VINYL
クイックビュー
{"id":9229394575610,"title":"amotik \/\/ Amotik 015 12inch","handle":"amotik-amotik-015-12inch","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家amotikが、2026年5月に自主リリースした12\"です（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1946360695\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/amotikmusic\" title=\"Amotik\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAmotik\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/amotikmusic\/amtk015-preview\" title=\"AMTK015 (Preview)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAMTK015 (Preview)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Amotik - Unnasi\u003cbr\u003e2. Amotik - Assi\u003cbr\u003e3. Amotik - Ikyasi\u003cbr\u003e4. Amotik - Byaasi\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eamotik:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter an exceptional and well-received collaborative EP with Tina Ramamurthy on Amotik 014 earlier in 2024, Amotik picks up where he left off and delivers four sublime solo works for Amotik 015. His self-titled imprint, running since 2015, has been a steady home base for his own productions, quickly becoming an essential catalogue in modern techno. Here, once again, he delivers a full pack of pure techno jams. Whether it's the swinging percussion hooks in 'Assi', the hypnotic groove of 'Unnasi', or the banging kick drums of 'Ikyasi', this is yet another essential release for every techno enthusiast.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : amotik\u003c\/p\u003e\n\u003cp\u003eLabel : amotik\u003c\/p\u003e\n\u003cp\u003eCAT No : AMTK015\u003c\/p\u003e","published_at":"2026-05-18T06:47:03+09:00","created_at":"2026-05-18T06:46:36+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":298400,"price_min":298400,"price_max":298400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48900395303162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"amotik \/\/ Amotik 015 12inch","public_title":null,"options":["Default Title"],"price":298400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/amo1.jpg?v=1730951192","\/\/tobirarecords.com\/cdn\/shop\/files\/amo2.jpg?v=1730951192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo1.jpg?v=1730951192","options":["Title"],"media":[{"alt":null,"id":35159019323642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo1.jpg?v=1730951192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo1.jpg?v=1730951192","width":700},{"alt":null,"id":35159019356410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo2.jpg?v=1730951192"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/amo2.jpg?v=1730951192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家amotikが、2026年5月に自主リリースした12\"です（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1946360695\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/amotikmusic\" title=\"Amotik\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAmotik\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/amotikmusic\/amtk015-preview\" title=\"AMTK015 (Preview)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAMTK015 (Preview)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Amotik - Unnasi\u003cbr\u003e2. Amotik - Assi\u003cbr\u003e3. Amotik - Ikyasi\u003cbr\u003e4. Amotik - Byaasi\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eamotik:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter an exceptional and well-received collaborative EP with Tina Ramamurthy on Amotik 014 earlier in 2024, Amotik picks up where he left off and delivers four sublime solo works for Amotik 015. His self-titled imprint, running since 2015, has been a steady home base for his own productions, quickly becoming an essential catalogue in modern techno. Here, once again, he delivers a full pack of pure techno jams. Whether it's the swinging percussion hooks in 'Assi', the hypnotic groove of 'Unnasi', or the banging kick drums of 'Ikyasi', this is yet another essential release for every techno enthusiast.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : amotik\u003c\/p\u003e\n\u003cp\u003eLabel : amotik\u003c\/p\u003e\n\u003cp\u003eCAT No : AMTK015\u003c\/p\u003e"}
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ドイツ・ベルリンのテクノ作家amotikが、2026年5月に自主リリースした12"です（オリジナルは2024年リリース） ディープ・ミニマルテクノ4曲を収録。 Amotik · AMTK015 (Preview) ------------------------------------------- 12" black vinyl. Tracklist: 1. Amotik -...
¥2,984
クイックビュー
{"id":9229383565562,"title":"Old Saw \/\/ Country Tropics LP","handle":"old-saw-country-tropics-lp","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※7月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2026年7月にNYのLobby Artからリリースする再発レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid July.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEdition of 250. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\"Released in 2021, Country Tropics was the first offering from Old Saw. At the time, no one was really certain who was behind the lush and textured arrangements of a soon to be beloved ensemble of New England based musicians. 5 years and 4 albums later, the group announced that their fall 2025 double album, The Wringing Cloth, would be their last. An outpouring of affection and adoration for what the group had accomplished followed, with many noting just how unique a space Old Saw occupied within an increasingly saturated sphere of americana-drone music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eIt’s with great pride and enthusiasm that we announce this 5th year anniversary pressing of Country Tropics to coincide with the group making a U-turn and rather than closing up shop, they are planning their very first live performances slated for later this summer across the northeast US. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2026-05-18T05:52:01+09:00","created_at":"2026-05-18T05:48:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lobby art","lp","new","recommended"],"price":477500,"price_min":477500,"price_max":477500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48900264788218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Old Saw \/\/ Country Tropics LP","public_title":null,"options":["Default Title"],"price":477500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","\/\/tobirarecords.com\/cdn\/shop\/files\/LA014REPRESS_MOCK.jpg?v=1779051055","\/\/tobirarecords.com\/cdn\/shop\/files\/0044927735_10.jpg?v=1779051057"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","options":["Title"],"media":[{"alt":null,"id":30289995104506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","width":700},{"alt":null,"id":39401730605306,"position":2,"preview_image":{"aspect_ratio":1.333,"height":2250,"width":3000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/LA014REPRESS_MOCK.jpg?v=1779051055"},"aspect_ratio":1.333,"height":2250,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/LA014REPRESS_MOCK.jpg?v=1779051055","width":3000},{"alt":null,"id":39401730638074,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0044927735_10.jpg?v=1779051057"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0044927735_10.jpg?v=1779051057","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※7月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2026年7月にNYのLobby Artからリリースする再発レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid July.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eEdition of 250. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\"Released in 2021, Country Tropics was the first offering from Old Saw. At the time, no one was really certain who was behind the lush and textured arrangements of a soon to be beloved ensemble of New England based musicians. 5 years and 4 albums later, the group announced that their fall 2025 double album, The Wringing Cloth, would be their last. An outpouring of affection and adoration for what the group had accomplished followed, with many noting just how unique a space Old Saw occupied within an increasingly saturated sphere of americana-drone music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eIt’s with great pride and enthusiasm that we announce this 5th year anniversary pressing of Country Tropics to coincide with the group making a U-turn and rather than closing up shop, they are planning their very first live performances slated for later this summer across the northeast US. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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※7月中旬発送開始します アメリカ・ニューイングランドのペダルスチール奏者Henry Birdsey率いるアンビエントフォーク・ドローンバンドOld Sawが、2026年7月にNYのLobby Artからリリースする再発レコードです。（オリジナルは2021年リリース） ペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。 マスタリングはAndrew Weathersが担当しています。 Henry Birdsey - pedal steel, lap...
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![Various Artists (SK_Eleven) // SK11.10Y 3x12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/ak1_77c86bc2-8dde-4eae-aaff-2106776e234f_medium.jpg?v=1778985809)
クイックビュー
{"id":9228890079482,"title":"Various Artists (SK_Eleven) \/\/ SK11.10Y 3x12inch [COLOR]","handle":"various-artists-sk_eleven-sk11-10y-3x12inch-color","description":"\u003cp\u003eイギリス・マンチェスター出身ドイツ・ベルリン在住のテクノ作家Sam Coates主宰レーベルSK_elevenが、2026年5月にリリースしたコンピレーション3枚組12\"です。\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ13曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2180976743\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SK_eleven [SK_X series]\" href=\"https:\/\/soundcloud.com\/sk_eleven\" target=\"_blank\"\u003eSK_eleven [SK_X series]\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SK11.10Y - Various Artists\" href=\"https:\/\/soundcloud.com\/sk_eleven\/sk11-10y-various-artists\" target=\"_blank\"\u003eSK11.10Y - Various Artists\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003ehere\u003c\/a\u003e to see more SK_eleven releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e3 x 12\" clear vinyl in full color printed sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 - Yant – Bee Sting\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 - Rene Wise – Gut Punch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 - Kr!z – Split Tongue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 - BLANKA – Extravaganza\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1 - \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eEman – Lerake\u003cbr\u003eC2 - Holden Federico – Hydro\u003cbr\u003eD1 - Cirkle –\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003eDelta State\u003cbr\u003eD2 - Altinbas – Epinephrine\u003cbr\u003eD3 - Kameliia – Memories\u003cbr\u003eE1 - Phil Berg – Sappho\u003cbr\u003eE2 - Border One – Warp Shift\u003cbr\u003eF1 - Kwartz – Watch Out \u003cbr\u003eF2 - Phalcon – Into the Depth\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSK_eleven celebrates a decade of sonic exploration with a 13-track compilation showcasing its signature tension, technical discipline, and stylistic spectrum. Reuniting a tight circle of artists whose contributions have helped shape the label’s trajectory, the release offers an unrelenting sequence of pressure, mental twists, and textural collisions; a multifaceted snapshot of techno’s enduring capacity to evolve, disturb, and seduce.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation resists uniformity. Instead, it thrives on contrast: tension versus release, density against spaciousness, rhythm in all its permutations. From high-energy metallic openers and dub-inflected body rollers, to disorienting, delay-heavy experiments and stripped-back percussive tools, each contribution reveals a unique grip on groove and detail. Some tracks move like engineered machines: sharp, robotic, and syncopated to surgical precision. Others embrace sensuality and unpredictability, exploring spatial motion, layered harmonic friction, and states of controlled chaos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach piece acts as a structural component in a larger sonic architecture, where tension is built, collapsed, and rebuilt. Friction becomes a form of choreography. Across the record, a\u003cspan class=\"bcTruncateMore\"\u003e shifting palette of emotional mechanisms takes form; granular and magnetic, haunting and quietly forceful, restrained, then disruptive.\u003cbr\u003e\u003cbr\u003eMore than a retrospective, SK_eleven’s first compilation becomes a collective gesture toward techno’s unresolved possibilities: its ability to hold contradiction, remain in flux, and mutate without conclusion.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : SK_Eleven\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSK11X10YLP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-18T07:41:28+09:00","created_at":"2026-05-17T11:45:59+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","sk_eleven","techno \/ house"],"price":787600,"price_min":787600,"price_max":787600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48897010991354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (SK_Eleven) \/\/ SK11.10Y 3x12inch [COLOR]","public_title":null,"options":["Default Title"],"price":787600,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_77c86bc2-8dde-4eae-aaff-2106776e234f.jpg?v=1778985809","\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_c17f0f0f-f392-4fe3-a866-0a4fab56aecd.jpg?v=1778985809"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_77c86bc2-8dde-4eae-aaff-2106776e234f.jpg?v=1778985809","options":["Title"],"media":[{"alt":null,"id":39395332587770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_77c86bc2-8dde-4eae-aaff-2106776e234f.jpg?v=1778985809"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_77c86bc2-8dde-4eae-aaff-2106776e234f.jpg?v=1778985809","width":350},{"alt":null,"id":39395332620538,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_c17f0f0f-f392-4fe3-a866-0a4fab56aecd.jpg?v=1778985809"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_c17f0f0f-f392-4fe3-a866-0a4fab56aecd.jpg?v=1778985809","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスター出身ドイツ・ベルリン在住のテクノ作家Sam Coates主宰レーベルSK_elevenが、2026年5月にリリースしたコンピレーション3枚組12\"です。\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ13曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2180976743\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SK_eleven [SK_X series]\" href=\"https:\/\/soundcloud.com\/sk_eleven\" target=\"_blank\"\u003eSK_eleven [SK_X series]\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SK11.10Y - Various Artists\" href=\"https:\/\/soundcloud.com\/sk_eleven\/sk11-10y-various-artists\" target=\"_blank\"\u003eSK11.10Y - Various Artists\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003ehere\u003c\/a\u003e to see more SK_eleven releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e3 x 12\" clear vinyl in full color printed sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 - Yant – Bee Sting\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 - Rene Wise – Gut Punch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 - Kr!z – Split Tongue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 - BLANKA – Extravaganza\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1 - \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eEman – Lerake\u003cbr\u003eC2 - Holden Federico – Hydro\u003cbr\u003eD1 - Cirkle –\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003eDelta State\u003cbr\u003eD2 - Altinbas – Epinephrine\u003cbr\u003eD3 - Kameliia – Memories\u003cbr\u003eE1 - Phil Berg – Sappho\u003cbr\u003eE2 - Border One – Warp Shift\u003cbr\u003eF1 - Kwartz – Watch Out \u003cbr\u003eF2 - Phalcon – Into the Depth\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSK_eleven celebrates a decade of sonic exploration with a 13-track compilation showcasing its signature tension, technical discipline, and stylistic spectrum. Reuniting a tight circle of artists whose contributions have helped shape the label’s trajectory, the release offers an unrelenting sequence of pressure, mental twists, and textural collisions; a multifaceted snapshot of techno’s enduring capacity to evolve, disturb, and seduce.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation resists uniformity. Instead, it thrives on contrast: tension versus release, density against spaciousness, rhythm in all its permutations. From high-energy metallic openers and dub-inflected body rollers, to disorienting, delay-heavy experiments and stripped-back percussive tools, each contribution reveals a unique grip on groove and detail. Some tracks move like engineered machines: sharp, robotic, and syncopated to surgical precision. Others embrace sensuality and unpredictability, exploring spatial motion, layered harmonic friction, and states of controlled chaos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach piece acts as a structural component in a larger sonic architecture, where tension is built, collapsed, and rebuilt. Friction becomes a form of choreography. Across the record, a\u003cspan class=\"bcTruncateMore\"\u003e shifting palette of emotional mechanisms takes form; granular and magnetic, haunting and quietly forceful, restrained, then disruptive.\u003cbr\u003e\u003cbr\u003eMore than a retrospective, SK_eleven’s first compilation becomes a collective gesture toward techno’s unresolved possibilities: its ability to hold contradiction, remain in flux, and mutate without conclusion.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : SK_Eleven\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSK11X10YLP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・マンチェスター出身ドイツ・ベルリン在住のテクノ作家Sam Coates主宰レーベルSK_elevenが、2026年5月にリリースしたコンピレーション3枚組12"です。 ディープ・ミニマルテクノ13曲を収録。クリア盤です。 SK_eleven [SK_X series] · SK11.10Y - Various Artists レーベルその他作品はこちら /// Click...
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クイックビュー
{"id":9228889194746,"title":"BLANKA \/\/ Breaking Rules 12inch","handle":"blanka-breaking-rules-12inch","description":"\u003cp\u003eイギリス・マンチェスター出身ドイツ・ベルリン在住のテクノ作家Sam Coates主宰レーベルSK_eleven諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スペインのテクノ作家BLANKAが2026年5月にリリースした再発12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eトランシーなヒプノティック・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1946235319\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/sk_eleven\" title=\"SK_eleven [SK_X series]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eSK_eleven [SK_X series]\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/sk_eleven\/blanka-breaking-rules-281124\" title=\"BLANKA - Breaking Rules [SK11X028] [28.11.24]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eBLANKA - Breaking Rules [SK11X028] [28.11.24]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003ehere\u003c\/a\u003e to see more SK_eleven releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in label sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Intro 02:29 \u003cbr\u003e2. La Danza Nocturna 05:03 \u003cbr\u003e3. Breaking Rules 05:03 \u003cbr\u003e4. Tripping 05:26 \u003cbr\u003e5. Klock 05:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Last seen in 2023 with the Transversal EP, BLANKA returns with fervour and passion in her latest \u003c\/em\u003e\u003cem\u003eSK_eleven “X” edition entitled Breaking Rules.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the distance between releases, she has worked steadily crafting her own sound and experience that reflects the modern techno landscape while building a loyal following in all the usual places. \u003c\/em\u003e\u003cem\u003eCaptured and archived in this EP is a quartet of high-tempo infusions that emphasise consistent \u003c\/em\u003e\u003cem\u003eand concentrated kicks, claps and rolling warps that above all promote functionality and pure \u003c\/em\u003e\u003cem\u003emovement on the dance floor. Coupled with these a modern abstraction is included instilled with \u003c\/em\u003e\u003cem\u003ecrisp static clicks and detached vocals. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThese sounds will easily reverberate through sound systems allowing listeners to pinpoint the \u003c\/em\u003e\u003cem\u003emomentum and flow laced within the groove.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BLANKA\u003c\/p\u003e\n\u003cp\u003eLabel : SK_Eleven\u003c\/p\u003e\n\u003cp\u003ecat no : SK11X028\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th November 2024\u003c\/p\u003e","published_at":"2026-05-19T15:35:05+09:00","created_at":"2026-05-17T11:42:03+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","sk_eleven","techno \/ house"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48897006665978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BLANKA \/\/ Breaking Rules 12inch","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_321a9786-6514-4a9d-9efb-f75776cefc91.jpg?v=1778985224","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_d03e6644-9bf4-4685-b067-887fe6164b68.jpg?v=1778985225"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_321a9786-6514-4a9d-9efb-f75776cefc91.jpg?v=1778985224","options":["Title"],"media":[{"alt":null,"id":39395310141690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_321a9786-6514-4a9d-9efb-f75776cefc91.jpg?v=1778985224"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_321a9786-6514-4a9d-9efb-f75776cefc91.jpg?v=1778985224","width":1200},{"alt":null,"id":39395310174458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_d03e6644-9bf4-4685-b067-887fe6164b68.jpg?v=1778985225"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_d03e6644-9bf4-4685-b067-887fe6164b68.jpg?v=1778985225","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスター出身ドイツ・ベルリン在住のテクノ作家Sam Coates主宰レーベルSK_eleven諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スペインのテクノ作家BLANKAが2026年5月にリリースした再発12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eトランシーなヒプノティック・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1946235319\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/sk_eleven\" title=\"SK_eleven [SK_X series]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eSK_eleven [SK_X series]\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/sk_eleven\/blanka-breaking-rules-281124\" title=\"BLANKA - Breaking Rules [SK11X028] [28.11.24]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eBLANKA - Breaking Rules [SK11X028] [28.11.24]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003ehere\u003c\/a\u003e to see more SK_eleven releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in label sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Intro 02:29 \u003cbr\u003e2. La Danza Nocturna 05:03 \u003cbr\u003e3. Breaking Rules 05:03 \u003cbr\u003e4. Tripping 05:26 \u003cbr\u003e5. 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Coupled with these a modern abstraction is included instilled with \u003c\/em\u003e\u003cem\u003ecrisp static clicks and detached vocals. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThese sounds will easily reverberate through sound systems allowing listeners to pinpoint the \u003c\/em\u003e\u003cem\u003emomentum and flow laced within the groove.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BLANKA\u003c\/p\u003e\n\u003cp\u003eLabel : SK_Eleven\u003c\/p\u003e\n\u003cp\u003ecat no : SK11X028\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th November 2024\u003c\/p\u003e"}
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{"id":9228887064826,"title":"Phil Berg \/\/ Raid 12inch","handle":"phil-berg-raid-12inch","description":"\u003cp\u003eイギリス・マンチェスター出身ドイツ・ベルリン在住のテクノ作家Sam Coates主宰レーベルSK_eleven諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツ・ベルリンのテクノ作家Phil Bergが2026年5月にリリースした12\"です。（オリジナルは2025年リリース）\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1585535943\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SK_eleven [SK_X series]\" href=\"https:\/\/soundcloud.com\/sk_eleven\" target=\"_blank\"\u003eSK_eleven [SK_X series]\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Phil Berg - Raid [SK11X020]\" href=\"https:\/\/soundcloud.com\/sk_eleven\/phil-berg-raid-sk11x020\" target=\"_blank\"\u003ePhil Berg - Raid [SK11X020]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sk11\"\u003ehere\u003c\/a\u003e to see more SK_eleven releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in label sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. 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My Space 04:09\u003cbr\u003e2. Satan 02:51 \u003cbr\u003e3. Get Stupid 04:49 \u003cbr\u003e4. Yallah 04:33 \u003cbr\u003e5. Can't Get Enough 05:19\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the heart of the cosmos, a tale unfolds. It begins with \"My Space,\" where ethereal synths weave a cosmic tapestry, guiding you through distant galaxies. As you journey further, \"Satan\" emerges, beckoning you to dance with the darkness itself, under the canopy of sadistic beats.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVenturing deeper into the EP, \"Get Stupid\" takes you to an enigmatic dimension, where gravity-defying rhythms entice you to embrace your wildest instincts. In \"Yallah\" the atmosphere shifts, transporting you to a mystical oasis where sonic mirages shimmer in the desert of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd just when you thought the adventure reached its pinnacle, \"Can't Get Enough\" mesmerizes with its infectious grooves, leaving you irresistibly addicted to the sonic enchantment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurns out Coco Bryce is more than just a hot piece of man meat. On \"My Space\" this enigmatic master of sound once again harnesses the forces of the universe to craft five enthralling compositions. His boundless creativity and passion for exploration shine through in every beat, taking you on a euphonic jungle expedition like no other.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Coco Bryce\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePRSPCT Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003ePRSPCT299\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 22nd September 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-21T11:54:56+09:00","created_at":"2026-05-17T11:21:30+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":256500,"price_min":256500,"price_max":256500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48896990576890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Coco Bryce \/\/ My Space 12inch","public_title":null,"options":["Default Title"],"price":256500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coco1.jpg?v=1778984365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coco1.jpg?v=1778984365","options":["Title"],"media":[{"alt":null,"id":39395279995130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coco1.jpg?v=1778984365"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coco1.jpg?v=1778984365","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのジャングル作家Coco Bryceが、2023年にリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eジャングル5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1787307060\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PRSPCT Recordings\" href=\"https:\/\/soundcloud.com\/prspct-recordings\" target=\"_blank\"\u003ePRSPCT Recordings\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Coco Bryce - My Space (PRSPCT299)\" href=\"https:\/\/soundcloud.com\/prspct-recordings\/sets\/coco-bryce-my-space-prspct299\" target=\"_blank\"\u003eCoco Bryce - My Space (PRSPCT299)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. My Space 04:09\u003cbr\u003e2. Satan 02:51 \u003cbr\u003e3. Get Stupid 04:49 \u003cbr\u003e4. Yallah 04:33 \u003cbr\u003e5. Can't Get Enough 05:19\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the heart of the cosmos, a tale unfolds. It begins with \"My Space,\" where ethereal synths weave a cosmic tapestry, guiding you through distant galaxies. As you journey further, \"Satan\" emerges, beckoning you to dance with the darkness itself, under the canopy of sadistic beats.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVenturing deeper into the EP, \"Get Stupid\" takes you to an enigmatic dimension, where gravity-defying rhythms entice you to embrace your wildest instincts. In \"Yallah\" the atmosphere shifts, transporting you to a mystical oasis where sonic mirages shimmer in the desert of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd just when you thought the adventure reached its pinnacle, \"Can't Get Enough\" mesmerizes with its infectious grooves, leaving you irresistibly addicted to the sonic enchantment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurns out Coco Bryce is more than just a hot piece of man meat. On \"My Space\" this enigmatic master of sound once again harnesses the forces of the universe to craft five enthralling compositions. His boundless creativity and passion for exploration shine through in every beat, taking you on a euphonic jungle expedition like no other.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Coco Bryce\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePRSPCT Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003ePRSPCT299\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 22nd September 2023\u003c\/span\u003e\u003c\/p\u003e"}
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オランダのジャングル作家Coco Bryceが、2023年にリリースした12"です。 ジャングル5曲を収録。 PRSPCT Recordings · Coco Bryce - My Space (PRSPCT299) ----------------------------------- 12"...
¥2,565
クイックビュー
{"id":9228883788026,"title":"Ribé \/\/ Son Etapas EP 12inch","handle":"ribe-son-etapas-ep-12inch","description":"\u003cp\u003eスペインのテクノ作家Ribéが、2026年5月にオランダ・ロッテルダムのテクノレーベルMordからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eヒプノティック・テクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2316177431\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bas Mooy | Mord Records\" href=\"https:\/\/soundcloud.com\/bas-mooy\" target=\"_blank\"\u003eBas Mooy | Mord Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"MORD122 - Ribé - Son Etapas EP [Previews]\" href=\"https:\/\/soundcloud.com\/bas-mooy\/mord122\" target=\"_blank\"\u003eMORD122 - Ribé - Son Etapas EP [Previews]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mord\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mord\"\u003ehere\u003c\/a\u003e to see more mord releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Son Etapas 05:34 \u003cbr\u003e2. La incertidumbre 05:30 \u003cbr\u003e3. El Pavor 05:16 \u003cbr\u003e4. Cruel 05:33\u003c\/p\u003e\n\u003cp\u003eArtist : Ribé\u003c\/p\u003e\n\u003cp\u003eLabel : mord\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMORD122\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-19T16:09:22+09:00","created_at":"2026-05-17T11:15:39+09:00","vendor":"Tobira Records","type":"","tags":["lp","mord","new","techno \/ house"],"price":309800,"price_min":309800,"price_max":309800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48896983269626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ribé \/\/ Son Etapas EP 12inch","public_title":null,"options":["Default Title"],"price":309800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_695e5b58-3608-4638-a006-b39905139717.jpg?v=1778984072"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_695e5b58-3608-4638-a006-b39905139717.jpg?v=1778984072","options":["Title"],"media":[{"alt":null,"id":39395264561402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_695e5b58-3608-4638-a006-b39905139717.jpg?v=1778984072"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_695e5b58-3608-4638-a006-b39905139717.jpg?v=1778984072","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペインのテクノ作家Ribéが、2026年5月にオランダ・ロッテルダムのテクノレーベルMordからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eヒプノティック・テクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2316177431\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Bas Mooy | Mord Records\" href=\"https:\/\/soundcloud.com\/bas-mooy\" target=\"_blank\"\u003eBas Mooy | Mord Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"MORD122 - Ribé - Son Etapas EP [Previews]\" href=\"https:\/\/soundcloud.com\/bas-mooy\/mord122\" target=\"_blank\"\u003eMORD122 - Ribé - Son Etapas EP [Previews]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mord\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mord\"\u003ehere\u003c\/a\u003e to see more mord releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Son Etapas 05:34 \u003cbr\u003e2. La incertidumbre 05:30 \u003cbr\u003e3. El Pavor 05:16 \u003cbr\u003e4. Cruel 05:33\u003c\/p\u003e\n\u003cp\u003eArtist : Ribé\u003c\/p\u003e\n\u003cp\u003eLabel : mord\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMORD122\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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¥3,098
クイックビュー
{"id":9228879298810,"title":"Deano \/\/ Kazoo 12inch","handle":"deano-kazoo-12inch","description":"\u003cp\u003e南アフリカのテクノ作家Deanoが、2026年6月にポルトガルのテクノレーベルHAYESからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2306530868\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"HAYES\" href=\"https:\/\/soundcloud.com\/hayescollective\" target=\"_blank\"\u003eHAYES\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Deano - Kazoo EP | Preview\" href=\"https:\/\/soundcloud.com\/hayescollective\/deano-kazoo-ep-preview\" target=\"_blank\"\u003eDeano - Kazoo EP | Preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hys\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hys\"\u003ehere\u003c\/a\u003e to see more Hayes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in full color printed sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Kazoo (Stripped Version) 05:17\u003cbr\u003e2. D.O.D 05:15 \u003cbr\u003e3. Astral Churn 05:48 \u003cbr\u003e4. Dragrush 05:39 \u003cbr\u003e5. Kazoo 05:45 \u003cbr\u003e6. Fumble The Bag 05:14\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA refined first outing from Deano, where restraint and precision converge with moments of deliberate impact.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Deano\u003c\/p\u003e\n\u003cp\u003eLabel : Hayes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHYSEP66\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-18T07:29:07+09:00","created_at":"2026-05-17T10:59:22+09:00","vendor":"Tobira Records","type":"","tags":["hayes","lp","new","techno \/ house"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48896941457658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Deano \/\/ Kazoo 12inch","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kaz1_1e108d34-c066-4dd1-85f0-9d8a4bea5db5.jpg?v=1778983093","\/\/tobirarecords.com\/cdn\/shop\/files\/kaz3_40eba9f2-8f97-4a6b-bab5-0f2c99c49004.jpg?v=1778983093"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kaz1_1e108d34-c066-4dd1-85f0-9d8a4bea5db5.jpg?v=1778983093","options":["Title"],"media":[{"alt":null,"id":39395217375482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kaz1_1e108d34-c066-4dd1-85f0-9d8a4bea5db5.jpg?v=1778983093"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kaz1_1e108d34-c066-4dd1-85f0-9d8a4bea5db5.jpg?v=1778983093","width":350},{"alt":null,"id":39395217408250,"position":2,"preview_image":{"aspect_ratio":0.977,"height":1200,"width":1172,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kaz3_40eba9f2-8f97-4a6b-bab5-0f2c99c49004.jpg?v=1778983093"},"aspect_ratio":0.977,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kaz3_40eba9f2-8f97-4a6b-bab5-0f2c99c49004.jpg?v=1778983093","width":1172}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのテクノ作家Deanoが、2026年6月にポルトガルのテクノレーベルHAYESからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルテクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2306530868\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"HAYES\" href=\"https:\/\/soundcloud.com\/hayescollective\" target=\"_blank\"\u003eHAYES\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Deano - Kazoo EP | Preview\" href=\"https:\/\/soundcloud.com\/hayescollective\/deano-kazoo-ep-preview\" target=\"_blank\"\u003eDeano - Kazoo EP | Preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hys\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hys\"\u003ehere\u003c\/a\u003e to see more Hayes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in full color printed sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Kazoo (Stripped Version) 05:17\u003cbr\u003e2. D.O.D 05:15 \u003cbr\u003e3. Astral Churn 05:48 \u003cbr\u003e4. Dragrush 05:39 \u003cbr\u003e5. Kazoo 05:45 \u003cbr\u003e6. Fumble The Bag 05:14\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA refined first outing from Deano, where restraint and precision converge with moments of deliberate impact.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Deano\u003c\/p\u003e\n\u003cp\u003eLabel : Hayes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHYSEP66\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカのテクノ作家Deanoが、2026年6月にポルトガルのテクノレーベルHAYESからリリースした12"です。 ディープ・ミニマルテクノ6曲を収録。 HAYES · Deano - Kazoo EP | Preview レーベルその他作品はこちら /// Click here...
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{"id":9228878971130,"title":"Border One \/\/ Inner Radiance 12inch","handle":"border-one-inner-radiance-12inch","description":"\u003cp\u003eベルギーのテクノ作家Border Oneが、2026年4月にブリュッセルのテクノレーベルFuse Imprintからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/border-one-inner-sight-12inch\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2285416331\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Fuse Brussels\" href=\"https:\/\/soundcloud.com\/fusebrussels\" target=\"_blank\"\u003eFuse Brussels\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"FUSE12 • Border One - Inner Radiance\" href=\"https:\/\/soundcloud.com\/fusebrussels\/fuse12-o-border-one-inner\" target=\"_blank\"\u003eFUSE12 • Border One - Inner Radiance\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fusim\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fusim\"\u003ehere\u003c\/a\u003e to see more Fuse Imprint releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Reducing Valve 05:04 \u003cbr\u003e2. Transfigured 05:52 \u003cbr\u003e3. Sensory Reset 05:29 \u003cbr\u003e4. Inner Radiance 05:15\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA central figure in Belgian techno, Border One’s work has also been an international reference for consistency and direction since his early releases. An artist for artists with true commitment to his sound, Steven Petit’s impact in the studio and behind the decks is admired by anyone who has done their homework. His music describes tight pressure under curious, modular-like sequences that stretch through the timeline of each track. The scale of minimalism remains key here, and the Belgian wastes no time when tunneling through his erratic tracks. Jazz-like dissonance drives his tension and although each element is carefully measured, the records truly command dancefloors. ‘Inner Radiance’ is no different. The Fuse resident takes his game one step further, pushing harmony to hysteria at every turn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP skips foreplay and dives straight into the extremities of Border One’s sound. In ‘Reducing Valve’, sustain is the key ingredient to this chaos. Slowly ripping the synth sequence into chords, Border one maintains a firm hold on the track’s tension while remaining playful with the main theme. ‘Sensory Reset’ is more of a lurker with its shifting pad that spreads across the stereo image. This track is characterized by a grim urgency as opposed to its predecessor’s progressive spiral. Keeping things low to the groove\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, the A2 swings about satisfyingly while Border One tinkers at his 909 constructions. Continuing his work on resonance, ‘Transfigured’ balances obscurity and surrealism. With a sequencer on the loose and a drum machine to emphasize it, the Fuse resident guides his audience into twists and turns at a constant pace. Here, we explore the dichotomy between the warmth and cold of a modular sound in techno, something frequently done but rarely mastered. Border One puts his years of experience to work to provide a combination of flair and balance to his tracks, something that is clearly translated in this EP. Of course, the final track - the title track - ‘Inner Radiance’ brings something very special to the table. The power of simplicity can never be underestimated and Petit knows just how to use it. With a strong core to an already sturdy track, the conclusion is spectacular. Emphasizing the electrifying nature of the record, Border One adds vintage chord stabs that fit right in with the sharp lead to create a powerful and memorable dancefloor experience. Not as much of a wind-down more than it is a gripping cliff hanger for his future releases, Border One provides once more an EP that underlines the true ethos of techno music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Border One\u003c\/p\u003e\n\u003cp\u003eLabel : Fuse \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFUSE12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-18T07:16:32+09:00","created_at":"2026-05-17T10:56:23+09:00","vendor":"Tobira Records","type":"","tags":["Fuse Imprint","lp","new","techno \/ house"],"price":319000,"price_min":319000,"price_max":319000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48896940540154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Border One \/\/ Inner Radiance 12inch","public_title":null,"options":["Default Title"],"price":319000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_67f32b6e-869d-46cd-8d8a-24ba5a72aae2.jpg?v=1778982882","\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_eb771fb5-2141-4628-95a3-193bd416f9d5.jpg?v=1778982882"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_67f32b6e-869d-46cd-8d8a-24ba5a72aae2.jpg?v=1778982882","options":["Title"],"media":[{"alt":null,"id":39395213410554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_67f32b6e-869d-46cd-8d8a-24ba5a72aae2.jpg?v=1778982882"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_67f32b6e-869d-46cd-8d8a-24ba5a72aae2.jpg?v=1778982882","width":350},{"alt":null,"id":39395213443322,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_eb771fb5-2141-4628-95a3-193bd416f9d5.jpg?v=1778982882"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_eb771fb5-2141-4628-95a3-193bd416f9d5.jpg?v=1778982882","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのテクノ作家Border Oneが、2026年4月にブリュッセルのテクノレーベルFuse Imprintからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/border-one-inner-sight-12inch\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2285416331\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Fuse Brussels\" href=\"https:\/\/soundcloud.com\/fusebrussels\" target=\"_blank\"\u003eFuse Brussels\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"FUSE12 • Border One - Inner Radiance\" href=\"https:\/\/soundcloud.com\/fusebrussels\/fuse12-o-border-one-inner\" target=\"_blank\"\u003eFUSE12 • Border One - Inner Radiance\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fusim\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fusim\"\u003ehere\u003c\/a\u003e to see more Fuse Imprint releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Reducing Valve 05:04 \u003cbr\u003e2. Transfigured 05:52 \u003cbr\u003e3. Sensory Reset 05:29 \u003cbr\u003e4. Inner Radiance 05:15\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA central figure in Belgian techno, Border One’s work has also been an international reference for consistency and direction since his early releases. An artist for artists with true commitment to his sound, Steven Petit’s impact in the studio and behind the decks is admired by anyone who has done their homework. His music describes tight pressure under curious, modular-like sequences that stretch through the timeline of each track. The scale of minimalism remains key here, and the Belgian wastes no time when tunneling through his erratic tracks. Jazz-like dissonance drives his tension and although each element is carefully measured, the records truly command dancefloors. ‘Inner Radiance’ is no different. The Fuse resident takes his game one step further, pushing harmony to hysteria at every turn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP skips foreplay and dives straight into the extremities of Border One’s sound. In ‘Reducing Valve’, sustain is the key ingredient to this chaos. Slowly ripping the synth sequence into chords, Border one maintains a firm hold on the track’s tension while remaining playful with the main theme. ‘Sensory Reset’ is more of a lurker with its shifting pad that spreads across the stereo image. This track is characterized by a grim urgency as opposed to its predecessor’s progressive spiral. Keeping things low to the groove\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, the A2 swings about satisfyingly while Border One tinkers at his 909 constructions. Continuing his work on resonance, ‘Transfigured’ balances obscurity and surrealism. With a sequencer on the loose and a drum machine to emphasize it, the Fuse resident guides his audience into twists and turns at a constant pace. Here, we explore the dichotomy between the warmth and cold of a modular sound in techno, something frequently done but rarely mastered. Border One puts his years of experience to work to provide a combination of flair and balance to his tracks, something that is clearly translated in this EP. Of course, the final track - the title track - ‘Inner Radiance’ brings something very special to the table. The power of simplicity can never be underestimated and Petit knows just how to use it. With a strong core to an already sturdy track, the conclusion is spectacular. Emphasizing the electrifying nature of the record, Border One adds vintage chord stabs that fit right in with the sharp lead to create a powerful and memorable dancefloor experience. Not as much of a wind-down more than it is a gripping cliff hanger for his future releases, Border One provides once more an EP that underlines the true ethos of techno music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Border One\u003c\/p\u003e\n\u003cp\u003eLabel : Fuse \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFUSE12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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![villagerrr // Carousel LP [BLACK]](http://tobirarecords.com/cdn/shop/files/car1_f8167e1b-c8ab-4137-b828-9d80890fd066_medium.jpg?v=1778896907)
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{"id":9228218597626,"title":"villagerrr \/\/ Carousel LP [BLACK]","handle":"villagerrr-carousel-lp-black","description":"\u003cp\u003eアメリカ・オハイオのインディーバンドvillagerrrが、2026年5月に同国NYのインディーレーベルWinspearからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eエモ・フォーク〜シューゲイズ・ドリームポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2276748998\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3180188653\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4253002465\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wspr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wspr\"\u003ehere\u003c\/a\u003e to see more Winspear releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Full Nelson \u003cbr\u003e2. Gleam \u003cbr\u003e3. Carousel \u003cbr\u003e4. Virginia \u003cbr\u003e5. Crystal Ball \u003cbr\u003e6. Locket \u003cbr\u003e7. Indiana \u003cbr\u003e8. Roadstar \u003cbr\u003e9. Swimming \u003cbr\u003e10. What Does It Mean?\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNothing's as scary or sweet in this world than opening yourself up to a genuine connection with another person. Carousel, the fifth album Mark Scott has released as villagerrr, spills over with these wholehearted leaps of faith. His big, midwestern songs smolder with a desire to find enduring meaning in an era rife with commodification, surveillance, and general instability. The boldest and most delicate album to date from the Ohio songwriter, Carousel is a tender and sweeping exploration of what it means to try to make sincere art in a hyperexposed and constricting age...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : villagerrr\u003c\/p\u003e\n\u003cp\u003eLabel : Winspear\u003c\/p\u003e\n\u003cp\u003ecat no : WSP077lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-19T08:05:02+09:00","created_at":"2026-05-16T11:00:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","WINSPEAR"],"price":355300,"price_min":355300,"price_max":355300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894294884602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"villagerrr \/\/ Carousel LP [BLACK]","public_title":null,"options":["Default Title"],"price":355300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"606638765085","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/car1_f8167e1b-c8ab-4137-b828-9d80890fd066.jpg?v=1778896907","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-16at11.01.01am.png?v=1778896908"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/car1_f8167e1b-c8ab-4137-b828-9d80890fd066.jpg?v=1778896907","options":["Title"],"media":[{"alt":null,"id":39388137423098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/car1_f8167e1b-c8ab-4137-b828-9d80890fd066.jpg?v=1778896907"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/car1_f8167e1b-c8ab-4137-b828-9d80890fd066.jpg?v=1778896907","width":350},{"alt":null,"id":39388137455866,"position":2,"preview_image":{"aspect_ratio":0.997,"height":661,"width":659,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-16at11.01.01am.png?v=1778896908"},"aspect_ratio":0.997,"height":661,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-16at11.01.01am.png?v=1778896908","width":659}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのインディーバンドvillagerrrが、2026年5月に同国NYのインディーレーベルWinspearからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eエモ・フォーク〜シューゲイズ・ドリームポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2276748998\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3180188653\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1776242545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4253002465\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wspr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wspr\"\u003ehere\u003c\/a\u003e to see more Winspear releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Full Nelson \u003cbr\u003e2. Gleam \u003cbr\u003e3. Carousel \u003cbr\u003e4. Virginia \u003cbr\u003e5. Crystal Ball \u003cbr\u003e6. Locket \u003cbr\u003e7. Indiana \u003cbr\u003e8. Roadstar \u003cbr\u003e9. Swimming \u003cbr\u003e10. What Does It Mean?\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNothing's as scary or sweet in this world than opening yourself up to a genuine connection with another person. Carousel, the fifth album Mark Scott has released as villagerrr, spills over with these wholehearted leaps of faith. His big, midwestern songs smolder with a desire to find enduring meaning in an era rife with commodification, surveillance, and general instability. The boldest and most delicate album to date from the Ohio songwriter, Carousel is a tender and sweeping exploration of what it means to try to make sincere art in a hyperexposed and constricting age...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : villagerrr\u003c\/p\u003e\n\u003cp\u003eLabel : Winspear\u003c\/p\u003e\n\u003cp\u003ecat no : WSP077lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオのインディーバンドvillagerrrが、2026年5月に同国NYのインディーレーベルWinspearからリリースしたアルバムです。 エモ・フォーク〜シューゲイズ・ドリームポップ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Winspear releases available at Tobira. ------------------------------------ 12"...
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![Gigi Masin // Movement LP [COLOR]](http://tobirarecords.com/cdn/shop/files/gigi1_cde8463a-1b4a-4c7a-9dd5-719ff36c7ccc_medium.jpg?v=1778896389)
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{"id":9228217483514,"title":"Gigi Masin \/\/ Movement LP [COLOR]","handle":"gigi-masin-movement-lp-color","description":"\u003cp\u003eイタリアのアンビエント作家Gigi Masinが、2026年5月にSacred Bones Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ〜アンビエント〜IDM9曲を収録。シルバー盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e2023年にグレッグ・フォートやモーゼス・ボイドと共同制作した『Dolphin』LPに見られたジャジーなライブラリー・サウンドの雰囲気を引き継ぎ、ヴェネツィア出身の巨匠Gigi Masinは、2020年の『Calypso』以来となる初のソロ・フルアルバムであり、Sacred Bones Recordsからのデビュー作となる『Movement』で、彼が名高いアンビエントの世界へと回帰する。創造的な再発明とリズミカルな動きに駆り立てられ、彼は憂鬱な電子音、テクノ的な機械音、グルーヴィーな境界線の曖昧な雲の風景、そして深淵のようなアンビエントな水の世界をシームレスに行き来する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e無名の時代からキャリアをスタートさせた彼は、1986年のデビューアルバム『Wind』が深夜のラジオ番組で徐々に自然な支持を集め、後に「Clouds」がビョークやポスト・マローンなどのアーティストにサンプリングされたことで、その人気はさらに高まった。現在では、Oneohtrix Point Never、デヴェンドラ・バンハート、キャロライン・ポラチェック、そして故ケニー・ウィーラーらが彼のファンとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e新作アルバム『Movement』は、アンビエントの巨匠たちの殿堂におけるGigi Masinの位置づけ、彼の継続的な芸術的野心、そしてささやかな始まりから飛躍的に成長してきたシーンへの彼の抱負を映し出している。このLPは、自然界における動き、そして音に対する人間の身体的表現という、文字通りの「動き」への賛歌でもある。Gigi Masinは、一般的なダンスミュージック的な意味ではなく、「愛に満ちた鼓動を持つダイナミックな音楽」として、動きのためのアンビエント音楽を作ることに尽力した。アンビエントが持つ「孤独なリスニング」や「冷徹なアカデミズム」というイメージを再構築し、Gigi Masinは外へと目を向け、単なる精神だけでなく身体ともつながる、身体的な何かを表現した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Bed on Mars」は、Gigi Masinの新たな好奇心を象徴するタイトル曲であり、宇宙的な雰囲気は、恐れを知らずに新しい惑星で目覚める感覚を呼び起こす。一方、「Lost」の切ないシンセサイザーのトランペットと、宙に浮いたような境界線の曖昧な状態は、未知の海を漂っているかのような感覚を与える。さらに型破りなビートを探求するのが、天上のテクノ・ファンク「Deception Dance」だ。これはまるで、サン・エレクトリックがカール・クレイグやクラフトワークと即興演奏しているかのようだ。「Golden」の明るく輝く光は温もりを放ち、ゴッチングのバレアリック・クラシック『E2 E4』のボサノヴァ版のような響きを奏でている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e長い闘病\u003c\/i\u003e\u003ci\u003eの末に妻を亡くし、洪水で音楽アーカイブを失ったにもかかわらず、Gigi Masinは純粋な心を持ち続け、前向きに、美の追求に魂を注ぎ込んでいる。スタートは遅かったが着実にキャリアを築いてきた彼の最新作『Movement』は、Gigi Masinが真のアンビエント界の巨匠たちの仲間入りを確固たるものにする作品となっている。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1329656659\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/scrdbns\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/scrdbns\"\u003ehere\u003c\/a\u003e to see more Sacred Bones Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Bed on Mars \u003cbr\u003e2. Lost \u003cbr\u003e3. The Age of Sampling \u003cbr\u003e4. Movement\u003cbr\u003e5. UMI \u003cbr\u003e6. Golden \u003cbr\u003e7. Deception Dance \u003cbr\u003e8. Azimuth (John Taylor) \u003cbr\u003e9. Fifteen\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the jazzy library vibes of 2023’s collaborative Dolphin LP with Greg Foat and Moses Boyd, the venetian maestro Gigi Masin returns to the ambience for which he is renowned, with Movement - his first solo full-length since 2020’s Calypso, and his Sacred Bones Records debut. Fuelled by creative reinvention and rhythmic motion, he moves seamlessly between melancholy electronic notes, technoid robotics, groovy liminal cloudscapes, and fathoms-deep ambient aquatics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince early beginnings in obscurity, his 1986 debut album Wind slowly built an organic following on late night radio, later bolstered when “Clouds” was sampled by artists like Björk, Post Malone, and more. He now counts Oneohtrix Point Never, Devendra Banhart, Caroline Polachek, and the late Kenny Wheeler as fans.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe new album Movement reflects on Masin’s place within the pantheon of ambient masters, his ongoing artistic ambitions, and his aspirations for a scene which he’s seen grow exponentially from humble beginnings. The LP is also an ode to literal movement, both in nature, and in human physical expressions to sound. Masin strived to make ambient music for movement, not in the standard dance music sense, but “dynamic music, with a beating heart full\u003cspan class=\"bcTruncateMore\"\u003e of love.” Reconfiguring ambient’s association with solitary listening and cold academia, Gigi went outwards, channeling something somatic that connects with the body, not just the mind.\u003cbr\u003e\u003cbr\u003e“Bed on Mars” sets the titular tone for Masin’s renewed curiosity, with cosmic atmospherics evoking the sensation of waking up on a new planet unafraid, whilst the poignant synthesized trumpet and suspended liminal limbo of “Lost” feels like floating adrift in an unknown sea. Delving further into off-centre beats is the celestial techno funk of “Deception Dance,” which sounds like Sun Electric jamming with Carl Craig and Kraftwerk. The bright beaming light of “Golden” radiates warmth, sounding like the bossa nova brother of Göttsching’s Balearic classic E2 E4.\u003cbr\u003e\u003cbr\u003eDespite the passing of his wife after a long illness, and losing his musical archive in a flood, Gigi remains pure-at-heart and positive, pouring his soul into the pursuit of beauty. The latest in a slow starting but steadily building career, Movement sees Masin continue to secure his seat at the table of true ambient greats.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gigi Masin\u003c\/p\u003e\n\u003cp\u003eLabel : Sacred Bones\u003c\/p\u003e\n\u003cp\u003ecat no : SBR382lp-C3\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-22T06:55:18+09:00","created_at":"2026-05-16T10:55:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lp","new","sacred bones","techno \/ house"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894290657530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gigi Masin \/\/ Movement LP [COLOR]","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"840526504985","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gigi1_cde8463a-1b4a-4c7a-9dd5-719ff36c7ccc.jpg?v=1778896389","\/\/tobirarecords.com\/cdn\/shop\/files\/gigi2_c619c4b5-eaed-4454-8a24-58f84ccf6d15.jpg?v=1778896389"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gigi1_cde8463a-1b4a-4c7a-9dd5-719ff36c7ccc.jpg?v=1778896389","options":["Title"],"media":[{"alt":null,"id":39388114223354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gigi1_cde8463a-1b4a-4c7a-9dd5-719ff36c7ccc.jpg?v=1778896389"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gigi1_cde8463a-1b4a-4c7a-9dd5-719ff36c7ccc.jpg?v=1778896389","width":350},{"alt":null,"id":39388114256122,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gigi2_c619c4b5-eaed-4454-8a24-58f84ccf6d15.jpg?v=1778896389"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gigi2_c619c4b5-eaed-4454-8a24-58f84ccf6d15.jpg?v=1778896389","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのアンビエント作家Gigi Masinが、2026年5月にSacred Bones Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ〜アンビエント〜IDM9曲を収録。シルバー盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e2023年にグレッグ・フォートやモーゼス・ボイドと共同制作した『Dolphin』LPに見られたジャジーなライブラリー・サウンドの雰囲気を引き継ぎ、ヴェネツィア出身の巨匠Gigi Masinは、2020年の『Calypso』以来となる初のソロ・フルアルバムであり、Sacred Bones Recordsからのデビュー作となる『Movement』で、彼が名高いアンビエントの世界へと回帰する。創造的な再発明とリズミカルな動きに駆り立てられ、彼は憂鬱な電子音、テクノ的な機械音、グルーヴィーな境界線の曖昧な雲の風景、そして深淵のようなアンビエントな水の世界をシームレスに行き来する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e無名の時代からキャリアをスタートさせた彼は、1986年のデビューアルバム『Wind』が深夜のラジオ番組で徐々に自然な支持を集め、後に「Clouds」がビョークやポスト・マローンなどのアーティストにサンプリングされたことで、その人気はさらに高まった。現在では、Oneohtrix Point Never、デヴェンドラ・バンハート、キャロライン・ポラチェック、そして故ケニー・ウィーラーらが彼のファンとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e新作アルバム『Movement』は、アンビエントの巨匠たちの殿堂におけるGigi Masinの位置づけ、彼の継続的な芸術的野心、そしてささやかな始まりから飛躍的に成長してきたシーンへの彼の抱負を映し出している。このLPは、自然界における動き、そして音に対する人間の身体的表現という、文字通りの「動き」への賛歌でもある。Gigi Masinは、一般的なダンスミュージック的な意味ではなく、「愛に満ちた鼓動を持つダイナミックな音楽」として、動きのためのアンビエント音楽を作ることに尽力した。アンビエントが持つ「孤独なリスニング」や「冷徹なアカデミズム」というイメージを再構築し、Gigi Masinは外へと目を向け、単なる精神だけでなく身体ともつながる、身体的な何かを表現した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Bed on Mars」は、Gigi Masinの新たな好奇心を象徴するタイトル曲であり、宇宙的な雰囲気は、恐れを知らずに新しい惑星で目覚める感覚を呼び起こす。一方、「Lost」の切ないシンセサイザーのトランペットと、宙に浮いたような境界線の曖昧な状態は、未知の海を漂っているかのような感覚を与える。さらに型破りなビートを探求するのが、天上のテクノ・ファンク「Deception Dance」だ。これはまるで、サン・エレクトリックがカール・クレイグやクラフトワークと即興演奏しているかのようだ。「Golden」の明るく輝く光は温もりを放ち、ゴッチングのバレアリック・クラシック『E2 E4』のボサノヴァ版のような響きを奏でている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e長い闘病\u003c\/i\u003e\u003ci\u003eの末に妻を亡くし、洪水で音楽アーカイブを失ったにもかかわらず、Gigi Masinは純粋な心を持ち続け、前向きに、美の追求に魂を注ぎ込んでいる。スタートは遅かったが着実にキャリアを築いてきた彼の最新作『Movement』は、Gigi Masinが真のアンビエント界の巨匠たちの仲間入りを確固たるものにする作品となっている。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1329656659\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/scrdbns\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/scrdbns\"\u003ehere\u003c\/a\u003e to see more Sacred Bones Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" silver vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Bed on Mars \u003cbr\u003e2. Lost \u003cbr\u003e3. The Age of Sampling \u003cbr\u003e4. Movement\u003cbr\u003e5. UMI \u003cbr\u003e6. Golden \u003cbr\u003e7. Deception Dance \u003cbr\u003e8. Azimuth (John Taylor) \u003cbr\u003e9. Fifteen\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing the jazzy library vibes of 2023’s collaborative Dolphin LP with Greg Foat and Moses Boyd, the venetian maestro Gigi Masin returns to the ambience for which he is renowned, with Movement - his first solo full-length since 2020’s Calypso, and his Sacred Bones Records debut. Fuelled by creative reinvention and rhythmic motion, he moves seamlessly between melancholy electronic notes, technoid robotics, groovy liminal cloudscapes, and fathoms-deep ambient aquatics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince early beginnings in obscurity, his 1986 debut album Wind slowly built an organic following on late night radio, later bolstered when “Clouds” was sampled by artists like Björk, Post Malone, and more. He now counts Oneohtrix Point Never, Devendra Banhart, Caroline Polachek, and the late Kenny Wheeler as fans.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe new album Movement reflects on Masin’s place within the pantheon of ambient masters, his ongoing artistic ambitions, and his aspirations for a scene which he’s seen grow exponentially from humble beginnings. The LP is also an ode to literal movement, both in nature, and in human physical expressions to sound. Masin strived to make ambient music for movement, not in the standard dance music sense, but “dynamic music, with a beating heart full\u003cspan class=\"bcTruncateMore\"\u003e of love.” Reconfiguring ambient’s association with solitary listening and cold academia, Gigi went outwards, channeling something somatic that connects with the body, not just the mind.\u003cbr\u003e\u003cbr\u003e“Bed on Mars” sets the titular tone for Masin’s renewed curiosity, with cosmic atmospherics evoking the sensation of waking up on a new planet unafraid, whilst the poignant synthesized trumpet and suspended liminal limbo of “Lost” feels like floating adrift in an unknown sea. Delving further into off-centre beats is the celestial techno funk of “Deception Dance,” which sounds like Sun Electric jamming with Carl Craig and Kraftwerk. The bright beaming light of “Golden” radiates warmth, sounding like the bossa nova brother of Göttsching’s Balearic classic E2 E4.\u003cbr\u003e\u003cbr\u003eDespite the passing of his wife after a long illness, and losing his musical archive in a flood, Gigi remains pure-at-heart and positive, pouring his soul into the pursuit of beauty. The latest in a slow starting but steadily building career, Movement sees Masin continue to secure his seat at the table of true ambient greats.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gigi Masin\u003c\/p\u003e\n\u003cp\u003eLabel : Sacred Bones\u003c\/p\u003e\n\u003cp\u003ecat no : SBR382lp-C3\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのアンビエント作家Gigi Masinが、2026年5月にSacred Bones Recordsからリリースしたレコードです。 アンビエント・テクノ〜アンビエント〜IDM9曲を収録。シルバー盤です。 以下、レーベルによる解説です。 "2023年にグレッグ・フォートやモーゼス・ボイドと共同制作した『Dolphin』LPに見られたジャジーなライブラリー・サウンドの雰囲気を引き継ぎ、ヴェネツィア出身の巨匠Gigi Masinは、2020年の『Calypso』以来となる初のソロ・フルアルバムであり、Sacred Bones Recordsからのデビュー作となる『Movement』で、彼が名高いアンビエントの世界へと回帰する。創造的な再発明とリズミカルな動きに駆り立てられ、彼は憂鬱な電子音、テクノ的な機械音、グルーヴィーな境界線の曖昧な雲の風景、そして深淵のようなアンビエントな水の世界をシームレスに行き来する。 無名の時代からキャリアをスタートさせた彼は、1986年のデビューアルバム『Wind』が深夜のラジオ番組で徐々に自然な支持を集め、後に「Clouds」がビョークやポスト・マローンなどのアーティストにサンプリングされたことで、その人気はさらに高まった。現在では、Oneohtrix Point Never、デヴェンドラ・バンハート、キャロライン・ポラチェック、そして故ケニー・ウィーラーらが彼のファンとなっている。 新作アルバム『Movement』は、アンビエントの巨匠たちの殿堂におけるGigi...
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{"id":9228217057530,"title":"Abstract Tribe Unique \/\/ South Central Thynk Taynk (2026 Remaster) 2xLP [COLOR]","handle":"abstract-tribe-unique-south-central-thynk-taynk-2026-remaster-2xlp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/5リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのヒップホップクルーAbstract Tribe Uniqueが、2026年6月に同国ヒップホップレーベルRhymesayers Entertainmentからリリースした再発2枚組レコードです。（オリジナルは1998年リリース）\u003c\/p\u003e\n\u003cp\u003e28年経っても色褪せないヒップホップ15曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1998年に初リリースされたAbstract Tribe Uniqueによる『South Central Thynk Taynk』は、ロサンゼルスのアンダーグラウンド・シーンにおける決定的な瞬間――若い黒人アーティストたちがヒップホップを一から再構築していた時代――を切り取った作品だ。ジャズの影響を受けたビート、精神的な洞察、そして徹底したインディペンデント精神が融合したこのアルバムは、自立と創造的な反逆のアンセムとなった。今回、リマスターされ、ボーナストラックを加えて再発されるこの長らく入手困難だった名作が、新たな世代に向けて帰ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品の文化的核となるのは、アブストラクト・ルードとエイシーアローンによって結成された伝説的なL.A.のクルー「プロジェクト・ブロウデッド」だ。彼らは、その影響が今も世界のヒップホップに色濃く残る、数々の革新的なラッパーたちを輩出した。メインストリームのラップが西海岸のGファンク・ブームに飛びつく中、Blowedクルーはジャズ、急進的な政治思想、そしてアフロセントリックな未来主義に深く根ざした独自の道を切り拓いた。『Thynk Taynk』は、この革命的な瞬間を捉えた多層的なタイムカプセルとして存在し、アブ・ルードの深遠なリリシズムと、ファット・ジャックのジャンルを超越したプロデュース手法が見事に融合し、家族、闘争、そして芸術的使命についての詩的な考察を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのニュー・エディションには、エースヤローン、マイカ9、メデューサ、ピジョン・ジョン、ブルー、2メックス、エレイ・クール、リドルロー、NGAFSHといった世代を超えた重鎮たちが参加した「L.A. Styles Back (Project Blowed Remix)」が収録されており、ロサンゼルスのアンダーグラウンドが数十年にわたり創造の中心地であり続けてきたことを浮き彫りにしている。『South Central Thynk Taynk』は単なるカルト的な逸品にとどまらない。それは変容、コミュニティ、そして芸術的パワーを生き生きと記録した証なのである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278402028\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rymsyen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rymsyen\"\u003ehere\u003c\/a\u003e to see more Rhymesayers Entertainment releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 5th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e2 x 12\" red marble vinyl.\u003cbr\u003e2026 reissue and remaster - originally released in 1998. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Explanation 02:29 \u003cbr\u003e2. Hits Like Hank 03:52 \u003cbr\u003e3. Renaissance (While We...) 05:05 \u003cbr\u003e4. Them That's Got 05:35 \u003cbr\u003e5. Through These Streets 03:23 \u003cbr\u003e6. A.T.U. Is In The House Tonight 04:11 \u003cbr\u003e7. L.A. Styles Back 03:49 \u003cbr\u003e8. Mass Men Baby 03:07 \u003cbr\u003e9. No Regrets 03:30 \u003cbr\u003e10. Front Row 04:44 \u003cbr\u003e11. Just Like Akira 04:15\u003cbr\u003e12. They Ryde 03:35 \u003cbr\u003e13. Showgun 02:46 \u003cbr\u003e14. Why Oh Why? 05:59 \u003cbr\u003e15. L.A. Styles Back (Project Blowed Remix) [feat. Aceyalone, Myka 9, Medusa the Gangsta Goddess, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore \u0026amp; NGAFSH] 08:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally released in 1998, South Central Thynk Taynk by Abstract Tribe Unique (Abstract Rude, Fat Jack and DJ Drez) captured a pivotal moment in Los Angeles’ underground scene—when young Black artists were reimagining hip-hop from the ground up. Blending jazz-inflected beats, spiritual insight, and fiercely independent production, the album became an anthem for self-reliance and creative rebellion. Now, remastered and reissued with a bonus track, this long-unavailable classic returns for a new generation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the cultural core of the record is Project Blowed, a legendary L.A. crew founded by Abstract Rude and Aceyalone, which birthed a lineage of rap innovators whose fingerprints are still felt in global hip-hop. While mainstream rap embraced the West Coast’s G-funk boom, the Blowed crew forged an alternate path—steeped in jazz, radical politics, and Afrocentric futurism. Thynk Taynk stands as a richly layered time capsule from this revolutionary moment, pairing Ab Rude’s deep lyricism with Fat Jack’s genre-melding approach to production, creating a poetic reflection on family, struggle, and artistic purpose.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis new edition includes the “L.A. Styles Back (Project Blowed Remix)” featuring a cross-generational lineup of\u003cspan class=\"bcTruncateMore\"\u003e heavyweights—Aceyalone, Myka 9, Medusa, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore, and NGAFSH—underscoring how L.A.’s underground has remained a creative epicenter for decades. South Central Thynk Taynk is more than a cult artifact; it’s a living document of transformation, community, and artistic power.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Abstract Tribe Unique\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eRhymesayers Entertainment\u003c\/p\u003e\n\u003cp\u003ecat no : RSE399lp-C1\u003c\/p\u003e","published_at":"2026-05-22T06:45:23+09:00","created_at":"2026-05-16T10:51:25+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","new","rhymesayers entertainment"],"price":576000,"price_min":576000,"price_max":576000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894288232698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Abstract Tribe Unique \/\/ South Central Thynk Taynk (2026 Remaster) 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":576000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"826257039910","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_59b1c4a3-e5fb-480c-8f81-2ba36fb317ff.jpg?v=1778896150","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-16at10.48.13am.png?v=1778896151"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_59b1c4a3-e5fb-480c-8f81-2ba36fb317ff.jpg?v=1778896150","options":["Title"],"media":[{"alt":null,"id":39388102918394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_59b1c4a3-e5fb-480c-8f81-2ba36fb317ff.jpg?v=1778896150"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sou1_59b1c4a3-e5fb-480c-8f81-2ba36fb317ff.jpg?v=1778896150","width":350},{"alt":null,"id":39388102885626,"position":2,"preview_image":{"aspect_ratio":1.417,"height":444,"width":629,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-16at10.48.13am.png?v=1778896151"},"aspect_ratio":1.417,"height":444,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-16at10.48.13am.png?v=1778896151","width":629}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/5リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのヒップホップクルーAbstract Tribe Uniqueが、2026年6月に同国ヒップホップレーベルRhymesayers Entertainmentからリリースした再発2枚組レコードです。（オリジナルは1998年リリース）\u003c\/p\u003e\n\u003cp\u003e28年経っても色褪せないヒップホップ15曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1998年に初リリースされたAbstract Tribe Uniqueによる『South Central Thynk Taynk』は、ロサンゼルスのアンダーグラウンド・シーンにおける決定的な瞬間――若い黒人アーティストたちがヒップホップを一から再構築していた時代――を切り取った作品だ。ジャズの影響を受けたビート、精神的な洞察、そして徹底したインディペンデント精神が融合したこのアルバムは、自立と創造的な反逆のアンセムとなった。今回、リマスターされ、ボーナストラックを加えて再発されるこの長らく入手困難だった名作が、新たな世代に向けて帰ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品の文化的核となるのは、アブストラクト・ルードとエイシーアローンによって結成された伝説的なL.A.のクルー「プロジェクト・ブロウデッド」だ。彼らは、その影響が今も世界のヒップホップに色濃く残る、数々の革新的なラッパーたちを輩出した。メインストリームのラップが西海岸のGファンク・ブームに飛びつく中、Blowedクルーはジャズ、急進的な政治思想、そしてアフロセントリックな未来主義に深く根ざした独自の道を切り拓いた。『Thynk Taynk』は、この革命的な瞬間を捉えた多層的なタイムカプセルとして存在し、アブ・ルードの深遠なリリシズムと、ファット・ジャックのジャンルを超越したプロデュース手法が見事に融合し、家族、闘争、そして芸術的使命についての詩的な考察を生み出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのニュー・エディションには、エースヤローン、マイカ9、メデューサ、ピジョン・ジョン、ブルー、2メックス、エレイ・クール、リドルロー、NGAFSHといった世代を超えた重鎮たちが参加した「L.A. Styles Back (Project Blowed Remix)」が収録されており、ロサンゼルスのアンダーグラウンドが数十年にわたり創造の中心地であり続けてきたことを浮き彫りにしている。『South Central Thynk Taynk』は単なるカルト的な逸品にとどまらない。それは変容、コミュニティ、そして芸術的パワーを生き生きと記録した証なのである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278402028\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rymsyen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rymsyen\"\u003ehere\u003c\/a\u003e to see more Rhymesayers Entertainment releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 5th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e2 x 12\" red marble vinyl.\u003cbr\u003e2026 reissue and remaster - originally released in 1998. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Explanation 02:29 \u003cbr\u003e2. Hits Like Hank 03:52 \u003cbr\u003e3. Renaissance (While We...) 05:05 \u003cbr\u003e4. Them That's Got 05:35 \u003cbr\u003e5. Through These Streets 03:23 \u003cbr\u003e6. A.T.U. Is In The House Tonight 04:11 \u003cbr\u003e7. L.A. Styles Back 03:49 \u003cbr\u003e8. Mass Men Baby 03:07 \u003cbr\u003e9. No Regrets 03:30 \u003cbr\u003e10. Front Row 04:44 \u003cbr\u003e11. Just Like Akira 04:15\u003cbr\u003e12. They Ryde 03:35 \u003cbr\u003e13. Showgun 02:46 \u003cbr\u003e14. Why Oh Why? 05:59 \u003cbr\u003e15. L.A. Styles Back (Project Blowed Remix) [feat. Aceyalone, Myka 9, Medusa the Gangsta Goddess, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore \u0026amp; NGAFSH] 08:11\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally released in 1998, South Central Thynk Taynk by Abstract Tribe Unique (Abstract Rude, Fat Jack and DJ Drez) captured a pivotal moment in Los Angeles’ underground scene—when young Black artists were reimagining hip-hop from the ground up. Blending jazz-inflected beats, spiritual insight, and fiercely independent production, the album became an anthem for self-reliance and creative rebellion. Now, remastered and reissued with a bonus track, this long-unavailable classic returns for a new generation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the cultural core of the record is Project Blowed, a legendary L.A. crew founded by Abstract Rude and Aceyalone, which birthed a lineage of rap innovators whose fingerprints are still felt in global hip-hop. While mainstream rap embraced the West Coast’s G-funk boom, the Blowed crew forged an alternate path—steeped in jazz, radical politics, and Afrocentric futurism. Thynk Taynk stands as a richly layered time capsule from this revolutionary moment, pairing Ab Rude’s deep lyricism with Fat Jack’s genre-melding approach to production, creating a poetic reflection on family, struggle, and artistic purpose.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis new edition includes the “L.A. Styles Back (Project Blowed Remix)” featuring a cross-generational lineup of\u003cspan class=\"bcTruncateMore\"\u003e heavyweights—Aceyalone, Myka 9, Medusa, Pigeon John, Blu, 2Mex, Ellay Khule, Riddlore, and NGAFSH—underscoring how L.A.’s underground has remained a creative epicenter for decades. South Central Thynk Taynk is more than a cult artifact; it’s a living document of transformation, community, and artistic power.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Abstract Tribe Unique\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eRhymesayers Entertainment\u003c\/p\u003e\n\u003cp\u003ecat no : RSE399lp-C1\u003c\/p\u003e"}
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※6/5リリースです アメリカ・LAのヒップホップクルーAbstract Tribe Uniqueが、2026年6月に同国ヒップホップレーベルRhymesayers Entertainmentからリリースした再発2枚組レコードです。（オリジナルは1998年リリース） 28年経っても色褪せないヒップホップ15曲を収録。レッドマーブル盤です。 以下、レーベルによる解説です。 "1998年に初リリースされたAbstract Tribe Uniqueによる『South Central Thynk Taynk』は、ロサンゼルスのアンダーグラウンド・シーンにおける決定的な瞬間――若い黒人アーティストたちがヒップホップを一から再構築していた時代――を切り取った作品だ。ジャズの影響を受けたビート、精神的な洞察、そして徹底したインディペンデント精神が融合したこのアルバムは、自立と創造的な反逆のアンセムとなった。今回、リマスターされ、ボーナストラックを加えて再発されるこの長らく入手困難だった名作が、新たな世代に向けて帰ってきた。 この作品の文化的核となるのは、アブストラクト・ルードとエイシーアローンによって結成された伝説的なL.A.のクルー「プロジェクト・ブロウデッド」だ。彼らは、その影響が今も世界のヒップホップに色濃く残る、数々の革新的なラッパーたちを輩出した。メインストリームのラップが西海岸のGファンク・ブームに飛びつく中、Blowedクルーはジャズ、急進的な政治思想、そしてアフロセントリックな未来主義に深く根ざした独自の道を切り拓いた。『Thynk...
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{"id":9228212273402,"title":"Callahan \u0026 Witscher \/\/ Sorry To Hear That 2xLP","handle":"callahan-witscher-sorry-to-hear-that-2xlp","description":"\u003cp\u003eアメリカの実験音楽家Jack CallahanとJeff Witscherが、2026年5月に同国インディーレーベルPost Present Mediumからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験要素は皆無のインディーロック11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4056236828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003cbr\u003eEdition of 500 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Prelude \u003cbr\u003e2. Rockstar (ft. Marlon DuBois \u0026amp; Jazz Lambaux) \u003cbr\u003e3. 5 Year Plan \u003cbr\u003e4. Rather Be Alone (ft. F.G.S.) 04:11\u003cbr\u003e5. Downtown Clown 04:40 \u003cbr\u003e6. PAN Night 03:16 \u003cbr\u003e7. Let's Keep In Touch \u003cbr\u003e8. Settle The Score 03:55 \u003cbr\u003e9. Nothing Lasts Forever (ft. Dylan Baldi) \u003cbr\u003e10. Sorry To Hear That \u003cbr\u003e11. Tell Jeff\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJack Callahan and Jeff Witscher were tired. They had each been toiling in the American underground experimental music scene since the turn of the millennium, under names you may or may not recognize: Rene Hell, Marble Sky, die Reihe, too many to name. Their first full length Think Differently was the result of a confluence of end points: the dissolution of their underground scene and, in no small part because of that, the abstract music they had made separately and together as long as they could remember was not hitting like it used to. Where else to go but to the other side of the horseshoe: pop music. So why not heed the writing on the wall? Make a turn-of-the-millennium guitar-driven pop rock anthem record about being aging underground musicians who don’t want to make noise music anymore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWell, Sorry to Hear That is a record about Think Differently. If Think Differently was a meta-conceptual record, Sorry to Hear That is a meta-meta-conceptual record. Meta Meta+Hodos. It was recorded over the course of 9 months in the wake of the first record. It was a period of personal and professional disruption: their initial optimism from the attention Think Differently received quickly spiraled into zealotry, inevitably descending into fear, disappointment\u003cspan class=\"bcTruncateMore\"\u003e and fracture. The record they wound up making is a document of and a narrative about this time period.\u003cbr\u003e\u003cbr\u003eSorry to Hear That is a meta-sequel that continues where the first left off sonically and conceptually, more guitar, more breakbeats, more navel-gazing malaise, more humorous self-effacement. It captures perfectly what the duo had set out to convey from the onset; it is a blistering record filled with commentary from both sides of the aisle, the player and the played.\u003cbr\u003e\u003cbr\u003eSorry to Hear That features a number of guest appearances from old and new comrades in the trenches of independent music: Shed Theory ringleader Marlon DuBois, Dylan Baldi and Jayson Gerycz of Cloud Nothings, Flannery Silva aka F.G.S., Jazz Lambaux and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Callahan \u0026amp; Witscher\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003ecat no : PPM116lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-22T07:01:58+09:00","created_at":"2026-05-16T10:39:42+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","post present medium"],"price":529800,"price_min":529800,"price_max":529800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894262051066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Callahan \u0026 Witscher \/\/ Sorry To Hear That 2xLP","public_title":null,"options":["Default Title"],"price":529800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"784300942344","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/call1_c2cb81c1-91c9-4ff7-a87b-f5a672dcecd4.jpg?v=1778895419","\/\/tobirarecords.com\/cdn\/shop\/files\/call2_81520474-465c-4e7b-a3b6-51e515cbbfbb.jpg?v=1778895439"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/call1_c2cb81c1-91c9-4ff7-a87b-f5a672dcecd4.jpg?v=1778895419","options":["Title"],"media":[{"alt":null,"id":39388054388986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call1_c2cb81c1-91c9-4ff7-a87b-f5a672dcecd4.jpg?v=1778895419"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call1_c2cb81c1-91c9-4ff7-a87b-f5a672dcecd4.jpg?v=1778895419","width":350},{"alt":null,"id":39388054421754,"position":2,"preview_image":{"aspect_ratio":1.0,"height":805,"width":805,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call2_81520474-465c-4e7b-a3b6-51e515cbbfbb.jpg?v=1778895439"},"aspect_ratio":1.0,"height":805,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call2_81520474-465c-4e7b-a3b6-51e515cbbfbb.jpg?v=1778895439","width":805}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Jack CallahanとJeff Witscherが、2026年5月に同国インディーレーベルPost Present Mediumからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験要素は皆無のインディーロック11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4056236828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003cbr\u003eEdition of 500 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Prelude \u003cbr\u003e2. Rockstar (ft. Marlon DuBois \u0026amp; Jazz Lambaux) \u003cbr\u003e3. 5 Year Plan \u003cbr\u003e4. Rather Be Alone (ft. F.G.S.) 04:11\u003cbr\u003e5. Downtown Clown 04:40 \u003cbr\u003e6. PAN Night 03:16 \u003cbr\u003e7. Let's Keep In Touch \u003cbr\u003e8. Settle The Score 03:55 \u003cbr\u003e9. Nothing Lasts Forever (ft. Dylan Baldi) \u003cbr\u003e10. Sorry To Hear That \u003cbr\u003e11. Tell Jeff\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJack Callahan and Jeff Witscher were tired. They had each been toiling in the American underground experimental music scene since the turn of the millennium, under names you may or may not recognize: Rene Hell, Marble Sky, die Reihe, too many to name. Their first full length Think Differently was the result of a confluence of end points: the dissolution of their underground scene and, in no small part because of that, the abstract music they had made separately and together as long as they could remember was not hitting like it used to. Where else to go but to the other side of the horseshoe: pop music. So why not heed the writing on the wall? Make a turn-of-the-millennium guitar-driven pop rock anthem record about being aging underground musicians who don’t want to make noise music anymore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWell, Sorry to Hear That is a record about Think Differently. If Think Differently was a meta-conceptual record, Sorry to Hear That is a meta-meta-conceptual record. Meta Meta+Hodos. It was recorded over the course of 9 months in the wake of the first record. It was a period of personal and professional disruption: their initial optimism from the attention Think Differently received quickly spiraled into zealotry, inevitably descending into fear, disappointment\u003cspan class=\"bcTruncateMore\"\u003e and fracture. The record they wound up making is a document of and a narrative about this time period.\u003cbr\u003e\u003cbr\u003eSorry to Hear That is a meta-sequel that continues where the first left off sonically and conceptually, more guitar, more breakbeats, more navel-gazing malaise, more humorous self-effacement. It captures perfectly what the duo had set out to convey from the onset; it is a blistering record filled with commentary from both sides of the aisle, the player and the played.\u003cbr\u003e\u003cbr\u003eSorry to Hear That features a number of guest appearances from old and new comrades in the trenches of independent music: Shed Theory ringleader Marlon DuBois, Dylan Baldi and Jayson Gerycz of Cloud Nothings, Flannery Silva aka F.G.S., Jazz Lambaux and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Callahan \u0026amp; Witscher\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003ecat no : PPM116lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Jack CallahanとJeff Witscherが、2026年5月に同国インディーレーベルPost Present Mediumからリリースした2枚組レコードです。 実験要素は皆無のインディーロック11曲を収録。 レーベルその他作品はこちら /// Click here to see more Post Present Medium releases...
¥5,298
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{"id":9228209520890,"title":"Pinky Tex \/\/ The Singing Angel From Devil Rock Canyon EP 12inch","handle":"pinky-tex-the-singing-angel-from-devil-rock-canyon-ep-12inch","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのシンガーソングライターPinky Tex が、2026年5月に同国Rocks In Your Head Recordsからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eオルタナ・カントリー4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597179918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Take A Hard Look \u003cbr\u003e2. Palmreader \u003cbr\u003e3. Won't Come Back (Fred Cole cover) \u003cbr\u003e4. Wild Horses\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn in the ashes of WWII, the only girl of seven children, they called her Pinky. She grew up in the windy plains of the Texas panhandle, singing in the church choir and dreaming of being on the stage one day. Just 18, she met the love of her life and soon married rodeo cowboy Cole Tex. Sharing a common thirst for adventure, they traveled the country roads together. He wrote the songs and Pinky sang them, performing in small roadhouses and honky-tonks all over the southwestern states. These are some of the few recordings that still exist.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pinky Tex\u003c\/p\u003e\n\u003cp\u003eLabel : Rocks In Your Head Records\u003c\/p\u003e\n\u003cp\u003ecat no : KR20lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-22T07:05:30+09:00","created_at":"2026-05-16T10:26:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new"],"price":375800,"price_min":375800,"price_max":375800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894241243386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pinky Tex \/\/ The Singing Angel From Devil Rock Canyon EP 12inch","public_title":null,"options":["Default Title"],"price":375800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769152436906","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pun1_c387af68-4809-4667-b211-b86cc5c4771f.jpg?v=1778894673","\/\/tobirarecords.com\/cdn\/shop\/files\/pun2_37b0b968-0820-4ef0-bc7d-f1e82613fd44.jpg?v=1778894673"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pun1_c387af68-4809-4667-b211-b86cc5c4771f.jpg?v=1778894673","options":["Title"],"media":[{"alt":null,"id":39387921350906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pun1_c387af68-4809-4667-b211-b86cc5c4771f.jpg?v=1778894673"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pun1_c387af68-4809-4667-b211-b86cc5c4771f.jpg?v=1778894673","width":350},{"alt":null,"id":39387921383674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pun2_37b0b968-0820-4ef0-bc7d-f1e82613fd44.jpg?v=1778894673"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pun2_37b0b968-0820-4ef0-bc7d-f1e82613fd44.jpg?v=1778894673","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのシンガーソングライターPinky Tex が、2026年5月に同国Rocks In Your Head Recordsからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eオルタナ・カントリー4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597179918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Take A Hard Look \u003cbr\u003e2. Palmreader \u003cbr\u003e3. Won't Come Back (Fred Cole cover) \u003cbr\u003e4. Wild Horses\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn in the ashes of WWII, the only girl of seven children, they called her Pinky. She grew up in the windy plains of the Texas panhandle, singing in the church choir and dreaming of being on the stage one day. Just 18, she met the love of her life and soon married rodeo cowboy Cole Tex. Sharing a common thirst for adventure, they traveled the country roads together. He wrote the songs and Pinky sang them, performing in small roadhouses and honky-tonks all over the southwestern states. These are some of the few recordings that still exist.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pinky Tex\u003c\/p\u003e\n\u003cp\u003eLabel : Rocks In Your Head Records\u003c\/p\u003e\n\u003cp\u003ecat no : KR20lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※6月下旬再入荷後発送します アメリカ・LAのシンガーソングライターPinky Tex が、2026年5月に同国Rocks In Your Head Recordsからリリースした12"です。 オルタナ・カントリー4曲を収録。 ------------------------------------------- 12" black vinyl. Tracklist:...
¥3,758
クイックビュー
{"id":9228202082554,"title":"Jared Mattson \u0026 Ruban Nielson \/\/ FEAR LP","handle":"jared-mattson-ruban-nielson-fear-lp","description":"\u003cp\u003eアメリカのギタリストJared Mattson \u0026amp; Ruban Nielsonが、2026年6月に同国Jagjaguarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるインスト7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1453834867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. HIGH T \u003cbr\u003e2. RIVER RAFTING \u003cbr\u003e3. TESTAROSSA \u003cbr\u003e4. AMERICAN EAGLE \u003cbr\u003e5. WEDGIE \u003cbr\u003e6. TOUCHDOWN \u003cbr\u003e7. RAZOR BLADE\u003c\/p\u003e\n\u003cp\u003eFrom the artist, \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJared Mattson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I woke up around noon, disoriented, half-dreaming. Music was playing — unfamiliar, fully formed, the kind of sound you assume belongs to someone else’s life. For a moment I thought I was still asleep, hearing music I wished I’d made.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThen it hit me: Ruban Nielson was already awake, in the studio, listening to what we’d made.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe both knew it. There was something inevitable about the music — like it hadn’t been created so much as uncovered. We listened on repeat, laughing, shaking our heads. One track brought up a shared image: an evergreen forest by a lake at sunset. Ruban suddenly looked up, eyes wide, like he’d just been handed a message.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’ve got the title,” he said.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAmerican Eagle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name landed the same way the music had — clean, obvious, impossible to argue with. The American Dream: hot dogs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, Cokes, sunset drives. We both lost it, tears in our eyes from laughing hard for minutes straight.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe swam in his pool. The conversation never stopped. The flow stayed constant, nourishing, effortless. Then Ruban said it again — the line that had already become a principle:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Let’s make more that sound exactly like this.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSo we did.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTwo days later, 'FEAR' was finished.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jared Mattson \u0026amp; Ruban Nielson\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e\n\u003cp\u003ecat no : JAG491lp\u003c\/p\u003e","published_at":"2026-05-19T07:48:11+09:00","created_at":"2026-05-16T10:15:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jagjaguar","lp","new"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894226465018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jared Mattson \u0026 Ruban Nielson \/\/ FEAR LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605249117","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fea1.jpg?v=1778894030","\/\/tobirarecords.com\/cdn\/shop\/files\/fea2.jpg?v=1778894030"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fea1.jpg?v=1778894030","options":["Title"],"media":[{"alt":null,"id":39387838939386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fea1.jpg?v=1778894030"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fea1.jpg?v=1778894030","width":350},{"alt":null,"id":39387838972154,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fea2.jpg?v=1778894030"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fea2.jpg?v=1778894030","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJared Mattson \u0026amp; Ruban Nielsonが、2026年6月に同国Jagjaguarからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるインスト7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1453834867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jgjgr\"\u003ehere\u003c\/a\u003e to see more Jagjaguar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. HIGH T \u003cbr\u003e2. RIVER RAFTING \u003cbr\u003e3. TESTAROSSA \u003cbr\u003e4. AMERICAN EAGLE \u003cbr\u003e5. WEDGIE \u003cbr\u003e6. TOUCHDOWN \u003cbr\u003e7. RAZOR BLADE\u003c\/p\u003e\n\u003cp\u003eFrom the artist, \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJared Mattson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I woke up around noon, disoriented, half-dreaming. Music was playing — unfamiliar, fully formed, the kind of sound you assume belongs to someone else’s life. For a moment I thought I was still asleep, hearing music I wished I’d made.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThen it hit me: Ruban Nielson was already awake, in the studio, listening to what we’d made.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe both knew it. There was something inevitable about the music — like it hadn’t been created so much as uncovered. We listened on repeat, laughing, shaking our heads. One track brought up a shared image: an evergreen forest by a lake at sunset. Ruban suddenly looked up, eyes wide, like he’d just been handed a message.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’ve got the title,” he said.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAmerican Eagle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name landed the same way the music had — clean, obvious, impossible to argue with. The American Dream: hot dogs\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, Cokes, sunset drives. We both lost it, tears in our eyes from laughing hard for minutes straight.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe swam in his pool. The conversation never stopped. The flow stayed constant, nourishing, effortless. Then Ruban said it again — the line that had already become a principle:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Let’s make more that sound exactly like this.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSo we did.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTwo days later, 'FEAR' was finished.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jared Mattson \u0026amp; Ruban Nielson\u003c\/p\u003e\n\u003cp\u003eLabel : Jagjaguar\u003c\/p\u003e\n\u003cp\u003ecat no : JAG491lp\u003c\/p\u003e"}
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アメリカのギタリストJared Mattson & Ruban Nielsonが、2026年6月に同国Jagjaguarからリリースしたレコードです。 ギターによるインスト7曲を収録。 レーベルその他作品はこちら /// Click here to see more Jagjaguar releases available at...
¥3,380
![Eraserhood Sound // Sound Spectrum: A Collection of Themes From Carl The Collector LP [BLACK]](http://tobirarecords.com/cdn/shop/files/coll1_27b7e18c-7828-4daa-9e86-11ffa0c2c72d_medium.jpg?v=1778893713)
クイックビュー
{"id":9228201394426,"title":"Eraserhood Sound \/\/ Sound Spectrum: A Collection of Themes From Carl The Collector LP [BLACK]","handle":"eraserhood-sound-sound-spectrum-a-collection-of-themes-from-carl-the-collector-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ペンシルベニアのシンセファンクデュオEraserhood Soundが、2026年5月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e子供向け番組『Carl The Collector』のサウンドトラックとして制作した34曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エミー賞受賞のPBSキッズ番組『Carl The Collector』の音楽を今すぐお楽しみください！『Sound Spectrum: A Collection of Themes From Carl The Collector』は、フィラデルフィアのEraserhood Soundによる独創的な楽曲集です。番組の印象的なテーマソングを含む全34曲で、ファンク、ソウル、レア・グルーヴ、ジャズ、サンバ、R\u0026amp;B、ニューウェーブなど、Eraserhood Soundならではの「シンセ＆ソウル」スタイルで彩られた多彩な音楽をお楽しみいただけます。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自閉症のアライグマ、カールとその仲間たちを描くこの画期的なシリーズは、自閉症スペクトラムのキャラクターを登場させた最初の主要番組の一つです。シリーズ制作者のザカリア・オホラは、番組の可能性を最大限に引き出すには、他に類を見ない独自の音楽が必要だと確信していました。彼は、Eraserhood Soundのイタリアン・ライブラリー・ミュージック・アルバム『Ribelle Di Mare』に感銘を受け、同様のシンセ＆ソウル・アプローチを求めて彼らにアプローチしました。オホラは次のように語ります。「ありきたりな子供向け音楽は望んでいなかった。レコード愛好家によって、そして彼らのために作られた、ニュアンス豊かで情感あふれる音楽が欲しかったのだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eヴィンセント・ジョンとマクスウェル・パーラが作曲、プロデュース、演奏をすべて手掛けたこの音楽は、ヴィンス・グアラルディによる『ピーナッツ』のクラシックなサウンドトラックが持つ洗練されたソウルフルさを捉えつつ、全く新しい現代的な響きを放っています。アルバム収録の各曲は、『カール・ザ・コレクター』の忘れがたい第1シーズンのエピソードから直接抜粋されたものです。ファンキーでファズが効いた熱狂的な曲から、静かで内省的なバラードまで、ヴィンセントとマクスウェルが番組の中で特に気に入っている音楽の瞬間をぜひ楽しんでほしいです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3805400532\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eContains selection of \u003cmeta charset=\"utf-8\"\u003emusic from the Emmy-winning PBS Kids show Carl The Collector, across \u003cmeta charset=\"utf-8\"\u003efunk, soul, rare groove, jazz, samba, r\u0026amp;b, new wave, and more. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Carl The Collector Theme Song 00:35 \u003cbr\u003e2. Club Collector's Watch 00:41 \u003cbr\u003e3. World Record, Here I Come 00:37 \u003cbr\u003e4. The Bark Banquet 00:35 \u003cbr\u003e5. Cruisin' On the Block 00:55 \u003cbr\u003e6. Forrest Fever 00:35 \u003cbr\u003e7. Carl Without Sheldon 01:22 \u003cbr\u003e8. Fela Robotics 00:39 \u003cbr\u003e9. Fuzzémon 01:57 \u003cbr\u003e10. Museum Blues 00:42 \u003cbr\u003e11. Meet Paolo 00:48 \u003cbr\u003e12. Dylan Rolls Up 00:56 \u003cbr\u003e13. On the Porch 00:57 \u003cbr\u003e14. Rainbow Platform Boots 01:13 \u003cbr\u003e15. Synesthesia 00:36 \u003cbr\u003e16. Spectrum 00:49 \u003cbr\u003e17. Cosmic Sheldon 00:37 \u003cbr\u003e18. Forrest Freakout 00:30 \u003cbr\u003e19. Fuzzytown Fall Fest 00:53 \u003cbr\u003e20. Synapse Junction 00:38 \u003cbr\u003e21. Show and Tell 00:58 \u003cbr\u003e22. The Super Moon 00:43 \u003cbr\u003e23. Trippy Breakfast 00:40 \u003cbr\u003e24. Soup Breathing 00:56 \u003cbr\u003e25. Sheldon Went Home 00:37 \u003cbr\u003e26. Atlantis 00:29 \u003cbr\u003e27. It's Dough Time 00:46 \u003cbr\u003e28. Library Friends 00:29 \u003cbr\u003e29. The First Garden 01:17 \u003cbr\u003e30. Fly Over the Horizon 00:57 \u003cbr\u003e31. Passing the Time 00:43 \u003cbr\u003e32. The Tree Fort 00:41 \u003cbr\u003e33. Tell the Truth 00:29 \u003cbr\u003e34. Talkin' With Mama 01:21\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEnjoy the music from the Emmy-winning PBS Kids show Carl The Collector now! Sound Spectrum: A Collection of Themes From Carl The Collector features the singular scoring work of Philadelphia’s Eraserhood Sound. Across 34 tracks, including the show’s indelible theme song, listeners will get a taste of funk, soul, rare groove, jazz, samba, r\u0026amp;b, new wave, and more, all delivered with Eraserhood Sound’s signature Synth \u0026amp; Soul stylings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe groundbreaking series, which follows Carl, an autistic raccoon, and his group of friends, is one of the first major shows to feature characters on the autism spectrum. Series creator Zachariah OHora knew he needed a one-of-a-kind musical score to fully realize the show’s potential. He approached Eraserhood Sound based on their Italian library music album Ribelle Di Mare, and requested a similar Synth \u0026amp; Soul approach. Says OHora, “I didn’t want typical kids' music. I wanted nuanced, emotionally rich music made by and for record lovers.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed, produced, and performed entirely by Vincent John and Maxwell Perla, the resulting music captures the sophisticated soulfulness of Vince Guaraldi’s classic Peanuts scores, while still sounding utterly fresh and modern. Each song on the album\u003cspan class=\"bcTruncateMore\"\u003e is pulled directly from episodes of Carl The Collector's unforgettable first season. From funky fuzz freakouts to somber, introspective ballads, enjoy some of Vincent and Maxwell’s favorite musical moments from the show.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eraserhood Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Eraserhood Sound\u003c\/p\u003e\n\u003cp\u003ecat no : EHS115lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-19T07:40:55+09:00","created_at":"2026-05-16T10:11:41+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894224040186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eraserhood Sound \/\/ Sound Spectrum: A Collection of Themes From Carl The Collector LP [BLACK]","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"648564357446","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_27b7e18c-7828-4daa-9e86-11ffa0c2c72d.jpg?v=1778893713","\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_59c2ebb5-8154-4291-906e-7d3c8e6babfb.jpg?v=1778893713"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_27b7e18c-7828-4daa-9e86-11ffa0c2c72d.jpg?v=1778893713","options":["Title"],"media":[{"alt":null,"id":39387825733882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_27b7e18c-7828-4daa-9e86-11ffa0c2c72d.jpg?v=1778893713"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_27b7e18c-7828-4daa-9e86-11ffa0c2c72d.jpg?v=1778893713","width":350},{"alt":null,"id":39387825766650,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_59c2ebb5-8154-4291-906e-7d3c8e6babfb.jpg?v=1778893713"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_59c2ebb5-8154-4291-906e-7d3c8e6babfb.jpg?v=1778893713","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ペンシルベニアのシンセファンクデュオEraserhood Soundが、2026年5月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e子供向け番組『Carl The Collector』のサウンドトラックとして制作した34曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エミー賞受賞のPBSキッズ番組『Carl The Collector』の音楽を今すぐお楽しみください！『Sound Spectrum: A Collection of Themes From Carl The Collector』は、フィラデルフィアのEraserhood Soundによる独創的な楽曲集です。番組の印象的なテーマソングを含む全34曲で、ファンク、ソウル、レア・グルーヴ、ジャズ、サンバ、R\u0026amp;B、ニューウェーブなど、Eraserhood Soundならではの「シンセ＆ソウル」スタイルで彩られた多彩な音楽をお楽しみいただけます。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自閉症のアライグマ、カールとその仲間たちを描くこの画期的なシリーズは、自閉症スペクトラムのキャラクターを登場させた最初の主要番組の一つです。シリーズ制作者のザカリア・オホラは、番組の可能性を最大限に引き出すには、他に類を見ない独自の音楽が必要だと確信していました。彼は、Eraserhood Soundのイタリアン・ライブラリー・ミュージック・アルバム『Ribelle Di Mare』に感銘を受け、同様のシンセ＆ソウル・アプローチを求めて彼らにアプローチしました。オホラは次のように語ります。「ありきたりな子供向け音楽は望んでいなかった。レコード愛好家によって、そして彼らのために作られた、ニュアンス豊かで情感あふれる音楽が欲しかったのだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eヴィンセント・ジョンとマクスウェル・パーラが作曲、プロデュース、演奏をすべて手掛けたこの音楽は、ヴィンス・グアラルディによる『ピーナッツ』のクラシックなサウンドトラックが持つ洗練されたソウルフルさを捉えつつ、全く新しい現代的な響きを放っています。アルバム収録の各曲は、『カール・ザ・コレクター』の忘れがたい第1シーズンのエピソードから直接抜粋されたものです。ファンキーでファズが効いた熱狂的な曲から、静かで内省的なバラードまで、ヴィンセントとマクスウェルが番組の中で特に気に入っている音楽の瞬間をぜひ楽しんでほしいです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3805400532\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eContains selection of \u003cmeta charset=\"utf-8\"\u003emusic from the Emmy-winning PBS Kids show Carl The Collector, across \u003cmeta charset=\"utf-8\"\u003efunk, soul, rare groove, jazz, samba, r\u0026amp;b, new wave, and more. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Carl The Collector Theme Song 00:35 \u003cbr\u003e2. Club Collector's Watch 00:41 \u003cbr\u003e3. World Record, Here I Come 00:37 \u003cbr\u003e4. The Bark Banquet 00:35 \u003cbr\u003e5. Cruisin' On the Block 00:55 \u003cbr\u003e6. Forrest Fever 00:35 \u003cbr\u003e7. Carl Without Sheldon 01:22 \u003cbr\u003e8. Fela Robotics 00:39 \u003cbr\u003e9. Fuzzémon 01:57 \u003cbr\u003e10. Museum Blues 00:42 \u003cbr\u003e11. Meet Paolo 00:48 \u003cbr\u003e12. Dylan Rolls Up 00:56 \u003cbr\u003e13. On the Porch 00:57 \u003cbr\u003e14. Rainbow Platform Boots 01:13 \u003cbr\u003e15. Synesthesia 00:36 \u003cbr\u003e16. Spectrum 00:49 \u003cbr\u003e17. Cosmic Sheldon 00:37 \u003cbr\u003e18. Forrest Freakout 00:30 \u003cbr\u003e19. Fuzzytown Fall Fest 00:53 \u003cbr\u003e20. Synapse Junction 00:38 \u003cbr\u003e21. Show and Tell 00:58 \u003cbr\u003e22. The Super Moon 00:43 \u003cbr\u003e23. Trippy Breakfast 00:40 \u003cbr\u003e24. Soup Breathing 00:56 \u003cbr\u003e25. Sheldon Went Home 00:37 \u003cbr\u003e26. Atlantis 00:29 \u003cbr\u003e27. It's Dough Time 00:46 \u003cbr\u003e28. Library Friends 00:29 \u003cbr\u003e29. The First Garden 01:17 \u003cbr\u003e30. Fly Over the Horizon 00:57 \u003cbr\u003e31. Passing the Time 00:43 \u003cbr\u003e32. The Tree Fort 00:41 \u003cbr\u003e33. Tell the Truth 00:29 \u003cbr\u003e34. Talkin' With Mama 01:21\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEnjoy the music from the Emmy-winning PBS Kids show Carl The Collector now! Sound Spectrum: A Collection of Themes From Carl The Collector features the singular scoring work of Philadelphia’s Eraserhood Sound. Across 34 tracks, including the show’s indelible theme song, listeners will get a taste of funk, soul, rare groove, jazz, samba, r\u0026amp;b, new wave, and more, all delivered with Eraserhood Sound’s signature Synth \u0026amp; Soul stylings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe groundbreaking series, which follows Carl, an autistic raccoon, and his group of friends, is one of the first major shows to feature characters on the autism spectrum. Series creator Zachariah OHora knew he needed a one-of-a-kind musical score to fully realize the show’s potential. He approached Eraserhood Sound based on their Italian library music album Ribelle Di Mare, and requested a similar Synth \u0026amp; Soul approach. Says OHora, “I didn’t want typical kids' music. I wanted nuanced, emotionally rich music made by and for record lovers.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed, produced, and performed entirely by Vincent John and Maxwell Perla, the resulting music captures the sophisticated soulfulness of Vince Guaraldi’s classic Peanuts scores, while still sounding utterly fresh and modern. Each song on the album\u003cspan class=\"bcTruncateMore\"\u003e is pulled directly from episodes of Carl The Collector's unforgettable first season. From funky fuzz freakouts to somber, introspective ballads, enjoy some of Vincent and Maxwell’s favorite musical moments from the show.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eraserhood Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Eraserhood Sound\u003c\/p\u003e\n\u003cp\u003ecat no : EHS115lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※6月上旬再入荷後発送します アメリカ・ペンシルベニアのシンセファンクデュオEraserhood Soundが、2026年5月に自主リリースしたレコードです。 子供向け番組『Carl The Collector』のサウンドトラックとして制作した34曲を収録。 以下、レーベルによる解説です。 "エミー賞受賞のPBSキッズ番組『Carl The Collector』の音楽を今すぐお楽しみください！『Sound Spectrum: A Collection of...
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{"id":9228200411386,"title":"Greg Mendez \/\/ Beauty Land LP [COLOR]","handle":"greg-mendez-beauty-land-lp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ペンシルベニアのフォーク作家Greg Mendezが、2026年5月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941029262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941029262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1188164297\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. I Wanna Feel Pretty \u003cbr\u003e2. Looking Out Your Window \u003cbr\u003e3. Mary \/ Dreaming \u003cbr\u003e4. Everybody Wants To Be Your Friend (Except Me) \u003cbr\u003e5. Gentle Love \u003cbr\u003e6. Frog \u003cbr\u003e7. It Breaks My Heart \u003cbr\u003e8. Sunsick \u003cbr\u003e9. No Evil \u003cbr\u003e10. Geranium \u003cbr\u003e11. Interlude in D Minor \u003cbr\u003e12. Serving Drinks \u003cbr\u003e13. So Mean \u003cbr\u003e14. Concussion\u003c\/p\u003e\n\u003cp\u003eArtist : Greg Mendez\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC373lp-C1\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-19T07:33:08+09:00","created_at":"2026-05-16T10:06:11+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","lp","new"],"price":382000,"price_min":382000,"price_max":382000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894219616506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Greg Mendez \/\/ Beauty Land LP [COLOR]","public_title":null,"options":["Default Title"],"price":382000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605167336","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_9d798582-1206-466c-8899-f651ad8ca123.jpg?v=1778893448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_9d798582-1206-466c-8899-f651ad8ca123.jpg?v=1778893448","options":["Title"],"media":[{"alt":null,"id":39387811283194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_9d798582-1206-466c-8899-f651ad8ca123.jpg?v=1778893448"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_9d798582-1206-466c-8899-f651ad8ca123.jpg?v=1778893448","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ペンシルベニアのフォーク作家Greg Mendezが、2026年5月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941029262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941029262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1188164297\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. I Wanna Feel Pretty \u003cbr\u003e2. Looking Out Your Window \u003cbr\u003e3. Mary \/ Dreaming \u003cbr\u003e4. Everybody Wants To Be Your Friend (Except Me) \u003cbr\u003e5. Gentle Love \u003cbr\u003e6. Frog \u003cbr\u003e7. It Breaks My Heart \u003cbr\u003e8. Sunsick \u003cbr\u003e9. No Evil \u003cbr\u003e10. Geranium \u003cbr\u003e11. Interlude in D Minor \u003cbr\u003e12. Serving Drinks \u003cbr\u003e13. So Mean \u003cbr\u003e14. Concussion\u003c\/p\u003e\n\u003cp\u003eArtist : Greg Mendez\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC373lp-C1\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※6月下旬再入荷後発送します アメリカ・ペンシルベニアのフォーク作家Greg Mendezが、2026年5月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。 ベッドルーム・フォーク14曲を収録。 レーベルその他作品はこちら /// Click here to see more Dead Oceans...
¥3,820
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{"id":9228199887098,"title":"Fust \/\/ Evil Joy LP","handle":"fust-evil-joy-lp","description":"\u003cp\u003eアメリカ・ノースカロライナのカントリーバンドFustが、2026年5月に同国インディーレーベルDeal Lifeからリリースした再発レコードです。（オリジナルは2011年リリース）\u003c\/p\u003e\n\u003cp\u003eアメリカーナ・フォーク〜オルタナ・カントリー9曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032575722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e5-year anniversary reissue - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. The Last Days 03:35 \u003cbr\u003e2. The Day That You Went Away 03:50 \u003cbr\u003e3. Where the Good Ones Go 03:22\u003cbr\u003e4. Night on the Lam 05:04 5. Evil Joy 02:16 \u003cbr\u003e6. Long Hard Days in April 03:06 \u003cbr\u003e7. Pure Joy 02:19 \u003cbr\u003e8. When the Trial Ends 03:48\u003cbr\u003e9. Wyoming County 03:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFust—the Durham, North Carolina–based band—will release a newly remastered edition of its debut album Evil Joy on vinyl for the first time on May 28, 2026 via Dear Life Records, marking the record’s five-year anniversary. The re-release isn’t a victory lap so much as a way of keeping the band’s earliest vision of ragged, lyric-forward country-rock in active rotation—putting their point of origin back in circulation even as their new music keeps widening. It follows last year’s Big Ugly and 2023’s Genevieve, which introduced new listeners to Fust’s blend of “small-town poetry” (Mojo) and a familiar yet probing “country-tinged folk-rock” (KEXP) that made it “one of the most fun rock records of the year” (Pitchfork). With Big Ugly, that sensibility didn’t pivot so much as open up: the band plays louder and looser, while the songs feel even more close-up and lived-in, as Aaron Dowdy’s writing sharpens its eye for the detail that suddenly explains a whole life—and the band moves like a circle of friends telling the same story from several angles at once. The record’s reach earned prominent year-end recognition from outlets like Time and Rolling Stone, with critic Steven Hyden calling it “the purest manifestation of the updated alt-country sensibility.” The Evil Joy reissue also continues a quiet through-line in Fust’s catalog: a habit\u003cspan class=\"bcTruncateMore\"\u003e of returning to earlier material not as artifact, but as groundwork—recontextualizing the beginnings as the sound keeps moving. That instinct was already visible in 2024’s Songs of the Rail, a set of early home recordings that Paste called “one of the best alt-country compilations…in a long, long time”—a reminder that Fust’s forward motion has always been built from an accumulating, shared history.\u003cbr\u003e\u003cbr\u003eEvil Joy was recorded sporadically between 2019 and 2021 in New York, eastern Pennsylvania, and Lake Gaston, but it was largely assembled in a shed in north Durham during the winter of 2020–21. The songs on Evil Joy probe the slow, strange weather of a relationship nearing its end, when time speeds up and thickens at once. Days blur, then suddenly reappear as hard markers: the last days, the day you left, the day you came back, the better days, the days to come. What the record traces isn’t a neat narrative arc so much as a lived-through duration: surrender and withdrawal, tenderness that keeps flickering, mistakes you can’t rewind, and the uneasy relief that arrives alongside grief. As Rosy Overdrive put it, the album is “gentle, deliberate, and clear Americana\/folk rock,” a breezy surface that nonetheless makes room for something darker beneath it. And that’s the hinge of the title, Evil Joy: two words that don’t resolve into a slogan so much as name a contradiction you can’t talk your way out of—the strange experience of feeling something like lightness at the moment something shared is dying. If the phrase sounds a little overheated, that’s part of its honesty too: the way a hard period gets narrated in real time, when ordinary difficulty can feel momentous, and the name you give it is both an overreaction and a record of how heavy it actually was.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fust\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : DLR019lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-19T07:29:31+09:00","created_at":"2026-05-16T10:01:33+09:00","vendor":"Tobira Records","type":"","tags":["dear life records","folk \/ left-field pop","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894217552122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fust \/\/ Evil Joy LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"840526502769","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_b7f5f8f3-a77f-4e23-85bf-ec444a642a6b.jpg?v=1778893126","\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_9fc6b8f5-3360-488d-97e0-b9258580fefc.jpg?v=1778893143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_b7f5f8f3-a77f-4e23-85bf-ec444a642a6b.jpg?v=1778893126","options":["Title"],"media":[{"alt":null,"id":39387799486714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_b7f5f8f3-a77f-4e23-85bf-ec444a642a6b.jpg?v=1778893126"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_b7f5f8f3-a77f-4e23-85bf-ec444a642a6b.jpg?v=1778893126","width":350},{"alt":null,"id":39387799519482,"position":2,"preview_image":{"aspect_ratio":1.0,"height":749,"width":749,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_9fc6b8f5-3360-488d-97e0-b9258580fefc.jpg?v=1778893143"},"aspect_ratio":1.0,"height":749,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_9fc6b8f5-3360-488d-97e0-b9258580fefc.jpg?v=1778893143","width":749}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナのカントリーバンドFustが、2026年5月に同国インディーレーベルDeal Lifeからリリースした再発レコードです。（オリジナルは2011年リリース）\u003c\/p\u003e\n\u003cp\u003eアメリカーナ・フォーク〜オルタナ・カントリー9曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032575722\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e5-year anniversary reissue - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. The Last Days 03:35 \u003cbr\u003e2. The Day That You Went Away 03:50 \u003cbr\u003e3. Where the Good Ones Go 03:22\u003cbr\u003e4. Night on the Lam 05:04 5. Evil Joy 02:16 \u003cbr\u003e6. Long Hard Days in April 03:06 \u003cbr\u003e7. Pure Joy 02:19 \u003cbr\u003e8. When the Trial Ends 03:48\u003cbr\u003e9. Wyoming County 03:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFust—the Durham, North Carolina–based band—will release a newly remastered edition of its debut album Evil Joy on vinyl for the first time on May 28, 2026 via Dear Life Records, marking the record’s five-year anniversary. The re-release isn’t a victory lap so much as a way of keeping the band’s earliest vision of ragged, lyric-forward country-rock in active rotation—putting their point of origin back in circulation even as their new music keeps widening. It follows last year’s Big Ugly and 2023’s Genevieve, which introduced new listeners to Fust’s blend of “small-town poetry” (Mojo) and a familiar yet probing “country-tinged folk-rock” (KEXP) that made it “one of the most fun rock records of the year” (Pitchfork). With Big Ugly, that sensibility didn’t pivot so much as open up: the band plays louder and looser, while the songs feel even more close-up and lived-in, as Aaron Dowdy’s writing sharpens its eye for the detail that suddenly explains a whole life—and the band moves like a circle of friends telling the same story from several angles at once. The record’s reach earned prominent year-end recognition from outlets like Time and Rolling Stone, with critic Steven Hyden calling it “the purest manifestation of the updated alt-country sensibility.” The Evil Joy reissue also continues a quiet through-line in Fust’s catalog: a habit\u003cspan class=\"bcTruncateMore\"\u003e of returning to earlier material not as artifact, but as groundwork—recontextualizing the beginnings as the sound keeps moving. That instinct was already visible in 2024’s Songs of the Rail, a set of early home recordings that Paste called “one of the best alt-country compilations…in a long, long time”—a reminder that Fust’s forward motion has always been built from an accumulating, shared history.\u003cbr\u003e\u003cbr\u003eEvil Joy was recorded sporadically between 2019 and 2021 in New York, eastern Pennsylvania, and Lake Gaston, but it was largely assembled in a shed in north Durham during the winter of 2020–21. The songs on Evil Joy probe the slow, strange weather of a relationship nearing its end, when time speeds up and thickens at once. Days blur, then suddenly reappear as hard markers: the last days, the day you left, the day you came back, the better days, the days to come. What the record traces isn’t a neat narrative arc so much as a lived-through duration: surrender and withdrawal, tenderness that keeps flickering, mistakes you can’t rewind, and the uneasy relief that arrives alongside grief. As Rosy Overdrive put it, the album is “gentle, deliberate, and clear Americana\/folk rock,” a breezy surface that nonetheless makes room for something darker beneath it. And that’s the hinge of the title, Evil Joy: two words that don’t resolve into a slogan so much as name a contradiction you can’t talk your way out of—the strange experience of feeling something like lightness at the moment something shared is dying. If the phrase sounds a little overheated, that’s part of its honesty too: the way a hard period gets narrated in real time, when ordinary difficulty can feel momentous, and the name you give it is both an overreaction and a record of how heavy it actually was.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fust\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : DLR019lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナのカントリーバンドFustが、2026年5月に同国インディーレーベルDeal Lifeからリリースした再発レコードです。（オリジナルは2011年リリース） アメリカーナ・フォーク〜オルタナ・カントリー9曲を収録。 レーベルその他作品はこちら /// Click here to see more Dear Life releases available at Tobira. ----------------------------...
¥3,680
![Joey Quiñones // Inna Soul Steady Situation LP [COLOR]](http://tobirarecords.com/cdn/shop/files/inn1_10688639-5a09-4f1f-827b-244d1aefaff4_medium.jpg?v=1778892368)
クイックビュー
{"id":9228197658874,"title":"Joey Quiñones \/\/ Inna Soul Steady Situation LP [COLOR]","handle":"joey-quinones-inna-soul-steady-situation-lp-color","description":"\u003cp\u003eアメリカ・LAのチカーノ・ソウルバンドTHEE SINSEERSリーダーJoey Quiñonesが、2026年5月に同国Colemine Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチカーノ・ソウル11曲を収録。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2089664400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clmne\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clmne\"\u003ehere\u003c\/a\u003e to see more Colemine Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\"opaque orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Soul Steady Situation \u003cbr\u003e2. Guess That's Just Loving You \u003cbr\u003e3. There Must Be Something 03:30 \u003cbr\u003e4. Don't Let Go 04:21 \u003cbr\u003e5. In My Arms \u003cbr\u003e6. For You 03:24 \u003cbr\u003e7. Driftin' 04:01 \u003cbr\u003e8. Don't Be Late \u003cbr\u003e9. Bolsita \u003cbr\u003e10. One More Night \u003cbr\u003e11. Situation 2\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIf you were to ask Joey Quiñones where he found inspiration for his music, you wouldn't have to look far from where the East LA son grew up. Listen to his work, and you're transported to a two-block radius of his neighborhood—from the liquor store to Sign of Music record store on Whittier Boulevard and back to a homie's house. In those two blocks, you hear cumbia blaring from the stores, punk rehearsals from a garage, oldies drifting from a neighbor's yard—a sensory overload that follows you home, all those genres singing in your head at once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis isn't a revelation to longtime fans of Quiñones' music. He has established himself as a premier interpreter of his generation, dedicating his career to offering his unique perspective on the Chicano soul songbook. But before Thee Sinseers, before the lush orchestrations and pitch-perfect harmonies that became his signature, Quiñones cut his teeth leading various backing bands for visiting Jamaican ska and dancehall acts touring Southern California. He describes those years as reggae college, getting yelled at by every Jamaican artist who had a record out. Those years of apprenticeship in rock steady and roots reggae would inform everything that followed—and on his new solo record Inna Soul Steady Situation, Quiñones finally showcases those influences front and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e center...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joey Quiñones\u003c\/p\u003e\n\u003cp\u003eLabel : Colemine Records\u003c\/p\u003e\n\u003cp\u003ecat no : CLMN12047lp-C1\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-19T07:21:09+09:00","created_at":"2026-05-16T09:48:14+09:00","vendor":"Tobira Records","type":"","tags":["colemine records","folk \/ left-field pop","hiphop \/ funk","lp","new"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48894201823482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joey Quiñones \/\/ Inna Soul Steady Situation LP [COLOR]","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"648564358337","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_10688639-5a09-4f1f-827b-244d1aefaff4.jpg?v=1778892368","\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_0843bded-66a1-4315-82c6-fd4f856db91f.jpg?v=1778892368"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_10688639-5a09-4f1f-827b-244d1aefaff4.jpg?v=1778892368","options":["Title"],"media":[{"alt":null,"id":39387761049850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_10688639-5a09-4f1f-827b-244d1aefaff4.jpg?v=1778892368"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn1_10688639-5a09-4f1f-827b-244d1aefaff4.jpg?v=1778892368","width":350},{"alt":null,"id":39387761082618,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_0843bded-66a1-4315-82c6-fd4f856db91f.jpg?v=1778892368"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/inn2_0843bded-66a1-4315-82c6-fd4f856db91f.jpg?v=1778892368","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのチカーノ・ソウルバンドTHEE SINSEERSリーダーJoey Quiñonesが、2026年5月に同国Colemine Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチカーノ・ソウル11曲を収録。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2089664400\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clmne\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clmne\"\u003ehere\u003c\/a\u003e to see more Colemine Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\"opaque orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Soul Steady Situation \u003cbr\u003e2. Guess That's Just Loving You \u003cbr\u003e3. There Must Be Something 03:30 \u003cbr\u003e4. Don't Let Go 04:21 \u003cbr\u003e5. In My Arms \u003cbr\u003e6. For You 03:24 \u003cbr\u003e7. Driftin' 04:01 \u003cbr\u003e8. Don't Be Late \u003cbr\u003e9. Bolsita \u003cbr\u003e10. One More Night \u003cbr\u003e11. Situation 2\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIf you were to ask Joey Quiñones where he found inspiration for his music, you wouldn't have to look far from where the East LA son grew up. Listen to his work, and you're transported to a two-block radius of his neighborhood—from the liquor store to Sign of Music record store on Whittier Boulevard and back to a homie's house. In those two blocks, you hear cumbia blaring from the stores, punk rehearsals from a garage, oldies drifting from a neighbor's yard—a sensory overload that follows you home, all those genres singing in your head at once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis isn't a revelation to longtime fans of Quiñones' music. He has established himself as a premier interpreter of his generation, dedicating his career to offering his unique perspective on the Chicano soul songbook. But before Thee Sinseers, before the lush orchestrations and pitch-perfect harmonies that became his signature, Quiñones cut his teeth leading various backing bands for visiting Jamaican ska and dancehall acts touring Southern California. He describes those years as reggae college, getting yelled at by every Jamaican artist who had a record out. Those years of apprenticeship in rock steady and roots reggae would inform everything that followed—and on his new solo record Inna Soul Steady Situation, Quiñones finally showcases those influences front and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e center...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joey Quiñones\u003c\/p\u003e\n\u003cp\u003eLabel : Colemine Records\u003c\/p\u003e\n\u003cp\u003ecat no : CLMN12047lp-C1\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのチカーノ・ソウルバンドTHEE SINSEERSリーダーJoey Quiñonesが、2026年5月に同国Colemine Recordsからリリースしたレコードです。 チカーノ・ソウル11曲を収録。オレンジ盤です。 レーベルその他作品はこちら /// Click here to see more Colemine Records...
¥3,890
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{"id":9227069653242,"title":"Thomas Bush \/\/ Guld LP","handle":"thomas-bush-guld-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRAPやCitrus \u0026amp; Musk名義でも活動しているイギリスの実験フォーク作家Thomas Bushが、2026年4月に同国Lost Domainからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験フォーク〜ノーウェーブ〜プロトテクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028448396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3259438068\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028448396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Down A Precipice 05:32\u003cbr\u003e2. Escovitch 05:19\u003cbr\u003e3. Excommunication 08:52\u003cbr\u003e4. A Pressure 03:49\u003cbr\u003e5. Galver 05:52\u003cbr\u003e6. Seether 09:43\u003c\/p\u003e\n\u003cp\u003eArtist : Thomas Bush\u003c\/p\u003e\n\u003cp\u003eLabel : lost domain\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOMA21-LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-16T07:07:57+09:00","created_at":"2026-05-15T13:40:47+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","strange beats","techno \/ house"],"price":522400,"price_min":522400,"price_max":522400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891626782970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thomas Bush \/\/ Guld LP","public_title":null,"options":["Default Title"],"price":522400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gul1.jpg?v=1778819972","\/\/tobirarecords.com\/cdn\/shop\/files\/gul2.jpg?v=1778819972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gul1.jpg?v=1778819972","options":["Title"],"media":[{"alt":null,"id":39379091554554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gul1.jpg?v=1778819972"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gul1.jpg?v=1778819972","width":350},{"alt":null,"id":39379091587322,"position":2,"preview_image":{"aspect_ratio":1.463,"height":820,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gul2.jpg?v=1778819972"},"aspect_ratio":1.463,"height":820,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gul2.jpg?v=1778819972","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eRAPやCitrus \u0026amp; Musk名義でも活動しているイギリスの実験フォーク作家Thomas Bushが、2026年4月に同国Lost Domainからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験フォーク〜ノーウェーブ〜プロトテクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028448396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3259438068\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3028448396\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 250 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Down A Precipice 05:32\u003cbr\u003e2. Escovitch 05:19\u003cbr\u003e3. Excommunication 08:52\u003cbr\u003e4. A Pressure 03:49\u003cbr\u003e5. Galver 05:52\u003cbr\u003e6. Seether 09:43\u003c\/p\u003e\n\u003cp\u003eArtist : Thomas Bush\u003c\/p\u003e\n\u003cp\u003eLabel : lost domain\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOMA21-LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※6月中旬再入荷後発送します RAPやCitrus & Musk名義でも活動しているイギリスの実験フォーク作家Thomas Bushが、2026年4月に同国Lost Domainからリリースしたレコードです。 実験フォーク〜ノーウェーブ〜プロトテクノ6曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします ------------------------------------------------------- Ask us for digital files. 12"...
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![Shabason & Krgovich // Four Days in June LP [BLACK]](http://tobirarecords.com/cdn/shop/files/shab1_6703476a-96b8-477a-9d62-163d00187112_medium.jpg?v=1778819679)
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{"id":9227057004794,"title":"Shabason \u0026 Krgovich \/\/ Four Days in June LP [BLACK]","handle":"shabason-krgovich-four-days-in-june-lp-black","description":"\u003cp\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2026年6月に同国インディーポップレーベルIdeé Fixe Recordsからリリースするアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出すアダルト・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e2020年のコラボレーション・アルバム『Philadelphia』以来、Shabason \u0026amp; Krgovichは、日々の生活の些細な細部から美しさと壮大さを遠心力のように引き出す音楽的な軌道に身を置いている。彼らの共同作品群を通じて、彼らは、皮肉と哀愁を帯びた微細な瞬間が、静かに心の壮大な驚異へと花開く小さな宇宙を創り上げてきた。しかし、これまでの共同作品が、変異したアダルト・コンテンポラリーや「思いつき即採用」的な詩情という潮だまりからポップソングを覗き見るようなものであったのに対し、『Four Days in June』は、車のセンターコンソールに常備され、人生の出来事に合わせていつでも再生できるような、CD時代のソングライティングへの気取らないアプローチを捉えている。その精神的な源泉は、「Harvest Moon」やR.E.M.、K.D.ラングの「Ingenue」といった全盛期の不朽の名作に接ぎ木されつつ、ペダル・スチール、バンジョー、フィドルのきらめきを通じて90年代のポップ・カントリーにウインクを送っている。しかし、これらすべてのインスピレーションは、自己に誠実であり、他者からの借り物ではない。それらは、Shabason \u0026amp; Krgovichの共同作品の特徴となっている、透き通るような誠実さをさらに際立たせ、強調している。『Four Days in June』は、過ぎ去りゆく人生の半ばを振り返り、物事が展開してきたあり方に満足を見出す、作者たちの記録である。まさにその過程を通じて、Shabason \u0026amp; Krgovichは、自らの創造性の最も自然体な姿の中に、静かな自信を見出しているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Four Days in June』は、そのタイトルが示す通り、まさに夏に生まれた作品だ。ペダル・スチール奏者のイアン・マクギンプシーの参加が決まったことをきっかけに、ジョセフは、クルゴビッチがバンクーバーからやって来られるかどうか確信が持てないうちに、自身のトロントのスタジオへ、信頼のおける中核メンバー（ベーシスト兼キーボーディストのブラム・ギーレン、ギタリストのトム・ギル、ドラマーのフィル・メランソン）を呼び集め始めた。ニックは、ツナミのジェニー・トゥーミーの新作アルバムのプロデュースを終えたばかりで、音楽に没頭していない時に見つけた心の余裕を楽しんでいるようだった。一方、幼い子供たちの子育てに伴うストレスと喜び、そして（2019年のソロアルバム『Anne』のタイトルにもなっている）母親のパーキンソン病の症状悪化に直面する中、ジョセフは音楽制作に没頭することで、日々の重圧に抗う支えを見出していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShabason \u0026amp; Krgovichは、ミドルエイジの初期という異なる次元において、インスピレーションの対極に立ち、『Four Days』という作品に二人の名前が共に冠されることには懐疑的だった。しかし、旧友のフィル・エルヴァラムと、彼が最近ファンになったフォークミュージシャンのサム・エイミドンが、『Four Days in June』のレコーディングが予定されていた時期に、それぞれのツアーでトロントに集結するという話を耳にしたクロゴビッチは、プロジェクトへの参加を決意した。実際、Four Daysのメンバーは、その日のエルヴァラムのバックバンドを務め、エイミ自身もスタジオに立ち寄り、バンジョーとフィドルで演奏に参加することになった。ついに天が味方し、『Four Days in June』はトロントを襲った歴史的な熱波の中で誕生した……\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1427236084\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3846472549\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2075225514\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Begin Again\u003cbr\u003e2. Along the Dance Away\u003cbr\u003e3. Field Mouse\u003cbr\u003e4. Midday Sun\u003cbr\u003e5. No. Two\u003cbr\u003e6. Road\u003cbr\u003e7. 43\u003cbr\u003e8. Boppin' Along\u003cbr\u003e9. Dry Corner\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Little Wind\u003cbr\u003e\u003c\/span\u003e11. Time of Your Life\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince their 2020 collaborative album, Philadelphia, Joseph Shabason and Nicholas Krgovich have been locked in a musical orbit that centrifugally extracts beauty and grandeur from the lesser details of their daily lives. Across their joint discography, they’ve created a small universe where wry and melancholy micro-moments quietly bloom into full-scale wonders of the heart. But where the pair’s previous mutual efforts showed them peering at pop songs from tidepools of mutated adult contemporary and first-thought-best-thought poetics, Four Days in June snapshots an unself-conscious reach toward the kind of CD era songcraft that lives in your car’s center console, always ready to be thrown on while life happens. It spiritually grafts its scope from heyday all-timers like “Harvest Moon”, R.E.M., or K.D. Lang’s “Ingenue”, while winking at 90s pop country via flutters of pedal steel, banjo, and fiddle. Yet all of these inspirations remain self-honest and unborrowed, modifying and underlining the crystal-clear sincerity that has come to define Shabason and Krgovich’s co-output. Four Days in June is a document of its authors looking back on their lives half-passed, finding contentment with how things have unfolded. By that very same process, Shabason and Krgovich manage to find quiet confidence in the most naturalistic version of\u003cspan class=\"bcTruncateMore\"\u003e their own creativity.\u003cbr\u003e\u003cbr\u003eFour Days in June was indeed born in the summertime, as its title suggests. Spurred by the recruitment of pedal-steel player Ian McGimpsey, Joseph began summoning his tried-and-true core lineup (bassist and keyboardist Bram Gielen, guitarist Thom Gill, and drummer Phil Melanson) to his Toronto studio before he was certain that Krgovich would be able to trek from Vancouver. Nick was fresh off of producing a new album for Tsunami’s Jenny Toomey, and seemingly enjoying the mental space he found when not preoccupied with music. Meanwhile, amid the stress and joy of parenting young kids, and the worsening Parkinson’s complications of his mother (for whom his 2019 solo album Anne is named), Joseph was finding a buoy for day-to-day gravity by diving headlong into music-making.\u003cbr\u003e\u003cbr\u003eShabason and Krgovich found themselves standing on opposite sides of the muse, in alternate dimensions of early middle age, unconvinced that Four Days would bear both of their names. However, Krgovich was tipped into formation upon hearing that his old friend Phil Elverum, and the folk musician Sam Amidon of whom he was a new fan, would be converging in Toronto for respective tour stops at the time Four Days in June was scheduled to be tracked-- In fact, the Four Days lineup would go on to be Elverum’s backing band for that date, and Amidon himself would stop by the studio to contribute banjo and fiddle. The planets had finally aligned, and Four Days in June was born amid an historic Toronto heatwave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eIF049\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-16T06:43:27+09:00","created_at":"2026-05-15T13:32:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891611611386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ Four Days in June LP [BLACK]","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/shab1_6703476a-96b8-477a-9d62-163d00187112.jpg?v=1778819679","\/\/tobirarecords.com\/cdn\/shop\/files\/shab3.jpg?v=1778819679"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab1_6703476a-96b8-477a-9d62-163d00187112.jpg?v=1778819679","options":["Title"],"media":[{"alt":null,"id":39378991677690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab1_6703476a-96b8-477a-9d62-163d00187112.jpg?v=1778819679"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab1_6703476a-96b8-477a-9d62-163d00187112.jpg?v=1778819679","width":350},{"alt":null,"id":39378991710458,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab3.jpg?v=1778819679"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab3.jpg?v=1778819679","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2026年6月に同国インディーポップレーベルIdeé Fixe Recordsからリリースするアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出すアダルト・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e2020年のコラボレーション・アルバム『Philadelphia』以来、Shabason \u0026amp; Krgovichは、日々の生活の些細な細部から美しさと壮大さを遠心力のように引き出す音楽的な軌道に身を置いている。彼らの共同作品群を通じて、彼らは、皮肉と哀愁を帯びた微細な瞬間が、静かに心の壮大な驚異へと花開く小さな宇宙を創り上げてきた。しかし、これまでの共同作品が、変異したアダルト・コンテンポラリーや「思いつき即採用」的な詩情という潮だまりからポップソングを覗き見るようなものであったのに対し、『Four Days in June』は、車のセンターコンソールに常備され、人生の出来事に合わせていつでも再生できるような、CD時代のソングライティングへの気取らないアプローチを捉えている。その精神的な源泉は、「Harvest Moon」やR.E.M.、K.D.ラングの「Ingenue」といった全盛期の不朽の名作に接ぎ木されつつ、ペダル・スチール、バンジョー、フィドルのきらめきを通じて90年代のポップ・カントリーにウインクを送っている。しかし、これらすべてのインスピレーションは、自己に誠実であり、他者からの借り物ではない。それらは、Shabason \u0026amp; Krgovichの共同作品の特徴となっている、透き通るような誠実さをさらに際立たせ、強調している。『Four Days in June』は、過ぎ去りゆく人生の半ばを振り返り、物事が展開してきたあり方に満足を見出す、作者たちの記録である。まさにその過程を通じて、Shabason \u0026amp; Krgovichは、自らの創造性の最も自然体な姿の中に、静かな自信を見出しているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Four Days in June』は、そのタイトルが示す通り、まさに夏に生まれた作品だ。ペダル・スチール奏者のイアン・マクギンプシーの参加が決まったことをきっかけに、ジョセフは、クルゴビッチがバンクーバーからやって来られるかどうか確信が持てないうちに、自身のトロントのスタジオへ、信頼のおける中核メンバー（ベーシスト兼キーボーディストのブラム・ギーレン、ギタリストのトム・ギル、ドラマーのフィル・メランソン）を呼び集め始めた。ニックは、ツナミのジェニー・トゥーミーの新作アルバムのプロデュースを終えたばかりで、音楽に没頭していない時に見つけた心の余裕を楽しんでいるようだった。一方、幼い子供たちの子育てに伴うストレスと喜び、そして（2019年のソロアルバム『Anne』のタイトルにもなっている）母親のパーキンソン病の症状悪化に直面する中、ジョセフは音楽制作に没頭することで、日々の重圧に抗う支えを見出していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShabason \u0026amp; Krgovichは、ミドルエイジの初期という異なる次元において、インスピレーションの対極に立ち、『Four Days』という作品に二人の名前が共に冠されることには懐疑的だった。しかし、旧友のフィル・エルヴァラムと、彼が最近ファンになったフォークミュージシャンのサム・エイミドンが、『Four Days in June』のレコーディングが予定されていた時期に、それぞれのツアーでトロントに集結するという話を耳にしたクロゴビッチは、プロジェクトへの参加を決意した。実際、Four Daysのメンバーは、その日のエルヴァラムのバックバンドを務め、エイミ自身もスタジオに立ち寄り、バンジョーとフィドルで演奏に参加することになった。ついに天が味方し、『Four Days in June』はトロントを襲った歴史的な熱波の中で誕生した……\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1427236084\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3846472549\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2075225514\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Begin Again\u003cbr\u003e2. Along the Dance Away\u003cbr\u003e3. Field Mouse\u003cbr\u003e4. Midday Sun\u003cbr\u003e5. No. Two\u003cbr\u003e6. Road\u003cbr\u003e7. 43\u003cbr\u003e8. Boppin' Along\u003cbr\u003e9. Dry Corner\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Little Wind\u003cbr\u003e\u003c\/span\u003e11. Time of Your Life\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince their 2020 collaborative album, Philadelphia, Joseph Shabason and Nicholas Krgovich have been locked in a musical orbit that centrifugally extracts beauty and grandeur from the lesser details of their daily lives. Across their joint discography, they’ve created a small universe where wry and melancholy micro-moments quietly bloom into full-scale wonders of the heart. But where the pair’s previous mutual efforts showed them peering at pop songs from tidepools of mutated adult contemporary and first-thought-best-thought poetics, Four Days in June snapshots an unself-conscious reach toward the kind of CD era songcraft that lives in your car’s center console, always ready to be thrown on while life happens. It spiritually grafts its scope from heyday all-timers like “Harvest Moon”, R.E.M., or K.D. Lang’s “Ingenue”, while winking at 90s pop country via flutters of pedal steel, banjo, and fiddle. Yet all of these inspirations remain self-honest and unborrowed, modifying and underlining the crystal-clear sincerity that has come to define Shabason and Krgovich’s co-output. Four Days in June is a document of its authors looking back on their lives half-passed, finding contentment with how things have unfolded. By that very same process, Shabason and Krgovich manage to find quiet confidence in the most naturalistic version of\u003cspan class=\"bcTruncateMore\"\u003e their own creativity.\u003cbr\u003e\u003cbr\u003eFour Days in June was indeed born in the summertime, as its title suggests. Spurred by the recruitment of pedal-steel player Ian McGimpsey, Joseph began summoning his tried-and-true core lineup (bassist and keyboardist Bram Gielen, guitarist Thom Gill, and drummer Phil Melanson) to his Toronto studio before he was certain that Krgovich would be able to trek from Vancouver. Nick was fresh off of producing a new album for Tsunami’s Jenny Toomey, and seemingly enjoying the mental space he found when not preoccupied with music. Meanwhile, amid the stress and joy of parenting young kids, and the worsening Parkinson’s complications of his mother (for whom his 2019 solo album Anne is named), Joseph was finding a buoy for day-to-day gravity by diving headlong into music-making.\u003cbr\u003e\u003cbr\u003eShabason and Krgovich found themselves standing on opposite sides of the muse, in alternate dimensions of early middle age, unconvinced that Four Days would bear both of their names. However, Krgovich was tipped into formation upon hearing that his old friend Phil Elverum, and the folk musician Sam Amidon of whom he was a new fan, would be converging in Toronto for respective tour stops at the time Four Days in June was scheduled to be tracked-- In fact, the Four Days lineup would go on to be Elverum’s backing band for that date, and Amidon himself would stop by the studio to contribute banjo and fiddle. The planets had finally aligned, and Four Days in June was born amid an historic Toronto heatwave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eIF049\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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カナダのベッドルーム・インディーポップデュオShabason & Krgovichが、2026年6月に同国インディーポップレーベルIdeé Fixe Recordsからリリースするアルバムです。 日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出すアダルト・ポップ11曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2020年のコラボレーション・アルバム『Philadelphia』以来、Shabason & Krgovichは、日々の生活の些細な細部から美しさと壮大さを遠心力のように引き出す音楽的な軌道に身を置いている。彼らの共同作品群を通じて、彼らは、皮肉と哀愁を帯びた微細な瞬間が、静かに心の壮大な驚異へと花開く小さな宇宙を創り上げてきた。しかし、これまでの共同作品が、変異したアダルト・コンテンポラリーや「思いつき即採用」的な詩情という潮だまりからポップソングを覗き見るようなものであったのに対し、『Four Days in June』は、車のセンターコンソールに常備され、人生の出来事に合わせていつでも再生できるような、CD時代のソングライティングへの気取らないアプローチを捉えている。その精神的な源泉は、「Harvest Moon」やR.E.M.、K.D.ラングの「Ingenue」といった全盛期の不朽の名作に接ぎ木されつつ、ペダル・スチール、バンジョー、フィドルのきらめきを通じて90年代のポップ・カントリーにウインクを送っている。しかし、これらすべてのインスピレーションは、自己に誠実であり、他者からの借り物ではない。それらは、Shabason...
¥4,580
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{"id":9227056513274,"title":"Shabason \u0026 Krgovich \/\/ Four Days in June LP [COLOR]","handle":"shabason-krgovich-four-days-in-june-lp-color","description":"\u003cp\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2026年6月に同国インディーポップレーベルIdeé Fixe Recordsからリリースするアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出すアダルト・ポップ11曲を収録。DLコード付属。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e2020年のコラボレーション・アルバム『Philadelphia』以来、Shabason \u0026amp; Krgovichは、日々の生活の些細な細部から美しさと壮大さを遠心力のように引き出す音楽的な軌道に身を置いている。彼らの共同作品群を通じて、彼らは、皮肉と哀愁を帯びた微細な瞬間が、静かに心の壮大な驚異へと花開く小さな宇宙を創り上げてきた。しかし、これまでの共同作品が、変異したアダルト・コンテンポラリーや「思いつき即採用」的な詩情という潮だまりからポップソングを覗き見るようなものであったのに対し、『Four Days in June』は、車のセンターコンソールに常備され、人生の出来事に合わせていつでも再生できるような、CD時代のソングライティングへの気取らないアプローチを捉えている。その精神的な源泉は、「Harvest Moon」やR.E.M.、K.D.ラングの「Ingenue」といった全盛期の不朽の名作に接ぎ木されつつ、ペダル・スチール、バンジョー、フィドルのきらめきを通じて90年代のポップ・カントリーにウインクを送っている。しかし、これらすべてのインスピレーションは、自己に誠実であり、他者からの借り物ではない。それらは、Shabason \u0026amp; Krgovichの共同作品の特徴となっている、透き通るような誠実さをさらに際立たせ、強調している。『Four Days in June』は、過ぎ去りゆく人生の半ばを振り返り、物事が展開してきたあり方に満足を見出す、作者たちの記録である。まさにその過程を通じて、Shabason \u0026amp; Krgovichは、自らの創造性の最も自然体な姿の中に、静かな自信を見出しているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Four Days in June』は、そのタイトルが示す通り、まさに夏に生まれた作品だ。ペダル・スチール奏者のイアン・マクギンプシーの参加が決まったことをきっかけに、ジョセフは、クルゴビッチがバンクーバーからやって来られるかどうか確信が持てないうちに、自身のトロントのスタジオへ、信頼のおける中核メンバー（ベーシスト兼キーボーディストのブラム・ギーレン、ギタリストのトム・ギル、ドラマーのフィル・メランソン）を呼び集め始めた。ニックは、ツナミのジェニー・トゥーミーの新作アルバムのプロデュースを終えたばかりで、音楽に没頭していない時に見つけた心の余裕を楽しんでいるようだった。一方、幼い子供たちの子育てに伴うストレスと喜び、そして（2019年のソロアルバム『Anne』のタイトルにもなっている）母親のパーキンソン病の症状悪化に直面する中、ジョセフは音楽制作に没頭することで、日々の重圧に抗う支えを見出していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShabason \u0026amp; Krgovichは、ミドルエイジの初期という異なる次元において、インスピレーションの対極に立ち、『Four Days』という作品に二人の名前が共に冠されることには懐疑的だった。しかし、旧友のフィル・エルヴァラムと、彼が最近ファンになったフォークミュージシャンのサム・エイミドンが、『Four Days in June』のレコーディングが予定されていた時期に、それぞれのツアーでトロントに集結するという話を耳にしたクロゴビッチは、プロジェクトへの参加を決意した。実際、Four Daysのメンバーは、その日のエルヴァラムのバックバンドを務め、エイミ自身もスタジオに立ち寄り、バンジョーとフィドルで演奏に参加することになった。ついに天が味方し、『Four Days in June』はトロントを襲った歴史的な熱波の中で誕生した……\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1427236084\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3846472549\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2075225514\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 12th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Begin Again\u003cbr\u003e2. Along the Dance Away\u003cbr\u003e3. Field Mouse\u003cbr\u003e4. Midday Sun\u003cbr\u003e5. No. Two\u003cbr\u003e6. Road\u003cbr\u003e7. 43\u003cbr\u003e8. Boppin' Along\u003cbr\u003e9. Dry Corner\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Little Wind\u003cbr\u003e\u003c\/span\u003e11. Time of Your Life\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince their 2020 collaborative album, Philadelphia, Joseph Shabason and Nicholas Krgovich have been locked in a musical orbit that centrifugally extracts beauty and grandeur from the lesser details of their daily lives. Across their joint discography, they’ve created a small universe where wry and melancholy micro-moments quietly bloom into full-scale wonders of the heart. But where the pair’s previous mutual efforts showed them peering at pop songs from tidepools of mutated adult contemporary and first-thought-best-thought poetics, Four Days in June snapshots an unself-conscious reach toward the kind of CD era songcraft that lives in your car’s center console, always ready to be thrown on while life happens. It spiritually grafts its scope from heyday all-timers like “Harvest Moon”, R.E.M., or K.D. Lang’s “Ingenue”, while winking at 90s pop country via flutters of pedal steel, banjo, and fiddle. Yet all of these inspirations remain self-honest and unborrowed, modifying and underlining the crystal-clear sincerity that has come to define Shabason and Krgovich’s co-output. Four Days in June is a document of its authors looking back on their lives half-passed, finding contentment with how things have unfolded. By that very same process, Shabason and Krgovich manage to find quiet confidence in the most naturalistic version of\u003cspan class=\"bcTruncateMore\"\u003e their own creativity.\u003cbr\u003e\u003cbr\u003eFour Days in June was indeed born in the summertime, as its title suggests. Spurred by the recruitment of pedal-steel player Ian McGimpsey, Joseph began summoning his tried-and-true core lineup (bassist and keyboardist Bram Gielen, guitarist Thom Gill, and drummer Phil Melanson) to his Toronto studio before he was certain that Krgovich would be able to trek from Vancouver. Nick was fresh off of producing a new album for Tsunami’s Jenny Toomey, and seemingly enjoying the mental space he found when not preoccupied with music. Meanwhile, amid the stress and joy of parenting young kids, and the worsening Parkinson’s complications of his mother (for whom his 2019 solo album Anne is named), Joseph was finding a buoy for day-to-day gravity by diving headlong into music-making.\u003cbr\u003e\u003cbr\u003eShabason and Krgovich found themselves standing on opposite sides of the muse, in alternate dimensions of early middle age, unconvinced that Four Days would bear both of their names. However, Krgovich was tipped into formation upon hearing that his old friend Phil Elverum, and the folk musician Sam Amidon of whom he was a new fan, would be converging in Toronto for respective tour stops at the time Four Days in June was scheduled to be tracked-- In fact, the Four Days lineup would go on to be Elverum’s backing band for that date, and Amidon himself would stop by the studio to contribute banjo and fiddle. The planets had finally aligned, and Four Days in June was born amid an historic Toronto heatwave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eIF049\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-16T06:39:18+09:00","created_at":"2026-05-15T13:31:38+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended"],"price":485000,"price_min":485000,"price_max":485000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891611087098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ Four Days in June LP [COLOR]","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/shab1.jpg?v=1778819378","\/\/tobirarecords.com\/cdn\/shop\/files\/shab2.jpg?v=1778819378"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab1.jpg?v=1778819378","options":["Title"],"media":[{"alt":null,"id":39378885902586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab1.jpg?v=1778819378"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab1.jpg?v=1778819378","width":350},{"alt":null,"id":39378885935354,"position":2,"preview_image":{"aspect_ratio":1.577,"height":761,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab2.jpg?v=1778819378"},"aspect_ratio":1.577,"height":761,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shab2.jpg?v=1778819378","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2026年6月に同国インディーポップレーベルIdeé Fixe Recordsからリリースするアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出すアダルト・ポップ11曲を収録。DLコード付属。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e2020年のコラボレーション・アルバム『Philadelphia』以来、Shabason \u0026amp; Krgovichは、日々の生活の些細な細部から美しさと壮大さを遠心力のように引き出す音楽的な軌道に身を置いている。彼らの共同作品群を通じて、彼らは、皮肉と哀愁を帯びた微細な瞬間が、静かに心の壮大な驚異へと花開く小さな宇宙を創り上げてきた。しかし、これまでの共同作品が、変異したアダルト・コンテンポラリーや「思いつき即採用」的な詩情という潮だまりからポップソングを覗き見るようなものであったのに対し、『Four Days in June』は、車のセンターコンソールに常備され、人生の出来事に合わせていつでも再生できるような、CD時代のソングライティングへの気取らないアプローチを捉えている。その精神的な源泉は、「Harvest Moon」やR.E.M.、K.D.ラングの「Ingenue」といった全盛期の不朽の名作に接ぎ木されつつ、ペダル・スチール、バンジョー、フィドルのきらめきを通じて90年代のポップ・カントリーにウインクを送っている。しかし、これらすべてのインスピレーションは、自己に誠実であり、他者からの借り物ではない。それらは、Shabason \u0026amp; Krgovichの共同作品の特徴となっている、透き通るような誠実さをさらに際立たせ、強調している。『Four Days in June』は、過ぎ去りゆく人生の半ばを振り返り、物事が展開してきたあり方に満足を見出す、作者たちの記録である。まさにその過程を通じて、Shabason \u0026amp; Krgovichは、自らの創造性の最も自然体な姿の中に、静かな自信を見出しているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Four Days in June』は、そのタイトルが示す通り、まさに夏に生まれた作品だ。ペダル・スチール奏者のイアン・マクギンプシーの参加が決まったことをきっかけに、ジョセフは、クルゴビッチがバンクーバーからやって来られるかどうか確信が持てないうちに、自身のトロントのスタジオへ、信頼のおける中核メンバー（ベーシスト兼キーボーディストのブラム・ギーレン、ギタリストのトム・ギル、ドラマーのフィル・メランソン）を呼び集め始めた。ニックは、ツナミのジェニー・トゥーミーの新作アルバムのプロデュースを終えたばかりで、音楽に没頭していない時に見つけた心の余裕を楽しんでいるようだった。一方、幼い子供たちの子育てに伴うストレスと喜び、そして（2019年のソロアルバム『Anne』のタイトルにもなっている）母親のパーキンソン病の症状悪化に直面する中、ジョセフは音楽制作に没頭することで、日々の重圧に抗う支えを見出していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShabason \u0026amp; Krgovichは、ミドルエイジの初期という異なる次元において、インスピレーションの対極に立ち、『Four Days』という作品に二人の名前が共に冠されることには懐疑的だった。しかし、旧友のフィル・エルヴァラムと、彼が最近ファンになったフォークミュージシャンのサム・エイミドンが、『Four Days in June』のレコーディングが予定されていた時期に、それぞれのツアーでトロントに集結するという話を耳にしたクロゴビッチは、プロジェクトへの参加を決意した。実際、Four Daysのメンバーは、その日のエルヴァラムのバックバンドを務め、エイミ自身もスタジオに立ち寄り、バンジョーとフィドルで演奏に参加することになった。ついに天が味方し、『Four Days in June』はトロントを襲った歴史的な熱波の中で誕生した……\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1427236084\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3846472549\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2075225514\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288553536\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 12th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Begin Again\u003cbr\u003e2. Along the Dance Away\u003cbr\u003e3. Field Mouse\u003cbr\u003e4. Midday Sun\u003cbr\u003e5. No. Two\u003cbr\u003e6. Road\u003cbr\u003e7. 43\u003cbr\u003e8. Boppin' Along\u003cbr\u003e9. Dry Corner\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Little Wind\u003cbr\u003e\u003c\/span\u003e11. Time of Your Life\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince their 2020 collaborative album, Philadelphia, Joseph Shabason and Nicholas Krgovich have been locked in a musical orbit that centrifugally extracts beauty and grandeur from the lesser details of their daily lives. Across their joint discography, they’ve created a small universe where wry and melancholy micro-moments quietly bloom into full-scale wonders of the heart. But where the pair’s previous mutual efforts showed them peering at pop songs from tidepools of mutated adult contemporary and first-thought-best-thought poetics, Four Days in June snapshots an unself-conscious reach toward the kind of CD era songcraft that lives in your car’s center console, always ready to be thrown on while life happens. It spiritually grafts its scope from heyday all-timers like “Harvest Moon”, R.E.M., or K.D. Lang’s “Ingenue”, while winking at 90s pop country via flutters of pedal steel, banjo, and fiddle. Yet all of these inspirations remain self-honest and unborrowed, modifying and underlining the crystal-clear sincerity that has come to define Shabason and Krgovich’s co-output. Four Days in June is a document of its authors looking back on their lives half-passed, finding contentment with how things have unfolded. By that very same process, Shabason and Krgovich manage to find quiet confidence in the most naturalistic version of\u003cspan class=\"bcTruncateMore\"\u003e their own creativity.\u003cbr\u003e\u003cbr\u003eFour Days in June was indeed born in the summertime, as its title suggests. Spurred by the recruitment of pedal-steel player Ian McGimpsey, Joseph began summoning his tried-and-true core lineup (bassist and keyboardist Bram Gielen, guitarist Thom Gill, and drummer Phil Melanson) to his Toronto studio before he was certain that Krgovich would be able to trek from Vancouver. Nick was fresh off of producing a new album for Tsunami’s Jenny Toomey, and seemingly enjoying the mental space he found when not preoccupied with music. Meanwhile, amid the stress and joy of parenting young kids, and the worsening Parkinson’s complications of his mother (for whom his 2019 solo album Anne is named), Joseph was finding a buoy for day-to-day gravity by diving headlong into music-making.\u003cbr\u003e\u003cbr\u003eShabason and Krgovich found themselves standing on opposite sides of the muse, in alternate dimensions of early middle age, unconvinced that Four Days would bear both of their names. However, Krgovich was tipped into formation upon hearing that his old friend Phil Elverum, and the folk musician Sam Amidon of whom he was a new fan, would be converging in Toronto for respective tour stops at the time Four Days in June was scheduled to be tracked-- In fact, the Four Days lineup would go on to be Elverum’s backing band for that date, and Amidon himself would stop by the studio to contribute banjo and fiddle. The planets had finally aligned, and Four Days in June was born amid an historic Toronto heatwave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eIF049\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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カナダのベッドルーム・インディーポップデュオShabason & Krgovichが、2026年6月に同国インディーポップレーベルIdeé Fixe Recordsからリリースするアルバムです。 日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出すアダルト・ポップ11曲を収録。DLコード付属。クリア盤です。 以下、レーベルによる解説です。 "2020年のコラボレーション・アルバム『Philadelphia』以来、Shabason & Krgovichは、日々の生活の些細な細部から美しさと壮大さを遠心力のように引き出す音楽的な軌道に身を置いている。彼らの共同作品群を通じて、彼らは、皮肉と哀愁を帯びた微細な瞬間が、静かに心の壮大な驚異へと花開く小さな宇宙を創り上げてきた。しかし、これまでの共同作品が、変異したアダルト・コンテンポラリーや「思いつき即採用」的な詩情という潮だまりからポップソングを覗き見るようなものであったのに対し、『Four Days in June』は、車のセンターコンソールに常備され、人生の出来事に合わせていつでも再生できるような、CD時代のソングライティングへの気取らないアプローチを捉えている。その精神的な源泉は、「Harvest Moon」やR.E.M.、K.D.ラングの「Ingenue」といった全盛期の不朽の名作に接ぎ木されつつ、ペダル・スチール、バンジョー、フィドルのきらめきを通じて90年代のポップ・カントリーにウインクを送っている。しかし、これらすべてのインスピレーションは、自己に誠実であり、他者からの借り物ではない。それらは、Shabason...
¥4,850
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{"id":9227023941882,"title":"Parris \/\/ Drippin' EP 12inch","handle":"parris-drippin-ep-12inch","description":"\u003cp\u003eイギリスのハウス作家Parrisが、2026年5月にCall Superと共同運営しているcan you feel the sunからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアユースなディープハウス〜ミニマルハウス4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1814404966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Drippin'\u003cbr\u003e2. Got Me Feelin'\u003cbr\u003e3. True Vargo\u003cbr\u003e4. Crooning In The Trees\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eParris returns to his and Call Super’s can you feel the sun imprint with Drippin’. A four-track love letter to the amber-lit glow of communal field maneuvers in the dusk on his most house-focused and personal release yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContinuing the themes explored on 2024’s Passionfruit EP, Parris embarks further down his unparalleled sound path on Drippin’. His latest solo outing draws inspiration from vivid memories of yesteryear, particularly experiences at Watching Trees Festival and various trips to Amsterdam, and subsequently constructed with friends in mind to play out. The resulting four tracks encompasses some of his most intimate material to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title track bursts with measured fervour and a raptor-like throb, percussive configurations in tight pistons which induce rave friction hysterics across the dancefloor melee. Got Me Feelin’ dramatically switches tact, a sentimental roller entangled in swooning pads and R’n’B vocals while swigging lovingly from the ecky spring. True Vargo stomps further with acute hedonism, a sun-descending swooner that flows effortlessly in melodic serenity. Closer Crooning In The Trees leans most wayward, an evolving scene\u003cspan class=\"bcTruncateMore\"\u003e architected by Parris’ uncanny samples and disassociated groove that purrs with wide-eyed wonder. Another stand-out release from one of UK club’s most unique voices.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Parris\u003c\/p\u003e\n\u003cp\u003eLabel : can you feel the sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSUNINYREYES\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T15:24:58+09:00","created_at":"2026-05-15T13:07:51+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new"],"price":320000,"price_min":320000,"price_max":320000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891571503354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Parris \/\/ Drippin' EP 12inch","public_title":null,"options":["Default Title"],"price":320000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/parr1_ca2ff610-dbc0-4a8a-94a2-d079c5db4951.jpg?v=1778817982","\/\/tobirarecords.com\/cdn\/shop\/files\/parr2_4f726e51-4d45-44f1-bb2c-4f9135ad60c1.jpg?v=1778817981"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1_ca2ff610-dbc0-4a8a-94a2-d079c5db4951.jpg?v=1778817982","options":["Title"],"media":[{"alt":null,"id":39378480693498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1_ca2ff610-dbc0-4a8a-94a2-d079c5db4951.jpg?v=1778817982"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr1_ca2ff610-dbc0-4a8a-94a2-d079c5db4951.jpg?v=1778817982","width":350},{"alt":null,"id":39378480726266,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr2_4f726e51-4d45-44f1-bb2c-4f9135ad60c1.jpg?v=1778817981"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parr2_4f726e51-4d45-44f1-bb2c-4f9135ad60c1.jpg?v=1778817981","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのハウス作家Parrisが、2026年5月にCall Superと共同運営しているcan you feel the sunからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアユースなディープハウス〜ミニマルハウス4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1814404966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Drippin'\u003cbr\u003e2. Got Me Feelin'\u003cbr\u003e3. True Vargo\u003cbr\u003e4. Crooning In The Trees\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eParris returns to his and Call Super’s can you feel the sun imprint with Drippin’. A four-track love letter to the amber-lit glow of communal field maneuvers in the dusk on his most house-focused and personal release yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContinuing the themes explored on 2024’s Passionfruit EP, Parris embarks further down his unparalleled sound path on Drippin’. His latest solo outing draws inspiration from vivid memories of yesteryear, particularly experiences at Watching Trees Festival and various trips to Amsterdam, and subsequently constructed with friends in mind to play out. The resulting four tracks encompasses some of his most intimate material to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title track bursts with measured fervour and a raptor-like throb, percussive configurations in tight pistons which induce rave friction hysterics across the dancefloor melee. Got Me Feelin’ dramatically switches tact, a sentimental roller entangled in swooning pads and R’n’B vocals while swigging lovingly from the ecky spring. True Vargo stomps further with acute hedonism, a sun-descending swooner that flows effortlessly in melodic serenity. Closer Crooning In The Trees leans most wayward, an evolving scene\u003cspan class=\"bcTruncateMore\"\u003e architected by Parris’ uncanny samples and disassociated groove that purrs with wide-eyed wonder. Another stand-out release from one of UK club’s most unique voices.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Parris\u003c\/p\u003e\n\u003cp\u003eLabel : can you feel the sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSUNINYREYES\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのハウス作家Parrisが、2026年5月にCall Superと共同運営しているcan you feel the sunからリリースした12"です。 フロアユースなディープハウス〜ミニマルハウス4曲を収録。 -------------------------------------------- 12" black vinyl. Tracklist: 1. Drippin'2....
¥3,200
クイックビュー
{"id":9227011195130,"title":"Heith \u0026 Tarawangsawelas \/\/ Duori LP","handle":"heith-tarawangsawelas-duori-lp","description":"\u003cp\u003eイタリアのエレクトロニック作家HeithとインドネシアのデュオTarawangsawelasが、2026年5月にベルギーの異端レーベルstroomからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなストレンジビーツ9曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e「Duori」は造語です。「dentro」（内側）と「fuori」（外側）という概念を組み合わせ、その中間に位置する場所を想起させる言葉です。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeith \u0026amp; Tarawangsawelasは2017年にバンドンで出会い、それ以来、対面でも遠隔でもコラボレーションを続けてきました。その成果が『Duori』です。これは、紛失と発見を繰り返したポータブルレコーダーの中、使われなくなったハードドライブや期限切れのe-SIMカードを旅してきた、ローデータモードの「第5の世界」音楽のアルバムです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長期間にわたり、広大な地理的距離を越えて楽曲のレコーディングとアレンジを行うことは、彼らの創作活動に独特な個性を与えました。この距離は、物事を異なる視点から捉える可能性を許し、スンダ地方の内側と外側、ヨーロッパ大陸の上と外側の両方にまたがる音楽を生み出しています。このレコードは、地球の片側からもう片側へと楽曲を運び、様々な場所、社会、儀式から霊やエネルギーを捉えています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最初のスケッチは、バンドンで行われたリアック（Reak）の儀式を目の当たりにした際に影響を受け、バンドンのテスラ・マナフ（クンタリ）スタジオで録音されました。彼らはジャイポン・クラブで夜を過ごし、タバコを吸いながら幽霊の話をしている中でインスピレーションを得ました。その後、ヨーロッパ各地をツアーしながら、個別に、そして共に演奏する中で楽曲は発展していきました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e楽曲のタイトルはインドネシア語、イタリア語、英語で記されており、このプロジェクトの言語的な変容を象徴するとともに、アーティスト同士の強い精神的絆によって、いかなる言語の壁も乗り越えられたことを示しています。このレコードはまた、友情の物語であり、彼らの背景や実践の違いを超越した精神的な絆の物語でもあります。それは地理を再定義し、新たな精神地理学を創造する絆です。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2884956714\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=273090043\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2884956714\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttv\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttv\"\u003ehere\u003c\/a\u003e to see more Stroom releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Blue Kembang 02:32\u003cbr\u003e2. Duori 04:58\u003cbr\u003e3. Il Labirinto Del Nulla ft. Babau 03:51\u003cbr\u003e4. Pasar Setan 01:40\u003cbr\u003e5. Pragmatisme Di Lembah Pegunungan 02:01\u003cbr\u003e6. Sangkakala Malaikat (Bandung Version) 05:52\u003cbr\u003e7. Someone Took Off The Taste From My Cigarettes Overnight 03:49\u003cbr\u003e8. Dua Jadi Hiji 05:50\u003cbr\u003e9. Chlorophyll Plantet 03:16\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDuori is an imaginary word. It combines the ideas “dentro” (inside) and “fuori (outside) invoking a place between.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHeith and Tarawangsawelas met in Bandung in 2017, since then their collaboration has been evolving, both in person and remotely. The result is ‘Duori’ an album of 5th world music in low data mode that travelled inside lost and found portable recorders, on defunct hard drives and expired e-sim cards.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecording and arranging songs over a long period of time and across a vast geographical distance has lent their practice a distinct character. This distance allows the possibility to see things from different perspectives and creates music that hovers both inside the Sundanese Land, and outside of it, both on the European continent and not. This record carries compositions from one side of the globe to the other, catching spirits and energies from different places, societies and rituals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir first sketches were influenced while witnessing the Reak ceremonies in Bandung and they were recorded at Tesla Manaf (Kuntari) studio in Bandung. They found inspiration on nights spent at the jaipong clubs, smoking cigarettes and talking about ghosts. The songs then developed while on tours around\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Europe, playing separately and together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir song titles are in Indonesian, Italian and English, underling the linguistic shapeshifting of the project, and showing how any linguistic barrier was surpassed by a strong spiritual connection between them as artists. This record is also the story of a friendship, a spiritual bond that goes beyond the differences in their backgrounds and practices. A bond that redefines geographies and creates new psycho-geographies.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heith \u0026amp; Tarawangsawelas\u003c\/p\u003e\n\u003cp\u003eLabel : Stroom\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTRLP-122\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-16T07:13:12+09:00","created_at":"2026-05-15T12:58:54+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","strange beats","stroom.tv"],"price":519500,"price_min":519500,"price_max":519500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891528446202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Heith \u0026 Tarawangsawelas \/\/ Duori LP","public_title":null,"options":["Default Title"],"price":519500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_e10acccb-be8e-4eaa-94b9-4d720510ae73.jpg?v=1778817413","\/\/tobirarecords.com\/cdn\/shop\/files\/duo2_8a678bae-9b9d-4a71-b40f-0bd7a7feb558.jpg?v=1778817413"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_e10acccb-be8e-4eaa-94b9-4d720510ae73.jpg?v=1778817413","options":["Title"],"media":[{"alt":null,"id":39378328289530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_e10acccb-be8e-4eaa-94b9-4d720510ae73.jpg?v=1778817413"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo1_e10acccb-be8e-4eaa-94b9-4d720510ae73.jpg?v=1778817413","width":350},{"alt":null,"id":39378328322298,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2_8a678bae-9b9d-4a71-b40f-0bd7a7feb558.jpg?v=1778817413"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/duo2_8a678bae-9b9d-4a71-b40f-0bd7a7feb558.jpg?v=1778817413","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのエレクトロニック作家HeithとインドネシアのデュオTarawangsawelasが、2026年5月にベルギーの異端レーベルstroomからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなストレンジビーツ9曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e「Duori」は造語です。「dentro」（内側）と「fuori」（外側）という概念を組み合わせ、その中間に位置する場所を想起させる言葉です。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeith \u0026amp; Tarawangsawelasは2017年にバンドンで出会い、それ以来、対面でも遠隔でもコラボレーションを続けてきました。その成果が『Duori』です。これは、紛失と発見を繰り返したポータブルレコーダーの中、使われなくなったハードドライブや期限切れのe-SIMカードを旅してきた、ローデータモードの「第5の世界」音楽のアルバムです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長期間にわたり、広大な地理的距離を越えて楽曲のレコーディングとアレンジを行うことは、彼らの創作活動に独特な個性を与えました。この距離は、物事を異なる視点から捉える可能性を許し、スンダ地方の内側と外側、ヨーロッパ大陸の上と外側の両方にまたがる音楽を生み出しています。このレコードは、地球の片側からもう片側へと楽曲を運び、様々な場所、社会、儀式から霊やエネルギーを捉えています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最初のスケッチは、バンドンで行われたリアック（Reak）の儀式を目の当たりにした際に影響を受け、バンドンのテスラ・マナフ（クンタリ）スタジオで録音されました。彼らはジャイポン・クラブで夜を過ごし、タバコを吸いながら幽霊の話をしている中でインスピレーションを得ました。その後、ヨーロッパ各地をツアーしながら、個別に、そして共に演奏する中で楽曲は発展していきました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e楽曲のタイトルはインドネシア語、イタリア語、英語で記されており、このプロジェクトの言語的な変容を象徴するとともに、アーティスト同士の強い精神的絆によって、いかなる言語の壁も乗り越えられたことを示しています。このレコードはまた、友情の物語であり、彼らの背景や実践の違いを超越した精神的な絆の物語でもあります。それは地理を再定義し、新たな精神地理学を創造する絆です。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2884956714\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=273090043\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2884956714\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttv\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttv\"\u003ehere\u003c\/a\u003e to see more Stroom releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Blue Kembang 02:32\u003cbr\u003e2. Duori 04:58\u003cbr\u003e3. Il Labirinto Del Nulla ft. Babau 03:51\u003cbr\u003e4. Pasar Setan 01:40\u003cbr\u003e5. Pragmatisme Di Lembah Pegunungan 02:01\u003cbr\u003e6. Sangkakala Malaikat (Bandung Version) 05:52\u003cbr\u003e7. Someone Took Off The Taste From My Cigarettes Overnight 03:49\u003cbr\u003e8. Dua Jadi Hiji 05:50\u003cbr\u003e9. Chlorophyll Plantet 03:16\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDuori is an imaginary word. It combines the ideas “dentro” (inside) and “fuori (outside) invoking a place between.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHeith and Tarawangsawelas met in Bandung in 2017, since then their collaboration has been evolving, both in person and remotely. The result is ‘Duori’ an album of 5th world music in low data mode that travelled inside lost and found portable recorders, on defunct hard drives and expired e-sim cards.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecording and arranging songs over a long period of time and across a vast geographical distance has lent their practice a distinct character. This distance allows the possibility to see things from different perspectives and creates music that hovers both inside the Sundanese Land, and outside of it, both on the European continent and not. This record carries compositions from one side of the globe to the other, catching spirits and energies from different places, societies and rituals.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir first sketches were influenced while witnessing the Reak ceremonies in Bandung and they were recorded at Tesla Manaf (Kuntari) studio in Bandung. They found inspiration on nights spent at the jaipong clubs, smoking cigarettes and talking about ghosts. The songs then developed while on tours around\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Europe, playing separately and together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir song titles are in Indonesian, Italian and English, underling the linguistic shapeshifting of the project, and showing how any linguistic barrier was surpassed by a strong spiritual connection between them as artists. This record is also the story of a friendship, a spiritual bond that goes beyond the differences in their backgrounds and practices. A bond that redefines geographies and creates new psycho-geographies.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heith \u0026amp; Tarawangsawelas\u003c\/p\u003e\n\u003cp\u003eLabel : Stroom\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTRLP-122\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのエレクトロニック作家HeithとインドネシアのデュオTarawangsawelasが、2026年5月にベルギーの異端レーベルstroomからリリースした共作レコードです。 エキゾチックなストレンジビーツ9曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "「Duori」は造語です。「dentro」（内側）と「fuori」（外側）という概念を組み合わせ、その中間に位置する場所を想起させる言葉です。 Heith & Tarawangsawelasは2017年にバンドンで出会い、それ以来、対面でも遠隔でもコラボレーションを続けてきました。その成果が『Duori』です。これは、紛失と発見を繰り返したポータブルレコーダーの中、使われなくなったハードドライブや期限切れのe-SIMカードを旅してきた、ローデータモードの「第5の世界」音楽のアルバムです。 長期間にわたり、広大な地理的距離を越えて楽曲のレコーディングとアレンジを行うことは、彼らの創作活動に独特な個性を与えました。この距離は、物事を異なる視点から捉える可能性を許し、スンダ地方の内側と外側、ヨーロッパ大陸の上と外側の両方にまたがる音楽を生み出しています。このレコードは、地球の片側からもう片側へと楽曲を運び、様々な場所、社会、儀式から霊やエネルギーを捉えています。 最初のスケッチは、バンドンで行われたリアック（Reak）の儀式を目の当たりにした際に影響を受け、バンドンのテスラ・マナフ（クンタリ）スタジオで録音されました。彼らはジャイポン・クラブで夜を過ごし、タバコを吸いながら幽霊の話をしている中でインスピレーションを得ました。その後、ヨーロッパ各地をツアーしながら、個別に、そして共に演奏する中で楽曲は発展していきました。 楽曲のタイトルはインドネシア語、イタリア語、英語で記されており、このプロジェクトの言語的な変容を象徴するとともに、アーティスト同士の強い精神的絆によって、いかなる言語の壁も乗り越えられたことを示しています。このレコードはまた、友情の物語であり、彼らの背景や実践の違いを超越した精神的な絆の物語でもあります。それは地理を再定義し、新たな精神地理学を創造する絆です。" レーベルその他作品はこちら /// Click...
¥5,195
クイックビュー
{"id":9227006574842,"title":"No You s\/t LP","handle":"no-you-s-t-lp","description":"\u003cp\u003eWah Wah WinoのDavy KehoeとSuzanne Kraft aka Diego HerreraによるデュオNo Youが、2026年5月に自主リリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ポストパンク〜実験シューゲイズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dktRKN2lqus?si=wAAtqIZAIhJuE_rg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/UvFgU2JJ520?si=4dbe-_GAQTB-JC6Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/we2rgMxY-Y0?si=TjycGrvVR0m-EZz5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Hz3RJ1yTO0Y?si=o9gMZ38HzZgGGApq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/R3uB6Ig6YU8?si=66E0QaOp3spSfuYy\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N1Y4Xw5jHoY?si=Ll1NLkd0Cp22pK1_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1. Decisions \u003cbr\u003eA2. High Dive \u003cbr\u003eA3. Speaking Parts \u003cbr\u003eA4. Side Effect \u003cbr\u003eA5. Invisible \u003cbr\u003eB1. Baby \u003cbr\u003eB2. So Far Gone \u003cbr\u003eB3. Put Up A Dream \u003cbr\u003eB4. 76 \u003cbr\u003eB5. Miracle Mile\u003c\/p\u003e\n\u003cp\u003eArtist : No You\u003c\/p\u003e\n\u003cp\u003eLabel : VP TEXI\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVPT-001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T15:21:54+09:00","created_at":"2026-05-15T12:54:28+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new"],"price":487500,"price_min":487500,"price_max":487500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891523137786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No You s\/t LP","public_title":null,"options":["Default Title"],"price":487500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_77846306-1a36-4b28-b74f-269a3342d857.jpg?v=1778816925"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_77846306-1a36-4b28-b74f-269a3342d857.jpg?v=1778816925","options":["Title"],"media":[{"alt":null,"id":39378276483322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_77846306-1a36-4b28-b74f-269a3342d857.jpg?v=1778816925"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_77846306-1a36-4b28-b74f-269a3342d857.jpg?v=1778816925","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWah Wah WinoのDavy KehoeとSuzanne Kraft aka Diego HerreraによるデュオNo Youが、2026年5月に自主リリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・ポストパンク〜実験シューゲイズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dktRKN2lqus?si=wAAtqIZAIhJuE_rg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/UvFgU2JJ520?si=4dbe-_GAQTB-JC6Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/we2rgMxY-Y0?si=TjycGrvVR0m-EZz5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Hz3RJ1yTO0Y?si=o9gMZ38HzZgGGApq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/R3uB6Ig6YU8?si=66E0QaOp3spSfuYy\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N1Y4Xw5jHoY?si=Ll1NLkd0Cp22pK1_\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1. Decisions \u003cbr\u003eA2. High Dive \u003cbr\u003eA3. Speaking Parts \u003cbr\u003eA4. Side Effect \u003cbr\u003eA5. Invisible \u003cbr\u003eB1. Baby \u003cbr\u003eB2. So Far Gone \u003cbr\u003eB3. Put Up A Dream \u003cbr\u003eB4. 76 \u003cbr\u003eB5. Miracle Mile\u003c\/p\u003e\n\u003cp\u003eArtist : No You\u003c\/p\u003e\n\u003cp\u003eLabel : VP TEXI\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVPT-001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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Wah Wah WinoのDavy KehoeとSuzanne Kraft aka Diego HerreraによるデュオNo Youが、2026年5月に自主リリースしたデビューレコードです。 ベッドルーム・ポストパンク〜実験シューゲイズ10曲を収録。 ----------------------------------------------------- 12" black vinyl....
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{"id":9227002216698,"title":"Mick Harris \/\/ Culvert Dubs Session 7 2xLP","handle":"mick-harris-culvert-dubs-session-7-2xlp","description":"\u003cp\u003eイギリスのポストインダストリアル・テクノ作家Mick Harris(ex-Napalm Death)が、2026年5月にアメリカ・NYのテクノレーベルL.I.E.S. Recordsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・ダブテクノ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e唯一無二のMick Harrisによるまたしても圧倒的な作品。彼の「Culvert Dubs Sessions」という実験的な試みを継続する、新たな2枚組LPだ。今回もMick Harrisは、スロービート、サイケデリックで重厚なテクスチャー、そして研ぎ澄まされたダブテクノが織りなす影の世界へと深く潜り込む。8曲にわたり、徹底的にインダストリアル化され、ディレイが駆け巡り、圧倒的な圧力でサウンドシステムを揺るがす、暗く濁った水のようなダブが展開される。Mick Harrisがこのワイルドなスタイルで本領を発揮した最高傑作。美しさ、抑制、そして残忍さが絶妙なバランスで融合している。まさにヘビー級の音楽だ！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2898650004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lies\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lies\"\u003ehere\u003c\/a\u003e to see more L.I.E.S. Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A435 06:38 \u003cbr\u003e2. M42 06:00 \u003cbr\u003e3. M5 07:02 \u003cbr\u003e4. M50 06:57 \u003cbr\u003e5. A40 07:18 \u003cbr\u003e6. A477 06:01 \u003cbr\u003e7. A478 06:15 \u003cbr\u003e8. SA70 06:09\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother massive offering from the one and only Mick Harris, continuing on in his Culvert Dubs Sessions experimentations with a new 2xlp. Once again Mick delves deep into the shadow realm of slow beat, psychedelic heavily textured, grinding dub techno. Eight tracks of absolute industrialized, delay swept, full pressure, sound system shaking murk ridden, dark water dubs. Top form work when Mick lets loose in this wild style, just the right balance of beauty, restraint and brutality. Total heavy weight music!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mick Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eL.I.E.S. Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eLIES-219\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-17T06:20:09+09:00","created_at":"2026-05-15T12:47:09+09:00","vendor":"Tobira Records","type":"","tags":["L.I.E.S","L.I.E.S. Records","lp","Mick Harris","new","noise","techno \/ house"],"price":617000,"price_min":617000,"price_max":617000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891516223738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mick Harris \/\/ Culvert Dubs Session 7 2xLP","public_title":null,"options":["Default Title"],"price":617000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dub1_fce4ea90-1111-4577-8a15-9d724041fc25.jpg?v=1778816727","\/\/tobirarecords.com\/cdn\/shop\/files\/dub2_a38bcf70-164d-416d-a469-bbb83d19d4e2.jpg?v=1778816727"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dub1_fce4ea90-1111-4577-8a15-9d724041fc25.jpg?v=1778816727","options":["Title"],"media":[{"alt":null,"id":39378251579642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dub1_fce4ea90-1111-4577-8a15-9d724041fc25.jpg?v=1778816727"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dub1_fce4ea90-1111-4577-8a15-9d724041fc25.jpg?v=1778816727","width":350},{"alt":null,"id":39378251612410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dub2_a38bcf70-164d-416d-a469-bbb83d19d4e2.jpg?v=1778816727"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dub2_a38bcf70-164d-416d-a469-bbb83d19d4e2.jpg?v=1778816727","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのポストインダストリアル・テクノ作家Mick Harris(ex-Napalm Death)が、2026年5月にアメリカ・NYのテクノレーベルL.I.E.S. Recordsからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・ダブテクノ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e唯一無二のMick Harrisによるまたしても圧倒的な作品。彼の「Culvert Dubs Sessions」という実験的な試みを継続する、新たな2枚組LPだ。今回もMick Harrisは、スロービート、サイケデリックで重厚なテクスチャー、そして研ぎ澄まされたダブテクノが織りなす影の世界へと深く潜り込む。8曲にわたり、徹底的にインダストリアル化され、ディレイが駆け巡り、圧倒的な圧力でサウンドシステムを揺るがす、暗く濁った水のようなダブが展開される。Mick Harrisがこのワイルドなスタイルで本領を発揮した最高傑作。美しさ、抑制、そして残忍さが絶妙なバランスで融合している。まさにヘビー級の音楽だ！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2898650004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lies\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lies\"\u003ehere\u003c\/a\u003e to see more L.I.E.S. Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A435 06:38 \u003cbr\u003e2. M42 06:00 \u003cbr\u003e3. M5 07:02 \u003cbr\u003e4. M50 06:57 \u003cbr\u003e5. A40 07:18 \u003cbr\u003e6. A477 06:01 \u003cbr\u003e7. A478 06:15 \u003cbr\u003e8. SA70 06:09\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother massive offering from the one and only Mick Harris, continuing on in his Culvert Dubs Sessions experimentations with a new 2xlp. Once again Mick delves deep into the shadow realm of slow beat, psychedelic heavily textured, grinding dub techno. Eight tracks of absolute industrialized, delay swept, full pressure, sound system shaking murk ridden, dark water dubs. Top form work when Mick lets loose in this wild style, just the right balance of beauty, restraint and brutality. Total heavy weight music!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mick Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eL.I.E.S. Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eLIES-219\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9226997137658,"title":"Sans Merit \/\/ Trolley Polly LP","handle":"sans-merit-trolley-polly-lp","description":"\u003cp\u003eオーストラリアのドリームポップ作家Sans Meritが、2026年4月にオランダのインディーレーベル\u003cspan\u003eKNEKELHUIS\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜インディーロック〜コンテンポラリーR\u0026amp;B10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1070751206\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2493108404\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1070751206\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Landa 01:24\u003cbr\u003e2. Doledrines 04:05\u003cbr\u003e3. Wilting Feral 02:57\u003cbr\u003e4. Geezer 02:57 video\u003cbr\u003e5. Civil 03:51\u003cbr\u003e6. My Mercy Is Not Free 03:29\u003cbr\u003e7. Thru the Day 03:36\u003cbr\u003e8. The End ft. Jack J 03:12\u003cbr\u003e9. Helltelena ft. LÉO LA NUIT 03:47\u003cbr\u003e10. Graff Grot 02:39\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSans Merit arrives on Knekelhuis with his second album Trolley Polly. A radiant album from currently LA-based Australian musician Griffin James, one that leans into unguarded joy with a playful, disarming sincerity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album rocks right away into our world. Lifting off where the guitar pedals mash the gas and go. While at other moments the acoustic guitar passages carry a neofolk intimacy, like the low-voiced choir singer cast out of a pastoral world, left to wander in his own solitude. These moments are swept up by surging shoegaze episodes, slipping into hazy hypnagogic pop interludes and wiry post-punk turns, giving the record a restless, shifting pulse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeneath it all lies a lyrical sensitivity that grounds the album’s movement. Sans Merit reflects on the big questions in a world that feels increasingly fragile, balancing vulnerability with a self-aware, gently naïve humor, while staying attuned to the emotional undercurrents of everyday life. It’s this perspective that makes Trolley Polly feel so human, alive in its contradictions, and quietly comforting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sans Merit\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKNEKELHUIS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eKH061\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-24T08:49:01+09:00","created_at":"2026-05-15T12:37:58+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","knekelhuis","lp","new"],"price":512500,"price_min":512500,"price_max":512500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891454226682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sans Merit \/\/ Trolley Polly LP","public_title":null,"options":["Default Title"],"price":512500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/poll1_510be67b-0724-4ee2-af23-c8df8a0ffd38.jpg?v=1778816186","\/\/tobirarecords.com\/cdn\/shop\/files\/poll2_e7279ffa-7392-4196-b6df-498625545db6.jpg?v=1778816186"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/poll1_510be67b-0724-4ee2-af23-c8df8a0ffd38.jpg?v=1778816186","options":["Title"],"media":[{"alt":null,"id":39378133156090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poll1_510be67b-0724-4ee2-af23-c8df8a0ffd38.jpg?v=1778816186"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poll1_510be67b-0724-4ee2-af23-c8df8a0ffd38.jpg?v=1778816186","width":350},{"alt":null,"id":39378133188858,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poll2_e7279ffa-7392-4196-b6df-498625545db6.jpg?v=1778816186"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/poll2_e7279ffa-7392-4196-b6df-498625545db6.jpg?v=1778816186","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのドリームポップ作家Sans Meritが、2026年4月にオランダのインディーレーベル\u003cspan\u003eKNEKELHUIS\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜インディーロック〜コンテンポラリーR\u0026amp;B10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1070751206\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2493108404\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1070751206\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Landa 01:24\u003cbr\u003e2. Doledrines 04:05\u003cbr\u003e3. Wilting Feral 02:57\u003cbr\u003e4. Geezer 02:57 video\u003cbr\u003e5. Civil 03:51\u003cbr\u003e6. My Mercy Is Not Free 03:29\u003cbr\u003e7. Thru the Day 03:36\u003cbr\u003e8. The End ft. Jack J 03:12\u003cbr\u003e9. Helltelena ft. LÉO LA NUIT 03:47\u003cbr\u003e10. Graff Grot 02:39\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSans Merit arrives on Knekelhuis with his second album Trolley Polly. A radiant album from currently LA-based Australian musician Griffin James, one that leans into unguarded joy with a playful, disarming sincerity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album rocks right away into our world. Lifting off where the guitar pedals mash the gas and go. While at other moments the acoustic guitar passages carry a neofolk intimacy, like the low-voiced choir singer cast out of a pastoral world, left to wander in his own solitude. These moments are swept up by surging shoegaze episodes, slipping into hazy hypnagogic pop interludes and wiry post-punk turns, giving the record a restless, shifting pulse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeneath it all lies a lyrical sensitivity that grounds the album’s movement. Sans Merit reflects on the big questions in a world that feels increasingly fragile, balancing vulnerability with a self-aware, gently naïve humor, while staying attuned to the emotional undercurrents of everyday life. It’s this perspective that makes Trolley Polly feel so human, alive in its contradictions, and quietly comforting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sans Merit\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKNEKELHUIS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eKH061\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアのドリームポップ作家Sans Meritが、2026年4月にオランダのインディーレーベルKNEKELHUISからリリースしたレコードです。 ドリームポップ〜インディーロック〜コンテンポラリーR&B10曲を収録。 ------------------------------------------------ 12" black vinyl. Tracklist: 1. Landa 01:242. Doledrines 04:053. Wilting...
¥5,125
![Sports s/t LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ScreenShot2026-05-15at12.21.44pm_medium.png?v=1778815372)
クイックビュー
{"id":9226973610234,"title":"Sports s\/t LP [COLOR]","handle":"sports-s-t-lp-color","description":"\u003cp\u003eアメリカのポップデュオSportsが、2026年5月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ポップ12曲を収録。ピンク盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GZ5vdO4tvvI?si=5EeXoISQ18GpFlm3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s7oVTaFTd64?si=9-Zx7TZd9SX8HvW2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" pink vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. Gravestone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Nice 2 Meet Myself (Bang Bang Bang)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. If You Want Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Magic Trick\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Jelly\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6. My Superstar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Keep Falling In Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Don’t Forget About Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Drama King\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Stay Mad\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. I Can’t Cry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Metaphors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sports\u003c\/p\u003e\n\u003cp\u003eLabel : Sports\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPTSPT01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-22T07:51:32+09:00","created_at":"2026-05-15T12:25:07+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new"],"price":558000,"price_min":558000,"price_max":558000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891325645050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sports s\/t LP [COLOR]","public_title":null,"options":["Default Title"],"price":558000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"3760420429146","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-15at12.21.44pm.png?v=1778815372"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-15at12.21.44pm.png?v=1778815372","options":["Title"],"media":[{"alt":null,"id":39377855054074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":441,"width":441,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-15at12.21.44pm.png?v=1778815372"},"aspect_ratio":1.0,"height":441,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-15at12.21.44pm.png?v=1778815372","width":441}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのポップデュオSportsが、2026年5月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・ポップ12曲を収録。ピンク盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GZ5vdO4tvvI?si=5EeXoISQ18GpFlm3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s7oVTaFTd64?si=9-Zx7TZd9SX8HvW2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" pink vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. Gravestone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Nice 2 Meet Myself (Bang Bang Bang)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. If You Want Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Magic Trick\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Jelly\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6. My Superstar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Keep Falling In Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Don’t Forget About Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Drama King\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Stay Mad\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. I Can’t Cry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Metaphors\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sports\u003c\/p\u003e\n\u003cp\u003eLabel : Sports\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPTSPT01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9226963091706,"title":"Vladislav Delay Quintet \/\/ vd5 LP","handle":"vladislav-delay-quintet-vd5-lp","description":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559861354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. two 03:22 \u003cbr\u003e2. twelve 04:22 \u003cbr\u003e3. nineteen 04:45 \u003cbr\u003e4. nine 04:37 \u003cbr\u003e5. fourteen 05:31 \u003cbr\u003e6. thirteen 06:24 \u003cbr\u003e7. twenty 03:39 \u003cbr\u003e8. fifteen 04:28 \u003cbr\u003e9. ten 03:40 \u003cbr\u003e10. three 04:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of \"jazz\"? Whatever came before is a springboard, not a limitation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP88\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th April 2026\u003c\/p\u003e","published_at":"2026-05-15T15:03:54+09:00","created_at":"2026-05-15T12:17:24+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","we jazz records"],"price":498500,"price_min":498500,"price_max":498500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891262894330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vladislav Delay Quintet \/\/ vd5 LP","public_title":null,"options":["Default Title"],"price":498500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548136548","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","options":["Title"],"media":[{"alt":null,"id":39377747149050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","width":350},{"alt":null,"id":39377747181818,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559861354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. two 03:22 \u003cbr\u003e2. twelve 04:22 \u003cbr\u003e3. nineteen 04:45 \u003cbr\u003e4. nine 04:37 \u003cbr\u003e5. fourteen 05:31 \u003cbr\u003e6. thirteen 06:24 \u003cbr\u003e7. twenty 03:39 \u003cbr\u003e8. fifteen 04:28 \u003cbr\u003e9. ten 03:40 \u003cbr\u003e10. three 04:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of \"jazz\"? Whatever came before is a springboard, not a limitation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP88\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th April 2026\u003c\/p\u003e"}
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フィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。 実験ジャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more...
¥4,985
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{"id":9226918985978,"title":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe 2xLP","handle":"lori-vambe-space-time-dreamtime-lp","description":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発2枚組レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e\u003cbr\u003eA1. INTRO 3.30\u003cbr\u003eA2. DRUMGITA 8.14\u003cbr\u003eA3. ANCIENT BOOGIE (MANTRA) 1.56\u003cbr\u003eA4. ARTNAM 1.00\u003cbr\u003eA5. MANTRA 1.53\u003cbr\u003eA6. (ONE) BOOGIE HOME GOING 4.11\u003cbr\u003eB1. GOING HOME BOOGIE (ONE) 5.38\u003cbr\u003eB2. UN MINUTO (ONE) 1.00\u003cbr\u003eB3. UN MINUTO (TWO) 1.21\u003cbr\u003eB4. GOING HOME BOOGIE (TWO) 5.48\u003cbr\u003eB5. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE)\u003c\/strong\u003e\u003cbr\u003eC1. DRUMSONG (ONE) 6.49\u003cbr\u003eC2. DRUMSONG (TWO) 7.49\u003cbr\u003eC3. DRUMSONG (THREE) 2.13\u003cbr\u003eC4. STRUMELODY 4.12\u003cbr\u003eD1. DRUMELODY (ONE) 4.08\u003cbr\u003eD2. DRUMELODY (TWO) 5.27\u003cbr\u003eD3. YDOLEMURD 3.28\u003cbr\u003eD4. HUM DRUM DRING (ONE) 1.35\u003cbr\u003eD5. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340LPB\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e","published_at":"2026-05-17T05:22:02+09:00","created_at":"2026-05-15T11:42:13+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","strut"],"price":787900,"price_min":787900,"price_max":787900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891007009018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe 2xLP","public_title":null,"options":["Default Title"],"price":787900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548064445","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","options":["Title"],"media":[{"alt":null,"id":39377301569786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","width":350},{"alt":null,"id":39377301602554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発2枚組レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e\u003cbr\u003eA1. INTRO 3.30\u003cbr\u003eA2. DRUMGITA 8.14\u003cbr\u003eA3. ANCIENT BOOGIE (MANTRA) 1.56\u003cbr\u003eA4. ARTNAM 1.00\u003cbr\u003eA5. MANTRA 1.53\u003cbr\u003eA6. (ONE) BOOGIE HOME GOING 4.11\u003cbr\u003eB1. GOING HOME BOOGIE (ONE) 5.38\u003cbr\u003eB2. UN MINUTO (ONE) 1.00\u003cbr\u003eB3. UN MINUTO (TWO) 1.21\u003cbr\u003eB4. GOING HOME BOOGIE (TWO) 5.48\u003cbr\u003eB5. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE)\u003c\/strong\u003e\u003cbr\u003eC1. DRUMSONG (ONE) 6.49\u003cbr\u003eC2. DRUMSONG (TWO) 7.49\u003cbr\u003eC3. DRUMSONG (THREE) 2.13\u003cbr\u003eC4. STRUMELODY 4.12\u003cbr\u003eD1. DRUMELODY (ONE) 4.08\u003cbr\u003eD2. DRUMELODY (TWO) 5.27\u003cbr\u003eD3. YDOLEMURD 3.28\u003cbr\u003eD4. HUM DRUM DRING (ONE) 1.35\u003cbr\u003eD5. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340LPB\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e"}
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ジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrutからリリースした再発2枚組レコードです。（オリジナルは1982年リリース） 自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Strut releases available at...
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![Elder Island // Hello Baby Okay LP [COLOR]](http://tobirarecords.com/cdn/shop/files/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444_medium.jpg?v=1778812815)
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{"id":9226918527226,"title":"Elder Island \/\/ Hello Baby Okay LP [COLOR]","handle":"elder-island-hello-baby-okay-lp-1","description":"\u003cp\u003eイギリスのファンクトリオElder Islandが、2026年5月に自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eファンク・ポップ10曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=482112480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Ordinary Love 05:33 \u003cbr\u003e2. Pink Lemon 03:15 \u003cbr\u003e3. Bang 03:10 \u003cbr\u003e4. White Corridor 03:50 \u003cbr\u003e5. Snapshot 04:19 \u003cbr\u003e6. Faster Faster 03:55 \u003cbr\u003e7. Broken Melody 03:37 \u003cbr\u003e8. Letters 04:10 \u003cbr\u003e9. Bigger Than Us 04:55 \u003cbr\u003e10. The Inner Light 05:48\u003c\/p\u003e\n\u003cp\u003ePress release excerpt:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Elder Island went into the studio to record the followup to their critically acclaimed 2021 album, Swimming Static, they were determined to “turn everything on its head”. The trio are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But Hello Baby Okay marks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new music is threaded through with a liberated energy, lilting funk-pop guitars, danceable beats and a renewed sense of play. “We wanted the joy to shine through,” they say.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElder Island’s Katy Sargent (vocals, cello), Luke Thornton (bass, beat-making) and David Havard (guitar, synths, programming) have spent the past decade building a dedicated fanbase on both sides of the Atlantic, with over 375 million streams worldwide. They’re firm festival favourites who’ve played at prestigious venues from London’s Roundhouse to New York’s Bowery Ballroom and who hold the unique ability to straddle both the live and club worlds: in 2022, they pricked the ears of superstar DJs like Solomun, who personally invited them to spin at his Printworks takeover. Across two studio albums and myriad EPs, they’ve crafted a genre-blurring\u003cspan class=\"bcTruncateMore\"\u003e sound world that draws on a sublime combination of strings, far-flung percussion, intricate loops and abstract lyrics...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elder Island\u003c\/p\u003e\n\u003cp\u003eLabel : Elder Island\u003c\/p\u003e\n\u003cp\u003ecat no : EIHBO-LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 8th May 2026\u003c\/p\u003e","published_at":"2026-05-17T05:17:53+09:00","created_at":"2026-05-15T11:39:12+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","lp","new"],"price":499800,"price_min":499800,"price_max":499800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890992558330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Elder Island \/\/ Hello Baby Okay LP [COLOR]","public_title":null,"options":["Default Title"],"price":499800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548130010","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815","\/\/tobirarecords.com\/cdn\/shop\/files\/hell3_da1b9324-a70a-4cd2-839d-e4074adefce5.jpg?v=1778812815"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815","options":["Title"],"media":[{"alt":null,"id":39377281876218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815","width":350},{"alt":null,"id":39377281908986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell3_da1b9324-a70a-4cd2-839d-e4074adefce5.jpg?v=1778812815"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell3_da1b9324-a70a-4cd2-839d-e4074adefce5.jpg?v=1778812815","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのファンクトリオElder Islandが、2026年5月に自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eファンク・ポップ10曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=482112480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Ordinary Love 05:33 \u003cbr\u003e2. Pink Lemon 03:15 \u003cbr\u003e3. Bang 03:10 \u003cbr\u003e4. White Corridor 03:50 \u003cbr\u003e5. Snapshot 04:19 \u003cbr\u003e6. Faster Faster 03:55 \u003cbr\u003e7. Broken Melody 03:37 \u003cbr\u003e8. Letters 04:10 \u003cbr\u003e9. Bigger Than Us 04:55 \u003cbr\u003e10. The Inner Light 05:48\u003c\/p\u003e\n\u003cp\u003ePress release excerpt:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Elder Island went into the studio to record the followup to their critically acclaimed 2021 album, Swimming Static, they were determined to “turn everything on its head”. The trio are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But Hello Baby Okay marks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new music is threaded through with a liberated energy, lilting funk-pop guitars, danceable beats and a renewed sense of play. “We wanted the joy to shine through,” they say.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElder Island’s Katy Sargent (vocals, cello), Luke Thornton (bass, beat-making) and David Havard (guitar, synths, programming) have spent the past decade building a dedicated fanbase on both sides of the Atlantic, with over 375 million streams worldwide. They’re firm festival favourites who’ve played at prestigious venues from London’s Roundhouse to New York’s Bowery Ballroom and who hold the unique ability to straddle both the live and club worlds: in 2022, they pricked the ears of superstar DJs like Solomun, who personally invited them to spin at his Printworks takeover. Across two studio albums and myriad EPs, they’ve crafted a genre-blurring\u003cspan class=\"bcTruncateMore\"\u003e sound world that draws on a sublime combination of strings, far-flung percussion, intricate loops and abstract lyrics...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elder Island\u003c\/p\u003e\n\u003cp\u003eLabel : Elder Island\u003c\/p\u003e\n\u003cp\u003ecat no : EIHBO-LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 8th May 2026\u003c\/p\u003e"}
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イギリスのファンクトリオElder Islandが、2026年5月に自主リリースしたアルバムです。 ファンク・ポップ10曲を収録。クリア盤です。 ----------------------------------------- 12" clear vinyl. Tracklist: 1. Ordinary Love 05:33 2. Pink...
¥4,998
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{"id":9226918363386,"title":"Bolbec \/\/ Foutu Félin LP","handle":"bolbec-foutu-felin-lp","description":"\u003cp\u003eフランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMoon Mullinsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2536158410\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792652052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Café Frappé 03:03\u003cbr\u003e2. Le Prof de Gong 02:06\u003cbr\u003e3. Fanny 03:14\u003cbr\u003e4. Foutu Félin 03:20\u003cbr\u003e5. Ponto Final 03:23\u003cbr\u003e6. Machine Arrière 02:42\u003cbr\u003e7. En Voiture 04:37\u003cbr\u003e8. Fanny au Phare 03:56\u003cbr\u003e9. Le Fou-Rire 02:06\u003cbr\u003e10. Terrassée 04:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing directly from their debut Victime De L’aube, Foutu Félin feels like a continuation rather than a departure, a second reel instead of a reset. Axel Concato and Barth Corbelet each wrote five pieces independently, deliberately exploring as instinctively and introspectively as possible before reshaping their embryonic ideas together into bigger, brighter compositions, uncovering hidden humour along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCinema remains Bolbec’s primary language. \"We always think in movie scenes”,, they explain. Barth points to Alberto Iglesias as a key influence, while Axel draws inspiration from the melodic logic of film scores from the 60s to the 80s, where characters carried themes and melody mattered as much as atmosphere. In\u003cspan class=\"bcTruncateMore\"\u003e contrast to contemporary soundtrack trends that prioritise texture over tune, Bolbec consciously foreground melody, harmony and rhythm in search of a personal musical signature.\u003cbr\u003e\u003cbr\u003eThat philosophy extends to the album’s French-language titles, which act as scene headings rather than explanations. Often playful and sometimes absurd, names such as ‘Café Frappé’, ‘Foutu Félin’ and ‘Le Prof de Gong’ sound like fragments of half-remembered films, inviting listeners to project their own narratives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov Records\u003c\/p\u003e\n\u003cp\u003ecat no : BTR136LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e","published_at":"2026-05-17T06:55:59+09:00","created_at":"2026-05-15T11:38:14+09:00","vendor":"Tobira Records","type":"","tags":["Batov Records","folk \/ left-field pop","jazz","lp","new"],"price":449000,"price_min":449000,"price_max":449000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890992394490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bolbec \/\/ Foutu Félin LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548136586","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","options":["Title"],"media":[{"alt":null,"id":39377274208506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","width":350},{"alt":null,"id":39377274241274,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMoon Mullinsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2536158410\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792652052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Café Frappé 03:03\u003cbr\u003e2. Le Prof de Gong 02:06\u003cbr\u003e3. Fanny 03:14\u003cbr\u003e4. Foutu Félin 03:20\u003cbr\u003e5. Ponto Final 03:23\u003cbr\u003e6. Machine Arrière 02:42\u003cbr\u003e7. En Voiture 04:37\u003cbr\u003e8. Fanny au Phare 03:56\u003cbr\u003e9. Le Fou-Rire 02:06\u003cbr\u003e10. Terrassée 04:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing directly from their debut Victime De L’aube, Foutu Félin feels like a continuation rather than a departure, a second reel instead of a reset. Axel Concato and Barth Corbelet each wrote five pieces independently, deliberately exploring as instinctively and introspectively as possible before reshaping their embryonic ideas together into bigger, brighter compositions, uncovering hidden humour along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCinema remains Bolbec’s primary language. \"We always think in movie scenes”,, they explain. Barth points to Alberto Iglesias as a key influence, while Axel draws inspiration from the melodic logic of film scores from the 60s to the 80s, where characters carried themes and melody mattered as much as atmosphere. In\u003cspan class=\"bcTruncateMore\"\u003e contrast to contemporary soundtrack trends that prioritise texture over tune, Bolbec consciously foreground melody, harmony and rhythm in search of a personal musical signature.\u003cbr\u003e\u003cbr\u003eThat philosophy extends to the album’s French-language titles, which act as scene headings rather than explanations. Often playful and sometimes absurd, names such as ‘Café Frappé’, ‘Foutu Félin’ and ‘Le Prof de Gong’ sound like fragments of half-remembered films, inviting listeners to project their own narratives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov Records\u003c\/p\u003e\n\u003cp\u003ecat no : BTR136LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e"}
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¥4,490
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{"id":9226857447674,"title":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","handle":"mark-fell-pat-thomas-reality-is-not-a-theory-lp","description":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e","published_at":"2026-05-15T07:21:11+09:00","created_at":"2026-05-15T07:20:46+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","new","recommended","strange beats"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890741948666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101489839","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","options":["Title"],"media":[{"alt":null,"id":37502634393850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","width":700},{"alt":null,"id":37502634426618,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e"}
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イギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 シェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell & Pat...
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{"id":9226857152762,"title":"Léo Dupleix with Asterales \/\/ Round Sky LP","handle":"leo-dupleix-with-asterales-round-sky-lp","description":"\u003cp\u003eフランスの作曲家Léo Dupleixが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にフォーカスした3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Léo Dupleixが魅惑的な『Resonant Trees』（BT119）に続き、『Round Sky』でブラック・トリュフに帰還。本作では作曲家自身がアナログシンセサイザー、チェンバロ、スピネットを演奏。彼は「Asterales」の一員として参加している。このグループは、純正律を扱う国際的な音楽家コミュニティにおける四人の重要人物——デュプレ、ジョン・ハイルブロン（コントラバス）、レベッカ・レーン（クォータートーン・フルート）、フレドリック・ラステン（ギター）——を結集したものである。四重奏団はDupleixの近作3曲を演奏。いずれも静謐な風景を異なる視点から捉えた作品で、純正律がもたらす独特の和声的出来事が、水面に揺らめく光のように旋律と和声の間にきらめく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 第一面は『ポエム・デール』に捧げられている。Dupleixが14世紀アルス・ノヴァの作曲家兼詩人ギヨーム・ド・マショーの音楽に没頭していた時期に作曲された作品だ。「純正律における低音域の音響的可能性」を追求した持続的な研究であり、ハイルブロンのベースによる長くうなるような音程で始まり、間もなく作曲者自身のシンセサイザーによるオルガンを思わせる音色が加わる。この作品は循環する和音の連鎖で構成され、各和音は数分間繰り返された後、単一の和音で凍結するか、次のエピソードが始まる前に静寂の休止を挟む。初期の構造はベースとシンセサイザーが主導し、レーンの純粋なビブラートのないフルート音色と、ラステンのピッキングによるハーモニクスが色彩の閃光を加える。曲が進むにつれ、フルートとギターがより顕著になり、ベースは高音域へと上昇する。展開は15分頃に見事なエピソードで頂点に達し、テクスチャーが薄れ、レーンのクォータートーン・フルートが奏でる不気味な響きを活かした旋律的モチーフにスポットライトが当たる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面では、より短い2曲が聴ける。これらは『Resonant Trees』のサウンドに近く、チェンバロとスピネットが再び前面に押し出されている。『Ghost』は、繰り返しの中でゆっくりと広がっていくチェンバロの旋律を中心に据えている。幽玄な6音のモチーフから始まり、次第に形を捉えにくくなる流れるような音の連なりへと成長していく。この旋律の発展と並行して、低音部、フルート、Eボウで演奏されるギター、シンセサイザーによる長い音色が、揺れる和声の雲の中でチェンバロの旋律を浮かび上がらせながら、ますます豊潤な伴奏が育っていく。Dupleixによれば、終曲「Round Sky」は春の田園で書かれたという。この背景は、穏やかなシンセサイザーのドローンから花が開くように、心地よいスピネットのアルペジオが現れる楽曲の印象に無関係ではないようだ。ラステンとのデュオとして演奏され、両楽器奏者も歌っているこのタイトル曲は、Dupleixの音楽がなぜそれほどユニークであるかを体現している。厳格な純正律の原則に基づいていながら、ハロルド・バッドやアンドルー・チョークのように、複雑ではなく直感的な美の体験に開かれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295881305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Poème d'Air 19:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghosts 11:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Round Sky 06:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLéo Dupleix return to Black Truffle with Round Sky, following the enchanting Resonant Trees (BT119). The composer here performs on analogue synthesizer, harpsichord and spinet as one member of Asterales, a group that brings together four important figures in the international community of musicians working with just intonation: Dupleix, Jon Heilbron (double bass), Rebecca Lane (quarter-tone flute) and Fredrik Rasten (guitars). The quartet perform three recent pieces by Dupleix, each of which is like a different view on the same landscape of unruffled calm, where the unique harmonic events made possible by just intonation flicker across melodies and harmonies like light on the surface of water.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first side is dedicated to ‘Poème d’air’, composed while Dupleix was immersed in the music of 14thcentury ars nova composer-poet Guillaume de Machaut. A sustained study of the ‘sonic possibilities of low-pitched sounds in just intonation’, it begins with a long, rumbling pitch from Heilbron’s bass, soon joined by the organ-like tones of the composer on synthesizer. The piece is made up of cycling sequences of chords, each of which is repeated for several minutes before the music either freezes on a single harmony or silently pauses before the next episode begins. These structures are initially\u003cspan class=\"bcTruncateMore\"\u003e dominated by the bass and synthesizer, with Lane’s pure vibrato-less flute tone and Rasten picked harmonics adding flashes of colour. As the piece develops, flute and guitar become more prominent and the bass climbs to higher registers. The development culminates in a stunning episode around fifteen minutes in where the texture thins out, casting a spotlight on a melodic figure exploiting the uncanny sound of Lane’s quarter-tone flute.\u003cbr\u003e\u003cbr\u003eOn the second side we are treated to two briefer pieces, closer to the sound of Resonant Trees as they return harpsichord and spinet to the foreground. ‘Ghosts’ centres on a harpsichord melody that slowly expands as it repeats, growing from a haunting six-note cell to a flowing succession of notes whose shape become increasingly difficult to perceive. Alongside this melodic development, an increasingly lush accompaniment grows, with long tones from bass, flute, e-bowed guitar and synthesizer holding notes picked out the harpsichord melody in a swaying harmonic cloud. Dupleix notes that the concluding ‘Round Sky’ was written in the countryside in spring, a circumstance that seems far from irrelevant to the impression the piece makes when its euphonous spinet arpeggios emerge from a gentle synthesizer drone like a flower from a bud. Performed as a duo with Rasten, with both instrumentalists also singing, this title piece exemplifies what makes Dupleix’s music so unique: grounded in a rigorous application of just intonation principles yet as open as Harold Budd or Andrew Chalk to an uncomplicated, intuitive experience of beauty.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Léo Dupleix with Asterales\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 136\u003c\/p\u003e","published_at":"2026-05-15T07:19:44+09:00","created_at":"2026-05-15T07:19:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","contemporary \/ sound poetry","lp","new"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890741358842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Léo Dupleix with Asterales \/\/ Round Sky LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101488696","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128","\/\/tobirarecords.com\/cdn\/shop\/files\/leo2_738c7dd0-b457-4c37-93de-33a11c76b0d1.jpg?v=1763092128"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128","options":["Title"],"media":[{"alt":null,"id":37502605885690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128","width":700},{"alt":null,"id":37502605918458,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo2_738c7dd0-b457-4c37-93de-33a11c76b0d1.jpg?v=1763092128"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo2_738c7dd0-b457-4c37-93de-33a11c76b0d1.jpg?v=1763092128","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの作曲家Léo Dupleixが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にフォーカスした3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Léo Dupleixが魅惑的な『Resonant Trees』（BT119）に続き、『Round Sky』でブラック・トリュフに帰還。本作では作曲家自身がアナログシンセサイザー、チェンバロ、スピネットを演奏。彼は「Asterales」の一員として参加している。このグループは、純正律を扱う国際的な音楽家コミュニティにおける四人の重要人物——デュプレ、ジョン・ハイルブロン（コントラバス）、レベッカ・レーン（クォータートーン・フルート）、フレドリック・ラステン（ギター）——を結集したものである。四重奏団はDupleixの近作3曲を演奏。いずれも静謐な風景を異なる視点から捉えた作品で、純正律がもたらす独特の和声的出来事が、水面に揺らめく光のように旋律と和声の間にきらめく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 第一面は『ポエム・デール』に捧げられている。Dupleixが14世紀アルス・ノヴァの作曲家兼詩人ギヨーム・ド・マショーの音楽に没頭していた時期に作曲された作品だ。「純正律における低音域の音響的可能性」を追求した持続的な研究であり、ハイルブロンのベースによる長くうなるような音程で始まり、間もなく作曲者自身のシンセサイザーによるオルガンを思わせる音色が加わる。この作品は循環する和音の連鎖で構成され、各和音は数分間繰り返された後、単一の和音で凍結するか、次のエピソードが始まる前に静寂の休止を挟む。初期の構造はベースとシンセサイザーが主導し、レーンの純粋なビブラートのないフルート音色と、ラステンのピッキングによるハーモニクスが色彩の閃光を加える。曲が進むにつれ、フルートとギターがより顕著になり、ベースは高音域へと上昇する。展開は15分頃に見事なエピソードで頂点に達し、テクスチャーが薄れ、レーンのクォータートーン・フルートが奏でる不気味な響きを活かした旋律的モチーフにスポットライトが当たる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面では、より短い2曲が聴ける。これらは『Resonant Trees』のサウンドに近く、チェンバロとスピネットが再び前面に押し出されている。『Ghost』は、繰り返しの中でゆっくりと広がっていくチェンバロの旋律を中心に据えている。幽玄な6音のモチーフから始まり、次第に形を捉えにくくなる流れるような音の連なりへと成長していく。この旋律の発展と並行して、低音部、フルート、Eボウで演奏されるギター、シンセサイザーによる長い音色が、揺れる和声の雲の中でチェンバロの旋律を浮かび上がらせながら、ますます豊潤な伴奏が育っていく。Dupleixによれば、終曲「Round Sky」は春の田園で書かれたという。この背景は、穏やかなシンセサイザーのドローンから花が開くように、心地よいスピネットのアルペジオが現れる楽曲の印象に無関係ではないようだ。ラステンとのデュオとして演奏され、両楽器奏者も歌っているこのタイトル曲は、Dupleixの音楽がなぜそれほどユニークであるかを体現している。厳格な純正律の原則に基づいていながら、ハロルド・バッドやアンドルー・チョークのように、複雑ではなく直感的な美の体験に開かれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295881305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Poème d'Air 19:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghosts 11:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Round Sky 06:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLéo Dupleix return to Black Truffle with Round Sky, following the enchanting Resonant Trees (BT119). The composer here performs on analogue synthesizer, harpsichord and spinet as one member of Asterales, a group that brings together four important figures in the international community of musicians working with just intonation: Dupleix, Jon Heilbron (double bass), Rebecca Lane (quarter-tone flute) and Fredrik Rasten (guitars). The quartet perform three recent pieces by Dupleix, each of which is like a different view on the same landscape of unruffled calm, where the unique harmonic events made possible by just intonation flicker across melodies and harmonies like light on the surface of water.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first side is dedicated to ‘Poème d’air’, composed while Dupleix was immersed in the music of 14thcentury ars nova composer-poet Guillaume de Machaut. A sustained study of the ‘sonic possibilities of low-pitched sounds in just intonation’, it begins with a long, rumbling pitch from Heilbron’s bass, soon joined by the organ-like tones of the composer on synthesizer. The piece is made up of cycling sequences of chords, each of which is repeated for several minutes before the music either freezes on a single harmony or silently pauses before the next episode begins. These structures are initially\u003cspan class=\"bcTruncateMore\"\u003e dominated by the bass and synthesizer, with Lane’s pure vibrato-less flute tone and Rasten picked harmonics adding flashes of colour. As the piece develops, flute and guitar become more prominent and the bass climbs to higher registers. The development culminates in a stunning episode around fifteen minutes in where the texture thins out, casting a spotlight on a melodic figure exploiting the uncanny sound of Lane’s quarter-tone flute.\u003cbr\u003e\u003cbr\u003eOn the second side we are treated to two briefer pieces, closer to the sound of Resonant Trees as they return harpsichord and spinet to the foreground. ‘Ghosts’ centres on a harpsichord melody that slowly expands as it repeats, growing from a haunting six-note cell to a flowing succession of notes whose shape become increasingly difficult to perceive. Alongside this melodic development, an increasingly lush accompaniment grows, with long tones from bass, flute, e-bowed guitar and synthesizer holding notes picked out the harpsichord melody in a swaying harmonic cloud. Dupleix notes that the concluding ‘Round Sky’ was written in the countryside in spring, a circumstance that seems far from irrelevant to the impression the piece makes when its euphonous spinet arpeggios emerge from a gentle synthesizer drone like a flower from a bud. Performed as a duo with Rasten, with both instrumentalists also singing, this title piece exemplifies what makes Dupleix’s music so unique: grounded in a rigorous application of just intonation principles yet as open as Harold Budd or Andrew Chalk to an uncomplicated, intuitive experience of beauty.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Léo Dupleix with Asterales\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 136\u003c\/p\u003e"}
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フランスの作曲家Léo Dupleixが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 純正律にフォーカスした3曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Léo Dupleixが魅惑的な『Resonant Trees』（BT119）に続き、『Round Sky』でブラック・トリュフに帰還。本作では作曲家自身がアナログシンセサイザー、チェンバロ、スピネットを演奏。彼は「Asterales」の一員として参加している。このグループは、純正律を扱う国際的な音楽家コミュニティにおける四人の重要人物——デュプレ、ジョン・ハイルブロン（コントラバス）、レベッカ・レーン（クォータートーン・フルート）、フレドリック・ラステン（ギター）——を結集したものである。四重奏団はDupleixの近作3曲を演奏。いずれも静謐な風景を異なる視点から捉えた作品で、純正律がもたらす独特の和声的出来事が、水面に揺らめく光のように旋律と和声の間にきらめく。 第一面は『ポエム・デール』に捧げられている。Dupleixが14世紀アルス・ノヴァの作曲家兼詩人ギヨーム・ド・マショーの音楽に没頭していた時期に作曲された作品だ。「純正律における低音域の音響的可能性」を追求した持続的な研究であり、ハイルブロンのベースによる長くうなるような音程で始まり、間もなく作曲者自身のシンセサイザーによるオルガンを思わせる音色が加わる。この作品は循環する和音の連鎖で構成され、各和音は数分間繰り返された後、単一の和音で凍結するか、次のエピソードが始まる前に静寂の休止を挟む。初期の構造はベースとシンセサイザーが主導し、レーンの純粋なビブラートのないフルート音色と、ラステンのピッキングによるハーモニクスが色彩の閃光を加える。曲が進むにつれ、フルートとギターがより顕著になり、ベースは高音域へと上昇する。展開は15分頃に見事なエピソードで頂点に達し、テクスチャーが薄れ、レーンのクォータートーン・フルートが奏でる不気味な響きを活かした旋律的モチーフにスポットライトが当たる。 B面では、より短い2曲が聴ける。これらは『Resonant Trees』のサウンドに近く、チェンバロとスピネットが再び前面に押し出されている。『Ghost』は、繰り返しの中でゆっくりと広がっていくチェンバロの旋律を中心に据えている。幽玄な6音のモチーフから始まり、次第に形を捉えにくくなる流れるような音の連なりへと成長していく。この旋律の発展と並行して、低音部、フルート、Eボウで演奏されるギター、シンセサイザーによる長い音色が、揺れる和声の雲の中でチェンバロの旋律を浮かび上がらせながら、ますます豊潤な伴奏が育っていく。Dupleixによれば、終曲「Round Sky」は春の田園で書かれたという。この背景は、穏やかなシンセサイザーのドローンから花が開くように、心地よいスピネットのアルペジオが現れる楽曲の印象に無関係ではないようだ。ラステンとのデュオとして演奏され、両楽器奏者も歌っているこのタイトル曲は、Dupleixの音楽がなぜそれほどユニークであるかを体現している。厳格な純正律の原則に基づいていながら、ハロルド・バッドやアンドルー・チョークのように、複雑ではなく直感的な美の体験に開かれている。" レーベルその他作品はこちら ///...
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{"id":9226855547130,"title":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","handle":"nijiumu-when-i-sing","description":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e","published_at":"2026-05-15T07:14:41+09:00","created_at":"2026-05-15T07:13:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","noise"],"price":787000,"price_min":787000,"price_max":787000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890735558906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","public_title":null,"options":["Default Title"],"price":787000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486524","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","options":["Title"],"media":[{"alt":null,"id":37502565581050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","width":700},{"alt":null,"id":37502565613818,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e"}
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灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース） 未発表音源を含む4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
¥7,870
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{"id":9226854400250,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2026-05-15T07:09:56+09:00","created_at":"2026-05-15T07:09:25+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":836900,"price_min":836900,"price_max":836900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890731561210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":836900,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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{"id":9225260433658,"title":"Sam Gendel \u0026 Sam Wilkes \/\/ Unrelated LP","handle":"sam-gendel-sam-wilkes-unrelated","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2026年7月に自主リリースする共作第4弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGendelはサックスではなくギターとシンセサイザーを用いたアンビエント・ジャズ8\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2390955310\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3931804651\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2526328215\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Gendel\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Sam Gendel releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid July.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" black vinyl. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. RAPWORLD 04:51\u003cbr\u003e2. LOS 02:11\u003cbr\u003e3. HORSE MASTER 02:44\u003cbr\u003e4. JAGUAR PAW 03:10\u003cbr\u003e5. RAPMAN 02:57\u003cbr\u003e6. DOME 04:21\u003cbr\u003e7. FIEFDOM 03:42\u003cbr\u003e8. PI-PI MALAGUII 03:55 \u003c\/p\u003e\n\u003cp\u003eSam Gendel:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eWind Synthesizer\u003c\/p\u003e\n\u003cp\u003eSam Wilkes:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eBass Guitar \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel \u0026amp; Sam Wilkes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-14T10:43:24+09:00","created_at":"2026-05-14T10:32:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","sam gendel"],"price":539000,"price_min":539000,"price_max":539000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883678413050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Gendel \u0026 Sam Wilkes \/\/ Unrelated LP","public_title":null,"options":["Default Title"],"price":539000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680","options":["Title"],"media":[{"alt":null,"id":39363662381306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3708436456_10.jpg?v=1778722680","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・LAのサックス奏者Sam GendelとベーシストSam Wilkesが、2026年7月に自主リリースする共作第4弾です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGendelはサックスではなくギターとシンセサイザーを用いたアンビエント・ジャズ8\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2390955310\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3931804651\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4200954415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2526328215\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Gendel\u003c\/span\u003e\u003cspan\u003eその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gendel\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Sam Gendel releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins mid July.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" black vinyl. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. RAPWORLD 04:51\u003cbr\u003e2. LOS 02:11\u003cbr\u003e3. HORSE MASTER 02:44\u003cbr\u003e4. JAGUAR PAW 03:10\u003cbr\u003e5. RAPMAN 02:57\u003cbr\u003e6. DOME 04:21\u003cbr\u003e7. FIEFDOM 03:42\u003cbr\u003e8. PI-PI MALAGUII 03:55 \u003c\/p\u003e\n\u003cp\u003eSam Gendel:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eWind Synthesizer\u003c\/p\u003e\n\u003cp\u003eSam Wilkes:\u003cbr\u003eGuitar\u003cbr\u003eGuitar Synthesizer\u003cbr\u003eBass Guitar \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel \u0026amp; Sam Wilkes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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クイックビュー
{"id":9225228419322,"title":"Pavement \/\/ Perfect Sound Forever 10inch [COLOR]","handle":"pavement-perfect-sound-forever-lp-color","description":"\u003cp\u003eアメリカのインディーバンドPavementが、2026年4月にリリースした再発10\"です。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003eインディーロック7曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X73Vpkq2kxU?si=fEGvubS4uhwz9nCi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" white vinyl. \u003cbr\u003e2026 reissue celebrating the album's 35th anniversary - originally released in 1991. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Heckler Spray 01:06 \u003cbr\u003e2. From Now On 02:03 \u003cbr\u003e3. Angel Carver Blues\/Mellow Jazz Docent 02:30 \u003cbr\u003e4. Drive-By-Fader 00:28 \u003cbr\u003e5. Debris Slide 01:56 \u003cbr\u003e6. Home 02:23 \u003cbr\u003e7. Krell Vid-User 01:26\u003c\/p\u003e\n\u003cp\u003eArtist : Pavement\u003c\/p\u003e\n\u003cp\u003eLabel : Matador x Record Store Day\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOLE2163TNE \/ \u003cmeta charset=\"utf-8\"\u003eRSD2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-16T05:41:01+09:00","created_at":"2026-05-14T08:42:30+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new"],"price":456000,"price_min":456000,"price_max":456000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883579551994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pavement \/\/ Perfect Sound Forever 10inch [COLOR]","public_title":null,"options":["Default Title"],"price":456000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"191401216319","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481","\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_46e1adfb-5878-4f8b-b186-423fd9c00bc1.jpg?v=1778715479","\/\/tobirarecords.com\/cdn\/shop\/files\/pe3_58938988-b7b2-4625-ae04-8b84c90ec424.jpg?v=1778715479"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481","options":["Title"],"media":[{"alt":null,"id":39363072557306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481","width":350},{"alt":null,"id":39363072590074,"position":2,"preview_image":{"aspect_ratio":1.008,"height":594,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_46e1adfb-5878-4f8b-b186-423fd9c00bc1.jpg?v=1778715479"},"aspect_ratio":1.008,"height":594,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_46e1adfb-5878-4f8b-b186-423fd9c00bc1.jpg?v=1778715479","width":599},{"alt":null,"id":39363072622842,"position":3,"preview_image":{"aspect_ratio":0.978,"height":599,"width":586,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe3_58938988-b7b2-4625-ae04-8b84c90ec424.jpg?v=1778715479"},"aspect_ratio":0.978,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe3_58938988-b7b2-4625-ae04-8b84c90ec424.jpg?v=1778715479","width":586}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのインディーバンドPavementが、2026年4月にリリースした再発10\"です。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003eインディーロック7曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X73Vpkq2kxU?si=fEGvubS4uhwz9nCi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" white vinyl. \u003cbr\u003e2026 reissue celebrating the album's 35th anniversary - originally released in 1991. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Heckler Spray 01:06 \u003cbr\u003e2. From Now On 02:03 \u003cbr\u003e3. Angel Carver Blues\/Mellow Jazz Docent 02:30 \u003cbr\u003e4. Drive-By-Fader 00:28 \u003cbr\u003e5. Debris Slide 01:56 \u003cbr\u003e6. Home 02:23 \u003cbr\u003e7. Krell Vid-User 01:26\u003c\/p\u003e\n\u003cp\u003eArtist : Pavement\u003c\/p\u003e\n\u003cp\u003eLabel : Matador x Record Store Day\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOLE2163TNE \/ \u003cmeta charset=\"utf-8\"\u003eRSD2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのインディーバンドPavementが、2026年4月にリリースした再発10"です。（オリジナルは1991年リリース） インディーロック7曲を収録。白盤です。 ------------------------------------------- 10" white vinyl. 2026 reissue celebrating the album's 35th anniversary - originally...
¥4,560
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{"id":9225221210362,"title":"Ben Kaczor \/\/ Sirene LP","handle":"ben-kaczor-sirene-lp","description":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、Ben Kaczorが2026年2月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜実験アンビエントドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2259315044\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"St. Odes\" href=\"https:\/\/soundcloud.com\/st_odes\" target=\"_blank\"\u003eSt. Odes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"ben kaczor - sirene [SO004]\" href=\"https:\/\/soundcloud.com\/st_odes\/ben-kaczor-sirene\" target=\"_blank\"\u003eben kaczor - sirene [SO004]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Sirene\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Green Sleep\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Phantom Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Pink Snow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Amusement Impressions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Oval Waves\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBen Kaczor debuts his first LP on St. Odes.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSirene showcases a more experimental and cinematic approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Kaczor\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSO004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:05:42+09:00","created_at":"2026-05-14T08:35:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","new"],"price":466900,"price_min":466900,"price_max":466900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883564970234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Kaczor \/\/ Sirene LP","public_title":null,"options":["Default Title"],"price":466900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101491689","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_36ecd391-1ad3-4b2d-b6b4-955bbe744872.jpg?v=1778715263"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263","options":["Title"],"media":[{"alt":null,"id":39363041591546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263","width":350},{"alt":null,"id":39363041624314,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_36ecd391-1ad3-4b2d-b6b4-955bbe744872.jpg?v=1778715263"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_36ecd391-1ad3-4b2d-b6b4-955bbe744872.jpg?v=1778715263","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、Ben Kaczorが2026年2月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜実験アンビエントドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2259315044\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"St. Odes\" href=\"https:\/\/soundcloud.com\/st_odes\" target=\"_blank\"\u003eSt. Odes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"ben kaczor - sirene [SO004]\" href=\"https:\/\/soundcloud.com\/st_odes\/ben-kaczor-sirene\" target=\"_blank\"\u003eben kaczor - sirene [SO004]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Sirene\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Green Sleep\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Phantom Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Pink Snow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Amusement Impressions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Oval Waves\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBen Kaczor debuts his first LP on St. Odes.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSirene showcases a more experimental and cinematic approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Kaczor\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSO004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、デビュー作品が当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。 本作は、Ben Kaczorが2026年2月にリリースしたレコードです。 コラージュ〜実験アンビエントドローン6曲を収録。 レコードのみでの発表となります。 St. Odes · ben kaczor -...
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{"id":9225218949370,"title":"Quelza \/\/ Above The Clouds I Finally Found Peace LP","handle":"quelza-above-the-clouds-i-finally-found-peace-lp","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家Quelzaが、2026年1月にベルリンのテクノレーベル Ostgut Tonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ディープテクノ〜アンビエント・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/quelza-la-danse-de-lalbatros-ep-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2183048462\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\" title=\"Ostgut Ton | A-TON | unterton\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOstgut Ton | A-TON | unterton\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\/sets\/quelza-above-the-clouds-i\" title=\"Quelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eQuelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. One Thought Responds To Another 07:45 \u003cbr\u003e2. Argo Voa 06:10 \u003cbr\u003e3. Les Vagues Danses Avec Le Étoiles 06:52 \u003cbr\u003e4. Above The Clouds I Finally Found Peace 06:17 \u003cbr\u003e5. Nuage En F Mineur 05:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eAbove The Clouds I Finally Found Peace', the latest work from French artist Quelza (Leo Naït Aïssa) on Ostgut Ton, feels like a homecoming.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA testament to introspection and self-awareness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRather than adhering strictly to a club-focused approach, the EP marks a step forward in freedom of expression, breaking away from a purely club-based format and instead leading into a broader listening territory. It unfolds as a personal musical journal shaped by perception, memory, and emotion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs its title suggests, the record carries a spiritual undercurrent. It stands as a sincere sonic statement from a young artist, driven by a clear intention: to express vulnerability and honesty through sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP invites the listener to let go of expectations formed by previous releases, while preserving the emotional intensity and distinctive sonic identity that have come to define this work in recent years.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quelza\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOstgut Ton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eO-TON 129\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:25:53+09:00","created_at":"2026-05-14T08:33:22+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":367200,"price_min":367200,"price_max":367200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883562512634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Quelza \/\/ Above The Clouds I Finally Found Peace LP","public_title":null,"options":["Default Title"],"price":367200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101494376","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108","\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_444738ae-4fba-4975-bb54-f5b7c571c90c.jpg?v=1778715108"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108","options":["Title"],"media":[{"alt":null,"id":39363021766906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108","width":350},{"alt":null,"id":39363021799674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_444738ae-4fba-4975-bb54-f5b7c571c90c.jpg?v=1778715108"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_444738ae-4fba-4975-bb54-f5b7c571c90c.jpg?v=1778715108","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家Quelzaが、2026年1月にベルリンのテクノレーベル Ostgut Tonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ディープテクノ〜アンビエント・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/quelza-la-danse-de-lalbatros-ep-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2183048462\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\" title=\"Ostgut Ton | A-TON | unterton\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOstgut Ton | A-TON | unterton\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\/sets\/quelza-above-the-clouds-i\" title=\"Quelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eQuelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. One Thought Responds To Another 07:45 \u003cbr\u003e2. Argo Voa 06:10 \u003cbr\u003e3. Les Vagues Danses Avec Le Étoiles 06:52 \u003cbr\u003e4. Above The Clouds I Finally Found Peace 06:17 \u003cbr\u003e5. Nuage En F Mineur 05:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eAbove The Clouds I Finally Found Peace', the latest work from French artist Quelza (Leo Naït Aïssa) on Ostgut Ton, feels like a homecoming.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA testament to introspection and self-awareness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRather than adhering strictly to a club-focused approach, the EP marks a step forward in freedom of expression, breaking away from a purely club-based format and instead leading into a broader listening territory. It unfolds as a personal musical journal shaped by perception, memory, and emotion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs its title suggests, the record carries a spiritual undercurrent. It stands as a sincere sonic statement from a young artist, driven by a clear intention: to express vulnerability and honesty through sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP invites the listener to let go of expectations formed by previous releases, while preserving the emotional intensity and distinctive sonic identity that have come to define this work in recent years.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quelza\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOstgut Ton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eO-TON 129\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンのテクノ作家Quelzaが、2026年1月にベルリンのテクノレーベル Ostgut Tonからリリースしたレコードです。 レフトフィールド・ディープテクノ〜アンビエント・テクノ5曲を収録。 前作もオススメです。 Ostgut Ton | A-TON | unterton · Quelza |...
¥3,672
![Mikkel Metal // Rebuild 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/mikk1_f456092c-38f2-4808-a420-1ca93492a119_medium.jpg?v=1778714938)
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{"id":9225215967482,"title":"Mikkel Metal \/\/ Rebuild 12inch [COLOR]","handle":"mikkel-metal-rebuild-lp-color","description":"\u003cp\u003e\u003cspan\u003eデンマークのダブテクノ作家Mikkel Metal\u003c\/span\u003eが、2026年1月に同国ダブテクノレーベルEchocordからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eダブテクノ6曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447168882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1216468242\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447168882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/echochord\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/echochord\"\u003ehere\u003c\/a\u003e to see more Echochord releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" transparent vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Rebuild 05:44 \u003cbr\u003e2. Rebuild (Luke Hess Remix) 07:18 \u003cbr\u003e3. Bend 05:00 \u003cbr\u003e4. Stream 05:24 \u003cbr\u003e5. Stream (Frenk Dublin’s Deep Space Rework) 06:21 \u003cbr\u003e6. Midnite 03:40\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMikkel Metal makes a welcome return to Echocord with his new ‘Rebuild’ EP, accompanying remixes from Luke Hess and Frenk Dublin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCopenhagen’s Mikkel Metal is a pioneering figure in dub-techno and minimal house, known for his atmospheric soundscapes and textured production. With acclaimed releases on Kompakt and Echocord, including Close Selections, Victimizer, and Peaks and Troughs he’s cemented his place as one of Denmark’s most distinctive electronic artists. Here he continues to dispay this further diving into new sonic realms with a new EP for Echocord.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTitle-track ‘Rebuild’ opens, a hazy excursion through metallic, reverberations, expansive atmospherics and crisp drums before Detroit’s own Luke Hess steps in to offer his interpretation, delivering his signature groove-driven style, extracting the essence of the original and stirring it in amongst robust drums and spiralling dub echoes. ‘Bend’ is up next and displaying Mikkel’s production prowess as he blends murky bass flutters and analogue rhythms with psychedelic guitar melodies and dynamic space echoes, resulting in something that sounds uniquely his own. ‘Steam’ continues this theme with further psychedelia infused guitar tones\u003cspan class=\"bcTruncateMore\"\u003e flowing alongside breathy vocal stylings and fluttering atmospherics tucked into the depths. Rotterdam, Netherlands based artist Frenk Dublin delivers his ‘Deep Space Rework’ of ‘Stream next, reshaping the original into something entirely different with a dropped-tempo roots dub aesthetic, weaving fragments of the original into the composition alongside swaying dub drums and heavy doses of sub. ‘Midnite’ then concludes the release, another experimental sonic foray into unique effect processing, glitched out percussion, haunting vocals, plucked bass notes and expansive atmospherics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mikkel Metal\u003c\/p\u003e\n\u003cp\u003eLabel : Echochord\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEchocord 097 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-24T08:27:15+09:00","created_at":"2026-05-14T08:30:39+09:00","vendor":"Tobira Records","type":"","tags":["echochord","lp","new","techno \/ house"],"price":353300,"price_min":353300,"price_max":353300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883559203066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mikkel Metal \/\/ Rebuild 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":353300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mikk1_f456092c-38f2-4808-a420-1ca93492a119.jpg?v=1778714938","\/\/tobirarecords.com\/cdn\/shop\/files\/mikk2_4ad4eabf-6fce-4df6-bddc-231a0f908a93.jpg?v=1778714938"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mikk1_f456092c-38f2-4808-a420-1ca93492a119.jpg?v=1778714938","options":["Title"],"media":[{"alt":null,"id":39363002532090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mikk1_f456092c-38f2-4808-a420-1ca93492a119.jpg?v=1778714938"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mikk1_f456092c-38f2-4808-a420-1ca93492a119.jpg?v=1778714938","width":350},{"alt":null,"id":39363002564858,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mikk2_4ad4eabf-6fce-4df6-bddc-231a0f908a93.jpg?v=1778714938"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mikk2_4ad4eabf-6fce-4df6-bddc-231a0f908a93.jpg?v=1778714938","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークのダブテクノ作家Mikkel Metal\u003c\/span\u003eが、2026年1月に同国ダブテクノレーベルEchocordからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eダブテクノ6曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447168882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1216468242\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447168882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/echochord\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/echochord\"\u003ehere\u003c\/a\u003e to see more Echochord releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" transparent vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Rebuild 05:44 \u003cbr\u003e2. Rebuild (Luke Hess Remix) 07:18 \u003cbr\u003e3. Bend 05:00 \u003cbr\u003e4. Stream 05:24 \u003cbr\u003e5. Stream (Frenk Dublin’s Deep Space Rework) 06:21 \u003cbr\u003e6. Midnite 03:40\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMikkel Metal makes a welcome return to Echocord with his new ‘Rebuild’ EP, accompanying remixes from Luke Hess and Frenk Dublin.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCopenhagen’s Mikkel Metal is a pioneering figure in dub-techno and minimal house, known for his atmospheric soundscapes and textured production. With acclaimed releases on Kompakt and Echocord, including Close Selections, Victimizer, and Peaks and Troughs he’s cemented his place as one of Denmark’s most distinctive electronic artists. Here he continues to dispay this further diving into new sonic realms with a new EP for Echocord.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTitle-track ‘Rebuild’ opens, a hazy excursion through metallic, reverberations, expansive atmospherics and crisp drums before Detroit’s own Luke Hess steps in to offer his interpretation, delivering his signature groove-driven style, extracting the essence of the original and stirring it in amongst robust drums and spiralling dub echoes. ‘Bend’ is up next and displaying Mikkel’s production prowess as he blends murky bass flutters and analogue rhythms with psychedelic guitar melodies and dynamic space echoes, resulting in something that sounds uniquely his own. ‘Steam’ continues this theme with further psychedelia infused guitar tones\u003cspan class=\"bcTruncateMore\"\u003e flowing alongside breathy vocal stylings and fluttering atmospherics tucked into the depths. Rotterdam, Netherlands based artist Frenk Dublin delivers his ‘Deep Space Rework’ of ‘Stream next, reshaping the original into something entirely different with a dropped-tempo roots dub aesthetic, weaving fragments of the original into the composition alongside swaying dub drums and heavy doses of sub. ‘Midnite’ then concludes the release, another experimental sonic foray into unique effect processing, glitched out percussion, haunting vocals, plucked bass notes and expansive atmospherics.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mikkel Metal\u003c\/p\u003e\n\u003cp\u003eLabel : Echochord\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEchocord 097 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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デンマークのダブテクノ作家Mikkel Metalが、2026年1月に同国ダブテクノレーベルEchocordからリリースしたレコードです。 ダブテクノ6曲を収録。クリア盤です。 レーベルその他作品はこちら /// Click here to see more Echochord releases available at...
¥3,533
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{"id":9225214460154,"title":"Oren Ambarchi \/\/ Hubris (10th Anniversary Remaster) LP","handle":"oren-ambarchi-hubris-10th-anniversary-remaster-lp","description":"\u003cp\u003eオーストラリアの実験音楽家Oren Ambarchiが、2026年4月に自身主宰レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003e反復ミニマル・アンビエント〜ストレンジビーツ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eリマスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1248426794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e2026 reissue and remaster - originally released in 2016. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hubris Part 1 (10th Anniversary Remaster) 21:47 \u003cbr\u003e2. Hubris Part 2 (10th Anniversary Remaster) 01:53 \u003cbr\u003e3. Hubris Part 3 (10th Anniversary Remaster) 16:34\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNewly remastered version of Oren Ambarchi’s long out-of-print classic Hubris originally released on Editions Mego in 2016. Expertly remastered by audio wizard Joe Talia who worked with the original mixes, highlighting the myriad details of the audio with forensic precision, previously unheard up until now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the 2016 press release:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHubris continues the exploration of relentless, driving rhythms heard on Ambarchi’s Sagittarian Domain (2012) and Quixotism (2014). Where those records looked to Krautrock and techno for their starting points, the sidelong opening track here begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi’s love of Wang Chung’s soundtrack to William Friedkin’s To Live and Die in L.A. Leaving behind the song-forms of these reference points, Ambarchi weaves a sustained and pulsating web of layered palm-muted guitars from which individual voices rise up and recede, eventually setting the stage for some lush guitar synth from Jim O’Rourke. Arnold Dreyblatt collaborator Konrad Sprenger contributes overtone-rich motorized guitar, pushing the piece into a satisfying intersection of shimmering minimalism and rhythmic drive that smoothly builds up until the entrance of Mark Fell’s\u003cspan class=\"bcTruncateMore\"\u003e electronic percussion in its final section.\u003cbr\u003e\u003cbr\u003eAfter a short second part, in which Ambarchi, O’Rourke and crys cole pay tribute to the skewed harmonic sense of Albert Marcoeur with a track built from layered guitar figures and abstracted speech, the long final piece pushes the concept of the first side into darker and denser areas. Joined by electronics from Ricardo Villalobos and the twin drums of Will Guthrie and Joe Talia, the layered guitars of the first piece are transformed into a raw and tumbling fusion-funk groove that calls to mind early Weather Report or even the first Golden Palominos LP. As this stellar rhythm section rides a single repeated chord change into oblivion, a series of spectacular events emerge in the foreground: first, aleatoric synthesizer burbles from Keith Fullerton Whitman, then slashing skronk guitar from Arto Lindsay, until finally Ambarchi’s own fuzzed-out harmonics take center stage as the piece builds to an ecstatic frenzy. Few artists could hope to include such an incredible variety of collaborators on one record and still hope for it to have a unique identity, but Ambarchi manages to do just that, crafting three pieces that emerge directly out of his previous work while also pushing ahead into new dimensions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 141 LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026 (reissue \/ remaster)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:38:59+09:00","created_at":"2026-05-14T08:20:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new","strange beats"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883554648314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oren Ambarchi \/\/ Hubris (10th Anniversary Remaster) LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101493799","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459","\/\/tobirarecords.com\/cdn\/shop\/files\/hub3.jpg?v=1778714459"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459","options":["Title"],"media":[{"alt":null,"id":39362970321146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459","width":350},{"alt":null,"id":39362970353914,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub3.jpg?v=1778714459"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub3.jpg?v=1778714459","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Oren Ambarchiが、2026年4月に自身主宰レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003e反復ミニマル・アンビエント〜ストレンジビーツ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eリマスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1248426794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e2026 reissue and remaster - originally released in 2016. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hubris Part 1 (10th Anniversary Remaster) 21:47 \u003cbr\u003e2. Hubris Part 2 (10th Anniversary Remaster) 01:53 \u003cbr\u003e3. Hubris Part 3 (10th Anniversary Remaster) 16:34\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNewly remastered version of Oren Ambarchi’s long out-of-print classic Hubris originally released on Editions Mego in 2016. Expertly remastered by audio wizard Joe Talia who worked with the original mixes, highlighting the myriad details of the audio with forensic precision, previously unheard up until now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the 2016 press release:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHubris continues the exploration of relentless, driving rhythms heard on Ambarchi’s Sagittarian Domain (2012) and Quixotism (2014). Where those records looked to Krautrock and techno for their starting points, the sidelong opening track here begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi’s love of Wang Chung’s soundtrack to William Friedkin’s To Live and Die in L.A. Leaving behind the song-forms of these reference points, Ambarchi weaves a sustained and pulsating web of layered palm-muted guitars from which individual voices rise up and recede, eventually setting the stage for some lush guitar synth from Jim O’Rourke. Arnold Dreyblatt collaborator Konrad Sprenger contributes overtone-rich motorized guitar, pushing the piece into a satisfying intersection of shimmering minimalism and rhythmic drive that smoothly builds up until the entrance of Mark Fell’s\u003cspan class=\"bcTruncateMore\"\u003e electronic percussion in its final section.\u003cbr\u003e\u003cbr\u003eAfter a short second part, in which Ambarchi, O’Rourke and crys cole pay tribute to the skewed harmonic sense of Albert Marcoeur with a track built from layered guitar figures and abstracted speech, the long final piece pushes the concept of the first side into darker and denser areas. Joined by electronics from Ricardo Villalobos and the twin drums of Will Guthrie and Joe Talia, the layered guitars of the first piece are transformed into a raw and tumbling fusion-funk groove that calls to mind early Weather Report or even the first Golden Palominos LP. As this stellar rhythm section rides a single repeated chord change into oblivion, a series of spectacular events emerge in the foreground: first, aleatoric synthesizer burbles from Keith Fullerton Whitman, then slashing skronk guitar from Arto Lindsay, until finally Ambarchi’s own fuzzed-out harmonics take center stage as the piece builds to an ecstatic frenzy. Few artists could hope to include such an incredible variety of collaborators on one record and still hope for it to have a unique identity, but Ambarchi manages to do just that, crafting three pieces that emerge directly out of his previous work while also pushing ahead into new dimensions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 141 LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026 (reissue \/ remaster)\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの実験音楽家Oren Ambarchiが、2026年4月に自身主宰レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2016年リリース） 反復ミニマル・アンビエント〜ストレンジビーツ3曲を収録。DLコード付属。 リマスタリングはJoe Taliaが担当しています。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available...
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{"id":9225210822906,"title":"Heimito Künst \/\/ Vol.3 LP [COLOR]","handle":"heimito-kunst-vol-3-lp-color","description":"\u003cp\u003eイタリアの実験／アンビエントデュオHeimito Künstが、2026年4月にイタリアの実験レーベルDissipatioからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコズミックなシンセ・アンビエント〜ストレンジビーツ〜ノーウェーブ8曲を収録。白盤、ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Vol. 3』は、謎めいたアーティストHeimito Künstによる待望の3枚目のソロアルバムであり、デニス・カラッチとのコラボレーション作『First Light』が絶賛された後にリリースされた。この新たな章において、Heimito Künstは自身の音の世界を完全に再構築し、雰囲気重視のドローンサウンドから、強烈な身体性とリズム主導の領域へと移行している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムの起源は、トーマス・ベルンハルトの文学と、19世紀の臨床技術である「ウルバンチッチ法」に深く根ざしている。これは、音を執拗に反復させることで、聴覚障害者の「残存聴力」を呼び覚ますために用いられた手法だ。Heimito Künstはこの概念を、リスナーのための魅惑的な聴覚的エクササイズへと昇華させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼特有の、歪みとアシッドな響きを帯びたクラウトロックの雰囲気は、今や重厚なアナログハードウェアの兵器群によって推進されている。渦巻くムーグ、コルグ、メロトロン、ファーフィサのシンセサイザーが万華鏡のようなサウンドスケープを創り出し、そのすべてが、ドンドンと響く催眠的なドラムマシンの骨格によって支えられている。これは、聴き手を音の世界に完全に没入させるために設計された、深くサイケデリックで没入感のある旅だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003ehere\u003c\/a\u003e to see more Dissipatio releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl in gatefold sleeve. \u003cbr\u003eEdition of 200 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Entropie 05:47 \u003cbr\u003e2. I fall from the shadows and burn 03:48 \u003cbr\u003e3. Put the mask and go out 02:38 \u003cbr\u003e4. We are two, maybe more 04:58 \u003cbr\u003e5. Mirror game 05:02 \u003cbr\u003e6. Aurora 02:46 \u003cbr\u003e7. The strange case of the Architect S. 04:16 \u003cbr\u003e8. Turn off the light 05:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVol. 3 is the highly anticipated third solo album by the enigmatic Heimito Künst, arriving after his acclaimed collaboration First Light with Dennis Callaci. In this new chapter, Heimito completely reshapes his sonic universe, moving away from atmospheric drones into intensely physical, rhythm-driven territory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe genesis of the album is deeply rooted in Thomas Bernhard’s literature and the Urbantschitsch method—a 19th-century clinical technique used to wake up \"residual hearing\" in the deaf through the obsessive repetition of sound. Heimito translates this concept into a mesmerizing auditory exercise for the listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis signature crooked, acid-tinged kraut atmospheres are now propelled by a heavy arsenal of analog hardware. Swirling Moog, Korg, Mellotron, and Farfisa synthesizers create kaleidoscopic soundscapes, all anchored by a pounding, hypnotic drum machine backbone. It’s a deeply psychedelic, immersive trip designed to make you completely lose yourself in the sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA visceral, unconventional experience, compelling down to its very last breath.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heimito Künst\u003c\/p\u003e\n\u003cp\u003eLabel : Dissipatio\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDISS034\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th April 2026\u003c\/p\u003e","published_at":"2026-05-18T15:15:28+09:00","created_at":"2026-05-14T08:03:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dissipatio","drone","lp","new","strange beats"],"price":452300,"price_min":452300,"price_max":452300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883540132090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Heimito Künst \/\/ Vol.3 LP [COLOR]","public_title":null,"options":["Default Title"],"price":452300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298","\/\/tobirarecords.com\/cdn\/shop\/files\/hel2_6aef5139-b340-49f2-8116-b53293510277.jpg?v=1778713298"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298","options":["Title"],"media":[{"alt":null,"id":39362805793018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298","width":350},{"alt":null,"id":39362805825786,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel2_6aef5139-b340-49f2-8116-b53293510277.jpg?v=1778713298"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel2_6aef5139-b340-49f2-8116-b53293510277.jpg?v=1778713298","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験／アンビエントデュオHeimito Künstが、2026年4月にイタリアの実験レーベルDissipatioからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコズミックなシンセ・アンビエント〜ストレンジビーツ〜ノーウェーブ8曲を収録。白盤、ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Vol. 3』は、謎めいたアーティストHeimito Künstによる待望の3枚目のソロアルバムであり、デニス・カラッチとのコラボレーション作『First Light』が絶賛された後にリリースされた。この新たな章において、Heimito Künstは自身の音の世界を完全に再構築し、雰囲気重視のドローンサウンドから、強烈な身体性とリズム主導の領域へと移行している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムの起源は、トーマス・ベルンハルトの文学と、19世紀の臨床技術である「ウルバンチッチ法」に深く根ざしている。これは、音を執拗に反復させることで、聴覚障害者の「残存聴力」を呼び覚ますために用いられた手法だ。Heimito Künstはこの概念を、リスナーのための魅惑的な聴覚的エクササイズへと昇華させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼特有の、歪みとアシッドな響きを帯びたクラウトロックの雰囲気は、今や重厚なアナログハードウェアの兵器群によって推進されている。渦巻くムーグ、コルグ、メロトロン、ファーフィサのシンセサイザーが万華鏡のようなサウンドスケープを創り出し、そのすべてが、ドンドンと響く催眠的なドラムマシンの骨格によって支えられている。これは、聴き手を音の世界に完全に没入させるために設計された、深くサイケデリックで没入感のある旅だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003ehere\u003c\/a\u003e to see more Dissipatio releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl in gatefold sleeve. \u003cbr\u003eEdition of 200 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Entropie 05:47 \u003cbr\u003e2. I fall from the shadows and burn 03:48 \u003cbr\u003e3. Put the mask and go out 02:38 \u003cbr\u003e4. We are two, maybe more 04:58 \u003cbr\u003e5. Mirror game 05:02 \u003cbr\u003e6. Aurora 02:46 \u003cbr\u003e7. The strange case of the Architect S. 04:16 \u003cbr\u003e8. Turn off the light 05:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVol. 3 is the highly anticipated third solo album by the enigmatic Heimito Künst, arriving after his acclaimed collaboration First Light with Dennis Callaci. In this new chapter, Heimito completely reshapes his sonic universe, moving away from atmospheric drones into intensely physical, rhythm-driven territory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe genesis of the album is deeply rooted in Thomas Bernhard’s literature and the Urbantschitsch method—a 19th-century clinical technique used to wake up \"residual hearing\" in the deaf through the obsessive repetition of sound. Heimito translates this concept into a mesmerizing auditory exercise for the listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis signature crooked, acid-tinged kraut atmospheres are now propelled by a heavy arsenal of analog hardware. Swirling Moog, Korg, Mellotron, and Farfisa synthesizers create kaleidoscopic soundscapes, all anchored by a pounding, hypnotic drum machine backbone. It’s a deeply psychedelic, immersive trip designed to make you completely lose yourself in the sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA visceral, unconventional experience, compelling down to its very last breath.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heimito Künst\u003c\/p\u003e\n\u003cp\u003eLabel : Dissipatio\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDISS034\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th April 2026\u003c\/p\u003e"}
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イタリアの実験／アンビエントデュオHeimito Künstが、2026年4月にイタリアの実験レーベルDissipatioからリリースしたレコードです。 コズミックなシンセ・アンビエント〜ストレンジビーツ〜ノーウェーブ8曲を収録。白盤、ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "『Vol. 3』は、謎めいたアーティストHeimito Künstによる待望の3枚目のソロアルバムであり、デニス・カラッチとのコラボレーション作『First Light』が絶賛された後にリリースされた。この新たな章において、Heimito Künstは自身の音の世界を完全に再構築し、雰囲気重視のドローンサウンドから、強烈な身体性とリズム主導の領域へと移行している。 このアルバムの起源は、トーマス・ベルンハルトの文学と、19世紀の臨床技術である「ウルバンチッチ法」に深く根ざしている。これは、音を執拗に反復させることで、聴覚障害者の「残存聴力」を呼び覚ますために用いられた手法だ。Heimito Künstはこの概念を、リスナーのための魅惑的な聴覚的エクササイズへと昇華させている。 彼特有の、歪みとアシッドな響きを帯びたクラウトロックの雰囲気は、今や重厚なアナログハードウェアの兵器群によって推進されている。渦巻くムーグ、コルグ、メロトロン、ファーフィサのシンセサイザーが万華鏡のようなサウンドスケープを創り出し、そのすべてが、ドンドンと響く催眠的なドラムマシンの骨格によって支えられている。これは、聴き手を音の世界に完全に没入させるために設計された、深くサイケデリックで没入感のある旅だ。" レーベルその他作品はこちら...
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{"id":9222523715834,"title":"Scorn \/\/ Anamnesis+ 4xLP","handle":"scorn-anamnesis-4xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eイギリスのポストインダストリアル・ダブ作家Mick Harris (ex-Napalm Death)が、2026年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリーする再発4枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eヘビーベースとクラッシュビーツによるポストインダストリアル・ダブ30曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2314935077\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD Records\" href=\"https:\/\/soundcloud.com\/godrec\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD 80 - SCORN - Anamnesis+, excerpts\" href=\"https:\/\/soundcloud.com\/godrec\/god-80-scorn-anamnesis-1\" target=\"_blank\"\u003eGOD 80 - SCORN - Anamnesis+, excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl.\u003cbr\u003eExpanded reissue - originally recorded between 1994-97 and released in 1999. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYou’ve likely heard Mick Harris (Napalm Death, Painkiller, Lull) utter this sentence several times over the years, but now it seems final. The legendary project was laid to rest in 2021. For those who crave heavy beats, abstract bass, and dark atmospheres,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGOD Records is releasing the definitive edition of the iconic Scorn compilation, Anamnesis (GOD 80).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to the newly remastered original tracks, this ultimate reissue features bonus compositions previously scattered across various era-specific compilations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSpanning a four-vinyl set, this is almost certainly\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe final Scorn release to ever see the light of day.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Mr. Harris himself put it: \"There is nothing left in the vault.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scorn\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-17T06:33:26+09:00","created_at":"2026-05-11T20:40:21+09:00","vendor":"Tobira Records","type":"","tags":["god records","hiphop \/ funk","lp","new","noise","techno \/ house"],"price":1466600,"price_min":1466600,"price_max":1466600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48872939946234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scorn \/\/ Anamnesis+ 4xLP","public_title":null,"options":["Default Title"],"price":1466600,"weight":800,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.36.28pm.png?v=1778499447"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447","options":["Title"],"media":[{"alt":null,"id":39338794025210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":514,"width":514,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447"},"aspect_ratio":1.0,"height":514,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447","width":514},{"alt":null,"id":39338793992442,"position":2,"preview_image":{"aspect_ratio":1.737,"height":228,"width":396,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.36.28pm.png?v=1778499447"},"aspect_ratio":1.737,"height":228,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.36.28pm.png?v=1778499447","width":396}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eイギリスのポストインダストリアル・ダブ作家Mick Harris (ex-Napalm Death)が、2026年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリーする再発4枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eヘビーベースとクラッシュビーツによるポストインダストリアル・ダブ30曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2314935077\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD Records\" href=\"https:\/\/soundcloud.com\/godrec\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD 80 - SCORN - Anamnesis+, excerpts\" href=\"https:\/\/soundcloud.com\/godrec\/god-80-scorn-anamnesis-1\" target=\"_blank\"\u003eGOD 80 - SCORN - Anamnesis+, excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl.\u003cbr\u003eExpanded reissue - originally recorded between 1994-97 and released in 1999. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYou’ve likely heard Mick Harris (Napalm Death, Painkiller, Lull) utter this sentence several times over the years, but now it seems final. The legendary project was laid to rest in 2021. For those who crave heavy beats, abstract bass, and dark atmospheres,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGOD Records is releasing the definitive edition of the iconic Scorn compilation, Anamnesis (GOD 80).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to the newly remastered original tracks, this ultimate reissue features bonus compositions previously scattered across various era-specific compilations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSpanning a four-vinyl set, this is almost certainly\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe final Scorn release to ever see the light of day.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Mr. Harris himself put it: \"There is nothing left in the vault.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scorn\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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※6月中旬発送開始します イギリスのポストインダストリアル・ダブ作家Mick Harris (ex-Napalm Death)が、2026年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリーする再発4枚組レコードです。 ヘビーベースとクラッシュビーツによるポストインダストリアル・ダブ30曲を収録。 レコードのみでの発表となります。 GOD Records · GOD 80 - SCORN...
¥14,666
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{"id":9222521356538,"title":"Helen Franzmann and Nick Huggins \/\/ public holiday at you yangs regional park LP","handle":"helen-franzmann-and-nick-huggins-public-holiday-at-you-yangs-regional-park-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eオーストラリアのフォークデュオHelen Franzmann and Nick Hugginsが、2026年6月に同国アンビエントレーベルBrierfield Flood Pressからリリースするレコードです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003ehere\u003c\/a\u003e to see more Brierfield Flood Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. a glass of water\u003cbr\u003e2. arc angle\u003cbr\u003e3. for hansie\u003cbr\u003e4. slow moving waters\u003cbr\u003e5. what you've got, i've got\u003cbr\u003e6. sleaping musick\u003cbr\u003e7. pulse free scene\u003c\/p\u003e\n\u003cp\u003eArtist : Helen Franzmann and Nick Huggins\u003c\/p\u003e\n\u003cp\u003eLabel : Brierfield Flood Press\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th June 2026\u003c\/p\u003e","published_at":"2026-05-15T07:47:38+09:00","created_at":"2026-05-11T20:26:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","brierfield flood press","folk \/ left-field pop","lp","new","recommended"],"price":472700,"price_min":472700,"price_max":472700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48872919433466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Helen Franzmann and Nick Huggins \/\/ public holiday at you yangs regional park LP","public_title":null,"options":["Default Title"],"price":472700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719","\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d8e4758-e7af-4984-8e01-df6e01b58ad1.jpg?v=1778498719"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719","options":["Title"],"media":[{"alt":null,"id":39338756014330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719","width":350},{"alt":null,"id":39338756047098,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d8e4758-e7af-4984-8e01-df6e01b58ad1.jpg?v=1778498719"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d8e4758-e7af-4984-8e01-df6e01b58ad1.jpg?v=1778498719","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eオーストラリアのフォークデュオHelen Franzmann and Nick Hugginsが、2026年6月に同国アンビエントレーベルBrierfield Flood Pressからリリースするレコードです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント・フォーク7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003ehere\u003c\/a\u003e to see more Brierfield Flood Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. a glass of water\u003cbr\u003e2. arc angle\u003cbr\u003e3. for hansie\u003cbr\u003e4. slow moving waters\u003cbr\u003e5. what you've got, i've got\u003cbr\u003e6. sleaping musick\u003cbr\u003e7. pulse free scene\u003c\/p\u003e\n\u003cp\u003eArtist : Helen Franzmann and Nick Huggins\u003c\/p\u003e\n\u003cp\u003eLabel : Brierfield Flood Press\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th June 2026\u003c\/p\u003e"}
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![Durand Jones & The Indications // Flowers LP [BLACK]](http://tobirarecords.com/cdn/shop/files/du1_c4020f77-c861-4892-942d-766f1f42efbb_medium.jpg?v=1749090215)
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{"id":9222282379514,"title":"Durand Jones \u0026 The Indications \/\/ Flowers LP [BLACK]","handle":"durand-jones-the-indications-flowers-lp-black","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・インディアナのファンクトリオDurand Jones \u0026amp; The Indicationsが、\u003cspan\u003e2025年6月に\u003c\/span\u003eインディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e夏の昼下がりにぴったりなネオソウル〜コンテンポラリーR\u0026amp;B11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=107566466\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981197565\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Flowers\u003cbr\u003e2. Paradise\u003cbr\u003e3. Lovers' Holiday 03:25\u003cbr\u003e4. I Need The Answer\u003cbr\u003e5. Flower Moon 04:56\u003cbr\u003e6. Really Wanna Be With You\u003cbr\u003e7. Been So Long 03:16\u003cbr\u003e8. Everything\u003cbr\u003e9. Rust and Steel\u003cbr\u003e10. If Not For Love\u003cbr\u003e11. Without You\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dead Oceans:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. Much of the self-produced album was written together at Rhein's Chicago studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease. Notes Frazer: \"We took the spirit of play that started the project, and added in the wisdom and lessons that we've acquired through the years.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"When I think of Flowers, I think of this sense of naturalness. There's a lot of courage in showing the human side of making music,\" adds Rhein. \"We spent the most energy playing to each other’s strengths and learning how to support each other. Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJones says Flowers is the result of significant personal transformation. \"I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Durand Jones \u0026amp; The Indications\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC367lp\u003c\/p\u003e","published_at":"2026-05-11T05:53:58+09:00","created_at":"2026-05-11T05:53:29+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","hiphop \/ funk","jazz","lp","new","recommended"],"price":384300,"price_min":384300,"price_max":384300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48871073644794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Durand Jones \u0026 The Indications \/\/ Flowers LP [BLACK]","public_title":null,"options":["Default Title"],"price":384300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605166711","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215","options":["Title"],"media":[{"alt":null,"id":36133481971962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/du1_c4020f77-c861-4892-942d-766f1f42efbb.jpg?v=1749090215","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・インディアナのファンクトリオDurand Jones \u0026amp; The Indicationsが、\u003cspan\u003e2025年6月に\u003c\/span\u003eインディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e夏の昼下がりにぴったりなネオソウル〜コンテンポラリーR\u0026amp;B11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=107566466\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625189969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981197565\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Flowers\u003cbr\u003e2. Paradise\u003cbr\u003e3. Lovers' Holiday 03:25\u003cbr\u003e4. I Need The Answer\u003cbr\u003e5. Flower Moon 04:56\u003cbr\u003e6. Really Wanna Be With You\u003cbr\u003e7. Been So Long 03:16\u003cbr\u003e8. Everything\u003cbr\u003e9. Rust and Steel\u003cbr\u003e10. If Not For Love\u003cbr\u003e11. Without You\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dead Oceans:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. Much of the self-produced album was written together at Rhein's Chicago studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease. Notes Frazer: \"We took the spirit of play that started the project, and added in the wisdom and lessons that we've acquired through the years.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"When I think of Flowers, I think of this sense of naturalness. There's a lot of courage in showing the human side of making music,\" adds Rhein. \"We spent the most energy playing to each other’s strengths and learning how to support each other. Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJones says Flowers is the result of significant personal transformation. \"I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Durand Jones \u0026amp; The Indications\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC367lp\u003c\/p\u003e"}
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※6月下旬再入荷後発送します アメリカ・インディアナのファンクトリオDurand Jones & The Indicationsが、2025年6月にインディアナのインディーレーベルDead Oceansからリリースしたレコードです。 夏の昼下がりにぴったりなネオソウル〜コンテンポラリーR&B11曲を収録。 レーベルその他作品はこちら /// Click here to see...
¥3,843
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{"id":9221944967418,"title":"Giuseppe Chiari \/\/ Intervalli LP","handle":"giuseppe-chiari-intervalli-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7月上旬再入荷後発送します（遅れております）\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eフルクサス初期メンバーとしても活動していたイタリアの実験音楽家Giuseppe Chiariが、2026年4月に同国実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1950-1956年に制作したコンセプチュアルな楽曲12曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"alga marghenは、Giuseppe Chiariによる歴史的な作品『Intervalli』を誇りを持って発表する。レイニエ・ファン・ホウトによる優雅な演奏と録音で綴られる、1950年から56年にかけてのこの時代を超越した作品は、ミニマリズムを10年先取りし、コンセプチュアル・コンポジションやシステムベース・コンポジションの先駆けとなる一方で、Chiariが1962年に参加することになるグループ「フルクサス」によってまもなく展開される視点とも交差している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Chiariのピアノのための『Intervalli』は、歴史的文脈に照らして考察したとしても、今なお「発見」の魅力を失っていない。1950年代前半の全期間にわたって作曲されたこれらの作品は、数学的・合理的な根拠に基づく音楽的パラメータの徹底的な削減という作曲概念の早熟さにおいて際立っている。Intervalliの初期作品が、音楽的素材の構成においてこれほど厳格な論理的アプローチを採っていることに驚かされるかもしれない。特に、その後の彼の作品の方向性を踏まえるとなおさらである。彼はネオ・アヴァンギャルドにおいて、いかなる教条や構造的制約からも自由なジャンルであるジェスチャー・ミュージックの、最も断固として決意に満ちた代表者として確立されたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Intervalli』において、Chiariは、音程的特徴と持続時間によって定義される変異形または不変形の反復という、多かれ少なかれ制御されたシステムを通じて、音の連なりやその同時性を合理的に「配置」するという概念に焦点を当てている。このシステムは、与えられた限られた可能性の範囲内で機能するため、多かれ少なかれ制御されたものであり、この要因が音楽的パラメータの急激な狭窄をもたらしている。『Intervalli』の連作を構成する12の作品は、すべて二つのアプローチを中心に構築されている。すなわち、厳格な垂直的・和声的な音の連なり（第1、2、5番にのみ採用）か、あるいは水平的・線的な配置（連作の残りの全作品の特徴）である。その展開において、垂直的／和声的および水平的／線形的指針は、周期的に繰り返される不変項の体系を通じて構築された、類似の結合原理を採用している。すなわち、和音と線的配列の開始点の両方を特徴づける基軸となる音が常に特定され、それを基に、自由な、あるいは数学的・数値的意義によって規定された音程関係の配列が交互に適用される。一方、この枢要な音は不変のまま留まることもあれば（第2番のように、各和音の全音程構造が全編を通じて繰り返される中心のCを軸に構築されている例が挙げられる）、あるいは変容を遂げつつも、特定の定数を再現する数値的・音程的構造を支え続けることもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽的パラメータを限定し反復するという体系的なプロセスは、類推すれば、後に音楽的ミニマリズムの誕生とともに前面に出てくる要素となるだろう。しかし、Chiariの『Intervalli』を、この潮流の出現と確立に直接的な影響を与える原動力と見なすのは、無理があるだろう。ミニマル・ミュージックがパラメータの体系的な削減と反復を用いて、漸進的なプロセスとしての単方向的な展開を導くのに対し、Chiariの『Intervalli』は、「音楽から連続性の言説的力を剥ぎ取る」ために、「時間的な階層性を一切持たない音の関係性を探求する」という対極的な概念へと向かっている。これは、音の統語的同型性を解体することを目的とした、客観的かつほぼ原子論的な音概念の明確な表れである。ゆえに、その概念的意義はミニマリズムの正統的な潮流とは同列に扱えない。このニュアンスこそが、後にChiariを演奏的ジェスチャーに対する形式にとらわれない開放性へと導くことになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして『Intervalli』の連作は、Chiariにとって最初の到達点であると同時に、もはや後戻りできない分岐点でもあった――ただし、創作活動の最後の10年間を除いては。その時期、音楽的書法への驚くべき新たなアプローチが、まさにジェスチャー的な直感性によって媒介されたのである。これら両極端の間において、まさに『Intervalli』で積み重ねられた経験をアーカイブ化した後の、ジェスチャーへの啓示こそが、Chiariにとって音楽的伝統によって受け継がれてきた規範の脱構築的コードとなり、それによって彼の創作思想において新たかつ決定的な一章を切り開くことになるのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Intervalli』全曲集の初版には、ガブリエレ・ボノモによるライナーノーツに加え、原譜の一部ページの複製も収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ShH9sJrzugs?si=zvLIrHP8sAwJhwUk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"alga marghen proudly presents the historical “Intervalli” by \u003c\/em\u003e\u003cem\u003eGiuseppe Chiari, a world premiere of the compete cycle of 12 \u003c\/em\u003e\u003cem\u003e“Intervalli”. Elegantly performed and recorded by Reinier Van Houdt, \u003c\/em\u003e\u003cem\u003ethis timeless composition from 1950-56 anticipates Minimalist by a \u003c\/em\u003e\u003cem\u003edecade as well as Concetual and Sytems-Based-Composition while \u003c\/em\u003e\u003cem\u003eintersecting the perspectives that would soon be delevoped by Fluxus, \u003c\/em\u003e\u003cem\u003ethe group Chiari would join in 1962.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Giuseppe Chiari’s “Intervalli” for piano still retain the charm of \u003c\/em\u003e\u003cem\u003ea discovery, even when considered in the context of their historical \u003c\/em\u003e\u003cem\u003eperspective. Composed within a time frame that extends throughout the \u003c\/em\u003e\u003cem\u003eentire first half of the 1950s, they are striking for the precocity of \u003c\/em\u003e\u003cem\u003etheir compositional conception based on a radical reduction of musical \u003c\/em\u003e\u003cem\u003eparameters on mathematical and rational grounds. One might also be \u003c\/em\u003e\u003cem\u003esurprised to discover that Chiari’s early compositions follow such a \u003c\/em\u003e\u003cem\u003erigorous logical approach in the organisation of musical material, \u003c\/em\u003e\u003cem\u003eparticularly in light of the subsequent direction his work took, which \u003c\/em\u003e\u003cem\u003eestablished him, within the Neo-Avant-Garde, as the most resolute and \u003c\/em\u003e\u003cem\u003edetermined exponent of gestural music—a genre thus free from any dogma \u003c\/em\u003e\u003cem\u003eor structural constraints.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In “Intervalli” Chiari focuses on the idea of a rational \u003c\/em\u003e\u003cem\u003e‘arrangement’ of the sequence of sounds and\/or their simultaneity \u003c\/em\u003e\u003cem\u003ethrough a more or less controlled system of repetitions of variants or \u003c\/em\u003e\u003cem\u003einvariants, defined by their interval features and duration. A system \u003c\/em\u003e\u003cem\u003ethat is more or less controlled, as it operates within a limited set \u003c\/em\u003e\u003cem\u003eof given possibilities, a factor that leads to a radical narrowing of \u003c\/em\u003e\u003cem\u003ethe musical parameters. The twelve pieces comprising the “Intervalli” \u003c\/em\u003e\u003cem\u003ecycle are entirely structured around a dual approach: a rigorous \u003c\/em\u003e\u003cem\u003evertical and harmonic sequence of sounds (adopted exclusively in Nos. \u003c\/em\u003e\u003cem\u003e1, 2 and 5) or their horizontal and linear arrangement (which \u003c\/em\u003e\u003cem\u003echaracterises all the remaining pieces in the cycle). In their \u003c\/em\u003e\u003cem\u003esequential development, the vertical\/chordal and horizontal\/linear \u003c\/em\u003e\u003cem\u003edirectives adopt a similar principle of conjugation, constructed \u003c\/em\u003e\u003cem\u003ethrough a system of invariants that repeats cyclically: a pivotal \u003c\/em\u003e\u003cem\u003esound is always identified—one that characterises both the chord and \u003c\/em\u003e\u003cem\u003ethe start of a linear sequence—on the basis of which a sequence of \u003c\/em\u003e\u003cem\u003einterval relationships, either free or governed by their mathematical \u003c\/em\u003e\u003cem\u003eand numerical significance, is applied alternately. In turn, this \u003c\/em\u003e\u003cem\u003epivotal sound may remain invariant (as exemplified by No. 2, where the \u003c\/em\u003e\u003cem\u003eentire interval structure of each chord is built around a central C \u003c\/em\u003e\u003cem\u003erepeated throughout), or it may be subject to variation whilst still \u003c\/em\u003e\u003cem\u003eunderpinning a numerical-interval structure that replicates certain \u003c\/em\u003e\u003cem\u003econstants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The systematic processes of limiting and repeating musical \u003c\/em\u003e\u003cem\u003eparameters will be elements that, by analogy, will later come to the \u003c\/em\u003e\u003cem\u003efore with the birth of musical minimalism. It would, however, be a \u003c\/em\u003e\u003cem\u003estretch to regard Chiari's “Intervalli” as a driving force that will \u003c\/em\u003e\u003cem\u003ehave a direct impact on the emergence and establishment of this \u003c\/em\u003e\u003cem\u003ecurrent. Whilst minimal music employs the systematic reduction of \u003c\/em\u003e\u003cem\u003eparameters and their repetition to guide unidirectional development as \u003c\/em\u003e\u003cem\u003ea gradual process, Chiari's “Intervalli” move towards an opposing \u003c\/em\u003e\u003cem\u003econcept that “explores the relationships between sounds without any \u003c\/em\u003e\u003cem\u003etemporal hierarchy” in order to achieve “music that strips succession \u003c\/em\u003e\u003cem\u003eof its discursive power”. A clear indication of an objective, almost \u003c\/em\u003e\u003cem\u003eatomistic conception of sound, aimed at deconstructing its syntactic \u003c\/em\u003e\u003cem\u003ehomologation. Hence its conceptual relevance, which cannot be equated \u003c\/em\u003e\u003cem\u003ewith the canonical currents of minimalism: a nuance that would \u003c\/em\u003e\u003cem\u003esubsequently predispose Chiari to an informal openness towards the \u003c\/em\u003e\u003cem\u003eperformative gesture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The “Intervalli” cycle thus marked Chiari’s first point of \u003c\/em\u003e\u003cem\u003earrival, but also a point of no return—save for the final decade of \u003c\/em\u003e\u003cem\u003ehis creative career, when a still surprising new recourse to musical \u003c\/em\u003e\u003cem\u003ewriting was mediated precisely by a gestural instinctiveness. Between \u003c\/em\u003e\u003cem\u003ethese two extremes, it is precisely the epiphany of the gesture—after \u003c\/em\u003e\u003cem\u003earchiving the experience carried out with “Intervalli”—that will \u003c\/em\u003e\u003cem\u003erepresent, for Chiari, the deconstructive code of the canons handed \u003c\/em\u003e\u003cem\u003edown by musical tradition, thereby opening a new and decisive chapter \u003c\/em\u003e\u003cem\u003ein his creative thinking.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e This first edition of complete “Intervalli” also includes liner \u003c\/em\u003e\u003cem\u003enotes by Gabriele Bonomo as well as the reproduction of some of the \u003c\/em\u003e\u003cem\u003epages from the original score.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Chiari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-P 58NMN187\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-11T12:00:42+09:00","created_at":"2026-05-10T09:04:47+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","new","recommended"],"price":482900,"price_min":482900,"price_max":482900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869099962618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giuseppe Chiari \/\/ Intervalli LP","public_title":null,"options":["Default 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style=\"color: rgb(255, 42, 0);\"\u003e※7月上旬再入荷後発送します（遅れております）\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eフルクサス初期メンバーとしても活動していたイタリアの実験音楽家Giuseppe Chiariが、2026年4月に同国実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1950-1956年に制作したコンセプチュアルな楽曲12曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"alga marghenは、Giuseppe Chiariによる歴史的な作品『Intervalli』を誇りを持って発表する。レイニエ・ファン・ホウトによる優雅な演奏と録音で綴られる、1950年から56年にかけてのこの時代を超越した作品は、ミニマリズムを10年先取りし、コンセプチュアル・コンポジションやシステムベース・コンポジションの先駆けとなる一方で、Chiariが1962年に参加することになるグループ「フルクサス」によってまもなく展開される視点とも交差している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Chiariのピアノのための『Intervalli』は、歴史的文脈に照らして考察したとしても、今なお「発見」の魅力を失っていない。1950年代前半の全期間にわたって作曲されたこれらの作品は、数学的・合理的な根拠に基づく音楽的パラメータの徹底的な削減という作曲概念の早熟さにおいて際立っている。Intervalliの初期作品が、音楽的素材の構成においてこれほど厳格な論理的アプローチを採っていることに驚かされるかもしれない。特に、その後の彼の作品の方向性を踏まえるとなおさらである。彼はネオ・アヴァンギャルドにおいて、いかなる教条や構造的制約からも自由なジャンルであるジェスチャー・ミュージックの、最も断固として決意に満ちた代表者として確立されたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Intervalli』において、Chiariは、音程的特徴と持続時間によって定義される変異形または不変形の反復という、多かれ少なかれ制御されたシステムを通じて、音の連なりやその同時性を合理的に「配置」するという概念に焦点を当てている。このシステムは、与えられた限られた可能性の範囲内で機能するため、多かれ少なかれ制御されたものであり、この要因が音楽的パラメータの急激な狭窄をもたらしている。『Intervalli』の連作を構成する12の作品は、すべて二つのアプローチを中心に構築されている。すなわち、厳格な垂直的・和声的な音の連なり（第1、2、5番にのみ採用）か、あるいは水平的・線的な配置（連作の残りの全作品の特徴）である。その展開において、垂直的／和声的および水平的／線形的指針は、周期的に繰り返される不変項の体系を通じて構築された、類似の結合原理を採用している。すなわち、和音と線的配列の開始点の両方を特徴づける基軸となる音が常に特定され、それを基に、自由な、あるいは数学的・数値的意義によって規定された音程関係の配列が交互に適用される。一方、この枢要な音は不変のまま留まることもあれば（第2番のように、各和音の全音程構造が全編を通じて繰り返される中心のCを軸に構築されている例が挙げられる）、あるいは変容を遂げつつも、特定の定数を再現する数値的・音程的構造を支え続けることもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽的パラメータを限定し反復するという体系的なプロセスは、類推すれば、後に音楽的ミニマリズムの誕生とともに前面に出てくる要素となるだろう。しかし、Chiariの『Intervalli』を、この潮流の出現と確立に直接的な影響を与える原動力と見なすのは、無理があるだろう。ミニマル・ミュージックがパラメータの体系的な削減と反復を用いて、漸進的なプロセスとしての単方向的な展開を導くのに対し、Chiariの『Intervalli』は、「音楽から連続性の言説的力を剥ぎ取る」ために、「時間的な階層性を一切持たない音の関係性を探求する」という対極的な概念へと向かっている。これは、音の統語的同型性を解体することを目的とした、客観的かつほぼ原子論的な音概念の明確な表れである。ゆえに、その概念的意義はミニマリズムの正統的な潮流とは同列に扱えない。このニュアンスこそが、後にChiariを演奏的ジェスチャーに対する形式にとらわれない開放性へと導くことになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして『Intervalli』の連作は、Chiariにとって最初の到達点であると同時に、もはや後戻りできない分岐点でもあった――ただし、創作活動の最後の10年間を除いては。その時期、音楽的書法への驚くべき新たなアプローチが、まさにジェスチャー的な直感性によって媒介されたのである。これら両極端の間において、まさに『Intervalli』で積み重ねられた経験をアーカイブ化した後の、ジェスチャーへの啓示こそが、Chiariにとって音楽的伝統によって受け継がれてきた規範の脱構築的コードとなり、それによって彼の創作思想において新たかつ決定的な一章を切り開くことになるのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Intervalli』全曲集の初版には、ガブリエレ・ボノモによるライナーノーツに加え、原譜の一部ページの複製も収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ShH9sJrzugs?si=zvLIrHP8sAwJhwUk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"alga marghen proudly presents the historical “Intervalli” by \u003c\/em\u003e\u003cem\u003eGiuseppe Chiari, a world premiere of the compete cycle of 12 \u003c\/em\u003e\u003cem\u003e“Intervalli”. Elegantly performed and recorded by Reinier Van Houdt, \u003c\/em\u003e\u003cem\u003ethis timeless composition from 1950-56 anticipates Minimalist by a \u003c\/em\u003e\u003cem\u003edecade as well as Concetual and Sytems-Based-Composition while \u003c\/em\u003e\u003cem\u003eintersecting the perspectives that would soon be delevoped by Fluxus, \u003c\/em\u003e\u003cem\u003ethe group Chiari would join in 1962.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Giuseppe Chiari’s “Intervalli” for piano still retain the charm of \u003c\/em\u003e\u003cem\u003ea discovery, even when considered in the context of their historical \u003c\/em\u003e\u003cem\u003eperspective. Composed within a time frame that extends throughout the \u003c\/em\u003e\u003cem\u003eentire first half of the 1950s, they are striking for the precocity of \u003c\/em\u003e\u003cem\u003etheir compositional conception based on a radical reduction of musical \u003c\/em\u003e\u003cem\u003eparameters on mathematical and rational grounds. One might also be \u003c\/em\u003e\u003cem\u003esurprised to discover that Chiari’s early compositions follow such a \u003c\/em\u003e\u003cem\u003erigorous logical approach in the organisation of musical material, \u003c\/em\u003e\u003cem\u003eparticularly in light of the subsequent direction his work took, which \u003c\/em\u003e\u003cem\u003eestablished him, within the Neo-Avant-Garde, as the most resolute and \u003c\/em\u003e\u003cem\u003edetermined exponent of gestural music—a genre thus free from any dogma \u003c\/em\u003e\u003cem\u003eor structural constraints.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In “Intervalli” Chiari focuses on the idea of a rational \u003c\/em\u003e\u003cem\u003e‘arrangement’ of the sequence of sounds and\/or their simultaneity \u003c\/em\u003e\u003cem\u003ethrough a more or less controlled system of repetitions of variants or \u003c\/em\u003e\u003cem\u003einvariants, defined by their interval features and duration. A system \u003c\/em\u003e\u003cem\u003ethat is more or less controlled, as it operates within a limited set \u003c\/em\u003e\u003cem\u003eof given possibilities, a factor that leads to a radical narrowing of \u003c\/em\u003e\u003cem\u003ethe musical parameters. The twelve pieces comprising the “Intervalli” \u003c\/em\u003e\u003cem\u003ecycle are entirely structured around a dual approach: a rigorous \u003c\/em\u003e\u003cem\u003evertical and harmonic sequence of sounds (adopted exclusively in Nos. \u003c\/em\u003e\u003cem\u003e1, 2 and 5) or their horizontal and linear arrangement (which \u003c\/em\u003e\u003cem\u003echaracterises all the remaining pieces in the cycle). In their \u003c\/em\u003e\u003cem\u003esequential development, the vertical\/chordal and horizontal\/linear \u003c\/em\u003e\u003cem\u003edirectives adopt a similar principle of conjugation, constructed \u003c\/em\u003e\u003cem\u003ethrough a system of invariants that repeats cyclically: a pivotal \u003c\/em\u003e\u003cem\u003esound is always identified—one that characterises both the chord and \u003c\/em\u003e\u003cem\u003ethe start of a linear sequence—on the basis of which a sequence of \u003c\/em\u003e\u003cem\u003einterval relationships, either free or governed by their mathematical \u003c\/em\u003e\u003cem\u003eand numerical significance, is applied alternately. In turn, this \u003c\/em\u003e\u003cem\u003epivotal sound may remain invariant (as exemplified by No. 2, where the \u003c\/em\u003e\u003cem\u003eentire interval structure of each chord is built around a central C \u003c\/em\u003e\u003cem\u003erepeated throughout), or it may be subject to variation whilst still \u003c\/em\u003e\u003cem\u003eunderpinning a numerical-interval structure that replicates certain \u003c\/em\u003e\u003cem\u003econstants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The systematic processes of limiting and repeating musical \u003c\/em\u003e\u003cem\u003eparameters will be elements that, by analogy, will later come to the \u003c\/em\u003e\u003cem\u003efore with the birth of musical minimalism. It would, however, be a \u003c\/em\u003e\u003cem\u003estretch to regard Chiari's “Intervalli” as a driving force that will \u003c\/em\u003e\u003cem\u003ehave a direct impact on the emergence and establishment of this \u003c\/em\u003e\u003cem\u003ecurrent. Whilst minimal music employs the systematic reduction of \u003c\/em\u003e\u003cem\u003eparameters and their repetition to guide unidirectional development as \u003c\/em\u003e\u003cem\u003ea gradual process, Chiari's “Intervalli” move towards an opposing \u003c\/em\u003e\u003cem\u003econcept that “explores the relationships between sounds without any \u003c\/em\u003e\u003cem\u003etemporal hierarchy” in order to achieve “music that strips succession \u003c\/em\u003e\u003cem\u003eof its discursive power”. A clear indication of an objective, almost \u003c\/em\u003e\u003cem\u003eatomistic conception of sound, aimed at deconstructing its syntactic \u003c\/em\u003e\u003cem\u003ehomologation. Hence its conceptual relevance, which cannot be equated \u003c\/em\u003e\u003cem\u003ewith the canonical currents of minimalism: a nuance that would \u003c\/em\u003e\u003cem\u003esubsequently predispose Chiari to an informal openness towards the \u003c\/em\u003e\u003cem\u003eperformative gesture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The “Intervalli” cycle thus marked Chiari’s first point of \u003c\/em\u003e\u003cem\u003earrival, but also a point of no return—save for the final decade of \u003c\/em\u003e\u003cem\u003ehis creative career, when a still surprising new recourse to musical \u003c\/em\u003e\u003cem\u003ewriting was mediated precisely by a gestural instinctiveness. Between \u003c\/em\u003e\u003cem\u003ethese two extremes, it is precisely the epiphany of the gesture—after \u003c\/em\u003e\u003cem\u003earchiving the experience carried out with “Intervalli”—that will \u003c\/em\u003e\u003cem\u003erepresent, for Chiari, the deconstructive code of the canons handed \u003c\/em\u003e\u003cem\u003edown by musical tradition, thereby opening a new and decisive chapter \u003c\/em\u003e\u003cem\u003ein his creative thinking.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e This first edition of complete “Intervalli” also includes liner \u003c\/em\u003e\u003cem\u003enotes by Gabriele Bonomo as well as the reproduction of some of the \u003c\/em\u003e\u003cem\u003epages from the original score.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Chiari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-P 58NMN187\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※7月上旬再入荷後発送します（遅れております） フルクサス初期メンバーとしても活動していたイタリアの実験音楽家Giuseppe Chiariが、2026年4月に同国実験レーベルAlga Marghenからリリースしたレコードです。 1950-1956年に制作したコンセプチュアルな楽曲12曲を収録。インサート付属。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "alga marghenは、Giuseppe Chiariによる歴史的な作品『Intervalli』を誇りを持って発表する。レイニエ・ファン・ホウトによる優雅な演奏と録音で綴られる、1950年から56年にかけてのこの時代を超越した作品は、ミニマリズムを10年先取りし、コンセプチュアル・コンポジションやシステムベース・コンポジションの先駆けとなる一方で、Chiariが1962年に参加することになるグループ「フルクサス」によってまもなく展開される視点とも交差している。 Giuseppe Chiariのピアノのための『Intervalli』は、歴史的文脈に照らして考察したとしても、今なお「発見」の魅力を失っていない。1950年代前半の全期間にわたって作曲されたこれらの作品は、数学的・合理的な根拠に基づく音楽的パラメータの徹底的な削減という作曲概念の早熟さにおいて際立っている。Intervalliの初期作品が、音楽的素材の構成においてこれほど厳格な論理的アプローチを採っていることに驚かされるかもしれない。特に、その後の彼の作品の方向性を踏まえるとなおさらである。彼はネオ・アヴァンギャルドにおいて、いかなる教条や構造的制約からも自由なジャンルであるジェスチャー・ミュージックの、最も断固として決意に満ちた代表者として確立されたのである。 『Intervalli』において、Chiariは、音程的特徴と持続時間によって定義される変異形または不変形の反復という、多かれ少なかれ制御されたシステムを通じて、音の連なりやその同時性を合理的に「配置」するという概念に焦点を当てている。このシステムは、与えられた限られた可能性の範囲内で機能するため、多かれ少なかれ制御されたものであり、この要因が音楽的パラメータの急激な狭窄をもたらしている。『Intervalli』の連作を構成する12の作品は、すべて二つのアプローチを中心に構築されている。すなわち、厳格な垂直的・和声的な音の連なり（第1、2、5番にのみ採用）か、あるいは水平的・線的な配置（連作の残りの全作品の特徴）である。その展開において、垂直的／和声的および水平的／線形的指針は、周期的に繰り返される不変項の体系を通じて構築された、類似の結合原理を採用している。すなわち、和音と線的配列の開始点の両方を特徴づける基軸となる音が常に特定され、それを基に、自由な、あるいは数学的・数値的意義によって規定された音程関係の配列が交互に適用される。一方、この枢要な音は不変のまま留まることもあれば（第2番のように、各和音の全音程構造が全編を通じて繰り返される中心のCを軸に構築されている例が挙げられる）、あるいは変容を遂げつつも、特定の定数を再現する数値的・音程的構造を支え続けることもある。 音楽的パラメータを限定し反復するという体系的なプロセスは、類推すれば、後に音楽的ミニマリズムの誕生とともに前面に出てくる要素となるだろう。しかし、Chiariの『Intervalli』を、この潮流の出現と確立に直接的な影響を与える原動力と見なすのは、無理があるだろう。ミニマル・ミュージックがパラメータの体系的な削減と反復を用いて、漸進的なプロセスとしての単方向的な展開を導くのに対し、Chiariの『Intervalli』は、「音楽から連続性の言説的力を剥ぎ取る」ために、「時間的な階層性を一切持たない音の関係性を探求する」という対極的な概念へと向かっている。これは、音の統語的同型性を解体することを目的とした、客観的かつほぼ原子論的な音概念の明確な表れである。ゆえに、その概念的意義はミニマリズムの正統的な潮流とは同列に扱えない。このニュアンスこそが、後にChiariを演奏的ジェスチャーに対する形式にとらわれない開放性へと導くことになる。...
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{"id":9221939986682,"title":"Rumil Vildanov \/\/ Kino Variants 1967-1986 2xLP","handle":"rumil-vildanov-kino-variants-1967-1986-2xlp","description":"\u003cp\u003eウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1967-1986年に制作した映画音楽82曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003e2026 vinyl reissue of the work of\u003cspan\u003e 20th century Uzbek composer \u003c\/span\u003eRumil Vildano. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Abstract Variants\u003cbr\u003eB. Orchestral Variants\u003cbr\u003eC. Rubab Variants\u003cbr\u003eD. Titles Variants\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed inner sleeves and issued in highly limited edition of 300 copies on black vinyl - provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the \"Ennio Morricone of Central Asia\". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts - all created to accompany moving image - totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents, which have, until now, remained almost entirely unheard beyond the time and place within which he worked - contributes a significant historical counterpoint to standing perceptions connected to artistic expression under Soviet rule, placing the composer's engrossing contribution to post-war music within the broader context it deserves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRumil Vildanov was born into an intellectual family in Bishkek, Uzbekistan, in 1939. His musical education began early, eventually leading him to the Tashkent conservatory, where he studied composition. For the entirety of Vildanov's life, Uzbekistan made up an important part of the Soviet Union, representing one of its most diverse regions, being an ethnic and cultural melting pot at the axis between Europe, the Middle East, and Asia. While often subtle, all of these elements - working within a context of Soviet state control, and the influences of numerous cultural touchstones - offered a guiding undercurrent to the sprawling body of work that Vildanov produced between the early 1960s and his death in 1987. While he taught for most of his professional life - first at the conservatory between 1962 and 68, then at a prominent music school for children 1968 and 1981, before returning to the conservatory during the last years of his life - playing a significant role in shaping subsequent generations of Uzbek artists - his career as a composer was widely celebrated in his own time, winning him the Republican state prize for his sprawling body of chamber and symphonic works, as well for his efforts working in musical theatre, ballet, children's puppet theater, and eventually film. It was arguably in the latter form, that the composer found his greatest vehicle for expression. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became \"obsessed with making music for cinema\" and remained deeply connected to the field for the rest of his life - collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov - contributing to some of the most significant and highly regarded soundtrack works - acclaimed for their richness and diversity - of Soviet and Uzbek cinema during the second half of the 20th Century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones across its 82 pieces. Curated thematically rather than strictly chronologically - offering track information and pointing toward the associated film and scene of each in the album's liner notes - the collection begins with 29 Abstract Variations of various durations, rendered on a range of instruments - synthesizer, harp, harpsichord, and timpani, among numerous others - in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. Rather than simple fragments or short passages intended to add dramatic effect through their association with moving image, Vildanov's \"abstractions\" stand autonomously as impactful sonic miniatures, revealing particularly singular sensibilities for structure, attack, and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second side of the collection offers an immersion into Vildanov's Orchestral Variations, which move between constrained and encompassing scales of instrumental combination. Traversing a remarkable range of sonic expressiveness and creative vision - continuously defying expectation, individually and collectively, as they unfold - these variations offer further illumination of the composer's talent and versatility. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities, becoming particularly striking in instances where the inner conversations and conjunctions are bent and twisted through the composer's striking combinations of synthesizers and orchestral instruments, having few parallels, before or since.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, Rubab Variations and Titles Variations. The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia, similar to the Indian Sarod, that has strong presence in Uzbekistan. The instrument's sound and cultural plurality presents a perfect mirror to the diversity and cultural multiplicity of the composer's home. Ranging from solo pieces, imbued with an aching sense of poetry, to more complex multi-instrumental arguments and various electronic interventions - each standing among the most authentic and distinct musical hybrids composed during the 20th Century - as the instrument's percussive tonality dances in space, Vildanov's Rubab Variations bend time and place, seeding experimentalism with the richness of ancient tradition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitles Variations, the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. A fitting conclusion, distilling decades spent traversing the multifaceted possibilities of organized sound, as well as the radical possibilities activated through its combination with film, this grouping encompasses moving orchestral pieces, minimal gestures, meditative passages, and subtle sonic experiments, each packing a powerful punch - creatively as much as emotively - into the relatively discreet scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOffering a social, cultural, and historical revelation, casting light upon one of the most unique and overlooked composers working behind the Iron Curtain during the 1960s, '70s, and '80s, Rumil Vildanov's Kino Variants 1967-1986, issued by Von as a deluxe 2LP set in highly limited edition of 300 copies on black vinyl - complete with printed inner sleeves, providing extensive information on the 82 pieces comprised across its four sides - is nothing short of a towering accomplishment, immersing the ear in truly visionary sounds that upend longstanding perceptions of the nature of 20th Century sounds. Curated and researched by Carlos Casas and Saodat Ismailova, meticolous audio restoration and mastering by Andrea Marutti give these archival recordings the presence and clarity they deserve. Truly incredible and not to be missed. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rumil Vildanov\u003c\/p\u003e\n\u003cp\u003eLabel : Von\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVON 020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T05:17:58+09:00","created_at":"2026-05-10T08:47:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","strange beats"],"price":634000,"price_min":634000,"price_max":634000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869067784442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rumil Vildanov \/\/ Kino Variants 1967-1986 2xLP","public_title":null,"options":["Default Title"],"price":634000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","options":["Title"],"media":[{"alt":null,"id":39322129563898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":357,"width":357,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190"},"aspect_ratio":1.0,"height":357,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","width":357},{"alt":null,"id":39322129531130,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1967-1986年に制作した映画音楽82曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003e2026 vinyl reissue of the work of\u003cspan\u003e 20th century Uzbek composer \u003c\/span\u003eRumil Vildano. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Abstract Variants\u003cbr\u003eB. Orchestral Variants\u003cbr\u003eC. Rubab Variants\u003cbr\u003eD. Titles Variants\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed inner sleeves and issued in highly limited edition of 300 copies on black vinyl - provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the \"Ennio Morricone of Central Asia\". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts - all created to accompany moving image - totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents, which have, until now, remained almost entirely unheard beyond the time and place within which he worked - contributes a significant historical counterpoint to standing perceptions connected to artistic expression under Soviet rule, placing the composer's engrossing contribution to post-war music within the broader context it deserves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRumil Vildanov was born into an intellectual family in Bishkek, Uzbekistan, in 1939. His musical education began early, eventually leading him to the Tashkent conservatory, where he studied composition. For the entirety of Vildanov's life, Uzbekistan made up an important part of the Soviet Union, representing one of its most diverse regions, being an ethnic and cultural melting pot at the axis between Europe, the Middle East, and Asia. While often subtle, all of these elements - working within a context of Soviet state control, and the influences of numerous cultural touchstones - offered a guiding undercurrent to the sprawling body of work that Vildanov produced between the early 1960s and his death in 1987. While he taught for most of his professional life - first at the conservatory between 1962 and 68, then at a prominent music school for children 1968 and 1981, before returning to the conservatory during the last years of his life - playing a significant role in shaping subsequent generations of Uzbek artists - his career as a composer was widely celebrated in his own time, winning him the Republican state prize for his sprawling body of chamber and symphonic works, as well for his efforts working in musical theatre, ballet, children's puppet theater, and eventually film. It was arguably in the latter form, that the composer found his greatest vehicle for expression. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became \"obsessed with making music for cinema\" and remained deeply connected to the field for the rest of his life - collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov - contributing to some of the most significant and highly regarded soundtrack works - acclaimed for their richness and diversity - of Soviet and Uzbek cinema during the second half of the 20th Century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones across its 82 pieces. Curated thematically rather than strictly chronologically - offering track information and pointing toward the associated film and scene of each in the album's liner notes - the collection begins with 29 Abstract Variations of various durations, rendered on a range of instruments - synthesizer, harp, harpsichord, and timpani, among numerous others - in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. Rather than simple fragments or short passages intended to add dramatic effect through their association with moving image, Vildanov's \"abstractions\" stand autonomously as impactful sonic miniatures, revealing particularly singular sensibilities for structure, attack, and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second side of the collection offers an immersion into Vildanov's Orchestral Variations, which move between constrained and encompassing scales of instrumental combination. Traversing a remarkable range of sonic expressiveness and creative vision - continuously defying expectation, individually and collectively, as they unfold - these variations offer further illumination of the composer's talent and versatility. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities, becoming particularly striking in instances where the inner conversations and conjunctions are bent and twisted through the composer's striking combinations of synthesizers and orchestral instruments, having few parallels, before or since.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, Rubab Variations and Titles Variations. The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia, similar to the Indian Sarod, that has strong presence in Uzbekistan. The instrument's sound and cultural plurality presents a perfect mirror to the diversity and cultural multiplicity of the composer's home. Ranging from solo pieces, imbued with an aching sense of poetry, to more complex multi-instrumental arguments and various electronic interventions - each standing among the most authentic and distinct musical hybrids composed during the 20th Century - as the instrument's percussive tonality dances in space, Vildanov's Rubab Variations bend time and place, seeding experimentalism with the richness of ancient tradition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitles Variations, the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. A fitting conclusion, distilling decades spent traversing the multifaceted possibilities of organized sound, as well as the radical possibilities activated through its combination with film, this grouping encompasses moving orchestral pieces, minimal gestures, meditative passages, and subtle sonic experiments, each packing a powerful punch - creatively as much as emotively - into the relatively discreet scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOffering a social, cultural, and historical revelation, casting light upon one of the most unique and overlooked composers working behind the Iron Curtain during the 1960s, '70s, and '80s, Rumil Vildanov's Kino Variants 1967-1986, issued by Von as a deluxe 2LP set in highly limited edition of 300 copies on black vinyl - complete with printed inner sleeves, providing extensive information on the 82 pieces comprised across its four sides - is nothing short of a towering accomplishment, immersing the ear in truly visionary sounds that upend longstanding perceptions of the nature of 20th Century sounds. Curated and researched by Carlos Casas and Saodat Ismailova, meticolous audio restoration and mastering by Andrea Marutti give these archival recordings the presence and clarity they deserve. Truly incredible and not to be missed. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rumil Vildanov\u003c\/p\u003e\n\u003cp\u003eLabel : Von\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVON 020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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ウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。 1967-1986年に制作した映画音楽82曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ----------------------------------------------------- Ask us for digital files. 2 x 12" black vinyl.2026...
¥6,340
クイックビュー
{"id":9221938807034,"title":"Pino Musi, Paolo Spaccamonti \/\/ Border Soundscapes II LP+PHOTOBOOK","handle":"pino-musi-paolo-spaccamonti-border-soundscapes-ii-lp","description":"\u003cp\u003eイタリアの写真家Pino MusiとギタリストPaolo Spaccamontiが、2026年4月に同国実験レーベル\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン〜アンビエントドローン2曲を収録。3.5メートルのアコーディオン型写真集と直筆サインが付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的なサウンドの現代的な風景への、近年の驚くべき没入を土台として、Die Schachtelは、これまでで最も印象的なリリースの一つとなる『Border Soundscapes II』を携えて帰ってきた。本作は、学際的な実践の境界において長年にわたり積み重ねてきた彼らの取り組みを、深い達成感と優雅さをもって凝縮したものである。レーベル所属のブルーノ・ストゥッキが企画・監修を務め、グラフィックデザインも手掛けたこの非常に特別なヴァイナル限定アート・エディションは、ギタリスト兼作曲家のPaolo Spaccamontiが、著名な写真家Pino Musiとの幽玄なコラボレーションを展開している。アーティストが厳選した24枚の画像は、本作に付属する全長3.5メートルのレポレロ（アコーディオン式）ブックとして刊行され、アルバムの両面に広がる、細部と雰囲気に満ちた抽象的な音響の楽譜として機能している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサレルノ生まれで現在はパリを拠点とするPino Musiの写真は、世界中で広く展示され、ヴェネチア・ビエンナーレでも紹介されている。現代建築、古代遺跡、製鉄所、農村の建築、都市の景観などを題材とし、純粋な形態と構図の抽象性に焦点を当てている。トリノを拠点とするギタリスト兼作曲家のPaolo Spaccamontiは、20年以上にわたり、数多くの創造的分野でサウンドを扱い、アインシュトゥルツェンデ・ノイバウテンのヨッヘン・アーバイトから、ステファノ・ピリア、リッカルド・シニガリア、ジム・ホワイトといった作曲家たちに至るまで、幅広いアーティストと密接なコラボレーションを行ってきた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusiの写真の根底にある要素を映し出すような、深い抽象性と空間感覚に満ちたPaolo Spaccamontiのギターによる演奏は、しばしばギターとは認識できないほど変容し、アルバムの両面にわたって驚くべき幅広さで展開される。そこには、インダストリアルな響きを帯びた金属音や擦れる音、吸収された音色、濃厚なディストーションのパッセージ、重なり合い変化するドローン、絶えず聴き手を驚かせる音高や音色のアクセント、そして解体されたメロディが、これらすべての要素を単一のまとまりある世界へと結びつける広大なアンビエンスの中に埋め込まれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2127502197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in silkscreened cover. \u003cbr\u003eIncludes insert + 3.60m long leporello (accordion-style) photo book.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Border Soundscapes II - Side A 20:00\u003cbr\u003e2. Border Soundscapes II - Side B 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBuilding upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated and curated by the label's own Bruno Stucchi, who also contributed the release's graphic design, this very special vinyl only art edition encounters the guitarist and composer, Paolo Spaccamonti, operating in spectral collaboration with the renowned photographs of Pino Musi: utilizing 24 images selected by the artist, published as a three and a half meter long leporello (accordion style) book that accompanies the edition, as the score for the detail and ambience laden abstractions that sprawl across the album's two sides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn in Salerno, but currently based in Paris, Pino Musi's photographs, exhibited widely across the globe and featured in the Venice Biennale, utilize modern architecture, classical ruins, steel mills, rural architecture, and urban cityscapes as their subjects, focused on pure form and compositional abstraction. Paolo Spaccamonti is a Turin-based guitarist and\u003cspan class=\"bcTruncateMore\"\u003e composer who, for more than two decades, has worked with sound across numerous creative disciplines, bringing him into intimate collaboration with everyone from Jochen Arbeit of Einstürzende Neubauten, to composers like Stefano Pilia, Riccardo Sinigaglia, Jim White, and numerous others.\u003cbr\u003e\u003cbr\u003eImbued with a deep sense of abstraction and space that mirrors the foundational elements of Musi's photographs, Spaccamonti's work on guitar, often unrecognizable as such, unfurls across the album's two sides with a striking degree of range, embracing a palette of industrially tinged clangs and scrapes, subsumed tones, passages of dense distortion, overlapping and shifting drones, endlessly surprising tonal and timbral punctuations, and deconstructed melodies, embedded within the sprawling ambiences that bind these actions within a single, cohesive world.\u003cbr\u003e\u003cbr\u003eIssued as a very special vinyl only art edition, limited to 200 copies, housed in a silkscreened sleeve, hand-signed by Musi, Spaccamonti, and Stucchi, accompanied by a three and a half meter long leporello book comprising Musi's 24 photographs. Truly amazing and not to be missed.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Pino Musi, Paolo Spaccamonti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eZEIT 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T05:14:19+09:00","created_at":"2026-05-10T08:40:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","drone","lp","new"],"price":1150000,"price_min":1150000,"price_max":1150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869064573178,"title":"Default Title","option1":"Default 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Title"],"price":1150000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_4aad68a4-8cb0-47b4-9d26-5e83d9d2e8ae.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/pi3_f2f3bd65-329f-47a7-85d5-2ee043ae1378.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/pi4.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/di5.jpg?v=1778369905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905","options":["Title"],"media":[{"alt":null,"id":39322122092794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905","width":350},{"alt":null,"id":39322122125562,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_4aad68a4-8cb0-47b4-9d26-5e83d9d2e8ae.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_4aad68a4-8cb0-47b4-9d26-5e83d9d2e8ae.jpg?v=1778369905","width":1200},{"alt":null,"id":39322122158330,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi3_f2f3bd65-329f-47a7-85d5-2ee043ae1378.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi3_f2f3bd65-329f-47a7-85d5-2ee043ae1378.jpg?v=1778369905","width":1200},{"alt":null,"id":39322122191098,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi4.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi4.jpg?v=1778369905","width":1200},{"alt":null,"id":39322122060026,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di5.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di5.jpg?v=1778369905","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの写真家Pino MusiとギタリストPaolo Spaccamontiが、2026年4月に同国実験レーベル\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン〜アンビエントドローン2曲を収録。3.5メートルのアコーディオン型写真集と直筆サインが付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的なサウンドの現代的な風景への、近年の驚くべき没入を土台として、Die Schachtelは、これまでで最も印象的なリリースの一つとなる『Border Soundscapes II』を携えて帰ってきた。本作は、学際的な実践の境界において長年にわたり積み重ねてきた彼らの取り組みを、深い達成感と優雅さをもって凝縮したものである。レーベル所属のブルーノ・ストゥッキが企画・監修を務め、グラフィックデザインも手掛けたこの非常に特別なヴァイナル限定アート・エディションは、ギタリスト兼作曲家のPaolo Spaccamontiが、著名な写真家Pino Musiとの幽玄なコラボレーションを展開している。アーティストが厳選した24枚の画像は、本作に付属する全長3.5メートルのレポレロ（アコーディオン式）ブックとして刊行され、アルバムの両面に広がる、細部と雰囲気に満ちた抽象的な音響の楽譜として機能している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサレルノ生まれで現在はパリを拠点とするPino Musiの写真は、世界中で広く展示され、ヴェネチア・ビエンナーレでも紹介されている。現代建築、古代遺跡、製鉄所、農村の建築、都市の景観などを題材とし、純粋な形態と構図の抽象性に焦点を当てている。トリノを拠点とするギタリスト兼作曲家のPaolo Spaccamontiは、20年以上にわたり、数多くの創造的分野でサウンドを扱い、アインシュトゥルツェンデ・ノイバウテンのヨッヘン・アーバイトから、ステファノ・ピリア、リッカルド・シニガリア、ジム・ホワイトといった作曲家たちに至るまで、幅広いアーティストと密接なコラボレーションを行ってきた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusiの写真の根底にある要素を映し出すような、深い抽象性と空間感覚に満ちたPaolo Spaccamontiのギターによる演奏は、しばしばギターとは認識できないほど変容し、アルバムの両面にわたって驚くべき幅広さで展開される。そこには、インダストリアルな響きを帯びた金属音や擦れる音、吸収された音色、濃厚なディストーションのパッセージ、重なり合い変化するドローン、絶えず聴き手を驚かせる音高や音色のアクセント、そして解体されたメロディが、これらすべての要素を単一のまとまりある世界へと結びつける広大なアンビエンスの中に埋め込まれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2127502197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in silkscreened cover. \u003cbr\u003eIncludes insert + 3.60m long leporello (accordion-style) photo book.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Border Soundscapes II - Side A 20:00\u003cbr\u003e2. Border Soundscapes II - Side B 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBuilding upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated and curated by the label's own Bruno Stucchi, who also contributed the release's graphic design, this very special vinyl only art edition encounters the guitarist and composer, Paolo Spaccamonti, operating in spectral collaboration with the renowned photographs of Pino Musi: utilizing 24 images selected by the artist, published as a three and a half meter long leporello (accordion style) book that accompanies the edition, as the score for the detail and ambience laden abstractions that sprawl across the album's two sides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn in Salerno, but currently based in Paris, Pino Musi's photographs, exhibited widely across the globe and featured in the Venice Biennale, utilize modern architecture, classical ruins, steel mills, rural architecture, and urban cityscapes as their subjects, focused on pure form and compositional abstraction. Paolo Spaccamonti is a Turin-based guitarist and\u003cspan class=\"bcTruncateMore\"\u003e composer who, for more than two decades, has worked with sound across numerous creative disciplines, bringing him into intimate collaboration with everyone from Jochen Arbeit of Einstürzende Neubauten, to composers like Stefano Pilia, Riccardo Sinigaglia, Jim White, and numerous others.\u003cbr\u003e\u003cbr\u003eImbued with a deep sense of abstraction and space that mirrors the foundational elements of Musi's photographs, Spaccamonti's work on guitar, often unrecognizable as such, unfurls across the album's two sides with a striking degree of range, embracing a palette of industrially tinged clangs and scrapes, subsumed tones, passages of dense distortion, overlapping and shifting drones, endlessly surprising tonal and timbral punctuations, and deconstructed melodies, embedded within the sprawling ambiences that bind these actions within a single, cohesive world.\u003cbr\u003e\u003cbr\u003eIssued as a very special vinyl only art edition, limited to 200 copies, housed in a silkscreened sleeve, hand-signed by Musi, Spaccamonti, and Stucchi, accompanied by a three and a half meter long leporello book comprising Musi's 24 photographs. Truly amazing and not to be missed.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Pino Musi, Paolo Spaccamonti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eZEIT 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの写真家Pino MusiとギタリストPaolo Spaccamontiが、2026年4月に同国実験レーベルDie Schachtelからリリースした共作レコードです。 ロングフォームなドローン〜アンビエントドローン2曲を収録。3.5メートルのアコーディオン型写真集と直筆サインが付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "実験的なサウンドの現代的な風景への、近年の驚くべき没入を土台として、Die Schachtelは、これまでで最も印象的なリリースの一つとなる『Border Soundscapes II』を携えて帰ってきた。本作は、学際的な実践の境界において長年にわたり積み重ねてきた彼らの取り組みを、深い達成感と優雅さをもって凝縮したものである。レーベル所属のブルーノ・ストゥッキが企画・監修を務め、グラフィックデザインも手掛けたこの非常に特別なヴァイナル限定アート・エディションは、ギタリスト兼作曲家のPaolo Spaccamontiが、著名な写真家Pino Musiとの幽玄なコラボレーションを展開している。アーティストが厳選した24枚の画像は、本作に付属する全長3.5メートルのレポレロ（アコーディオン式）ブックとして刊行され、アルバムの両面に広がる、細部と雰囲気に満ちた抽象的な音響の楽譜として機能している。 サレルノ生まれで現在はパリを拠点とするPino...
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{"id":9221247959290,"title":"Aaron Shaw \/\/ And So It Is LP","handle":"aaron-shaw-and-so-it-is-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Waxをはじめ、LAのジャズ、ヒップホップ、ラップ、エレクトロニック、実験音楽シーンにおいて、名だたるベテランから新進気鋭、アンダーグラウンドのアーティストに至るまで、数多くのアーティストと共演している。ラデラ・ハイツで生まれ育った彼は、フェルナンド・プラム・コミュニティ・アーツ・センターやLAカウンティ・ハイスクール・フォー・ザ・アーツ（LACHSA）で腕を磨き、やがてカマシ・ワシントンの指導を受けるようになった。2025年リリースの『Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople』では、全編にわたりカマシ・ワシントンとの音楽的な対話を繰り広げている。長年の研鑽、献身、そしてライブ活動を経て、初のフルアルバムリリースへの道のりは険しいものとなっ\u003c\/em\u003e\u003cem\u003eた。2月13日にLeaving Recordsよりリリースされる『And So It Is』は、すでに並外れた才能を持つ彼に突きつけられた、肉体的、音楽的、そして精神的な変容を記録した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、27歳の時、数ヶ月にわたる不穏な症状と医療上の行き詰まりを経て、Shawは骨髄不全と診断された。彼はこの状況を「厳しい」と簡潔に表現している。そのような診断に伴う疎外感、疲労、恐怖――果てしない検査や治療プロトコルは言うまでもなく――6年生以来、意識的に人生を捧げてきた音楽という技芸そのものを奏でるShawの能力が、突如として根本から覆された。核心となったのはShawの赤血球数と、十分な酸素を供給できない状態だった。管楽器の原動力である「息」が、今や不足していたのだ。かつてはごく普通のライブだったものが、医療的な賭け事へと変わった。ステージまで何段の階段があるか？標高の高いアイディルワイルドで演奏できるだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後の受容のプロセスは（重大な健康上の試練がそうであるように）困難で、直線的ではなかった。感情的な消耗（泣き崩れる時期、社会的孤立）の時期と、自身の限界を克服しようとする勇敢な試み（新しいマウスピースやリードの試行、姿勢の変更）が交錯していた。当初、音色の変化に苛立ちを覚えたShawだったが、それを乗り越えた。音楽を奏でることが、依然として彼にとって最大の慰めだったのだ。この自己療法と、新たな演奏スタイルという制約の中で、楽曲は徐々に形を成していった。「And So It Is（そういうことなのだ）」——Shawが教会音楽に浸っていた幼少期に遡るこの言葉は、この創作期間のマントラとなり、やがてアルバムタイトルとなった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeaving Recordsの関連アーティストであるカルロス・ニーニョ（パーカッショニストであり、特にアンドレ3000の『New Blue Sun』のプロデューサーとしても知られる）の温かい見守りの下、『And So It Is』は徐々に形を成していった。これは、絶望と孤立の深淵、そして自らの死と向き合うことから生まれる奇妙な明晰さを掘り下げる、8曲からなる連作である。その名にふさわしい1曲目「Soul Journey」が、リスナーをその世界へと導く。最初は不協和で、物思いにふけり、まるで雨に打たれたような動きが、より集中し推進力のある中間部へと移行する（ここには、前進への意欲を感じさせる粘り強さがある）。そして徐々に、チェロとハープの響きの上に落ち着いていく。『And So It Is』は全編を通じて内省的な視点を保ちつつ、超越的な瞬間も存在する。それは、Shawを悩ませていた個人的な懸念が、音楽形式の発見と表現における純粋な喜びへと道を譲るかのような瞬間である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1718169522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soul Journey 04:31\u003cbr\u003e2. Heart of a Phoenix 09:27\u003cbr\u003e3. Windows to the Soul 05:01\u003cbr\u003e4. The Path to Clarity 03:48\u003cbr\u003e5. Echoes of the Heart 02:52\u003cbr\u003e6. Jubilant Voyage 05:10\u003cbr\u003e7. Inner Compass 04:41\u003cbr\u003e8. Never Catch Me Out of Alignment 06:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. And So It Is, out February 13th on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent.\u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude?\u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title.\u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) And So It Is slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR297\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-09T15:01:59+09:00","created_at":"2026-05-09T10:01:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new"],"price":449500,"price_min":449500,"price_max":449500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48866125807866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aaron Shaw \/\/ And So It Is LP","public_title":null,"options":["Default Title"],"price":449500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"198704743085","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","options":["Title"],"media":[{"alt":null,"id":39310060126458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","width":350},{"alt":null,"id":39310060159226,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Waxをはじめ、LAのジャズ、ヒップホップ、ラップ、エレクトロニック、実験音楽シーンにおいて、名だたるベテランから新進気鋭、アンダーグラウンドのアーティストに至るまで、数多くのアーティストと共演している。ラデラ・ハイツで生まれ育った彼は、フェルナンド・プラム・コミュニティ・アーツ・センターやLAカウンティ・ハイスクール・フォー・ザ・アーツ（LACHSA）で腕を磨き、やがてカマシ・ワシントンの指導を受けるようになった。2025年リリースの『Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople』では、全編にわたりカマシ・ワシントンとの音楽的な対話を繰り広げている。長年の研鑽、献身、そしてライブ活動を経て、初のフルアルバムリリースへの道のりは険しいものとなっ\u003c\/em\u003e\u003cem\u003eた。2月13日にLeaving Recordsよりリリースされる『And So It Is』は、すでに並外れた才能を持つ彼に突きつけられた、肉体的、音楽的、そして精神的な変容を記録した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、27歳の時、数ヶ月にわたる不穏な症状と医療上の行き詰まりを経て、Shawは骨髄不全と診断された。彼はこの状況を「厳しい」と簡潔に表現している。そのような診断に伴う疎外感、疲労、恐怖――果てしない検査や治療プロトコルは言うまでもなく――6年生以来、意識的に人生を捧げてきた音楽という技芸そのものを奏でるShawの能力が、突如として根本から覆された。核心となったのはShawの赤血球数と、十分な酸素を供給できない状態だった。管楽器の原動力である「息」が、今や不足していたのだ。かつてはごく普通のライブだったものが、医療的な賭け事へと変わった。ステージまで何段の階段があるか？標高の高いアイディルワイルドで演奏できるだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後の受容のプロセスは（重大な健康上の試練がそうであるように）困難で、直線的ではなかった。感情的な消耗（泣き崩れる時期、社会的孤立）の時期と、自身の限界を克服しようとする勇敢な試み（新しいマウスピースやリードの試行、姿勢の変更）が交錯していた。当初、音色の変化に苛立ちを覚えたShawだったが、それを乗り越えた。音楽を奏でることが、依然として彼にとって最大の慰めだったのだ。この自己療法と、新たな演奏スタイルという制約の中で、楽曲は徐々に形を成していった。「And So It Is（そういうことなのだ）」——Shawが教会音楽に浸っていた幼少期に遡るこの言葉は、この創作期間のマントラとなり、やがてアルバムタイトルとなった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeaving Recordsの関連アーティストであるカルロス・ニーニョ（パーカッショニストであり、特にアンドレ3000の『New Blue Sun』のプロデューサーとしても知られる）の温かい見守りの下、『And So It Is』は徐々に形を成していった。これは、絶望と孤立の深淵、そして自らの死と向き合うことから生まれる奇妙な明晰さを掘り下げる、8曲からなる連作である。その名にふさわしい1曲目「Soul Journey」が、リスナーをその世界へと導く。最初は不協和で、物思いにふけり、まるで雨に打たれたような動きが、より集中し推進力のある中間部へと移行する（ここには、前進への意欲を感じさせる粘り強さがある）。そして徐々に、チェロとハープの響きの上に落ち着いていく。『And So It Is』は全編を通じて内省的な視点を保ちつつ、超越的な瞬間も存在する。それは、Shawを悩ませていた個人的な懸念が、音楽形式の発見と表現における純粋な喜びへと道を譲るかのような瞬間である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1718169522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soul Journey 04:31\u003cbr\u003e2. Heart of a Phoenix 09:27\u003cbr\u003e3. Windows to the Soul 05:01\u003cbr\u003e4. The Path to Clarity 03:48\u003cbr\u003e5. Echoes of the Heart 02:52\u003cbr\u003e6. Jubilant Voyage 05:10\u003cbr\u003e7. Inner Compass 04:41\u003cbr\u003e8. Never Catch Me Out of Alignment 06:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. And So It Is, out February 13th on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent.\u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude?\u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title.\u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) And So It Is slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR297\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。 スピリチュアル・アンビエントジャズ8曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil...
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