Captured Tracks
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{"id":7810596569338,"title":"Linda Smith \/\/ Till Another Time: 1988-1996 LP [COLOR]","handle":"linda-smith-till-another-time-1988-1996-lp-white","description":"\u003cp\u003eアメリカ・ボルチモアのベテランベッドルームフォーク作家Linda Smithが、2021年3月に同国インディーレーベル\u003cspan data-mce-fragment=\"1\"\u003eCaptured Tracksからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1988-1996に4チャンネルMTRで録音したLo-Fiベッドルームフォーク13曲を収録。白盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4029224465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003ehere\u003c\/a\u003e to see more Captured Tracks releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWhite 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eCaptured Tracks:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Linda Smith purchased a 4 track cassette recorder in the mid-1980s, it was not with the intention of launching a solo career. At the time, she was playing guitar in a band called the Woods, and thought it would be useful for sharing demos with her bandmates. In the end, the 4 track outlasted the Woods, but Smith had already started toying around with her own songs. The new hobby followed her from New York back to her native Baltimore, and over the next decade she’d release several albums worth of delicate, bewitching solo music on cassette. Till Another Time: 1988-1996 is the first retrospective collection on vinyl of Smith’s charmingly lo-fi music, situating her as a pioneer of the home recording boom that persists today.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSparse and gentle, Linda’s music is tinged with lovelorn melancholy despite the sweetness of her voice. Over ‘60s pop-indebted melodies on tracks like “A Crumb Of Your Affection”, she delivers observations like “I’d been so hungry for so long, I’d forgotten how to eat” with an earnest softness. Elsewhere, her voice takes on a post punk deadpan, as on “I See Your Face” when she glumly repeats “someone speaks and I hear your name.” The effect of both modes is a haunting charm, equally reminiscent of early Cherry Red Records and ‘60s yé-yé.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis sense of timelessness was bolstered by Smith’s no\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-nonsense approach to recording. She recorded almost all of her songs at home, using 4 and later 8 track tape recorders. There was a creative freedom that came with recording on tape - it eliminated the need for a band or studio to bring her ideas to life. Unbeknownst to Smith, this was a conclusion that many musicians were reaching at the time - the seeds of the home recording movement were being sowed across the country, and she was at the forefront.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnfortunately, the independence that made at-home recording appealing to artists like Smith also made it difficult for them to reach a wider audience. Most of their communities were insular, relying on niche publications, cassette trading, and word of mouth to share music. Smith herself released a few 7\"s on labels like Slumberland and Harriet, but remained relatively local in terms of reach. Nevertheless, one can trace a direct line from Smith, recording her first album in her Brooklyn apartment all those years ago, to the ubiquity of bedroom recording today. Till Another Time is an effort to do just that, shedding light on her fascinating catalog while acknowledging its role in shaping today’s musical landscape.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linda Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Captured Tracks\u003c\/p\u003e","published_at":"2022-10-24T12:24:44+09:00","created_at":"2022-10-15T11:46:09+09:00","vendor":"Tobira Records","type":"","tags":["captured tracks","folk \/ left-field pop","lp"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546142441722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Linda Smith \/\/ Till Another Time: 1988-1996 LP [COLOR]","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_ca1e7394-3f66-4a6a-86ae-bd1f6fffb14f.jpg?v=1665801971","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_c99e2d7c-6b85-41ee-a538-a71bf686c9e5.jpg?v=1665801971"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_ca1e7394-3f66-4a6a-86ae-bd1f6fffb14f.jpg?v=1665801971","options":["Title"],"media":[{"alt":null,"id":30752070828282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_ca1e7394-3f66-4a6a-86ae-bd1f6fffb14f.jpg?v=1665801971"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_ca1e7394-3f66-4a6a-86ae-bd1f6fffb14f.jpg?v=1665801971","width":700},{"alt":null,"id":30752070861050,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_c99e2d7c-6b85-41ee-a538-a71bf686c9e5.jpg?v=1665801971"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_c99e2d7c-6b85-41ee-a538-a71bf686c9e5.jpg?v=1665801971","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ボルチモアのベテランベッドルームフォーク作家Linda Smithが、2021年3月に同国インディーレーベル\u003cspan data-mce-fragment=\"1\"\u003eCaptured Tracksからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1988-1996に4チャンネルMTRで録音したLo-Fiベッドルームフォーク13曲を収録。白盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4029224465\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003ehere\u003c\/a\u003e to see more Captured Tracks releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWhite 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003eCaptured Tracks:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Linda Smith purchased a 4 track cassette recorder in the mid-1980s, it was not with the intention of launching a solo career. At the time, she was playing guitar in a band called the Woods, and thought it would be useful for sharing demos with her bandmates. In the end, the 4 track outlasted the Woods, but Smith had already started toying around with her own songs. The new hobby followed her from New York back to her native Baltimore, and over the next decade she’d release several albums worth of delicate, bewitching solo music on cassette. Till Another Time: 1988-1996 is the first retrospective collection on vinyl of Smith’s charmingly lo-fi music, situating her as a pioneer of the home recording boom that persists today.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSparse and gentle, Linda’s music is tinged with lovelorn melancholy despite the sweetness of her voice. Over ‘60s pop-indebted melodies on tracks like “A Crumb Of Your Affection”, she delivers observations like “I’d been so hungry for so long, I’d forgotten how to eat” with an earnest softness. Elsewhere, her voice takes on a post punk deadpan, as on “I See Your Face” when she glumly repeats “someone speaks and I hear your name.” The effect of both modes is a haunting charm, equally reminiscent of early Cherry Red Records and ‘60s yé-yé.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis sense of timelessness was bolstered by Smith’s no\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-nonsense approach to recording. She recorded almost all of her songs at home, using 4 and later 8 track tape recorders. There was a creative freedom that came with recording on tape - it eliminated the need for a band or studio to bring her ideas to life. Unbeknownst to Smith, this was a conclusion that many musicians were reaching at the time - the seeds of the home recording movement were being sowed across the country, and she was at the forefront.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnfortunately, the independence that made at-home recording appealing to artists like Smith also made it difficult for them to reach a wider audience. Most of their communities were insular, relying on niche publications, cassette trading, and word of mouth to share music. Smith herself released a few 7\"s on labels like Slumberland and Harriet, but remained relatively local in terms of reach. Nevertheless, one can trace a direct line from Smith, recording her first album in her Brooklyn apartment all those years ago, to the ubiquity of bedroom recording today. Till Another Time is an effort to do just that, shedding light on her fascinating catalog while acknowledging its role in shaping today’s musical landscape.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linda Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Captured Tracks\u003c\/p\u003e"}
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アメリカ・ボルチモアのベテランベッドルームフォーク作家Linda Smithが、2021年3月に同国インディーレーベルCaptured Tracksからリリースしたレコードです。 1988-1996に4チャンネルMTRで録音したLo-Fiベッドルームフォーク13曲を収録。白盤です。 レーベルその他作品はこちら /// Click here to see more Captured Tracks releases available at Tobira. ...
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{"id":7810597323002,"title":"Widowspeak \/\/ The Jacket LP \/ CD","handle":"widowspeak-the-jacket-lp-cd","description":"\u003cp\u003eアメリカ・NYのドリームポップデュオWidowspeakが、2022年3月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCaptured Tracks\u003c\/span\u003eリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e素朴で味わい深いドリームポップ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=679819556\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003ehere\u003c\/a\u003e to see more Captured Tracks releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl \/ CD in jewel case with full color booklet.\u003c\/p\u003e\n\u003cp\u003eCaptured Tracks:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWidowspeak’s sixth album started out with loose strings of a concept, a story about a fictional band:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA chain-stitcher working in the satin district of an unnamed city, a neighborhood of storefront tailors devoted to elaborate costumery for country-western, art rock, ye-ye cover bands that populate the street’s bars after dark. The narrator joins one such outfit, “Le Tex” and feels a sense of belonging and momentum, movement beyond what was previously a stable, predictable life. A relationship with a bandmate materializes. Eventually, the group start to write originals. They generate goodwill and momentum, and venture out on the open road seeking new opportunities beyond what the satin district can offer. But the vibrational energy that got things moving is the same that shakes the whole thing apart: the relationship, and the band, disintegrate upon finally reaching their destination, the end of the road. The chain-stitcher heads back to the city, settling back into the rhythm of work, old standards and a familiar place.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe story is self-referential on purpose: it speaks to the absurdity of ego, codependency and shared visions even as it celebrates them. The Jacket finds Widowspeak navigating these contradictions, and although its ten tracks now trace a more abstract arc\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e than the campier initial concept, strands of that earlier narrative remain: “stitches in satin”, American cities after dark, glimpses of the open road, dark bars, and backstages where things get left behind. The resulting album is a wizened meditation on performance and past lives from a band who’ve seen their fair share, hitting their stride now over a decade in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten in the months before and after the release of their critically acclaimed fifth album Plum, The Jacket feels like a full-circle moment for the duo of singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas. Thematically, it considers Plum’s broader questions about the values ascribed to one’s time and labor through the more refined lens of performance and music-making. This is due in part to the band’s recent return to New York City, the site of their own origin story, where they recorded The Jacket at the Diamond Mine with co-producer and noted Daptone Records affiliate Homer Steinweiss. In addition to Hamilton and Thomas on guitars, the album features founding drummer Michael Stasiak, as well as J.D. Sumner on bass, and piano and keyboard contributions from Michael Hess.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReunions always breed reflection, and Hamilton admits that much of the abandoned thematic concept is still inherently true, tied to formative experiences in the band’s own early years with removed observation. Tracks like “While You Wait,” “Sleeper,” “Slow Dance” trace the rise and fall of a western-tinged outfit from the perspective of an unreliable narrator, amid the fracturing of personal relationships and shifting expectations. Some songs speak to the process of moving on (“Unwind”, “Salt”), while others muse about regret (“True Blue”, “Forget It”). The album’s namesake track considers the literal and figurative costumes we dress our personalities in: imbued with meaning and sense of time and place, becoming so representative of who we think we are before they’re ultimately left behind. Elsewhere, Widowspeak question the very concepts of performance and ambition (“Everything is Simple,” “The Drive”), weighing the relentless rolling of a stone against the worth of growing just a bit of moss. The symbolic spaces of work, music, nightlife are seen through the haze of recalling one’s own unknown legends.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSonically, The Jacket finds the band at their usual and best: the album breathes deeply, balancing moments of open lushness with a straightforward, Velvets-y approach. Dynamics shift seamlessly between gentle, drifting ballads and twangy jams, built up from layered guitars, dusty percussion and ambling bass lines. Elsewhere: whimsical flutes, choral textures, and basement organs. Thomas’s guitar playing is as lyrical and emotive as it’s ever been, and Hamilton’s voice: comfortable and effortless. This seamless dynamic is amplified perfectly in the mix by Chris Coady (Yeah Yeah Yeahs, Beach House). The band still wears the same perennial influences on its sleeve: cornerstones like Yo La Tengo, Neil Young, Cowboy Junkies, Cat Power, and Richard and Linda Thompson. They expertly pepper in slow-core, dream-pop, pacific northwest indie, and outlaw country, resulting in a 60s-meets-90s aesthetic. But the duo also wield their own aesthetic feedback loop as a tool of its own, a way to better tell multi-layered stories in their own RIYL language. This sense of sonic nostalgia adds another layer to lyrics that reflect on old selves, invented and true.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Jacket is a present and comfortable record, imbued with a sense of collective pause and the ease of a band at the top of their game. For all its familiar textures, it still feels entirely fresh within that canon: proudly a guitar record, a rock record, a songwriter’s record. A Widowspeak record.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WIDOWSPEAK\u003c\/p\u003e\n\u003cp\u003eLabel : Captured Tracks\u003c\/p\u003e","published_at":"2022-10-24T12:17:39+09:00","created_at":"2022-10-15T11:49:16+09:00","vendor":"Tobira Records","type":"","tags":["captured tracks","cd","folk \/ left-field pop","lp","new"],"price":198000,"price_min":198000,"price_max":329000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546150338810,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38161071472890,"product_id":7810597323002,"position":3,"created_at":"2022-10-15T11:49:16+09:00","updated_at":"2022-10-15T11:49:18+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja3_f304bd0a-166f-48c1-9c0d-72324b862f64.jpg?v=1665802158","variant_ids":[43546150338810]},"available":false,"name":"Widowspeak \/\/ The Jacket LP \/ CD - CD","public_title":"CD","options":["CD"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":30752097337594,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja3_f304bd0a-166f-48c1-9c0d-72324b862f64.jpg?v=1665802158"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43546150371578,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38161071341818,"product_id":7810597323002,"position":2,"created_at":"2022-10-15T11:49:16+09:00","updated_at":"2022-10-15T11:49:17+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_1c8248fe-c2a1-4578-9e8f-8046df1a9c1e.jpg?v=1665802157","variant_ids":[43546150371578]},"available":false,"name":"Widowspeak \/\/ The Jacket LP \/ CD - LP","public_title":"LP","options":["LP"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":30752097304826,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_1c8248fe-c2a1-4578-9e8f-8046df1a9c1e.jpg?v=1665802157"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_332ca128-ae29-47b2-a489-4dbd346ebec0.jpg?v=1665802158","\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_1c8248fe-c2a1-4578-9e8f-8046df1a9c1e.jpg?v=1665802157","\/\/tobirarecords.com\/cdn\/shop\/products\/ja3_f304bd0a-166f-48c1-9c0d-72324b862f64.jpg?v=1665802158"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_332ca128-ae29-47b2-a489-4dbd346ebec0.jpg?v=1665802158","options":["format"],"media":[{"alt":null,"id":30752097272058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_332ca128-ae29-47b2-a489-4dbd346ebec0.jpg?v=1665802158"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_332ca128-ae29-47b2-a489-4dbd346ebec0.jpg?v=1665802158","width":700},{"alt":null,"id":30752097304826,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_1c8248fe-c2a1-4578-9e8f-8046df1a9c1e.jpg?v=1665802157"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_1c8248fe-c2a1-4578-9e8f-8046df1a9c1e.jpg?v=1665802157","width":1200},{"alt":null,"id":30752097337594,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja3_f304bd0a-166f-48c1-9c0d-72324b862f64.jpg?v=1665802158"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja3_f304bd0a-166f-48c1-9c0d-72324b862f64.jpg?v=1665802158","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのドリームポップデュオWidowspeakが、2022年3月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCaptured Tracks\u003c\/span\u003eリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e素朴で味わい深いドリームポップ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=679819556\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003ehere\u003c\/a\u003e to see more Captured Tracks releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl \/ CD in jewel case with full color booklet.\u003c\/p\u003e\n\u003cp\u003eCaptured Tracks:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWidowspeak’s sixth album started out with loose strings of a concept, a story about a fictional band:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA chain-stitcher working in the satin district of an unnamed city, a neighborhood of storefront tailors devoted to elaborate costumery for country-western, art rock, ye-ye cover bands that populate the street’s bars after dark. The narrator joins one such outfit, “Le Tex” and feels a sense of belonging and momentum, movement beyond what was previously a stable, predictable life. A relationship with a bandmate materializes. Eventually, the group start to write originals. They generate goodwill and momentum, and venture out on the open road seeking new opportunities beyond what the satin district can offer. But the vibrational energy that got things moving is the same that shakes the whole thing apart: the relationship, and the band, disintegrate upon finally reaching their destination, the end of the road. The chain-stitcher heads back to the city, settling back into the rhythm of work, old standards and a familiar place.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe story is self-referential on purpose: it speaks to the absurdity of ego, codependency and shared visions even as it celebrates them. The Jacket finds Widowspeak navigating these contradictions, and although its ten tracks now trace a more abstract arc\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e than the campier initial concept, strands of that earlier narrative remain: “stitches in satin”, American cities after dark, glimpses of the open road, dark bars, and backstages where things get left behind. The resulting album is a wizened meditation on performance and past lives from a band who’ve seen their fair share, hitting their stride now over a decade in.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten in the months before and after the release of their critically acclaimed fifth album Plum, The Jacket feels like a full-circle moment for the duo of singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas. Thematically, it considers Plum’s broader questions about the values ascribed to one’s time and labor through the more refined lens of performance and music-making. This is due in part to the band’s recent return to New York City, the site of their own origin story, where they recorded The Jacket at the Diamond Mine with co-producer and noted Daptone Records affiliate Homer Steinweiss. In addition to Hamilton and Thomas on guitars, the album features founding drummer Michael Stasiak, as well as J.D. Sumner on bass, and piano and keyboard contributions from Michael Hess.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eReunions always breed reflection, and Hamilton admits that much of the abandoned thematic concept is still inherently true, tied to formative experiences in the band’s own early years with removed observation. Tracks like “While You Wait,” “Sleeper,” “Slow Dance” trace the rise and fall of a western-tinged outfit from the perspective of an unreliable narrator, amid the fracturing of personal relationships and shifting expectations. Some songs speak to the process of moving on (“Unwind”, “Salt”), while others muse about regret (“True Blue”, “Forget It”). The album’s namesake track considers the literal and figurative costumes we dress our personalities in: imbued with meaning and sense of time and place, becoming so representative of who we think we are before they’re ultimately left behind. Elsewhere, Widowspeak question the very concepts of performance and ambition (“Everything is Simple,” “The Drive”), weighing the relentless rolling of a stone against the worth of growing just a bit of moss. The symbolic spaces of work, music, nightlife are seen through the haze of recalling one’s own unknown legends.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSonically, The Jacket finds the band at their usual and best: the album breathes deeply, balancing moments of open lushness with a straightforward, Velvets-y approach. Dynamics shift seamlessly between gentle, drifting ballads and twangy jams, built up from layered guitars, dusty percussion and ambling bass lines. Elsewhere: whimsical flutes, choral textures, and basement organs. Thomas’s guitar playing is as lyrical and emotive as it’s ever been, and Hamilton’s voice: comfortable and effortless. This seamless dynamic is amplified perfectly in the mix by Chris Coady (Yeah Yeah Yeahs, Beach House). The band still wears the same perennial influences on its sleeve: cornerstones like Yo La Tengo, Neil Young, Cowboy Junkies, Cat Power, and Richard and Linda Thompson. They expertly pepper in slow-core, dream-pop, pacific northwest indie, and outlaw country, resulting in a 60s-meets-90s aesthetic. But the duo also wield their own aesthetic feedback loop as a tool of its own, a way to better tell multi-layered stories in their own RIYL language. This sense of sonic nostalgia adds another layer to lyrics that reflect on old selves, invented and true.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Jacket is a present and comfortable record, imbued with a sense of collective pause and the ease of a band at the top of their game. For all its familiar textures, it still feels entirely fresh within that canon: proudly a guitar record, a rock record, a songwriter’s record. A Widowspeak record.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WIDOWSPEAK\u003c\/p\u003e\n\u003cp\u003eLabel : Captured Tracks\u003c\/p\u003e"}
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アメリカ・NYのドリームポップデュオWidowspeakが、2022年3月に同国Captured Tracksリリースしたアルバムです。 素朴で味わい深いドリームポップ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Captured Tracks releases available at Tobira. ----------------------------...
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{"id":7810595913978,"title":"Widowspeak \/\/ Plum LP","handle":"widowspeak-plum-lp","description":"\u003cp\u003eアメリカ・NYのドリームポップデュオWidowspeakが、2020年に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCaptured Tracksから\u003c\/span\u003eリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e素朴で味わい深いドリームポップ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3759436265\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003ehere\u003c\/a\u003e to see more Captured Tracks releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eText by Captured Tracks:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"'The stone that’s buried: what the fruit is for.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo goes the title track from Plum, Widowspeak’s forthcoming fifth album. The line serves as an apt analogy for the record itself: the self-aware sweetness that the band employs to deliver the seed of a harder, sharper idea. Singer Molly Hamilton coats wry observations in a voice as honeyed as the sun-ripened fruit, and Widowspeak have always made a bitter pill much easier to swallow. From its opening strum, there’s a palpable warmth and familiarity to the music even as it hints at darker truths below the surface, questions about inherent worth. What value and meaning do we assign ourselves, our time, and how do we spend it?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Plum, the songwriting partnership rooted in the creative rapport between Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak’s sound, though perennial points of reference remain the same: 90’s dream pop, 60’s psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered\u003cspan class=\"bcTruncateMore\"\u003e well beyond their respective PR cycles, made beloved by new listeners through word of mouth.\u003cbr\u003e\u003cbr\u003eMore akin to the sunny spaciousness of All Yours (2015) than the darker, denser Expect the Best (2017), Plum carries a sense of unhurried self-awareness. It feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band’s canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of “Amy” and “The Good Ones”, or the watery, Terry Riley-influenced track “Jeanie”\u003cbr\u003e\u003cbr\u003eThe broader themes that run through Plum are almost eerily prescient for the time of its release, written and recorded in the eve of a global pandemic. Hamilton couldn’t have predicted the relevancy of mesmerizing track “Breadwinner”, with its central analogy of bread as time as money, or the song’s yearning pleas to a partner who’s “always bringing their work home”. And on “Even True Love”, Hamilton acknowledges the imminent loss of those closest to us: “In the deepest wells, in the shallow sick\/I can see you shaking in the great unknown\/Will you learn to live with what you chose?\/Even true love, you can’t take it with you”. They’re songs for our time to be sure, but Plum reckons with existential pain that was always there, that will endure well beyond social distancing and into our collective new reality.\u003cbr\u003e\u003cbr\u003eStill, Plum isn’t weighed down by crushing angst. The approach is humble and frank, like a friend sharing intimacies. These are songs made to be listened to, enjoyed. “Money” is particularly hypnotic, built around a repeating, cyclical motif that serves as both skeleton and body. “Will you get back what you put in?” Hamilton asks over an insistent guitar riff. The line is delivered with a knowingness that transcends its surface critiques of late-stage capitalism, asking both herself and the listener whether this is, in fact, the world we want to live in. A world that increasingly sees monetization as the greatest goal, even at such great expense to ourselves, and especially our future. What does it mean to contribute? And what is the cost of “selling out”?\u003cbr\u003e\u003cbr\u003eHamilton cites a crisis of meaning as being central to the origins of Plum. “I didn’t want to write for a long time; I didn’t even really want to listen. I stopped believing in ‘music as a career’ and the distorted idea of what it had become in my mind: building and projecting a personality, promoting it, selling it. Losing that sense of purpose… it made me question my own value, usefulness.” She looked methodically for ways to reframe those thoughts about overconsumption, and found inspiration in the writings of MFK Fisher, in the Danish film “Babette’s Feast” and David Byrne’s “True Stories”, and in YouTube playlists of pop songs remixed to sound like they’re being played in abandoned malls. She also found a book about wabi-sabi principles by Leonard Koren (who founded WET magazine): “So much of it is centered around allowing things to be what they are, and just noticing. I tried to notice more, and I think those observations became the songs.”\u003cbr\u003e\u003cbr\u003ePlum is an album that navigates the spaces between the lesser emotions of modern life. From the creeping dread that “things are getting worse” to the resigned but sanguine recognition that “no one is old, nothing is young,” Hamilton’s lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such “fruits of their labor.” With its release, Widowspeak have brought something into the world that seems to know its own worth, even as it wonders aloud about what is to come. Like the wabi-sabi tenant that lead to the song that became the album, all things are devolving to, or evolving from, nothingness.\u003cbr\u003e\u003cbr\u003e'You’re a peach and I’m a plum.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WIDOWSPEAK\u003c\/p\u003e\n\u003cp\u003eLabel : Captured Tracks\u003c\/p\u003e","published_at":"2022-10-24T12:14:38+09:00","created_at":"2022-10-15T11:44:02+09:00","vendor":"Tobira Records","type":"","tags":["captured tracks","folk \/ left-field pop","lp"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546137657594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Widowspeak \/\/ Plum LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_bc91fa0a-873c-43ed-b901-b8dcdb5ce676.jpg?v=1665801843","\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_c5f01295-89fd-490c-81a9-f1ee06ccbc3b.jpg?v=1665801844"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_bc91fa0a-873c-43ed-b901-b8dcdb5ce676.jpg?v=1665801843","options":["Title"],"media":[{"alt":null,"id":30752055918842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_bc91fa0a-873c-43ed-b901-b8dcdb5ce676.jpg?v=1665801843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_bc91fa0a-873c-43ed-b901-b8dcdb5ce676.jpg?v=1665801843","width":700},{"alt":null,"id":30752055951610,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_c5f01295-89fd-490c-81a9-f1ee06ccbc3b.jpg?v=1665801844"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_c5f01295-89fd-490c-81a9-f1ee06ccbc3b.jpg?v=1665801844","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのドリームポップデュオWidowspeakが、2020年に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCaptured Tracksから\u003c\/span\u003eリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e素朴で味わい深いドリームポップ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3759436265\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/captra\"\u003ehere\u003c\/a\u003e to see more Captured Tracks releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eText by Captured Tracks:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"'The stone that’s buried: what the fruit is for.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo goes the title track from Plum, Widowspeak’s forthcoming fifth album. The line serves as an apt analogy for the record itself: the self-aware sweetness that the band employs to deliver the seed of a harder, sharper idea. Singer Molly Hamilton coats wry observations in a voice as honeyed as the sun-ripened fruit, and Widowspeak have always made a bitter pill much easier to swallow. From its opening strum, there’s a palpable warmth and familiarity to the music even as it hints at darker truths below the surface, questions about inherent worth. What value and meaning do we assign ourselves, our time, and how do we spend it?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Plum, the songwriting partnership rooted in the creative rapport between Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak’s sound, though perennial points of reference remain the same: 90’s dream pop, 60’s psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered\u003cspan class=\"bcTruncateMore\"\u003e well beyond their respective PR cycles, made beloved by new listeners through word of mouth.\u003cbr\u003e\u003cbr\u003eMore akin to the sunny spaciousness of All Yours (2015) than the darker, denser Expect the Best (2017), Plum carries a sense of unhurried self-awareness. It feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band’s canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of “Amy” and “The Good Ones”, or the watery, Terry Riley-influenced track “Jeanie”\u003cbr\u003e\u003cbr\u003eThe broader themes that run through Plum are almost eerily prescient for the time of its release, written and recorded in the eve of a global pandemic. Hamilton couldn’t have predicted the relevancy of mesmerizing track “Breadwinner”, with its central analogy of bread as time as money, or the song’s yearning pleas to a partner who’s “always bringing their work home”. And on “Even True Love”, Hamilton acknowledges the imminent loss of those closest to us: “In the deepest wells, in the shallow sick\/I can see you shaking in the great unknown\/Will you learn to live with what you chose?\/Even true love, you can’t take it with you”. They’re songs for our time to be sure, but Plum reckons with existential pain that was always there, that will endure well beyond social distancing and into our collective new reality.\u003cbr\u003e\u003cbr\u003eStill, Plum isn’t weighed down by crushing angst. The approach is humble and frank, like a friend sharing intimacies. These are songs made to be listened to, enjoyed. “Money” is particularly hypnotic, built around a repeating, cyclical motif that serves as both skeleton and body. “Will you get back what you put in?” Hamilton asks over an insistent guitar riff. The line is delivered with a knowingness that transcends its surface critiques of late-stage capitalism, asking both herself and the listener whether this is, in fact, the world we want to live in. A world that increasingly sees monetization as the greatest goal, even at such great expense to ourselves, and especially our future. What does it mean to contribute? And what is the cost of “selling out”?\u003cbr\u003e\u003cbr\u003eHamilton cites a crisis of meaning as being central to the origins of Plum. “I didn’t want to write for a long time; I didn’t even really want to listen. I stopped believing in ‘music as a career’ and the distorted idea of what it had become in my mind: building and projecting a personality, promoting it, selling it. Losing that sense of purpose… it made me question my own value, usefulness.” She looked methodically for ways to reframe those thoughts about overconsumption, and found inspiration in the writings of MFK Fisher, in the Danish film “Babette’s Feast” and David Byrne’s “True Stories”, and in YouTube playlists of pop songs remixed to sound like they’re being played in abandoned malls. She also found a book about wabi-sabi principles by Leonard Koren (who founded WET magazine): “So much of it is centered around allowing things to be what they are, and just noticing. I tried to notice more, and I think those observations became the songs.”\u003cbr\u003e\u003cbr\u003ePlum is an album that navigates the spaces between the lesser emotions of modern life. From the creeping dread that “things are getting worse” to the resigned but sanguine recognition that “no one is old, nothing is young,” Hamilton’s lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such “fruits of their labor.” With its release, Widowspeak have brought something into the world that seems to know its own worth, even as it wonders aloud about what is to come. Like the wabi-sabi tenant that lead to the song that became the album, all things are devolving to, or evolving from, nothingness.\u003cbr\u003e\u003cbr\u003e'You’re a peach and I’m a plum.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : WIDOWSPEAK\u003c\/p\u003e\n\u003cp\u003eLabel : Captured Tracks\u003c\/p\u003e"}
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アメリカ・NYのドリームポップデュオWidowspeakが、2020年に同国Captured Tracksからリリースしたアルバムです。 素朴で味わい深いドリームポップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Captured Tracks releases available at Tobira. ----------------------------...
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