Black Truffle
クイックビュー
{"id":8920204869882,"title":"Amelia Cuni \/\/ Melopea LP","handle":"amelia-cuni-melopea-lp","description":"\u003cp\u003eイタリア・ミラノ出身、インドにて北インド古典音楽ドゥルパドの技術を磨いたAmelia Cuni（1958-2024）が、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"本作では、生涯の後半をベルリンで過ごした偉大なイタリア人歌手Amelia Cuni（1958-2024）の驚くべき歌声を際立たせる2つの新作を収録。彼女は古典インド音楽ドルーパッドの達人であると同時に、現代的な実験的アプローチへの取り組みを並行して深めていました。1990年代のインドにおける伝統的ドルーパッド演奏を記録した2枚の驚異的なアーカイブ作品（BT079、BT092）に続き、本作に収録された両面1枚分の楽曲は、Cuniが歌唱の新たな文脈と環境を探求した自由な姿勢を体現している。 両曲とも、2012年にパートナーのヴェルナー・デュランがベルリンで録音した、Cuniによる五音階ラーグ・ブープ（またはボーパリ）の長尺音源を活用している。『メロペア』は、この音源にヴァイオリニストのシルヴィア・タロッツィとチェリストのデボラ・ウォーカーによるエリアン・ラディグの『オッカム・リバーII』の演奏を重ね合わせたCuniとデュランの試みから始まった。この偶然の出会いの美しさ（そしてパンデミック期間中の非同期コラボレーション実験）に触発され、タロッツィとウォーカーはCuniの声を聴かずに「記憶の中に彼女を存在させながら」個別に録音を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタロッツィとウォーカーの弓奏弦楽器は、Cuniの威厳ある演奏を新たな文脈に位置づけ、ラディグが自身の作品とCuniの声が初めて重なり合った際に指摘したように、両者に共通する「部分音、倍音、音響の豊かな構成要素であるこれらの自然要素への探求」を強調している。ささやくような弓奏ハーモニクスから始まるヴァイオリンとチェロは、ドルーパッドの伝統的なタンプラー・ドローンの安定性を、ハーレー・ゲイバーの作品を想起させる、ゆっくりと進化する不安定な和声的相互作用の網へと置き換える。時には不協和音を長時間保ったり、変化する干渉パターンを前面に出したりする。主に低音域に焦点を当てたクニの演奏は、微分音の繊細なピッチ制御、優雅な滑らかなグリッサンド、瞑想的なゆったりとしたテンポを駆使した卓越した技量を示している。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCuniによる同じ録音の続きが『ブープ・ムルチャナ』の基盤を成し、チェロにアンシア・キャディ、ソプラノサックスにヴェルナー・デュランが参加している。最初の楽曲のランダムな重層化とは対照的に、ここではデュランとキャディがCuniが歌うラーグに基づき音程を慎重に選択し、「ムルチャナ」形式を採用している。この形式ではラーグの構成音を新たなラーグの主音として用い、同じ音程構造を維持する。両者とも楽器で驚くべき深みと調和的な純度を帯びた音色を確立しており、キャディとデュランの忍耐強いロングトーンは、音の物理的特性に厳密に根ざしつつも、非物質的で浮遊する質感を併せ持つ。クニの歌声、そして曲終盤でのハンマリングとピッキングによるタンプラーの演奏が加わることで、その効果は奇跡的とさえ言える。この音楽に身を委ねることは、温泉に浸かり、瞬時にあらゆる緊張が解ける感覚に似ている。デュラン、タロッツィ、ウォーカーによるライナーノーツを伴う『メロペア』は、Amelia Cuniの深遠な芸術への感動的な賛辞であると同時に、未体験者にとっては完璧な入門編でもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Melopea by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e21:00\u003cbr\u003e2. Bhoop - Murchana by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e22:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 134\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-11T13:49:41+09:00","created_at":"2025-09-11T10:05:32+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":467500,"price_min":467500,"price_max":467500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47710536630522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amelia Cuni \/\/ Melopea LP","public_title":null,"options":["Default Title"],"price":467500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486517","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635","options":["Title"],"media":[{"alt":null,"id":36782715076858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":328,"width":328,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635"},"aspect_ratio":1.0,"height":328,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cuni1.jpg?v=1757552635","width":328}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身、インドにて北インド古典音楽ドゥルパドの技術を磨いたAmelia Cuni（1958-2024）が、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"本作では、生涯の後半をベルリンで過ごした偉大なイタリア人歌手Amelia Cuni（1958-2024）の驚くべき歌声を際立たせる2つの新作を収録。彼女は古典インド音楽ドルーパッドの達人であると同時に、現代的な実験的アプローチへの取り組みを並行して深めていました。1990年代のインドにおける伝統的ドルーパッド演奏を記録した2枚の驚異的なアーカイブ作品（BT079、BT092）に続き、本作に収録された両面1枚分の楽曲は、Cuniが歌唱の新たな文脈と環境を探求した自由な姿勢を体現している。 両曲とも、2012年にパートナーのヴェルナー・デュランがベルリンで録音した、Cuniによる五音階ラーグ・ブープ（またはボーパリ）の長尺音源を活用している。『メロペア』は、この音源にヴァイオリニストのシルヴィア・タロッツィとチェリストのデボラ・ウォーカーによるエリアン・ラディグの『オッカム・リバーII』の演奏を重ね合わせたCuniとデュランの試みから始まった。この偶然の出会いの美しさ（そしてパンデミック期間中の非同期コラボレーション実験）に触発され、タロッツィとウォーカーはCuniの声を聴かずに「記憶の中に彼女を存在させながら」個別に録音を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタロッツィとウォーカーの弓奏弦楽器は、Cuniの威厳ある演奏を新たな文脈に位置づけ、ラディグが自身の作品とCuniの声が初めて重なり合った際に指摘したように、両者に共通する「部分音、倍音、音響の豊かな構成要素であるこれらの自然要素への探求」を強調している。ささやくような弓奏ハーモニクスから始まるヴァイオリンとチェロは、ドルーパッドの伝統的なタンプラー・ドローンの安定性を、ハーレー・ゲイバーの作品を想起させる、ゆっくりと進化する不安定な和声的相互作用の網へと置き換える。時には不協和音を長時間保ったり、変化する干渉パターンを前面に出したりする。主に低音域に焦点を当てたクニの演奏は、微分音の繊細なピッチ制御、優雅な滑らかなグリッサンド、瞑想的なゆったりとしたテンポを駆使した卓越した技量を示している。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCuniによる同じ録音の続きが『ブープ・ムルチャナ』の基盤を成し、チェロにアンシア・キャディ、ソプラノサックスにヴェルナー・デュランが参加している。最初の楽曲のランダムな重層化とは対照的に、ここではデュランとキャディがCuniが歌うラーグに基づき音程を慎重に選択し、「ムルチャナ」形式を採用している。この形式ではラーグの構成音を新たなラーグの主音として用い、同じ音程構造を維持する。両者とも楽器で驚くべき深みと調和的な純度を帯びた音色を確立しており、キャディとデュランの忍耐強いロングトーンは、音の物理的特性に厳密に根ざしつつも、非物質的で浮遊する質感を併せ持つ。クニの歌声、そして曲終盤でのハンマリングとピッキングによるタンプラーの演奏が加わることで、その効果は奇跡的とさえ言える。この音楽に身を委ねることは、温泉に浸かり、瞬時にあらゆる緊張が解ける感覚に似ている。デュラン、タロッツィ、ウォーカーによるライナーノーツを伴う『メロペア』は、Amelia Cuniの深遠な芸術への感動的な賛辞であると同時に、未体験者にとっては完璧な入門編でもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Melopea by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e21:00\u003cbr\u003e2. Bhoop - Murchana by Amelia Cuni\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e22:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 134\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イタリア・ミラノ出身、インドにて北インド古典音楽ドゥルパドの技術を磨いたAmelia Cuni（1958-2024）が、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。DLコード付属。 以下、レーベルによる解説です。 "本作では、生涯の後半をベルリンで過ごした偉大なイタリア人歌手Amelia Cuni（1958-2024）の驚くべき歌声を際立たせる2つの新作を収録。彼女は古典インド音楽ドルーパッドの達人であると同時に、現代的な実験的アプローチへの取り組みを並行して深めていました。1990年代のインドにおける伝統的ドルーパッド演奏を記録した2枚の驚異的なアーカイブ作品（BT079、BT092）に続き、本作に収録された両面1枚分の楽曲は、Cuniが歌唱の新たな文脈と環境を探求した自由な姿勢を体現している。 両曲とも、2012年にパートナーのヴェルナー・デュランがベルリンで録音した、Cuniによる五音階ラーグ・ブープ（またはボーパリ）の長尺音源を活用している。『メロペア』は、この音源にヴァイオリニストのシルヴィア・タロッツィとチェリストのデボラ・ウォーカーによるエリアン・ラディグの『オッカム・リバーII』の演奏を重ね合わせたCuniとデュランの試みから始まった。この偶然の出会いの美しさ（そしてパンデミック期間中の非同期コラボレーション実験）に触発され、タロッツィとウォーカーはCuniの声を聴かずに「記憶の中に彼女を存在させながら」個別に録音を行った。 タロッツィとウォーカーの弓奏弦楽器は、Cuniの威厳ある演奏を新たな文脈に位置づけ、ラディグが自身の作品とCuniの声が初めて重なり合った際に指摘したように、両者に共通する「部分音、倍音、音響の豊かな構成要素であるこれらの自然要素への探求」を強調している。ささやくような弓奏ハーモニクスから始まるヴァイオリンとチェロは、ドルーパッドの伝統的なタンプラー・ドローンの安定性を、ハーレー・ゲイバーの作品を想起させる、ゆっくりと進化する不安定な和声的相互作用の網へと置き換える。時には不協和音を長時間保ったり、変化する干渉パターンを前面に出したりする。主に低音域に焦点を当てたクニの演奏は、微分音の繊細なピッチ制御、優雅な滑らかなグリッサンド、瞑想的なゆったりとしたテンポを駆使した卓越した技量を示している。 Cuniによる同じ録音の続きが『ブープ・ムルチャナ』の基盤を成し、チェロにアンシア・キャディ、ソプラノサックスにヴェルナー・デュランが参加している。最初の楽曲のランダムな重層化とは対照的に、ここではデュランとキャディがCuniが歌うラーグに基づき音程を慎重に選択し、「ムルチャナ」形式を採用している。この形式ではラーグの構成音を新たなラーグの主音として用い、同じ音程構造を維持する。両者とも楽器で驚くべき深みと調和的な純度を帯びた音色を確立しており、キャディとデュランの忍耐強いロングトーンは、音の物理的特性に厳密に根ざしつつも、非物質的で浮遊する質感を併せ持つ。クニの歌声、そして曲終盤でのハンマリングとピッキングによるタンプラーの演奏が加わることで、その効果は奇跡的とさえ言える。この音楽に身を委ねることは、温泉に浸かり、瞬時にあらゆる緊張が解ける感覚に似ている。デュラン、タロッツィ、ウォーカーによるライナーノーツを伴う『メロペア』は、Amelia Cuniの深遠な芸術への感動的な賛辞であると同時に、未体験者にとっては完璧な入門編でもある。 " レーベルその他作品はこちら /// Click here to see...
¥4,675
クイックビュー
{"id":8663921983738,"title":"Limpe Fuchs, Mark Fell \/\/ Dessogia \/ Queetch \/ Fauch 3xLP","handle":"limpe-fuchs-mark-fell-dessogia-queetch-fauch-3xlp","description":"\u003cp\u003e御年83歳のドイツの大御所パーカッショニストLimpe Fuchsとイギリスの実験エレクトロニック作家Mark Fellが、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルなストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2247001346\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dessogia I 09:39\u003cbr\u003e2. Dessogia II 08:22\u003cbr\u003e3. Dessogia III 02:49\u003cbr\u003e4. Dessogia IV 14:02\u003cbr\u003e5. Dessogia V 05:41\u003cbr\u003e6. Queetch I 10:14\u003cbr\u003e7. Queetch II 10:01\u003cbr\u003e8. Queetch III 19:38\u003cbr\u003e9. Fauch I 21:54\u003cbr\u003e10. Fauch II 19:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2015 edition of Winnipeg’s send + receive festival, focussed on rhythm, turned out to be a generative meeting of minds. There, Mark Fell encountered the music of Will Guthrie, a meeting that was eventually to result in the frenetic acoustic drumkit and digital synthesis pairing heard on Infoldings and Diffractions (2020). At the same festival, Limpe Fuchs first heard and appreciated the music of Mark Fell, planting the seed of a collaboration that came to fruition when Fell (along with his son Rian Treanor) visited Fuchs at her home in Peterskirchen, Germany in September 2022. Black Truffle is pleased to announce the release of the results of this extensive session in the audacious form of a triple LP, housing over two hours of music across its six sides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collaboration might appear unlikely: what common ground could exist between Fuchs, classically trained pianist, legend of improvised music, instrument builder and sound sculptor active since the 1960s, whose group Anima Sound connected the dots between free jazz, krautrock and ritual, and Fell, proponent of radical computer music, known for his bracingly austere productions that twist remnants of club music into algorithmic stutters? For all their seeming disparity in technology, approach and background, the\u003cspan class=\"bcTruncateMore\"\u003e music on Dessogia\/Queetch\/Fauch makes it immediately evident the pair share a great deal in their essentially percussive approach and ability to, in Fuch’s phrase, ‘establish silence’.\u003cbr\u003e\u003cbr\u003eRecording at her home studio, Fuchs had the use of her entire array of instruments, found, invented, and traditional, and treats the listener to some that don’t often make their way to concerts, including extensive passages performed (with Gundis Stalleicher) on pieces of wooden parquetry. Alongside metallic, wooden and skin percussion of all kinds, sounded and struck in every conceivable way, we also hear bamboo flute, viola, and Fuchs’ distinctive free-form vocalisations. Fell also stretched himself, with his contributions ranging from characteristically fizzing pitched percussive pops to swarms of sliding tones and abstract digital noise. Showing both remarkable restraint and improvisational freedom, much of the music consists of duets between a single percussion instrument and a distinctive mode of digital sound, often lingering in one timbral-rhythmic space for minutes at a time. Improvisational forward momentum coexists with a free-floating, wandering quality. On opener ‘Dessogia I’, the shimmering almost-gilssandi tones of Fuchs’ enormous set of microtonally tuned metal tubes ripples across Fell’s rubbery pulse, which moves up the frequency spectrum as Fuchs becomes more animated and switches to horn. At some points, as on the metallic chiming tones that open ‘Fauch I’, only the unexpected dynamic behaviour of Fell’s sounds distinguish them from Fuchs’ acoustic instruments. At others, like on ‘Queetch III’, the waves of sliding tones and noise textures are bracingly synthetic, joined by piercing squeaks and scrapes from Fuchs’ metal objects.\u003cbr\u003e\u003cbr\u003eEpic in scope, immersing the listener in an entirely distinctive world of sounds, and thrillingly bold in its melding of the most ancient musical procedures with cutting edge technologies, Dessogia\/Queetch\/Fauch is an unexpected major.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Limpe Fuchs, Mark Fell\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT no : Black Truffle 125\u003c\/p\u003e","published_at":"2024-11-14T07:31:46+09:00","created_at":"2024-11-13T13:07:01+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","lp","new","strange beats"],"price":747000,"price_min":747000,"price_max":747000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46854361350394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Limpe Fuchs, Mark Fell \/\/ Dessogia \/ Queetch \/ Fauch 3xLP","public_title":null,"options":["Default Title"],"price":747000,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fau1.jpg?v=1731470684","\/\/tobirarecords.com\/cdn\/shop\/files\/fau2.jpg?v=1731470684"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fau1.jpg?v=1731470684","options":["Title"],"media":[{"alt":null,"id":35181756252410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fau1.jpg?v=1731470684"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fau1.jpg?v=1731470684","width":700},{"alt":null,"id":35181756285178,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fau2.jpg?v=1731470684"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fau2.jpg?v=1731470684","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e御年83歳のドイツの大御所パーカッショニストLimpe Fuchsとイギリスの実験エレクトロニック作家Mark Fellが、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作3枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルなストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2247001346\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dessogia I 09:39\u003cbr\u003e2. Dessogia II 08:22\u003cbr\u003e3. Dessogia III 02:49\u003cbr\u003e4. Dessogia IV 14:02\u003cbr\u003e5. Dessogia V 05:41\u003cbr\u003e6. Queetch I 10:14\u003cbr\u003e7. Queetch II 10:01\u003cbr\u003e8. Queetch III 19:38\u003cbr\u003e9. Fauch I 21:54\u003cbr\u003e10. Fauch II 19:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2015 edition of Winnipeg’s send + receive festival, focussed on rhythm, turned out to be a generative meeting of minds. There, Mark Fell encountered the music of Will Guthrie, a meeting that was eventually to result in the frenetic acoustic drumkit and digital synthesis pairing heard on Infoldings and Diffractions (2020). At the same festival, Limpe Fuchs first heard and appreciated the music of Mark Fell, planting the seed of a collaboration that came to fruition when Fell (along with his son Rian Treanor) visited Fuchs at her home in Peterskirchen, Germany in September 2022. Black Truffle is pleased to announce the release of the results of this extensive session in the audacious form of a triple LP, housing over two hours of music across its six sides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collaboration might appear unlikely: what common ground could exist between Fuchs, classically trained pianist, legend of improvised music, instrument builder and sound sculptor active since the 1960s, whose group Anima Sound connected the dots between free jazz, krautrock and ritual, and Fell, proponent of radical computer music, known for his bracingly austere productions that twist remnants of club music into algorithmic stutters? For all their seeming disparity in technology, approach and background, the\u003cspan class=\"bcTruncateMore\"\u003e music on Dessogia\/Queetch\/Fauch makes it immediately evident the pair share a great deal in their essentially percussive approach and ability to, in Fuch’s phrase, ‘establish silence’.\u003cbr\u003e\u003cbr\u003eRecording at her home studio, Fuchs had the use of her entire array of instruments, found, invented, and traditional, and treats the listener to some that don’t often make their way to concerts, including extensive passages performed (with Gundis Stalleicher) on pieces of wooden parquetry. Alongside metallic, wooden and skin percussion of all kinds, sounded and struck in every conceivable way, we also hear bamboo flute, viola, and Fuchs’ distinctive free-form vocalisations. Fell also stretched himself, with his contributions ranging from characteristically fizzing pitched percussive pops to swarms of sliding tones and abstract digital noise. Showing both remarkable restraint and improvisational freedom, much of the music consists of duets between a single percussion instrument and a distinctive mode of digital sound, often lingering in one timbral-rhythmic space for minutes at a time. Improvisational forward momentum coexists with a free-floating, wandering quality. On opener ‘Dessogia I’, the shimmering almost-gilssandi tones of Fuchs’ enormous set of microtonally tuned metal tubes ripples across Fell’s rubbery pulse, which moves up the frequency spectrum as Fuchs becomes more animated and switches to horn. At some points, as on the metallic chiming tones that open ‘Fauch I’, only the unexpected dynamic behaviour of Fell’s sounds distinguish them from Fuchs’ acoustic instruments. At others, like on ‘Queetch III’, the waves of sliding tones and noise textures are bracingly synthetic, joined by piercing squeaks and scrapes from Fuchs’ metal objects.\u003cbr\u003e\u003cbr\u003eEpic in scope, immersing the listener in an entirely distinctive world of sounds, and thrillingly bold in its melding of the most ancient musical procedures with cutting edge technologies, Dessogia\/Queetch\/Fauch is an unexpected major.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Limpe Fuchs, Mark Fell\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT no : Black Truffle 125\u003c\/p\u003e"}
You may also like:
御年83歳のドイツの大御所パーカッショニストLimpe Fuchsとイギリスの実験エレクトロニック作家Mark Fellが、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作3枚組レコードです。 ミニマルなストレンジビーツ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
¥7,470
クイックビュー
{"id":8884827324666,"title":"Giuseppe Ielasi \/ Jack Sheen \/\/ The Vestige LP","handle":"giuseppe-ielasi-jack-sheen-the-vestige-lp","description":"\u003cp\u003eイタリアの実験音楽家／ギタリストGiuseppe Ielasiとイギリスの作曲家／指揮者Jack Sheenが、2025年8月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜物音コラージュ〜ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657334828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. V1\u003cbr\u003e2. V2 \u003cbr\u003e3. V3 \u003cbr\u003e4. V4 \u003cbr\u003e5. V5\u003cbr\u003e6. V6\u003cbr\u003e7. V7\u003cbr\u003e8. V8\u003cbr\u003e9. V9\u003cbr\u003e10. V10\u003cbr\u003e11. V11\u003cbr\u003e12. V12\u003cbr\u003e13. V13\u003cbr\u003e14. The Vestige\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra. Their materials and working methods differ significantly, with Ielasi having focussed for many years on electro-acoustic techniques alongside his ongoing commitment to the guitar, and Sheen primarily composing for traditional instruments. More important, though, is what they share: a fascination with what Sheen calls “mysterious, liminal musical material,” using irregular repetition and cyclical forms to create structures at once alive with activity and almost static, as well as a rigorous exploration of spatial diffusion and the interaction of sound event and environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking individually with a library of acoustic instrument sounds from Sheen’s recent projects and Ielasi’s guitar, the pair eventually met for several days at Ielasi’s home studio in Monza, sculpting the fourteen pieces that make up The Vestige. Like Ielasi and\u003cspan class=\"bcTruncateMore\"\u003e Sheen’s solo works, the record shows an exquisite attention to details of sequencing and pacing, the sound palette and compositional approach consistent throughout while each piece asserts its own identity. The twenty-five seconds of the opening piece serve as an entrée into the record’s distinctive world of sound: repeated chirps fluctuate in volume as they move across the stereo spectrum, woven between strangled snatches of string glissando against a backdrop of percussive ticks, long tones, and white noise. Across the remaining thirteen pieces, Ielasi and Sheen sketch further dimensions of the ambiguous space, where distinctions between pitch and noise, repetition and irregularity, electronic and acoustic remain pointedly unclear.\u003cbr\u003e\u003cbr\u003eAs the record’s title suggests, the origins of the sounds we hear have become remote: while at moments we get flashes of timbres and attacks that could come from wind instruments, bowed strings, or prepared guitar, these remain vestigial traces, glimpsed through a veil of shifting white noise textures. These textures are themselves difficult to trace, suggesting artefacts of the recording process, electronic synthesis, amplified room sound, rubbed instruments or objects. The Vestige shows an unusual degree of attention to frequency range as a compositional tool, something it shares with the hyper-subtle variations of Ielasi’s electroacoustic works and the deliberately ‘unbalanced’ midrange-heavy ensemble of Sheen’s Sub. Here, movement between episodes is as much about adding or removing a frequency band as it is about changes in density, harmonic content, or instrumental texture. Tracks are marked by the sudden appearance of subbass or exaggeration of high frequencies in otherwise similar material, contributing to our sense that these fourteen pieces are like different views on a scene that we can never quite see clearly. While calling up a range of past music, from the early works of Rolf Julius to Simha Arom’s recordings of layered polyrhythms embedded in the background sounds of central African villages to the temporal distortions and layered hiss of DJ Screw, the alluring and disconcerting world of The Vestige is entirely its own.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi \/ Jack Sheen\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 132\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-12T06:20:26+09:00","created_at":"2025-08-11T12:07:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","drone","lp","monooto","new","recommended"],"price":476000,"price_min":476000,"price_max":476000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603007783162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giuseppe Ielasi \/ Jack Sheen \/\/ The Vestige LP","public_title":null,"options":["Default Title"],"price":476000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101483950","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jack1_e7c4e2ee-ce4c-4f9f-8398-852a209a3995.jpg?v=1754881529","\/\/tobirarecords.com\/cdn\/shop\/files\/jack2.jpg?v=1754881529"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jack1_e7c4e2ee-ce4c-4f9f-8398-852a209a3995.jpg?v=1754881529","options":["Title"],"media":[{"alt":null,"id":36521622896890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jack1_e7c4e2ee-ce4c-4f9f-8398-852a209a3995.jpg?v=1754881529"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jack1_e7c4e2ee-ce4c-4f9f-8398-852a209a3995.jpg?v=1754881529","width":700},{"alt":null,"id":36521622929658,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jack2.jpg?v=1754881529"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jack2.jpg?v=1754881529","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家／ギタリストGiuseppe Ielasiとイギリスの作曲家／指揮者Jack Sheenが、2025年8月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜物音コラージュ〜ドローン4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657334828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. V1\u003cbr\u003e2. V2 \u003cbr\u003e3. V3 \u003cbr\u003e4. V4 \u003cbr\u003e5. V5\u003cbr\u003e6. V6\u003cbr\u003e7. V7\u003cbr\u003e8. V8\u003cbr\u003e9. V9\u003cbr\u003e10. V10\u003cbr\u003e11. V11\u003cbr\u003e12. V12\u003cbr\u003e13. V13\u003cbr\u003e14. The Vestige\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra. Their materials and working methods differ significantly, with Ielasi having focussed for many years on electro-acoustic techniques alongside his ongoing commitment to the guitar, and Sheen primarily composing for traditional instruments. More important, though, is what they share: a fascination with what Sheen calls “mysterious, liminal musical material,” using irregular repetition and cyclical forms to create structures at once alive with activity and almost static, as well as a rigorous exploration of spatial diffusion and the interaction of sound event and environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking individually with a library of acoustic instrument sounds from Sheen’s recent projects and Ielasi’s guitar, the pair eventually met for several days at Ielasi’s home studio in Monza, sculpting the fourteen pieces that make up The Vestige. Like Ielasi and\u003cspan class=\"bcTruncateMore\"\u003e Sheen’s solo works, the record shows an exquisite attention to details of sequencing and pacing, the sound palette and compositional approach consistent throughout while each piece asserts its own identity. The twenty-five seconds of the opening piece serve as an entrée into the record’s distinctive world of sound: repeated chirps fluctuate in volume as they move across the stereo spectrum, woven between strangled snatches of string glissando against a backdrop of percussive ticks, long tones, and white noise. Across the remaining thirteen pieces, Ielasi and Sheen sketch further dimensions of the ambiguous space, where distinctions between pitch and noise, repetition and irregularity, electronic and acoustic remain pointedly unclear.\u003cbr\u003e\u003cbr\u003eAs the record’s title suggests, the origins of the sounds we hear have become remote: while at moments we get flashes of timbres and attacks that could come from wind instruments, bowed strings, or prepared guitar, these remain vestigial traces, glimpsed through a veil of shifting white noise textures. These textures are themselves difficult to trace, suggesting artefacts of the recording process, electronic synthesis, amplified room sound, rubbed instruments or objects. The Vestige shows an unusual degree of attention to frequency range as a compositional tool, something it shares with the hyper-subtle variations of Ielasi’s electroacoustic works and the deliberately ‘unbalanced’ midrange-heavy ensemble of Sheen’s Sub. Here, movement between episodes is as much about adding or removing a frequency band as it is about changes in density, harmonic content, or instrumental texture. Tracks are marked by the sudden appearance of subbass or exaggeration of high frequencies in otherwise similar material, contributing to our sense that these fourteen pieces are like different views on a scene that we can never quite see clearly. While calling up a range of past music, from the early works of Rolf Julius to Simha Arom’s recordings of layered polyrhythms embedded in the background sounds of central African villages to the temporal distortions and layered hiss of DJ Screw, the alluring and disconcerting world of The Vestige is entirely its own.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi \/ Jack Sheen\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 132\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イタリアの実験音楽家／ギタリストGiuseppe Ielasiとイギリスの作曲家／指揮者Jack Sheenが、2025年8月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 実験アンビエント〜物音コラージュ〜ドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
¥4,760
クイックビュー
{"id":8853258600698,"title":"Kassel Jaeger \/\/ Fernweh LP","handle":"kassel-jaeger-fernweh-lp","description":"\u003cp\u003e\u003cspan\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが\u003c\/span\u003e、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2012年リリース）\u003c\/p\u003e\n\u003cp\u003eディープリスニング系エレクトロアコースティック2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/copy-of-kassel-jaeger-shifted-in-dreams-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Black Truffleは、François J. Bonnetのエレクトロアコースティック・プロジェクト、Kassel Jaegerの『Fernweh』の新エディションを発表する。ジュゼッペ・イエラシとジェニファー・ヴェイロベの完璧なキュレーションによるSenufo Editionsから2012年にリリースされた『Fernweh』は、『Aerae』や『Algae』（ともにSenufoからリリース）の渋いアコースティックなテクスチュアを経て、Shelter Pressからリリースされた最近のソロ作品や、スティーヴン・オマリーやジム・オルークとのデュオ・プロジェクトでの壮大なエレクトロニック・エクスペリエンスへとつながる、ボネのアプローチの緩やかな広がりの始まりに近い作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKassel Jaegerの代表作であり、LP2枚に及ぶ「Fernweh」は、シンセサイザーとコンクレートの素材を、漂うようなアッサンブラージュにまとめあげた。タイトルの意味は「放浪癖」のコンセプトに近く、ボネの言う「気候」の間を自由自在に不意に移動するこの音楽にふさわしい。徐々に近づいてくるリズムが砕け散る波を思わせる発泡するエレクトロニクスから始まり、臨床的な雰囲気はやがて生きた現実の無形の痕跡に取り憑かれる。テクスチャーは風、水、虫、砂を踏む足音、グラスのカチャカチャという音を呼び起こす。ある時は、これらの具体的な要素が鮮明な「近さ」を持ち、またある時は、音は形のない距離に影を落とす。聴き手は具体的な音から明確なイメージを抱くことはできないが、これらの要素は音楽を活性化させ、空間を与えてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGRMのディレクターであり、その奥深いアーカイブの研究者でもあるボネは、フランスのコンクレートの伝統の厳格な形式言語と概念的装置からインスピレーションを得ている、 Fernwehは、マウリツィオ・ビアンキやトニウッティ兄弟のようなパラ・インダストリアル・エクセントリックのグリットやグライムを呼び起こすこともあれば、初期オリヴィア・ブロックのゆったりとした動きの壮大さを示唆することもある。波のようなエンベロープ、急速な脈動、テープループのような短いパターンなど、ダイナミクスとリズムの微妙な特徴が、多数の「シーン」をつなぐ組織として機能し、電子音と具象音の間で曖昧に共有されながら、作品全体を通して繰り返される。これらの移り変わる、しばしば非調和的なテクスチャーの中で、電子的要素は時にメロディックな形や和音パターンにまとまり、歪んだ弧を描いて霧を切り裂いたり、ゆっくりと動くハーモニーで重層的な表面を下支えする。友人でありコラボレーターでもあるジム・オルークのように、ボネットはアカデミックな伝統とは相反する先鋭的な開放性を示し、臆することのない感情を厳格な実験と共存させている。Fernwehが神秘的な震えとともに消え去るとき、聴き手は感動すると同時に、今何を聴いたのかよくわからないままになる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=825359887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fernweh I 18:22\u003cbr\u003e2. Fernweh II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce a new edition of Kassel Jaeger’s Fernweh, returning François J. Bonnet’s electroacoustic project to the label five years after the acclaimed Meith (BT069). Originally released on Giuseppe Ielasi and Jennifer Veillerobe’s impeccably curated Senufo Editions in 2012, Fernweh stands near the beginning of the gradual expansion of Bonnet’s approach after the austere acoustic textures of Aerae and Algae (both released on Senufo), leading to the lush, layered environments of recent solo works on Shelter Press and the epic electronic expeditions undertaken in duo projects with Stephen O’Malley and Jim O’Rourke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA major work in the Kassel Jaeger oeuvre, stretching over two LP sides, Fernweh draws together synthesized and musique concrète materials into a drifting assemblage. Its title’s meaning is close to the concept of ‘Wanderlust’, fitting for this music that moves freely and unexpectedly between what Bonnet calls ‘climates’. Beginning with fizzing electronics whose rhythm of gradual approach suggests breaking waves, the clinical atmosphere is soon haunted by intangible traces of lived reality. Textures call up wind, water, insects, the crunch of feet on sand or the clinking of glasses, yet they can never be identified with any certainty. At times these\u003cspan class=\"bcTruncateMore\"\u003e concrete elements possess a vivid ‘closeness’; at others, the sounds shade into a formless distance. Though the listener forms no clear picture from the concrete sounds, these elements aerate the music, lending it their space.\u003cbr\u003e\u003cbr\u003eDrawing from the rigorous formal language and conceptual apparatus of the French musique concrète tradition—with which Bonnet, as director of the GRM and researcher into its deepest archival recesses, is intimately familiar—the music of Kassel Jaeger is equally informed by how underground experimental music has rethought electroacoustic techniques, with Fernweh at times calling up the grit and grime of para-industrial eccentrics like Maurizio Bianchi or the Toniutti brothers, and at other moments suggesting the slow-moving grandeur of early Olivia Block. Subtle features of dynamics and rhythm act as connective tissue between the numerous ‘scenes’, with wave-like envelopes, rapid pulsations, and short, tape-loop patterns all recurring throughout the piece, shared ambiguously between electronic and concrete sounds. Amid these shifting, often inharmonic textures, the electronic elements sometimes cohere into melodic shapes and chordal patterns, cutting through the fog in distorted arcs or underpinning the layered surface with slow-moving harmonies. Like his friend and collaborator Jim O’Rourke, Bonnet displays a radical openness at odds with academic tradition, allowing unabashed emotion to coexist with rigorous experimentation. As Fernweh dies away with mysterious shudders, listeners are left at once moved and unsure of exactly what they just heard.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 131\u003c\/p\u003e","published_at":"2025-07-08T07:18:23+09:00","created_at":"2025-07-07T10:02:35+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":478600,"price_min":478600,"price_max":478600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47484163391738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kassel Jaeger \/\/ Fernweh LP","public_title":null,"options":["Default Title"],"price":478600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101483080","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kass1_773452e1-4d87-4365-8d82-3c8097daedd8.jpg?v=1751850081","\/\/tobirarecords.com\/cdn\/shop\/files\/kass2.jpg?v=1751850081"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kass1_773452e1-4d87-4365-8d82-3c8097daedd8.jpg?v=1751850081","options":["Title"],"media":[{"alt":null,"id":36329562538234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kass1_773452e1-4d87-4365-8d82-3c8097daedd8.jpg?v=1751850081"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kass1_773452e1-4d87-4365-8d82-3c8097daedd8.jpg?v=1751850081","width":700},{"alt":null,"id":36329562571002,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kass2.jpg?v=1751850081"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kass2.jpg?v=1751850081","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが\u003c\/span\u003e、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2012年リリース）\u003c\/p\u003e\n\u003cp\u003eディープリスニング系エレクトロアコースティック2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/copy-of-kassel-jaeger-shifted-in-dreams-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Black Truffleは、François J. Bonnetのエレクトロアコースティック・プロジェクト、Kassel Jaegerの『Fernweh』の新エディションを発表する。ジュゼッペ・イエラシとジェニファー・ヴェイロベの完璧なキュレーションによるSenufo Editionsから2012年にリリースされた『Fernweh』は、『Aerae』や『Algae』（ともにSenufoからリリース）の渋いアコースティックなテクスチュアを経て、Shelter Pressからリリースされた最近のソロ作品や、スティーヴン・オマリーやジム・オルークとのデュオ・プロジェクトでの壮大なエレクトロニック・エクスペリエンスへとつながる、ボネのアプローチの緩やかな広がりの始まりに近い作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKassel Jaegerの代表作であり、LP2枚に及ぶ「Fernweh」は、シンセサイザーとコンクレートの素材を、漂うようなアッサンブラージュにまとめあげた。タイトルの意味は「放浪癖」のコンセプトに近く、ボネの言う「気候」の間を自由自在に不意に移動するこの音楽にふさわしい。徐々に近づいてくるリズムが砕け散る波を思わせる発泡するエレクトロニクスから始まり、臨床的な雰囲気はやがて生きた現実の無形の痕跡に取り憑かれる。テクスチャーは風、水、虫、砂を踏む足音、グラスのカチャカチャという音を呼び起こす。ある時は、これらの具体的な要素が鮮明な「近さ」を持ち、またある時は、音は形のない距離に影を落とす。聴き手は具体的な音から明確なイメージを抱くことはできないが、これらの要素は音楽を活性化させ、空間を与えてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGRMのディレクターであり、その奥深いアーカイブの研究者でもあるボネは、フランスのコンクレートの伝統の厳格な形式言語と概念的装置からインスピレーションを得ている、 Fernwehは、マウリツィオ・ビアンキやトニウッティ兄弟のようなパラ・インダストリアル・エクセントリックのグリットやグライムを呼び起こすこともあれば、初期オリヴィア・ブロックのゆったりとした動きの壮大さを示唆することもある。波のようなエンベロープ、急速な脈動、テープループのような短いパターンなど、ダイナミクスとリズムの微妙な特徴が、多数の「シーン」をつなぐ組織として機能し、電子音と具象音の間で曖昧に共有されながら、作品全体を通して繰り返される。これらの移り変わる、しばしば非調和的なテクスチャーの中で、電子的要素は時にメロディックな形や和音パターンにまとまり、歪んだ弧を描いて霧を切り裂いたり、ゆっくりと動くハーモニーで重層的な表面を下支えする。友人でありコラボレーターでもあるジム・オルークのように、ボネットはアカデミックな伝統とは相反する先鋭的な開放性を示し、臆することのない感情を厳格な実験と共存させている。Fernwehが神秘的な震えとともに消え去るとき、聴き手は感動すると同時に、今何を聴いたのかよくわからないままになる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=825359887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fernweh I 18:22\u003cbr\u003e2. Fernweh II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce a new edition of Kassel Jaeger’s Fernweh, returning François J. Bonnet’s electroacoustic project to the label five years after the acclaimed Meith (BT069). Originally released on Giuseppe Ielasi and Jennifer Veillerobe’s impeccably curated Senufo Editions in 2012, Fernweh stands near the beginning of the gradual expansion of Bonnet’s approach after the austere acoustic textures of Aerae and Algae (both released on Senufo), leading to the lush, layered environments of recent solo works on Shelter Press and the epic electronic expeditions undertaken in duo projects with Stephen O’Malley and Jim O’Rourke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA major work in the Kassel Jaeger oeuvre, stretching over two LP sides, Fernweh draws together synthesized and musique concrète materials into a drifting assemblage. Its title’s meaning is close to the concept of ‘Wanderlust’, fitting for this music that moves freely and unexpectedly between what Bonnet calls ‘climates’. Beginning with fizzing electronics whose rhythm of gradual approach suggests breaking waves, the clinical atmosphere is soon haunted by intangible traces of lived reality. Textures call up wind, water, insects, the crunch of feet on sand or the clinking of glasses, yet they can never be identified with any certainty. At times these\u003cspan class=\"bcTruncateMore\"\u003e concrete elements possess a vivid ‘closeness’; at others, the sounds shade into a formless distance. Though the listener forms no clear picture from the concrete sounds, these elements aerate the music, lending it their space.\u003cbr\u003e\u003cbr\u003eDrawing from the rigorous formal language and conceptual apparatus of the French musique concrète tradition—with which Bonnet, as director of the GRM and researcher into its deepest archival recesses, is intimately familiar—the music of Kassel Jaeger is equally informed by how underground experimental music has rethought electroacoustic techniques, with Fernweh at times calling up the grit and grime of para-industrial eccentrics like Maurizio Bianchi or the Toniutti brothers, and at other moments suggesting the slow-moving grandeur of early Olivia Block. Subtle features of dynamics and rhythm act as connective tissue between the numerous ‘scenes’, with wave-like envelopes, rapid pulsations, and short, tape-loop patterns all recurring throughout the piece, shared ambiguously between electronic and concrete sounds. Amid these shifting, often inharmonic textures, the electronic elements sometimes cohere into melodic shapes and chordal patterns, cutting through the fog in distorted arcs or underpinning the layered surface with slow-moving harmonies. Like his friend and collaborator Jim O’Rourke, Bonnet displays a radical openness at odds with academic tradition, allowing unabashed emotion to coexist with rigorous experimentation. As Fernweh dies away with mysterious shudders, listeners are left at once moved and unsure of exactly what they just heard.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 131\u003c\/p\u003e"}
You may also like:
過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスの実験音楽家Kassel Jaegerが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2012年リリース） ディープリスニング系エレクトロアコースティック2曲を収録。DLコード付属。 前作もオススメです。 以下、レーベルによる解説です。 "Black Truffleは、François J. Bonnetのエレクトロアコースティック・プロジェクト、Kassel Jaegerの『Fernweh』の新エディションを発表する。ジュゼッペ・イエラシとジェニファー・ヴェイロベの完璧なキュレーションによるSenufo Editionsから2012年にリリースされた『Fernweh』は、『Aerae』や『Algae』（ともにSenufoからリリース）の渋いアコースティックなテクスチュアを経て、Shelter...
¥4,786
クイックビュー
{"id":8884827947258,"title":"Christer Bothén \/\/ Christer Bothén Donso n’goni LP","handle":"christer-bothen-christer-bothen-donso-n-goni-lp","description":"\u003cp\u003eスウェーデンのマルチ奏者Christer Bothénが、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアフリカの民族楽器ドンソンゴニを用いたワスルの伝統音楽とインプロ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3777610072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Zindi Windi 04:06\u003cbr\u003e2. Kakani Kakani 03:31\u003cbr\u003e3. Reh Chergi\u003cbr\u003e4. Fantasma\u003cbr\u003e5. Yalla\u003cbr\u003e6. La Baraka\u003cbr\u003e7. Waso Manjé\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to present the first ever solo Donso n’goni recording from octogenarian Swedish multi-instrumentalist Christer Bothén. Active in the Swedish jazz and improvisation scene since the 1970s, often heard on bass clarinet, Bothén travelled to Mali in 1971, eventually making his way to the Wassoulou region in the country’s south where he encountered the Donso n’goni, the sacred harp of the hunter caste of Wassoulou society. Though playing the instrument has traditionally been restricted to those who belong to the hunters’ brotherhood, Bothén found an enthusiastic teacher in Brouema Dobia, who, after many months of intensive one-on-one lessons, gave Bothén his blessing to play the instrument both traditionally and in his own style. Returning to Sweden, he would go on to pass on what he had learned to Don Cherry and play the Donso n’goni in a wide variety of inventive settings, including the driving Afro-jazz-fusion of his Trancedance (reissued as BT118).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe seven pieces of Christer Bothén Donso n’goni offer up a stunning showcase of Bothén’s work on this remarkable instrument, heard entirely unaccompanied, except for the final piece where he is joined on a second Donso n’goni by his student and collaborator, the virtuoso bassist Kansan\/Torbjorn Zetterberg, and Marianne\u003cspan class=\"bcTruncateMore\"\u003e N’Lemvo Linden on the metal Karanjang scraper. Produced by Johan Berthling (of Fire! \u0026amp; Ghosted) and recorded in three sessions in Stockholm between 2019 and 2023 in richly detailed high fidelity, the instrument’s buzzing, sonorous bass strings make an immediate, overwhelming sonic impression. Hyper-focused on hypnotically repeating pentatonic patterns, the seven pieces are at once relentlessly single-minded and endlessly rich in subtle variations. The concentrated listening environment turns small details, such as the deployment of the instrument’s segesege rattle on two of the pieces, into major events. Six of the seven pieces are traditional, with Bothén contributing the remaining ‘La Baraka’, but the line between tradition and the individual talent is imaginary here: as Bothén explained in a recent interview with The Wire’s Clive Bell, ‘I play traditional and untraditional, and I play the music forward and backward’. While the traditional Wassoulou pieces provide the rhythmic and harmonic elements, Bothén’s individuality as a performer is alive in every moment, felt acutely in boundless variations of attack, improvisational flourishes, and unexpected accelerations and decelerations. Captured entirely live and bristling with spontaneity, this music is undeniably the product of almost half a decade of Bothén’s devotion to the Donso n’goni and its traditional music.\u003cbr\u003e\u003cbr\u003eAccompanied by detailed new liner notes by Bothén and stunning colour photos from his time in Mali, Christer Bothén Donso n’goni is a stunning document of a remarkable instrument, played with an almost spiritual intensity by one of contemporary music’s great explorers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christer Bothén\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 133\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-12T06:28:43+09:00","created_at":"2025-08-11T12:13:01+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","jazz","lp","new"],"price":467500,"price_min":467500,"price_max":467500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603010568442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christer Bothén \/\/ Christer Bothén Donso n’goni LP","public_title":null,"options":["Default Title"],"price":467500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101485251","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884","\/\/tobirarecords.com\/cdn\/shop\/files\/donso2.jpg?v=1754881884"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884","options":["Title"],"media":[{"alt":null,"id":36521633513722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso1.jpg?v=1754881884","width":700},{"alt":null,"id":36521633546490,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso2.jpg?v=1754881884"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/donso2.jpg?v=1754881884","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのマルチ奏者Christer Bothénが、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアフリカの民族楽器ドンソンゴニを用いたワスルの伝統音楽とインプロ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3777610072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Zindi Windi 04:06\u003cbr\u003e2. Kakani Kakani 03:31\u003cbr\u003e3. Reh Chergi\u003cbr\u003e4. Fantasma\u003cbr\u003e5. Yalla\u003cbr\u003e6. La Baraka\u003cbr\u003e7. Waso Manjé\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to present the first ever solo Donso n’goni recording from octogenarian Swedish multi-instrumentalist Christer Bothén. Active in the Swedish jazz and improvisation scene since the 1970s, often heard on bass clarinet, Bothén travelled to Mali in 1971, eventually making his way to the Wassoulou region in the country’s south where he encountered the Donso n’goni, the sacred harp of the hunter caste of Wassoulou society. Though playing the instrument has traditionally been restricted to those who belong to the hunters’ brotherhood, Bothén found an enthusiastic teacher in Brouema Dobia, who, after many months of intensive one-on-one lessons, gave Bothén his blessing to play the instrument both traditionally and in his own style. Returning to Sweden, he would go on to pass on what he had learned to Don Cherry and play the Donso n’goni in a wide variety of inventive settings, including the driving Afro-jazz-fusion of his Trancedance (reissued as BT118).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe seven pieces of Christer Bothén Donso n’goni offer up a stunning showcase of Bothén’s work on this remarkable instrument, heard entirely unaccompanied, except for the final piece where he is joined on a second Donso n’goni by his student and collaborator, the virtuoso bassist Kansan\/Torbjorn Zetterberg, and Marianne\u003cspan class=\"bcTruncateMore\"\u003e N’Lemvo Linden on the metal Karanjang scraper. Produced by Johan Berthling (of Fire! \u0026amp; Ghosted) and recorded in three sessions in Stockholm between 2019 and 2023 in richly detailed high fidelity, the instrument’s buzzing, sonorous bass strings make an immediate, overwhelming sonic impression. Hyper-focused on hypnotically repeating pentatonic patterns, the seven pieces are at once relentlessly single-minded and endlessly rich in subtle variations. The concentrated listening environment turns small details, such as the deployment of the instrument’s segesege rattle on two of the pieces, into major events. Six of the seven pieces are traditional, with Bothén contributing the remaining ‘La Baraka’, but the line between tradition and the individual talent is imaginary here: as Bothén explained in a recent interview with The Wire’s Clive Bell, ‘I play traditional and untraditional, and I play the music forward and backward’. While the traditional Wassoulou pieces provide the rhythmic and harmonic elements, Bothén’s individuality as a performer is alive in every moment, felt acutely in boundless variations of attack, improvisational flourishes, and unexpected accelerations and decelerations. Captured entirely live and bristling with spontaneity, this music is undeniably the product of almost half a decade of Bothén’s devotion to the Donso n’goni and its traditional music.\u003cbr\u003e\u003cbr\u003eAccompanied by detailed new liner notes by Bothén and stunning colour photos from his time in Mali, Christer Bothén Donso n’goni is a stunning document of a remarkable instrument, played with an almost spiritual intensity by one of contemporary music’s great explorers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christer Bothén\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 133\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
スウェーデンのマルチ奏者Christer Bothénが、2025年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 アフリカの民族楽器ドンソンゴニを用いたワスルの伝統音楽とインプロ7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥4,675
クイックビュー
{"id":8680492728570,"title":"Kamalesh Maitra \/\/ Raag Kirwani on Tabla Tarang LP","handle":"kamalesh-maitra-raag-kirwani-on-tabla-tarang-lp","description":"\u003cp\u003eインドのタブラ奏者Kamalesh Maitra(1924-2005)が、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音2曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"タブラ名手Kamalesh Maitra（1924-2005）の未発表音源を発表する。Maitraは50年以上もの間、演奏されるラーグの音に合わせて調律された10～16個のハンドドラムからなる珍しいタブラ・タランに専念してきた。タブラ・タランの起源は19世紀後半にさかのぼるが、ソロコンサート楽器としての可能性を最初に見出したのはMaitraで、調律されたドラムのセットを使って全編のラグを演奏した。半円形に並んだドラムの後ろに座ったMaitraは、メロディックな即興の見事な波を生み出し、パーカッションの名手ならではのリズムの発明で盛り上げた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのキャリアを通じて、Maitraはラヴィ・シャンカール率いるアンサンブルで演奏し、ジョージ・ハリソンとコラボレートし、自身の東西フュージョン・グループ、ラガタラ・アンサンブルを率いた。しかし、彼の卓越した芸術性とタブラ・タランの別世界のような音色が最も顕著に発揮されるのは、ソロセッティングにおいてである。MaitraのソロLP『Tabla Tarang』と同じ1985年のベルリンセッションで録音された『 Raag Kirwani on Tabla Tarang』では、タブラのラウラ・パッチェン、タンプラのミラ・モルゲンシュテルンとマリーナ・キトスの伴奏で、Maitraが深夜のRaag Kirwaniを40分以上にわたって演奏している。演奏は伝統的な自由で浮遊感のある展開部から始まり、Maitraの広々としたメロディックな即興演奏は、時に撥弦楽器（Maitraも演奏していたサロードのような）に似ている。タブラ・タランに慣れていない聴き手にとって、ドラムで演奏される微分音に屈折したメロディパターンの音は魔法のようだ。Maitraがリズムのサイクルをより強く暗示し始めると、パッチェンがタブラで加わり、30分にわたるリズムとメロディーの探求が始まる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2872366116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA: Kamalesh Maitra - Raag Kirwani Part I\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB: Kamalesh Maitra - Raag Kirwani Part II\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCarrying on a string of stunning archival releases from major figures of Indian classical tradition (including releases from members of the Dagar family and Amelia Cuni), Black Truffle is pleased to announce an unheard recording from tabla master Kamalesh Maitra (1924-2005). For over fifty years, Maitra devoted himself to the rare tabla tarang, a set of between ten and sixteen hand drums tuned to the notes of the raag to be performed. While the tabla tarang has its origins in the late 19th century, Maitra was the first to recognise its potential as a solo concert instrument, using the set of tuned drums to perform full-length raags. Seated behind a semi-circular array of drums, Maitra produced stunning waves of melodic improvisation enlivened with the rhythmic invention of a master percussionist.\u003cbr\u003e\u003cbr\u003eAcross his career, Maitra performed in ensembles led by Ravi Shankar, collaborated with George Harrison, and led his own East-West fusion group, the Ragatala Ensemble. However, it is in the solo setting that his remarkable artistry and the otherworldly timbral qualities of the tabla tarang are most strikingly on display. Recorded during the same 1985 Berlin sessions that produced Maitra’s self-released solo LP Tabla Tarang: Ragas on Drums, on Raag Kirwani on Tabla Tarang we are treated to Maitra stretching out\u003cspan class=\"bcTruncateMore\"\u003e for over forty minutes on the late night Raag Kirwani, accompanied by Laura Patchen on tabla and Mila Morgenstern and Marina Kitsos on tanpura. The performance begins with the traditional free-floating exposition section, where Maitra’s spacious melodic improvisation at times almost resembles a plucked string instrument (like the sarod, which Maitra also played). For the listener unaccustomed to the tabla tarang, the sound of these microtonally inflected melodic patterns played on drums has a magic quality. As Maitra begins to imply the rhythmic cycles more strongly, Patchen joins on tabla, beginning half an hour of rhythmic-melodic exploration, where virtuosity sits side by side with delicacy and meditative attention. Accompanied by beautiful archival images and extensive liner notes from Laura Patchen, for many listeners Raag Kirwani on Tabla Tarang will be the perfect introduction to the magical world of Kamalesh Maitra, released to coincide with the hundredth anniversary of the master musician’s birth.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kamalesh Maitra\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No : Black Truffle 126\u003c\/p\u003e","published_at":"2024-12-13T19:01:49+09:00","created_at":"2024-12-13T14:25:23+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":486900,"price_min":486900,"price_max":486900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46948692459770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kamalesh Maitra \/\/ Raag Kirwani on Tabla Tarang LP","public_title":null,"options":["Default Title"],"price":486900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101474811","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/raag1.jpg?v=1734067417","\/\/tobirarecords.com\/cdn\/shop\/files\/raag2.jpg?v=1734067417"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/raag1.jpg?v=1734067417","options":["Title"],"media":[{"alt":null,"id":35298983739642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raag1.jpg?v=1734067417"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raag1.jpg?v=1734067417","width":700},{"alt":null,"id":35298983772410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raag2.jpg?v=1734067417"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raag2.jpg?v=1734067417","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインドのタブラ奏者Kamalesh Maitra(1924-2005)が、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音2曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"タブラ名手Kamalesh Maitra（1924-2005）の未発表音源を発表する。Maitraは50年以上もの間、演奏されるラーグの音に合わせて調律された10～16個のハンドドラムからなる珍しいタブラ・タランに専念してきた。タブラ・タランの起源は19世紀後半にさかのぼるが、ソロコンサート楽器としての可能性を最初に見出したのはMaitraで、調律されたドラムのセットを使って全編のラグを演奏した。半円形に並んだドラムの後ろに座ったMaitraは、メロディックな即興の見事な波を生み出し、パーカッションの名手ならではのリズムの発明で盛り上げた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのキャリアを通じて、Maitraはラヴィ・シャンカール率いるアンサンブルで演奏し、ジョージ・ハリソンとコラボレートし、自身の東西フュージョン・グループ、ラガタラ・アンサンブルを率いた。しかし、彼の卓越した芸術性とタブラ・タランの別世界のような音色が最も顕著に発揮されるのは、ソロセッティングにおいてである。MaitraのソロLP『Tabla Tarang』と同じ1985年のベルリンセッションで録音された『 Raag Kirwani on Tabla Tarang』では、タブラのラウラ・パッチェン、タンプラのミラ・モルゲンシュテルンとマリーナ・キトスの伴奏で、Maitraが深夜のRaag Kirwaniを40分以上にわたって演奏している。演奏は伝統的な自由で浮遊感のある展開部から始まり、Maitraの広々としたメロディックな即興演奏は、時に撥弦楽器（Maitraも演奏していたサロードのような）に似ている。タブラ・タランに慣れていない聴き手にとって、ドラムで演奏される微分音に屈折したメロディパターンの音は魔法のようだ。Maitraがリズムのサイクルをより強く暗示し始めると、パッチェンがタブラで加わり、30分にわたるリズムとメロディーの探求が始まる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2872366116\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA: Kamalesh Maitra - Raag Kirwani Part I\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB: Kamalesh Maitra - Raag Kirwani Part II\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCarrying on a string of stunning archival releases from major figures of Indian classical tradition (including releases from members of the Dagar family and Amelia Cuni), Black Truffle is pleased to announce an unheard recording from tabla master Kamalesh Maitra (1924-2005). For over fifty years, Maitra devoted himself to the rare tabla tarang, a set of between ten and sixteen hand drums tuned to the notes of the raag to be performed. While the tabla tarang has its origins in the late 19th century, Maitra was the first to recognise its potential as a solo concert instrument, using the set of tuned drums to perform full-length raags. Seated behind a semi-circular array of drums, Maitra produced stunning waves of melodic improvisation enlivened with the rhythmic invention of a master percussionist.\u003cbr\u003e\u003cbr\u003eAcross his career, Maitra performed in ensembles led by Ravi Shankar, collaborated with George Harrison, and led his own East-West fusion group, the Ragatala Ensemble. However, it is in the solo setting that his remarkable artistry and the otherworldly timbral qualities of the tabla tarang are most strikingly on display. Recorded during the same 1985 Berlin sessions that produced Maitra’s self-released solo LP Tabla Tarang: Ragas on Drums, on Raag Kirwani on Tabla Tarang we are treated to Maitra stretching out\u003cspan class=\"bcTruncateMore\"\u003e for over forty minutes on the late night Raag Kirwani, accompanied by Laura Patchen on tabla and Mila Morgenstern and Marina Kitsos on tanpura. The performance begins with the traditional free-floating exposition section, where Maitra’s spacious melodic improvisation at times almost resembles a plucked string instrument (like the sarod, which Maitra also played). For the listener unaccustomed to the tabla tarang, the sound of these microtonally inflected melodic patterns played on drums has a magic quality. As Maitra begins to imply the rhythmic cycles more strongly, Patchen joins on tabla, beginning half an hour of rhythmic-melodic exploration, where virtuosity sits side by side with delicacy and meditative attention. Accompanied by beautiful archival images and extensive liner notes from Laura Patchen, for many listeners Raag Kirwani on Tabla Tarang will be the perfect introduction to the magical world of Kamalesh Maitra, released to coincide with the hundredth anniversary of the master musician’s birth.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kamalesh Maitra\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No : Black Truffle 126\u003c\/p\u003e"}
You may also like:
インドのタブラ奏者Kamalesh Maitra(1924-2005)が、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 ライブ録音2曲を収録。 以下、レーベルによる解説です。 "タブラ名手Kamalesh Maitra（1924-2005）の未発表音源を発表する。Maitraは50年以上もの間、演奏されるラーグの音に合わせて調律された10～16個のハンドドラムからなる珍しいタブラ・タランに専念してきた。タブラ・タランの起源は19世紀後半にさかのぼるが、ソロコンサート楽器としての可能性を最初に見出したのはMaitraで、調律されたドラムのセットを使って全編のラグを演奏した。半円形に並んだドラムの後ろに座ったMaitraは、メロディックな即興の見事な波を生み出し、パーカッションの名手ならではのリズムの発明で盛り上げた。 そのキャリアを通じて、Maitraはラヴィ・シャンカール率いるアンサンブルで演奏し、ジョージ・ハリソンとコラボレートし、自身の東西フュージョン・グループ、ラガタラ・アンサンブルを率いた。しかし、彼の卓越した芸術性とタブラ・タランの別世界のような音色が最も顕著に発揮されるのは、ソロセッティングにおいてである。MaitraのソロLP『Tabla Tarang』と同じ1985年のベルリンセッションで録音された『 Raag Kirwani on Tabla Tarang』では、タブラのラウラ・パッチェン、タンプラのミラ・モルゲンシュテルンとマリーナ・キトスの伴奏で、Maitraが深夜のRaag...
¥4,869
クイックビュー
{"id":8030318002426,"title":"Marja Ahti \/\/ Tender Membranes LP","handle":"marja-ahti-tender-membranes-lp","description":"\u003cp\u003e過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1877754458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShrine (Aether) 11:38\u003c\/li\u003e\n\u003cli\u003eDust \/ Light 06:40\u003c\/li\u003e\n\u003cli\u003eIn all this, there is a melody that you can sing and to which you may dance 10:48\u003c\/li\u003e\n\u003cli\u003eOh Fragrant Witness 05:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Tender Membranes, the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti. Working with concrete and instrumental sounds, field recordings, and electronics, Ahti favours neither disjunctive collage nor monolithic consistency; rather, her work is composed of organically unfolding sequences of details and textures, which, as she says, ‘can stretch out or cut fast as long as they have a sense of inner stillness’, a sense that she connects to moments of heightened attention in everyday life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTender Membranes consists of four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world. Ahti’s unhurried pacing encourages this sense of listening as an opening or surrender to sound, which can often create the impression that the listener is moving through a space zooming in on details. The opening Shrine (Aether) exemplifies this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aspect of Ahti’s approach: a bell clears the air with a single long tone, followed by the ambience of outdoor spaces, crackling electronics, an archival recording of a horsefly on a windowpane. Dozens of these moments, varying in length, density, and intensity, move past the listener’s attention, momentarily brought into focus then slipping away. Like those of the masters of the French musique concrète tradition, Ahti’s sounds are not often recognisable, though they might suggest proximity or distance, open environments or closed spaces, the urban or rural, day or night. In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust \/ Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-10-10T13:24:27+09:00","created_at":"2023-10-08T09:58:49+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44613623644410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marja Ahti \/\/ Tender Membranes LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","options":["Title"],"media":[{"alt":null,"id":32535225270522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","width":700},{"alt":null,"id":32535225303290,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1877754458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShrine (Aether) 11:38\u003c\/li\u003e\n\u003cli\u003eDust \/ Light 06:40\u003c\/li\u003e\n\u003cli\u003eIn all this, there is a melody that you can sing and to which you may dance 10:48\u003c\/li\u003e\n\u003cli\u003eOh Fragrant Witness 05:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Tender Membranes, the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti. Working with concrete and instrumental sounds, field recordings, and electronics, Ahti favours neither disjunctive collage nor monolithic consistency; rather, her work is composed of organically unfolding sequences of details and textures, which, as she says, ‘can stretch out or cut fast as long as they have a sense of inner stillness’, a sense that she connects to moments of heightened attention in everyday life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTender Membranes consists of four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world. Ahti’s unhurried pacing encourages this sense of listening as an opening or surrender to sound, which can often create the impression that the listener is moving through a space zooming in on details. The opening Shrine (Aether) exemplifies this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aspect of Ahti’s approach: a bell clears the air with a single long tone, followed by the ambience of outdoor spaces, crackling electronics, an archival recording of a horsefly on a windowpane. Dozens of these moments, varying in length, density, and intensity, move past the listener’s attention, momentarily brought into focus then slipping away. Like those of the masters of the French musique concrète tradition, Ahti’s sounds are not often recognisable, though they might suggest proximity or distance, open environments or closed spaces, the urban or rural, day or night. In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust \/ Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 ミニマルな物音ドローン4曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases...
¥4,280
![Eiko Ishibashi // Hyakki Yagyō LP [COLOR]](http://tobirarecords.com/cdn/shop/files/yag1_medium.jpg?v=1754880724)
クイックビュー
{"id":8884826112250,"title":"Eiko Ishibashi \/\/ Hyakki Yagyō LP [COLOR]","handle":"eiko-ishibashi-hyakki-yagyo-lp-color","description":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ2曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3340030543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl.\u003cbr\u003e2025 re-press - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hyakki Yagyō Part 1 18:17\u003cbr\u003e2. Hyakki Yagyō Part 2 19:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce a new solo album by Eiko Ishibashi, her first for the label, following on from the duo recording Ichida alongside bassist Darin Gray. Hyakki Yagyō (Night Parade of One Hundred Demons) was produced for the ‘Japan Supernatural’ exhibition at The Art Gallery of New South Wales, Sydney focusing on ghost stories and folklore from the Edo period onwards. As with The Dream My Bones Dream (Drag City, 2018), the album is a response to troubling questions about Japanese history, and the influence of the past upon the present, but finds Ishibashi shifting further away from her earlier piano-led songwriting and showing a deepening interest in electronics and audio collaging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two sidelong parts of Hyakki Yagyō feature layered synthesisers, acoustic instrumentation, recited verse and field recordings, at times densely mixed but always with a subtle interplay of changing elements. The influence of European and American forerunners as diverse as Alvin Curran, David Behrman and Strafe Für Rebellion can be traced, yet at the same time Ishibashi evokes the flute and string sounds associated with Japanese storytelling, and draws directly on the subversive literary tradition of Kyoka (‘mad poetry’) with a verse by the 15th-century poet Ikkyū Sōjun repeated throughout the\u003cspan class=\"bcTruncateMore\"\u003e album. Revisiting what has gone before, re-thinking what is possible musically, as a way of articulating what else might be possible in the future.\u003cbr\u003e\u003cbr\u003eAs Ishibashi’s liner notes make clear, the album reflects an attention to persistent dangers, myths and evasions in Japanese culture – as well as the lurking uncertainties that might threaten positive change. This would seem to be manifested in the emerging melodies soon met by dissonance, erratic collisions and near silence, as well as the eerie manipulation of the double-tracked vocals. Ishibashi’s underlying concerns ring true more widely of course. Hyakki Yagyō is a work of multiplicities, and mystery, a landscape where nothing is as it seems at first, and everything is vulnerable to sudden violent interruptions.\u003cbr\u003e\u003cbr\u003eThe album was produced with regular collaborators Jim O’Rourke (double bass) and Joe Talia (percussion), and features dancer and choreographer Ryuichi Fujimura performing Ikkyū’s satirical tanka. O’Rourke’s immersive mix creates a three-dimensional effect, with Ishibashi’s various sound sources enmeshing and interacting in captivating ways.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 064\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T07:48:45+09:00","created_at":"2025-08-11T11:54:15+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","jazz","lp","monooto","new"],"price":429800,"price_min":429800,"price_max":429800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603002310906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eiko Ishibashi \/\/ Hyakki Yagyō LP [COLOR]","public_title":null,"options":["Default Title"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101417177","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724","\/\/tobirarecords.com\/cdn\/shop\/files\/yag2.jpg?v=1754880724"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724","options":["Title"],"media":[{"alt":null,"id":36521613525242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag1.jpg?v=1754880724","width":700},{"alt":null,"id":36521613558010,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag2.jpg?v=1754880724"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yag2.jpg?v=1754880724","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eコラージュ・ジャズ2曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3340030543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl.\u003cbr\u003e2025 re-press - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hyakki Yagyō Part 1 18:17\u003cbr\u003e2. Hyakki Yagyō Part 2 19:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce a new solo album by Eiko Ishibashi, her first for the label, following on from the duo recording Ichida alongside bassist Darin Gray. Hyakki Yagyō (Night Parade of One Hundred Demons) was produced for the ‘Japan Supernatural’ exhibition at The Art Gallery of New South Wales, Sydney focusing on ghost stories and folklore from the Edo period onwards. As with The Dream My Bones Dream (Drag City, 2018), the album is a response to troubling questions about Japanese history, and the influence of the past upon the present, but finds Ishibashi shifting further away from her earlier piano-led songwriting and showing a deepening interest in electronics and audio collaging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two sidelong parts of Hyakki Yagyō feature layered synthesisers, acoustic instrumentation, recited verse and field recordings, at times densely mixed but always with a subtle interplay of changing elements. The influence of European and American forerunners as diverse as Alvin Curran, David Behrman and Strafe Für Rebellion can be traced, yet at the same time Ishibashi evokes the flute and string sounds associated with Japanese storytelling, and draws directly on the subversive literary tradition of Kyoka (‘mad poetry’) with a verse by the 15th-century poet Ikkyū Sōjun repeated throughout the\u003cspan class=\"bcTruncateMore\"\u003e album. Revisiting what has gone before, re-thinking what is possible musically, as a way of articulating what else might be possible in the future.\u003cbr\u003e\u003cbr\u003eAs Ishibashi’s liner notes make clear, the album reflects an attention to persistent dangers, myths and evasions in Japanese culture – as well as the lurking uncertainties that might threaten positive change. This would seem to be manifested in the emerging melodies soon met by dissonance, erratic collisions and near silence, as well as the eerie manipulation of the double-tracked vocals. Ishibashi’s underlying concerns ring true more widely of course. Hyakki Yagyō is a work of multiplicities, and mystery, a landscape where nothing is as it seems at first, and everything is vulnerable to sudden violent interruptions.\u003cbr\u003e\u003cbr\u003eThe album was produced with regular collaborators Jim O’Rourke (double bass) and Joe Talia (percussion), and features dancer and choreographer Ryuichi Fujimura performing Ikkyū’s satirical tanka. O’Rourke’s immersive mix creates a three-dimensional effect, with Ishibashi’s various sound sources enmeshing and interacting in captivating ways.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 064\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2020年リリース） コラージュ・ジャズ2曲を収録。DLコード付属。白盤です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥4,298
クイックビュー
{"id":8853257814266,"title":"Annea Lockwood \/\/ On Fractured Ground \/ Skin Resonance LP","handle":"annea-lockwood-on-fractured-ground-skin-resonance-lp","description":"\u003cp\u003eニュージーランドの大御所実験音楽家Annea Lockwoodが、2025年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン〜ストレンジビーツ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ニュージーランド生まれの伝説的な実験音楽家であり、サウンドアートのパイオニアであるAnnea Lockwoodが、Black Truffleレーベルからの3作目となる『On Fractured Ground \/ Skin Resonance』で帰ってきた。先日85歳の誕生日を迎えたばかりのAnnea Lockwoodは、新しい音源の探求や、ヴァネッサ・トムリンソンとの共演など、世代を超えたパフォーマーたちとのコラボレーションに衰えを見せない。ここで紹介する2つの最新作でも、彼女の創造的な活力は相変わらず健在で、音の社会的側面への取り組みと、彼女の芸術の深く内省的で瞑想的な側面の両方を示している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『On Fractured Ground』は、マリア・フスコとマーガレット・サーモンのオペラ映画『History of the Present』（2023年）のサウンドトラックのために、ペドロ・レベロとゲオルギオス・ヴァロウトソスと録音した素材から生まれた。ロックウッド、レベロ、ヴァロウトソスはベルファストで共同作業を行い、1960年代後半に紛争が始まって以来、カトリックとプロテスタントの地域を分けるために建てられた何十もの壁であるベルファストの「ピースライン」を広範囲にわたって録音した。Annea Lockwoodと彼女の共同制作者たちは、これらの障壁の巨大さ、「隣人居住区を分断する残忍な方法」に衝撃を受け、街の音環境ではなく、壁そのものに焦点を当て、手や石や木の葉などの物を使い、巨大な共鳴楽器として壁を演奏した。サウンドトラックが完成した後も、収集した素材を使ってスタジオで制作を続けたAnnea Lockwoodは、ここで紹介する作品を作曲し、彼女自身の拡張されたテクニックの打楽器音楽と、超増幅された小さな音のケージ的伝統の中間のような空間を占めている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e深い銅鑼のような金属音から、乾いた擦過音、不穏なうめき声まで、非正統的な音源に由来する単一の音への持続的なこだわりは、Annea Lockwoodの名作『Glass World』（1967-1970）まで遡る。その広々とした繊細さは、トラブルという暗い歴史的背景と相反し、暴力と紛争の影に取り憑かれたような感動的な聴き心地を生み出している。スキン・レゾナンス』は、オーストラリアの作曲家でパーカッショニストのヴァネッサ・トムリンソンとのコラボレーション。2人が「音の魅力」というアイデアについて語り合う中で生まれたこの作品は、トムリンソンとバスドラムの関係に焦点を当て、「動物、木、金属」であるこの一見シンプルな楽器に具現化された複雑なつながりの網について考察している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eトムリンソンの演奏は、従来の奏法にとらわれず、ドラムの皮、ドラム、金属の共鳴と音色の特性を追求し、通常のドラムのイメージよりも、葉や海を吹き抜ける風に近いテクスチャーの重なりを生み出している。演奏者と楽器の共生関係を強調するトムリンソンの声が時折聞こえ、バスドラムが彼女に示唆する連想とつながりの場を探求している。両作品に関する洞察に満ちたライナーノーツと、『On Fractured Ground』のレコーディングと『Skin Resonance』のパフォーマンスを記録した写真が添えられたこのLPは、50年以上の活動期間を経てなお新たな方向性を見出すAnnea Lockwoodの作品を支える、熱心さ、寛容さ、開放性を示す感動的な証である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171837989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. On Fractured Ground 14:10\u003cbr\u003e2. Annea Lockwood \/ Vanessa Tomlinson - Skin Resonance 17:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLegendary New Zealand-born experimental composer and sound art pioneer Annea Lockwood returns to Black Truffle with On Fractured Ground \/ Skin Resonance, her third release for the label. Having recently celebrated her 85th birthday, Lockwood shows no sign of slowing down in her exploration of new sound sources and collaborations with an ever-growing intergenerational pool of performers – here with Vanessa Tomlinson. Her creative vibrancy is alive as ever on the two recent works presented here, which demonstrate both her engagement with the social dimensions of sound and the deeply reflective, meditative aspect of her art.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Fractured Ground derives from material recorded with Pedro Rebelo and Georgios Varoutsos for the soundtrack of Maria Fusco and Margaret Salmon’s opera-film, History of the Present (2023). Working together in Belfast, Lockwood, Rebelo and Varoutsos made extensive recordings of the city’s ‘peace lines’, the dozens of walls erected since the beginning of the Troubles in the late 1960s to separate Catholic and Protestant areas of the city. Struck by the immensity of these barriers, ‘the brutal way they sever neighbourhoods’, Lockwood and her collaborators focused not on the sound environment of the city, but on the walls\u003cspan class=\"bcTruncateMore\"\u003e themselves, playing them as gigantic resonant instruments, using their hands and objects such as stones and leaves. Continuing to work in her studio with the material collected for the soundtrack after its completion, Lockwood composed the work presented here, occupying a space somewhere between her own extended-technique percussion music and the Cagean tradition of hyper-amplified small sounds. From deep, gong-like metallic tolling to dry scrapes and uneasy groans, the piece’s sustained attention to single sounds derived from unorthodox sources draws a line all the way back to Lockwood’s classic Glass World (1967-1970). Its spaciousness and delicacy are at odds with the dark historical background of the Troubles, creating a moving listening experience somehow haunted by the shadow of violence and conflict.\u003cbr\u003e\u003cbr\u003eSkin Resonance is a collaboration with Australian composer and percussionist Vanessa Tomlinson. Developed through conversations in which the two discussed the idea of ‘sonic attraction’, the piece focuses on Tomlinson’s relationship to the bass drum, reflecting on the complex web of connections embodied in this seemingly simple instrument, which is at once ‘animal, wood, and metal’. Approaching the instrument in a suitably elemental fashion, Tomlinson’s performance strips away conventional technique to explore the resonance and timbral properties of skin, drum, and metal hardware, producing overlapping waves of texture that at times seem closer to wind swishing through leaves or the ocean than anything usually associated with a drum. Emphasising the symbiotic relationship between performer and instrument, Tomlinson’s voice is heard at times, exploring the field of associations and connections the bass drum suggests to her: ‘Maybe the bass drum skin is an ear as well?’\u003cbr\u003e\u003cbr\u003eAccompanied by insightful liner notes on both pieces and photographs documenting the recording of On Fractured Ground and a performance of Skin Resonance, this LP is a moving testament to the engagement, generosity, and openness that sustain Annea Lockwood’s work, still finding new directions after more than fifty years of activity.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annea Lockwood\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 128\u003c\/p\u003e","published_at":"2025-07-08T07:03:58+09:00","created_at":"2025-07-07T09:56:47+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new","strange beats"],"price":486900,"price_min":486900,"price_max":486900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47484140912890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Annea Lockwood \/\/ On Fractured Ground \/ Skin Resonance LP","public_title":null,"options":["Default Title"],"price":486900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101479861","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_6afd9d38-305d-4bfc-80a5-2fe2b34f0e6e.jpg?v=1751849726","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_a638df41-7ea5-4c9a-b209-4091d34d4988.jpg?v=1751849726"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_6afd9d38-305d-4bfc-80a5-2fe2b34f0e6e.jpg?v=1751849726","options":["Title"],"media":[{"alt":null,"id":36329536946426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_6afd9d38-305d-4bfc-80a5-2fe2b34f0e6e.jpg?v=1751849726"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_6afd9d38-305d-4bfc-80a5-2fe2b34f0e6e.jpg?v=1751849726","width":700},{"alt":null,"id":36329536979194,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_a638df41-7ea5-4c9a-b209-4091d34d4988.jpg?v=1751849726"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_a638df41-7ea5-4c9a-b209-4091d34d4988.jpg?v=1751849726","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eニュージーランドの大御所実験音楽家Annea Lockwoodが、2025年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン〜ストレンジビーツ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ニュージーランド生まれの伝説的な実験音楽家であり、サウンドアートのパイオニアであるAnnea Lockwoodが、Black Truffleレーベルからの3作目となる『On Fractured Ground \/ Skin Resonance』で帰ってきた。先日85歳の誕生日を迎えたばかりのAnnea Lockwoodは、新しい音源の探求や、ヴァネッサ・トムリンソンとの共演など、世代を超えたパフォーマーたちとのコラボレーションに衰えを見せない。ここで紹介する2つの最新作でも、彼女の創造的な活力は相変わらず健在で、音の社会的側面への取り組みと、彼女の芸術の深く内省的で瞑想的な側面の両方を示している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『On Fractured Ground』は、マリア・フスコとマーガレット・サーモンのオペラ映画『History of the Present』（2023年）のサウンドトラックのために、ペドロ・レベロとゲオルギオス・ヴァロウトソスと録音した素材から生まれた。ロックウッド、レベロ、ヴァロウトソスはベルファストで共同作業を行い、1960年代後半に紛争が始まって以来、カトリックとプロテスタントの地域を分けるために建てられた何十もの壁であるベルファストの「ピースライン」を広範囲にわたって録音した。Annea Lockwoodと彼女の共同制作者たちは、これらの障壁の巨大さ、「隣人居住区を分断する残忍な方法」に衝撃を受け、街の音環境ではなく、壁そのものに焦点を当て、手や石や木の葉などの物を使い、巨大な共鳴楽器として壁を演奏した。サウンドトラックが完成した後も、収集した素材を使ってスタジオで制作を続けたAnnea Lockwoodは、ここで紹介する作品を作曲し、彼女自身の拡張されたテクニックの打楽器音楽と、超増幅された小さな音のケージ的伝統の中間のような空間を占めている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e深い銅鑼のような金属音から、乾いた擦過音、不穏なうめき声まで、非正統的な音源に由来する単一の音への持続的なこだわりは、Annea Lockwoodの名作『Glass World』（1967-1970）まで遡る。その広々とした繊細さは、トラブルという暗い歴史的背景と相反し、暴力と紛争の影に取り憑かれたような感動的な聴き心地を生み出している。スキン・レゾナンス』は、オーストラリアの作曲家でパーカッショニストのヴァネッサ・トムリンソンとのコラボレーション。2人が「音の魅力」というアイデアについて語り合う中で生まれたこの作品は、トムリンソンとバスドラムの関係に焦点を当て、「動物、木、金属」であるこの一見シンプルな楽器に具現化された複雑なつながりの網について考察している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eトムリンソンの演奏は、従来の奏法にとらわれず、ドラムの皮、ドラム、金属の共鳴と音色の特性を追求し、通常のドラムのイメージよりも、葉や海を吹き抜ける風に近いテクスチャーの重なりを生み出している。演奏者と楽器の共生関係を強調するトムリンソンの声が時折聞こえ、バスドラムが彼女に示唆する連想とつながりの場を探求している。両作品に関する洞察に満ちたライナーノーツと、『On Fractured Ground』のレコーディングと『Skin Resonance』のパフォーマンスを記録した写真が添えられたこのLPは、50年以上の活動期間を経てなお新たな方向性を見出すAnnea Lockwoodの作品を支える、熱心さ、寛容さ、開放性を示す感動的な証である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=171837989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. On Fractured Ground 14:10\u003cbr\u003e2. Annea Lockwood \/ Vanessa Tomlinson - Skin Resonance 17:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLegendary New Zealand-born experimental composer and sound art pioneer Annea Lockwood returns to Black Truffle with On Fractured Ground \/ Skin Resonance, her third release for the label. Having recently celebrated her 85th birthday, Lockwood shows no sign of slowing down in her exploration of new sound sources and collaborations with an ever-growing intergenerational pool of performers – here with Vanessa Tomlinson. Her creative vibrancy is alive as ever on the two recent works presented here, which demonstrate both her engagement with the social dimensions of sound and the deeply reflective, meditative aspect of her art.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Fractured Ground derives from material recorded with Pedro Rebelo and Georgios Varoutsos for the soundtrack of Maria Fusco and Margaret Salmon’s opera-film, History of the Present (2023). Working together in Belfast, Lockwood, Rebelo and Varoutsos made extensive recordings of the city’s ‘peace lines’, the dozens of walls erected since the beginning of the Troubles in the late 1960s to separate Catholic and Protestant areas of the city. Struck by the immensity of these barriers, ‘the brutal way they sever neighbourhoods’, Lockwood and her collaborators focused not on the sound environment of the city, but on the walls\u003cspan class=\"bcTruncateMore\"\u003e themselves, playing them as gigantic resonant instruments, using their hands and objects such as stones and leaves. Continuing to work in her studio with the material collected for the soundtrack after its completion, Lockwood composed the work presented here, occupying a space somewhere between her own extended-technique percussion music and the Cagean tradition of hyper-amplified small sounds. From deep, gong-like metallic tolling to dry scrapes and uneasy groans, the piece’s sustained attention to single sounds derived from unorthodox sources draws a line all the way back to Lockwood’s classic Glass World (1967-1970). Its spaciousness and delicacy are at odds with the dark historical background of the Troubles, creating a moving listening experience somehow haunted by the shadow of violence and conflict.\u003cbr\u003e\u003cbr\u003eSkin Resonance is a collaboration with Australian composer and percussionist Vanessa Tomlinson. Developed through conversations in which the two discussed the idea of ‘sonic attraction’, the piece focuses on Tomlinson’s relationship to the bass drum, reflecting on the complex web of connections embodied in this seemingly simple instrument, which is at once ‘animal, wood, and metal’. Approaching the instrument in a suitably elemental fashion, Tomlinson’s performance strips away conventional technique to explore the resonance and timbral properties of skin, drum, and metal hardware, producing overlapping waves of texture that at times seem closer to wind swishing through leaves or the ocean than anything usually associated with a drum. Emphasising the symbiotic relationship between performer and instrument, Tomlinson’s voice is heard at times, exploring the field of associations and connections the bass drum suggests to her: ‘Maybe the bass drum skin is an ear as well?’\u003cbr\u003e\u003cbr\u003eAccompanied by insightful liner notes on both pieces and photographs documenting the recording of On Fractured Ground and a performance of Skin Resonance, this LP is a moving testament to the engagement, generosity, and openness that sustain Annea Lockwood’s work, still finding new directions after more than fifty years of activity.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annea Lockwood\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 128\u003c\/p\u003e"}
You may also like:
ニュージーランドの大御所実験音楽家Annea Lockwoodが、2025年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 ミニマルな物音ドローン〜ストレンジビーツ2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "ニュージーランド生まれの伝説的な実験音楽家であり、サウンドアートのパイオニアであるAnnea Lockwoodが、Black Truffleレーベルからの3作目となる『On Fractured Ground / Skin Resonance』で帰ってきた。先日85歳の誕生日を迎えたばかりのAnnea Lockwoodは、新しい音源の探求や、ヴァネッサ・トムリンソンとの共演など、世代を超えたパフォーマーたちとのコラボレーションに衰えを見せない。ここで紹介する2つの最新作でも、彼女の創造的な活力は相変わらず健在で、音の社会的側面への取り組みと、彼女の芸術の深く内省的で瞑想的な側面の両方を示している。...
¥4,869
クイックビュー
{"id":7830384935162,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-caught-in-the-dilemma-of-being-made-to-choose-this-makes-the-modesty-which-should-never-been-closed-off-itself-continue-to-ask-itself-ready-or-not-2xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-07T13:24:32+09:00","created_at":"2022-11-07T11:45:10+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","strange beats"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622684000506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","options":["Title"],"media":[{"alt":null,"id":30937460539642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","width":700},{"alt":null,"id":30937460572410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
Keiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。 Keiji Hainoがメタルパーカッション、Jim O'Rourkeがエレクトロニクス、Oren Ambarchiがゴングを演奏したチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。 レーベルその他作品はこちら /// Click here to see more Black...
¥5,480
クイックビュー
{"id":7830388932858,"title":"crys cole \/\/ Other Meetings LP","handle":"crys-cole-other-meetings-lp","description":"\u003cp\u003eカナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1628508021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ePresented with an inner sleeve with photos and liner notes from the composer and remastered audio.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTotalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:12:30+09:00","created_at":"2022-11-07T11:53:30+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622697992442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"crys cole \/\/ Other Meetings LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","options":["Title"],"media":[{"alt":null,"id":30937503760634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_f5e9b983-dbd8-4210-9dbc-0acdbe31a3be.jpg?v=1667789611","width":700},{"alt":null,"id":30937503793402,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_00258154-4a8e-4d98-8b16-c321f5b9d251.jpg?v=1667789611","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1628508021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003ePresented with an inner sleeve with photos and liner notes from the composer and remastered audio.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Sylva Sylvarum, the epic double LP from Ora Clementi (her collaborative project with James Rushford), crys cole returns to Black Truffle with Other Meetings. Originally commissioned and released on cassette by Boomkat Editions in 2021, Other Meetings is a major addition to the body of carefully hewn solo work cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound. After many years dominated by touring and travel, cole found herself in lockdown in her Berlin apartment, working in a limited space with minimal equipment. Digging through archives of recordings taken overseas and exploring the sonic potential hidden in the objects surrounding her (including a coffee pot and a vase of dying flowers), she crafted what in her liner notes she calls ‘an internal dérive, a journey that drifted through many places without a defining compass’.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTotalling over 50 minutes, the two pieces unfold at an unhurried pace, each containing four individually titled subsections. Beginning with a sequence of the highly amplified small sounds characteristic of much of cole’s work, the opening moments of ‘The time between two durations of sleep’ are underpinned by a gentle rocking motion, weaving together contact mic crunch, metallic resonance\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, glimpses of bird song, and isolated drum machine hits, the sonic space expanding and contracting as focus moves between elements. Briefly side-lined by a tactile but unplaceable sizzling, this complex weave of voices then returns in a kind of dubbed-out ‘version’, the percussive accents echoing around the stereo space. In one of the record’s most beautiful and unexpected moments, these sounds are joined by a sparse melodic line performed on a broken 1980s digital synth, the vaguely New Age timbres being taken on a long, tonally ambiguous wander.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCole’s immersion in memories of travel comes to the fore in the final section of the first side, titled ‘Wat Paknam’ after a royal temple in Bangkok, where snatches of voices, ringing bells and distant waves of chanting blur together with synth tones into an increasingly abstracted wave of sound. The second side, ‘Slices of cake’, opens in a similarly hallucinatory outdoor space of echoing bird song and liquified traffic before abruptly zooming in on a microscopic world of subtly processed and highly amplified objects, explored with a starkness and quiet insistence that calls to mind the fringe not-quite-concrète of outsiders like Paul A.R. Timmermans or Knud Viktor, whose obsessive interrogation of dripping water might also serve as a point of reference for the following sub-section, the aptly titled ‘magischer Abfluss’ (magic drain).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Other Meetings develops many aspects of cole’s previous work – the hyper-magnification of small gestures, the unsettling edits and fades partly inspired by hypnagogic states, the location recordings smeared into oneiric haze – it is almost as if these pieces are somehow songs, the remnants of an evaporated music of which nothing remains except isolated hits from a synthetic drum, a handful of notes, or simply a duration of emptied atmosphere. Radically reductive yet deeply musical, Other Meetings is a major work from an artist driven by an uncompromising and idiosyncratic vision.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
カナダの実験音楽家crys coleが、2021年4月にリリースしたカセットの再発レコード盤です。 ロングフォームのコラージュ・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
¥3,580
クイックビュー
{"id":8214972662010,"title":"Dagar Brothers \/\/ Berlin 1964 - Live CD","handle":"dagar-brothers-berlin-1964-live-cd","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e","published_at":"2024-03-09T08:19:09+09:00","created_at":"2024-03-08T10:51:37+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","cd","field recording"],"price":248900,"price_min":248900,"price_max":248900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313299906810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dagar Brothers \/\/ Berlin 1964 - Live CD","public_title":null,"options":["Default Title"],"price":248900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","options":["Title"],"media":[{"alt":null,"id":33335982260474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","width":700},{"alt":null,"id":33335982293242,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e"}
You may also like:
北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ---------------------------- CD...
¥2,489
クイックビュー
{"id":8758874865914,"title":"Oren Ambarchi \/\/ Quixotism (10th Anniversary Remaster) LP","handle":"oren-ambarchi-quixotism-10th-anniversary-remaster-lp","description":"\u003cp\u003e\u003cspan\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、2024年10月にリリースした再発アルバムです。（オリジナルは2014年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884220121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e10th anniversary remaster \u0026amp; reissue - originally released in 2014 on Editions Mego. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Quixotism Part 1 (10th Anniversary Remaster) 18:00\u003cbr\u003e2. Quixotism Part 2 (10th Anniversary Remaster) 04:09\u003cbr\u003e3. Quixotism Part 3 (10th Anniversary Remaster) 06:57\u003cbr\u003e4. Quixotism Part 4 (10th Anniversary Remaster) 02:59\u003cbr\u003e5. Quixotism Part 5 (10th Anniversary Remaster) 14:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped\u003cspan class=\"bcTruncateMore\"\u003e tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, \u003cbr\u003eQuixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.\u003cbr\u003e\u003cbr\u003eAt the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 124\u003c\/p\u003e","published_at":"2025-04-09T06:57:14+09:00","created_at":"2025-04-08T09:49:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new","strange beats"],"price":549000,"price_min":549000,"price_max":549000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47243708170490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oren Ambarchi \/\/ Quixotism (10th Anniversary Remaster) LP","public_title":null,"options":["Default Title"],"price":549000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101472190","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_09c9e93f-3057-4f1f-8e51-e7b53f7164fd.jpg?v=1744073224","\/\/tobirarecords.com\/cdn\/shop\/files\/oren2_62a2a72a-8b57-4bcf-91c4-9b4492059d17.jpg?v=1744073224"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_09c9e93f-3057-4f1f-8e51-e7b53f7164fd.jpg?v=1744073224","options":["Title"],"media":[{"alt":null,"id":35852060885242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_09c9e93f-3057-4f1f-8e51-e7b53f7164fd.jpg?v=1744073224"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_09c9e93f-3057-4f1f-8e51-e7b53f7164fd.jpg?v=1744073224","width":700},{"alt":null,"id":35852060918010,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren2_62a2a72a-8b57-4bcf-91c4-9b4492059d17.jpg?v=1744073224"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren2_62a2a72a-8b57-4bcf-91c4-9b4492059d17.jpg?v=1744073224","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、2024年10月にリリースした再発アルバムです。（オリジナルは2014年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884220121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e10th anniversary remaster \u0026amp; reissue - originally released in 2014 on Editions Mego. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Quixotism Part 1 (10th Anniversary Remaster) 18:00\u003cbr\u003e2. Quixotism Part 2 (10th Anniversary Remaster) 04:09\u003cbr\u003e3. Quixotism Part 3 (10th Anniversary Remaster) 06:57\u003cbr\u003e4. Quixotism Part 4 (10th Anniversary Remaster) 02:59\u003cbr\u003e5. Quixotism Part 5 (10th Anniversary Remaster) 14:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped\u003cspan class=\"bcTruncateMore\"\u003e tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, \u003cbr\u003eQuixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.\u003cbr\u003e\u003cbr\u003eAt the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 124\u003c\/p\u003e"}
You may also like:
オーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、2024年10月にリリースした再発アルバムです。（オリジナルは2014年リリース） 実験アンビエント〜ストレンジビーツ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥5,490
クイックビュー
{"id":8758875881722,"title":"Konrad Sprenger \/\/ Set LP","handle":"konrad-sprenger-set-lp","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家／楽器製作者Konrad Sprengerが、2025年1月に\u003cspan\u003eオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなアンビエント・ダウンテンポ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2662696135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:01\u003cbr\u003e2. II \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e15:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to begin 2025 with a rare solo release from Konrad Sprenger, alias of elusive Berlin composer-producer-instrument builder Jörg Hiller. A prolific collaborator, Sprenger has worked extensively with icons of American minimalism such as Ellen Fullman (with whom her recorded the gloriously eccentric song album Ort) and Arnold Dreyblatt (as a core member of the Orchestra of Excited Strings since 2009), as well as releasing their music on his impeccably curated label, Choose. As an instrument builder and installation artist, he has overseen the creation of a computer-controlled multi-channel electric guitar and, with Phillip Sollmann, a modular pipe organ system designed to be reconfigured from space to space.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn much of Hiller’s work, a scientific approach to acoustic phenomena co-exists with a pop sensibility and a sly sense of humour. Nowhere is this unique combination more in evidence than in his slim body of solo work, beginning with the startling diversity of instrumentation and compositional approaches heard on the short pieces of Miniaturen (2006) and Versprochen (2009), followed by the more single-minded exploration of the computer-controlled electric guitar on Stack Music (2017). Set brings together these various strands\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e of Sprenger’s work into a wildly infectious, playful epic, performed by the composer and the mysterious Ensemble Risonanze Moderne. On the LP’s second side, we are also treated to a guest appearance from longtime collaborator Oren Ambarchi, on whose recent solo releases Simian Angel and Shebang Sprenger has made key production contributions. Ambarchi’s signature stuttering, swirling harmonics weave through a sparkling assemblage of electric guitars, acoustic instruments, percussion and electronics—though, given the deft use that much of Sprenger’s recent production work makes of midi-controlled sampled instrumentation, it’s anyone’s guess where the acoustic ends and the digital begins here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Konrad Sprenger\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 127\u003c\/p\u003e","published_at":"2025-04-10T09:25:29+09:00","created_at":"2025-04-08T09:54:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new","techno \/ house"],"price":488200,"price_min":488200,"price_max":488200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47243713937658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Konrad Sprenger \/\/ Set LP","public_title":null,"options":["Default Title"],"price":488200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101474828","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kon1_e9e6fe61-6a59-4956-b801-cfa7071aed4c.jpg?v=1744073547","\/\/tobirarecords.com\/cdn\/shop\/files\/kon2_44b5829c-3e82-4df2-beb2-e0dbe6fabaab.jpg?v=1744073547"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kon1_e9e6fe61-6a59-4956-b801-cfa7071aed4c.jpg?v=1744073547","options":["Title"],"media":[{"alt":null,"id":35852076482810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kon1_e9e6fe61-6a59-4956-b801-cfa7071aed4c.jpg?v=1744073547"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kon1_e9e6fe61-6a59-4956-b801-cfa7071aed4c.jpg?v=1744073547","width":700},{"alt":null,"id":35852076515578,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kon2_44b5829c-3e82-4df2-beb2-e0dbe6fabaab.jpg?v=1744073547"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kon2_44b5829c-3e82-4df2-beb2-e0dbe6fabaab.jpg?v=1744073547","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家／楽器製作者Konrad Sprengerが、2025年1月に\u003cspan\u003eオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなアンビエント・ダウンテンポ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2662696135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:01\u003cbr\u003e2. II \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e15:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to begin 2025 with a rare solo release from Konrad Sprenger, alias of elusive Berlin composer-producer-instrument builder Jörg Hiller. A prolific collaborator, Sprenger has worked extensively with icons of American minimalism such as Ellen Fullman (with whom her recorded the gloriously eccentric song album Ort) and Arnold Dreyblatt (as a core member of the Orchestra of Excited Strings since 2009), as well as releasing their music on his impeccably curated label, Choose. As an instrument builder and installation artist, he has overseen the creation of a computer-controlled multi-channel electric guitar and, with Phillip Sollmann, a modular pipe organ system designed to be reconfigured from space to space.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn much of Hiller’s work, a scientific approach to acoustic phenomena co-exists with a pop sensibility and a sly sense of humour. Nowhere is this unique combination more in evidence than in his slim body of solo work, beginning with the startling diversity of instrumentation and compositional approaches heard on the short pieces of Miniaturen (2006) and Versprochen (2009), followed by the more single-minded exploration of the computer-controlled electric guitar on Stack Music (2017). Set brings together these various strands\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e of Sprenger’s work into a wildly infectious, playful epic, performed by the composer and the mysterious Ensemble Risonanze Moderne. On the LP’s second side, we are also treated to a guest appearance from longtime collaborator Oren Ambarchi, on whose recent solo releases Simian Angel and Shebang Sprenger has made key production contributions. Ambarchi’s signature stuttering, swirling harmonics weave through a sparkling assemblage of electric guitars, acoustic instruments, percussion and electronics—though, given the deft use that much of Sprenger’s recent production work makes of midi-controlled sampled instrumentation, it’s anyone’s guess where the acoustic ends and the digital begins here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Konrad Sprenger\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 127\u003c\/p\u003e"}
You may also like:
ドイツ・ベルリンの実験音楽家／楽器製作者Konrad Sprengerが、2025年1月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 ロングフォームなアンビエント・ダウンテンポ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥4,882
クイックビュー
{"id":8884695761146,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2025-08-11T07:42:11+09:00","created_at":"2025-08-11T07:41:30+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":779800,"price_min":779800,"price_max":779800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47601831641338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":779800,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
You may also like:
Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥7,798
クイックビュー
{"id":8884825522426,"title":"Eiko Ishibashi \u0026 Darin Grey \/\/ Ichida LP","handle":"eiko-ishibashi-darin-grey-ichida-lp","description":"\u003cp\u003e日本のEiko IshibashiとアメリカのDarin Grey実験音楽家2名が、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eドローン・ジャズ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300511378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ichida Part 1 21:02\u003cbr\u003e2. Ichida Part 2 18:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the release of Ichida, the first release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O’Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O’Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. Presenting the entirely of a live set performed at Tokyo’s Super Deluxe in March 2013, the set begins as a duet for Ishibashi’s flute and Gray’s upright bass. Calmly melodic yet harmonically inventive, with shades of ‘spiritual jazz’, the pair’s acoustic ruminations are gradually joined by Ishibashi’s lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece\u003cspan class=\"bcTruncateMore\"\u003e. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray’s bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O’Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi \u0026amp; Darin Grey\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 039\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T07:45:36+09:00","created_at":"2025-08-11T11:50:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":429800,"price_min":429800,"price_max":429800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47602999853306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eiko Ishibashi \u0026 Darin Grey \/\/ Ichida LP","public_title":null,"options":["Default Title"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"880319917219","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592","\/\/tobirarecords.com\/cdn\/shop\/files\/ichi2.jpg?v=1754880592"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592","options":["Title"],"media":[{"alt":null,"id":36521611919610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi1.jpg?v=1754880592","width":700},{"alt":null,"id":36521611952378,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi2.jpg?v=1754880592"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ichi2.jpg?v=1754880592","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のEiko IshibashiとアメリカのDarin Grey実験音楽家2名が、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eドローン・ジャズ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300511378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ichida Part 1 21:02\u003cbr\u003e2. Ichida Part 2 18:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the release of Ichida, the first release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O’Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O’Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. Presenting the entirely of a live set performed at Tokyo’s Super Deluxe in March 2013, the set begins as a duet for Ishibashi’s flute and Gray’s upright bass. Calmly melodic yet harmonically inventive, with shades of ‘spiritual jazz’, the pair’s acoustic ruminations are gradually joined by Ishibashi’s lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece\u003cspan class=\"bcTruncateMore\"\u003e. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray’s bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O’Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi \u0026amp; Darin Grey\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 039\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
日本のEiko IshibashiとアメリカのDarin Grey実験音楽家2名が、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2018年リリース） ドローン・ジャズ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
¥4,298
クイックビュー
{"id":8884826308858,"title":"Keiji Haino, Jim O'Rourke, Oren Ambarchi \/\/ Each side has a depth of 5 seconds... LP","handle":"keiji-haino-jim-orourke-oren-ambarchi-each-side-has-a-depth-of-5-seconds-a-polka-dot-pattern-in-horizontal-array-a-flickering-that-moves-vertically-lp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2021年にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第10弾です。\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fcRm8VsnzCc?si=VuhCDXnZNBoGgKZo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Introduction 16:42\u003cbr\u003e2. Part I 10:18\u003cbr\u003e3. Part II 07:28\u003cbr\u003e4. Part III 03:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe trio of Keiji Haino, Jim O’Rourke, and Oren Ambarchi return to Black Truffle with their 10th release, recorded live in Tokyo in February, 2017. While many of the trio’s recent works have seen them focussing primarily on their core guitar\/bass\/drums power trio format, on Each side has a depth of 5 seconds A polka dot pattern in horizontal array A flickering that moves vertically these three multi-instrumentalists strike into new territory, utilising an almost entirely electronic set-up, with Haino on electronics, drum machine and suona (a Chinese double-reed horn), O’Rourke on synth, and Ambarchi on pedal steel and electronics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDedicated to the memory of legendary Tokyo underground figure Hideo Ikeezumi, founder of PSF Records and the Modern Music shop and a long-term collaborator with Haino, the LP, (recorded the night Ikeezumi passed away), begins in a sombre, meditative space of rippling, burbling electronics and distant jets of white noise. Though much of the ‘Introduction’ that occupies the record’s first side is spacious and at times almost hushed, the performance is full of unexpected twists and turns, momentary events, and fleeting impressions. The trio conjures up a free-flowing surge of sound in which individual contributions are often difficult to distinguish\u003cspan class=\"bcTruncateMore\"\u003e, calling up echoes of vintage live-electronic sizzle like It’s Viaje or the cavernous expanse of David Behrman’s Wave Train.\u003cbr\u003e\u003cbr\u003eThe LP’s second side opens in a similarly reflective realm, before Haino’s suona enters, taking the music in a more austere, hieratic direction, as the reed’s piercing tones are accompanied by O’Rourke’s uneasy, sliding synth figures and Ambarchi’s shimmering Leslie cabinet tones. On the side’s second piece, Haino’s signature hand-played drum machine takes centre-stage, at first sounding out massive, isolated strikes, before eventually building to a tumbling, Milford Graves-esque wall of thunder. As O’Rourke’s synth squelches and stutters and Ambarchi’s heavily effected pedal steel somehow begins to sound like a kind of hellish blues harmonica, this passage offers up one of the most electrifying and bizarre moments in the trio’s catalogue to date.\u003cbr\u003e\u003cbr\u003eContaining some of the most abstract music the trio have waxed since their very first collaboration over a decade ago (Tima Formosa, BT04), this new missive from underground experimental music’s preeminent power trio shows them restless and risk-taking, clearly enjoying their remarkable improvisational chemistry while also continuing to push themselves into new directions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino, Jim O'Rourke, Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 074\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T11:16:26+09:00","created_at":"2025-08-11T11:57:02+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","new"],"price":437500,"price_min":437500,"price_max":437500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603005227258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino, Jim O'Rourke, Oren Ambarchi \/\/ Each side has a depth of 5 seconds... LP","public_title":null,"options":["Default Title"],"price":437500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101423727","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/each1.jpg?v=1754880916","\/\/tobirarecords.com\/cdn\/shop\/files\/each2.jpg?v=1754880916"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/each1.jpg?v=1754880916","options":["Title"],"media":[{"alt":null,"id":36521614934266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/each1.jpg?v=1754880916"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/each1.jpg?v=1754880916","width":700},{"alt":null,"id":36521614967034,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/each2.jpg?v=1754880916"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/each2.jpg?v=1754880916","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2021年にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第10弾です。\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fcRm8VsnzCc?si=VuhCDXnZNBoGgKZo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Introduction 16:42\u003cbr\u003e2. Part I 10:18\u003cbr\u003e3. Part II 07:28\u003cbr\u003e4. Part III 03:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe trio of Keiji Haino, Jim O’Rourke, and Oren Ambarchi return to Black Truffle with their 10th release, recorded live in Tokyo in February, 2017. While many of the trio’s recent works have seen them focussing primarily on their core guitar\/bass\/drums power trio format, on Each side has a depth of 5 seconds A polka dot pattern in horizontal array A flickering that moves vertically these three multi-instrumentalists strike into new territory, utilising an almost entirely electronic set-up, with Haino on electronics, drum machine and suona (a Chinese double-reed horn), O’Rourke on synth, and Ambarchi on pedal steel and electronics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDedicated to the memory of legendary Tokyo underground figure Hideo Ikeezumi, founder of PSF Records and the Modern Music shop and a long-term collaborator with Haino, the LP, (recorded the night Ikeezumi passed away), begins in a sombre, meditative space of rippling, burbling electronics and distant jets of white noise. Though much of the ‘Introduction’ that occupies the record’s first side is spacious and at times almost hushed, the performance is full of unexpected twists and turns, momentary events, and fleeting impressions. The trio conjures up a free-flowing surge of sound in which individual contributions are often difficult to distinguish\u003cspan class=\"bcTruncateMore\"\u003e, calling up echoes of vintage live-electronic sizzle like It’s Viaje or the cavernous expanse of David Behrman’s Wave Train.\u003cbr\u003e\u003cbr\u003eThe LP’s second side opens in a similarly reflective realm, before Haino’s suona enters, taking the music in a more austere, hieratic direction, as the reed’s piercing tones are accompanied by O’Rourke’s uneasy, sliding synth figures and Ambarchi’s shimmering Leslie cabinet tones. On the side’s second piece, Haino’s signature hand-played drum machine takes centre-stage, at first sounding out massive, isolated strikes, before eventually building to a tumbling, Milford Graves-esque wall of thunder. As O’Rourke’s synth squelches and stutters and Ambarchi’s heavily effected pedal steel somehow begins to sound like a kind of hellish blues harmonica, this passage offers up one of the most electrifying and bizarre moments in the trio’s catalogue to date.\u003cbr\u003e\u003cbr\u003eContaining some of the most abstract music the trio have waxed since their very first collaboration over a decade ago (Tima Formosa, BT04), this new missive from underground experimental music’s preeminent power trio shows them restless and risk-taking, clearly enjoying their remarkable improvisational chemistry while also continuing to push themselves into new directions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino, Jim O'Rourke, Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 074\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
Keiji HainoとJim O'Rourke、Oren Ambarchiが、2021年にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第10弾です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
¥4,375
クイックビュー
{"id":8884826603770,"title":"Eiko Ishibashi \/\/ For McCoy LP","handle":"eiko-ishibashi-for-mccoy-lp","description":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2147917333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I can feel guilty about anything - Part 1 19:23\u003cbr\u003e2. I can feel guilty about anything - Part 2 15:58\u003cbr\u003e3. Ask me how I sleep at night 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law \u0026amp; Order. Following on from Hyakki Yagyō (BT064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in her home studio, aided by a group of close collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeginning with overlapping layers of descending flute lines, the expansive ‘I Can Feel Guilty About Anything’ (whose two parts stretch out over more than thirty minutes) unfolds with a free-associative logic, embracing dreamlike transitions and unexpected cinematic cuts. As a hovering cloud of synthetic tones and multi-tracked voices fans out from the spare opening moments, Joe Talia’s skittering cymbals settle into a gently propulsive groove, soon joined by melodic fragments performed by Daisuke Fujiwara on multi-tracked saxophone. As the drums cede to field recordings and ominous synth figures, the uncommon meeting of saxophone and electroacoustic techniques call to mind the more spacious moments of Michel Redolfi and André Jaume’s Synclavier-propelled oddity Hardscore or\u003cspan class=\"bcTruncateMore\"\u003e the early work of Gilbert Artman’s Urban Sax. As the piece continues on the LP’s second side, distant dialogue rumbles beneath a surface of processed flutes, blurring into a cavernously reverberant backdrop for stark ascending lines performed by MIO.O on violin. Eventually, the piece settles into a gorgeous passage of abstracted dream pop, where Ishibashi’s multitracked vocal harmonies glide atop synth chords, errant pings and snatches of outdoor sound.\u003cbr\u003e\u003cbr\u003eFragments of melodic material reappear throughout the spacious opening piece, finally stepping to the forefront on the closing track, ‘Ask Me How I Sleep at Night’. Here, over a shuffling groove supplied by Jim O’Rourke on double bass and Tatsuhisa Yamamoto on drums, layers of flutes, saxophones and guitars sound out melodies whose combination of twisting irregularity and soulful immediacy calls up prime Keith Jarrett, while their closely voiced harmonies suggest Kenny Wheeler or even Wayne Shorter’s Atlantis. In a classical gesture of closure, the web of melodic lines eventually leads back to the descending flute figures with which the record began. Presented in an immersive, impeccably detailed mix by Jim O’Rourke and arriving in a sleeve featuring Ishibashi’s beautiful drawings of Jack McCoy, For McCoy is an essential release for anyone following the enchanted and unique path being forged by Eiko Ishibashi.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 084\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T07:51:09+09:00","created_at":"2025-08-11T11:59:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","jazz","lp","new"],"price":429800,"price_min":429800,"price_max":429800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603005882618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eiko Ishibashi \/\/ For McCoy LP","public_title":null,"options":["Default Title"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101427930","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080","\/\/tobirarecords.com\/cdn\/shop\/files\/for2_e78abc3d-35c8-4ee8-ac17-2ea068cd6b42.jpg?v=1754881080"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080","options":["Title"],"media":[{"alt":null,"id":36521615720698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for1_91500221-b651-4bf3-8346-00a29a710f03.jpg?v=1754881080","width":700},{"alt":null,"id":36521615753466,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for2_e78abc3d-35c8-4ee8-ac17-2ea068cd6b42.jpg?v=1754881080"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/for2_e78abc3d-35c8-4ee8-ac17-2ea068cd6b42.jpg?v=1754881080","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2147917333\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I can feel guilty about anything - Part 1 19:23\u003cbr\u003e2. I can feel guilty about anything - Part 2 15:58\u003cbr\u003e3. Ask me how I sleep at night 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law \u0026amp; Order. Following on from Hyakki Yagyō (BT064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in her home studio, aided by a group of close collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeginning with overlapping layers of descending flute lines, the expansive ‘I Can Feel Guilty About Anything’ (whose two parts stretch out over more than thirty minutes) unfolds with a free-associative logic, embracing dreamlike transitions and unexpected cinematic cuts. As a hovering cloud of synthetic tones and multi-tracked voices fans out from the spare opening moments, Joe Talia’s skittering cymbals settle into a gently propulsive groove, soon joined by melodic fragments performed by Daisuke Fujiwara on multi-tracked saxophone. As the drums cede to field recordings and ominous synth figures, the uncommon meeting of saxophone and electroacoustic techniques call to mind the more spacious moments of Michel Redolfi and André Jaume’s Synclavier-propelled oddity Hardscore or\u003cspan class=\"bcTruncateMore\"\u003e the early work of Gilbert Artman’s Urban Sax. As the piece continues on the LP’s second side, distant dialogue rumbles beneath a surface of processed flutes, blurring into a cavernously reverberant backdrop for stark ascending lines performed by MIO.O on violin. Eventually, the piece settles into a gorgeous passage of abstracted dream pop, where Ishibashi’s multitracked vocal harmonies glide atop synth chords, errant pings and snatches of outdoor sound.\u003cbr\u003e\u003cbr\u003eFragments of melodic material reappear throughout the spacious opening piece, finally stepping to the forefront on the closing track, ‘Ask Me How I Sleep at Night’. Here, over a shuffling groove supplied by Jim O’Rourke on double bass and Tatsuhisa Yamamoto on drums, layers of flutes, saxophones and guitars sound out melodies whose combination of twisting irregularity and soulful immediacy calls up prime Keith Jarrett, while their closely voiced harmonies suggest Kenny Wheeler or even Wayne Shorter’s Atlantis. In a classical gesture of closure, the web of melodic lines eventually leads back to the descending flute figures with which the record began. Presented in an immersive, impeccably detailed mix by Jim O’Rourke and arriving in a sleeve featuring Ishibashi’s beautiful drawings of Jack McCoy, For McCoy is an essential release for anyone following the enchanted and unique path being forged by Eiko Ishibashi.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 084\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
日本の実験音楽家Eiko Ishibashiが、2025年7月にオーストラリアの実験レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2022年リリース） アンビエント・スピリチュアルジャズ3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥4,298
クイックビュー
{"id":8853258469626,"title":"ENSEMBLE NIST-NAH \/\/ Spilla LP","handle":"ensemble-nist-nah-spilla-lp","description":"\u003cp\u003eオーストラリア出身フランス在住のドラマーWill Guthrie率いる打楽器集団ENSEMBLE NIST-NAHが、2025年6月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e世界中のあらゆる民族打楽器を駆使したサイケデリックなストレンジビーツ〜トライバル・テクノ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3488443981\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gerak Maju 02:16\u003cbr\u003e2. Strollabout 02:54\u003cbr\u003e3. Bleed 06:03\u003cbr\u003e4. Pasang 05:20\u003cbr\u003e5. Spilla 05:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Snakelike 05:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Ghosty Klang 05:13\u003cbr\u003e\u003c\/span\u003e8. Frogzit 03:46\u003cbr\u003e9. Uncle 12:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer\/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to\u003cspan class=\"bcTruncateMore\"\u003e contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.\u003cbr\u003e\u003cbr\u003eThe two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.\u003cbr\u003e\u003cbr\u003eBeautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ENSEMBLE NIST-NAH\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 130\u003c\/p\u003e","published_at":"2025-07-08T07:10:03+09:00","created_at":"2025-07-07T10:00:16+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","lp","new","strange beats","techno \/ house"],"price":479500,"price_min":479500,"price_max":479500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47484162638074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"ENSEMBLE NIST-NAH \/\/ Spilla LP","public_title":null,"options":["Default Title"],"price":479500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101481741","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929","\/\/tobirarecords.com\/cdn\/shop\/files\/nis2.jpg?v=1751849929"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929","options":["Title"],"media":[{"alt":null,"id":36329553559802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929","width":700},{"alt":null,"id":36329553592570,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis2.jpg?v=1751849929"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis2.jpg?v=1751849929","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア出身フランス在住のドラマーWill Guthrie率いる打楽器集団ENSEMBLE NIST-NAHが、2025年6月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e世界中のあらゆる民族打楽器を駆使したサイケデリックなストレンジビーツ〜トライバル・テクノ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3488443981\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gerak Maju 02:16\u003cbr\u003e2. Strollabout 02:54\u003cbr\u003e3. Bleed 06:03\u003cbr\u003e4. Pasang 05:20\u003cbr\u003e5. Spilla 05:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Snakelike 05:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Ghosty Klang 05:13\u003cbr\u003e\u003c\/span\u003e8. Frogzit 03:46\u003cbr\u003e9. Uncle 12:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer\/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to\u003cspan class=\"bcTruncateMore\"\u003e contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.\u003cbr\u003e\u003cbr\u003eThe two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.\u003cbr\u003e\u003cbr\u003eBeautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ENSEMBLE NIST-NAH\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 130\u003c\/p\u003e"}
You may also like:
オーストラリア出身フランス在住のドラマーWill Guthrie率いる打楽器集団ENSEMBLE NIST-NAHが、2025年6月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 世界中のあらゆる民族打楽器を駆使したサイケデリックなストレンジビーツ〜トライバル・テクノ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
Sold Out
クイックビュー
{"id":8065829142778,"title":"Alvin Lucier \/\/ Works for the Ever Present Orchestra Vol. II LP","handle":"alvin-lucier-works-for-the-ever-present-orchestra-vol-ii-lp","description":"\u003cp\u003e2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin Lucierがこのアンサンブルのために書いた音楽の核となるのは、2013年に探求を始めたエレクトリックギターという楽器である。e-bowで演奏されるこれらの作品では、エレクトリック・ラップスティールギターが、1980年代初頭以降のAlvin Lucierの作品の多くで聴かれる、ゆっくりと掃引するピュアウェーブ・オシレーターのような役割を担っている。この印象的でエレガントな2曲のコンポジションは、Alvin Lucierの後期音楽への理想的な導入となるだろう。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこの2つの作品はまったく異なる性格を持っており、密接に関連した作曲手順や関心事から、驚くほど幅広い音楽的成果を収穫する\u003cmeta charset=\"utf-8\"\u003eAlvin Lucierの能力を例証している。『Arrigoni Bridge』（2019年）では、Lucierは『Still Lives』（1995年）のような以前の作品でおなじみの技法を用いており、そこではサイン波が家庭用品の形をなぞっている。ここでは、3本のエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（Oren Ambarchi、Bernhard Rietbrock、Jan Thobenが演奏）が、コネチカット州ミドルタウンとポートランドを結ぶアリゴーニ橋の形をなぞる。橋の2つの巨大な鋼鉄の円弧は、ゆっくりとスイープする音程となり、アルト・サックス（ジョアン・ジョルディ・オリヴァー・アルコス）、ヴァイオリン（レベッカ・ティース）、チェロ（ルーシー・レイルトン）がロングトーンを持続し、ギターとの距離や近さによって様々な聴こえる拍動パターンを作り出す。重厚なテンポ、温かみのある中音域の音色、サスティン楽器の豊かな音色バリエーションなど、『Arrigoni Bridge』は、没入感を生み出すコンポジション・リダクションの美しい例である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、『Flips』（2020年）はもっと渋い。2本の\u003cmeta charset=\"utf-8\"\u003eエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（リートボックとトーベン）、コントラバス（ロス・ワイトマン）、グロッケンシュピール（トレヴァー・セイント）、弓で弾く2つのアコースティック楽器のために作曲されたこの曲は、メジャー・セカンド（半音2つ）の音域にズームインしている。コントラバスとグロッケンシュピールは長い音色を維持し、ギターの音色との距離によって異なる速度のビートを生み出す。このように音域が制限されているため、音楽はしばしば不協和音となり、聴感上の拍動現象が表面化する。一見シンプルな素材の中に無限に近い複雑さを見出すLucierの能力を示すこの『Works for the Ever Present Orchestra Vol.II』は、実験音楽の伝統の主要人物の一人にふさわしいオマージュであり、彼の作品の継続的なパワーの証でもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=397154890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArrigoni Bridge 21:09\u003c\/li\u003e\n\u003cli\u003eFlips 16:03\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorks for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-11-07T07:35:45+09:00","created_at":"2023-11-04T15:06:42+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp"],"price":397200,"price_min":397200,"price_max":397200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728515330298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Works for the Ever Present Orchestra Vol. II LP","public_title":null,"options":["Default Title"],"price":397200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","options":["Title"],"media":[{"alt":null,"id":32641517912314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","width":700},{"alt":null,"id":32641517945082,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin Lucierがこのアンサンブルのために書いた音楽の核となるのは、2013年に探求を始めたエレクトリックギターという楽器である。e-bowで演奏されるこれらの作品では、エレクトリック・ラップスティールギターが、1980年代初頭以降のAlvin Lucierの作品の多くで聴かれる、ゆっくりと掃引するピュアウェーブ・オシレーターのような役割を担っている。この印象的でエレガントな2曲のコンポジションは、Alvin Lucierの後期音楽への理想的な導入となるだろう。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこの2つの作品はまったく異なる性格を持っており、密接に関連した作曲手順や関心事から、驚くほど幅広い音楽的成果を収穫する\u003cmeta charset=\"utf-8\"\u003eAlvin Lucierの能力を例証している。『Arrigoni Bridge』（2019年）では、Lucierは『Still Lives』（1995年）のような以前の作品でおなじみの技法を用いており、そこではサイン波が家庭用品の形をなぞっている。ここでは、3本のエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（Oren Ambarchi、Bernhard Rietbrock、Jan Thobenが演奏）が、コネチカット州ミドルタウンとポートランドを結ぶアリゴーニ橋の形をなぞる。橋の2つの巨大な鋼鉄の円弧は、ゆっくりとスイープする音程となり、アルト・サックス（ジョアン・ジョルディ・オリヴァー・アルコス）、ヴァイオリン（レベッカ・ティース）、チェロ（ルーシー・レイルトン）がロングトーンを持続し、ギターとの距離や近さによって様々な聴こえる拍動パターンを作り出す。重厚なテンポ、温かみのある中音域の音色、サスティン楽器の豊かな音色バリエーションなど、『Arrigoni Bridge』は、没入感を生み出すコンポジション・リダクションの美しい例である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、『Flips』（2020年）はもっと渋い。2本の\u003cmeta charset=\"utf-8\"\u003eエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（リートボックとトーベン）、コントラバス（ロス・ワイトマン）、グロッケンシュピール（トレヴァー・セイント）、弓で弾く2つのアコースティック楽器のために作曲されたこの曲は、メジャー・セカンド（半音2つ）の音域にズームインしている。コントラバスとグロッケンシュピールは長い音色を維持し、ギターの音色との距離によって異なる速度のビートを生み出す。このように音域が制限されているため、音楽はしばしば不協和音となり、聴感上の拍動現象が表面化する。一見シンプルな素材の中に無限に近い複雑さを見出すLucierの能力を示すこの『Works for the Ever Present Orchestra Vol.II』は、実験音楽の伝統の主要人物の一人にふさわしいオマージュであり、彼の作品の継続的なパワーの証でもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=397154890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArrigoni Bridge 21:09\u003c\/li\u003e\n\u003cli\u003eFlips 16:03\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorks for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。 以下、レーベルによる解説です。 "『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin...
Sold Out
クイックビュー
{"id":7511819124986,"title":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","handle":"david-behrman-viewfinder-hide-seek-lp","description":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-01-19T18:08:39+09:00","created_at":"2022-01-11T16:10:00+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","post newage"],"price":296000,"price_min":296000,"price_max":296000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42303956943098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Behrman \/\/ ViewFinder \/ Hide \u0026 Seek LP","public_title":null,"options":["Default Title"],"price":296000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","options":["Title"],"media":[{"alt":null,"id":28986636370170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_d6f43c2c-7a6a-408d-9994-004bc3b8b2d2.jpg?v=1641885003","width":700},{"alt":null,"id":28986636402938,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_7961b663-0e1d-4e43-b4ad-ba4f5c4e4260.jpg?v=1641885003","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Presented in a deluxe gatefold sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Black Truffle:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Behrman\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
アメリカの大御所実験音楽家David Behrmanが、Jon GibsonとWerner Durandとコラボレーションした作品です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":8108861260026,"title":"Sam Dunscombe \/\/ Two Forests LP","handle":"sam-dunscombe-two-forests-lp","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法（スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど）で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。\u003cmeta charset=\"utf-8\"\u003eDunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、\u003cmeta charset=\"utf-8\"\u003eDunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、\u003cmeta charset=\"utf-8\"\u003eDunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests \/ Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1440076836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2F 19:30\u003c\/li\u003e\n\u003cli\u003eO 18:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt via Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"[\u003ci\u003e...] \u003c\/i\u003e\u003cem\u003e‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests \/ Oceanic is almost guaranteed to produce beneficial psychological results. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Dunscombe\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-12-10T12:13:47+09:00","created_at":"2023-12-10T10:39:21+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","field recording","lp","monooto"],"price":464200,"price_min":464200,"price_max":464200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868831117562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Dunscombe \/\/ Two Forests LP","public_title":null,"options":["Default Title"],"price":464200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","options":["Title"],"media":[{"alt":null,"id":32817702338810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_2d9a8f27-3c00-4a1e-a35d-d37b6b731294.jpg?v=1702172363","width":700},{"alt":null,"id":32817702371578,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_116d6758-c3a7-4dbe-9be1-399735f124cf.jpg?v=1702172363","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法（スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど）で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。\u003cmeta charset=\"utf-8\"\u003eDunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、\u003cmeta charset=\"utf-8\"\u003eDunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、\u003cmeta charset=\"utf-8\"\u003eDunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests \/ Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1440076836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2F 19:30\u003c\/li\u003e\n\u003cli\u003eO 18:14\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt via Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"[\u003ci\u003e...] \u003c\/i\u003e\u003cem\u003e‘Two Forests’ begins in a central Californian sequoia grove. Bird songs and buzzing insect life are treated with a variety of time-based processing methods (slicing and recombination, primitive granular synthesis, delay, and so on), which strip the field recordings of their linear, documentary character, reframing them in an enchanted web of traces and echoes. Analysing the pitches found in the original recordings, Dunscombe used them to generate a large Just Intonation pitch set. These tones are woven slowly into the field recordings, gradually building in density and complexity until the forest has been transformed into an unreal space of infinite proportions. Emerging from this cosmic expanse in the final minutes of the piece, we find ourselves in the Amazon rainforest outside Manaus, Brazil. As Dunscombe writes, the piece creates ‘a sense of place-gone-strange, of space and time simultaneously expanding and contracting across octaves, miles, and minutes’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn ‘Oceanic’, several recordings of different beaches fade in and out to create a texture both homogenous and constantly shifting in both the rhythm of the waves and each recording's sense of depth and distance. Tones relating in simple ratios to the average rhythm of each beach float over each other, colouring the white noise texture of the field recordings with shifting hues. In both pieces, Dunscombe forgoes the easy consonance that bogs down much contemporary ambient music for a richer harmonic array informed by extended tuning practices and spectralism. The end results suggest a hitherto undreamt-of meeting of Radulescu’s undulating sonic masses and the discreetly processed location recordings of Irv Teibel’s ‘psychologically ultimate’ Environments. Looking beyond the insularity that can afflict experimental music culture, Dunscombe’s work is a moving argument for the healing power of expanded approaches to sound and music. Even outside of a psychedelics-assisted therapy, frequent immersion in Two Forests \/ Oceanic is almost guaranteed to produce beneficial psychological results. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Dunscombe\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
ドイツ・ベルリンの実験音楽家Sam Dunscombeが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 森と海のフィールドレコーディングを加工した物音コラージュ・ドローン2曲を収録。 以下、レーベルによる解説です。 『Two Forests』はカリフォルニア中央部のセコイア林から始まる。鳥のさえずりや虫の鳴き声は、さまざまな時間ベースの処理方法（スライシングと組み換え、原始的なグラニュラーシンセシス、ディレイなど）で処理され、フィールドレコーディングから直線的でドキュメンタリー的な性格を取り除き、痕跡とエコーの魅惑的な網の目の中に再構築される。Dunscombeは、オリジナルレコーディングに含まれるピッチを分析し、大規模なジャストイントネーションのピッチセットを生成した。これらの音は、フィールドレコーディングの中にゆっくりと織り込まれ、徐々に密度と複雑さを増していき、森が無限のプロポーションを持つ非現実的な空間へと変化していく。曲の終盤、この宇宙的な広がりから抜け出して、私たちはブラジルのマナウス郊外のアマゾンの熱帯雨林にいることに気づく。Dunscombeが書いているように、この作品は「オクターブ、マイル、分を越えて、空間と時間が同時に膨張と収縮を繰り返す、奇妙な場所の感覚」を生み出している。 『Oceanic』では、さまざまな浜辺の録音がフェードイン、フェードアウトを繰り返し、波のリズムとそれぞれの録音の奥行きと距離感が、均質でありながら絶えず変化するテクスチャーを作り出している。それぞれの浜辺の平均的なリズムに単純な比率で関連する音色が互いに重なり合い、フィールドレコーディングのホワイトノイズの質感を移り変わる色合いで彩る。両作品とも、Dunscombeは現代のアンビエントミュージックの安易な協和音を排し、拡張調律の実践とスペクトラリズムから得たより豊かなハーモニーの配列に取り組んでいる。その結果、ラドゥレスクのうねるような音の塊と、アーヴタイベルの「心理学的に究極の」エンバイロメンツの控えめに処理されたロケーションレコーディングの、これまで夢にも思わなかった出会いを示唆している。実験音楽文化を苦しめかねない偏狭さを超えて、Dunscombeの作品は、音と音楽への幅広いアプローチが持つ癒しの力を感動的に主張している。サイケデリックセラピー以外でも、『Two Forests / Oceanic』に頻繁に浸ることで、心理的に有益な結果が得られることはほぼ確実である。" レーベルその他作品はこちら /// Click here to see...
Sold Out
クイックビュー
{"id":8758874898682,"title":"Oren Ambarchi \/\/ Quixotism (10th Anniversary Remaster) CD","handle":"oren-ambarchi-quixotism-10th-anniversary-remaster-cd","description":"\u003cp\u003e\u003cspan\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、2024年10月にリリースした再発アルバムです。（オリジナルは2014年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884220121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003cbr\u003e10th anniversary remaster \u0026amp; reissue - originally released in 2014 on Editions Mego. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Quixotism Part 1 (10th Anniversary Remaster) 18:00\u003cbr\u003e2. Quixotism Part 2 (10th Anniversary Remaster) 04:09\u003cbr\u003e3. Quixotism Part 3 (10th Anniversary Remaster) 06:57\u003cbr\u003e4. Quixotism Part 4 (10th Anniversary Remaster) 02:59\u003cbr\u003e5. Quixotism Part 5 (10th Anniversary Remaster) 14:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped\u003cspan class=\"bcTruncateMore\"\u003e tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, \u003cbr\u003eQuixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.\u003cbr\u003e\u003cbr\u003eAt the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 124\u003c\/p\u003e","published_at":"2025-04-09T06:58:11+09:00","created_at":"2025-04-08T09:49:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","cd","new","strange beats"],"price":219000,"price_min":219000,"price_max":219000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47243708203258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Oren Ambarchi \/\/ Quixotism (10th Anniversary Remaster) CD","public_title":null,"options":["Default Title"],"price":219000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101472183","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_b25e064d-197a-4254-b00f-f9368a0f8a5e.jpg?v=1744073416","\/\/tobirarecords.com\/cdn\/shop\/files\/oren3.jpg?v=1744073416"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_b25e064d-197a-4254-b00f-f9368a0f8a5e.jpg?v=1744073416","options":["Title"],"media":[{"alt":null,"id":35852070715642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_b25e064d-197a-4254-b00f-f9368a0f8a5e.jpg?v=1744073416"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren1_b25e064d-197a-4254-b00f-f9368a0f8a5e.jpg?v=1744073416","width":700},{"alt":null,"id":35852070748410,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren3.jpg?v=1744073416"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oren3.jpg?v=1744073416","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、2024年10月にリリースした再発アルバムです。（オリジナルは2014年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884220121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003cbr\u003e10th anniversary remaster \u0026amp; reissue - originally released in 2014 on Editions Mego. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Quixotism Part 1 (10th Anniversary Remaster) 18:00\u003cbr\u003e2. Quixotism Part 2 (10th Anniversary Remaster) 04:09\u003cbr\u003e3. Quixotism Part 3 (10th Anniversary Remaster) 06:57\u003cbr\u003e4. Quixotism Part 4 (10th Anniversary Remaster) 02:59\u003cbr\u003e5. Quixotism Part 5 (10th Anniversary Remaster) 14:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped\u003cspan class=\"bcTruncateMore\"\u003e tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, \u003cbr\u003eQuixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.\u003cbr\u003e\u003cbr\u003eAt the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 124\u003c\/p\u003e"}
You may also like:
オーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、2024年10月にリリースした再発アルバムです。（オリジナルは2014年リリース） 実験アンビエント〜ストレンジビーツ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":8758872899834,"title":"crys cole \/\/ Making Conversation LP","handle":"crys-cole-making-conversation-lp","description":"\u003cp\u003eカナダの実験音楽家crys coleが、2024年9月に\u003cspan\u003eオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e電子音で制作した擬似フィールドレコーディング〜物音コラージュ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307191495\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Making Conversation 20:08\u003cbr\u003e2. Valid ForeverrRrrRRrrr… (pt.1) 10:59\u003cbr\u003e3. Valid ForeverrRrrRRrrr… (pt.2) 07:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ecrys cole returns to Black Truffle with Making Conversation, her third solo release for the label. After the intimate song-like constructions of Other Meetings (BT096), Making Conversation documents a different facet of cole’s work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia \/ San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant\u003cspan class=\"bcTruncateMore\"\u003e roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic AACM, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.\u003cbr\u003e\u003cbr\u003e‘Valid ForeverrRrrRRrrr… (pt. 1)’ began as cole’s contribution to an Issue Project Room commission to realise a score from Alison Knowles and Annea Lockwood’s Women´s Work, a 1975 collection of text and conceptual scores by women artists and composers. cole’s piece begins from Beth Anderson’s Valid for Life, a complex arrangement of the letter R in various typefaces. Where the composer suggests a realisation on a trio of acoustic instruments (playing rolls with velvet beaters), cole translates the piece into her characteristic sound and object language as a trio of rolling sounds on ‘two large similar paper things and one 5-pin bowling ball’. Rolling from one side of the stereo field to the other, the bowling ball’s uneven movement is the heart of this immersive textural array, created with the simplest materials, which generates phantom sensations of pitch and phasing effects solely through amplified friction.\u003cbr\u003e\u003cbr\u003eOn ‘Valid ForeverrRrrRRrrr… (pt. 2)’, cole makes a first foray in translating her signature approach into conventional instrumental sounds, here in the form of a transcription for MIDI percussion ensemble. The result is refreshingly puzzling, comparable perhaps only to the sparsest moments of Keiji Haino’s classic “C’est parfait…” Accompanied with extensive liner notes, photographic documentation and a download code, Making Conversation is an exciting next step in cole’s work, extending her signature concerns in new sonic and conceptual directions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 123\u003c\/p\u003e","published_at":"2025-04-10T09:21:35+09:00","created_at":"2025-04-08T09:43:37+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":458500,"price_min":458500,"price_max":458500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47243702108410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"crys cole \/\/ Making Conversation LP","public_title":null,"options":["Default Title"],"price":458500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101472015","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mak1_a9fced17-1c01-4b31-80fd-fdea5b2fd6b4.jpg?v=1744072931","\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_853aed9b-5e96-48c0-aa95-3ae13110f3c4.jpg?v=1744072931"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak1_a9fced17-1c01-4b31-80fd-fdea5b2fd6b4.jpg?v=1744072931","options":["Title"],"media":[{"alt":null,"id":35852044763386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak1_a9fced17-1c01-4b31-80fd-fdea5b2fd6b4.jpg?v=1744072931"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak1_a9fced17-1c01-4b31-80fd-fdea5b2fd6b4.jpg?v=1744072931","width":700},{"alt":null,"id":35852044796154,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_853aed9b-5e96-48c0-aa95-3ae13110f3c4.jpg?v=1744072931"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mak2_853aed9b-5e96-48c0-aa95-3ae13110f3c4.jpg?v=1744072931","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの実験音楽家crys coleが、2024年9月に\u003cspan\u003eオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e電子音で制作した擬似フィールドレコーディング〜物音コラージュ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307191495\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Making Conversation 20:08\u003cbr\u003e2. Valid ForeverrRrrRRrrr… (pt.1) 10:59\u003cbr\u003e3. Valid ForeverrRrrRRrrr… (pt.2) 07:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ecrys cole returns to Black Truffle with Making Conversation, her third solo release for the label. After the intimate song-like constructions of Other Meetings (BT096), Making Conversation documents a different facet of cole’s work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia \/ San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant\u003cspan class=\"bcTruncateMore\"\u003e roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic AACM, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.\u003cbr\u003e\u003cbr\u003e‘Valid ForeverrRrrRRrrr… (pt. 1)’ began as cole’s contribution to an Issue Project Room commission to realise a score from Alison Knowles and Annea Lockwood’s Women´s Work, a 1975 collection of text and conceptual scores by women artists and composers. cole’s piece begins from Beth Anderson’s Valid for Life, a complex arrangement of the letter R in various typefaces. Where the composer suggests a realisation on a trio of acoustic instruments (playing rolls with velvet beaters), cole translates the piece into her characteristic sound and object language as a trio of rolling sounds on ‘two large similar paper things and one 5-pin bowling ball’. Rolling from one side of the stereo field to the other, the bowling ball’s uneven movement is the heart of this immersive textural array, created with the simplest materials, which generates phantom sensations of pitch and phasing effects solely through amplified friction.\u003cbr\u003e\u003cbr\u003eOn ‘Valid ForeverrRrrRRrrr… (pt. 2)’, cole makes a first foray in translating her signature approach into conventional instrumental sounds, here in the form of a transcription for MIDI percussion ensemble. The result is refreshingly puzzling, comparable perhaps only to the sparsest moments of Keiji Haino’s classic “C’est parfait…” Accompanied with extensive liner notes, photographic documentation and a download code, Making Conversation is an exciting next step in cole’s work, extending her signature concerns in new sonic and conceptual directions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crys cole\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 123\u003c\/p\u003e"}
You may also like:
カナダの実験音楽家crys coleが、2024年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 電子音で制作した擬似フィールドレコーディング〜物音コラージュ3曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":7956339359994,"title":"Richard Youngs \/\/ Modern Sorrow 12\"","handle":"richard-youngs-modern-sorrow-12","description":"\u003cp\u003eイギリスの実験音楽家Richard Youngsが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;Bやラップ、Mobb Deep、DJ Shadowなどをさりげなくサンプリングした実験ポップ2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=967749403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with Modern Sorrow. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats? Continuing in the grand Youngs tradition of exploring new techniques, instrumentation and approaches while bringing to all of them his idiosyncratic touch, Modern Sorrow serves up two sides of twistedly elegiac, radically stark takes on contemporary pop production.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe side-long title track is built from a piano sample, synthetic bass notes and organ swells, and an iterative blurt that seems to have wandered out of a 90s jungle track. Eventually joined by a shuffling drum machine, the track moves very slowly through a series of chords, each delayed long enough that its arrival comes as a major event. Over the top, Youngs’ heavily pitch-corrected voice is heard. The processing paints his signature wandering melodic improvisations with shades of contemporary R\u0026amp;B; at the same time, it cuts the natural swoops and glides of Youngs’ melodies into rapid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microtonal trills, giving his voice a quavering, middle eastern feel. Unfolding languorously over more than 17 minutes, the piece’s final minutes make room for an extended drumless coda, returning to the stark palette of its opening moments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the second side, the two parts of ‘Benevolence’ push this minimalism ever further, its first half consisting of nothing more than a remarkably slow drum machine hit, bass-heavy chords and pitch-corrected voice, here so heavily processed that it starts to resemble a shawn solo. In its second part, the harmonic foundation drops out from under the piece while two more voices join; at some moments the voices pause, leaving nothing more than isolated, metronomic drum hits. Though Youngs has explored the sound worlds associated with dance music and contemporary pop in previous work, here these elements are radically reduced, foregrounding a meditative bed of silence with a boldness equal to any more academically inclined contemporary composer. Embracing the accessible digital tools of contemporary music production just as at another moment he would pick up a kazoo, like much of Youngs’ work Modern Sorrow uses simple DIY tools to generous ends, producing formally radical music that remains both free from pretension and deeply moving.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Youngs\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-04-12T15:25:48+09:00","created_at":"2023-04-09T17:49:10+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","folk \/ left-field pop","hiphop \/ funk","lp"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44160659292410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Richard Youngs \/\/ Modern Sorrow 12\"","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_978afb37-52ce-4ad0-be2e-6e1ee5f1dbdd.jpg?v=1681030152"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152","options":["Title"],"media":[{"alt":null,"id":31808909377786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_43179673-e4ab-4539-bd0d-edb71bd3eef8.jpg?v=1681030152","width":700},{"alt":null,"id":31808909410554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_978afb37-52ce-4ad0-be2e-6e1ee5f1dbdd.jpg?v=1681030152"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_978afb37-52ce-4ad0-be2e-6e1ee5f1dbdd.jpg?v=1681030152","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Richard Youngsが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;Bやラップ、Mobb Deep、DJ Shadowなどをさりげなくサンプリングした実験ポップ2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=967749403\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with Modern Sorrow. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats? Continuing in the grand Youngs tradition of exploring new techniques, instrumentation and approaches while bringing to all of them his idiosyncratic touch, Modern Sorrow serves up two sides of twistedly elegiac, radically stark takes on contemporary pop production.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe side-long title track is built from a piano sample, synthetic bass notes and organ swells, and an iterative blurt that seems to have wandered out of a 90s jungle track. Eventually joined by a shuffling drum machine, the track moves very slowly through a series of chords, each delayed long enough that its arrival comes as a major event. Over the top, Youngs’ heavily pitch-corrected voice is heard. The processing paints his signature wandering melodic improvisations with shades of contemporary R\u0026amp;B; at the same time, it cuts the natural swoops and glides of Youngs’ melodies into rapid\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microtonal trills, giving his voice a quavering, middle eastern feel. Unfolding languorously over more than 17 minutes, the piece’s final minutes make room for an extended drumless coda, returning to the stark palette of its opening moments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the second side, the two parts of ‘Benevolence’ push this minimalism ever further, its first half consisting of nothing more than a remarkably slow drum machine hit, bass-heavy chords and pitch-corrected voice, here so heavily processed that it starts to resemble a shawn solo. In its second part, the harmonic foundation drops out from under the piece while two more voices join; at some moments the voices pause, leaving nothing more than isolated, metronomic drum hits. Though Youngs has explored the sound worlds associated with dance music and contemporary pop in previous work, here these elements are radically reduced, foregrounding a meditative bed of silence with a boldness equal to any more academically inclined contemporary composer. Embracing the accessible digital tools of contemporary music production just as at another moment he would pick up a kazoo, like much of Youngs’ work Modern Sorrow uses simple DIY tools to generous ends, producing formally radical music that remains both free from pretension and deeply moving.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Youngs\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
イギリスの実験音楽家Richard Youngsが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 R&Bやラップ、Mobb Deep、DJ Shadowなどをさりげなくサンプリングした実験ポップ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available...
Sold Out
クイックビュー
{"id":7677226647802,"title":"Brunhild Ferrari \u0026 Christoph Heemann \/\/ Stürmische Ruhe LP","handle":"brunhild-ferrari-christoph-heemann-sturmische-ruhe-lp","description":"\u003cp\u003eフランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eローエンド・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592241563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning collaboration with Jim O’Rourke (Le Piano Englouti, BT055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBanging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brunhild Ferrari \u0026amp; Christoph Heemann\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-07-21T13:53:18+09:00","created_at":"2022-07-15T12:36:21+09:00","vendor":"Tobira Records","type":"","tags":["andrew","black truffle","drone","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993233461498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brunhild Ferrari \u0026 Christoph Heemann \/\/ Stürmische Ruhe LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","options":["Title"],"media":[{"alt":null,"id":30124649480442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_ae07f4c4-db83-4942-92b3-23c625388a54.jpg?v=1657856183","width":700},{"alt":null,"id":30124649513210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_85f8ecaa-f55c-456b-bf21-4d4bf705a36b.jpg?v=1657856183","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eローエンド・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592241563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter her stunning collaboration with Jim O’Rourke (Le Piano Englouti, BT055), Brunhild Ferrari returns to Black Truffle with Stürmische Ruhe, her first duo with Christoph Heemann. A legendary figure in underground music, Heemann has quietly produced a unique body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980, including collaborations with Merzbow, Organum and Nurse With Wound, the eerie psychedelia of Mirror (with Andrew Chalk), In Camera (with Timo van Lujik) and Plastic Palace People (with Jim O’Rourke), and the precise cinema pour l’oreille constructions of his solo works. Created together in Ferrari’s Parisian studio (once shared with Luc) between 2011 and 2014, Stürmische Ruhe is a single half-hour piece that folds rain and storm recordings into a intricately woven fabric of haunted electronics, unexpected edits and disorienting processing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBanging with the jarring thump of a slamming door (an element that will reappear periodically throughout the piece as a kind of punctuation mark), it is immediately obvious that concrete sound is used here in a free, poetic way outside of the strict confines of documentary field recording. The wind captured by Ferrari’s microphone roars and whistles, accompanied by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e thick clusters of wavering tones whose unpredictable rises and falls in volumes are synchronised with the bumping and thudding of windows and doors. At some points the microphone sound melts into a wavering low-bit digital smear before fanning out into broad, atmospheric depths. The cinema for the ear constructed here suggests not linear narrative or documentary, but an organic flow of cross-fades, double-exposures and abrupt cuts, a free-associative dream in which wind and water take on mythical characteristics.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout the piece's second half, layers of synthetic floating tones and pinging upward glissandi negotiate a constantly shifting balance with wind-borne whispers and rustles, at times dropping to silence, at others rising up with elemental force. As Ferrari explains in her liner notes, Stürmische Ruhe is a meeting of ‘completely opposite sound worlds’ in which ‘almost-violence’ is joined with a ‘reconciling harmony’. Reaffirming the infinite possibilities of the musique concrète tradition while avoiding its academic tropes, Stürmische Ruhe is accompanied by tri-lingual liner notes from Brunhild Ferrari and arrives in a sleeve graced with the beautiful art informel paintings of her father, Wolfgang Meyer Tomin. Cut at 45rpm for maximum fidelity.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brunhild Ferrari \u0026amp; Christoph Heemann\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
フランスの実験音楽家Brunhild Ferrariとドイツのドローン作家Christoph Heemannが、2022年6月にリリースした共作レコードです。 ローエンド・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":8884826898682,"title":"Sombat Simla \/\/ Master Of Bamboo Mouth Organ - Isan, Thailand LP","handle":"sombat-simla-master-of-bamboo-mouth-organ-isan-thailand-lp-1","description":"\u003cp\u003eタイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806481222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLine Rod Fai - Train 04:33\u003c\/li\u003e\n\u003cli\u003eTuey Non Tarn 03:06\u003c\/li\u003e\n\u003cli\u003eLom Phat Prow 03:11\u003c\/li\u003e\n\u003cli\u003eTang Waii - Wicker Stool 02:42\u003c\/li\u003e\n\u003cli\u003eLai Soy Puen Baan 03:25\u003c\/li\u003e\n\u003cli\u003eLine Khene Racing 04:36\u003c\/li\u003e\n\u003cli\u003eHak Sao Siang Khene 03:17\u003c\/li\u003e\n\u003cli\u003eSeung Swing 03:09\u003c\/li\u003e\n\u003cli\u003eSiang Khene Hoy Hooun 03:05\u003c\/li\u003e\n\u003cli\u003eKhene Lam Sing 03:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the\u003cspan class=\"bcTruncateMore\"\u003e remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.\u003cbr\u003e\u003cbr\u003eLater the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.\u003cbr\u003eAs Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sombat Simla\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 112\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-13T11:13:23+09:00","created_at":"2025-08-11T12:03:35+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":465300,"price_min":465300,"price_max":465300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603006439674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sombat Simla \/\/ Master Of Bamboo Mouth Organ - Isan, Thailand LP","public_title":null,"options":["Default Title"],"price":465300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101456763","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","options":["Title"],"media":[{"alt":null,"id":32869964218618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas1_a57003c2-aa2a-442f-8169-112eb55f2258.jpg?v=1703302708","width":700},{"alt":null,"id":32869964251386,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mas2.jpg?v=1703302708","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eタイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806481222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLine Rod Fai - Train 04:33\u003c\/li\u003e\n\u003cli\u003eTuey Non Tarn 03:06\u003c\/li\u003e\n\u003cli\u003eLom Phat Prow 03:11\u003c\/li\u003e\n\u003cli\u003eTang Waii - Wicker Stool 02:42\u003c\/li\u003e\n\u003cli\u003eLai Soy Puen Baan 03:25\u003c\/li\u003e\n\u003cli\u003eLine Khene Racing 04:36\u003c\/li\u003e\n\u003cli\u003eHak Sao Siang Khene 03:17\u003c\/li\u003e\n\u003cli\u003eSeung Swing 03:09\u003c\/li\u003e\n\u003cli\u003eSiang Khene Hoy Hooun 03:05\u003c\/li\u003e\n\u003cli\u003eKhene Lam Sing 03:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce the first LP documenting master khene player Sombat Simla, the label’s first collaboration with Japanese sound artist, field recordist, and researcher Yasuhiro Morinaga. Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAided by a group of Thai friends, in 2018 Morinaga travelled to the Maha Sarakham province in the Isan region, arranging to meet Simla in a remote spot surrounded by rice fields. Then and there, Morinaga recorded the solo performances heard on the LP’s first side. At Morinaga’s request, Simla began with a rendition of the train song ‘Lot Fay Tay Lang’. Beginning with long tones that seem to mimic a train horn, the performance soon moves into a rapid chugging rhythm, interrupted at points by vocal exclamations and the\u003cspan class=\"bcTruncateMore\"\u003e remarkable timbre Simla produces by singing through the khene. To listeners unfamiliar with Thai music, the pentatonic scales and rhythmic chug of many of the pieces can have surprising echoes of the rawest American blues. The range of Simla’s performance is astonishing, moving from compulsive rhythmic workouts on single chords and rapid-fire runs of single notes to gentle sing-song melodies, and using a fascinating array of techniques, including a rapid tremolo that sometimes sounds almost electronic.\u003cbr\u003e\u003cbr\u003eLater the same day, Morinaga followed Simla to a cattle shed where he met percussionist Mali Moodsansee to play some molam (folk songs found in Isan and neighbouring Laos), with Pattardon Ekchatree joining in on cymbal. At times, these molam songs have a wistful, romantic character quite different from the solo pieces. Backed up by the propulsive hand drums, Simla again dazzles with his melodic fluidity, rhythmic drive, and wild displays of unorthodox technique.\u003cbr\u003eAs Morinaga writes, ‘It felt like they had been playing together so long that their breathing was perfectly in sync, and it was like listening to the precision of James Brown’s funk’. Accompanied by extensive liner notes by Morinaga detailing the day of recording, this is a stunning document of a master musician, seamlessly integrating tradition and innovation.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sombat Simla\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 112\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
タイの竹笛オルガン「ケーン」奏者Sombat Simlaが、2023年11月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 ライナーノート付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":8884826702074,"title":"Giuseppe Ielasi \/\/ Down On Darkened Meetings LP","handle":"giuseppe-ielasi-down-on-darkened-meetings-lp-1","description":"\u003cp\u003eイタリアの実験音楽家Giuseppe Ielasiが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263588966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 01 06:18\u003cbr\u003e2. 02 06:05\u003cbr\u003e3. 03 05:52\u003cbr\u003e4. 04 02:32\u003cbr\u003e5. 05 04:44\u003cbr\u003e6. 06 04:50\u003cbr\u003e7. 07 05:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less prominent in his work over the next decade, ceding to loop-based constructs that would eventually split into abstracted takes on club music and hip-hop (including his work as Inventing Masks), on the one hand, and spectral electroacoustic explorations (such as the stunning triple disc 3 pauses), on the other. Returning to the guitar in recent years, he has approached the instrument as a source of shimmering metallic glissandi (Five Wooden Frames) or as the vehicle of elegiac double-tracked lines that feel almost like Frisell playing Feldman (The Prospect). Here the focus is on electric guitar filtered, looped, and splayed out into fields of irregular echoes through a bank of pedals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike many of Ielasi’s releases, Down On Darkened Meetings is structured as a set of short untitled pieces (here ranging\u003cspan class=\"bcTruncateMore\"\u003e between two and six minutes in length) that single-mindedly explore a single instrument or source throughout. The opening track immediately introduced the distinctive timbral world of fizzing, heavily filtered tones, chiming harmonics, and woozy looping bass figures inhabited throughout. At points it becomes near impossible to trace these sounds to the strings of an electric guitar; at others, as on the final two pieces, the instrument is unmistakable, as Ielasi builds up his shifting loops from snatches of almost unintentional sounding half-playing that give these closing tracks a hushed, private atmosphere reminiscent of Tolerance’s Anonym. While the repeating chords and hanging melodic figures present on many tracks call to mind earlier Ielasi classics like Gesine and Untitled, here the music feels less meticulously constructed than played: Ielasi’s lyrical guitar lines obscured by a battery of effects at times come across like a dilated take on the outer-fringe fretwork of improvisers like Henry Kaiser and Raymond Boni, and the muddy, asynchronous fields of pops and hiss at times wander into areas reminiscent of the hand-played dub techno of Vladislav Delay’s Multila.\u003cbr\u003e\u003cbr\u003eLike much of Ielasi’s work in recent years, these seven pieces perform a delicate balancing act: between abstraction and immediacy, austerity and abundance. Imbued with Ielasi’s distinctive lightness of touch, considered approach to pacing, and subtly psychedelic approach to the stereo field, Down on Darkened Meetings is a major new work from a quiet master of contemporary experimental music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 102\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-12T06:22:22+09:00","created_at":"2025-08-11T12:00:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new"],"price":445600,"price_min":445600,"price_max":445600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603006013690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giuseppe Ielasi \/\/ Down On Darkened Meetings LP","public_title":null,"options":["Default Title"],"price":445600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101448003","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/down1_d092bc3f-4fbe-4400-aa1d-8c1ce273aab5.jpg?v=1754881291","\/\/tobirarecords.com\/cdn\/shop\/files\/down2_56c2abcb-1e04-4946-b8fd-43dc5e9f4ff0.jpg?v=1754881290"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/down1_d092bc3f-4fbe-4400-aa1d-8c1ce273aab5.jpg?v=1754881291","options":["Title"],"media":[{"alt":null,"id":36521618538746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down1_d092bc3f-4fbe-4400-aa1d-8c1ce273aab5.jpg?v=1754881291"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down1_d092bc3f-4fbe-4400-aa1d-8c1ce273aab5.jpg?v=1754881291","width":700},{"alt":null,"id":36521618571514,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down2_56c2abcb-1e04-4946-b8fd-43dc5e9f4ff0.jpg?v=1754881290"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down2_56c2abcb-1e04-4946-b8fd-43dc5e9f4ff0.jpg?v=1754881290","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Giuseppe Ielasiが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレキギターによるアンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263588966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 01 06:18\u003cbr\u003e2. 02 06:05\u003cbr\u003e3. 03 05:52\u003cbr\u003e4. 04 02:32\u003cbr\u003e5. 05 04:44\u003cbr\u003e6. 06 04:50\u003cbr\u003e7. 07 05:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less prominent in his work over the next decade, ceding to loop-based constructs that would eventually split into abstracted takes on club music and hip-hop (including his work as Inventing Masks), on the one hand, and spectral electroacoustic explorations (such as the stunning triple disc 3 pauses), on the other. Returning to the guitar in recent years, he has approached the instrument as a source of shimmering metallic glissandi (Five Wooden Frames) or as the vehicle of elegiac double-tracked lines that feel almost like Frisell playing Feldman (The Prospect). Here the focus is on electric guitar filtered, looped, and splayed out into fields of irregular echoes through a bank of pedals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike many of Ielasi’s releases, Down On Darkened Meetings is structured as a set of short untitled pieces (here ranging\u003cspan class=\"bcTruncateMore\"\u003e between two and six minutes in length) that single-mindedly explore a single instrument or source throughout. The opening track immediately introduced the distinctive timbral world of fizzing, heavily filtered tones, chiming harmonics, and woozy looping bass figures inhabited throughout. At points it becomes near impossible to trace these sounds to the strings of an electric guitar; at others, as on the final two pieces, the instrument is unmistakable, as Ielasi builds up his shifting loops from snatches of almost unintentional sounding half-playing that give these closing tracks a hushed, private atmosphere reminiscent of Tolerance’s Anonym. While the repeating chords and hanging melodic figures present on many tracks call to mind earlier Ielasi classics like Gesine and Untitled, here the music feels less meticulously constructed than played: Ielasi’s lyrical guitar lines obscured by a battery of effects at times come across like a dilated take on the outer-fringe fretwork of improvisers like Henry Kaiser and Raymond Boni, and the muddy, asynchronous fields of pops and hiss at times wander into areas reminiscent of the hand-played dub techno of Vladislav Delay’s Multila.\u003cbr\u003e\u003cbr\u003eLike much of Ielasi’s work in recent years, these seven pieces perform a delicate balancing act: between abstraction and immediacy, austerity and abundance. Imbued with Ielasi’s distinctive lightness of touch, considered approach to pacing, and subtly psychedelic approach to the stereo field, Down on Darkened Meetings is a major new work from a quiet master of contemporary experimental music.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 102\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イタリアの実験音楽家Giuseppe Ielasiが、2023年4月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 エレキギターによるアンビエント7曲を収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":7923205439738,"title":"Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke \/\/ Tonic 19-01-2001 LP","handle":"tony-conrad-arnold-dreyblatt-jim-orourke-tonic-19-01-2001-lp","description":"\u003cp\u003eTony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。\u003c\/p\u003e\n\u003cp\u003e「作曲からリスニングへ」「音の内側から音に働きかける」という\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConrad\u003c\/span\u003eの欲求を完璧に表現したエゴレス・ミュージックです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2858616682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Celebrating its one hundredth release, Black Truffle is honoured to present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O’Rourke. Across a two-night programme organised by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O’Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt’s ensemble and the second the trio heard here. As Dreyblatt points out in the wonderfully informative and reflective liner notes written for this release, this was a collaboration across generations, reflecting the profound impact of Conrad’s pioneering minimalism on Dreyblatt and O’Rourke. Both Dreyblatt and O’Rourke came to this collaboration armed with a deep appreciation of Conrad’s music and the just intonation principles at its core, Dreyblatt having first encountered the incredible power of Conrad’s precisely tuned violin chords during his tenure as an archivist for La Monte Young in 1975, while O’Rourke had performed with Conrad in various settings since the mid-1990s (as well as admiring, reissuing, and performing Dreyblatt's music).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe flyer for the concert promised ‘massive\u003cspan class=\"bcTruncateMore\"\u003e, ecstatic, pulsating overtones’, and the trio certainly delivered. From the moment this keening stream of bowed strings begins, it is clear, as Dreyblatt writes, that we are in ‘Tony’s sonic universe’, as massively amplified, slowly shifting combinations of precisely chosen pitches fill the room with complex beating patterns and ghostly difference tones. For more than twenty-five minutes, the music operates at a level of intensity comparable to classic recordings such as Conrad’s Four Violins, until the texture thins out slightly in the performance’s final quarter, allowing for the listener’s first recognition of the individual voices that make up this enormous, overwhelming harmonic edifice. The constant stream of bowed tones is broken by a beautifully rich pizzicato from Conrad on monochord, the sliding low tones and metallic shimmer of the other strings taking the set's final moments on an unexpected detour into spacious pastoral psychedelia.\u003cbr\u003e\u003cbr\u003eThough produced by three individuals known for their own distinctive bodies of the work, this is egoless music, the perfect expression of Conrad's desire 'to move away from composing to listening', to 'working \"on\" the sound from \"inside\" the sound'. Historically important and overwhelming in sonic impact, this release also serves as a moving tribute to Tony Conrad from two musicians profoundly marked by the example set by his art and life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-02-22T16:27:21+09:00","created_at":"2023-02-22T13:47:26+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44013323256058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke \/\/ Tonic 19-01-2001 LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","\/\/tobirarecords.com\/cdn\/shop\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","options":["Title"],"media":[{"alt":null,"id":31566120222970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_ecd0a02f-cc2b-4654-ae08-b3b62427e6f2.jpg?v=1677041248","width":700},{"alt":null,"id":31566120255738,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to2_77d07140-e114-4b8c-bcb0-030e5bb9aaf6.jpg?v=1677041248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。\u003c\/p\u003e\n\u003cp\u003e「作曲からリスニングへ」「音の内側から音に働きかける」という\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConrad\u003c\/span\u003eの欲求を完璧に表現したエゴレス・ミュージックです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2858616682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Celebrating its one hundredth release, Black Truffle is honoured to present a major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O’Rourke. Across a two-night programme organised by David Weinstein at legendary New York experimental venue Tonic in January 2001, Conrad, Dreyblatt and O’Rourke presented individual projects before performing a collaborative set each night, the first with members of Dreyblatt’s ensemble and the second the trio heard here. As Dreyblatt points out in the wonderfully informative and reflective liner notes written for this release, this was a collaboration across generations, reflecting the profound impact of Conrad’s pioneering minimalism on Dreyblatt and O’Rourke. Both Dreyblatt and O’Rourke came to this collaboration armed with a deep appreciation of Conrad’s music and the just intonation principles at its core, Dreyblatt having first encountered the incredible power of Conrad’s precisely tuned violin chords during his tenure as an archivist for La Monte Young in 1975, while O’Rourke had performed with Conrad in various settings since the mid-1990s (as well as admiring, reissuing, and performing Dreyblatt's music).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe flyer for the concert promised ‘massive\u003cspan class=\"bcTruncateMore\"\u003e, ecstatic, pulsating overtones’, and the trio certainly delivered. From the moment this keening stream of bowed strings begins, it is clear, as Dreyblatt writes, that we are in ‘Tony’s sonic universe’, as massively amplified, slowly shifting combinations of precisely chosen pitches fill the room with complex beating patterns and ghostly difference tones. For more than twenty-five minutes, the music operates at a level of intensity comparable to classic recordings such as Conrad’s Four Violins, until the texture thins out slightly in the performance’s final quarter, allowing for the listener’s first recognition of the individual voices that make up this enormous, overwhelming harmonic edifice. The constant stream of bowed tones is broken by a beautifully rich pizzicato from Conrad on monochord, the sliding low tones and metallic shimmer of the other strings taking the set's final moments on an unexpected detour into spacious pastoral psychedelia.\u003cbr\u003e\u003cbr\u003eThough produced by three individuals known for their own distinctive bodies of the work, this is egoless music, the perfect expression of Conrad's desire 'to move away from composing to listening', to 'working \"on\" the sound from \"inside\" the sound'. Historically important and overwhelming in sonic impact, this release also serves as a moving tribute to Tony Conrad from two musicians profoundly marked by the example set by his art and life.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tony Conrad \/ Arnold Dreyblatt \/ Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
Tony ConradとArnold Dreyblatt、Jim O'Rourkeが、2001年にNYの伝説的な実験音楽箱Tonicで行ったコンサートの録音です。 「作曲からリスニングへ」「音の内側から音に働きかける」というConradの欲求を完璧に表現したエゴレス・ミュージックです。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
Sold Out
クイックビュー
{"id":7830387228922,"title":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","handle":"amelia-cuni-mumbai-04-02-1996-2xlp","description":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:19:28+09:00","created_at":"2022-11-07T11:50:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","field recording","lp"],"price":508000,"price_min":508000,"price_max":508000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622691733754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","public_title":null,"options":["Default Title"],"price":508000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","options":["Title"],"media":[{"alt":null,"id":30937487606010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","width":700},{"alt":null,"id":30937487638778,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
イタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。 彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
Sold Out
クイックビュー
{"id":7788157174010,"title":"Alvin Curran \/\/ Drumming Up Trouble LP","handle":"alvin-curran-drumming-up-trouble-lp","description":"\u003cp\u003e\u003cspan\u003e大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。\u003cmeta charset=\"utf-8\"\u003eCurranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、\u003cmeta charset=\"utf-8\"\u003eCurranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat ThomasとMatt Wand、リスボンのPrincipeレーベルによるKudoro\/Grimeの推進力の間の空間を占めているのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranの作品の幅は驚くほど広いので、彼の作品をよく知るリスナーが、新しい方向に枝分かれしていることに驚くことはまずないでしょう。しかし、彼の作品にどれだけ精通していても、サイドBの壮大で奇妙な「Field it More」に備えることはできません。この狂気と感染力を持った作品については、マエストロ自身の言葉で説明してもらうのが一番でしょう。ジェームス・ブラウンのような8小節のファンキーなミニマル・リフがシンセと調子の悪いピアノで演奏され、ローランドのドラムマシンのプリペイド・パッチと同期しているのが特徴です。ドラムマシーン・ファンク、狂気の即興演奏、息苦しいエレクトロニクス、そして最終的には巨大で重層的なクラスターに分解されたこの荒々しい自家製音楽に、漠然とでも匹敵する参考文献として思い浮かぶのはPekka AiraksinenのBuddha of the Golden Lightだけです。古代と現代、合成と人間、ヒステリックと厳格、Drumming up Troubleは100％\u003cmeta charset=\"utf-8\"\u003eCurranです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1355308266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-10-04T18:46:25+09:00","created_at":"2022-10-02T10:05:15+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","hiphop \/ funk","lp","strange beats"],"price":359000,"price_min":359000,"price_max":359000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43471048179962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Drumming Up Trouble LP","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","\/\/tobirarecords.com\/cdn\/shop\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","options":["Title"],"media":[{"alt":null,"id":30621178527994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up1_716454a1-a375-4258-8ea8-03b26ef8dae3.jpg?v=1664672717","width":700},{"alt":null,"id":30621178560762,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/up2_c0c64815-145c-4d09-970c-abf1ba22b5d6.jpg?v=1664672717","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。\u003cmeta charset=\"utf-8\"\u003eCurranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、\u003cmeta charset=\"utf-8\"\u003eCurranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat ThomasとMatt Wand、リスボンのPrincipeレーベルによるKudoro\/Grimeの推進力の間の空間を占めているのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eCurranの作品の幅は驚くほど広いので、彼の作品をよく知るリスナーが、新しい方向に枝分かれしていることに驚くことはまずないでしょう。しかし、彼の作品にどれだけ精通していても、サイドBの壮大で奇妙な「Field it More」に備えることはできません。この狂気と感染力を持った作品については、マエストロ自身の言葉で説明してもらうのが一番でしょう。ジェームス・ブラウンのような8小節のファンキーなミニマル・リフがシンセと調子の悪いピアノで演奏され、ローランドのドラムマシンのプリペイド・パッチと同期しているのが特徴です。ドラムマシーン・ファンク、狂気の即興演奏、息苦しいエレクトロニクス、そして最終的には巨大で重層的なクラスターに分解されたこの荒々しい自家製音楽に、漠然とでも匹敵する参考文献として思い浮かぶのはPekka AiraksinenのBuddha of the Golden Lightだけです。古代と現代、合成と人間、ヒステリックと厳格、Drumming up Troubleは100％\u003cmeta charset=\"utf-8\"\u003eCurranです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1355308266\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of hip-hop samples. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Curran\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
大御所実験音楽家Alvin Curranが、2022年9月にリリースした最新レコードです。以下、レーベル解説です。 Black Truffleは、Alvin Curranの未発表音源をレーベルとして初めてリリースする『Drumming Up Trouble』を発表することに胸を躍らせています。2018年から2021年にかけて録音された作品と、タイトルが示すように80年代初期に遡る作品を集めた『Drumming Up Trouble』は、Curranの百科辞典的かつ雑食な音楽世界のこれまでほとんど知られていなかった側面、サンプリングとシンセサイザーによるパーカッションの実験に焦点を当てています。Curranの素晴らしい、荒々しいライナーノーツが明らかにしているように、彼のドラミングに対する魅力は、MEVの初期から彼の作品を特徴づけてきた、音楽の基本的要素に対するラディカルな調査に属するもので、（最近のインタビューで彼が言うように）「人類の音楽の歴史において存在しないスタート時点に何らかの集団的方法で」戻ることを目指しているのです。人類の祖先がどのような音楽を演奏していたとしても、「ドラムはミックスの最前列と中心だった。ドラムが支配している！」と彼は書いています。Curranらしい逆説的なアプローチで、『Drumming Up Trouble』は、この音楽の最も古い次元を現代のテクノロジーで問い直したものです。第一面では、Curranが1980年代から改良を重ねてきたサンプリング・ソフトウェアとフルサイズのMIDIキーボードのセットアップを使用して演奏された最近の作品を聴くことができます。そのうちの2曲は、主にヒップホップの膨大なサンプルバンクを利用した荒々しいリアルタイムの即興演奏です。ドラムマシンの断片のポリリズムのレイヤーから、ヴォーカルサンプルの衝突、スクラッチ、必死のピッチシフトによるワイルドな不協和音まで、エネルギッシュで時に滑稽なこれらの作品は、John OswaldのPlunderphonics、Tony Oxley QuartetのPat...
Sold Out
クイックビュー
{"id":7677219504378,"title":"Oren Ambarchi \/\/ Live Hubris LP","handle":"oren-ambarchi-live-hubris-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eColoured vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOperating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-07-15T15:03:57+09:00","created_at":"2022-07-15T12:34:19+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","jazz","lp","strange beats"],"price":388000,"price_min":388000,"price_max":388000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42993224188154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Oren Ambarchi \/\/ Live Hubris LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","options":["Title"],"media":[{"alt":null,"id":30124638896378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_6f0074f0-927b-47c8-b5de-175e352f480b.jpg?v=1657856061","width":700},{"alt":null,"id":30124638929146,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_559a95df-9513-4dda-95af-cba1b02b3e9c.jpg?v=1657856061","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1990140267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eColoured vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50\/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOperating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
オーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
Sold Out
クイックビュー
{"id":6845037805733,"title":"Phew \/ Ambarchi \/ O'Rourke \/\/ Patience Soup LP","handle":"phew-ambarchi-orourke-patience-soup-lp","description":"\u003cp\u003e実験界隈の大御所3名による共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177601561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePresented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phew \/ Ambarchi \/ O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2021-06-18T10:31:28+09:00","created_at":"2021-06-17T18:12:22+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","lp","monooto"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40168179105957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phew \/ Ambarchi \/ O'Rourke \/\/ Patience Soup LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144","options":["Title"],"media":[{"alt":null,"id":22608400122021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa.jpg?v=1623921144","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験界隈の大御所3名による共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177601561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePatience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O’Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnown to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on most of her past releases to focus solely on her raw DIY electronics and possessed vocal stylings. Forming a perfect companion to 2017’s well-received Voice Hardcore, a series of pieces composed of only her processed voice that saw Phew push her work into the most abstract terrain yet, Patience Soup finds the trio inhabiting an uneasy landscape of moans, howls, and smeared electronic sonorities.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePresented in atmosphere-enhancing room fidelity, the set begins in crunching textural abstraction and Phew’s vocal asides, set against a backdrop of Ambarchi’s shimmering Leslie-cabinet guitar tones and O’Rourke’s synthetic slivers. A testament to the risk-taking prowess of these three master improvisers, the performance moves\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organically from ecstatic crescendos powered by Phew’s processed wails to moments of near-silence in which a translucent veil of lingering electronic tones is gently punctuated by O’Rourke’s chiming piano chords. Constantly shifting, both harmonically and dynamically, Patience Soup is suffused throughout with a haunted energy and shows these three established figures continuing to venture out into uncharted territory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phew \/ Ambarchi \/ O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
You may also like:
実験界隈の大御所3名による共作レコードです。 Description by Black Truffle: "Patience Soup presents the entirety of a live performance...
Sold Out
クイックビュー
{"id":8214972367098,"title":"Dagar Brothers \/\/ Berlin 1964 - The Lost Studio Recording LP","handle":"dagar-brothers-berlin-1964-the-lost-studio-recording-lp","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2467674308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaga Malkauns 22:19\u003c\/li\u003e\n\u003cli\u003eRaga Jaijaivanti 24:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Berlin 1964 – The Lost Studio Recording (released alongside BT115, a newly discovered concert recording from the same trip) presents two unheard side-long performances in crystalline fidelity, recorded at the International Institute for Comparative Studies and Documentation in Berlin headed by Alain Daniélou. These stunning recordings were consigned to the archive because, as Peter Pannke explains in his liner notes, which recount his meeting with Danielou many years after these recordings were made, the tape ran out during ‘Raga Jaijaivanti’, which terminates abruptly soon after the entry of the pakhawaj.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of the severe, serious midnight ‘Raga Malkauns’, set to a ten beat cycle once the pakhawaj enters, and the complex early evening ‘Raga Jaijaivanti’, set to a fourteen beat cycle in its rhythmic section. True to the traditional dhrupad structure, both performances are dominated by the long free-floating alap section, where the notes of the raga are gradually introduced, slowly climbing in pitch and intensity as the two singers trade improvisations that display a stunning range of vocal tones and remarkable subtlety in mictrotonal nuance. The performance of ‘Raga Malkauns’ is divided roughly in half, with the pakhawaj and unison singing entering around thirteen minutes through; Raja Chatrapati Singh’s performance is particularly striking in its endlessly inventive metrical nuance within the overall crescendo and acceleration. On ‘Raga Jaijaivanti’, the alap lasts almost twenty minutes, with Singh joining only for a few minutes of sparse pakhawaj hits before the tape cuts off, the absence of the more active concluding section serving only to magnify the mystical calm the Dagar Brothers establish in this setting of a 16th century love poem.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 114\u003c\/p\u003e","published_at":"2024-03-09T08:18:14+09:00","created_at":"2024-03-08T10:48:32+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":438900,"price_min":438900,"price_max":438900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313296924922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dagar Brothers \/\/ Berlin 1964 - The Lost Studio Recording LP","public_title":null,"options":["Default Title"],"price":438900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","options":["Title"],"media":[{"alt":null,"id":33335976263930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","width":700},{"alt":null,"id":33335976296698,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2467674308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaga Malkauns 22:19\u003c\/li\u003e\n\u003cli\u003eRaga Jaijaivanti 24:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Berlin 1964 – The Lost Studio Recording (released alongside BT115, a newly discovered concert recording from the same trip) presents two unheard side-long performances in crystalline fidelity, recorded at the International Institute for Comparative Studies and Documentation in Berlin headed by Alain Daniélou. These stunning recordings were consigned to the archive because, as Peter Pannke explains in his liner notes, which recount his meeting with Danielou many years after these recordings were made, the tape ran out during ‘Raga Jaijaivanti’, which terminates abruptly soon after the entry of the pakhawaj.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of the severe, serious midnight ‘Raga Malkauns’, set to a ten beat cycle once the pakhawaj enters, and the complex early evening ‘Raga Jaijaivanti’, set to a fourteen beat cycle in its rhythmic section. True to the traditional dhrupad structure, both performances are dominated by the long free-floating alap section, where the notes of the raga are gradually introduced, slowly climbing in pitch and intensity as the two singers trade improvisations that display a stunning range of vocal tones and remarkable subtlety in mictrotonal nuance. The performance of ‘Raga Malkauns’ is divided roughly in half, with the pakhawaj and unison singing entering around thirteen minutes through; Raja Chatrapati Singh’s performance is particularly striking in its endlessly inventive metrical nuance within the overall crescendo and acceleration. On ‘Raga Jaijaivanti’, the alap lasts almost twenty minutes, with Singh joining only for a few minutes of sparse pakhawaj hits before the tape cuts off, the absence of the more active concluding section serving only to magnify the mystical calm the Dagar Brothers establish in this setting of a 16th century love poem.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 114\u003c\/p\u003e"}
You may also like:
北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ---------------------------- 12"...
Sold Out