Jocelyn Robert // The Maze CD
Jocelyn Robert // The Maze CD
¥1,998
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カナダの実験音楽家Jocelyn Robertが、2015年にドイツの実験レーベルfragment factoryからリリースしたCDです。
物音コラージュ〜ノイズ・ドローン4曲、50分を収録。デジパック仕様です。
レーベルその他作品はこちら /// Click here to see more Fragment Factory releases available at Tobira.
-----------------------
CD in digipack.
Artist : Jocelyn Robert
Label : Fragment Factory
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{"id":9076301398266,"title":"Freddy Ruppert \/\/ It's in the Rafters Now TAPE","handle":"freddy-ruppert-its-in-the-rafters-now-tape","description":"\u003cp\u003eチェコのノイズ作家Freddy Ruppertが、2025年10月にイギリスの実験／ノイズレーベルBrachliegen Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系のノイズ・テクノ〜リチュアリスティック・コラージュ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881788667\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881788667\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3559696586\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003ehere\u003c\/a\u003e to see more Brachliegen Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Son Sleeps Scene 02:30\u003cbr\u003e2. Tamalpais Scene 03:48\u003cbr\u003e3. Conversation with Dead Mom Scene 04:09\u003cbr\u003e4. Sunday Morning Beach Scene 02:13\u003cbr\u003e5. Conversation with Dead Dad Scene 00:21\u003cbr\u003e6. Backyard Fort Scene 03:44\u003cbr\u003e7. Empty Bench Scene 00:58\u003cbr\u003e8. Constellation Orion Scene 02:00\u003cbr\u003e9. You Are a House Scene 02:44\u003cbr\u003e10. Video Call Scene 03:48\u003cbr\u003e11. Just Brown Grass and the Sound of the Wind Against the House Scene 03:10\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFreddy Ruppert presents ‘It’s in the Rafters Now’ on Brachliegen Tapes, a dense auto-biographical sequence of 11 scenes that explore the mutability of grief memory through viscous texture driven ambience, raw techno-noise convulsions, and fragmented storytelling. Montaging eldritch FM synthesis, pulped gore, horror adjacent suspense and scratching hexapoda noise, ‘It’s in the Rafters Now’ tears the past from the cerebrum and splices it back together as a distorted reminiscence. Highly recommened if you’re into Mark Templeton, Angelo Harmsworth, Jake Muir, Puce Mary’s The Drought, and the films of Lucio Fulci, Dario Argento, John Carpenter and Jess Franco.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmploying a similar faux cinematic narrative approach as recent releases ‘i dreamt we lost everything’ and ‘the inner room’ — and drawing on the themes of grief, loss, and parental death that were at the crux of previous releases on NNA Tapes and the cult This Song Is a Mess but So Am I project — Ruppert reflects on the shifting nature of memory across 11 warped scenes. Reflecting on his artistic process, Ruppert explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“All the music I've ever made, while sounding vastly different, is always about the same things: the exploration of\u003cspan class=\"bcTruncateMore\"\u003e memory, unreliable memory, and how grief shapes and re-shapes memory in profound, unreliable, and overwhelming ways”\u003cbr\u003e\u003cbr\u003eFaded VHS tracking echoes and degraded family photographs warp spools of memory throughout, as heavily saturated pulses and stabs of dissonance interrupt total recall. Melodic tenderness competes for space amongst the harsher intrusions of time as Ruppert wrestles against himself — the unreliable narrator — to make sense of the fragmented flashes of memory. Tension remains throughout, as the binary between positive\/negative memory is demonstrated to be permeable and ever-shifting, mediated by the fugue of temporal flow\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Freddy Ruppert\u003c\/p\u003e\n\u003cp\u003eLabel : Brachliegen Tapes\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e","published_at":"2026-02-09T07:23:46+09:00","created_at":"2026-02-08T19:50:58+09:00","vendor":"Tobira Records","type":"","tags":["brachliegen","drone","monooto","new","noise","tape","techno \/ house"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48303265317114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Freddy Ruppert \/\/ It's in the Rafters Now TAPE","public_title":null,"options":["Default Title"],"price":298000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/now1_fd0ac379-85c1-418b-8ca1-b6bf10bbeb50.jpg?v=1770547774","\/\/tobirarecords.com\/cdn\/shop\/files\/now2_58720311-e586-4260-8934-e28d3254b1a8.jpg?v=1770547774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_fd0ac379-85c1-418b-8ca1-b6bf10bbeb50.jpg?v=1770547774","options":["Title"],"media":[{"alt":null,"id":38282133405946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_fd0ac379-85c1-418b-8ca1-b6bf10bbeb50.jpg?v=1770547774"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_fd0ac379-85c1-418b-8ca1-b6bf10bbeb50.jpg?v=1770547774","width":700},{"alt":null,"id":38282133438714,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now2_58720311-e586-4260-8934-e28d3254b1a8.jpg?v=1770547774"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now2_58720311-e586-4260-8934-e28d3254b1a8.jpg?v=1770547774","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチェコのノイズ作家Freddy Ruppertが、2025年10月にイギリスの実験／ノイズレーベルBrachliegen Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系のノイズ・テクノ〜リチュアリスティック・コラージュ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881788667\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881788667\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3559696586\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003ehere\u003c\/a\u003e to see more Brachliegen Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Son Sleeps Scene 02:30\u003cbr\u003e2. Tamalpais Scene 03:48\u003cbr\u003e3. Conversation with Dead Mom Scene 04:09\u003cbr\u003e4. Sunday Morning Beach Scene 02:13\u003cbr\u003e5. Conversation with Dead Dad Scene 00:21\u003cbr\u003e6. Backyard Fort Scene 03:44\u003cbr\u003e7. Empty Bench Scene 00:58\u003cbr\u003e8. Constellation Orion Scene 02:00\u003cbr\u003e9. You Are a House Scene 02:44\u003cbr\u003e10. Video Call Scene 03:48\u003cbr\u003e11. Just Brown Grass and the Sound of the Wind Against the House Scene 03:10\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFreddy Ruppert presents ‘It’s in the Rafters Now’ on Brachliegen Tapes, a dense auto-biographical sequence of 11 scenes that explore the mutability of grief memory through viscous texture driven ambience, raw techno-noise convulsions, and fragmented storytelling. Montaging eldritch FM synthesis, pulped gore, horror adjacent suspense and scratching hexapoda noise, ‘It’s in the Rafters Now’ tears the past from the cerebrum and splices it back together as a distorted reminiscence. Highly recommened if you’re into Mark Templeton, Angelo Harmsworth, Jake Muir, Puce Mary’s The Drought, and the films of Lucio Fulci, Dario Argento, John Carpenter and Jess Franco.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmploying a similar faux cinematic narrative approach as recent releases ‘i dreamt we lost everything’ and ‘the inner room’ — and drawing on the themes of grief, loss, and parental death that were at the crux of previous releases on NNA Tapes and the cult This Song Is a Mess but So Am I project — Ruppert reflects on the shifting nature of memory across 11 warped scenes. Reflecting on his artistic process, Ruppert explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“All the music I've ever made, while sounding vastly different, is always about the same things: the exploration of\u003cspan class=\"bcTruncateMore\"\u003e memory, unreliable memory, and how grief shapes and re-shapes memory in profound, unreliable, and overwhelming ways”\u003cbr\u003e\u003cbr\u003eFaded VHS tracking echoes and degraded family photographs warp spools of memory throughout, as heavily saturated pulses and stabs of dissonance interrupt total recall. Melodic tenderness competes for space amongst the harsher intrusions of time as Ruppert wrestles against himself — the unreliable narrator — to make sense of the fragmented flashes of memory. Tension remains throughout, as the binary between positive\/negative memory is demonstrated to be permeable and ever-shifting, mediated by the fugue of temporal flow\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Freddy Ruppert\u003c\/p\u003e\n\u003cp\u003eLabel : Brachliegen Tapes\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e"}
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チェコのノイズ作家Freddy Ruppertが、2025年10月にイギリスの実験／ノイズレーベルBrachliegen Tapesからリリースしたカセットです。 フロア棒立ち系のノイズ・テクノ〜リチュアリスティック・コラージュ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Brachliegen Tapes releases available at...
¥2,980
クイックビュー
{"id":9076300873978,"title":"Misery\/\/Pleasure \/\/ Trapped in Life TAPE","handle":"misery-pleasure-trapped-in-life-tape","description":"\u003cp\u003eイギリスのノイズ作家Misery\/\/Pleasureが、2025年10月に同国実験／ノイズレーベルBrachliegen Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e悪夢のようなリチュアリスティック・コラージュノイズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2046539807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3035319294\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2046539807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003ehere\u003c\/a\u003e to see more Brachliegen Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eNOTE: program repeats on both sides of the cassette. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. World of Shit 02:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Parasite 01:50\u003cbr\u003e\u003c\/span\u003e3. Childhood Traumatic Experience 02:00\u003cbr\u003e4. Childhood Traumatic Experience II 01:24\u003cbr\u003e5. Magick 01:50\u003cbr\u003e6. Magick II 01:35\u003cbr\u003e7. Bound 01:21\u003cbr\u003e8. Persuasive Delusions 01:49\u003cbr\u003e9. Preserved Inside a Glass Prism 02:17\u003cbr\u003e10. For Eternity 02:38\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBrachliegen Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrapped in Life is a 19 minute tape torture collage of visceral noise walls, abrasive atmospherics and hissing dead air ambiences from Misery\/\/Pleasure. After terrorising scattered South London audiences with amplified five finger fillet knifeplay, Brachliegen is proud to present the project’s debut studio work. Created in reaction to feelings of existential urgency and chronic suffering, Trapped in Life explores the imperfections of the human condition and the compulsive re-experience of crisis ordinariness in day-to-day life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmploying a petri-dish of prepared homemade string instruments, synthesisers, chimes and field recordings processed through death-metal-esque circuitry, Misery\/\/Pleasure delivers 10 tracks of expressive dissonance that blur the boundaries between reality and deception. Trapped in Life embraces elements of failure, such as mic bumps, noise floors, bad tracking, feedback, and other sonic artefacts to construct broken rhythms and eerie harmonic tones. Pushed hard through a 4-track tape recorder, sound sources saturate into cycles of degeneration, worry and regressive obsession.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMisery\/\/Pleasure draws influence from the thematic tilt of bands such as Dystopia, Disrupt, and Man Is the Bastard, dissecting their cadavers and feeding the entrails through a meat\u003cspan class=\"bcTruncateMore\"\u003e grinder of heavy processing. Calling to mind Nate Young’s Regression Series or early Controlled Bleeding, the result is a collection of sonic micro-traumas that attempt to come to terms with one’s purpose in the face of persistent dread.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misery\/\/Pleasure\u003c\/p\u003e\n\u003cp\u003eLabel : Brachliegen Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR 047\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-09T07:20:05+09:00","created_at":"2026-02-08T19:48:11+09:00","vendor":"Tobira Records","type":"","tags":["brachliegen","drone","monooto","new","noise","strange beats","tape"],"price":288000,"price_min":288000,"price_max":288000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48303263121658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Misery\/\/Pleasure \/\/ Trapped in Life TAPE","public_title":null,"options":["Default Title"],"price":288000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mis1.jpg?v=1770546916","\/\/tobirarecords.com\/cdn\/shop\/files\/mis2_16c26e2c-b10e-41a5-895d-9ed6f80dc46e.jpg?v=1770546916"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis1.jpg?v=1770546916","options":["Title"],"media":[{"alt":null,"id":38282054041850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis1.jpg?v=1770546916"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis1.jpg?v=1770546916","width":700},{"alt":null,"id":38282054074618,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis2_16c26e2c-b10e-41a5-895d-9ed6f80dc46e.jpg?v=1770546916"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mis2_16c26e2c-b10e-41a5-895d-9ed6f80dc46e.jpg?v=1770546916","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのノイズ作家Misery\/\/Pleasureが、2025年10月に同国実験／ノイズレーベルBrachliegen Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e悪夢のようなリチュアリスティック・コラージュノイズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2046539807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3035319294\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2046539807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/brachliegen\"\u003ehere\u003c\/a\u003e to see more Brachliegen Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eNOTE: program repeats on both sides of the cassette. \u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. World of Shit 02:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Parasite 01:50\u003cbr\u003e\u003c\/span\u003e3. Childhood Traumatic Experience 02:00\u003cbr\u003e4. Childhood Traumatic Experience II 01:24\u003cbr\u003e5. Magick 01:50\u003cbr\u003e6. Magick II 01:35\u003cbr\u003e7. Bound 01:21\u003cbr\u003e8. Persuasive Delusions 01:49\u003cbr\u003e9. Preserved Inside a Glass Prism 02:17\u003cbr\u003e10. For Eternity 02:38\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBrachliegen Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrapped in Life is a 19 minute tape torture collage of visceral noise walls, abrasive atmospherics and hissing dead air ambiences from Misery\/\/Pleasure. After terrorising scattered South London audiences with amplified five finger fillet knifeplay, Brachliegen is proud to present the project’s debut studio work. Created in reaction to feelings of existential urgency and chronic suffering, Trapped in Life explores the imperfections of the human condition and the compulsive re-experience of crisis ordinariness in day-to-day life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEmploying a petri-dish of prepared homemade string instruments, synthesisers, chimes and field recordings processed through death-metal-esque circuitry, Misery\/\/Pleasure delivers 10 tracks of expressive dissonance that blur the boundaries between reality and deception. Trapped in Life embraces elements of failure, such as mic bumps, noise floors, bad tracking, feedback, and other sonic artefacts to construct broken rhythms and eerie harmonic tones. Pushed hard through a 4-track tape recorder, sound sources saturate into cycles of degeneration, worry and regressive obsession.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMisery\/\/Pleasure draws influence from the thematic tilt of bands such as Dystopia, Disrupt, and Man Is the Bastard, dissecting their cadavers and feeding the entrails through a meat\u003cspan class=\"bcTruncateMore\"\u003e grinder of heavy processing. Calling to mind Nate Young’s Regression Series or early Controlled Bleeding, the result is a collection of sonic micro-traumas that attempt to come to terms with one’s purpose in the face of persistent dread.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misery\/\/Pleasure\u003c\/p\u003e\n\u003cp\u003eLabel : Brachliegen Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR 047\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのノイズ作家Misery//Pleasureが、2025年10月に同国実験／ノイズレーベルBrachliegen Tapesからリリースしたカセットです。 悪夢のようなリチュアリスティック・コラージュノイズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Brachliegen Tapes releases available at Tobira. ...
¥2,880
クイックビュー
{"id":9075031146746,"title":"Astasie-abasie \/\/ Molecular Gamelan CD","handle":"astasie-abasie-molecular-gamelan-cd","description":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2021年に同国メルボルンのShame FileからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e自作ガムランやコンタクトマイクなどを用いた瞑想的な物音〜ストレンジビーツ11曲を収録。4面デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eASMRのようで癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ワッシャーのような小さな金属物体の小さな音の拡大を探求する一連の実験の最初の作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、様々な距離の取り方によって、物体間の相互作用によって生み出される混沌とした、しかし本質的な反復パターンが、最小限の身振り手振りで実現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAstasie-abasieはIan Andrewsのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォン、従来のマイクロフォンなどを用いて、小さな物体から発生する音を捕らえることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが、音をもたらすためにしばしば使用され、その後、素材の編集は最小限にとどめられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIan Andrewsは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse He's Sick』、『Kurt Volentine』、『Cut with the Kitchen Knife』など数え切れないほどのプロジェクトがある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1739760048\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD in 4-panel digipack.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePantang\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:52\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCity of Crocodiles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:00\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVicissitudes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:07\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSynthetic Shells\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBrace Sea\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3:00\u003cbr\u003e\u003c\/span\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBurnt Tamarind\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eExpulsion\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:27\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSteam Room in Buitenzorg\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:15\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDecoy Bird\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStrung Intervals\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2:54\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the first in a series of experiments exploring the magnification of the small sounds of small metal objects such as washers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003cspan class=\"bcTruncateMore\"\u003e about the sounds, after which any editing of the material is kept to a minimum.\u003cbr\u003e\u003cbr\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham115\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-07T07:02:17+09:00","created_at":"2026-02-07T07:01:51+09:00","vendor":"Tobira Records","type":"","tags":["cd","monooto","new","shame file music","strange beats"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48296067956986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Astasie-abasie \/\/ Molecular Gamelan CD","public_title":null,"options":["Default Title"],"price":229000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589","\/\/tobirarecords.com\/cdn\/shop\/files\/as2_0489b8a8-c8b7-4776-b487-f514187698e1.jpg?v=1756889588"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589","options":["Title"],"media":[{"alt":null,"id":36724068155642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as1_99237235-6986-490b-b23d-9dc044211afd.jpg?v=1756889589","width":700},{"alt":null,"id":36724068188410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as2_0489b8a8-c8b7-4776-b487-f514187698e1.jpg?v=1756889588"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/as2_0489b8a8-c8b7-4776-b487-f514187698e1.jpg?v=1756889588","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・シドニーの美術家Astasie-abasieが、2021年に同国メルボルンのShame FileからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e自作ガムランやコンタクトマイクなどを用いた瞑想的な物音〜ストレンジビーツ11曲を収録。4面デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eASMRのようで癒しすら感じます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ワッシャーのような小さな金属物体の小さな音の拡大を探求する一連の実験の最初の作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、様々な距離の取り方によって、物体間の相互作用によって生み出される混沌とした、しかし本質的な反復パターンが、最小限の身振り手振りで実現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAstasie-abasieはIan Andrewsのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォン、従来のマイクロフォンなどを用いて、小さな物体から発生する音を捕らえることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが、音をもたらすためにしばしば使用され、その後、素材の編集は最小限にとどめられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIan Andrewsは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse He's Sick』、『Kurt Volentine』、『Cut with the Kitchen Knife』など数え切れないほどのプロジェクトがある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1739760048\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD in 4-panel digipack.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePantang\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:52\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCity of Crocodiles\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:00\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVicissitudes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:07\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSynthetic Shells\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBrace Sea\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3:00\u003cbr\u003e\u003c\/span\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBurnt Tamarind\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eExpulsion\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:27\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSteam Room in Buitenzorg\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:15\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDecoy Bird\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStrung Intervals\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2:54\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is the first in a series of experiments exploring the magnification of the small sounds of small metal objects such as washers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003cspan class=\"bcTruncateMore\"\u003e about the sounds, after which any editing of the material is kept to a minimum.\u003cbr\u003e\u003cbr\u003eIan Andrews works across a number of disciplines including film and video, sculpture, installation and collage, poetry and writing, in order to explore questions relating to utopia and modernism, technologies and the post-human. The work attempts—via a strategy of deconstruction and collage, and the critical juxtaposition of appropriated materials—to locate the point of fracture in discourses of power and discursive regimes, and put into question the organising structures, and break the syntax of the accepted sedimented frameworks that keep thought rigid and ultimately hold us to ransom. His contribution to Australian experimental music reaches back to the early 1980s, including projects like The Horse He's Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Astasie-abasie\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham115\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・シドニーの美術家Astasie-abasieが、2021年に同国メルボルンのShame FileからリリースしたCDです。 自作ガムランやコンタクトマイクなどを用いた瞑想的な物音〜ストレンジビーツ11曲を収録。4面デジパック仕様です。 ASMRのようで癒しすら感じます。 以下、レーベルによる解説です。 "このアルバムは、ワッシャーのような小さな金属物体の小さな音の拡大を探求する一連の実験の最初の作品である。 手回しドリル、フィルムワインダー、電動ドリル／スクリュードライバーなど、様々な距離の取り方によって、物体間の相互作用によって生み出される混沌とした、しかし本質的な反復パターンが、最小限の身振り手振りで実現されている。 Astasie-abasieはIan Andrewsのプロジェクトで、ギャリー・ブラッドベリとの長期にわたるパフォーマンスコラボレーションから発展した。このプロジェクトは、コンタクトマイク、自作カートリッジ、小型ピエゾマイクロフォン、従来のマイクロフォンなどを用いて、小さな物体から発生する音を捕らえることで、（ジョン・ケージ、ゴードン・マンマ、デヴィッド・チューダーのアプローチに倣い）小さな音を増幅させることに焦点を当てている。アーティストの演奏ジェスチャーを作曲プロセスから遠ざけるために、様々な装置が制約として使用される。この意味で、作曲プロセスは恣意的であり、自動的なものに近い。フィールドレコーディングのように、音は演奏や操作されるのではなく、発見される。改造された、あるいは 「準備された 」ターンテーブルが、音をもたらすためにしばしば使用され、その後、素材の編集は最小限にとどめられる。 Ian Andrewsは、ユートピアとモダニズム、テクノロジーとポストヒューマンに関連する問題を探求するため、映画やビデオ、彫刻、インスタレーション、コラージュ、詩、文章など、さまざまな分野で活動している。作品は、脱構築とコラージュの戦略、そして流用した素材の批評的な並置によって、権力と言説体制の言説の分断点を突き止め、組織構造に疑問を投げかけ、思考を硬直化させ、最終的に私たちを身代金として拘束する、受け入れられている沈殿した枠組みの構文を打ち破ることを試みている。彼のオーストラリア実験音楽への貢献は1980年代初頭まで遡り、『The Horse...
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{"id":9069696745722,"title":"Ludwig Berger \u0026 Pablo Diserens \/\/ Tracing Basalt In The Onsernone Valley CD","handle":"ludwig-berger-pablo-diserens-tracing-basalt-in-the-onsernone-valley-cd","description":"\u003cp\u003e実験レーベルforms of minutiaeとVertical Music主宰2名が、2026年1月にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e物音スケープ7曲を収録。16ページのブックレット付属。DVDサイズのケース仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2070775093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elarge format DVD sleeve.\u003cbr\u003eIncludes 16 page booklet.\u003cbr\u003eEdition of 100 copies. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. regen ist die sonne des klangs (rain is the sun of sound) 08:16\u003cbr\u003e2. vom wasser lernen (learning from water) 03:12\u003cbr\u003e3. schallbad im isorno (acoustic bath in the isorno) 05:26\u003cbr\u003e4. wie tief dringt ein ton ein? (how deeply does a sound penetrate?) 03:26\u003cbr\u003e5. suche nach schalleindrücken (searching for sonic imprints) 05:58\u003cbr\u003e6. sprechen in reibenden zungen (speaking in rubbing tongues) 07:24\u003cbr\u003e7. die basaltfrequenz finden (finding the basalt frequency) 06:02\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe two labels, forms of minutiae and Vertical Music, team up to present “tracing basalt in the onsernone valley”, the first collaborative project of field recordists and sound artists Pablo Diserens and Ludwig Berger based on Basalt’s writings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the Oratorio di Niva, deep in the Onsernone Valley (Ticino, Switzerland), Ludwig Berger and Pablo Diserens found loose sheets of paper in a folder marked with the name “Basalt.” These aphoristic and personal notes conveyed a profound philosophy of listening and belonging. Amazed, the two artists unearthed the origin of these writings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is said that Basalt (1910 - ?) was a gender non-conforming person born and raised in Berlin. They studied geology while being part of the city's vibrant queer scene before escaping the Nazi regime in the 1930s. For years, they travelled through Europe until they settled in the Onsernone Valley in the 1950s. Here, Basalt developed a keen ear and relationship to the environment informed by early theories of bioacoustics, psychoacoustics, and ecology. Oozing with poetry, Basalt’s notes revealed a hypothesis of their own emerging from a singular methodology of listening. The core principle of\u003cspan class=\"bcTruncateMore\"\u003e their “sonic imprint theory” was the belief that sound leaves measurable traces in the matter it comes into contact with. Consequently, Basalt spent the rest of their life using their body as a sound recording device in the hopes of creating a sonic archive through their skeleton. In time, they cultivated an intimate and extensive relationship with rocks, birds, rivers, insects, and human locals—such as fellow trans refugee and poet Gian Alessandro Rapp. In the end, nobody knows exactly what happened to Basalt. It is believed that they disappeared in the Onsernone Valley, their body never to be found. Based on Basalt’s last written entry, some speculate that they morphed into a grasshopper and joined, what they called, the insect people.\u003cbr\u003e\u003cbr\u003eInspired by Basalt’s life and writings, Pablo Diserens and Ludwig Berger put Basalt’s thinking and methodologies into practice. The duo followed these aphorisms like a map, listening to the Onsernone Valley and recording the sounds it fostered. As time passed, the landscape unveiled itself differently and the parallels with Basalt’s experience grew. Sounds became palpable while the boundaries between the two artists and the world blurred. Out of this attempt to bring Basalt’s philosophy back to life, Pablo Diserens and Ludwig Berger created a counter-cartography of the valley’s soundscape, tracing the effects and interrelations of its sonic imprints. Together, the album and Basalt’s writings enact a psychogeographical gesture that urges listeners to reimagine their relationship with the world around them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ludwig Berger \u0026amp; Pablo Diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae x Vertical Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eFOM17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eRelease date : August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-04T16:44:46+09:00","created_at":"2026-02-03T10:40:18+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","forms of minutiae","monooto","new","recommended"],"price":309800,"price_min":309800,"price_max":309800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48278153527546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ludwig Berger \u0026 Pablo Diserens \/\/ Tracing Basalt In The Onsernone Valley CD","public_title":null,"options":["Default Title"],"price":309800,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trac1.jpg?v=1770082704","\/\/tobirarecords.com\/cdn\/shop\/files\/trac2.jpg?v=1770082704","\/\/tobirarecords.com\/cdn\/shop\/files\/trac3.jpg?v=1770082704"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac1.jpg?v=1770082704","options":["Title"],"media":[{"alt":null,"id":38226849399034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac1.jpg?v=1770082704"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac1.jpg?v=1770082704","width":700},{"alt":null,"id":38226849431802,"position":2,"preview_image":{"aspect_ratio":1.382,"height":868,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac2.jpg?v=1770082704"},"aspect_ratio":1.382,"height":868,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac2.jpg?v=1770082704","width":1200},{"alt":null,"id":38226849464570,"position":3,"preview_image":{"aspect_ratio":1.382,"height":868,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac3.jpg?v=1770082704"},"aspect_ratio":1.382,"height":868,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trac3.jpg?v=1770082704","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験レーベルforms of minutiaeとVertical Music主宰2名が、2026年1月にリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e物音スケープ7曲を収録。16ページのブックレット付属。DVDサイズのケース仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2070775093\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/foofmi\"\u003ehere\u003c\/a\u003e to see more Forms of Minutiae releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elarge format DVD sleeve.\u003cbr\u003eIncludes 16 page booklet.\u003cbr\u003eEdition of 100 copies. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. regen ist die sonne des klangs (rain is the sun of sound) 08:16\u003cbr\u003e2. vom wasser lernen (learning from water) 03:12\u003cbr\u003e3. schallbad im isorno (acoustic bath in the isorno) 05:26\u003cbr\u003e4. wie tief dringt ein ton ein? (how deeply does a sound penetrate?) 03:26\u003cbr\u003e5. suche nach schalleindrücken (searching for sonic imprints) 05:58\u003cbr\u003e6. sprechen in reibenden zungen (speaking in rubbing tongues) 07:24\u003cbr\u003e7. die basaltfrequenz finden (finding the basalt frequency) 06:02\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe two labels, forms of minutiae and Vertical Music, team up to present “tracing basalt in the onsernone valley”, the first collaborative project of field recordists and sound artists Pablo Diserens and Ludwig Berger based on Basalt’s writings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the Oratorio di Niva, deep in the Onsernone Valley (Ticino, Switzerland), Ludwig Berger and Pablo Diserens found loose sheets of paper in a folder marked with the name “Basalt.” These aphoristic and personal notes conveyed a profound philosophy of listening and belonging. Amazed, the two artists unearthed the origin of these writings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt is said that Basalt (1910 - ?) was a gender non-conforming person born and raised in Berlin. They studied geology while being part of the city's vibrant queer scene before escaping the Nazi regime in the 1930s. For years, they travelled through Europe until they settled in the Onsernone Valley in the 1950s. Here, Basalt developed a keen ear and relationship to the environment informed by early theories of bioacoustics, psychoacoustics, and ecology. Oozing with poetry, Basalt’s notes revealed a hypothesis of their own emerging from a singular methodology of listening. The core principle of\u003cspan class=\"bcTruncateMore\"\u003e their “sonic imprint theory” was the belief that sound leaves measurable traces in the matter it comes into contact with. Consequently, Basalt spent the rest of their life using their body as a sound recording device in the hopes of creating a sonic archive through their skeleton. In time, they cultivated an intimate and extensive relationship with rocks, birds, rivers, insects, and human locals—such as fellow trans refugee and poet Gian Alessandro Rapp. In the end, nobody knows exactly what happened to Basalt. It is believed that they disappeared in the Onsernone Valley, their body never to be found. Based on Basalt’s last written entry, some speculate that they morphed into a grasshopper and joined, what they called, the insect people.\u003cbr\u003e\u003cbr\u003eInspired by Basalt’s life and writings, Pablo Diserens and Ludwig Berger put Basalt’s thinking and methodologies into practice. The duo followed these aphorisms like a map, listening to the Onsernone Valley and recording the sounds it fostered. As time passed, the landscape unveiled itself differently and the parallels with Basalt’s experience grew. Sounds became palpable while the boundaries between the two artists and the world blurred. Out of this attempt to bring Basalt’s philosophy back to life, Pablo Diserens and Ludwig Berger created a counter-cartography of the valley’s soundscape, tracing the effects and interrelations of its sonic imprints. Together, the album and Basalt’s writings enact a psychogeographical gesture that urges listeners to reimagine their relationship with the world around them.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ludwig Berger \u0026amp; Pablo Diserens\u003c\/p\u003e\n\u003cp\u003eLabel : Forms of Minutiae x Vertical Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eFOM17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eRelease date : August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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実験レーベルforms of minutiaeとVertical Music主宰2名が、2026年1月にリリースした共作CDです。 物音スケープ7曲を収録。16ページのブックレット付属。DVDサイズのケース仕様です。 レーベルその他作品はこちら /// Click here to see more Forms of Minutiae releases available...
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