Alvin Curran // Canti Illuminati LP
Alvin Curran // Canti Illuminati LP
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イタリアDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。Giuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。
An occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.
A bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.
Sinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.
A bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.
Sinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.
artist : Alvin Curran
label : Blume
イタリアDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。Giuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。
An occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.
A bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.
Sinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey. artist : Alvin Curran label : Blume
A bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.
Sinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey. artist : Alvin Curran label : Blume
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{"id":9113096356090,"title":"John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor \/\/ Appearance\/Music for Solo Performer: Compositions by Toshi Ichiyanagi and Alvin Lucier, featuring John Cage and David Tudor LP","handle":"jlt","description":"\u003cp\u003e実験音楽家John CageとLowell Cross、Toshi Ichiyanagi、Alvin Lucier、David Tudorが、2026年2月に大阪のEm Recordsからリリースした再発レコードです。(オリジナルは1967年リリース)\u003c\/p\u003e\n\u003cp\u003eライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=854264646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003eIncludes liner notes in English and Japanese.\u003cbr\u003e2026 vinyl pressing - originally recorded in 1967 and recently discovered in a Japanese archive. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eToshi Ichiyanagi \"Appearance\" for three instruments, two \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eoscillators, two ring modulators (1967) [20’31\"]\u003cbr\u003e一柳慧「アピアランス」三つの楽器\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e、二台のオシレーターと二台のリング変調器のための(1967)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eSide B:\u003cbr\u003eAlvin Lucier \"Music for Solo Performer\" (1965) [14’40”]\u003cbr\u003eアルヴィン・ルシエ「一人の演奏家のための音楽」(1965)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, \"Music for Solo Performer”, was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell Cross, using alpha waves to activate a wide range of percussion instruments. This proto-industrial version is heavily influenced by the amplified performance techniques pioneered by Cage and Tudor in the 1960s; quite different from the 1982 Lucier\/Pauline Oliveros realization on Lovely Music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIchiyanagi’s 1967 composition “Appearance” combines live electronics with acoustic instruments and adds Cage to the list of performers. This is the same piece which was released in 2006 by Omega Point, but the source tape used here is believed to be the master tape, resulting in a significant improvement in audio quality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese are historically significant and musically fascinating recordings, available on LP and CD. The release includes liner notes by Ibe Osamu of Omega Point, who explains how the tape was discovered, as well as liner notes by sound artist Minoru Sato, a researcher of Lucier's work who was in contact with the composer during his lifetime. Ichiyanagi contributes a note about “Appearance”.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEM-028LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-01T14:47:17+09:00","created_at":"2026-03-01T09:38:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","em records","lp","monooto","new"],"price":440000,"price_min":440000,"price_max":440000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48397051298042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor \/\/ Appearance\/Music for Solo Performer: Compositions by Toshi Ichiyanagi and Alvin Lucier, featuring John Cage and David Tudor LP","public_title":null,"options":["Default Title"],"price":440000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254","\/\/tobirarecords.com\/cdn\/shop\/files\/app2_6737ef3e-383c-4934-a0fc-e6c0b3999001.jpg?v=1772325255"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254","options":["Title"],"media":[{"alt":null,"id":38525238837498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254","width":700},{"alt":null,"id":38525238870266,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app2_6737ef3e-383c-4934-a0fc-e6c0b3999001.jpg?v=1772325255"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app2_6737ef3e-383c-4934-a0fc-e6c0b3999001.jpg?v=1772325255","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家John CageとLowell Cross、Toshi Ichiyanagi、Alvin Lucier、David Tudorが、2026年2月に大阪のEm Recordsからリリースした再発レコードです。(オリジナルは1967年リリース)\u003c\/p\u003e\n\u003cp\u003eライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=854264646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003eIncludes liner notes in English and Japanese.\u003cbr\u003e2026 vinyl pressing - originally recorded in 1967 and recently discovered in a Japanese archive. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eToshi Ichiyanagi \"Appearance\" for three instruments, two \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eoscillators, two ring modulators (1967) [20’31\"]\u003cbr\u003e一柳慧「アピアランス」三つの楽器\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e、二台のオシレーターと二台のリング変調器のための(1967)\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eSide B:\u003cbr\u003eAlvin Lucier \"Music for Solo Performer\" (1965) [14’40”]\u003cbr\u003eアルヴィン・ルシエ「一人の演奏家のための音楽」(1965)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, \"Music for Solo Performer”, was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell Cross, using alpha waves to activate a wide range of percussion instruments. This proto-industrial version is heavily influenced by the amplified performance techniques pioneered by Cage and Tudor in the 1960s; quite different from the 1982 Lucier\/Pauline Oliveros realization on Lovely Music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIchiyanagi’s 1967 composition “Appearance” combines live electronics with acoustic instruments and adds Cage to the list of performers. This is the same piece which was released in 2006 by Omega Point, but the source tape used here is believed to be the master tape, resulting in a significant improvement in audio quality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese are historically significant and musically fascinating recordings, available on LP and CD. The release includes liner notes by Ibe Osamu of Omega Point, who explains how the tape was discovered, as well as liner notes by sound artist Minoru Sato, a researcher of Lucier's work who was in contact with the composer during his lifetime. Ichiyanagi contributes a note about “Appearance”.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEM-028LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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実験音楽家John CageとLowell Cross、Toshi Ichiyanagi、Alvin Lucier、David Tudorが、2026年2月に大阪のEm Recordsからリリースした再発レコードです。(オリジナルは1967年リリース) ライナーノーツ付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more EM...
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{"id":9099206164730,"title":"Irrflug \/\/ Silver LP","handle":"irrflug-silver-lp","description":"\u003cp\u003eドイツの実験エレクトロニック作家\u003cspan\u003eMark Kanak\u003c\/span\u003eが、2026年1月にフィンランドの老舗実験テクノレーベル\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポストインダストリアル・テクノ〜ドローン〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536382689\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is this what you wanted? 04:27\u003cbr\u003e2. Odeon 03:19\u003cbr\u003e3. Spirals 05:13\u003cbr\u003e4. 448 03:22\u003cbr\u003e5. Pulse 03:00\u003cbr\u003e6. She lights the earth with her silver 04:10\u003cbr\u003e7. Silver 04:29\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIrrflug are:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Kanak - Concept, sound design, electronics, noise, lyrics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIan King - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoBo - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElla Sturmvogel - Voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irrflug\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUU-61\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-22T07:23:34+09:00","created_at":"2026-02-21T11:17:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","sahko recordings","techno \/ house"],"price":452000,"price_min":452000,"price_max":452000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48355696541946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irrflug \/\/ Silver LP","public_title":null,"options":["Default Title"],"price":452000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174","\/\/tobirarecords.com\/cdn\/shop\/files\/irr3.jpg?v=1771640174","\/\/tobirarecords.com\/cdn\/shop\/files\/irr2_4eed5930-f7f8-4a43-b296-9bcfdd4ab9c7.jpg?v=1771640174"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174","options":["Title"],"media":[{"alt":null,"id":38419912261882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174","width":700},{"alt":null,"id":38419912327418,"position":2,"preview_image":{"aspect_ratio":1.917,"height":626,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr3.jpg?v=1771640174"},"aspect_ratio":1.917,"height":626,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr3.jpg?v=1771640174","width":1200},{"alt":null,"id":38419912294650,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr2_4eed5930-f7f8-4a43-b296-9bcfdd4ab9c7.jpg?v=1771640174"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr2_4eed5930-f7f8-4a43-b296-9bcfdd4ab9c7.jpg?v=1771640174","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの実験エレクトロニック作家\u003cspan\u003eMark Kanak\u003c\/span\u003eが、2026年1月にフィンランドの老舗実験テクノレーベル\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポストインダストリアル・テクノ〜ドローン〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536382689\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is this what you wanted? 04:27\u003cbr\u003e2. Odeon 03:19\u003cbr\u003e3. Spirals 05:13\u003cbr\u003e4. 448 03:22\u003cbr\u003e5. Pulse 03:00\u003cbr\u003e6. She lights the earth with her silver 04:10\u003cbr\u003e7. Silver 04:29\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIrrflug are:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Kanak - Concept, sound design, electronics, noise, lyrics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIan King - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoBo - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElla Sturmvogel - Voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irrflug\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUU-61\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの実験エレクトロニック作家Mark Kanakが、2026年1月にフィンランドの老舗実験テクノレーベルSÄHKÖ RECORDINGSからリリースしたレコードです。 実験ポストインダストリアル・テクノ〜ドローン〜サウンドポエトリー7曲を収録。 レーベルその他作品はこちら /// Click here to see more Sahko Recordings releases available at Tobira....
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クイックビュー
{"id":9081689407738,"title":"Dictée Magique s\/t TAPE","handle":"dictee-magique-s-t-tape","description":"\u003cp\u003eフランスの実験DJ Dictée Magiqueが、2025年10月に同国実験/ストレンジビーツレーベル\u003cspan\u003eunjenesaisquoiから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eターンテーブル4台と声入りレコードのみで制作したコラージュ2曲1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=725506711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003ehere\u003c\/a\u003e to see more unjenesaisquoi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Science Diction 33:14\u003cbr\u003e2. Y'a quelqu'un ? 34:08\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"'Dictée Magique' by DJ **** and Nils is a four-turntable mix built from talking records.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe voices from their vinyls overlap, interrupt, and answer one another — babble, speeches, archives, reports, Dada poetry — everything becomes a poem in this sonic collage whose primary material is the voice, phonation itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dictée Magique\u003c\/p\u003e\n\u003cp\u003eLabel : unjenesaisquoi\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUJNSQ-050\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-17T08:23:21+09:00","created_at":"2026-02-16T09:45:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","tape","unjenesaisquoi"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48326675824890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dictée Magique s\/t TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_0e3df6ad-e588-43a4-92fd-3ced2128b4f2.jpg?v=1771202605","\/\/tobirarecords.com\/cdn\/shop\/files\/mag2_b52f689c-cb1a-4c00-be5c-8c80ee8e2ef2.jpg?v=1771202605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_0e3df6ad-e588-43a4-92fd-3ced2128b4f2.jpg?v=1771202605","options":["Title"],"media":[{"alt":null,"id":38343349240058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_0e3df6ad-e588-43a4-92fd-3ced2128b4f2.jpg?v=1771202605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_0e3df6ad-e588-43a4-92fd-3ced2128b4f2.jpg?v=1771202605","width":700},{"alt":null,"id":38343349272826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag2_b52f689c-cb1a-4c00-be5c-8c80ee8e2ef2.jpg?v=1771202605"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag2_b52f689c-cb1a-4c00-be5c-8c80ee8e2ef2.jpg?v=1771202605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験DJ Dictée Magiqueが、2025年10月に同国実験/ストレンジビーツレーベル\u003cspan\u003eunjenesaisquoiから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eターンテーブル4台と声入りレコードのみで制作したコラージュ2曲1時間を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=725506711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003ehere\u003c\/a\u003e to see more unjenesaisquoi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Science Diction 33:14\u003cbr\u003e2. Y'a quelqu'un ? 34:08\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"'Dictée Magique' by DJ **** and Nils is a four-turntable mix built from talking records.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe voices from their vinyls overlap, interrupt, and answer one another — babble, speeches, archives, reports, Dada poetry — everything becomes a poem in this sonic collage whose primary material is the voice, phonation itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dictée Magique\u003c\/p\u003e\n\u003cp\u003eLabel : unjenesaisquoi\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUJNSQ-050\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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¥2,350
クイックビュー
{"id":9077987442938,"title":"Anar Band with E.M. de Melo e Castro \/\/ Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore LP","handle":"anar-band-with-e-m-de-melo-e-castro-dou-dou-doudo-ao-vivo-na-cooperativa-arvore-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※3月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1970年代に活動していたポルトガルのノーウェーブデュオAnar Bandと詩人E.M. de Melo e Castroが、2026年1月に同国実験レーベルHoluzamからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e1978年に録音した4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1978年11月、ポルトのクーパーティバ・アルヴォレで、Anar BandがE.M. de Melo e Castroと共演したライブ演奏から録音。この演奏は撮影され、その一部が、アナ・アザリーが公共テレビのセカンドチャンネルで司会を務めた週刊番組「Obrigatório Não Ver」で放映された。このイベントの正確な開催日は特定できず、関連アーカイブにも資料は残っていないようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e「Encontro que Tenho」と「Profissões」:これらのタイトルは、このリリースにのみ使用されている。E.M. de Melo e Castro の作品群を徹底的に調査したが、それぞれの詩を見つけることはできなかったため、両方のテキストはこの機会のために作成されたものと推測される。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e文脈を完全に把握していなくとも、この音はセッション特有の文化的動揺の精神を伝えている。この公演当時、Anar Bandはホルヘ・リマ・バレット(ARPオデッセイ・シンセサイザー)とルイ・レイニニョ(イバニェス・ダブルネックギター)で構成され、E.M. de Melo e Castroが加わっていた。彼を詩人と呼ぶが、その創造的介入は広範に及んだ。詩作に加え、多様な芸術領域(絵画、ドローイング、コラージュ、パフォーマンス、ビデオ)の連携を継続的に模索し、繊維工学の正式な訓練も受けていた。1966年にはアンリ・ショパンの『OU Revue』に掲載されるなど、ヨーロッパの具体詩/視覚詩/音響詩の先鋭的な潮流との自然な繋がりを確立。E.M. de Melo e Castroは精神の撹乱と政治的意識の喚起にも長けていた。その好例が「職業たち」である。ここでは当初別個に存在した職業人(知識人、漁師、兵士、工場労働者)が次第に混ざり合い、相互依存性を示す。象徴的に、彼の言葉を通して社会の変容が聴こえてくるが、同じ結論が二度導かれる:余剰は常に資本家の手に渡るのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くの者が変革を望んでいた状況、すなわち1974年のポルトガル革命によって完全に露呈した経済的・社会的停滞が、異議を唱える声がようやく公の場で聞かれるようになった。この録音に参加した三人はそれぞれ独自の方法で、提示された社会構造を信じなかった。ジョルジェ・リマ・バレットは、主にジャズに関する著書や評論を通じて、1960年代後半からポルトガルの芸術・批評界に切り込んでいった。意識的かつ無意識的に敵を作り出し、その名を挙げて非難した。彼らが反動的とレッテルを貼った者たち、進歩や社会的・文化的融合、前衛芸術さえも遅らせ、新たな形態や態度が生まれる混沌さえも遅らせた者たちである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生来の反逆者ルイ・レイニーニョは幼少期から理解されない存在だった。服飾や装身具の選択、公の場での振る舞い、そして「現実生活」におけるパフォーマンスを通じて、彼の無秩序な性質や他者を困惑させる傾向が露わになった。リマ・バレットと同様に、あるいは彼と共に行動しながら、彼は両極端を挑発することを楽しんだ——一方には毛沢東主義者、他方には右派保守派を。左翼の書籍を翻訳し、Anar Bandに加入したのは、1976年ポルトで鴨か白鳥かガチョウ(いずれか)がステージに投げ込まれたまさにその日だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードは具体的な行動、騒動のスナップショットを記録している。我々がパンク・アクティビズムと呼ぶのに何の躊躇もないものであり、音楽的訓練がほとんど、あるいは全くない二人が音楽を演奏し録音することを可能にしたものだ。当時、Anar Bandは1977年に唯一のLPをリリースしていた。しかしこの演奏こそが、音楽のむき出しの生々しさを露わにしている:即興、相互の聴取、そして二人のミュージシャンとMelo e Castroによる介入の選択——シンセが音色を変えるべき時、声が間を取るべき時、ギターが両者を強調しつつ叫ぶための空間を見出す瞬間を、彼らは明確に感じ取っていた。映像スタッフが捉えた音は、その生々しさをさらに増幅させる。楽器の質感は手に取るように感じられ、声はしばしばマイクに近すぎるほどだ。すべてがそのまま保存された。初めてディスクに収録される。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769588677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies.\u003cbr\u003eLive performance recorded in November of 1978 at Cooperativa Árvore, Porto.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Bloco Branco\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2 Diálogos (Excerto)\u003cbr\u003e\u003c\/span\u003eB1 Encontro Que Tenho\u003cbr\u003eB2 Profissões\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAudio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in Obrigatório Não Ver, a weekly programme presented by Ana Hatherly on public television’s Second Channel. It was not possible to determine the exact date of the event and no documentation seems to be available in the relevant archives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Encontro que Tenho\" and \"Profissões\": these titles are specific to this release. Having failed to locate the respective poems after a thorough search in E.M. de Melo e Castro’s body of work, it was deduced both texts were created for the occasion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEven without a full contextualization, the sound transmits the spirit of cultural agitation proper to these sessions. When this show happened, Anar Band were Jorge Lima Barreto (ARP Odyssey synthesizer) and Rui Reininho (Ibañez double neck guitar)\u003cspan class=\"bcTruncateMore\"\u003e, with the addition of E.M. de Melo e Castro, whom we shall call a poet but whose creative intervention was far reaching. Besides poetry, also continued efforts in linking up diverse artistic areas (painting, drawing, collage, performance, video) and his official training in textile engineering. He was one of the artists featured in Henri Chopin's OU Revue in 1966, establishing his natural connection to the European concrete\/visual\/sound poetry avantgarde. Melo e Castro was also proficient in the agitation of minds and political awareness. A good example in \"Profissões\", where initially separate professionals (an intelectual, a fisherman, a soldier, a factory worker) are gradually mixed in a show of interdependency. Symbolically, through his words one listens to a transformation of society, although the same conclusion arises twice: surplus always finds its way to the hands of the capitalists.\u003cbr\u003e\u003cbr\u003eThat was the state of affairs many were looking to change, an economic and social malaise that the 1974 Revolution in Portugal fully uncovered, when dissident voices could finally be heard in public. Each in his own way, all three participants in this recording were non-believers in the stucture of society such as it was presented. Through his books and press writings, mainly concerned with Jazz, Jorge Lima Barreto pushed his way into Portuguese artistic and critical circles since the late 1960s. Consciusly and unwittingly, he collected enemies and pointed them by name, people he labeled as reactionary, people who delayed progress, social and cultural mixes, the avantgarde, they even delayed the chaos from which new forms and attitudes arise.\u003cbr\u003e\u003cbr\u003eRui Reininho, a non-conformist by heart, experienced incomprehension from an early age. His anarchic ways, a tendency to baffle others, were revealed through the choice of clothes and accessories, public behaviour and \"real life\" performances. Just as Lima Barreto, and even together with him, he enjoyed provoking the extremes: maoists on one side, right-wing conservatives on the other. He translated Leftist books and joined Anar Band precisely on the day a duck or swan or goose (one of them) was thrown on stage in Porto, 1976.\u003cbr\u003e\u003cbr\u003eThis record documents a concrete action, a snapshot of the agitation, something we have no problem calling punk activism, something which allowed two people with little to no musical training to play and record music. By then, Anar Band had managed to release their only LP, in 1977. It's this performance, however, that reveals the naked rawness of the music: improvisation, mutual listening and choice of intervention between both musicians and Melo e Castro, clearly sensing when the synth has to change tone, the voice has to make pauses, the guitar punctuates both and finds the space to... scream. The sound was captured by the film crew, addding to the rawness: the instruments are palpable, the voice often too close to the mic. Everything was preserved. First time on disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anar Band with E.M. de Melo e Castro\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-24T15:14:23+09:00","created_at":"2026-02-11T10:26:11+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","holuzam","lp","new"],"price":528000,"price_min":528000,"price_max":528000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48311418290426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anar Band with E.M. de Melo e Castro \/\/ Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore LP","public_title":null,"options":["Default Title"],"price":528000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003","\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4c4c913d-5f0a-40b3-99a4-0bc55d9d63d1.jpg?v=1770773002"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003","options":["Title"],"media":[{"alt":null,"id":38303115575546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003","width":700},{"alt":null,"id":38303115608314,"position":2,"preview_image":{"aspect_ratio":1.6,"height":750,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4c4c913d-5f0a-40b3-99a4-0bc55d9d63d1.jpg?v=1770773002"},"aspect_ratio":1.6,"height":750,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4c4c913d-5f0a-40b3-99a4-0bc55d9d63d1.jpg?v=1770773002","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※3月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1970年代に活動していたポルトガルのノーウェーブデュオAnar Bandと詩人E.M. de Melo e Castroが、2026年1月に同国実験レーベルHoluzamからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e1978年に録音した4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1978年11月、ポルトのクーパーティバ・アルヴォレで、Anar BandがE.M. de Melo e Castroと共演したライブ演奏から録音。この演奏は撮影され、その一部が、アナ・アザリーが公共テレビのセカンドチャンネルで司会を務めた週刊番組「Obrigatório Não Ver」で放映された。このイベントの正確な開催日は特定できず、関連アーカイブにも資料は残っていないようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e「Encontro que Tenho」と「Profissões」:これらのタイトルは、このリリースにのみ使用されている。E.M. de Melo e Castro の作品群を徹底的に調査したが、それぞれの詩を見つけることはできなかったため、両方のテキストはこの機会のために作成されたものと推測される。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e文脈を完全に把握していなくとも、この音はセッション特有の文化的動揺の精神を伝えている。この公演当時、Anar Bandはホルヘ・リマ・バレット(ARPオデッセイ・シンセサイザー)とルイ・レイニニョ(イバニェス・ダブルネックギター)で構成され、E.M. de Melo e Castroが加わっていた。彼を詩人と呼ぶが、その創造的介入は広範に及んだ。詩作に加え、多様な芸術領域(絵画、ドローイング、コラージュ、パフォーマンス、ビデオ)の連携を継続的に模索し、繊維工学の正式な訓練も受けていた。1966年にはアンリ・ショパンの『OU Revue』に掲載されるなど、ヨーロッパの具体詩/視覚詩/音響詩の先鋭的な潮流との自然な繋がりを確立。E.M. de Melo e Castroは精神の撹乱と政治的意識の喚起にも長けていた。その好例が「職業たち」である。ここでは当初別個に存在した職業人(知識人、漁師、兵士、工場労働者)が次第に混ざり合い、相互依存性を示す。象徴的に、彼の言葉を通して社会の変容が聴こえてくるが、同じ結論が二度導かれる:余剰は常に資本家の手に渡るのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くの者が変革を望んでいた状況、すなわち1974年のポルトガル革命によって完全に露呈した経済的・社会的停滞が、異議を唱える声がようやく公の場で聞かれるようになった。この録音に参加した三人はそれぞれ独自の方法で、提示された社会構造を信じなかった。ジョルジェ・リマ・バレットは、主にジャズに関する著書や評論を通じて、1960年代後半からポルトガルの芸術・批評界に切り込んでいった。意識的かつ無意識的に敵を作り出し、その名を挙げて非難した。彼らが反動的とレッテルを貼った者たち、進歩や社会的・文化的融合、前衛芸術さえも遅らせ、新たな形態や態度が生まれる混沌さえも遅らせた者たちである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生来の反逆者ルイ・レイニーニョは幼少期から理解されない存在だった。服飾や装身具の選択、公の場での振る舞い、そして「現実生活」におけるパフォーマンスを通じて、彼の無秩序な性質や他者を困惑させる傾向が露わになった。リマ・バレットと同様に、あるいは彼と共に行動しながら、彼は両極端を挑発することを楽しんだ——一方には毛沢東主義者、他方には右派保守派を。左翼の書籍を翻訳し、Anar Bandに加入したのは、1976年ポルトで鴨か白鳥かガチョウ(いずれか)がステージに投げ込まれたまさにその日だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードは具体的な行動、騒動のスナップショットを記録している。我々がパンク・アクティビズムと呼ぶのに何の躊躇もないものであり、音楽的訓練がほとんど、あるいは全くない二人が音楽を演奏し録音することを可能にしたものだ。当時、Anar Bandは1977年に唯一のLPをリリースしていた。しかしこの演奏こそが、音楽のむき出しの生々しさを露わにしている:即興、相互の聴取、そして二人のミュージシャンとMelo e Castroによる介入の選択——シンセが音色を変えるべき時、声が間を取るべき時、ギターが両者を強調しつつ叫ぶための空間を見出す瞬間を、彼らは明確に感じ取っていた。映像スタッフが捉えた音は、その生々しさをさらに増幅させる。楽器の質感は手に取るように感じられ、声はしばしばマイクに近すぎるほどだ。すべてがそのまま保存された。初めてディスクに収録される。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769588677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies.\u003cbr\u003eLive performance recorded in November of 1978 at Cooperativa Árvore, Porto.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Bloco Branco\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2 Diálogos (Excerto)\u003cbr\u003e\u003c\/span\u003eB1 Encontro Que Tenho\u003cbr\u003eB2 Profissões\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAudio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in Obrigatório Não Ver, a weekly programme presented by Ana Hatherly on public television’s Second Channel. It was not possible to determine the exact date of the event and no documentation seems to be available in the relevant archives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Encontro que Tenho\" and \"Profissões\": these titles are specific to this release. Having failed to locate the respective poems after a thorough search in E.M. de Melo e Castro’s body of work, it was deduced both texts were created for the occasion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEven without a full contextualization, the sound transmits the spirit of cultural agitation proper to these sessions. When this show happened, Anar Band were Jorge Lima Barreto (ARP Odyssey synthesizer) and Rui Reininho (Ibañez double neck guitar)\u003cspan class=\"bcTruncateMore\"\u003e, with the addition of E.M. de Melo e Castro, whom we shall call a poet but whose creative intervention was far reaching. Besides poetry, also continued efforts in linking up diverse artistic areas (painting, drawing, collage, performance, video) and his official training in textile engineering. He was one of the artists featured in Henri Chopin's OU Revue in 1966, establishing his natural connection to the European concrete\/visual\/sound poetry avantgarde. Melo e Castro was also proficient in the agitation of minds and political awareness. A good example in \"Profissões\", where initially separate professionals (an intelectual, a fisherman, a soldier, a factory worker) are gradually mixed in a show of interdependency. Symbolically, through his words one listens to a transformation of society, although the same conclusion arises twice: surplus always finds its way to the hands of the capitalists.\u003cbr\u003e\u003cbr\u003eThat was the state of affairs many were looking to change, an economic and social malaise that the 1974 Revolution in Portugal fully uncovered, when dissident voices could finally be heard in public. Each in his own way, all three participants in this recording were non-believers in the stucture of society such as it was presented. Through his books and press writings, mainly concerned with Jazz, Jorge Lima Barreto pushed his way into Portuguese artistic and critical circles since the late 1960s. Consciusly and unwittingly, he collected enemies and pointed them by name, people he labeled as reactionary, people who delayed progress, social and cultural mixes, the avantgarde, they even delayed the chaos from which new forms and attitudes arise.\u003cbr\u003e\u003cbr\u003eRui Reininho, a non-conformist by heart, experienced incomprehension from an early age. His anarchic ways, a tendency to baffle others, were revealed through the choice of clothes and accessories, public behaviour and \"real life\" performances. Just as Lima Barreto, and even together with him, he enjoyed provoking the extremes: maoists on one side, right-wing conservatives on the other. He translated Leftist books and joined Anar Band precisely on the day a duck or swan or goose (one of them) was thrown on stage in Porto, 1976.\u003cbr\u003e\u003cbr\u003eThis record documents a concrete action, a snapshot of the agitation, something we have no problem calling punk activism, something which allowed two people with little to no musical training to play and record music. By then, Anar Band had managed to release their only LP, in 1977. It's this performance, however, that reveals the naked rawness of the music: improvisation, mutual listening and choice of intervention between both musicians and Melo e Castro, clearly sensing when the synth has to change tone, the voice has to make pauses, the guitar punctuates both and finds the space to... scream. The sound was captured by the film crew, addding to the rawness: the instruments are palpable, the voice often too close to the mic. Everything was preserved. First time on disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anar Band with E.M. de Melo e Castro\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※3月中旬再入荷後発送します 1970年代に活動していたポルトガルのノーウェーブデュオAnar Bandと詩人E.M. de Melo e Castroが、2026年1月に同国実験レーベルHoluzamからリリースした共作レコードです。 1978年に録音した4曲を収録。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "1978年11月、ポルトのクーパーティバ・アルヴォレで、Anar BandがE.M. de Melo...
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