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{"id":8741870633210,"title":"Nova Scotia \/\/ Old Light LP","handle":"nova-scotia-old-light-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eニュージーランド・アオテアロアの実験トリオNova Scotiaが、2022年12月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフリーフォームなジャズ〜ドローン〜ネオクラシカル・アンビエント7曲を収録。各曲それぞれ異なった作風ですが、全体を通して聴くとまとまりのある作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2417290691\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition black vinyl LP. \u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHorn of Plenty excavates the shadowy depths of the New Zealand\/Aotearoa underground with Old Light, a collection of previously unreleased recordings by Nova Scotia, the experimental trio of Dean Brown, Dick Whyte, and Rick Jensen. Resting at the borders of free improvisation, noise, drone, and ecstatic ritualism, across seven tracks - recorded sporadically between the early to mid-2000s - the LP unveils a widely unacknowledged flowering of singular, real-time creativity from the southern hemisphere, with few parallels before or since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSurveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ\/Aotearoa, the two remote islands in the South Pacific, vast and disassociated within their own borders, that few not from there could find on a map. Yet, between the 1980s and early 2000s, the country produced some of the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singular realisations of underground music of that era, beginning with seminal post punk gesture delivered by labels like Flying Nun – The Clean, This Kind Of Punishment, The Verlaines, etc. - before eventually coming to rest in the wilder reaches of experimentalism, via projects like The Dead C, Flies Inside The Sun, Sandoz Lab Technicians, Gate and A Handful Of Dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlmost by accident, it was the later movement to which Nova Scotia, the trio of Dean Brown, Dick Whyte, and Rick Jensen, would come to belong. Originally founded in Hamilton during the mid-90s as Negative Eh by three inseparable, 15 year old high school friends, during the second half of the decade they would release a handful of limited edition lathe cuts of DIY, glacial guitar and drum driven noise, before relocating to Wellington and reinventing themselves under the name Nova Scotia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNova Scotia encountered Brown, Whyte, and Jensen embracing a radically expanded approach to music making, incorporating a more diverse pallet of instrumentation - saxophone, electronics, concrete sounds, objects, violin, flute, guitar, drums, etc. – and touchstones drawn from Chicago and Louisville post-rock, stoner psyche, the experimental tactics of artists like Tony Conrad, and numerous free improvisational approaches from Japan, Europe, and the United States. Over the course of a small number of years, the band would live, sleep, and breath as a unit, slowly refining their sound playing gigs, often to empty rooms, with Birchville Cat Motel, Antony Milton, 1\/3 Octave Band, and numerous jazz projects in the Wellington scene, while remaining – beyond a small handful in the know - almost entirely unknown inside NZ\/Aotearoa as much as without.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot without irony, Nova Scotia’s debut release, Tangiwai, issued by Peter Stapleton's\u003cbr data-mce-fragment=\"1\"\u003eMetonymic imprint in 2002, roughly corresponded with each of the band’s members beginning to follow divergent paths. Described by The Dead C's Bruce Russell at the time as \"Proof that there is a genuine groundswell of this abstract music.. from Nowhere NZ”. Before long Brown and Jensen would relocate to the UK. For the roughly 20 years since, the project has remained a live-only endeavour, reforming and playing during rare moments that the three members are in the same place, using recordings made during those performances to create three more full-lengths - Ramses II, Memphis, and Revolt Of Capricorn - that appeared between 2005 and 2009.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOld Light - Nova Scotia’s first full-length to appear in 13 years and the first to be issued on vinyl - draws on live recordings made across the years spanning the early to mid-2000s. Encountering the trio fully embracing a radical search for creative freedom, while dispelling all notions of dedicated instrumentation in an “anything goes” approach, the LP’s seven tracks cover a vast amount of ground, while retaining a unifying logic and sense of cohesion. Rather than the brittle angularity and simmering aggression that helped define the generation of NZ\/Aotearoa artists that proceeded them, Nova Scotia’s sound - a distant cousin at best - draws from a different well, embracing a form of ecstatic ritualism bound to a fundamental human desire to commune through sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs though Faust, Marginal Consort, and the free-wheeling psychedelia of Parson Sound and International Harvester had birthed a delicate, inward-looking child, Old Light embarks on a journey through doomy noise dirges, clatter-threaded drones, spirited DIY clamour, and joyously experimental, real-time improvisation, culminating as a body of creatively brilliant sonority that recalibrates our understanding of what flowered from the NZ\/Aotearoa underground at the dawn of the new millennium.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotia\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2025-03-11T14:05:29+09:00","created_at":"2025-03-11T14:05:02+09:00","vendor":"Tobira Records","type":"","tags":["horn of plenty","jazz","lp","monooto","neo classical","new","strange beats"],"price":388200,"price_min":388200,"price_max":388200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47183948939514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nova Scotia \/\/ Old Light LP","public_title":null,"options":["Default Title"],"price":388200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879","\/\/tobirarecords.com\/cdn\/shop\/products\/ol2_c02a5ce8-b99e-445d-878a-2d34b02de292.jpg?v=1669857879","\/\/tobirarecords.com\/cdn\/shop\/products\/ol3_62697e8c-60c2-49d4-9760-0112ff467890.jpg?v=1669857880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879","options":["Title"],"media":[{"alt":null,"id":31110621397242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol1_31a6d993-a03f-43c3-81b1-80d94a699eb1.jpg?v=1669857879","width":700},{"alt":null,"id":31110621430010,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol2_c02a5ce8-b99e-445d-878a-2d34b02de292.jpg?v=1669857879"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol2_c02a5ce8-b99e-445d-878a-2d34b02de292.jpg?v=1669857879","width":1200},{"alt":null,"id":31110621462778,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol3_62697e8c-60c2-49d4-9760-0112ff467890.jpg?v=1669857880"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ol3_62697e8c-60c2-49d4-9760-0112ff467890.jpg?v=1669857880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eニュージーランド・アオテアロアの実験トリオNova Scotiaが、2022年12月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフリーフォームなジャズ〜ドローン〜ネオクラシカル・アンビエント7曲を収録。各曲それぞれ異なった作風ですが、全体を通して聴くとまとまりのある作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2417290691\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755331654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition black vinyl LP. \u003c\/p\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHorn of Plenty excavates the shadowy depths of the New Zealand\/Aotearoa underground with Old Light, a collection of previously unreleased recordings by Nova Scotia, the experimental trio of Dean Brown, Dick Whyte, and Rick Jensen. Resting at the borders of free improvisation, noise, drone, and ecstatic ritualism, across seven tracks - recorded sporadically between the early to mid-2000s - the LP unveils a widely unacknowledged flowering of singular, real-time creativity from the southern hemisphere, with few parallels before or since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSurveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ\/Aotearoa, the two remote islands in the South Pacific, vast and disassociated within their own borders, that few not from there could find on a map. Yet, between the 1980s and early 2000s, the country produced some of the most\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e singular realisations of underground music of that era, beginning with seminal post punk gesture delivered by labels like Flying Nun – The Clean, This Kind Of Punishment, The Verlaines, etc. - before eventually coming to rest in the wilder reaches of experimentalism, via projects like The Dead C, Flies Inside The Sun, Sandoz Lab Technicians, Gate and A Handful Of Dust.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlmost by accident, it was the later movement to which Nova Scotia, the trio of Dean Brown, Dick Whyte, and Rick Jensen, would come to belong. Originally founded in Hamilton during the mid-90s as Negative Eh by three inseparable, 15 year old high school friends, during the second half of the decade they would release a handful of limited edition lathe cuts of DIY, glacial guitar and drum driven noise, before relocating to Wellington and reinventing themselves under the name Nova Scotia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNova Scotia encountered Brown, Whyte, and Jensen embracing a radically expanded approach to music making, incorporating a more diverse pallet of instrumentation - saxophone, electronics, concrete sounds, objects, violin, flute, guitar, drums, etc. – and touchstones drawn from Chicago and Louisville post-rock, stoner psyche, the experimental tactics of artists like Tony Conrad, and numerous free improvisational approaches from Japan, Europe, and the United States. Over the course of a small number of years, the band would live, sleep, and breath as a unit, slowly refining their sound playing gigs, often to empty rooms, with Birchville Cat Motel, Antony Milton, 1\/3 Octave Band, and numerous jazz projects in the Wellington scene, while remaining – beyond a small handful in the know - almost entirely unknown inside NZ\/Aotearoa as much as without.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot without irony, Nova Scotia’s debut release, Tangiwai, issued by Peter Stapleton's\u003cbr data-mce-fragment=\"1\"\u003eMetonymic imprint in 2002, roughly corresponded with each of the band’s members beginning to follow divergent paths. Described by The Dead C's Bruce Russell at the time as \"Proof that there is a genuine groundswell of this abstract music.. from Nowhere NZ”. Before long Brown and Jensen would relocate to the UK. For the roughly 20 years since, the project has remained a live-only endeavour, reforming and playing during rare moments that the three members are in the same place, using recordings made during those performances to create three more full-lengths - Ramses II, Memphis, and Revolt Of Capricorn - that appeared between 2005 and 2009.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOld Light - Nova Scotia’s first full-length to appear in 13 years and the first to be issued on vinyl - draws on live recordings made across the years spanning the early to mid-2000s. Encountering the trio fully embracing a radical search for creative freedom, while dispelling all notions of dedicated instrumentation in an “anything goes” approach, the LP’s seven tracks cover a vast amount of ground, while retaining a unifying logic and sense of cohesion. Rather than the brittle angularity and simmering aggression that helped define the generation of NZ\/Aotearoa artists that proceeded them, Nova Scotia’s sound - a distant cousin at best - draws from a different well, embracing a form of ecstatic ritualism bound to a fundamental human desire to commune through sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs though Faust, Marginal Consort, and the free-wheeling psychedelia of Parson Sound and International Harvester had birthed a delicate, inward-looking child, Old Light embarks on a journey through doomy noise dirges, clatter-threaded drones, spirited DIY clamour, and joyously experimental, real-time improvisation, culminating as a body of creatively brilliant sonority that recalibrates our understanding of what flowered from the NZ\/Aotearoa underground at the dawn of the new millennium.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nova Scotia\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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ニュージーランド・アオテアロアの実験トリオNova Scotiaが、2022年12月にイギリスの実験レーベルHorn of Plentyからリリースしたレコードです。 フリーフォームなジャズ〜ドローン〜ネオクラシカル・アンビエント7曲を収録。各曲それぞれ異なった作風ですが、全体を通して聴くとまとまりのある作品です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Horn of Plenty releases...
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{"id":8740503650554,"title":"Andrew Chalk \u0026 Jean Noël Rebilly \/\/ Tsilla CD","handle":"jean-noel-rebilly-andrew-chalk-tsilla-cd","description":"\u003cp\u003eフランスのJean Noël RebillyとイギリスのAndrew Chalkアンビエント作家2名が、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn'archivesから300部限定でリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットやストリングスによるアンビエント〜アンビエントドローン7曲を収録。手作りゲートフォルド仕様です。以下、Jon Daleによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJean Noël RebillyとAndrew Chalkは、フランスの作家であり彫刻家でもあった故セシル・ランスにオマージュを捧げています。ランスは、シュールレアリストのハンス・ベルマーの通訳エングレーバーとして有名ですが、レオノール・フィニとも仕事をし、サルバドール・ダリとも短期間仕事をしました。ランスの最もパワフルで不朽の作品は、夫で作家・芸術家のフレッド・デュとのコラボレーション（コラボレーション作品には「cf deux」のサインがありました）、あるいは自分自身で作られました。ランスの後期の作品、例えば「L'Elan Vitale」組曲や「Histoires Naturelles」シリーズでは、破壊され消滅した風景、渦巻く抽象画、未知の輝きに震える彫刻、非常に複雑なエッチングが親密さや歓喜の速度を暗示し、その後痛ましい空白へと開いていく様子が見られます。Tsillaの音楽も同様に、職人の手によるシンプルな道具で刻まれた、感情の複雑さを織り成す優しいものです。ランスと同様、RebillyとChalkも、ベースとなる素材の変容を表現しています。ランスの場合、自然の秩序は「彼女の彫刻刀の丸い流れによって、よりしなやかで不思議なものになった」とケイト・マクリッカードはかつて述べています。RebillyとChalkにとって、偉大なアーティストの影の下に置かれたこれらの7つの作品は、そのしなやかさを宿し、トーンの永遠の流れを引き出すものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1711102268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=183254004\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eEdition of 300, comes in a mini handmade gatefold jacket\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJon Dale:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003e\u003cem\u003e“On Tsilla, Jean-Noël Rebilly and Andrew Chalk pay homage to the late French writer and engraver Cécile Reims. While she may be best known as interpretative engraver for surrealist artist Hans Bellmer, and she also worked with Leonor Fini and briefly for Salvador Dali, Reims’ most powerful and enduring works were made either in collaboration with her husband, the writer and artist Fred Deux (who signed their collaborative work “cf deux”), or by herself. Later works by Reims, like the L’Elan Vitale suite, or the Histoires Naturelles series, manifest denuded, obliterated landscapes; spiralling abstractions; engravings that shiver with an unearthly radiance, where etchings of great intricacy hint at intimacy and the velocity of rapture, before opening out to aching empty spaces. The music on Tsilla is similarly evocative, a tender weaving of emotional complexity carved with the hand-held and simple tools of artisans. Much like Reims, Rebilly and Chalk enact a similar transfiguration of base materials. For Reims, natural order is made “more sinuous and curious through the rounded flow of her graver,” Kate McCrickard once noted. For Rebilly and Chalk, these seven pieces, cast under the shadow of a great artist, inhabit that sinuousness, and tease out the eternal flow of tone.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eMastered by Denis Blackham\u003c\/p\u003e\n\u003cp\u003eArtist : Jean Noël Rebilly \u0026amp; Andrew Chalk\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn'archives\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-08T07:30:35+09:00","created_at":"2025-03-08T07:29:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","An'archives","andrew chalk","cd","neo classical","new"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47179725439226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew Chalk \u0026 Jean Noël Rebilly \/\/ Tsilla CD","public_title":null,"options":["Default Title"],"price":265000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0831915246_10.jpg?v=1683413258","\/\/tobirarecords.com\/cdn\/shop\/files\/0031954534_10.jpg?v=1683413259","\/\/tobirarecords.com\/cdn\/shop\/files\/0031954538_10.jpg?v=1683413261"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0831915246_10.jpg?v=1683413258","options":["Title"],"media":[{"alt":null,"id":31933513007354,"position":1,"preview_image":{"aspect_ratio":0.965,"height":1200,"width":1158,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0831915246_10.jpg?v=1683413258"},"aspect_ratio":0.965,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0831915246_10.jpg?v=1683413258","width":1158},{"alt":null,"id":31933513040122,"position":2,"preview_image":{"aspect_ratio":1.923,"height":624,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031954534_10.jpg?v=1683413259"},"aspect_ratio":1.923,"height":624,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031954534_10.jpg?v=1683413259","width":1200},{"alt":null,"id":31933513105658,"position":3,"preview_image":{"aspect_ratio":1.044,"height":1149,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031954538_10.jpg?v=1683413261"},"aspect_ratio":1.044,"height":1149,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031954538_10.jpg?v=1683413261","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのJean Noël RebillyとイギリスのAndrew Chalkアンビエント作家2名が、2023年4月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn'archivesから300部限定でリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットやストリングスによるアンビエント〜アンビエントドローン7曲を収録。手作りゲートフォルド仕様です。以下、Jon Daleによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJean Noël RebillyとAndrew Chalkは、フランスの作家であり彫刻家でもあった故セシル・ランスにオマージュを捧げています。ランスは、シュールレアリストのハンス・ベルマーの通訳エングレーバーとして有名ですが、レオノール・フィニとも仕事をし、サルバドール・ダリとも短期間仕事をしました。ランスの最もパワフルで不朽の作品は、夫で作家・芸術家のフレッド・デュとのコラボレーション（コラボレーション作品には「cf deux」のサインがありました）、あるいは自分自身で作られました。ランスの後期の作品、例えば「L'Elan Vitale」組曲や「Histoires Naturelles」シリーズでは、破壊され消滅した風景、渦巻く抽象画、未知の輝きに震える彫刻、非常に複雑なエッチングが親密さや歓喜の速度を暗示し、その後痛ましい空白へと開いていく様子が見られます。Tsillaの音楽も同様に、職人の手によるシンプルな道具で刻まれた、感情の複雑さを織り成す優しいものです。ランスと同様、RebillyとChalkも、ベースとなる素材の変容を表現しています。ランスの場合、自然の秩序は「彼女の彫刻刀の丸い流れによって、よりしなやかで不思議なものになった」とケイト・マクリッカードはかつて述べています。RebillyとChalkにとって、偉大なアーティストの影の下に置かれたこれらの7つの作品は、そのしなやかさを宿し、トーンの永遠の流れを引き出すものです。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1711102268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=183254004\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eEdition of 300, comes in a mini handmade gatefold jacket\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJon Dale:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003e\u003cem\u003e“On Tsilla, Jean-Noël Rebilly and Andrew Chalk pay homage to the late French writer and engraver Cécile Reims. While she may be best known as interpretative engraver for surrealist artist Hans Bellmer, and she also worked with Leonor Fini and briefly for Salvador Dali, Reims’ most powerful and enduring works were made either in collaboration with her husband, the writer and artist Fred Deux (who signed their collaborative work “cf deux”), or by herself. Later works by Reims, like the L’Elan Vitale suite, or the Histoires Naturelles series, manifest denuded, obliterated landscapes; spiralling abstractions; engravings that shiver with an unearthly radiance, where etchings of great intricacy hint at intimacy and the velocity of rapture, before opening out to aching empty spaces. The music on Tsilla is similarly evocative, a tender weaving of emotional complexity carved with the hand-held and simple tools of artisans. Much like Reims, Rebilly and Chalk enact a similar transfiguration of base materials. For Reims, natural order is made “more sinuous and curious through the rounded flow of her graver,” Kate McCrickard once noted. For Rebilly and Chalk, these seven pieces, cast under the shadow of a great artist, inhabit that sinuousness, and tease out the eternal flow of tone.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eMastered by Denis Blackham\u003c\/p\u003e\n\u003cp\u003eArtist : Jean Noël Rebilly \u0026amp; Andrew Chalk\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn'archives\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのJean Noël RebillyとイギリスのAndrew Chalkアンビエント作家2名が、2023年4月にフランスの実験レーベルAn'archivesから300部限定でリリースした共作CDです。 クラリネットやストリングスによるアンビエント〜アンビエントドローン7曲を収録。手作りゲートフォルド仕様です。以下、Jon Daleによる解説です。 Jean Noël RebillyとAndrew Chalkは、フランスの作家であり彫刻家でもあった故セシル・ランスにオマージュを捧げています。ランスは、シュールレアリストのハンス・ベルマーの通訳エングレーバーとして有名ですが、レオノール・フィニとも仕事をし、サルバドール・ダリとも短期間仕事をしました。ランスの最もパワフルで不朽の作品は、夫で作家・芸術家のフレッド・デュとのコラボレーション（コラボレーション作品には「cf deux」のサインがありました）、あるいは自分自身で作られました。ランスの後期の作品、例えば「L'Elan Vitale」組曲や「Histoires Naturelles」シリーズでは、破壊され消滅した風景、渦巻く抽象画、未知の輝きに震える彫刻、非常に複雑なエッチングが親密さや歓喜の速度を暗示し、その後痛ましい空白へと開いていく様子が見られます。Tsillaの音楽も同様に、職人の手によるシンプルな道具で刻まれた、感情の複雑さを織り成す優しいものです。ランスと同様、RebillyとChalkも、ベースとなる素材の変容を表現しています。ランスの場合、自然の秩序は「彼女の彫刻刀の丸い流れによって、よりしなやかで不思議なものになった」とケイト・マクリッカードはかつて述べています。RebillyとChalkにとって、偉大なアーティストの影の下に置かれたこれらの7つの作品は、そのしなやかさを宿し、トーンの永遠の流れを引き出すものです。 ------------------------------...
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{"id":8739773481210,"title":"Mashu Hayasaka \/\/ Piano Etudes LP","handle":"mashu-hayasaka-piano-etudes-lp","description":"\u003cp\u003e北海道のピアニストMashu Hayasakaが、2024年8月にAll Night Flightからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ独奏によるネオクラシカル・アンビエント〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1860781629\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/tom-houghton-531390774\" title=\"Tom Houghton\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eTom Houghton\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/tom-houghton-531390774\/sets\/mashu-hayasaka-piano-etudes\" title=\"Mashu Hayasaka - Piano Études\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eMashu Hayasaka - Piano Études\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e*\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 IV\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 V\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 III\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMay 20 II\u003cbr\u003e\u003c\/span\u003eA6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 I\u003cbr\u003eA7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJune 33 II\u003cbr\u003eA8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJune 33 V\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJan 17 III\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJan 17 II\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJan 17 I\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 VI\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOctober 10 I\u003cbr\u003eB6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOctober 10 II\u003cbr\u003eB7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eScene 22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Mashu Hayasaka\u003c\/p\u003e\n\u003cp\u003eLabel : All Night Flight\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eANF006\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-07T14:55:58+09:00","created_at":"2025-03-07T10:32:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","neo classical","new"],"price":420000,"price_min":420000,"price_max":420000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47177862480122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mashu Hayasaka \/\/ Piano Etudes LP","public_title":null,"options":["Default Title"],"price":420000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_c73db4de-3cd4-40c7-8dce-a9d2400223b0.jpg?v=1741311025","\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_910bc840-46ff-4353-908f-990a27198052.jpg?v=1741311025"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_c73db4de-3cd4-40c7-8dce-a9d2400223b0.jpg?v=1741311025","options":["Title"],"media":[{"alt":null,"id":35677964009722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_c73db4de-3cd4-40c7-8dce-a9d2400223b0.jpg?v=1741311025"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_c73db4de-3cd4-40c7-8dce-a9d2400223b0.jpg?v=1741311025","width":700},{"alt":null,"id":35677964042490,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_910bc840-46ff-4353-908f-990a27198052.jpg?v=1741311025"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_910bc840-46ff-4353-908f-990a27198052.jpg?v=1741311025","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北海道のピアニストMashu Hayasakaが、2024年8月にAll Night Flightからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ独奏によるネオクラシカル・アンビエント〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1860781629\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/tom-houghton-531390774\" title=\"Tom Houghton\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eTom Houghton\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/tom-houghton-531390774\/sets\/mashu-hayasaka-piano-etudes\" title=\"Mashu Hayasaka - Piano Études\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eMashu Hayasaka - Piano Études\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e*\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 IV\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 V\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 III\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMay 20 II\u003cbr\u003e\u003c\/span\u003eA6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 I\u003cbr\u003eA7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJune 33 II\u003cbr\u003eA8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJune 33 V\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJan 17 III\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJan 17 II\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eJan 17 I\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMay 20 VI\u003cbr\u003eB5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOctober 10 I\u003cbr\u003eB6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOctober 10 II\u003cbr\u003eB7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eScene 22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Mashu Hayasaka\u003c\/p\u003e\n\u003cp\u003eLabel : All Night Flight\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eANF006\u003c\/span\u003e\u003c\/p\u003e"}
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北海道のピアニストMashu Hayasakaが、2024年8月にAll Night Flightからリリースしたレコードです。 ピアノ独奏によるネオクラシカル・アンビエント〜アンビエント・ジャズ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Tom Houghton · Mashu Hayasaka - Piano Études...
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