u003cbr\u003e2. Memento Trails 14:31\u003cbr\u003e3. Sunken Lodestone 14:40\u003cbr\u003e4. Eternal Exposure 04:04\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Jon Dale, via the label\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003eTristan is one of those consistent presences within Adelaide’s network of experimental musicians, sound artists, and general refuseniks. I remember him always being around, but at a remove from the circles I was in, and he seemed, at the time, aligned more with sound art and conservatorium practices, though that was a reductive understanding of the complexity of Tristan’s thinking, even two decades ago. It’s been lovely to catch up with his music on Borrowed Out Of Time and get to grips with both the eloquence of the compositional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approaches he’s arrived at here, and the sensitivity of his listening and recording; even in MP3 form, this is a lovely record to listen to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album itself started with Tristan’s use of remote acoustic recorders. Deploying them to a reef at low tide, near his hometown in Normanville, he found himself empathising with these lonely, passive technological presences: “It was the first time I could remember a profound pang of something for what the technology was experiencing, sensing and ‘feeling'.” A loosely contemporaneous encounter with James Bridie’s Ways Of Being and the concept of unwelt (“the way non-human things sense and experience the world around them”), plus a commission for an installation work for Adelaide Festival’s Neoterica, nudged Tristan further in the album’s direction, thinking through ideas of the uncanny\/unheimlich and interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf that material, plus other recordings sourced from those acoustic recorders, proffers the groundwork for Borrowed Out Of Time, Tristan’s embellishments and extrapolations in his home studio bring other voices to bear – a Tama acoustic guitar; tape hiss; digital noise; cymbals; fence wire; ring modulation; yet more – producing a suite of four works that strike as gently poignant, even as they deal with source material that is sometimes disembodied, denaturalised, or rendered adrift through processes of compositional dislocation. Reflecting on his ways of making, Tristan mentions, “A lot of my compositional process nowadays errs on the side of being very tactile,” and you can definitely hear that in Borrowed Out Of Time, alongside a spatialised dimension to the material that is maybe drawn from other studio practices – “I frequently spread sounds out in the space using many loudspeakers of different sizes, so I can move these around and treat them by covering them with bowls, turning them upside down, or placing them under or within resonant vessels.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout, I hear a cussed curiosity and a sharpness in attention, coupled with a compositional ear that’s hitherto been mostly implied; now, though, Tristan’s music has achieved an easeful poetics that has no need to ask you to be enamoured of it. It’s simply there, smartly designed, inviting even at its most austere, ready to welcome you to its world, on its own terms, but with warmth and understated wit.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tristan Louth-Robins\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : DLC017\u003c\/p\u003e","published_at":"2025-12-01T12:08:52+09:00","created_at":"2025-12-01T12:07:16+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","drone","lp","monooto","new"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48048813768954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tristan Louth-Robins \/\/ Borrowed Out Of Time LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_e539fa8a-25d0-497a-9d0b-d334925ea08c.jpg?v=1747627961"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961","options":["Title"],"media":[{"alt":null,"id":36052063158522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_1b418853-4a23-44f6-b32e-a9cad81c21da.jpg?v=1747627961","width":700},{"alt":null,"id":36052063191290,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_e539fa8a-25d0-497a-9d0b-d334925ea08c.jpg?v=1747627961"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_e539fa8a-25d0-497a-9d0b-d334925ea08c.jpg?v=1747627961","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Tristan Louth-Robinsが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054770455\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Conjuring 03:04\u003cbr\u003e2. Memento Trails 14:31\u003cbr\u003e3. Sunken Lodestone 14:40\u003cbr\u003e4. Eternal Exposure 04:04\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Jon Dale, via the label\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003eTristan is one of those consistent presences within Adelaide’s network of experimental musicians, sound artists, and general refuseniks. I remember him always being around, but at a remove from the circles I was in, and he seemed, at the time, aligned more with sound art and conservatorium practices, though that was a reductive understanding of the complexity of Tristan’s thinking, even two decades ago. It’s been lovely to catch up with his music on Borrowed Out Of Time and get to grips with both the eloquence of the compositional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approaches he’s arrived at here, and the sensitivity of his listening and recording; even in MP3 form, this is a lovely record to listen to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album itself started with Tristan’s use of remote acoustic recorders. Deploying them to a reef at low tide, near his hometown in Normanville, he found himself empathising with these lonely, passive technological presences: “It was the first time I could remember a profound pang of something for what the technology was experiencing, sensing and ‘feeling'.” A loosely contemporaneous encounter with James Bridie’s Ways Of Being and the concept of unwelt (“the way non-human things sense and experience the world around them”), plus a commission for an installation work for Adelaide Festival’s Neoterica, nudged Tristan further in the album’s direction, thinking through ideas of the uncanny\/unheimlich and interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf that material, plus other recordings sourced from those acoustic recorders, proffers the groundwork for Borrowed Out Of Time, Tristan’s embellishments and extrapolations in his home studio bring other voices to bear – a Tama acoustic guitar; tape hiss; digital noise; cymbals; fence wire; ring modulation; yet more – producing a suite of four works that strike as gently poignant, even as they deal with source material that is sometimes disembodied, denaturalised, or rendered adrift through processes of compositional dislocation. Reflecting on his ways of making, Tristan mentions, “A lot of my compositional process nowadays errs on the side of being very tactile,” and you can definitely hear that in Borrowed Out Of Time, alongside a spatialised dimension to the material that is maybe drawn from other studio practices – “I frequently spread sounds out in the space using many loudspeakers of different sizes, so I can move these around and treat them by covering them with bowls, turning them upside down, or placing them under or within resonant vessels.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout, I hear a cussed curiosity and a sharpness in attention, coupled with a compositional ear that’s hitherto been mostly implied; now, though, Tristan’s music has achieved an easeful poetics that has no need to ask you to be enamoured of it. It’s simply there, smartly designed, inviting even at its most austere, ready to welcome you to its world, on its own terms, but with warmth and understated wit.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tristan Louth-Robins\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : DLC017\u003c\/p\u003e"}
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オーストラリア・アデレイドの実験音楽家Tristan Louth-Robinsが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたレコードです。 物音ドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more de la Catessen releases available...
¥3,990
クイックビュー
{"id":8960646775034,"title":"Pascoe \u0026 Martin \/\/ Here Comes Everything 18xCD BOX SET","handle":"pascoe-martin-here-comes-everything-18xcd-box-set","description":"\u003cp\u003eオーストラリアのジャズ作家Derek PascoeとChris Martinが、2025年7月に同国de la Catessenからリリースした18枚組CD BOX SETです。\u003c\/p\u003e\n\u003cp\u003eインプロ18曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=247617467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e18 x CD box set contains CDs in separate cardstock sleeves + 16 page booklet.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Telemachus 42:49\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Nestor 50:45\u003cbr\u003e\u003c\/span\u003e3. Proteus 41:19\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Calypso 49:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. The Lotus Eaters 55:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hades 43:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Aeolus 57:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Lestrygonians 51:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Scylla and Charybdis 41:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Wandering Rocks 51:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Sirens 49:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Cyclops 56:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Nausicaa 38:45\u003cbr\u003e\u003c\/span\u003e14. Oxen of the Sun 48:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Circe 01:01:35\u003cbr\u003e\u003c\/span\u003e16. Eumaeus 01:02:36\u003cbr\u003e17. Ithaca 01:06:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. Penelope 54:36\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDe la Catessen Records triumphantly presents Here Comes Everything, a monumental 18CD box set marking the long-overdue recording debut of duo Pascoe \u0026amp; Martin. This is De la Catessen's most lavish production to date in its ongoing commitment to unearthing, documenting, and illuminating experimental music from Port Adelaide, Australia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe world of Here Comes Everything is rich, playful, and virtuosic. In its limitless variety it invokes a day-long perspective – and what a glorious day - of quotidian experiences, from the wondrous to the mundane. Here Comes Everything is sublime in its reverence of detail; awesome in its cumulative flood of experience; revelatory in its many extemporary dialogues both whispered and roared.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of the 18 parts of this Here Comes Everything is a single long improvisation, named after one of the 18 chapters of Ulysses. James Joyce's schema for Ulysses – an 18-row chart he devised to help his friends navigate the labyrinth of each chapter's themes and references - is the structure on which Pascoe \u0026amp; Martin's far-reaching musical epic is based.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHere Comes Everything is the saga of two contradictory musical characters in their search for meaning and for each\u003cspan class=\"bcTruncateMore\"\u003e other. Chris Martin's piano is elevated, ravishing, and rapturous. Derek Pascoe's cabbalistic saxophone is sensual and profane. Pascoe and Martin's journey in Here Comes Everything is akin to that of Bloom and Dedalus in Ulysses, where the fundamental inspiration for Here Comes Everything can be found.\u003cbr\u003e\u003cbr\u003ePascoe \u0026amp; Martin have been honing their craft as a long-form improvising duo for 25 years. Since 2000 their public performances have been unmissable events. Pascoe \u0026amp; Martin continue to challenge and contradict each other in their open-ended Socratic dialogue. Years in the making, yet entirely and thrillingly in the moment, De la Catessen Records presents Here Comes Everything in an edition of just 300 copies. Lavishly illustrated by Michael Hocking with drawings taken from life during 18 recording sessions, Here Comes Everything is not to be missed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pascoe \u0026amp; Martin\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no: DLC020\u003c\/p\u003e","published_at":"2025-11-21T09:50:40+09:00","created_at":"2025-10-19T12:38:51+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","jazz","new"],"price":1980000,"price_min":1980000,"price_max":1980000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47838901207290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pascoe \u0026 Martin \/\/ Here Comes Everything 18xCD BOX SET","public_title":null,"options":["Default Title"],"price":1980000,"weight":700,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_70a498f6-3d9f-473f-9c55-e33af675ec58.jpg?v=1760844973","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_1879f68d-8f9d-4141-82c9-da84f099bd4f.jpg?v=1760844973","\/\/tobirarecords.com\/cdn\/shop\/files\/com3_2ec49ac0-8a67-46b1-8277-1e1dc48489c7.jpg?v=1760844973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_70a498f6-3d9f-473f-9c55-e33af675ec58.jpg?v=1760844973","options":["Title"],"media":[{"alt":null,"id":37151844237562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_70a498f6-3d9f-473f-9c55-e33af675ec58.jpg?v=1760844973"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_70a498f6-3d9f-473f-9c55-e33af675ec58.jpg?v=1760844973","width":700},{"alt":null,"id":37151844270330,"position":2,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_1879f68d-8f9d-4141-82c9-da84f099bd4f.jpg?v=1760844973"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_1879f68d-8f9d-4141-82c9-da84f099bd4f.jpg?v=1760844973","width":1200},{"alt":null,"id":37151844303098,"position":3,"preview_image":{"aspect_ratio":1.97,"height":609,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com3_2ec49ac0-8a67-46b1-8277-1e1dc48489c7.jpg?v=1760844973"},"aspect_ratio":1.97,"height":609,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com3_2ec49ac0-8a67-46b1-8277-1e1dc48489c7.jpg?v=1760844973","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのジャズ作家Derek PascoeとChris Martinが、2025年7月に同国de la Catessenからリリースした18枚組CD BOX SETです。\u003c\/p\u003e\n\u003cp\u003eインプロ18曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=247617467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e18 x CD box set contains CDs in separate cardstock sleeves + 16 page booklet.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Telemachus 42:49\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Nestor 50:45\u003cbr\u003e\u003c\/span\u003e3. Proteus 41:19\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Calypso 49:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. The Lotus Eaters 55:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hades 43:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Aeolus 57:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Lestrygonians 51:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Scylla and Charybdis 41:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Wandering Rocks 51:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Sirens 49:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Cyclops 56:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Nausicaa 38:45\u003cbr\u003e\u003c\/span\u003e14. Oxen of the Sun 48:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Circe 01:01:35\u003cbr\u003e\u003c\/span\u003e16. Eumaeus 01:02:36\u003cbr\u003e17. Ithaca 01:06:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. Penelope 54:36\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDe la Catessen Records triumphantly presents Here Comes Everything, a monumental 18CD box set marking the long-overdue recording debut of duo Pascoe \u0026amp; Martin. This is De la Catessen's most lavish production to date in its ongoing commitment to unearthing, documenting, and illuminating experimental music from Port Adelaide, Australia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe world of Here Comes Everything is rich, playful, and virtuosic. In its limitless variety it invokes a day-long perspective – and what a glorious day - of quotidian experiences, from the wondrous to the mundane. Here Comes Everything is sublime in its reverence of detail; awesome in its cumulative flood of experience; revelatory in its many extemporary dialogues both whispered and roared.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of the 18 parts of this Here Comes Everything is a single long improvisation, named after one of the 18 chapters of Ulysses. James Joyce's schema for Ulysses – an 18-row chart he devised to help his friends navigate the labyrinth of each chapter's themes and references - is the structure on which Pascoe \u0026amp; Martin's far-reaching musical epic is based.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHere Comes Everything is the saga of two contradictory musical characters in their search for meaning and for each\u003cspan class=\"bcTruncateMore\"\u003e other. Chris Martin's piano is elevated, ravishing, and rapturous. Derek Pascoe's cabbalistic saxophone is sensual and profane. Pascoe and Martin's journey in Here Comes Everything is akin to that of Bloom and Dedalus in Ulysses, where the fundamental inspiration for Here Comes Everything can be found.\u003cbr\u003e\u003cbr\u003ePascoe \u0026amp; Martin have been honing their craft as a long-form improvising duo for 25 years. Since 2000 their public performances have been unmissable events. Pascoe \u0026amp; Martin continue to challenge and contradict each other in their open-ended Socratic dialogue. Years in the making, yet entirely and thrillingly in the moment, De la Catessen Records presents Here Comes Everything in an edition of just 300 copies. Lavishly illustrated by Michael Hocking with drawings taken from life during 18 recording sessions, Here Comes Everything is not to be missed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pascoe \u0026amp; Martin\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no: DLC020\u003c\/p\u003e"}
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オーストラリアのジャズ作家Derek PascoeとChris Martinが、2025年7月に同国de la Catessenからリリースした18枚組CD BOX SETです。 インプロ18曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more de la...
¥19,800
クイックビュー
{"id":8127698501882,"title":"Leitmotiv Limbo \/\/ Spiritual Disturbance CD \/ TAPE","handle":"leitmotiv-limbo-spiritual-disturbance-cd-tape","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2022年3月にde la Catessenからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン〜ポストインダストリアル・ストレンジビーツ13曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2542559625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as CD or TAPE. \u003cbr\u003eCD edition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1. Introduction on Entry 02:08\u003c\/li\u003e\n\u003cli\u003eA2. Ancestral Memories 07:48\u003c\/li\u003e\n\u003cli\u003eA3. Submersive 03:09\u003c\/li\u003e\n\u003cli\u003eA4. Troupe of Troops 05:05\u003c\/li\u003e\n\u003cli\u003eA5. Spiritual Disturbance 02:51\u003c\/li\u003e\n\u003cli\u003eA6. Rattle Without Roll 04:54\u003c\/li\u003e\n\u003cli\u003eB1. Indiscrete Exit 02:09\u003c\/li\u003e\n\u003cli\u003eB2. Another Folk Marched In 03:12\u003c\/li\u003e\n\u003cli\u003eB3. Two Note Gypsy Begging Tune For Two Notes 04:18\u003c\/li\u003e\n\u003cli\u003eB4. Ancestral Memory Fragment 02:37\u003c\/li\u003e\n\u003cli\u003eB5. Scraping With Nails 07:03\u003c\/li\u003e\n\u003cli\u003eB6. Folk Saunter \/ Waving \/ Killing Meditation Folk 06:22\u003c\/li\u003e\n\u003cli\u003eB7. Cat Calling 02:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDe la Catessen Records presents Spiritual Disturbance, from Elijah Värttö's project Leitmotiv Limbo. Currently based in Port Adelaide, Australia, Leitmotiv Limbo has developed, slowly but surely, over the past few decades, through international travel and relocation, including 5 years in Estonia (2008-2012), where Värttö set up the Servataguse Muusika concert series. Spiritual Disturbance was recorded in 2020 and released privately as a small run of recycled cassettes - this CD version is the first widely available Leitmotiv Limbo release since their 2018 split cassette with RNPno2 on Finnish label Hyster Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCentral to the Leitmotiv Limbo ethos are Värttö’s self-made instruments, built from discarded, repurposed, and found objects, such as loose springs and other metallic implements. Affixed to wood sourced from a disused and dismantled piano frame, their deep resonance, both percussive and timbral, positions Värttö’s approach within a trajectory of instrument builders \/ creators – you can hear echoes of the music of artists like Z’ev, Hal Rammel, and Rod Cooper in the shattered textures and industrial drones of tracks like “Submersive”, for example. There’s also a tactility to the performances here, a haptic resonance, and a strange\u003cspan class=\"bcTruncateMore\"\u003e, viscous sensuality to the material.\u003cbr\u003e\u003cbr\u003eVärttö recorded Spiritual Disturbance in a church hall in Adelaide, on a four-track, using room mics and direct line input, and it’s made up largely of one-take performances on Värttö’s self-made instruments, with minimal intervention, at times, from analogue filters and a drum synth. The combination of the evacuated tonalities of the instruments, plus the cavernous reverb of the recording space, gives Spiritual Disturbance a distinctly ritualistic sensibility; poetic and primitive, but eloquent in its exploration. It also brings to mind mysterious projects like Organum, Morphogenesis, Metgumbnerbone, perhaps even an acoustic Voice Crack, where conceptual rigour meets unpredictability via real-time improvisation.\u003cbr\u003e\u003cbr\u003eSpectral and haunted, Leitmotiv Limbo’s Spiritual Disturbance is a compelling collection of oneiric expression, and an eloquent articulation of a unique, invented universe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2024-01-04T07:49:39+09:00","created_at":"2024-01-04T07:49:07+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","drone","monooto","noise","strange beats","tape"],"price":178000,"price_min":178000,"price_max":198000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44955638497530,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":{"id":40261814845690,"product_id":8127698501882,"position":2,"created_at":"2024-01-04T07:49:13+09:00","updated_at":"2024-01-04T07:49:13+09:00","alt":null,"width":1200,"height":855,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_903d85d6-4745-4651-873e-636f07a91381.jpg?v=1704322153","variant_ids":[44955638497530]},"available":true,"name":"Leitmotiv Limbo \/\/ Spiritual Disturbance CD \/ TAPE - CD","public_title":"CD","options":["CD"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32923492286714,"position":2,"preview_image":{"aspect_ratio":1.404,"height":855,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_903d85d6-4745-4651-873e-636f07a91381.jpg?v=1704322153"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44955638530298,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":{"id":40261814878458,"product_id":8127698501882,"position":3,"created_at":"2024-01-04T07:49:13+09:00","updated_at":"2024-01-04T07:49:13+09:00","alt":null,"width":1200,"height":732,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3_9f321dcb-8dfa-4046-bdc6-ac04f9eb2f8e.jpg?v=1704322153","variant_ids":[44955638530298]},"available":false,"name":"Leitmotiv Limbo \/\/ Spiritual Disturbance CD \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32923492319482,"position":3,"preview_image":{"aspect_ratio":1.639,"height":732,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3_9f321dcb-8dfa-4046-bdc6-ac04f9eb2f8e.jpg?v=1704322153"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_512bdf49-8a0e-407c-a884-5f491317572f.jpg?v=1704322153","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_903d85d6-4745-4651-873e-636f07a91381.jpg?v=1704322153","\/\/tobirarecords.com\/cdn\/shop\/files\/le3_9f321dcb-8dfa-4046-bdc6-ac04f9eb2f8e.jpg?v=1704322153"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_512bdf49-8a0e-407c-a884-5f491317572f.jpg?v=1704322153","options":["Format"],"media":[{"alt":null,"id":32923492253946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_512bdf49-8a0e-407c-a884-5f491317572f.jpg?v=1704322153"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_512bdf49-8a0e-407c-a884-5f491317572f.jpg?v=1704322153","width":700},{"alt":null,"id":32923492286714,"position":2,"preview_image":{"aspect_ratio":1.404,"height":855,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_903d85d6-4745-4651-873e-636f07a91381.jpg?v=1704322153"},"aspect_ratio":1.404,"height":855,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_903d85d6-4745-4651-873e-636f07a91381.jpg?v=1704322153","width":1200},{"alt":null,"id":32923492319482,"position":3,"preview_image":{"aspect_ratio":1.639,"height":732,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3_9f321dcb-8dfa-4046-bdc6-ac04f9eb2f8e.jpg?v=1704322153"},"aspect_ratio":1.639,"height":732,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3_9f321dcb-8dfa-4046-bdc6-ac04f9eb2f8e.jpg?v=1704322153","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2022年3月にde la Catessenからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン〜ポストインダストリアル・ストレンジビーツ13曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2542559625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as CD or TAPE. \u003cbr\u003eCD edition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1. Introduction on Entry 02:08\u003c\/li\u003e\n\u003cli\u003eA2. Ancestral Memories 07:48\u003c\/li\u003e\n\u003cli\u003eA3. Submersive 03:09\u003c\/li\u003e\n\u003cli\u003eA4. Troupe of Troops 05:05\u003c\/li\u003e\n\u003cli\u003eA5. Spiritual Disturbance 02:51\u003c\/li\u003e\n\u003cli\u003eA6. Rattle Without Roll 04:54\u003c\/li\u003e\n\u003cli\u003eB1. Indiscrete Exit 02:09\u003c\/li\u003e\n\u003cli\u003eB2. Another Folk Marched In 03:12\u003c\/li\u003e\n\u003cli\u003eB3. Two Note Gypsy Begging Tune For Two Notes 04:18\u003c\/li\u003e\n\u003cli\u003eB4. Ancestral Memory Fragment 02:37\u003c\/li\u003e\n\u003cli\u003eB5. Scraping With Nails 07:03\u003c\/li\u003e\n\u003cli\u003eB6. Folk Saunter \/ Waving \/ Killing Meditation Folk 06:22\u003c\/li\u003e\n\u003cli\u003eB7. Cat Calling 02:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDe la Catessen Records presents Spiritual Disturbance, from Elijah Värttö's project Leitmotiv Limbo. Currently based in Port Adelaide, Australia, Leitmotiv Limbo has developed, slowly but surely, over the past few decades, through international travel and relocation, including 5 years in Estonia (2008-2012), where Värttö set up the Servataguse Muusika concert series. Spiritual Disturbance was recorded in 2020 and released privately as a small run of recycled cassettes - this CD version is the first widely available Leitmotiv Limbo release since their 2018 split cassette with RNPno2 on Finnish label Hyster Tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCentral to the Leitmotiv Limbo ethos are Värttö’s self-made instruments, built from discarded, repurposed, and found objects, such as loose springs and other metallic implements. Affixed to wood sourced from a disused and dismantled piano frame, their deep resonance, both percussive and timbral, positions Värttö’s approach within a trajectory of instrument builders \/ creators – you can hear echoes of the music of artists like Z’ev, Hal Rammel, and Rod Cooper in the shattered textures and industrial drones of tracks like “Submersive”, for example. There’s also a tactility to the performances here, a haptic resonance, and a strange\u003cspan class=\"bcTruncateMore\"\u003e, viscous sensuality to the material.\u003cbr\u003e\u003cbr\u003eVärttö recorded Spiritual Disturbance in a church hall in Adelaide, on a four-track, using room mics and direct line input, and it’s made up largely of one-take performances on Värttö’s self-made instruments, with minimal intervention, at times, from analogue filters and a drum synth. The combination of the evacuated tonalities of the instruments, plus the cavernous reverb of the recording space, gives Spiritual Disturbance a distinctly ritualistic sensibility; poetic and primitive, but eloquent in its exploration. It also brings to mind mysterious projects like Organum, Morphogenesis, Metgumbnerbone, perhaps even an acoustic Voice Crack, where conceptual rigour meets unpredictability via real-time improvisation.\u003cbr\u003e\u003cbr\u003eSpectral and haunted, Leitmotiv Limbo’s Spiritual Disturbance is a compelling collection of oneiric expression, and an eloquent articulation of a unique, invented universe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}
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オーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2022年3月にde la Catessenからリリースしたアルバムです。 物音ドローン〜ポストインダストリアル・ストレンジビーツ13曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more de la Catessen releases available...
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{"id":8002349498618,"title":"Leitmotiv Limbo \/\/ Superior State LP","handle":"leitmotiv-limbo-superior-state-lp","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2023年9月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパルスとリズムに焦点を当てた、フロア棒立ち系マイクロスコピック・物音テクノ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1928580878\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweeping an Arc 02:53\u003c\/li\u003e\n\u003cli\u003eBirds and Beasts 04:42\u003c\/li\u003e\n\u003cli\u003eParading Brutality 03:56\u003c\/li\u003e\n\u003cli\u003eRelative Peace 02:30\u003c\/li\u003e\n\u003cli\u003eCarving Itself 02:57\u003c\/li\u003e\n\u003cli\u003eState of Trance 02:02\u003c\/li\u003e\n\u003cli\u003eSuperior State 02:39\u003c\/li\u003e\n\u003cli\u003eForbidden Instruments 04:21\u003c\/li\u003e\n\u003cli\u003eLevitating Elevators 02:57\u003c\/li\u003e\n\u003cli\u003eBubble Trouble 02:36\u003c\/li\u003e\n\u003cli\u003eMiddle Age Cave 02:02\u003c\/li\u003e\n\u003cli\u003eBrightness 04:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSuperior State is the second Leitmotiv Limbo album released by Port Adelaide’s De la Catessen Records, after the 2022 CD Spiritual Disturbance. This time, Leitmotiv Limbo’s isolationist studies have been bumped to vinyl, which feels like the perfect format for these twelve miniatures. The project of Adelaide artist Elijah Värttö, Leitmotiv Limbo has, over the past few decades, tracked a history of quietly insistent experimentation, embracing several technologies – invented instruments; analogue filters; drum synth – to sketch desolate, cavernous structures, sometimes performed in reverberant spaces, such as church halls, which gifts the recordings a ritualistic air.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Superior State, Värttö is more intently focused on rhythms and pulses, resulting in a beautifully sculpted collection of poetic vignettes. You can hear some trace elements, here, of the minimalist techno-not-techno of artists like Pan Sonic, or Studio 1\/Freiland, in their reductionist ethos. But also, in the insistence of Värttö’s attention to detail, and his careful focus on a delimited number of elements, the twelve pieces on Superior State recall the work of mysterious German outfits Werkbund and Mechthild Von Leutsch, or the solo explorations of artists like Asmus Tietchens, Achim Wollscheid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and Goem.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's intensely evocative music, recalling all kinds of phenomena, both man-made and natural: electricity pulsing through wires; the humming of the central nervous system; the quiet hiss of deserted computer laboratories; the pulsations of plant life; the molecular vibration of atoms. Värttö has tapped into the poetry of the programmatic on Superior State, and he’s sharp in his grasp of the significant effect that the incremental shifting of a few simple parameters can have on the overarching structures he’s building here. Indeed, that poetry is echoed back in the beautiful liner notes by Adelaide artist Michael Hocking. Alive, flickering with incident, Superior State is energy transmitted, coursing through the collective’s veins.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2023-08-06T15:43:03+09:00","created_at":"2023-08-06T14:55:21+09:00","vendor":"Tobira Records","type":"","tags":["de la catessen","lp","monooto","techno \/ house"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430691041530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Leitmotiv Limbo \/\/ Superior State LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323","\/\/tobirarecords.com\/cdn\/shop\/files\/sup2_d2dbda35-bc9e-45a4-bf5b-c8d3a54623ab.jpg?v=1691301323"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323","options":["Title"],"media":[{"alt":null,"id":32302664220922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup1_d0c38fe7-9ab6-480d-9a98-09f446195faa.jpg?v=1691301323","width":700},{"alt":null,"id":32302664253690,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup2_d2dbda35-bc9e-45a4-bf5b-c8d3a54623ab.jpg?v=1691301323"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sup2_d2dbda35-bc9e-45a4-bf5b-c8d3a54623ab.jpg?v=1691301323","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2023年9月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパルスとリズムに焦点を当てた、フロア棒立ち系マイクロスコピック・物音テクノ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1928580878\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435107945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 300. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweeping an Arc 02:53\u003c\/li\u003e\n\u003cli\u003eBirds and Beasts 04:42\u003c\/li\u003e\n\u003cli\u003eParading Brutality 03:56\u003c\/li\u003e\n\u003cli\u003eRelative Peace 02:30\u003c\/li\u003e\n\u003cli\u003eCarving Itself 02:57\u003c\/li\u003e\n\u003cli\u003eState of Trance 02:02\u003c\/li\u003e\n\u003cli\u003eSuperior State 02:39\u003c\/li\u003e\n\u003cli\u003eForbidden Instruments 04:21\u003c\/li\u003e\n\u003cli\u003eLevitating Elevators 02:57\u003c\/li\u003e\n\u003cli\u003eBubble Trouble 02:36\u003c\/li\u003e\n\u003cli\u003eMiddle Age Cave 02:02\u003c\/li\u003e\n\u003cli\u003eBrightness 04:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSuperior State is the second Leitmotiv Limbo album released by Port Adelaide’s De la Catessen Records, after the 2022 CD Spiritual Disturbance. This time, Leitmotiv Limbo’s isolationist studies have been bumped to vinyl, which feels like the perfect format for these twelve miniatures. The project of Adelaide artist Elijah Värttö, Leitmotiv Limbo has, over the past few decades, tracked a history of quietly insistent experimentation, embracing several technologies – invented instruments; analogue filters; drum synth – to sketch desolate, cavernous structures, sometimes performed in reverberant spaces, such as church halls, which gifts the recordings a ritualistic air.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Superior State, Värttö is more intently focused on rhythms and pulses, resulting in a beautifully sculpted collection of poetic vignettes. You can hear some trace elements, here, of the minimalist techno-not-techno of artists like Pan Sonic, or Studio 1\/Freiland, in their reductionist ethos. But also, in the insistence of Värttö’s attention to detail, and his careful focus on a delimited number of elements, the twelve pieces on Superior State recall the work of mysterious German outfits Werkbund and Mechthild Von Leutsch, or the solo explorations of artists like Asmus Tietchens, Achim Wollscheid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and Goem.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's intensely evocative music, recalling all kinds of phenomena, both man-made and natural: electricity pulsing through wires; the humming of the central nervous system; the quiet hiss of deserted computer laboratories; the pulsations of plant life; the molecular vibration of atoms. Värttö has tapped into the poetry of the programmatic on Superior State, and he’s sharp in his grasp of the significant effect that the incremental shifting of a few simple parameters can have on the overarching structures he’s building here. Indeed, that poetry is echoed back in the beautiful liner notes by Adelaide artist Michael Hocking. Alive, flickering with incident, Superior State is energy transmitted, coursing through the collective’s veins.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leitmotiv Limbo\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}
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オーストラリア・アデレイドの実験音楽家Leitmotiv Limboが、2023年9月にアデレイドのコンテンポラリーレーベルde la Catessenからリリースするレコードです。 パルスとリズムに焦点を当てた、フロア棒立ち系マイクロスコピック・物音テクノ12曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more de la...
¥3,780
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{"id":8002349465850,"title":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD","handle":"benaud-trio-empyrean-traces-lp-cd","description":"\u003cp\u003eオーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家\u003cmeta charset=\"utf-8\"\u003eDavid Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ede la Catessenからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレコードのマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1487579429\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available as 12\" black vinyl or CD in digipack. \u003cbr\u003eLP edition of 300 \/ CD edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEmpyrean Traces 21:06\u003c\/li\u003e\n\u003cli\u003eUnder Stars 10:04\u003c\/li\u003e\n\u003cli\u003eChromatic Traces 13:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura performances: as Luke Altmann of De La Catessen says, “it often felt during these sessions less like we were listening to the Benaud Trio and more like we were scanning for a signal from outer space.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, Kotlowy’s compositions share something otherworldly. His compositional ethos is informed by several key influences – Japanese musical aesthetics; John Cage; Morton Feldman; Ross\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Bolleter and his ruined pianos – but while you can hear relationships between Kotlowy’s compositions and these forebears, Kotlowy is not beholden to that which has come before, and over several decades, has marked out his own patch of aesthetic territory with unerring clarity. The works on Empyrean Traces span the 1990s to 2020s, with two ‘earlier’ pieces, “Chromatic Traces” and “Under Stars”, revised earlier this decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile significant time has elapsed between their composition, the three pieces on Empyrean Traces share the same ‘sound world’, one where an exterior seeming-fragility masks a resolute interior: these are sturdy, powerful pieces. Kotlowy draws from several compositional tactics – the use of Cagean time brackets, or breathing as measure, such that this album, in his own words, “traces a transition from outer to inner clock time.” There is also a “relaxing of musical austerity” as Empyrean Traces progresses; the spare chill of “Chromatic Traces” acquiesces to the relative richness of the title composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA gorgeous album of deeply moving music, Empyrean Traces is sure to appeal to fans of composers such as Morton Feldman, Jürg Frey, or Tōru Takemitsu.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e","published_at":"2023-08-06T15:30:21+09:00","created_at":"2023-08-06T14:51:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","de la catessen","lp","neo classical","recommended"],"price":219000,"price_min":219000,"price_max":379000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430690975994,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39680888865018,"product_id":8002349465850,"position":2,"created_at":"2023-08-06T14:51:32+09:00","updated_at":"2023-08-06T14:51:34+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_97d60280-0d18-4672-b7cf-70a7670ab291.jpg?v=1691301094","variant_ids":[44430690975994]},"available":true,"name":"Benaud Trio + David Kotlowy \/\/ Empyrean Traces LP \/ CD - 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Available as 12\" black vinyl or CD in digipack. \u003cbr\u003eLP edition of 300 \/ CD edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEmpyrean Traces 21:06\u003c\/li\u003e\n\u003cli\u003eUnder Stars 10:04\u003c\/li\u003e\n\u003cli\u003eChromatic Traces 13:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ede la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura performances: as Luke Altmann of De La Catessen says, “it often felt during these sessions less like we were listening to the Benaud Trio and more like we were scanning for a signal from outer space.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, Kotlowy’s compositions share something otherworldly. His compositional ethos is informed by several key influences – Japanese musical aesthetics; John Cage; Morton Feldman; Ross\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Bolleter and his ruined pianos – but while you can hear relationships between Kotlowy’s compositions and these forebears, Kotlowy is not beholden to that which has come before, and over several decades, has marked out his own patch of aesthetic territory with unerring clarity. The works on Empyrean Traces span the 1990s to 2020s, with two ‘earlier’ pieces, “Chromatic Traces” and “Under Stars”, revised earlier this decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile significant time has elapsed between their composition, the three pieces on Empyrean Traces share the same ‘sound world’, one where an exterior seeming-fragility masks a resolute interior: these are sturdy, powerful pieces. Kotlowy draws from several compositional tactics – the use of Cagean time brackets, or breathing as measure, such that this album, in his own words, “traces a transition from outer to inner clock time.” There is also a “relaxing of musical austerity” as Empyrean Traces progresses; the spare chill of “Chromatic Traces” acquiesces to the relative richness of the title composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA gorgeous album of deeply moving music, Empyrean Traces is sure to appeal to fans of composers such as Morton Feldman, Jürg Frey, or Tōru Takemitsu.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Benaud Trio\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e"}
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オーストラリア・メルボルンの室内楽トリオBenaud Trioとアデレイドの作曲家David Kotlowyが、2023年6月にアデレイドのコンテンポラリーレーベルde la Catessenからリリースしたアルバムです。 Morton FeldmanやJohn Cage影響下のネオクラシカル・アンビエント3曲を収録。DLコード付属。 レコードのマスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more...
¥2,190
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{"id":9021383606522,"title":"Jon Dale \/\/ theatre CD","handle":"jon-dale-theatre-cd","description":"\u003cp\u003eオーストラリアの実験音楽家Jon Daleが、2024年にアデレイドの実験レーベルde la Catessenから150部限定でリリースした再発CDです。（オリジナルは2019年リリース）\u003c\/p\u003e\n\u003cp\u003eほぼ何も起こらないドローン作品です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「何も起こらない音楽だ。オーストラリアのアデレードで誰かが書くような音楽だ。何も起こらない」\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- モートン・フェルドマン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Theatre』は、Jon Daleのアーカイブを掘り起こしたデ・ラ・カテッセンの2作目となる。2019年にトリステ・トロピークスから50枚限定のCDrでリリースされた『Theatre』が、今回150枚限定のCDとして再登場。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『theatre』では、Daleは、デ・ラ・カテッセンからリリースされた前作『ラスト・ブルース』の心温まるドローンを避け、とらえどころのない聴覚的コンセプト、すなわち「リンボ」に没頭している。『theatre』は、散在する期待感に満ちた音、ドアが開閉する音、近くで聞こえるこもったささやき声によって強調された、満たされた沈黙で満ちている。ほとんど何も起こらないまま、沈黙に包まれたリスナーは、（非）存在の境界に浮かんでいるように感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『theatre』を純粋に概念的なリスニング体験と分類したり、誰かが耳が届かないところで何かを静かに聴いている様子に例えたくなるかもしれない。しかし本質的に、本作はミニマリズムを駆動する二項対立をシンプルかつ優雅に体現している——「何かがどれだけ少ないか」と「無がどれだけ多いか」の対比である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240725356\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. theatre 55:13\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt's music where nothing happened. It's the kind of music somebody might write in Adelaide, Australia. Nothing happened.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Morton Feldman\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheatre is De la Catessen’s second venture into the archive of Jon Dale. Originally released in a tiny CDr edition of 50 copies on Tristes Tropiques in 2019, Theatre now reappeares in an edition of 150 glass-mastered CDs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheatre sees Jon Dale eschewing the hearthwarm drones of his previous album on de la Catessen, Last Blues, and dwelling upon an elusive aural concept: a limbo. Theatre hums with an occupied silence, heightened by scattered expectant sounds: a door opens or closes; muffled voices murmur nearby. As almost nothing continues to happen, the listener occupying the silence seems to hover at the edge of (non)existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s tempting to classify Theatre as a purely conceptual listening experience, or to compare it to listening to someone who is in the quiet act of listening to something else, just our of earshot. But at its heart, Theatre is a simple and elegant manifestation of the dichotomy that dynamises minimalism: how little of something - versus how much of nothing - must be.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Dale\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : October 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-06T11:07:43+09:00","created_at":"2025-12-06T10:45:12+09:00","vendor":"Tobira Records","type":"","tags":["cd","de la catessen","drone","field recording","monooto","new"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069262180602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jon Dale \/\/ theatre CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_833b480e-1d31-43d4-8005-b60c3c2545ab.jpg?v=1764985417","\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_c41060e8-4447-4ef5-8a82-f3f7852656b1.jpg?v=1764985416"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_833b480e-1d31-43d4-8005-b60c3c2545ab.jpg?v=1764985417","options":["Title"],"media":[{"alt":null,"id":37712380854522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_833b480e-1d31-43d4-8005-b60c3c2545ab.jpg?v=1764985417"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_833b480e-1d31-43d4-8005-b60c3c2545ab.jpg?v=1764985417","width":700},{"alt":null,"id":37712380887290,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_c41060e8-4447-4ef5-8a82-f3f7852656b1.jpg?v=1764985416"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_c41060e8-4447-4ef5-8a82-f3f7852656b1.jpg?v=1764985416","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Jon Daleが、2024年にアデレイドの実験レーベルde la Catessenから150部限定でリリースした再発CDです。（オリジナルは2019年リリース）\u003c\/p\u003e\n\u003cp\u003eほぼ何も起こらないドローン作品です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"「何も起こらない音楽だ。オーストラリアのアデレードで誰かが書くような音楽だ。何も起こらない」\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- モートン・フェルドマン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Theatre』は、Jon Daleのアーカイブを掘り起こしたデ・ラ・カテッセンの2作目となる。2019年にトリステ・トロピークスから50枚限定のCDrでリリースされた『Theatre』が、今回150枚限定のCDとして再登場。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『theatre』では、Daleは、デ・ラ・カテッセンからリリースされた前作『ラスト・ブルース』の心温まるドローンを避け、とらえどころのない聴覚的コンセプト、すなわち「リンボ」に没頭している。『theatre』は、散在する期待感に満ちた音、ドアが開閉する音、近くで聞こえるこもったささやき声によって強調された、満たされた沈黙で満ちている。ほとんど何も起こらないまま、沈黙に包まれたリスナーは、（非）存在の境界に浮かんでいるように感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『theatre』を純粋に概念的なリスニング体験と分類したり、誰かが耳が届かないところで何かを静かに聴いている様子に例えたくなるかもしれない。しかし本質的に、本作はミニマリズムを駆動する二項対立をシンプルかつ優雅に体現している——「何かがどれだけ少ないか」と「無がどれだけ多いか」の対比である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240725356\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. theatre 55:13\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt's music where nothing happened. It's the kind of music somebody might write in Adelaide, Australia. Nothing happened.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Morton Feldman\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheatre is De la Catessen’s second venture into the archive of Jon Dale. Originally released in a tiny CDr edition of 50 copies on Tristes Tropiques in 2019, Theatre now reappeares in an edition of 150 glass-mastered CDs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheatre sees Jon Dale eschewing the hearthwarm drones of his previous album on de la Catessen, Last Blues, and dwelling upon an elusive aural concept: a limbo. Theatre hums with an occupied silence, heightened by scattered expectant sounds: a door opens or closes; muffled voices murmur nearby. As almost nothing continues to happen, the listener occupying the silence seems to hover at the edge of (non)existence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s tempting to classify Theatre as a purely conceptual listening experience, or to compare it to listening to someone who is in the quiet act of listening to something else, just our of earshot. But at its heart, Theatre is a simple and elegant manifestation of the dichotomy that dynamises minimalism: how little of something - versus how much of nothing - must be.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Dale\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : October 2024\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの実験音楽家Jon Daleが、2024年にアデレイドの実験レーベルde la Catessenから150部限定でリリースした再発CDです。（オリジナルは2019年リリース） ほぼ何も起こらないドローン作品です。 以下、レーベルによる解説です。 "「何も起こらない音楽だ。オーストラリアのアデレードで誰かが書くような音楽だ。何も起こらない」- モートン・フェルドマン 『Theatre』は、Jon Daleのアーカイブを掘り起こしたデ・ラ・カテッセンの2作目となる。2019年にトリステ・トロピークスから50枚限定のCDrでリリースされた『Theatre』が、今回150枚限定のCDとして再登場。 『theatre』では、Daleは、デ・ラ・カテッセンからリリースされた前作『ラスト・ブルース』の心温まるドローンを避け、とらえどころのない聴覚的コンセプト、すなわち「リンボ」に没頭している。『theatre』は、散在する期待感に満ちた音、ドアが開閉する音、近くで聞こえるこもったささやき声によって強調された、満たされた沈黙で満ちている。ほとんど何も起こらないまま、沈黙に包まれたリスナーは、（非）存在の境界に浮かんでいるように感じられる。 『theatre』を純粋に概念的なリスニング体験と分類したり、誰かが耳が届かないところで何かを静かに聴いている様子に例えたくなるかもしれない。しかし本質的に、本作はミニマリズムを駆動する二項対立をシンプルかつ優雅に体現している——「何かがどれだけ少ないか」と「無がどれだけ多いか」の対比である。" レーベルその他作品はこちら /// Click here...
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{"id":8788553924858,"title":"Stephen Whittington \/\/ Final Fragments - piano music of David Kotlowy LP","handle":"stephen-whittington-final-fragments-piano-music-of-david-kotlowy-lp","description":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Stephen Whittingtonが、2021年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルなピアノ独奏12曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2766948113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2nd edition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. piano 25-7-94 11:17\u003cbr\u003e2. Well-Fed Preludes - Half Asleep 02:37\u003cbr\u003e3. Well-Fed Preludes - Winter Warmth 02:00\u003cbr\u003e4. Well-Fed Preludes - Da Lontano 04:12\u003cbr\u003e5. piano 26-7-93 04:22\u003cbr\u003e6. piano 25-7-93 04:29\u003cbr\u003e7. piano 27-7-93 04:28\u003cbr\u003e8. final fragments - one 01:57\u003cbr\u003e9. final fragments - two 01:40\u003cbr\u003e10. final fragments - three 01:38\u003cbr\u003e11. final fragments - four 01:08\u003cbr\u003e12. final fragments - five 01:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJon Dale, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“...\u003cem\u003eThe music in this LP comprises some of my early post-graduate work,” Kotlowy says, reflecting on the works compiled here. “Finding my own way through the spell of John Cage, Japanese aesthetics, and process music... My musical ethos was, and continues to be informed by Japanese musical aesthetics, particularly the desire to produce a maximum effect from a limited amount of material, and the principles of honkyoku shakuhachi.” From these constituent elements, guided by such principles, Kotlowy has navigated his way to a composer’s voice that admits limitation as inspiration, restriction as the spur to invention, and finds a way to reflect its forebears without ever being beholden to their voices.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to these pieces, I can hear a gentle steeliness in their repose; these works are uninterested in excess, rather locating a sturdy eloquence in saying only what need be said. Adelaide composer, and De la Catessen label head, Luke Altmann recalls meeting Kotlowy at 2000’s Barossa International Music Festival, where the latter was a guest speaker in a student workshop. “At a time when many young composers were looking for ways to sound more impressive through filling in all the gaps in their scores, David’s gave counter-intuitive but sage advice: to look for things to leave out. Not to develop ideas, but to reduce them until only their essence remained, and that in itself would be your music.” Reflecting on the implications of this approach, Altmann concludes, “It seemed radically austere.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is also radically beautiful, and perhaps, most of all, radically human. This may come, at least in part, from Kotlowy’s interest in breath as a compositional tactic. The mid ‘90s pieces use breath to determine tempo and duration. “This is a direct influence of honkyoku shakuhachi music,” Kotlowy says, drawing parallels with the twelfth-century tradition that is associated with Zen Buddhism, “and is quite simple: relaxed inhalation at a bar line, then breathe out, playing the notes in the bar for the duration of the exhalation. Structurally, the breath phrasing acts like flexible time frames, and so, with musical duration intimately linked to a performer’s breath, the music achieves an elasticity and unpredictability that expresses the individuality of each musician and the singularity of each performance... The breath- based works are the heart (or perhaps the lungs) of my compositional output for the twenty years from 1990 to 2010.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElsewhere, there are the gorgeous Well-Fed Preludes, which Kotlowy reflects are “a clear acknowledgment of the music of Erik Satie, and America's West Coast minimalists,” and there’s a homage in the titling of 2003’s Final Fragments, drawing as it does from the titles\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof two Morton Feldman pieces, Last Pieces (1959) and Turfan Fragments (1980). “The sonic palette is larger than the earlier pieces,” Kotlowy acknowledges, “but the music is still restrained. I was aiming for a ‘beauty without biography’, a phrase Feldman used to describe his music.” Throughout, I am struck by the music’s poetics, its capacity to still the moment, and its ability to balance rigour of praxis with gentleness of touch. This surely is also down to Whittington’s masterful, beguiling performances...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Whittington\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : DLC003\u003c\/p\u003e","published_at":"2025-12-01T11:23:47+09:00","created_at":"2025-05-19T13:09:15+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","de la catessen","lp","new"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47324657746170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen Whittington \/\/ Final Fragments - piano music of David Kotlowy LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_4b5dbd1d-4b12-40a4-9331-a14241865718.jpg?v=1747627531","\/\/tobirarecords.com\/cdn\/shop\/files\/fin2_e66f65b6-a9f2-4b1a-9ced-97b0f19fafe1.jpg?v=1747627531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_4b5dbd1d-4b12-40a4-9331-a14241865718.jpg?v=1747627531","options":["Title"],"media":[{"alt":null,"id":36052048281850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_4b5dbd1d-4b12-40a4-9331-a14241865718.jpg?v=1747627531"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1_4b5dbd1d-4b12-40a4-9331-a14241865718.jpg?v=1747627531","width":700},{"alt":null,"id":36052048314618,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2_e66f65b6-a9f2-4b1a-9ced-97b0f19fafe1.jpg?v=1747627531"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2_e66f65b6-a9f2-4b1a-9ced-97b0f19fafe1.jpg?v=1747627531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・アデレイドの実験音楽家Stephen Whittingtonが、2021年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルなピアノ独奏12曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2766948113\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more de la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2nd edition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. piano 25-7-94 11:17\u003cbr\u003e2. Well-Fed Preludes - Half Asleep 02:37\u003cbr\u003e3. Well-Fed Preludes - Winter Warmth 02:00\u003cbr\u003e4. Well-Fed Preludes - Da Lontano 04:12\u003cbr\u003e5. piano 26-7-93 04:22\u003cbr\u003e6. piano 25-7-93 04:29\u003cbr\u003e7. piano 27-7-93 04:28\u003cbr\u003e8. final fragments - one 01:57\u003cbr\u003e9. final fragments - two 01:40\u003cbr\u003e10. final fragments - three 01:38\u003cbr\u003e11. final fragments - four 01:08\u003cbr\u003e12. final fragments - five 01:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJon Dale, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“...\u003cem\u003eThe music in this LP comprises some of my early post-graduate work,” Kotlowy says, reflecting on the works compiled here. “Finding my own way through the spell of John Cage, Japanese aesthetics, and process music... My musical ethos was, and continues to be informed by Japanese musical aesthetics, particularly the desire to produce a maximum effect from a limited amount of material, and the principles of honkyoku shakuhachi.” From these constituent elements, guided by such principles, Kotlowy has navigated his way to a composer’s voice that admits limitation as inspiration, restriction as the spur to invention, and finds a way to reflect its forebears without ever being beholden to their voices.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to these pieces, I can hear a gentle steeliness in their repose; these works are uninterested in excess, rather locating a sturdy eloquence in saying only what need be said. Adelaide composer, and De la Catessen label head, Luke Altmann recalls meeting Kotlowy at 2000’s Barossa International Music Festival, where the latter was a guest speaker in a student workshop. “At a time when many young composers were looking for ways to sound more impressive through filling in all the gaps in their scores, David’s gave counter-intuitive but sage advice: to look for things to leave out. Not to develop ideas, but to reduce them until only their essence remained, and that in itself would be your music.” Reflecting on the implications of this approach, Altmann concludes, “It seemed radically austere.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is also radically beautiful, and perhaps, most of all, radically human. This may come, at least in part, from Kotlowy’s interest in breath as a compositional tactic. The mid ‘90s pieces use breath to determine tempo and duration. “This is a direct influence of honkyoku shakuhachi music,” Kotlowy says, drawing parallels with the twelfth-century tradition that is associated with Zen Buddhism, “and is quite simple: relaxed inhalation at a bar line, then breathe out, playing the notes in the bar for the duration of the exhalation. Structurally, the breath phrasing acts like flexible time frames, and so, with musical duration intimately linked to a performer’s breath, the music achieves an elasticity and unpredictability that expresses the individuality of each musician and the singularity of each performance... The breath- based works are the heart (or perhaps the lungs) of my compositional output for the twenty years from 1990 to 2010.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElsewhere, there are the gorgeous Well-Fed Preludes, which Kotlowy reflects are “a clear acknowledgment of the music of Erik Satie, and America's West Coast minimalists,” and there’s a homage in the titling of 2003’s Final Fragments, drawing as it does from the titles\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof two Morton Feldman pieces, Last Pieces (1959) and Turfan Fragments (1980). “The sonic palette is larger than the earlier pieces,” Kotlowy acknowledges, “but the music is still restrained. I was aiming for a ‘beauty without biography’, a phrase Feldman used to describe his music.” Throughout, I am struck by the music’s poetics, its capacity to still the moment, and its ability to balance rigour of praxis with gentleness of touch. This surely is also down to Whittington’s masterful, beguiling performances...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Whittington\u003c\/p\u003e\n\u003cp\u003eLabel : de la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : DLC003\u003c\/p\u003e"}
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オーストラリア・アデレイドの実験音楽家Stephen Whittingtonが、2021年にアデレイドの実験レーベルde la Catessenからリリースしたレコードです。 ミニマルなピアノ独奏12曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more de la Catessen releases available...
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