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{"id":8065873674490,"title":"The Root Folk Band \/\/ The Ritual Year OST 7\"","handle":"the-root-folk-band-the-ritual-year-ost-7","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの民俗研究レーベルFolklore TapesメンバーによるThe Root Folk Bandが、2023年3月にリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e牧歌アンビエント・フォーク2曲を収録。インサートとDLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1418239924\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Folklore Tapes\" href=\"https:\/\/soundcloud.com\/folklore-tapes\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"The Ritual Year - OST - Sampler\" href=\"https:\/\/soundcloud.com\/folklore-tapes\/the-ritual-year-ost-sampler\" target=\"_blank\"\u003eThe Ritual Year - OST - Sampler\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 7\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Side A\u003cbr\u003eB Side B\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFolklore Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eBetween 2014-16, Folklore Tapes begun the series Calendar Customs, commissioning artists to research and respond sonically to the four corners of the ritual year; May Day, Midsummer, Midwinter and Hallowe’en. This culminated in a box-set of 4x LPs and accompanying extensive booklet with essay by FT pen smith Jez Winship. FT also produced a detailed customs wall calendar and a cassette collaged using field recordings taken from amateur youtube footage.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 2022 artist and Dave Pearson archivist invited Folklore Tapes’ David Chatton Barker to write a score to a new animation by Chinese artist Kain Leo. The animation was commissioned to act as a creative extension to the Dave Pearson archive and website.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Root Folk Band were a once fictional group found within the pages of the children’s books Mossy. They were brought to life for this unique project and its members are; Bridget Hayden, Mary Stark, Sam McLoughlin and David Chatton Barker.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe score was largely made ahead of the film, as Kain Leo prefers to work with the music during her editing process. The first stage of writing the score saw the band collect together old folk custom sheet music and cut sections out and re-paste to create new passages. These were first played using whistle and percussion. The Root Folk Band split the recording between two locations, the first; an ex-telephone repeater station high up on Shap Fell, Cumbria and the second; at a house in Cornholme, West Yorkshire. These sessions incorporated improvisation alongside the original music drawn from the cut-up traditional scores.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAround 3 hours of material was recorded, played on a variety of traditional and self-built instruments. This material was then cut-up and collaged into a 12min musical calendar and edited with field recordings taken from the 2016 FT cassette.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTraversing the light and the dark months of the year across several hundred years of English ritual, the resulting score is perhaps described as sitting sonically between the seminal soundtrack to the 1973 film The Wickerman and the 2012 album ‘Witch Cults of the Modern Age’ by Broadcast and the Focus Group.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The Root Folk Band \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-09T12:46:25+09:00","created_at":"2023-11-04T17:48:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","folklore tapes","lp"],"price":244300,"price_min":244300,"price_max":244300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728642863354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Root Folk Band \/\/ The Ritual Year OST 7\"","public_title":null,"options":["Default Title"],"price":244300,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/roo1.webp?v=1699087730","\/\/tobirarecords.com\/cdn\/shop\/files\/roo2.webp?v=1699087730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/roo1.webp?v=1699087730","options":["Title"],"media":[{"alt":null,"id":32642092597498,"position":1,"preview_image":{"aspect_ratio":0.985,"height":1000,"width":985,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/roo1.webp?v=1699087730"},"aspect_ratio":0.985,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/roo1.webp?v=1699087730","width":985},{"alt":null,"id":32642092630266,"position":2,"preview_image":{"aspect_ratio":0.818,"height":1000,"width":818,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/roo2.webp?v=1699087730"},"aspect_ratio":0.818,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/roo2.webp?v=1699087730","width":818}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの民俗研究レーベルFolklore TapesメンバーによるThe Root Folk Bandが、2023年3月にリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e牧歌アンビエント・フォーク2曲を収録。インサートとDLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1418239924\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Folklore Tapes\" href=\"https:\/\/soundcloud.com\/folklore-tapes\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"The Ritual Year - OST - Sampler\" href=\"https:\/\/soundcloud.com\/folklore-tapes\/the-ritual-year-ost-sampler\" target=\"_blank\"\u003eThe Ritual Year - OST - Sampler\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 7\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Side A\u003cbr\u003eB Side B\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFolklore Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eBetween 2014-16, Folklore Tapes begun the series Calendar Customs, commissioning artists to research and respond sonically to the four corners of the ritual year; May Day, Midsummer, Midwinter and Hallowe’en. This culminated in a box-set of 4x LPs and accompanying extensive booklet with essay by FT pen smith Jez Winship. FT also produced a detailed customs wall calendar and a cassette collaged using field recordings taken from amateur youtube footage.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 2022 artist and Dave Pearson archivist invited Folklore Tapes’ David Chatton Barker to write a score to a new animation by Chinese artist Kain Leo. The animation was commissioned to act as a creative extension to the Dave Pearson archive and website.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Root Folk Band were a once fictional group found within the pages of the children’s books Mossy. They were brought to life for this unique project and its members are; Bridget Hayden, Mary Stark, Sam McLoughlin and David Chatton Barker.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe score was largely made ahead of the film, as Kain Leo prefers to work with the music during her editing process. The first stage of writing the score saw the band collect together old folk custom sheet music and cut sections out and re-paste to create new passages. These were first played using whistle and percussion. The Root Folk Band split the recording between two locations, the first; an ex-telephone repeater station high up on Shap Fell, Cumbria and the second; at a house in Cornholme, West Yorkshire. These sessions incorporated improvisation alongside the original music drawn from the cut-up traditional scores.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAround 3 hours of material was recorded, played on a variety of traditional and self-built instruments. This material was then cut-up and collaged into a 12min musical calendar and edited with field recordings taken from the 2016 FT cassette.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTraversing the light and the dark months of the year across several hundred years of English ritual, the resulting score is perhaps described as sitting sonically between the seminal soundtrack to the 1973 film The Wickerman and the 2012 album ‘Witch Cults of the Modern Age’ by Broadcast and the Focus Group.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The Root Folk Band \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスの民俗研究レーベルFolklore TapesメンバーによるThe Root Folk Bandが、2023年3月にリリースした7"です。 牧歌アンビエント・フォーク2曲を収録。インサートとDLコード付属。 Folklore Tapes · The Ritual Year - OST...
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{"id":8065873248506,"title":"Sam McLoughlin , David Chatton Barker \/\/ The Heavenly Realms LP+BOOKLET","handle":"sam-mcloughlin-david-chatton-barker-the-heavenly-realms-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの妖精音楽家\u003cmeta charset=\"utf-8\"\u003eSam McLoughlinと、民俗研究レーベルFolklore Tapes主宰David Chatton Barkerが、2023年4月にリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデンの神秘家\u003cmeta charset=\"utf-8\"\u003eEmmanuel Swedenborgからインスピレーションを得た、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンティーク時計のチャイムだけで制作した\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Folklore Tapesは、人生の後半をイギリスで過ごしたスウェーデンの神秘家エマニュエル・スウェーデンボルグから始まる新たなミスティック・シリーズを通じて、また新たな調査分野を開拓する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Heavenly Realms』は、2022年10月に\u003cmeta charset=\"utf-8\"\u003eFolklore Tapesがスウェーデンボーグ・ハウスに滞在したことから生まれた。ロンドンのブルームズベリー・ウェイにあるこのハウスは、科学者、哲学者、幻視者であるエマニュエル・スウェーデンボルグ（1688-1772）の著作の研究と出版を目的とする組織、スウェーデンボルグ・ソサエティの本部である。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSam McLoughlinとDavid Chatton Barkerーは、スウェーデンボルグの遺産に創造的に反応するよう招かれたが、二人がスウェーデンボルグの神秘体験からインスピレーションを得たことは、彼らの信奉者にとっては驚くことではないだろう。スウェーデンボルグの最も有名な作品『天国と地獄』（1764年）は、長年にわたる夢、トランス状態、天使との恍惚としたコミュニケーションを統合し、死後の世界と霊的な領域についての完全なビジョンを描き出した。その中でスウェーデンボルグは、階層化された天界の秩序を綿密に詳述している。この究極の現実の中では、物理的な物質が、最高で最も純粋な階層である神から発せられる神聖な対応関係を通じて精神に関係している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこのデュオは、アンティーク時計のチャイムのコレクションだけで作られた音楽を通して、この永遠というビジョンにアプローチしている。彼らの作品ではよくあることだが、この一見制限されたように見えるものこそが、このプロジェクトの特異で表現力豊かな深みを解き放っている。The Heavenly Realmsは、静寂から揺らめくティンティナブラと鳴り響くチャイムへのフェードで幕を開け、その音の波が、タイムキーパー、魂の召喚者、悪霊の追放者としての打ち込みメタルの集合的な記憶へとリスナーを引き込む。\u003cbr\u003e\u003cbr\u003e切迫していながら穏やかで、シンプルでありながら複雑で、天使のような静謐さが軋むような悲しげな底辺の上でハミングしている。音楽のドラマは水平方向にも垂直方向にもある。倍音の大合唱は基本周波数を凌駕し、スウェーデンボルグの対応関係のように絡み合っている。可聴域を超える倍音は知覚を超えた領域を暗示し、瞬間と瞬間の関係とは異なる音の一瞬一瞬に重きを置くことで、時を超越した感覚、一瞬一瞬に宿る永遠性を呼び起こす。\u003cbr\u003e\u003cbr\u003e音楽が発展しないというわけではない。ただ、聴き手は、前方だけでなく、上方や内側にも耳を傾けるように誘われているのだ。天界の最も美しい宝物は、深く耳を傾ける人のために用意されている。啓示的な音世界が現れ、絶対的なものの小宇宙となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1404356782\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\" title=\"Folklore Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\/ftmsi-the-heavenly-realms\" title=\"FTMSI - The Heavenly Realms\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFTMSI - The Heavenly Realms\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Part 1\u003cbr\u003e2 Part 2\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFolklore Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"Folklore Tapes grow yet another branch of investigation through their new Mystic Series, which begins with the Swedish mystic Emmanuel Swedenborg, who spent the latter portion of his life living in England.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Heavenly Realms unfolded from Folklore Tapes’ residency at Swedenborg House in October 2022. The house, in Bloomsbury Way, London, is the headquarters of the Swedenborg Society, an organisation dedicated to the study and publication of the works of scientist, philosopher and visionary Emmanuel Swedenborg (1688-1772).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSam McLoughlin and David Chatton Barker were invited to respond creatively to Swedenborg’s legacy, and it will come as no surprise to their followers that the duo took inspiration from Swedenborg’s mystical experiences. Swedenborg’s most renowned work, Heaven and Hell (1764), synthesised years of dreams, trance states and ecstatic communications with angels into a complete vision of the afterlife and the spiritual realms. In it Swedenborg meticulously details a stratified order of the heavens, an ultimate reality within which physical matter relates to spirit through divine correspondences emanating from a highest, purest echelon, God.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo approach this vision of eternity through music created entirely with a collection of antique clock chimes. As is often the case in their work, this seeming limitation is precisely what unfetters the project’s singular, expressive depths. The Heavenly Realms opens with a fade from silence to shimmering tintinnabulations and pealing chimes, a wave of sound whose undertow pulls the listener into collective memories of struck metal as timekeeper, summoner of souls and banisher of evil spirits.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s music held taut by oppositions, at once urgent yet calm, simple yet intricate, with angelic tranquilities humming above a grinding, plaintive underbelly. The drama of the music is as much horizontal as vertical. Choirs of overtones outshine their fundamental frequencies, entwined like Swedenborgian correspondences. Harmonics rising above the audible spectrum imply realms beyond perception, and a certain emphasis on each moment of sound in itself, as distinct from relations between moments, invokes a sense of timelessness, of eternity in each instant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat’s not to say the music doesn’t develop. It charts a contemplative, meditative journey full of variety and interest - it’s just that the listener is invited to listen as much upwards, inwards as forwards. The Heavenly Realms’ most beautiful treasures are reserved for those who listen deeply. A revelatory sound-world manifests, a microcosm of the absolute.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam McLoughlin , David Chatton Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-09T12:37:47+09:00","created_at":"2023-11-04T17:45:23+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","folklore tapes","lp"],"price":425000,"price_min":425000,"price_max":425000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728642273530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam McLoughlin , David Chatton Barker \/\/ The Heavenly Realms LP+BOOKLET","public_title":null,"options":["Default Title"],"price":425000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525","\/\/tobirarecords.com\/cdn\/shop\/files\/sam2_a3a2b5e3-f931-4e2b-b5be-441c9fac8bc7.jpg?v=1699087524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525","options":["Title"],"media":[{"alt":null,"id":32642086961402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam1_0d16de46-6ee6-4f75-a6b7-514efee0673b.jpg?v=1699087525","width":600},{"alt":null,"id":32642086994170,"position":2,"preview_image":{"aspect_ratio":1.02,"height":588,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam2_a3a2b5e3-f931-4e2b-b5be-441c9fac8bc7.jpg?v=1699087524"},"aspect_ratio":1.02,"height":588,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sam2_a3a2b5e3-f931-4e2b-b5be-441c9fac8bc7.jpg?v=1699087524","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの妖精音楽家\u003cmeta charset=\"utf-8\"\u003eSam McLoughlinと、民俗研究レーベルFolklore Tapes主宰David Chatton Barkerが、2023年4月にリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスウェーデンの神秘家\u003cmeta charset=\"utf-8\"\u003eEmmanuel Swedenborgからインスピレーションを得た、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンティーク時計のチャイムだけで制作した\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルドローン2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Folklore Tapesは、人生の後半をイギリスで過ごしたスウェーデンの神秘家エマニュエル・スウェーデンボルグから始まる新たなミスティック・シリーズを通じて、また新たな調査分野を開拓する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Heavenly Realms』は、2022年10月に\u003cmeta charset=\"utf-8\"\u003eFolklore Tapesがスウェーデンボーグ・ハウスに滞在したことから生まれた。ロンドンのブルームズベリー・ウェイにあるこのハウスは、科学者、哲学者、幻視者であるエマニュエル・スウェーデンボルグ（1688-1772）の著作の研究と出版を目的とする組織、スウェーデンボルグ・ソサエティの本部である。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSam McLoughlinとDavid Chatton Barkerーは、スウェーデンボルグの遺産に創造的に反応するよう招かれたが、二人がスウェーデンボルグの神秘体験からインスピレーションを得たことは、彼らの信奉者にとっては驚くことではないだろう。スウェーデンボルグの最も有名な作品『天国と地獄』（1764年）は、長年にわたる夢、トランス状態、天使との恍惚としたコミュニケーションを統合し、死後の世界と霊的な領域についての完全なビジョンを描き出した。その中でスウェーデンボルグは、階層化された天界の秩序を綿密に詳述している。この究極の現実の中では、物理的な物質が、最高で最も純粋な階層である神から発せられる神聖な対応関係を通じて精神に関係している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこのデュオは、アンティーク時計のチャイムのコレクションだけで作られた音楽を通して、この永遠というビジョンにアプローチしている。彼らの作品ではよくあることだが、この一見制限されたように見えるものこそが、このプロジェクトの特異で表現力豊かな深みを解き放っている。The Heavenly Realmsは、静寂から揺らめくティンティナブラと鳴り響くチャイムへのフェードで幕を開け、その音の波が、タイムキーパー、魂の召喚者、悪霊の追放者としての打ち込みメタルの集合的な記憶へとリスナーを引き込む。\u003cbr\u003e\u003cbr\u003e切迫していながら穏やかで、シンプルでありながら複雑で、天使のような静謐さが軋むような悲しげな底辺の上でハミングしている。音楽のドラマは水平方向にも垂直方向にもある。倍音の大合唱は基本周波数を凌駕し、スウェーデンボルグの対応関係のように絡み合っている。可聴域を超える倍音は知覚を超えた領域を暗示し、瞬間と瞬間の関係とは異なる音の一瞬一瞬に重きを置くことで、時を超越した感覚、一瞬一瞬に宿る永遠性を呼び起こす。\u003cbr\u003e\u003cbr\u003e音楽が発展しないというわけではない。ただ、聴き手は、前方だけでなく、上方や内側にも耳を傾けるように誘われているのだ。天界の最も美しい宝物は、深く耳を傾ける人のために用意されている。啓示的な音世界が現れ、絶対的なものの小宇宙となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1404356782\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\" title=\"Folklore Tapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFolklore Tapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/folklore-tapes\/ftmsi-the-heavenly-realms\" title=\"FTMSI - The Heavenly Realms\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFTMSI - The Heavenly Realms\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Part 1\u003cbr\u003e2 Part 2\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFolklore Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"Folklore Tapes grow yet another branch of investigation through their new Mystic Series, which begins with the Swedish mystic Emmanuel Swedenborg, who spent the latter portion of his life living in England.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Heavenly Realms unfolded from Folklore Tapes’ residency at Swedenborg House in October 2022. The house, in Bloomsbury Way, London, is the headquarters of the Swedenborg Society, an organisation dedicated to the study and publication of the works of scientist, philosopher and visionary Emmanuel Swedenborg (1688-1772).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSam McLoughlin and David Chatton Barker were invited to respond creatively to Swedenborg’s legacy, and it will come as no surprise to their followers that the duo took inspiration from Swedenborg’s mystical experiences. Swedenborg’s most renowned work, Heaven and Hell (1764), synthesised years of dreams, trance states and ecstatic communications with angels into a complete vision of the afterlife and the spiritual realms. In it Swedenborg meticulously details a stratified order of the heavens, an ultimate reality within which physical matter relates to spirit through divine correspondences emanating from a highest, purest echelon, God.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe duo approach this vision of eternity through music created entirely with a collection of antique clock chimes. As is often the case in their work, this seeming limitation is precisely what unfetters the project’s singular, expressive depths. The Heavenly Realms opens with a fade from silence to shimmering tintinnabulations and pealing chimes, a wave of sound whose undertow pulls the listener into collective memories of struck metal as timekeeper, summoner of souls and banisher of evil spirits.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s music held taut by oppositions, at once urgent yet calm, simple yet intricate, with angelic tranquilities humming above a grinding, plaintive underbelly. The drama of the music is as much horizontal as vertical. Choirs of overtones outshine their fundamental frequencies, entwined like Swedenborgian correspondences. Harmonics rising above the audible spectrum imply realms beyond perception, and a certain emphasis on each moment of sound in itself, as distinct from relations between moments, invokes a sense of timelessness, of eternity in each instant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat’s not to say the music doesn’t develop. It charts a contemplative, meditative journey full of variety and interest - it’s just that the listener is invited to listen as much upwards, inwards as forwards. The Heavenly Realms’ most beautiful treasures are reserved for those who listen deeply. A revelatory sound-world manifests, a microcosm of the absolute.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam McLoughlin , David Chatton Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスの妖精音楽家Sam McLoughlinと、民俗研究レーベルFolklore Tapes主宰David Chatton Barkerが、2023年4月にリリースした共作レコードです。 スウェーデンの神秘家Emmanuel Swedenborgからインスピレーションを得た、アンティーク時計のチャイムだけで制作したミニマルドローン2曲を収録。 24ページのブックレットとDLコード付属。 以下、レーベルによる解説です。 "Folklore Tapesは、人生の後半をイギリスで過ごしたスウェーデンの神秘家エマニュエル・スウェーデンボルグから始まる新たなミスティック・シリーズを通じて、また新たな調査分野を開拓する。『The Heavenly Realms』は、2022年10月にFolklore Tapesがスウェーデンボーグ・ハウスに滞在したことから生まれた。ロンドンのブルームズベリー・ウェイにあるこのハウスは、科学者、哲学者、幻視者であるエマニュエル・スウェーデンボルグ（1688-1772）の著作の研究と出版を目的とする組織、スウェーデンボルグ・ソサエティの本部である。...
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{"id":8065869611258,"title":"Le Diable Dégoûtant \/ Le Voile Universel \/\/ Naia La Sorcière De Rochefort-En-Terre LP","handle":"le-diable-degoutant-le-voile-universel-naia-la-sorciere-de-rochefort-en-terre-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのLe Diable DégoûtantとイギリスのLe Voile Universelストレンジビーツ2組が、2023年10月にイギリスの民俗研究レーベルFolklore Tapesから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・ブルターニュの村ロシュフォール・アン・テールに住んでいた魔女ナイアをコンセプトにした土着ストレンジビーツ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e帯とインサート、DLコード付属。 \u003cmeta charset=\"utf-8\"\u003eロシュフォール・アン・テールのナイアの木の押し葉も付いています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"民俗研究レーベルFolklore Tapesが初めて海外にフォーカスしたのは、ブルトンの田舎町ロシュフォール＝アン＝テールだった。かつては高名な魔女ナイアが住んでおり、「精霊の杖」でおなじみの「グナミ」とともに病気を治し、地元の人々を呪い、2つに分裂させ、熱い炭を手で砕いて塵にした！\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaiaは、ブルターニュのアートグループLe Bon Acceuilとのコラボレーションで、1899年に『ワールド・ワイド・マガジン』に掲載された、ジャーナリスト、シャルル・ジェニューによる唯一知られている記事と見事な写真撮影を中心に、悪名高い魔女を2つの異なるサウンドで探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面はブルトン出身のミュージシャン、ポーリーヌ・マルクス（Le Diable Dégoûtant）、B面はイギリスのデュオLe Voile Universelによるもの。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eブルトン地方の住民は、田舎から都会へと出て行った。当時の伝統的な民俗文化の多くの側面は、消滅の危機に瀕していた。写真家のシャルル・ジェニュ（1870-1931）は、こうした伝統を記録することに熱心だった。そのため、1899年、ジェニューは『ワイド・ワールド』誌に、ブルターニュの南に位置する絵のように美しい町ロシュフォール＝アン＝テールに住む魔女についての記事を書いた。ロシュフォールの魔女ナイアと題されたこの記事には、ジェニューがリュー城跡でナイアと会ったときの様子や、長年にわたってナイアと出会ってきたさまざまな地元の人々との会話が記されている。その地元の人々によれば、ナイアは「用事があるのを見られたくないときは、ほうきに乗って空中を、あるいは地下を旅している。さらに、ナイアは \"赤々と燃える炭を拾い上げ、それを指で砕いて風に撒き散らす \"ことができる。彼女はまた、彼女を通して生き、彼女のあらゆる命令に従う強力な精霊であるグナミのことをジェニアウに語っている。記事に添えられた写真では、ナイアがレンズを正面に向け、その眼差しで見る者を貫き、年月を越えて彼女の視線に会うように私たちに懇願している。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3856431947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Le Diable Dégoûtant– Le Fantome Dans Le Champs\u003cbr\u003eA2 Le Diable Dégoûtant– Gnami Est Mon Ami (Drou)\u003cbr\u003eA3 Le Diable Dégoûtant– Voila Gnami\u003cbr\u003eA4 Le Diable Dégoûtant– Formulatte Pour Troucer Des Champignons\u003cbr\u003eA5 Le Diable Dégoûtant– Recuperer La Pierre\u003cbr\u003eA6 Le Diable Dégoûtant– Le Premier Mois De L'Annee\u003cbr\u003eA7 Le Diable Dégoûtant– J'emprunte Encore Les Souterrains Du Chateau Pour Faire Ce Qui Doit Etra Fait\u003cbr\u003eB Le Voile Universel– In Front Of The Black Hole \/ Invective The Elements \/ Blackening And Burning \/ Because He Is A Spirit \/ Don't Be Afraid, My Son, Approach...\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFolklore Tapes first foray overseas finds them in the rural Breton village Rochefort-en-Terre. Once inhabited by the renowned witch Naia, who along with her ‘spirit stick’ familiar ‘Gnami’ cured ills, cursed locals, split in two and crushed hot coals into dust using her hands!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaia is a collaboration with Brittany arts group Le Bon Acceuil and features two distinct sonic explorations into the infamous witch, largely based around the only known article and stunning photoshoot by journalist Charles Géniaux, published in World Wide Magazine in 1899. Face A is by Breton musician Pauline Marx AKA Le Diable Dégoûtant, Face B is by UK group Le Voile Universel (The Universal Veil) AKA Sam McLoughlin and David Chatton Barker.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe residents of rural Breton were leaving the country for the cities. Many aspects of the traditional folk culture of the time were on the verge of disappearing. The photographer Charles Géniaux (1870-1931), was keen to document these traditions. To this end, in 1899, Géniaux wrote an article for The Wide World Magazine about a witch who lived in the picturesque town of Rochefort-en-Terre, situated in the south of Brittany. The article, entitled Naia, the Witch of Rochefort, describes Géniaux’s meetings with Naia in the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ruins of the Château de Rieux, as well as his conversations with various locals who had encountered her over the years. According to these locals, we learn that Naia “travels on a broom through the air—or maybe underground—when she does not want to be seen going on her errands; that she fears neither fire nor water, disappears when she likes, and takes any shape that may suit her purpose.” Furthermore, Naia is capable of “picking up red hot coals, which she crushed with her fingers and scattered to the winds.” She also tells Géniaux of Gnami, a powerful spirit who lives through her and obeys her every command. The photos which accompany the article show Naia facing down the lens, piercing the viewer with her look, beseeching us to meet her gaze across the years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Dégoûtant \/ Le Voile Universel \u003c\/p\u003e\n\u003cp\u003eLabel : Folklore Tapes\u003c\/p\u003e","published_at":"2023-11-05T19:26:45+09:00","created_at":"2023-11-04T17:33:19+09:00","vendor":"Tobira Records","type":"","tags":["folklore tapes","lp","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728638669050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Diable Dégoûtant \/ Le Voile Universel \/\/ Naia La Sorcière De Rochefort-En-Terre LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_3c18e583-802d-4085-b8f1-d0f72e0d1353.jpg?v=1699086801"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801","options":["Title"],"media":[{"alt":null,"id":32642063794426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801","width":700},{"alt":null,"id":32642063827194,"position":2,"preview_image":{"aspect_ratio":0.98,"height":600,"width":588,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_3c18e583-802d-4085-b8f1-d0f72e0d1353.jpg?v=1699086801"},"aspect_ratio":0.98,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_3c18e583-802d-4085-b8f1-d0f72e0d1353.jpg?v=1699086801","width":588}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのLe Diable DégoûtantとイギリスのLe Voile Universelストレンジビーツ2組が、2023年10月にイギリスの民俗研究レーベルFolklore Tapesから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・ブルターニュの村ロシュフォール・アン・テールに住んでいた魔女ナイアをコンセプトにした土着ストレンジビーツ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e帯とインサート、DLコード付属。 \u003cmeta charset=\"utf-8\"\u003eロシュフォール・アン・テールのナイアの木の押し葉も付いています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"民俗研究レーベルFolklore Tapesが初めて海外にフォーカスしたのは、ブルトンの田舎町ロシュフォール＝アン＝テールだった。かつては高名な魔女ナイアが住んでおり、「精霊の杖」でおなじみの「グナミ」とともに病気を治し、地元の人々を呪い、2つに分裂させ、熱い炭を手で砕いて塵にした！\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaiaは、ブルターニュのアートグループLe Bon Acceuilとのコラボレーションで、1899年に『ワールド・ワイド・マガジン』に掲載された、ジャーナリスト、シャルル・ジェニューによる唯一知られている記事と見事な写真撮影を中心に、悪名高い魔女を2つの異なるサウンドで探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面はブルトン出身のミュージシャン、ポーリーヌ・マルクス（Le Diable Dégoûtant）、B面はイギリスのデュオLe Voile Universelによるもの。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eブルトン地方の住民は、田舎から都会へと出て行った。当時の伝統的な民俗文化の多くの側面は、消滅の危機に瀕していた。写真家のシャルル・ジェニュ（1870-1931）は、こうした伝統を記録することに熱心だった。そのため、1899年、ジェニューは『ワイド・ワールド』誌に、ブルターニュの南に位置する絵のように美しい町ロシュフォール＝アン＝テールに住む魔女についての記事を書いた。ロシュフォールの魔女ナイアと題されたこの記事には、ジェニューがリュー城跡でナイアと会ったときの様子や、長年にわたってナイアと出会ってきたさまざまな地元の人々との会話が記されている。その地元の人々によれば、ナイアは「用事があるのを見られたくないときは、ほうきに乗って空中を、あるいは地下を旅している。さらに、ナイアは \"赤々と燃える炭を拾い上げ、それを指で砕いて風に撒き散らす \"ことができる。彼女はまた、彼女を通して生き、彼女のあらゆる命令に従う強力な精霊であるグナミのことをジェニアウに語っている。記事に添えられた写真では、ナイアがレンズを正面に向け、その眼差しで見る者を貫き、年月を越えて彼女の視線に会うように私たちに懇願している。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3856431947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Le Diable Dégoûtant– Le Fantome Dans Le Champs\u003cbr\u003eA2 Le Diable Dégoûtant– Gnami Est Mon Ami (Drou)\u003cbr\u003eA3 Le Diable Dégoûtant– Voila Gnami\u003cbr\u003eA4 Le Diable Dégoûtant– Formulatte Pour Troucer Des Champignons\u003cbr\u003eA5 Le Diable Dégoûtant– Recuperer La Pierre\u003cbr\u003eA6 Le Diable Dégoûtant– Le Premier Mois De L'Annee\u003cbr\u003eA7 Le Diable Dégoûtant– J'emprunte Encore Les Souterrains Du Chateau Pour Faire Ce Qui Doit Etra Fait\u003cbr\u003eB Le Voile Universel– In Front Of The Black Hole \/ Invective The Elements \/ Blackening And Burning \/ Because He Is A Spirit \/ Don't Be Afraid, My Son, Approach...\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFolklore Tapes first foray overseas finds them in the rural Breton village Rochefort-en-Terre. Once inhabited by the renowned witch Naia, who along with her ‘spirit stick’ familiar ‘Gnami’ cured ills, cursed locals, split in two and crushed hot coals into dust using her hands!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaia is a collaboration with Brittany arts group Le Bon Acceuil and features two distinct sonic explorations into the infamous witch, largely based around the only known article and stunning photoshoot by journalist Charles Géniaux, published in World Wide Magazine in 1899. Face A is by Breton musician Pauline Marx AKA Le Diable Dégoûtant, Face B is by UK group Le Voile Universel (The Universal Veil) AKA Sam McLoughlin and David Chatton Barker.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe residents of rural Breton were leaving the country for the cities. Many aspects of the traditional folk culture of the time were on the verge of disappearing. The photographer Charles Géniaux (1870-1931), was keen to document these traditions. To this end, in 1899, Géniaux wrote an article for The Wide World Magazine about a witch who lived in the picturesque town of Rochefort-en-Terre, situated in the south of Brittany. The article, entitled Naia, the Witch of Rochefort, describes Géniaux’s meetings with Naia in the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ruins of the Château de Rieux, as well as his conversations with various locals who had encountered her over the years. According to these locals, we learn that Naia “travels on a broom through the air—or maybe underground—when she does not want to be seen going on her errands; that she fears neither fire nor water, disappears when she likes, and takes any shape that may suit her purpose.” Furthermore, Naia is capable of “picking up red hot coals, which she crushed with her fingers and scattered to the winds.” She also tells Géniaux of Gnami, a powerful spirit who lives through her and obeys her every command. The photos which accompany the article show Naia facing down the lens, piercing the viewer with her look, beseeching us to meet her gaze across the years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Dégoûtant \/ Le Voile Universel \u003c\/p\u003e\n\u003cp\u003eLabel : Folklore Tapes\u003c\/p\u003e"}
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フランスのLe Diable DégoûtantとイギリスのLe Voile Universelストレンジビーツ2組が、2023年10月にイギリスの民俗研究レーベルFolklore Tapesから300部限定でリリースしたスプリットレコードです。 フランス・ブルターニュの村ロシュフォール・アン・テールに住んでいた魔女ナイアをコンセプトにした土着ストレンジビーツ8曲を収録。 帯とインサート、DLコード付属。 ロシュフォール・アン・テールのナイアの木の押し葉も付いています。 以下、レーベルによる解説です。 "民俗研究レーベルFolklore Tapesが初めて海外にフォーカスしたのは、ブルトンの田舎町ロシュフォール＝アン＝テールだった。かつては高名な魔女ナイアが住んでおり、「精霊の杖」でおなじみの「グナミ」とともに病気を治し、地元の人々を呪い、2つに分裂させ、熱い炭を手で砕いて塵にした！Naiaは、ブルターニュのアートグループLe Bon Acceuilとのコラボレーションで、1899年に『ワールド・ワイド・マガジン』に掲載された、ジャーナリスト、シャルル・ジェニューによる唯一知られている記事と見事な写真撮影を中心に、悪名高い魔女を2つの異なるサウンドで探求している。...
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{"id":8065869316346,"title":"Sam McLoughlin \/\/ Fae Transit LP","handle":"sam-mcloughlin-fae-transit-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの妖精音楽家\u003cmeta charset=\"utf-8\"\u003eSam McLoughlinが、2023年7月に同国民俗研究レーベルFolklore Tapesから200部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハルモニウムやナイロンギター、ハンドパーカッション、ディクタフォンを用いたどこか懐かしくも新しいフォルクローレ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eリトグラフプリントジャケットに手描き地図、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e『Fae Transit』は、Sam McLoughlinがFolklore Tapesの『Swifter than the Moon's Sphere』への寄稿で紹介してくれたフェアリー・ミュージック(妖精音楽)の領域への探検である。前作『Green and Brown』がフェアリー・パレードの目撃談だとすれば、『Fae Transit』は完全な誘拐であり、精霊が棲みつき、生者に取り憑かれた森の旅である。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eこのアルバムは、ハルモニウム、ナイロンギター、ハンドパーカッション、ディクタフォンのために書かれたもので、ハルモニウムと指弾きのギターは、メロディ楽器と和音楽器としての役割を絶えず交換している。これらの楽器が織り成す対話は室内楽のような激しさを持つが、音楽はシンプルで素朴な曲が複雑さを超えて歌い上げる。\u003c\/p\u003e\n\u003cp\u003eフェアリーサウンドがどんなものかを頭に思い浮かべているなら、これはおそらく違う。全開のハーモニアム・ドローン、三連符のリズム、蛇行するメロディーは、ティンカーベルというよりマッケンナのマシン・エルフだ。しかし、落ち着いている。ノスタルジーとメランコリーの空気が、カーニバルのような音楽を貫き、それは切なく、時には威嚇的だが、決して暴力的ではない。\u003cbr\u003e\u003cbr\u003eそして、ディクタフォンの変則的なクリック音、ポップ音、うなり音が、パイプと弦楽器の牧歌的な思索を不思議な形で縁取り、時間そのものを巻き戻したり早送りしているように見える。それは聴き手の耳なのか、それとも音楽が底知れぬ裂け目の向こうから自分自身を探し求めているのか。これは深く個人的な音楽であり、同時にユニークな発言であり、まぎれもなくSam McLoughlinの作品である。\"\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2389266477\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl h\u003cspan data-mce-fragment=\"1\"\u003eoused in a litho-printed sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand drawn manilla map printed and attached to reverse of sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Fae Transit is an expedition into a realm of faerie music Sam McLoughlin introduced us to in his contribution to Folklore Tapes’ Swifter than the Moon’s Sphere. If Green and Brown was a sighting of a faerie parade, Fae Transit is a full abduction, a journey through a woodland inhabited by spirits and haunted by the living.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe album is written entirely for harmonium, nylon guitar, hand percussion and dictaphone, with harmonium and finger-plucked guitar continually exchanging roles as melodic and chordal instruments. The interweaving dialogue between these instruments has a chamber-like intensity, though the music flows with simple, rustic tunes singing above any complexity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf you have ideas in your mind of what faerie sounds like, this probably isn’t it. The full-throated harmonium drones, triplet rhythms and meandering melodies are more McKenna’s machine elves than Tinker Bell. But it’s calm. An air of nostalgia and melancholy pervades the carnivalesque music, which is wistful, and occasionally menacing, but never violent.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThen there’s the anomalous clicks, pops and whirrs of the dictaphone, seemingly rewinding or fast-forwarding time itself, curiously framing the pastoral musings of pipe and string. Is it the listener’s ear, or is the music searching for itself from beyond some unfathomable rift? This is deeply personal music that is at once a unique utterance and, unmistakably, Sam Mcloughlin’s work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA.one 02:40\u003c\/li\u003e\n\u003cli\u003eA.two 02:05\u003c\/li\u003e\n\u003cli\u003eA.three 02:32\u003c\/li\u003e\n\u003cli\u003eA.four 02:36\u003c\/li\u003e\n\u003cli\u003eA.five 02:24\u003c\/li\u003e\n\u003cli\u003eA.six 03:56\u003c\/li\u003e\n\u003cli\u003eA.seven 02:33\u003c\/li\u003e\n\u003cli\u003eB.one 03:56\u003c\/li\u003e\n\u003cli\u003eB.two 01:49\u003c\/li\u003e\n\u003cli\u003eB.three 05:23\u003c\/li\u003e\n\u003cli\u003eB.four 03:41\u003c\/li\u003e\n\u003cli\u003eB.five 02:34\u003c\/li\u003e\n\u003cli\u003eB.six 02:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFae Transit is an expedition into a realm of faerie music Sam McLoughlin introduced us to in his contribution to Folklore Tapes’ Swifter than the Moon’s Sphere. If Green and Brown was a sighting of a faerie parade, Fae Transit is a full abduction, a journey through a woodland inhabited by spirits and haunted by the living.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is written entirely for harmonium, nylon guitar, hand percussion and dictaphone, with harmonium and finger-plucked guitar continually exchanging roles as melodic and chordal instruments. The interweaving dialogue between these instruments has a chamber-like intensity, though the music flows with simple, rustic tunes singing above any complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf you have ideas in your mind of what faerie sounds like, this probably isn’t it. The full-throated harmonium drones, triplet rhythms and meandering melodies are more McKenna’s machine elves than Tinker Bell. But it’s calm. An air of nostalgia and melancholy pervades the carnivalesque music, which is wistful, and occasionally menacing, but never violent.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen there’s the anomalous clicks, pops and whirrs of the dictaphone, seemingly rewinding or fast-forwarding time itself, curiously framing the pastoral musings of pipe and string. Is it the listener’s ear, or is the music searching for itself from beyond some unfathomable rift? This is deeply personal music that is at once a unique utterance and, unmistakably, Sam Mcloughlin’s work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam McLoughlin\u003c\/p\u003e\n\u003cp\u003eLabel : Folklore Tapes\u003c\/p\u003e","published_at":"2023-11-06T09:12:50+09:00","created_at":"2023-11-04T17:30:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","field recording","folklore tapes","lp","neo classical"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728638603514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam McLoughlin \/\/ Fae Transit LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fae1.jpg?v=1699086635","\/\/tobirarecords.com\/cdn\/shop\/files\/fae.jpg?v=1699086634","\/\/tobirarecords.com\/cdn\/shop\/files\/fae2.jpg?v=1699086635","\/\/tobirarecords.com\/cdn\/shop\/files\/fae3.jpg?v=1699086635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae1.jpg?v=1699086635","options":["Title"],"media":[{"alt":null,"id":32642061959418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae1.jpg?v=1699086635"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae1.jpg?v=1699086635","width":700},{"alt":null,"id":32642061992186,"position":2,"preview_image":{"aspect_ratio":1.003,"height":597,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae.jpg?v=1699086634"},"aspect_ratio":1.003,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae.jpg?v=1699086634","width":599},{"alt":null,"id":32642062024954,"position":3,"preview_image":{"aspect_ratio":0.987,"height":599,"width":591,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae2.jpg?v=1699086635"},"aspect_ratio":0.987,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae2.jpg?v=1699086635","width":591},{"alt":null,"id":32642062057722,"position":4,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae3.jpg?v=1699086635"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fae3.jpg?v=1699086635","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの妖精音楽家\u003cmeta charset=\"utf-8\"\u003eSam McLoughlinが、2023年7月に同国民俗研究レーベルFolklore Tapesから200部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハルモニウムやナイロンギター、ハンドパーカッション、ディクタフォンを用いたどこか懐かしくも新しいフォルクローレ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eリトグラフプリントジャケットに手描き地図、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e『Fae Transit』は、Sam McLoughlinがFolklore Tapesの『Swifter than the Moon's Sphere』への寄稿で紹介してくれたフェアリー・ミュージック(妖精音楽)の領域への探検である。前作『Green and Brown』がフェアリー・パレードの目撃談だとすれば、『Fae Transit』は完全な誘拐であり、精霊が棲みつき、生者に取り憑かれた森の旅である。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eこのアルバムは、ハルモニウム、ナイロンギター、ハンドパーカッション、ディクタフォンのために書かれたもので、ハルモニウムと指弾きのギターは、メロディ楽器と和音楽器としての役割を絶えず交換している。これらの楽器が織り成す対話は室内楽のような激しさを持つが、音楽はシンプルで素朴な曲が複雑さを超えて歌い上げる。\u003c\/p\u003e\n\u003cp\u003eフェアリーサウンドがどんなものかを頭に思い浮かべているなら、これはおそらく違う。全開のハーモニアム・ドローン、三連符のリズム、蛇行するメロディーは、ティンカーベルというよりマッケンナのマシン・エルフだ。しかし、落ち着いている。ノスタルジーとメランコリーの空気が、カーニバルのような音楽を貫き、それは切なく、時には威嚇的だが、決して暴力的ではない。\u003cbr\u003e\u003cbr\u003eそして、ディクタフォンの変則的なクリック音、ポップ音、うなり音が、パイプと弦楽器の牧歌的な思索を不思議な形で縁取り、時間そのものを巻き戻したり早送りしているように見える。それは聴き手の耳なのか、それとも音楽が底知れぬ裂け目の向こうから自分自身を探し求めているのか。これは深く個人的な音楽であり、同時にユニークな発言であり、まぎれもなくSam McLoughlinの作品である。\"\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2389266477\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl h\u003cspan data-mce-fragment=\"1\"\u003eoused in a litho-printed sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand drawn manilla map printed and attached to reverse of sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Fae Transit is an expedition into a realm of faerie music Sam McLoughlin introduced us to in his contribution to Folklore Tapes’ Swifter than the Moon’s Sphere. If Green and Brown was a sighting of a faerie parade, Fae Transit is a full abduction, a journey through a woodland inhabited by spirits and haunted by the living.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe album is written entirely for harmonium, nylon guitar, hand percussion and dictaphone, with harmonium and finger-plucked guitar continually exchanging roles as melodic and chordal instruments. The interweaving dialogue between these instruments has a chamber-like intensity, though the music flows with simple, rustic tunes singing above any complexity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf you have ideas in your mind of what faerie sounds like, this probably isn’t it. The full-throated harmonium drones, triplet rhythms and meandering melodies are more McKenna’s machine elves than Tinker Bell. But it’s calm. An air of nostalgia and melancholy pervades the carnivalesque music, which is wistful, and occasionally menacing, but never violent.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThen there’s the anomalous clicks, pops and whirrs of the dictaphone, seemingly rewinding or fast-forwarding time itself, curiously framing the pastoral musings of pipe and string. Is it the listener’s ear, or is the music searching for itself from beyond some unfathomable rift? This is deeply personal music that is at once a unique utterance and, unmistakably, Sam Mcloughlin’s work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA.one 02:40\u003c\/li\u003e\n\u003cli\u003eA.two 02:05\u003c\/li\u003e\n\u003cli\u003eA.three 02:32\u003c\/li\u003e\n\u003cli\u003eA.four 02:36\u003c\/li\u003e\n\u003cli\u003eA.five 02:24\u003c\/li\u003e\n\u003cli\u003eA.six 03:56\u003c\/li\u003e\n\u003cli\u003eA.seven 02:33\u003c\/li\u003e\n\u003cli\u003eB.one 03:56\u003c\/li\u003e\n\u003cli\u003eB.two 01:49\u003c\/li\u003e\n\u003cli\u003eB.three 05:23\u003c\/li\u003e\n\u003cli\u003eB.four 03:41\u003c\/li\u003e\n\u003cli\u003eB.five 02:34\u003c\/li\u003e\n\u003cli\u003eB.six 02:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFae Transit is an expedition into a realm of faerie music Sam McLoughlin introduced us to in his contribution to Folklore Tapes’ Swifter than the Moon’s Sphere. If Green and Brown was a sighting of a faerie parade, Fae Transit is a full abduction, a journey through a woodland inhabited by spirits and haunted by the living.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is written entirely for harmonium, nylon guitar, hand percussion and dictaphone, with harmonium and finger-plucked guitar continually exchanging roles as melodic and chordal instruments. The interweaving dialogue between these instruments has a chamber-like intensity, though the music flows with simple, rustic tunes singing above any complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf you have ideas in your mind of what faerie sounds like, this probably isn’t it. The full-throated harmonium drones, triplet rhythms and meandering melodies are more McKenna’s machine elves than Tinker Bell. But it’s calm. An air of nostalgia and melancholy pervades the carnivalesque music, which is wistful, and occasionally menacing, but never violent.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen there’s the anomalous clicks, pops and whirrs of the dictaphone, seemingly rewinding or fast-forwarding time itself, curiously framing the pastoral musings of pipe and string. Is it the listener’s ear, or is the music searching for itself from beyond some unfathomable rift? This is deeply personal music that is at once a unique utterance and, unmistakably, Sam Mcloughlin’s work.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam McLoughlin\u003c\/p\u003e\n\u003cp\u003eLabel : Folklore Tapes\u003c\/p\u003e"}
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イギリスの妖精音楽家Sam McLoughlinが、2023年7月に同国民俗研究レーベルFolklore Tapesから200部限定でリリースしたスプリットレコードです。 ハルモニウムやナイロンギター、ハンドパーカッション、ディクタフォンを用いたどこか懐かしくも新しいフォルクローレ13曲を収録。 リトグラフプリントジャケットに手描き地図、DLコード付属。 『Fae Transit』は、Sam McLoughlinがFolklore Tapesの『Swifter than the Moon's Sphere』への寄稿で紹介してくれたフェアリー・ミュージック(妖精音楽)の領域への探検である。前作『Green and...
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{"id":8065867481338,"title":"Folklore Tapes \/\/ Larksong LP + CHAPBOOK","handle":"various-artists-larksong-lp","description":"\u003cp\u003eイギリスの民俗研究レーベルFolklore Tapes主宰メンバー\u003cmeta charset=\"utf-8\"\u003eDavid Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Haydenが、2023年10月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映画『Larksong』のサウンドトラック集です。32ページのチャップブック、A5サイズのインサート、DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年ブリティッシュ・テキスタイル・ビエンナーレのために、\u003cmeta charset=\"utf-8\"\u003eNick Jordan and Jacob Cartwrightが、1760年に織物労働者と農場労働者によって設立された無宗教のバプティスト礼拝堂グッドショー教会で新作映画『Larksong』とテキスタイル・インスタレーションを制作した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eチャペルを中心的なライトモチーフとして、フィルムは、この環境を形成した織物労働者と産業の名残と痕跡が混在する、谷、川、湿原といった周囲の風景を捉えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの映画の音楽は、ミュージシャンでアーティストの\u003cmeta charset=\"utf-8\"\u003eDavid Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Haydenそして詩人のEmily Oldfieldによって制作された。リコーダー、ピアノ、ハルモニウムといった伝統的な楽器に加え、車輪、オルゴール、映写機などを改造した音も使われている。また『\u003cmeta charset=\"utf-8\"\u003eLarksong』では、18世紀のラークス・オブ・ディーン聖歌隊の手稿にインスパイアされ、チャペルの埋葬地で発見された4つの墓碑銘の歌詞をもとに、彼らが映画のために作曲した曲も披露された。これらのレコーディングは、スタジオでの実験的な探求と並行して、礼拝堂でのパフォーマンス・インスタレーションで撮影された。チャペル周辺で録音されたフィールドレコーディングでは、ヒバリ、チュウシャクシギ、ツグミなどの鳥の鳴き声や、木漏れ日、井戸のせせらぎが聞こえる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコーディングコレクションは、没入感と感情的な民俗的共鳴を持つ、時代を超えた音布に縫い合わされ、強い場所の感覚と幾重にも重なる歴史の響きを呼び起こす。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eLarksong』には、\u003cmeta charset=\"utf-8\"\u003eEmily Oldfieldが書き下ろし、チャペルで朗読した詩も収録されている。この詩はチャペルの列席者の視点から書かれた。歴史の言葉ではなく、感情的で触覚的な記憶の感覚につながるこの詩は、社会的、産業的、生態学的なテーマを織り交ぜている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3015388818\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/866331511?h=8e36a8265e\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/866352246?h=b740755cf0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e32 page riso-printed chapbook and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA5 manilla insert with film link and grave songs\u003c\/span\u003e. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For the 2023 British Textile Biennial, collaborative artists Nick Jordan and Jacob Cartwright created a new film, Larksong, and textiles installation, in Goodshaw Chapel - a nonconformist Baptist chapel established by textile workers and farm labourers in 1760.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith the chapel as a central leitmotif, the film captures the surrounding landscape of cloughs, rivers and moorlands, laced with the remnants and imprints of the textile workers and industries that shaped the environment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe musical score for the film, presented here on 12\" record, has been created by musicians and artists David Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Hayden and poetess Emily Oldfield. In addition to traditional instruments; recorders, piano and harmonium, sounds are derived from adapted spinning wheels, music boxes and film projectors. Larksong also features songs they have composed for the film, inspired by 18th century manuscripts from the Larks of Dean choir, and with lyrics from four gravestone inscriptions found in the chapel’s burial grounds. These recordings have been captured during a performance installation in the chapel, alongside experimental explorations in the studio. Field recordings captured in and around the chapel feature the bird calls of lark, curlew and thrush as well as wind through the trees and a trickling well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTh collection of recordings have been stitched together into a timeless-sonic-fabric of immersive and emotional folkloric resonance, evoking a strong sense of place and echoes of layered histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLarksong also features a new poem written and read aloud in the chapel by Emily Oldfield. The poem was written from the perspective of a chapel pew. Connecting to an emotional, tactile sense of memory, rather than the language of history, the poem weaves together social, industrial and ecological themes; ruminating upon the changing landscape, social mores and working practices that have been witnessed since the founding of the chapel.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE ONE:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e00:00 \"Ramah\" - Moses Heap.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01:00 Improvisation I - David Chatton-Barker + Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04:14 \"The Spinner\" - Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05:30 \"Weaver's Music Box\" - devised and performed by Mary Stark.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07:10. \"Behold Young Man\" (epitaph I) - set to music by Sam McLoughlin. Vocal: Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08:03 \"Windy Moor on a Summers Day\" Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08:54 \"God will Have Glory\" set to music by Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10:05 Improvisation II - David Chatton-Barker + Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11:18 Improvisation III - Mark Stark + Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12:50 \"John Nuttall Lies Here\" (epitaph II) - set to music by Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE TWO:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e00:00 Improvisation III - David Chatton-Barker + Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03:44 Improvisation IV - Mary Stark + Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04:25 \"Ramah\" Moses Heap.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08:07 \"How Suddenly\" (epitaph III) - set to music by Sam McLoughlin. Vocal Mary Stark.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09.35 \"The Spinner II\"\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBridget Hayden.\u003cbr data-mce-fragment=\"1\"\u003e10:44 Wind Sound.\u003cbr data-mce-fragment=\"1\"\u003e11:38 \"God Will Have Glory\" (epitaph IV) - set to music by Sam McLoughlin.\u003cbr data-mce-fragment=\"1\"\u003e13:10 \"The Pew Watches, The Hand Sows\". Written and performed by Emily Oldfield.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cspan data-mce-fragment=\"1\"\u003eHayden\/Stark\/McLoughlin\/Chatto\u003c\/span\u003e\u003cwbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003en Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-06T08:59:54+09:00","created_at":"2023-11-04T17:27:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","folklore tapes","lp","neo classical"],"price":553200,"price_min":553200,"price_max":553200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728630345978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Folklore Tapes \/\/ Larksong LP + CHAPBOOK","public_title":null,"options":["Default Title"],"price":553200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_87f41f0d-d396-4a9d-bcf9-56816bee3dd4.jpg?v=1699086458","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_0031.webp?v=1699228432","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_f5a71c6f-8e3c-466c-ba13-2768cfcc3631.jpg?v=1699228432","\/\/tobirarecords.com\/cdn\/shop\/files\/la3_d32e4367-6df9-4df4-8e10-536703f83112.jpg?v=1699228432"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_87f41f0d-d396-4a9d-bcf9-56816bee3dd4.jpg?v=1699086458","options":["Title"],"media":[{"alt":null,"id":32642057437434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_87f41f0d-d396-4a9d-bcf9-56816bee3dd4.jpg?v=1699086458"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_87f41f0d-d396-4a9d-bcf9-56816bee3dd4.jpg?v=1699086458","width":700},{"alt":null,"id":32647118061818,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_0031.webp?v=1699228432"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_0031.webp?v=1699228432","width":1000},{"alt":null,"id":32642057470202,"position":3,"preview_image":{"aspect_ratio":1.015,"height":591,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_f5a71c6f-8e3c-466c-ba13-2768cfcc3631.jpg?v=1699228432"},"aspect_ratio":1.015,"height":591,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_f5a71c6f-8e3c-466c-ba13-2768cfcc3631.jpg?v=1699228432","width":600},{"alt":null,"id":32642057502970,"position":4,"preview_image":{"aspect_ratio":1.04,"height":577,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la3_d32e4367-6df9-4df4-8e10-536703f83112.jpg?v=1699228432"},"aspect_ratio":1.04,"height":577,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la3_d32e4367-6df9-4df4-8e10-536703f83112.jpg?v=1699228432","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの民俗研究レーベルFolklore Tapes主宰メンバー\u003cmeta charset=\"utf-8\"\u003eDavid Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Haydenが、2023年10月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映画『Larksong』のサウンドトラック集です。32ページのチャップブック、A5サイズのインサート、DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年ブリティッシュ・テキスタイル・ビエンナーレのために、\u003cmeta charset=\"utf-8\"\u003eNick Jordan and Jacob Cartwrightが、1760年に織物労働者と農場労働者によって設立された無宗教のバプティスト礼拝堂グッドショー教会で新作映画『Larksong』とテキスタイル・インスタレーションを制作した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eチャペルを中心的なライトモチーフとして、フィルムは、この環境を形成した織物労働者と産業の名残と痕跡が混在する、谷、川、湿原といった周囲の風景を捉えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの映画の音楽は、ミュージシャンでアーティストの\u003cmeta charset=\"utf-8\"\u003eDavid Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Haydenそして詩人のEmily Oldfieldによって制作された。リコーダー、ピアノ、ハルモニウムといった伝統的な楽器に加え、車輪、オルゴール、映写機などを改造した音も使われている。また『\u003cmeta charset=\"utf-8\"\u003eLarksong』では、18世紀のラークス・オブ・ディーン聖歌隊の手稿にインスパイアされ、チャペルの埋葬地で発見された4つの墓碑銘の歌詞をもとに、彼らが映画のために作曲した曲も披露された。これらのレコーディングは、スタジオでの実験的な探求と並行して、礼拝堂でのパフォーマンス・インスタレーションで撮影された。チャペル周辺で録音されたフィールドレコーディングでは、ヒバリ、チュウシャクシギ、ツグミなどの鳥の鳴き声や、木漏れ日、井戸のせせらぎが聞こえる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコーディングコレクションは、没入感と感情的な民俗的共鳴を持つ、時代を超えた音布に縫い合わされ、強い場所の感覚と幾重にも重なる歴史の響きを呼び起こす。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eLarksong』には、\u003cmeta charset=\"utf-8\"\u003eEmily Oldfieldが書き下ろし、チャペルで朗読した詩も収録されている。この詩はチャペルの列席者の視点から書かれた。歴史の言葉ではなく、感情的で触覚的な記憶の感覚につながるこの詩は、社会的、産業的、生態学的なテーマを織り交ぜている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3015388818\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/866331511?h=8e36a8265e\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/player.vimeo.com\/video\/866352246?h=b740755cf0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e32 page riso-printed chapbook and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA5 manilla insert with film link and grave songs\u003c\/span\u003e. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For the 2023 British Textile Biennial, collaborative artists Nick Jordan and Jacob Cartwright created a new film, Larksong, and textiles installation, in Goodshaw Chapel - a nonconformist Baptist chapel established by textile workers and farm labourers in 1760.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith the chapel as a central leitmotif, the film captures the surrounding landscape of cloughs, rivers and moorlands, laced with the remnants and imprints of the textile workers and industries that shaped the environment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe musical score for the film, presented here on 12\" record, has been created by musicians and artists David Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Hayden and poetess Emily Oldfield. In addition to traditional instruments; recorders, piano and harmonium, sounds are derived from adapted spinning wheels, music boxes and film projectors. Larksong also features songs they have composed for the film, inspired by 18th century manuscripts from the Larks of Dean choir, and with lyrics from four gravestone inscriptions found in the chapel’s burial grounds. These recordings have been captured during a performance installation in the chapel, alongside experimental explorations in the studio. Field recordings captured in and around the chapel feature the bird calls of lark, curlew and thrush as well as wind through the trees and a trickling well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTh collection of recordings have been stitched together into a timeless-sonic-fabric of immersive and emotional folkloric resonance, evoking a strong sense of place and echoes of layered histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLarksong also features a new poem written and read aloud in the chapel by Emily Oldfield. The poem was written from the perspective of a chapel pew. Connecting to an emotional, tactile sense of memory, rather than the language of history, the poem weaves together social, industrial and ecological themes; ruminating upon the changing landscape, social mores and working practices that have been witnessed since the founding of the chapel.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE ONE:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e00:00 \"Ramah\" - Moses Heap.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01:00 Improvisation I - David Chatton-Barker + Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04:14 \"The Spinner\" - Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05:30 \"Weaver's Music Box\" - devised and performed by Mary Stark.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07:10. \"Behold Young Man\" (epitaph I) - set to music by Sam McLoughlin. Vocal: Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08:03 \"Windy Moor on a Summers Day\" Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08:54 \"God will Have Glory\" set to music by Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10:05 Improvisation II - David Chatton-Barker + Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11:18 Improvisation III - Mark Stark + Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12:50 \"John Nuttall Lies Here\" (epitaph II) - set to music by Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSIDE TWO:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e00:00 Improvisation III - David Chatton-Barker + Sam McLoughlin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03:44 Improvisation IV - Mary Stark + Bridget Hayden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04:25 \"Ramah\" Moses Heap.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08:07 \"How Suddenly\" (epitaph III) - set to music by Sam McLoughlin. Vocal Mary Stark.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09.35 \"The Spinner II\"\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBridget Hayden.\u003cbr data-mce-fragment=\"1\"\u003e10:44 Wind Sound.\u003cbr data-mce-fragment=\"1\"\u003e11:38 \"God Will Have Glory\" (epitaph IV) - set to music by Sam McLoughlin.\u003cbr data-mce-fragment=\"1\"\u003e13:10 \"The Pew Watches, The Hand Sows\". Written and performed by Emily Oldfield.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cspan data-mce-fragment=\"1\"\u003eHayden\/Stark\/McLoughlin\/Chatto\u003c\/span\u003e\u003cwbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003en Barker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Folklore Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスの民俗研究レーベルFolklore Tapes主宰メンバーDavid Chatton Barker, Mary Stark, Sam McLoughlin, Bridget Haydenが、2023年10月にリリースしたレコードです。 実験映画『Larksong』のサウンドトラック集です。32ページのチャップブック、A5サイズのインサート、DLコード付属。 以下、レーベルによる解説です。 "2023年ブリティッシュ・テキスタイル・ビエンナーレのために、Nick Jordan...
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{"id":8065836122362,"title":"Dancefloor Classics \/\/ Dancefloor Classics Vol. 4 10inch","handle":"dancefloor-classics-dancefloor-classics-vol-4-10","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフィンランドのエレクトロニック作家Vladislav Delay aka Dancefloor Classicsが、2023年10月に自身主宰レーベルRajatonからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア置き去り突っ走り系の実験ジュークフットワーク4曲を収録。DLコード付属。45回転です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1847043422\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cspan\u003e Edition of 500. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTweets 03:05\u003c\/li\u003e\n\u003cli\u003eYou Check 03:04\u003c\/li\u003e\n\u003cli\u003eHero Forever 03:52\u003c\/li\u003e\n\u003cli\u003eDon't Pick Up 02:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eS\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003easu Ripatti presents the fourth volume in his \"Dancefloor Classics\" series with five 10\" releases coming throughout 2023. Music for imaginary dancefloors, released on Ripatti's own label \"Rajaton\".\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eSasu Ripatti \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-04T19:11:48+09:00","created_at":"2023-11-04T15:46:39+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","rajaton","recommended","techno \/ house"],"price":358400,"price_min":358400,"price_max":358400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728529944826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dancefloor Classics \/\/ Dancefloor Classics Vol. 4 10inch","public_title":null,"options":["Default Title"],"price":358400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_033d4288-4e22-4714-91f5-818b08f52156.jpg?v=1699080400","\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_d208fdf3-de37-4190-a23f-ab04f22bad5a.jpg?v=1699080401"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_033d4288-4e22-4714-91f5-818b08f52156.jpg?v=1699080400","options":["Title"],"media":[{"alt":null,"id":32641678147834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_033d4288-4e22-4714-91f5-818b08f52156.jpg?v=1699080400"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_033d4288-4e22-4714-91f5-818b08f52156.jpg?v=1699080400","width":700},{"alt":null,"id":32641678180602,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_d208fdf3-de37-4190-a23f-ab04f22bad5a.jpg?v=1699080401"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_d208fdf3-de37-4190-a23f-ab04f22bad5a.jpg?v=1699080401","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフィンランドのエレクトロニック作家Vladislav Delay aka Dancefloor Classicsが、2023年10月に自身主宰レーベルRajatonからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eフロア置き去り突っ走り系の実験ジュークフットワーク4曲を収録。DLコード付属。45回転です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1847043422\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rjtn\"\u003ehere\u003c\/a\u003e to see more RAJATON releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" black vinyl.\u003cspan\u003e Edition of 500. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTweets 03:05\u003c\/li\u003e\n\u003cli\u003eYou Check 03:04\u003c\/li\u003e\n\u003cli\u003eHero Forever 03:52\u003c\/li\u003e\n\u003cli\u003eDon't Pick Up 02:40\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eS\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003easu Ripatti presents the fourth volume in his \"Dancefloor Classics\" series with five 10\" releases coming throughout 2023. Music for imaginary dancefloors, released on Ripatti's own label \"Rajaton\".\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eSasu Ripatti \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : RAJATON\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランドのエレクトロニック作家Vladislav Delay aka Dancefloor Classicsが、2023年10月に自身主宰レーベルRajatonからリリースした10"です。 フロア置き去り突っ走り系の実験ジュークフットワーク4曲を収録。DLコード付属。45回転です。 レーベルその他作品はこちら /// Click here to see more RAJATON releases available at...
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{"id":8065835041018,"title":"Santrofi \/\/ Deep into Highlife (live in Berlin) LP","handle":"sdi","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eガーナのハイライフ8人組Santrofiが、2023年10月にドイツのOuthere Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e彼らがベルリンで行ったライブのフルセットを収録。熱気が伝わってきます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このレコードは、ハイライフを復活させるという使命を持つガーナ出身の若き8人組、Santrofiの素晴らしいライブエネルギーを捉えたものだ。このアルバムのために、彼らはベルリンで最も素晴らしい14人編成のブラスバンド、オムニバーサル・アーケストラがバックを務めている。ステージ上の25人以上の偉大なミュージシャンが心を込めて演奏し、そのすべてがこのライブLPに収められている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、2021年から22年にかけてガーナとドイツで行われた「Deep into Highlife」プロジェクトのグランドフィナーレを記録したものだ。このプロジェクトは、ハイライフ界のスターSantrofiが多数のアーティストをステージに招き、コンサートやジャムセッションを行ったアクラから始まった。ゲストにはハイライフ界のレジェンドA.B. Crentsil（故人）やA.K. Yeboahだけでなく、CamidohやBlack Sherif、クマシ出身のドリルラッパーYaw Togといった新人も含まれていた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2022年5月から6月にかけて、Santrofiはドイツで「Deep into Highlife」を開催した。ラインナップには2人の特別ゲストが登場した： ガーナ・ハイライフシーンのパイオニアであり、有名なギターエース、クワメ・イェボアの父でもあるギター・バンド・レジェンド\u003cmeta charset=\"utf-8\"\u003eA.K. Yeboah。そして、ガーナ・ドリルのパイオニアであり、母国のファンからは「ヤング・ブル」として知られるクマシ出身の\u003cmeta charset=\"utf-8\"\u003eYaw Tog。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eツアーの最終公演は、2022年6月2日にベルリンのKulturbrauereiで行われた。この特別なイベントでSantrofiのバックを務めたのは、ベルリン最高のブラス・ユニット、オムニヴァーサル・アーケストラだった。このバンドは14人編成の金管楽器集団で、最近マリへのレコーディング旅行を敢行したアルバム『Le Mali 70』で話題を呼んでいる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムには、この特別なセッションのためにホーンアレンジを書き下ろしたオムニヴァーサル・アーケストラをバックに、Santrofiの最も人気のある曲のライブ・バージョンが収録されている。また、A.K.Yeboahによるオリジナル曲「Suru nipa」も収録されている： 「幽霊を恐れるな、人間を恐れろ」。そしてYaw Togのシングル「Sei mu」のバージョン。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSantrofiと素敵なコラボレーターたちの素晴らしいライブエネルギーを目撃していただきたい： この美しい夜を皆さんと分かち合いましょう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075820003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1530463143\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075820003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e ------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 350.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlewa (Live) 05:36\u003c\/li\u003e\n\u003cli\u003eKwaa kwaa (Live) 06:07\u003c\/li\u003e\n\u003cli\u003eCocoase (Live) 05:30\u003c\/li\u003e\n\u003cli\u003eAfrica (Live) 03:55\u003c\/li\u003e\n\u003cli\u003eKwabena amoah (Live) 04:36\u003c\/li\u003e\n\u003cli\u003eSuru Nipa (Live) 08:15\u003c\/li\u003e\n\u003cli\u003eSei mu (Live) 03:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOuthere Records:\u003c\/p\u003e\n\u003cp\u003e'\u003cem\u003eThis record captures the amazing live energy of Santrofi, a young 7 piece from Ghana with a mission to bring Highlife back. For this record they are backed by Berlins finest 14 piece brass band: the Omniversal Earkestra. Over 25 great musicians on stage all playing their hearts out, all captured on this live LP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album documents the grande finale of the ‚Deep into Highlife‘ project taking place 2021\/22 in Ghana and Germany. The project started off in Accra with Highlife shooting stars Santrofi inviting numerous artists on stage for a series of concerts and jamsessions. The guests included Highlife legends A.B. Crentsil (RIP) and A.K. Yeboah, but also newcomers like Camidoh, Black Sherif or drill rapper Yaw Tog from Kumasi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn May\/June 2022 Santrofi brought the ‚Deep into Highlife‘ experience to Germany. The lineup featured two special guests: The guitar band legend A.K. Yeboah, a pioneer of Ghanas Highlifescene and father of famous guitar ace Kwame Yeboah. And Ghana drill pioneer Yaw Tog from Kumasi known as ‚young bull‘ by his fans back home.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe final concert of the tour took place at Kulturbrauerei in Berlin on June 2nd 2022. For this very special event Santrofi was backed by Berlin’s finest brass unit the Omniversal Earkestra. The\u003cspan class=\"bcTruncateMore\"\u003e band is a 14 piece brass collective making waves recently with their ‚Le Mali 70‘ album which took them on a recording trip to Mali.\u003cbr\u003e\u003cbr\u003eThe album features live versions of some of Santrofis most popular songs backed by the Omniversal Earkestra who wrote horn arrangements for this special session. It also features ‚Suru nipa‘ an original composition by A.K. Yeboah in which the singer gives invaluable advice to his audience: „Don’t be afraid of ghosts, be afraid of humans“. And a version of Yaw Tog’s single ‚Sei mu‘.\u003cbr\u003e\u003cbr\u003eWe invite you to witness the incredible live energy of Santrofi and their lovely collaborators: Let us share this beautiful night with you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Santrofi\u003c\/p\u003e\n\u003cp\u003eLabel : Outhere Records\u003c\/p\u003e","published_at":"2023-11-08T15:51:52+09:00","created_at":"2023-11-04T15:40:58+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp"],"price":384800,"price_min":384800,"price_max":384800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728529289466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Santrofi \/\/ Deep into Highlife (live in Berlin) LP","public_title":null,"options":["Default Title"],"price":384800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_2c08ea03-6b5d-4a27-b1a7-e4b1148a4016.jpg?v=1699080060","\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_6d69f1a4-66a6-4296-8f91-eced377b7f9e.jpg?v=1699080060"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_2c08ea03-6b5d-4a27-b1a7-e4b1148a4016.jpg?v=1699080060","options":["Title"],"media":[{"alt":null,"id":32641655570682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_2c08ea03-6b5d-4a27-b1a7-e4b1148a4016.jpg?v=1699080060"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_2c08ea03-6b5d-4a27-b1a7-e4b1148a4016.jpg?v=1699080060","width":700},{"alt":null,"id":32641655603450,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_6d69f1a4-66a6-4296-8f91-eced377b7f9e.jpg?v=1699080060"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_6d69f1a4-66a6-4296-8f91-eced377b7f9e.jpg?v=1699080060","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eガーナのハイライフ8人組Santrofiが、2023年10月にドイツのOuthere Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e彼らがベルリンで行ったライブのフルセットを収録。熱気が伝わってきます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このレコードは、ハイライフを復活させるという使命を持つガーナ出身の若き8人組、Santrofiの素晴らしいライブエネルギーを捉えたものだ。このアルバムのために、彼らはベルリンで最も素晴らしい14人編成のブラスバンド、オムニバーサル・アーケストラがバックを務めている。ステージ上の25人以上の偉大なミュージシャンが心を込めて演奏し、そのすべてがこのライブLPに収められている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは、2021年から22年にかけてガーナとドイツで行われた「Deep into Highlife」プロジェクトのグランドフィナーレを記録したものだ。このプロジェクトは、ハイライフ界のスターSantrofiが多数のアーティストをステージに招き、コンサートやジャムセッションを行ったアクラから始まった。ゲストにはハイライフ界のレジェンドA.B. Crentsil（故人）やA.K. Yeboahだけでなく、CamidohやBlack Sherif、クマシ出身のドリルラッパーYaw Togといった新人も含まれていた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2022年5月から6月にかけて、Santrofiはドイツで「Deep into Highlife」を開催した。ラインナップには2人の特別ゲストが登場した： ガーナ・ハイライフシーンのパイオニアであり、有名なギターエース、クワメ・イェボアの父でもあるギター・バンド・レジェンド\u003cmeta charset=\"utf-8\"\u003eA.K. Yeboah。そして、ガーナ・ドリルのパイオニアであり、母国のファンからは「ヤング・ブル」として知られるクマシ出身の\u003cmeta charset=\"utf-8\"\u003eYaw Tog。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eツアーの最終公演は、2022年6月2日にベルリンのKulturbrauereiで行われた。この特別なイベントでSantrofiのバックを務めたのは、ベルリン最高のブラス・ユニット、オムニヴァーサル・アーケストラだった。このバンドは14人編成の金管楽器集団で、最近マリへのレコーディング旅行を敢行したアルバム『Le Mali 70』で話題を呼んでいる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムには、この特別なセッションのためにホーンアレンジを書き下ろしたオムニヴァーサル・アーケストラをバックに、Santrofiの最も人気のある曲のライブ・バージョンが収録されている。また、A.K.Yeboahによるオリジナル曲「Suru nipa」も収録されている： 「幽霊を恐れるな、人間を恐れろ」。そしてYaw Togのシングル「Sei mu」のバージョン。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSantrofiと素敵なコラボレーターたちの素晴らしいライブエネルギーを目撃していただきたい： この美しい夜を皆さんと分かち合いましょう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075820003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1530463143\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075820003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e ------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 350.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlewa (Live) 05:36\u003c\/li\u003e\n\u003cli\u003eKwaa kwaa (Live) 06:07\u003c\/li\u003e\n\u003cli\u003eCocoase (Live) 05:30\u003c\/li\u003e\n\u003cli\u003eAfrica (Live) 03:55\u003c\/li\u003e\n\u003cli\u003eKwabena amoah (Live) 04:36\u003c\/li\u003e\n\u003cli\u003eSuru Nipa (Live) 08:15\u003c\/li\u003e\n\u003cli\u003eSei mu (Live) 03:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOuthere Records:\u003c\/p\u003e\n\u003cp\u003e'\u003cem\u003eThis record captures the amazing live energy of Santrofi, a young 7 piece from Ghana with a mission to bring Highlife back. For this record they are backed by Berlins finest 14 piece brass band: the Omniversal Earkestra. Over 25 great musicians on stage all playing their hearts out, all captured on this live LP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album documents the grande finale of the ‚Deep into Highlife‘ project taking place 2021\/22 in Ghana and Germany. The project started off in Accra with Highlife shooting stars Santrofi inviting numerous artists on stage for a series of concerts and jamsessions. The guests included Highlife legends A.B. Crentsil (RIP) and A.K. Yeboah, but also newcomers like Camidoh, Black Sherif or drill rapper Yaw Tog from Kumasi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn May\/June 2022 Santrofi brought the ‚Deep into Highlife‘ experience to Germany. The lineup featured two special guests: The guitar band legend A.K. Yeboah, a pioneer of Ghanas Highlifescene and father of famous guitar ace Kwame Yeboah. And Ghana drill pioneer Yaw Tog from Kumasi known as ‚young bull‘ by his fans back home.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe final concert of the tour took place at Kulturbrauerei in Berlin on June 2nd 2022. For this very special event Santrofi was backed by Berlin’s finest brass unit the Omniversal Earkestra. The\u003cspan class=\"bcTruncateMore\"\u003e band is a 14 piece brass collective making waves recently with their ‚Le Mali 70‘ album which took them on a recording trip to Mali.\u003cbr\u003e\u003cbr\u003eThe album features live versions of some of Santrofis most popular songs backed by the Omniversal Earkestra who wrote horn arrangements for this special session. It also features ‚Suru nipa‘ an original composition by A.K. Yeboah in which the singer gives invaluable advice to his audience: „Don’t be afraid of ghosts, be afraid of humans“. And a version of Yaw Tog’s single ‚Sei mu‘.\u003cbr\u003e\u003cbr\u003eWe invite you to witness the incredible live energy of Santrofi and their lovely collaborators: Let us share this beautiful night with you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Santrofi\u003c\/p\u003e\n\u003cp\u003eLabel : Outhere Records\u003c\/p\u003e"}
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ガーナのハイライフ8人組Santrofiが、2023年10月にドイツのOuthere Recordsからリリースしたレコードです。 彼らがベルリンで行ったライブのフルセットを収録。熱気が伝わってきます。 以下、レーベルによる解説です。 "このレコードは、ハイライフを復活させるという使命を持つガーナ出身の若き8人組、Santrofiの素晴らしいライブエネルギーを捉えたものだ。このアルバムのために、彼らはベルリンで最も素晴らしい14人編成のブラスバンド、オムニバーサル・アーケストラがバックを務めている。ステージ上の25人以上の偉大なミュージシャンが心を込めて演奏し、そのすべてがこのライブLPに収められている。このアルバムは、2021年から22年にかけてガーナとドイツで行われた「Deep into Highlife」プロジェクトのグランドフィナーレを記録したものだ。このプロジェクトは、ハイライフ界のスターSantrofiが多数のアーティストをステージに招き、コンサートやジャムセッションを行ったアクラから始まった。ゲストにはハイライフ界のレジェンドA.B. Crentsil（故人）やA.K. Yeboahだけでなく、CamidohやBlack Sherif、クマシ出身のドリルラッパーYaw Togといった新人も含まれていた。2022年5月から6月にかけて、Santrofiはドイツで「Deep into Highlife」を開催した。ラインナップには2人の特別ゲストが登場した： ガーナ・ハイライフシーンのパイオニアであり、有名なギターエース、クワメ・イェボアの父でもあるギター・バンド・レジェンドA.K....
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{"id":8065833500922,"title":"グラタンカーニバル Gratin Carnival \/\/ そんな12月 Such December LP","handle":"grcas","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e日本のフォーク・ポップ作家グラタンカーニバル aka 光永これゆきが、2023年10月にドイツのポップレーベル\u003cmeta charset=\"utf-8\"\u003eAlien Transistorからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e素朴でほっこりするフォーク・ポップ〜ボサ・フォーク10曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTenniscoatsが好きな方にオススメします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3149823190\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3831526933\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3453088098\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/altrr\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/altrr\"\u003eher\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsp\"\u003ee\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAlien Transistor releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 423. Originally released in 2020. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. 冬 \/ Winter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. 換気扇 \/ Ventilation Fan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. 銀と水色の街 \/ City of Silver and Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. シャッターチャンスは五年前 \/ Just Watching\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. ミラージュソング \/ Mirage Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. 灯台 \/ Lighthouse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. 火星の教育 \/ Education from Mars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. みずたまり \/ Puddle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. 本当の夢 \/ Dreaming\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. 待ち合わせ \/ On the Train\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Alien Transistor:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlien Transistor is proud to announce a reissue of Such December, the fourth album by Japanese indie folk-pop artist, Gratin Carnival. Listeners might already know Gratin Carnival from their appearance on the Alien Parade Japan compilation of indie pop groups working with brass and woodwind; compiled by Markus Acher of The Notwist and Saya of Tenniscoats, it introduced this beautiful genre to the wider world. Gratin Carnival’s “Just Watching” was one\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e of the many highlights of that compilation, and its gentle bossa-folk glide reappears on Such December.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released in 2020, Such December captures beautifully the happy-sad charm of Gratin Carnival. The project of Koreyuki Mitsunaga, Gratin Carnival started in 2011; Mitsunaga had been home recording for some time and decided on the name as an umbrella for his music-making. Mitsunaga’s main instruments are guitar, which he uses to great effect throughout, his gorgeous acoustic playing reminiscent of players like Ueno Takashi of Tenniscoats or João Gilberto, and alto saxophone and clarinet. Those three instruments make up the core of Gratin Carnival’s sound, along with Mitsunaga’s charmingly doleful singing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecording at his parents’ home, with a four-track cassette recorder and a MacBook, Mitsunaga created Such December during 2020, though the songs on it stretch back to 2016. The closing “On The Train” was the first song written for the album – “a song about a small trip,” Mitsunaga recalls – and from there, he built a beautiful collection of songs that sit together perfectly. There’s great clarity in Mitsunaga’s writing, with nothing extraneous getting in the way of the lucid arrangements and gorgeous melodies; there’s something of chamber jazz about it at times, so it’s no surprise that Mitsunaga shares his love of Benny Goodman’s small group playing.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gratin Carnival\u003c\/p\u003e\n\u003cp\u003eLabel : Alien Transistor\u003c\/p\u003e","published_at":"2023-11-06T17:08:47+09:00","created_at":"2023-11-04T15:33:09+09:00","vendor":"Tobira Records","type":"","tags":["Alien Transistor","folk \/ left-field pop","jazz","lp","new","recommended"],"price":399800,"price_min":399800,"price_max":399800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728527290618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"グラタンカーニバル Gratin Carnival \/\/ そんな12月 Such December LP","public_title":null,"options":["Default Title"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_05823749-a01a-473d-a129-507d38d899bc.jpg?v=1699079591","\/\/tobirarecords.com\/cdn\/shop\/files\/dec2_a3f2d1dc-fdf0-4186-a41f-cb9cc3772994.jpg?v=1699079591"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_05823749-a01a-473d-a129-507d38d899bc.jpg?v=1699079591","options":["Title"],"media":[{"alt":null,"id":32641621721338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_05823749-a01a-473d-a129-507d38d899bc.jpg?v=1699079591"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_05823749-a01a-473d-a129-507d38d899bc.jpg?v=1699079591","width":700},{"alt":null,"id":32641621754106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec2_a3f2d1dc-fdf0-4186-a41f-cb9cc3772994.jpg?v=1699079591"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec2_a3f2d1dc-fdf0-4186-a41f-cb9cc3772994.jpg?v=1699079591","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e日本のフォーク・ポップ作家グラタンカーニバル aka 光永これゆきが、2023年10月にドイツのポップレーベル\u003cmeta charset=\"utf-8\"\u003eAlien Transistorからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e素朴でほっこりするフォーク・ポップ〜ボサ・フォーク10曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTenniscoatsが好きな方にオススメします。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3149823190\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3831526933\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3396874632\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3453088098\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/altrr\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/altrr\"\u003eher\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/emsp\"\u003ee\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAlien Transistor releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 423. Originally released in 2020. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. 冬 \/ Winter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. 換気扇 \/ Ventilation Fan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. 銀と水色の街 \/ City of Silver and Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. シャッターチャンスは五年前 \/ Just Watching\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. ミラージュソング \/ Mirage Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. 灯台 \/ Lighthouse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. 火星の教育 \/ Education from Mars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. みずたまり \/ Puddle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. 本当の夢 \/ Dreaming\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. 待ち合わせ \/ On the Train\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Alien Transistor:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlien Transistor is proud to announce a reissue of Such December, the fourth album by Japanese indie folk-pop artist, Gratin Carnival. Listeners might already know Gratin Carnival from their appearance on the Alien Parade Japan compilation of indie pop groups working with brass and woodwind; compiled by Markus Acher of The Notwist and Saya of Tenniscoats, it introduced this beautiful genre to the wider world. Gratin Carnival’s “Just Watching” was one\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e of the many highlights of that compilation, and its gentle bossa-folk glide reappears on Such December.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released in 2020, Such December captures beautifully the happy-sad charm of Gratin Carnival. The project of Koreyuki Mitsunaga, Gratin Carnival started in 2011; Mitsunaga had been home recording for some time and decided on the name as an umbrella for his music-making. Mitsunaga’s main instruments are guitar, which he uses to great effect throughout, his gorgeous acoustic playing reminiscent of players like Ueno Takashi of Tenniscoats or João Gilberto, and alto saxophone and clarinet. Those three instruments make up the core of Gratin Carnival’s sound, along with Mitsunaga’s charmingly doleful singing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecording at his parents’ home, with a four-track cassette recorder and a MacBook, Mitsunaga created Such December during 2020, though the songs on it stretch back to 2016. The closing “On The Train” was the first song written for the album – “a song about a small trip,” Mitsunaga recalls – and from there, he built a beautiful collection of songs that sit together perfectly. There’s great clarity in Mitsunaga’s writing, with nothing extraneous getting in the way of the lucid arrangements and gorgeous melodies; there’s something of chamber jazz about it at times, so it’s no surprise that Mitsunaga shares his love of Benny Goodman’s small group playing.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gratin Carnival\u003c\/p\u003e\n\u003cp\u003eLabel : Alien Transistor\u003c\/p\u003e"}
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日本のフォーク・ポップ作家グラタンカーニバル aka 光永これゆきが、2023年10月にドイツのポップレーベルAlien Transistorからリリースした再発レコードです。（オリジナルは2020年リリース） 素朴でほっこりするフォーク・ポップ〜ボサ・フォーク10曲を収録。DLコード付属。 Tenniscoatsが好きな方にオススメします。 レーベルその他作品はこちら /// Click here to see more Alien Transistor releases available at...
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{"id":8065829142778,"title":"Alvin Lucier \/\/ Works for the Ever Present Orchestra Vol. II LP","handle":"alvin-lucier-works-for-the-ever-present-orchestra-vol-ii-lp","description":"\u003cp\u003e2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin Lucierがこのアンサンブルのために書いた音楽の核となるのは、2013年に探求を始めたエレクトリックギターという楽器である。e-bowで演奏されるこれらの作品では、エレクトリック・ラップスティールギターが、1980年代初頭以降のAlvin Lucierの作品の多くで聴かれる、ゆっくりと掃引するピュアウェーブ・オシレーターのような役割を担っている。この印象的でエレガントな2曲のコンポジションは、Alvin Lucierの後期音楽への理想的な導入となるだろう。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこの2つの作品はまったく異なる性格を持っており、密接に関連した作曲手順や関心事から、驚くほど幅広い音楽的成果を収穫する\u003cmeta charset=\"utf-8\"\u003eAlvin Lucierの能力を例証している。『Arrigoni Bridge』（2019年）では、Lucierは『Still Lives』（1995年）のような以前の作品でおなじみの技法を用いており、そこではサイン波が家庭用品の形をなぞっている。ここでは、3本のエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（Oren Ambarchi、Bernhard Rietbrock、Jan Thobenが演奏）が、コネチカット州ミドルタウンとポートランドを結ぶアリゴーニ橋の形をなぞる。橋の2つの巨大な鋼鉄の円弧は、ゆっくりとスイープする音程となり、アルト・サックス（ジョアン・ジョルディ・オリヴァー・アルコス）、ヴァイオリン（レベッカ・ティース）、チェロ（ルーシー・レイルトン）がロングトーンを持続し、ギターとの距離や近さによって様々な聴こえる拍動パターンを作り出す。重厚なテンポ、温かみのある中音域の音色、サスティン楽器の豊かな音色バリエーションなど、『Arrigoni Bridge』は、没入感を生み出すコンポジション・リダクションの美しい例である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、『Flips』（2020年）はもっと渋い。2本の\u003cmeta charset=\"utf-8\"\u003eエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（リートボックとトーベン）、コントラバス（ロス・ワイトマン）、グロッケンシュピール（トレヴァー・セイント）、弓で弾く2つのアコースティック楽器のために作曲されたこの曲は、メジャー・セカンド（半音2つ）の音域にズームインしている。コントラバスとグロッケンシュピールは長い音色を維持し、ギターの音色との距離によって異なる速度のビートを生み出す。このように音域が制限されているため、音楽はしばしば不協和音となり、聴感上の拍動現象が表面化する。一見シンプルな素材の中に無限に近い複雑さを見出すLucierの能力を示すこの『Works for the Ever Present Orchestra Vol.II』は、実験音楽の伝統の主要人物の一人にふさわしいオマージュであり、彼の作品の継続的なパワーの証でもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=397154890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArrigoni Bridge 21:09\u003c\/li\u003e\n\u003cli\u003eFlips 16:03\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorks for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-11-07T07:35:45+09:00","created_at":"2023-11-04T15:06:42+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp"],"price":397200,"price_min":397200,"price_max":397200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728515330298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Works for the Ever Present Orchestra Vol. II LP","public_title":null,"options":["Default Title"],"price":397200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","options":["Title"],"media":[{"alt":null,"id":32641517912314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_3ba18c5a-bb71-4faf-afbd-ff7e89477225.jpg?v=1699078004","width":700},{"alt":null,"id":32641517945082,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_c4ccf2b3-d13c-41bf-85e4-4f5b72757261.jpg?v=1699078004","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin Lucierがこのアンサンブルのために書いた音楽の核となるのは、2013年に探求を始めたエレクトリックギターという楽器である。e-bowで演奏されるこれらの作品では、エレクトリック・ラップスティールギターが、1980年代初頭以降のAlvin Lucierの作品の多くで聴かれる、ゆっくりと掃引するピュアウェーブ・オシレーターのような役割を担っている。この印象的でエレガントな2曲のコンポジションは、Alvin Lucierの後期音楽への理想的な導入となるだろう。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eこの2つの作品はまったく異なる性格を持っており、密接に関連した作曲手順や関心事から、驚くほど幅広い音楽的成果を収穫する\u003cmeta charset=\"utf-8\"\u003eAlvin Lucierの能力を例証している。『Arrigoni Bridge』（2019年）では、Lucierは『Still Lives』（1995年）のような以前の作品でおなじみの技法を用いており、そこではサイン波が家庭用品の形をなぞっている。ここでは、3本のエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（Oren Ambarchi、Bernhard Rietbrock、Jan Thobenが演奏）が、コネチカット州ミドルタウンとポートランドを結ぶアリゴーニ橋の形をなぞる。橋の2つの巨大な鋼鉄の円弧は、ゆっくりとスイープする音程となり、アルト・サックス（ジョアン・ジョルディ・オリヴァー・アルコス）、ヴァイオリン（レベッカ・ティース）、チェロ（ルーシー・レイルトン）がロングトーンを持続し、ギターとの距離や近さによって様々な聴こえる拍動パターンを作り出す。重厚なテンポ、温かみのある中音域の音色、サスティン楽器の豊かな音色バリエーションなど、『Arrigoni Bridge』は、没入感を生み出すコンポジション・リダクションの美しい例である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、『Flips』（2020年）はもっと渋い。2本の\u003cmeta charset=\"utf-8\"\u003eエレクトリック・\u003cmeta charset=\"utf-8\"\u003eラップスティールギター（リートボックとトーベン）、コントラバス（ロス・ワイトマン）、グロッケンシュピール（トレヴァー・セイント）、弓で弾く2つのアコースティック楽器のために作曲されたこの曲は、メジャー・セカンド（半音2つ）の音域にズームインしている。コントラバスとグロッケンシュピールは長い音色を維持し、ギターの音色との距離によって異なる速度のビートを生み出す。このように音域が制限されているため、音楽はしばしば不協和音となり、聴感上の拍動現象が表面化する。一見シンプルな素材の中に無限に近い複雑さを見出すLucierの能力を示すこの『Works for the Ever Present Orchestra Vol.II』は、実験音楽の伝統の主要人物の一人にふさわしいオマージュであり、彼の作品の継続的なパワーの証でもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=397154890\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArrigoni Bridge 21:09\u003c\/li\u003e\n\u003cli\u003eFlips 16:03\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorks for the Ever Present Orchestra Vol. II continues Black Truffle’s documentation of the late work of legendary American experimental composer Alvin Lucier, who sadly passed away in 2021 at the age of 90. Like the first volume of the series, the two works recorded here were written for The Ever Present Orchestra, an ensemble founded in Zürich in 2016 to perform Lucier’s work exclusively. At the core of the music Lucier wrote for the ensemble is the electric guitar, an instrument he began to explore in 2013. Played with e-bows, in these works electric lap steel guitars take on roles akin to the slow sweep pure wave oscillators heard in many of Lucier’s works since the early 1980s. This strikingly elegant pair of compositions would serve as an ideal introduction to Lucier’s late music for a listener as yet unfamiliar with its graceful exploration of beating patterns and other acoustic phenomenon.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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2011年に他界した実験音楽家Alvin Lucierの晩年の作品記録集です。 以下、レーベルによる解説です。 "『Works for the Ever Present Orchestra Vol. II』は、2021年に90歳で惜しまれつつこの世を去ったアメリカの伝説的な実験音楽作曲家Alvin Lucierの晩年の作品を、Black Truffleが記録したものである。シリーズ第1巻と同様、ここに収録された2つの作品は、Alvin Lucierの作品を独占的に演奏するために2016年にチューリッヒに設立されたアンサンブル、エバー・プレゼント・オーケストラのために書かれた。Alvin...
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{"id":8065788117242,"title":"HULUBALANG \/\/ BUNYI BUNYI TUMBAL LP","handle":"hbbt","description":"\u003cp\u003eインドネシア・バリ島のポストインダストリアルデュオGabber Modus Operandiの片割れ\u003cmeta charset=\"utf-8\"\u003eKasimyn aka HULUBALANGが、2023年10月にヨルダン・アンマンの実験レーベル\u003cmeta charset=\"utf-8\"\u003eDrowned By Localsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・トライバルテクノ〜儀式的なストレンジビーツ14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad Beckerが担当しています。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Kasimynの言葉を借りれば、\"BUNYI BUNYI TUMBAL \"というフレーズは「匿名的な犠牲に対する総合的な感情」を意味し、インドネシアの戦争史料を深く掘り下げることで生まれた感情を包含している。このアーカイブには、植民地支配者自身のレンズを通して撮影された、オランダ統治時代を記録した写真の宝庫が含まれている。この出発点から、プロジェクト「HULUBALANG」は生まれた。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eHULUBALANGの視線は、これらの歴史的記録に登場する周辺人物に注がれている。個々の重要性を欠いたこれらの二次的な人物は、名前もなく、認識もされず、より広い歴史の物語の小道具として機能する。同時に、彼らは勝者と敗者の両方の視点から「学んだ教訓」を得るための不可欠な道具となる。この枠組みの中で、非戦闘的な「犠牲」である\u003cmeta charset=\"utf-8\"\u003eTUMBALの概念は、その訳語を超える重みを持つ。\u003cmeta charset=\"utf-8\"\u003eTUMBALは、犠牲者として行動するわけでも、大義のために殉教するわけでもない。TUMBALは、幻滅を永続的に生み出すシステムの呪縛を、私たちに強く思い起こさせるのだ。\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『BUNYI BUNYI TUMBAL』は、長い怒りの系譜に由来する個人的なカタルシス行為である。ある夜、儀式的な踊りが外的な力によって中断され、曲が砕け散り、踊りが無邪気さと苦痛の狭間に取り残された村へのオマージュである。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=425566021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiso 03:11\u003c\/li\u003e\n\u003cli\u003eCerca 03:34\u003c\/li\u003e\n\u003cli\u003eKemaut 03:53\u003c\/li\u003e\n\u003cli\u003eMalasa 03:38\u003c\/li\u003e\n\u003cli\u003eSayat 02:18\u003c\/li\u003e\n\u003cli\u003eLiang 03:05\u003c\/li\u003e\n\u003cli\u003eBucur 03:43\u003c\/li\u003e\n\u003cli\u003eHitam 03:09\u003c\/li\u003e\n\u003cli\u003eTungkai 03:13\u003c\/li\u003e\n\u003cli\u003eBudakkawan (feat. SaintMary) 02:46\u003c\/li\u003e\n\u003cli\u003eGendang Ria 04:30\u003c\/li\u003e\n\u003cli\u003eCakar 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDrowned By Locals:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Kasimyn's own words, the phrase \"BUNYI BUNYI TUMBAL\" signifies a \"Synthetic Feeling for Anonymous Sacrifice,\" encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project HULUBALANG was born.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHULUBALANG's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring \"lessons learned\" from the perspectives of both the victors and the vanquished. Within this framework, the notion of TUMBAL, the non-belligerent \"sacrifice,\" assumes a weight surpassing its translation. TUMBAL neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds us of the systemic curse perpetually engendering disillusionment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBUNYI BUNYI TUMBAL is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HULUBALANG\u003c\/p\u003e\n\u003cp\u003eLabel : Drowned By Locals\u003c\/p\u003e","published_at":"2023-11-04T16:39:38+09:00","created_at":"2023-11-04T13:44:47+09:00","vendor":"Tobira Records","type":"","tags":["lp","recommended","strange beats","techno \/ house"],"price":379200,"price_min":379200,"price_max":379200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728386617594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"HULUBALANG \/\/ BUNYI BUNYI TUMBAL LP","public_title":null,"options":["Default Title"],"price":379200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bun1.jpg?v=1699073088","\/\/tobirarecords.com\/cdn\/shop\/files\/bun2.jpg?v=1699073089","\/\/tobirarecords.com\/cdn\/shop\/files\/bun3.jpg?v=1699073088","\/\/tobirarecords.com\/cdn\/shop\/files\/bun4.jpg?v=1699073089"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun1.jpg?v=1699073088","options":["Title"],"media":[{"alt":null,"id":32641331593466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun1.jpg?v=1699073088"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun1.jpg?v=1699073088","width":700},{"alt":null,"id":32641331626234,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun2.jpg?v=1699073089"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun2.jpg?v=1699073089","width":1200},{"alt":null,"id":32641331659002,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun3.jpg?v=1699073088"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun3.jpg?v=1699073088","width":1200},{"alt":null,"id":32641331691770,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun4.jpg?v=1699073089"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bun4.jpg?v=1699073089","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインドネシア・バリ島のポストインダストリアルデュオGabber Modus Operandiの片割れ\u003cmeta charset=\"utf-8\"\u003eKasimyn aka HULUBALANGが、2023年10月にヨルダン・アンマンの実験レーベル\u003cmeta charset=\"utf-8\"\u003eDrowned By Localsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・トライバルテクノ〜儀式的なストレンジビーツ14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad Beckerが担当しています。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Kasimynの言葉を借りれば、\"BUNYI BUNYI TUMBAL \"というフレーズは「匿名的な犠牲に対する総合的な感情」を意味し、インドネシアの戦争史料を深く掘り下げることで生まれた感情を包含している。このアーカイブには、植民地支配者自身のレンズを通して撮影された、オランダ統治時代を記録した写真の宝庫が含まれている。この出発点から、プロジェクト「HULUBALANG」は生まれた。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eHULUBALANGの視線は、これらの歴史的記録に登場する周辺人物に注がれている。個々の重要性を欠いたこれらの二次的な人物は、名前もなく、認識もされず、より広い歴史の物語の小道具として機能する。同時に、彼らは勝者と敗者の両方の視点から「学んだ教訓」を得るための不可欠な道具となる。この枠組みの中で、非戦闘的な「犠牲」である\u003cmeta charset=\"utf-8\"\u003eTUMBALの概念は、その訳語を超える重みを持つ。\u003cmeta charset=\"utf-8\"\u003eTUMBALは、犠牲者として行動するわけでも、大義のために殉教するわけでもない。TUMBALは、幻滅を永続的に生み出すシステムの呪縛を、私たちに強く思い起こさせるのだ。\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『BUNYI BUNYI TUMBAL』は、長い怒りの系譜に由来する個人的なカタルシス行為である。ある夜、儀式的な踊りが外的な力によって中断され、曲が砕け散り、踊りが無邪気さと苦痛の狭間に取り残された村へのオマージュである。\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=425566021\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiso 03:11\u003c\/li\u003e\n\u003cli\u003eCerca 03:34\u003c\/li\u003e\n\u003cli\u003eKemaut 03:53\u003c\/li\u003e\n\u003cli\u003eMalasa 03:38\u003c\/li\u003e\n\u003cli\u003eSayat 02:18\u003c\/li\u003e\n\u003cli\u003eLiang 03:05\u003c\/li\u003e\n\u003cli\u003eBucur 03:43\u003c\/li\u003e\n\u003cli\u003eHitam 03:09\u003c\/li\u003e\n\u003cli\u003eTungkai 03:13\u003c\/li\u003e\n\u003cli\u003eBudakkawan (feat. SaintMary) 02:46\u003c\/li\u003e\n\u003cli\u003eGendang Ria 04:30\u003c\/li\u003e\n\u003cli\u003eCakar 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDrowned By Locals:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Kasimyn's own words, the phrase \"BUNYI BUNYI TUMBAL\" signifies a \"Synthetic Feeling for Anonymous Sacrifice,\" encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project HULUBALANG was born.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHULUBALANG's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring \"lessons learned\" from the perspectives of both the victors and the vanquished. Within this framework, the notion of TUMBAL, the non-belligerent \"sacrifice,\" assumes a weight surpassing its translation. TUMBAL neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds us of the systemic curse perpetually engendering disillusionment.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBUNYI BUNYI TUMBAL is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : HULUBALANG\u003c\/p\u003e\n\u003cp\u003eLabel : Drowned By Locals\u003c\/p\u003e"}
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インドネシア・バリ島のポストインダストリアルデュオGabber Modus Operandiの片割れKasimyn aka HULUBALANGが、2023年10月にヨルダン・アンマンの実験レーベルDrowned By Localsから300部限定でリリースしたデビューレコードです。 ポストインダストリアル・トライバルテクノ〜儀式的なストレンジビーツ14曲を収録。 マスタリングはRashad Beckerが担当しています。DLコード付属。 以下、レーベルによる解説です。 "Kasimynの言葉を借りれば、"BUNYI BUNYI TUMBAL "というフレーズは「匿名的な犠牲に対する総合的な感情」を意味し、インドネシアの戦争史料を深く掘り下げることで生まれた感情を包含している。このアーカイブには、植民地支配者自身のレンズを通して撮影された、オランダ統治時代を記録した写真の宝庫が含まれている。この出発点から、プロジェクト「HULUBALANG」は生まれた。HULUBALANGの視線は、これらの歴史的記録に登場する周辺人物に注がれている。個々の重要性を欠いたこれらの二次的な人物は、名前もなく、認識もされず、より広い歴史の物語の小道具として機能する。同時に、彼らは勝者と敗者の両方の視点から「学んだ教訓」を得るための不可欠な道具となる。この枠組みの中で、非戦闘的な「犠牲」であるTUMBALの概念は、その訳語を超える重みを持つ。TUMBALは、犠牲者として行動するわけでも、大義のために殉教するわけでもない。TUMBALは、幻滅を永続的に生み出すシステムの呪縛を、私たちに強く思い起こさせるのだ。『BUNYI...
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{"id":8065641382138,"title":"Cosmic Neighbourhood \/\/ Collages II LP","handle":"cosmic-neighbourhood-collages-ii-lp-1","description":"\u003cp\u003eイギリス・ブリストルのアウトサイダー・シンセポップ作家Cosmic Neighbourhoodが、2016年に同国Kitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eパラレルワールドの子供向けテレビ番組のBGMのようなインストシンセ・コラージュ・ポップ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3060132885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMystical Lady 03:03\u003c\/li\u003e\n\u003cli\u003eSnowflake 03:02\u003c\/li\u003e\n\u003cli\u003eCarousel 02:06\u003c\/li\u003e\n\u003cli\u003eYawn 01:44\u003c\/li\u003e\n\u003cli\u003eElf House 03:07\u003c\/li\u003e\n\u003cli\u003eCloak 02:27\u003c\/li\u003e\n\u003cli\u003eWitch 01:28\u003c\/li\u003e\n\u003cli\u003eSomewhere in the Woods 02:33\u003c\/li\u003e\n\u003cli\u003eBeing Small 01:37\u003c\/li\u003e\n\u003cli\u003eNeighbour 02:02\u003c\/li\u003e\n\u003cli\u003eDragonfly 03:00\u003c\/li\u003e\n\u003cli\u003eGarden 02:21\u003c\/li\u003e\n\u003cli\u003eAura 02:10\u003c\/li\u003e\n\u003cli\u003ePixies 02:23\u003c\/li\u003e\n\u003cli\u003eTrees 03:11\u003c\/li\u003e\n\u003cli\u003eBunk Beds 03:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol-based illustrator and musician Adam Higton welcomes you back into the mossy realm of the Cosmic Neighbourhood. With each song acting as a response to a series of paper-and-scissors compositions, 'Collages II' documents the daily goings-on of an imagined world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSonically, this record straddles new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cosmic Neighbourhood\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e","published_at":"2023-11-05T07:27:03+09:00","created_at":"2023-11-04T13:02:32+09:00","vendor":"Tobira Records","type":"","tags":["kit records","lp","strange beats"],"price":297000,"price_min":297000,"price_max":297000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728192598266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cosmic Neighbourhood \/\/ Collages II LP","public_title":null,"options":["Default Title"],"price":297000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/co1_c84223c9-1188-4bb8-bd75-a99feb7a2ec2.jpg?v=1699070557","\/\/tobirarecords.com\/cdn\/shop\/files\/co2_707eea9f-2b8e-4b25-8710-4fbedcbb1723.jpg?v=1699070557"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/co1_c84223c9-1188-4bb8-bd75-a99feb7a2ec2.jpg?v=1699070557","options":["Title"],"media":[{"alt":null,"id":32641275592954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/co1_c84223c9-1188-4bb8-bd75-a99feb7a2ec2.jpg?v=1699070557"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/co1_c84223c9-1188-4bb8-bd75-a99feb7a2ec2.jpg?v=1699070557","width":700},{"alt":null,"id":32641275625722,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/co2_707eea9f-2b8e-4b25-8710-4fbedcbb1723.jpg?v=1699070557"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/co2_707eea9f-2b8e-4b25-8710-4fbedcbb1723.jpg?v=1699070557","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ブリストルのアウトサイダー・シンセポップ作家Cosmic Neighbourhoodが、2016年に同国Kitからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eパラレルワールドの子供向けテレビ番組のBGMのようなインストシンセ・コラージュ・ポップ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3060132885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMystical Lady 03:03\u003c\/li\u003e\n\u003cli\u003eSnowflake 03:02\u003c\/li\u003e\n\u003cli\u003eCarousel 02:06\u003c\/li\u003e\n\u003cli\u003eYawn 01:44\u003c\/li\u003e\n\u003cli\u003eElf House 03:07\u003c\/li\u003e\n\u003cli\u003eCloak 02:27\u003c\/li\u003e\n\u003cli\u003eWitch 01:28\u003c\/li\u003e\n\u003cli\u003eSomewhere in the Woods 02:33\u003c\/li\u003e\n\u003cli\u003eBeing Small 01:37\u003c\/li\u003e\n\u003cli\u003eNeighbour 02:02\u003c\/li\u003e\n\u003cli\u003eDragonfly 03:00\u003c\/li\u003e\n\u003cli\u003eGarden 02:21\u003c\/li\u003e\n\u003cli\u003eAura 02:10\u003c\/li\u003e\n\u003cli\u003ePixies 02:23\u003c\/li\u003e\n\u003cli\u003eTrees 03:11\u003c\/li\u003e\n\u003cli\u003eBunk Beds 03:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol-based illustrator and musician Adam Higton welcomes you back into the mossy realm of the Cosmic Neighbourhood. With each song acting as a response to a series of paper-and-scissors compositions, 'Collages II' documents the daily goings-on of an imagined world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSonically, this record straddles new and old, taking modular electronics, flutes, bells and softly pattering drum machines, before colouring them all with the amber glow of some forgotten, psychedelic kids' TV programme. Higton's benign toots and echoing jingles bring to mind Daphne Oram's early delay experiments or the meandering playfulness of Tom Cameron. Radiophonic and time-worn, it still somehow sounds like the future.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cosmic Neighbourhood\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e"}
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イギリス・ブリストルのアウトサイダー・シンセポップ作家Cosmic Neighbourhoodが、2016年に同国Kitからリリースしたレコードです。 パラレルワールドの子供向けテレビ番組のBGMのようなインストシンセ・コラージュ・ポップ16曲を収録。 レーベルその他作品はこちら /// Click here to see more Kit Records releases available at Tobira. ----------------------------...
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{"id":7010219622565,"title":"Ed Chamberlain \/\/ 03\/06 2xLP","handle":"ed-chamberlain-03-06-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの大御所IDM作家Ed Chamberlainが2003年-2006年に発表した音源\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、スペイン・バルセロナのLapsus Recordsから再発。ドリーミーなIDM〜ブレイクビーツ12曲を収録。オレンジ盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252775077\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarbled orange double vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Lapsus:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 2006 the now defunct BaseLogic label released the first in a triad of EP's entitled 'Fixxy', produced by the enigmatic British artist Ed Chamberlain. These EPs left many electronic music lovers scratching their heads, having heard something genuinely different. It represented a new generation of IDM reminiscent of The Black Dog or Plaid, melancholic electro with a meticulous nuanced palate that immediately transformed Chamberlain into a revered figure.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years on Lapsus Records, as part of its 'Perennial' series, will release Ed Chamberlain’s superlative productions across 2x12\", entitled '03\/06'. The lavish 12” double pack will feature a sizeable part of the ‘Fixxy’ material, along with additional tracks created during the same period of time, 2003 – 2006, including 'Zarathustra' and 'Does Ape' –the latter released on vinyl in 2008 by Madrid label Semantica–. For this special release all tracks have been re-mastered and will be pressed and packaged in a deluxe edition format.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ed Chamberlain\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e","published_at":"2021-08-29T16:06:42+09:00","created_at":"2021-08-29T15:40:17+09:00","vendor":"Tobira Records","type":"","tags":["house","lapsus","lp","techno \/ house"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40683469176997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ed Chamberlain \/\/ 03\/06 2xLP","public_title":null,"options":["Default Title"],"price":378000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ed1_e16b0e02-397e-432a-b26c-00b7262a1a01.jpg?v=1630219219","\/\/tobirarecords.com\/cdn\/shop\/products\/ed2_2cc19e6e-8ae4-480a-a783-c90737013ce9.jpg?v=1630219219"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ed1_e16b0e02-397e-432a-b26c-00b7262a1a01.jpg?v=1630219219","options":["Title"],"media":[{"alt":null,"id":23532722552997,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ed1_e16b0e02-397e-432a-b26c-00b7262a1a01.jpg?v=1630219219"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ed1_e16b0e02-397e-432a-b26c-00b7262a1a01.jpg?v=1630219219","width":700},{"alt":null,"id":23532722585765,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ed2_2cc19e6e-8ae4-480a-a783-c90737013ce9.jpg?v=1630219219"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ed2_2cc19e6e-8ae4-480a-a783-c90737013ce9.jpg?v=1630219219","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの大御所IDM作家Ed Chamberlainが2003年-2006年に発表した音源\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eが、スペイン・バルセロナのLapsus Recordsから再発。ドリーミーなIDM〜ブレイクビーツ12曲を収録。オレンジ盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252775077\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarbled orange double vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Lapsus:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 2006 the now defunct BaseLogic label released the first in a triad of EP's entitled 'Fixxy', produced by the enigmatic British artist Ed Chamberlain. These EPs left many electronic music lovers scratching their heads, having heard something genuinely different. It represented a new generation of IDM reminiscent of The Black Dog or Plaid, melancholic electro with a meticulous nuanced palate that immediately transformed Chamberlain into a revered figure.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years on Lapsus Records, as part of its 'Perennial' series, will release Ed Chamberlain’s superlative productions across 2x12\", entitled '03\/06'. The lavish 12” double pack will feature a sizeable part of the ‘Fixxy’ material, along with additional tracks created during the same period of time, 2003 – 2006, including 'Zarathustra' and 'Does Ape' –the latter released on vinyl in 2008 by Madrid label Semantica–. For this special release all tracks have been re-mastered and will be pressed and packaged in a deluxe edition format.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ed Chamberlain\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e"}
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{"id":7010219294885,"title":"Pye Corner Audio \/\/ Black Mill Tapes Volume 5: The Lost Tapes LP","handle":"pye-corner-audio-black-mill-tapes-volume-5-the-lost-tapes-lp","description":"\u003cp\u003eイギリスのダウンテンポ作家Pye Corner AudioのBlack Mill Tapesシリーズ第5弾。レトロフューチャーなIDM〜ダウンテンポからノンビートのアンビエントまで7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4080365835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=132432933\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4080365835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eText by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the beginning, there was just a box of tapes and “Fate’s Gentle Hand.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services (“Magnetically aligning ferrous particles since 1970”), found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as “archived magnetic recordings.” The sole bidder, he won the lot, and upon receipt of his purchase took possession of an unspecified number of mouldering cassettes and ¼\" reel-to-reel tapes. The collection contained no identifying information save for a single phrase scrawled on each box: “Black Mill Sessions.” And so, armed with razors, eyedroppers, and a bevy of solid-state circuitry, the Head Technician sat down at his machines and got to work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether anyone believed it or not, this was the framing device surrounding Pye Corner Audio’s Black Mill Tapes Volume I: Avant Shards, which took the mysterious tactics of artists like Boards of Canada and Burial and raised them exponentially. Much like the narrator of a 19th century novel, the anonymous\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Head Technician purported merely to be the messenger of secondhand sounds. These were not compositions, we were told; they were tape transfers—“transcriptions” of an unknown author, slathered with hiss and thick with ambiguity. “Some of the tapes displayed an unusual amount of degradation and …an unsettling amount of background noise, whether electrical in nature, or otherwise,” wrote the Head Technician. “I chose to edit around the worst of the unusual break-ups, but some still remain.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was a good yarn, and the music was better still. Like his contemporaries Demdike Stare and Ghost Box, Pye Corner Audio seemed to be tapping into some hidden energy current, channeling spirits via electrical means. The pioneering transmissions of the BBC Radiophonic Workshop could be detected lurking within the music’s staticky swirl; so could the ominous throb of John Carpenter’s film soundtracks. Drones and flutes commingled with chugging machine beats; miasmic clouds of haunted tone alternated with death disco. It all sounded eerie, otherworldly, possibly occult—yet also, in tracks like the glimmering “We Have Visitors,” accented with a hint of mischief.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the next few years, Martin Jenkins—for that, after all, was the Head Technician’s name—would go on to release three more volumes of Black Mills Tapes. Among the dozens of releases he has put out since 2010, they remain among the most beloved in his catalog. Now, 10 years after Avant Shards first appeared, Lapsus is pleased to present Black Mill Tapes Volume 5: The Lost Tapes. 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While they purport to faithfully transcribe the sound of yesterday’s technology, they end up being something more: a record of what we wish the past sounded like—a rickety tape transfer of desire itself, spooled and boxed, just awaiting discovery.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pye Corner Audio\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e","published_at":"2021-08-29T16:15:22+09:00","created_at":"2021-08-29T15:38:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lapsus","lp"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40683465736357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pye Corner Audio \/\/ Black Mill Tapes Volume 5: The Lost Tapes LP","public_title":null,"options":["Default Title"],"price":285000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/py1.jpg?v=1630219104","\/\/tobirarecords.com\/cdn\/shop\/products\/py2.jpg?v=1630219104"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/py1.jpg?v=1630219104","options":["Title"],"media":[{"alt":null,"id":23532705874085,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/py1.jpg?v=1630219104"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/py1.jpg?v=1630219104","width":700},{"alt":null,"id":23532705906853,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/py2.jpg?v=1630219104"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/py2.jpg?v=1630219104","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのダウンテンポ作家Pye Corner AudioのBlack Mill Tapesシリーズ第5弾。レトロフューチャーなIDM〜ダウンテンポからノンビートのアンビエントまで7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4080365835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=132432933\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4080365835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eText by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the beginning, there was just a box of tapes and “Fate’s Gentle Hand.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services (“Magnetically aligning ferrous particles since 1970”), found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as “archived magnetic recordings.” The sole bidder, he won the lot, and upon receipt of his purchase took possession of an unspecified number of mouldering cassettes and ¼\" reel-to-reel tapes. The collection contained no identifying information save for a single phrase scrawled on each box: “Black Mill Sessions.” And so, armed with razors, eyedroppers, and a bevy of solid-state circuitry, the Head Technician sat down at his machines and got to work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether anyone believed it or not, this was the framing device surrounding Pye Corner Audio’s Black Mill Tapes Volume I: Avant Shards, which took the mysterious tactics of artists like Boards of Canada and Burial and raised them exponentially. Much like the narrator of a 19th century novel, the anonymous\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Head Technician purported merely to be the messenger of secondhand sounds. These were not compositions, we were told; they were tape transfers—“transcriptions” of an unknown author, slathered with hiss and thick with ambiguity. “Some of the tapes displayed an unusual amount of degradation and …an unsettling amount of background noise, whether electrical in nature, or otherwise,” wrote the Head Technician. “I chose to edit around the worst of the unusual break-ups, but some still remain.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was a good yarn, and the music was better still. Like his contemporaries Demdike Stare and Ghost Box, Pye Corner Audio seemed to be tapping into some hidden energy current, channeling spirits via electrical means. The pioneering transmissions of the BBC Radiophonic Workshop could be detected lurking within the music’s staticky swirl; so could the ominous throb of John Carpenter’s film soundtracks. Drones and flutes commingled with chugging machine beats; miasmic clouds of haunted tone alternated with death disco. It all sounded eerie, otherworldly, possibly occult—yet also, in tracks like the glimmering “We Have Visitors,” accented with a hint of mischief.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the next few years, Martin Jenkins—for that, after all, was the Head Technician’s name—would go on to release three more volumes of Black Mills Tapes. Among the dozens of releases he has put out since 2010, they remain among the most beloved in his catalog. Now, 10 years after Avant Shards first appeared, Lapsus is pleased to present Black Mill Tapes Volume 5: The Lost Tapes. The musical landscape has changed considerably in the past decade, but what is remarkable about the Black Mills Tapes material is that it hasn’t aged a day; its retro-futurist transmissions sound just as mysteriously compelling as they did the first time around. While they purport to faithfully transcribe the sound of yesterday’s technology, they end up being something more: a record of what we wish the past sounded like—a rickety tape transfer of desire itself, spooled and boxed, just awaiting discovery.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pye Corner Audio\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e"}
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イギリスのダウンテンポ作家Pye Corner AudioのBlack Mill Tapesシリーズ第5弾。レトロフューチャーなIDM〜ダウンテンポからノンビートのアンビエントまで7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Lapsus releases available at Tobira. ...
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{"id":7009902395557,"title":"Ross Gentry \/\/ Prism of Dust LP","handle":"ross-gentry-prism-of-dust-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ノースカロライナのネオクラシカル作家Ross Gentry\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eがカナダ・トロントのアンビエント作家Anthene主宰レーベルPolar Seas Recordingsより2021年4月に100部限定でリリースした最新レコード。ストリングスによるメランコリックで美しいネオクラシカル・アンビエント10曲を収録。クリアブラウン盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1449880160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003ehere\u003c\/a\u003e to see more Polar Seas Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 100 on translucent tan coloured LP's.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003ePolar Seas :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWe are excited to welcome Ross Gentry to the label with his beautiful new LP Prism of Dust. Ross is based in North Carolina and has released albums through labels such as Bathetic, Adversary, and Oscarson under his own name and under the Villages moniker. I’ve been a fan of his work for a number of years and am truly thrilled to be able to help bring his new work into the world. Prism of Dust contains gorgeous compositions for strings, piano, synthesizers and electronics and is available in a limited vinyl edition on translucent tan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e coloured LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I've always had a tendency to hoard old recordings. I often find myself buried in false starts and unfinished ideas. I felt like this could be an intriguing way to begin a new project. A purge of these cluttered hard drives and half finished sketches. A repurposing of forgotten material to form something new. I had hours of recordings from a time some years ago when a friend had lent me his mellotron while he was in between homes. In 2018 I had written and recorded some simple pieces for cello and violin that were beautifully performed by Emmalee Hunnicutt (cello) and Megan Drollinger (violin). Using granular synthesis, as well as computer and tape manipulation processes, I reshaped and reworked all of these early sketches. My goal was to abstract the original recordings into nearly indistinguishable versions of their original form. Combining these older recordings with new ideas, layering synths, piano, percussive elements and found sounds, it laid the groundwork for the overall production of the album.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThematically, I was originally inspired by two monumental works of modern fiction, Tom Perrotta's 'The Leftovers' and Don Dellilo's 'White Noise'. Both of these stories explore the human tensions, uncertainty and existential dread that ensues when a massive mysterious event shakes the foundation of what we perceive as normalcy and how these events can damage, reshape and reform the human psyche. Of course, these ideas were greatly amplified when, halfway through recording this album, the global pandemic hit and were all forced into our own isolation and existential unknowing.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ross Gentry\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePolar Seas Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-29T18:37:16+09:00","created_at":"2021-08-29T08:04:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","Polar Seas Recordings"],"price":265000,"price_min":265000,"price_max":265000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40682550263973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ross Gentry \/\/ Prism of Dust LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_8e67ed8e-7ba0-4b84-ad37-5c5a796b8137.jpg?v=1630191848","\/\/tobirarecords.com\/cdn\/shop\/products\/pr2_033d4e9d-49d6-4c96-852a-b934337f7217.jpg?v=1630191848"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_8e67ed8e-7ba0-4b84-ad37-5c5a796b8137.jpg?v=1630191848","options":["Title"],"media":[{"alt":null,"id":23530703224997,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_8e67ed8e-7ba0-4b84-ad37-5c5a796b8137.jpg?v=1630191848"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr1_8e67ed8e-7ba0-4b84-ad37-5c5a796b8137.jpg?v=1630191848","width":700},{"alt":null,"id":23530703257765,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr2_033d4e9d-49d6-4c96-852a-b934337f7217.jpg?v=1630191848"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pr2_033d4e9d-49d6-4c96-852a-b934337f7217.jpg?v=1630191848","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ノースカロライナのネオクラシカル作家Ross Gentry\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eがカナダ・トロントのアンビエント作家Anthene主宰レーベルPolar Seas Recordingsより2021年4月に100部限定でリリースした最新レコード。ストリングスによるメランコリックで美しいネオクラシカル・アンビエント10曲を収録。クリアブラウン盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1449880160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003ehere\u003c\/a\u003e to see more Polar Seas Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 100 on translucent tan coloured LP's.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003ePolar Seas :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWe are excited to welcome Ross Gentry to the label with his beautiful new LP Prism of Dust. Ross is based in North Carolina and has released albums through labels such as Bathetic, Adversary, and Oscarson under his own name and under the Villages moniker. I’ve been a fan of his work for a number of years and am truly thrilled to be able to help bring his new work into the world. Prism of Dust contains gorgeous compositions for strings, piano, synthesizers and electronics and is available in a limited vinyl edition on translucent tan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e coloured LP.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I've always had a tendency to hoard old recordings. I often find myself buried in false starts and unfinished ideas. I felt like this could be an intriguing way to begin a new project. A purge of these cluttered hard drives and half finished sketches. A repurposing of forgotten material to form something new. I had hours of recordings from a time some years ago when a friend had lent me his mellotron while he was in between homes. In 2018 I had written and recorded some simple pieces for cello and violin that were beautifully performed by Emmalee Hunnicutt (cello) and Megan Drollinger (violin). Using granular synthesis, as well as computer and tape manipulation processes, I reshaped and reworked all of these early sketches. My goal was to abstract the original recordings into nearly indistinguishable versions of their original form. Combining these older recordings with new ideas, layering synths, piano, percussive elements and found sounds, it laid the groundwork for the overall production of the album.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThematically, I was originally inspired by two monumental works of modern fiction, Tom Perrotta's 'The Leftovers' and Don Dellilo's 'White Noise'. Both of these stories explore the human tensions, uncertainty and existential dread that ensues when a massive mysterious event shakes the foundation of what we perceive as normalcy and how these events can damage, reshape and reform the human psyche. Of course, these ideas were greatly amplified when, halfway through recording this album, the global pandemic hit and were all forced into our own isolation and existential unknowing.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ross Gentry\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePolar Seas Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナのネオクラシカル作家Ross Gentryがカナダ・トロントのアンビエント作家Anthene主宰レーベルPolar Seas Recordingsより2021年4月に100部限定でリリースした最新レコード。ストリングスによるメランコリックで美しいネオクラシカル・アンビエント10曲を収録。クリアブラウン盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Polar Seas Recordings releases available at...
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{"id":7009901150373,"title":"KJ \/\/ Saturnalia LP","handle":"kj-saturnalia-lp","description":"\u003cp\u003eNYのアンビエント作家KJがカナダ・トロントのアンビエント作家Anthene主宰レーベルPolar Seas Recordingsより2021年7月にリリースした最新レコード。メランコリックで美しいネオクラシカル・アンビエントドローン4曲を収録。クリア盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2674803924\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003ehere\u003c\/a\u003e to see more Polar Seas Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 100 on cloudy clear vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003ePolar Seas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePolar Seas is very excited to welcome kj to the label with this 4 song LP \"saturnalia\". I’ve loved his music since I first heard his album “wake” on Own Records, and he has released some lovely music on Lost Tribe Sound, Dronarivm and Gailur Records. On his fifth full length release, kj departs from the hypnotic refrains of his earlier work in favour of the limitless expanses and mysteries of the cosmos, particularly exemplified by the ebb and flow of the 19 minute track “silverine” and the gorgeous orchestral closing track “waters”. Beautiful work released in an edition of 100 cloudy clear LP’s.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kj\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePolar Seas Recordings \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-29T18:28:46+09:00","created_at":"2021-08-29T08:02:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","neo classical","Polar Seas Recordings"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40682548035749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"KJ \/\/ Saturnalia LP","public_title":null,"options":["Default Title"],"price":285000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_0fde868c-5ff5-4162-9014-05bdb258bf36.jpg?v=1630191728","\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_867b050b-e3e6-4f1a-bb48-af015817e0ca.jpg?v=1630191729"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_0fde868c-5ff5-4162-9014-05bdb258bf36.jpg?v=1630191728","options":["Title"],"media":[{"alt":null,"id":23530696114341,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_0fde868c-5ff5-4162-9014-05bdb258bf36.jpg?v=1630191728"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_0fde868c-5ff5-4162-9014-05bdb258bf36.jpg?v=1630191728","width":700},{"alt":null,"id":23530696147109,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_867b050b-e3e6-4f1a-bb48-af015817e0ca.jpg?v=1630191729"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_867b050b-e3e6-4f1a-bb48-af015817e0ca.jpg?v=1630191729","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNYのアンビエント作家KJがカナダ・トロントのアンビエント作家Anthene主宰レーベルPolar Seas Recordingsより2021年7月にリリースした最新レコード。メランコリックで美しいネオクラシカル・アンビエントドローン4曲を収録。クリア盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2674803924\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/polar-seas-recordings\"\u003ehere\u003c\/a\u003e to see more Polar Seas Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 100 on cloudy clear vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003ePolar Seas:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003ePolar Seas is very excited to welcome kj to the label with this 4 song LP \"saturnalia\". I’ve loved his music since I first heard his album “wake” on Own Records, and he has released some lovely music on Lost Tribe Sound, Dronarivm and Gailur Records. On his fifth full length release, kj departs from the hypnotic refrains of his earlier work in favour of the limitless expanses and mysteries of the cosmos, particularly exemplified by the ebb and flow of the 19 minute track “silverine” and the gorgeous orchestral closing track “waters”. Beautiful work released in an edition of 100 cloudy clear LP’s.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : kj\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePolar Seas Recordings \u003c\/span\u003e\u003c\/p\u003e"}
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NYのアンビエント作家KJがカナダ・トロントのアンビエント作家Anthene主宰レーベルPolar Seas Recordingsより2021年7月にリリースした最新レコード。メランコリックで美しいネオクラシカル・アンビエントドローン4曲を収録。クリア盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Polar Seas Recordings releases available at Tobira. ...
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{"id":7007970427045,"title":"Karina ESP \/\/ A Still From The Film LP","handle":"karina-esp-a-still-from-the-film-lp","description":"\u003cp\u003eイギリス・ロンドンのアンビエント作家Karina ESPが、ベルギー・ゲントのレーベルMorc Tapesから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターとベースによるオーガニックなアンビエントドローン〜スローコア4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3468482209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2165533010\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3468482209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morctapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eDescription by Morctapes : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA still from the film is a sort of sister release of 2012’s ‘detachment’. So you can expect warm and dark drones, mostly guitarbased. But this album is at the same time more abstract, and more accessible. The a-side is one sidelong track. Whereas many artists start out with a melody that degenerates into chaos, Karina ESP builds a subtle melody out of what starts as a vague mix of hiss, crackles and guitarsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe b-side of the record is more straightforward, with a prominent role for Gowers’ vocals, which makes the album stand out far from his contemporaries.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karina ESP\u003c\/p\u003e\n\u003cp\u003eLabel : Morctapes\u003c\/p\u003e","published_at":"2021-08-28T16:59:29+09:00","created_at":"2021-08-28T12:08:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","folk \/ left-field pop","lp","morctapes"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40676921573541,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Karina ESP \/\/ A Still From The Film LP","public_title":null,"options":["Default Title"],"price":279000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_dbb4f56a-137b-4fcc-8c95-db6facace353.jpg?v=1630120127","\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_c25a24ec-babb-434c-9b23-ca094774db84.jpg?v=1630120128"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_dbb4f56a-137b-4fcc-8c95-db6facace353.jpg?v=1630120127","options":["Title"],"media":[{"alt":null,"id":23522336374949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_dbb4f56a-137b-4fcc-8c95-db6facace353.jpg?v=1630120127"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_dbb4f56a-137b-4fcc-8c95-db6facace353.jpg?v=1630120127","width":700},{"alt":null,"id":23522336407717,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_c25a24ec-babb-434c-9b23-ca094774db84.jpg?v=1630120128"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_c25a24ec-babb-434c-9b23-ca094774db84.jpg?v=1630120128","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのアンビエント作家Karina ESPが、ベルギー・ゲントのレーベルMorc Tapesから150部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターとベースによるオーガニックなアンビエントドローン〜スローコア4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3468482209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2165533010\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3468482209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morctapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eDescription by Morctapes : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA still from the film is a sort of sister release of 2012’s ‘detachment’. So you can expect warm and dark drones, mostly guitarbased. But this album is at the same time more abstract, and more accessible. The a-side is one sidelong track. Whereas many artists start out with a melody that degenerates into chaos, Karina ESP builds a subtle melody out of what starts as a vague mix of hiss, crackles and guitarsounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe b-side of the record is more straightforward, with a prominent role for Gowers’ vocals, which makes the album stand out far from his contemporaries.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karina ESP\u003c\/p\u003e\n\u003cp\u003eLabel : Morctapes\u003c\/p\u003e"}
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イギリス・ロンドンのアンビエント作家Karina ESPが、ベルギー・ゲントのレーベルMorc Tapesから150部限定でリリースしたレコードです。 アコースティックギターとベースによるオーガニックなアンビエントドローン〜スローコア4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Morctapes releases available at Tobira. --------------------------...
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{"id":7007932350629,"title":"Soccer Committee \/\/ Tell From The Grass 10\"","handle":"soccer-committee-tell-from-the-grass-10","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にdigitalisなどから発表しているオランダのサイケフォーク作家Soccer Committeeが、ベルギー・ゲントのレーベルMorc Tapesから2021年6月に200部限定でリリースした10\"。音数が少ないものの聴者を引き込む歌声と爪弾きギターは唯一無二です。8\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属、手刷りシルクスクリーン仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1875309008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1424451152\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1875309008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morctapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorctapes :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore than a decade after her last solo release, Mariska Baars graces us with a new mini-lp. Her \u003c\/em\u003e\u003cem\u003esound is as minimal and spartan as the volume of her output. The songs are still slow, stripped-down and quiet, made with an overwhelming love for tone and sound, focussed entirely on \u003c\/em\u003e\u003cem\u003eguitar and vocals. Utterly mesmerizing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Soccer Committee\u003c\/p\u003e\n\u003cp\u003eLabel : Morctapes\u003c\/p\u003e","published_at":"2021-08-28T17:24:44+09:00","created_at":"2021-08-28T11:50:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","morctapes"],"price":265000,"price_min":265000,"price_max":265000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40676798234789,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Soccer Committee \/\/ Tell From The Grass 10\"","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_65a74fc5-5750-4429-a225-5be86d1b8930.jpg?v=1630119014","\/\/tobirarecords.com\/cdn\/shop\/products\/te2_adfe79d1-d432-4fad-9036-f4be5f38a8b1.jpg?v=1630119014"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_65a74fc5-5750-4429-a225-5be86d1b8930.jpg?v=1630119014","options":["Title"],"media":[{"alt":null,"id":23522240168101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_65a74fc5-5750-4429-a225-5be86d1b8930.jpg?v=1630119014"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_65a74fc5-5750-4429-a225-5be86d1b8930.jpg?v=1630119014","width":700},{"alt":null,"id":23522240233637,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_adfe79d1-d432-4fad-9036-f4be5f38a8b1.jpg?v=1630119014"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_adfe79d1-d432-4fad-9036-f4be5f38a8b1.jpg?v=1630119014","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にdigitalisなどから発表しているオランダのサイケフォーク作家Soccer Committeeが、ベルギー・ゲントのレーベルMorc Tapesから2021年6月に200部限定でリリースした10\"。音数が少ないものの聴者を引き込む歌声と爪弾きギターは唯一無二です。8\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属、手刷りシルクスクリーン仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1875309008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1424451152\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1875309008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/morc\"\u003ehere\u003c\/a\u003e to see more Morctapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorctapes :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore than a decade after her last solo release, Mariska Baars graces us with a new mini-lp. Her \u003c\/em\u003e\u003cem\u003esound is as minimal and spartan as the volume of her output. The songs are still slow, stripped-down and quiet, made with an overwhelming love for tone and sound, focussed entirely on \u003c\/em\u003e\u003cem\u003eguitar and vocals. Utterly mesmerizing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Soccer Committee\u003c\/p\u003e\n\u003cp\u003eLabel : Morctapes\u003c\/p\u003e"}
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{"id":6986893099173,"title":"Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson \/\/ yon ti vizit 12\"","handle":"elizabeth-chin-anetude-zaza-geffrard-casey-anderson-yon-ti-vizit-lp","description":"\u003cp\u003eアメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、\u003cspan data-mce-fragment=\"1\"\u003eカリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・\"ザザ\"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093205976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe single-sided LP pressed on 180g red vinyl in a red 12\" jacket. A-side is the recording, B-side features etchings designed by Steven Ziadie. \u003cstrong\u003eNote: do not try to play the B-side on your turntable!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eA Wave Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt's July, 2019 in Matènwa, a small village on the island of La Gonâve, Haiti, and Elizabeth Chin and I are hanging out at our friend Anetude \"Zaza\" Geffrard's house while we wait for a party to start. This party involves local voudou drummers so I'm carrying my field recorder in the hopes of recording some of their performance later. As we wait Zaza asks us if we want to see her Grandfather's house, an older structure covered in cobwebs tucked behind hers that we didn't know was there. We walk over with her daughter (Rosalinda) and infant son (Billy Graham, crying at the beginning of the recording) and enter the two room house through a thin, wooden door. Once inside, and after the kids have been shooed away, Zaza says she wants to show us her altar and begins praying in front of it. Shortly thereafter a spirit (Ogou Feray) comes to her and we have a little visit (yon ti vizit).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-19T11:06:33+09:00","created_at":"2021-08-19T10:05:17+09:00","vendor":"Tobira Records","type":"","tags":["a wave press","contemporary \/ sound poetry","field recording","lp","monooto"],"price":485000,"price_min":485000,"price_max":485000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611541811365,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson \/\/ yon ti vizit 12\"","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119","\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","options":["Title"],"media":[{"alt":null,"id":23411330547877,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_80dd631a-126a-4667-8aa9-5fdbc8178c86.jpg?v=1629335119","width":700},{"alt":null,"id":23411330580645,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_db97f8dd-b11b-483d-962b-f9156d2f8535.jpg?v=1629335119","width":1200},{"alt":null,"id":23411330613413,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3.jpg?v=1629335121","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、\u003cspan data-mce-fragment=\"1\"\u003eカリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・\"ザザ\"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)”\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2093205976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe single-sided LP pressed on 180g red vinyl in a red 12\" jacket. A-side is the recording, B-side features etchings designed by Steven Ziadie. \u003cstrong\u003eNote: do not try to play the B-side on your turntable!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eA Wave Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt's July, 2019 in Matènwa, a small village on the island of La Gonâve, Haiti, and Elizabeth Chin and I are hanging out at our friend Anetude \"Zaza\" Geffrard's house while we wait for a party to start. This party involves local voudou drummers so I'm carrying my field recorder in the hopes of recording some of their performance later. As we wait Zaza asks us if we want to see her Grandfather's house, an older structure covered in cobwebs tucked behind hers that we didn't know was there. We walk over with her daughter (Rosalinda) and infant son (Billy Graham, crying at the beginning of the recording) and enter the two room house through a thin, wooden door. Once inside, and after the kids have been shooed away, Zaza says she wants to show us her altar and begins praying in front of it. Shortly thereafter a spirit (Ogou Feray) comes to her and we have a little visit (yon ti vizit).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Elizabeth Chin, Anetude \"Zaza\" Geffrard, Casey Anderson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAの実験レーベルA Wave Press主宰のサウンドアーティストCasey Andersonが、カリブ海に浮かぶ島ハイチ・ゴナーブ島に継承されるヴードゥー教の霊媒儀式を収録したフィールドレコーディング作品です。 B面はエッチングが施されている、180g重量レッドヴァイナルです。不思議な魅力を感じるミステリアスな一枚。DLコード付属。以下、レーベル解説です。 "2019年7月、ハイチのラ・ゴナヴェ島の小さな村、マテヌワで、エリザベス・チンと私は友人のアネチュード・"ザザ"・ゲフラールの家で、パーティーが始まるのを待っているところです。このパーティーには地元のヴードゥー・ドラマーが参加しているので、彼らの演奏を録音しようと思ってフィールドレコーダーを持ってきたのです。祖父の家はクモの巣に覆われていて、彼女の家の裏手にあります。私たちは、彼女の娘（ロザリンダ）と幼い息子（ビリー・グラハム、収録の冒頭で泣いている子）を連れて、薄い木の扉から家に入った。子供たちが追い払われた後、ザザは自分の祭壇を見せたいと言って、祭壇の前で祈りを始める。その後すぐに精霊（Ogou Feray）が彼女のところにやってきて、ちょっとしたお参りをする (Yon ti vizit)” レーベルその他作品はこちら /// Click here to see more...
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{"id":6986888708261,"title":"Erik Carlson \u0026 T.J. Borden \/\/ Erik Carlson \u0026 T.J. Borden Present Tide by Matt Sargent LP","handle":"erik-carlson-t-j-borden-erik-carlson-t-j-borden-present-tide-by-matt-sargent-lp","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=685432787\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e33 rpm 12\" vinyl\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSide A performed by Erik Carlson \u0026amp; T.J. Borden, Side B performed by Erik Carlson\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed 2015 by Matt Sargent\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded November 2016 in San Diego, CA by Andrew Munsey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Erik Carlson \u0026amp; T.J. Borden\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-19T11:19:14+09:00","created_at":"2021-08-19T10:02:37+09:00","vendor":"Tobira Records","type":"","tags":["a wave press","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611529851045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Erik Carlson \u0026 T.J. Borden \/\/ Erik Carlson \u0026 T.J. Borden Present Tide by Matt Sargent LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6ae63044-f52d-46b9-8d8e-4434d46c4bcb.jpg?v=1629334958"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6ae63044-f52d-46b9-8d8e-4434d46c4bcb.jpg?v=1629334958","options":["Title"],"media":[{"alt":null,"id":23411304890533,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6ae63044-f52d-46b9-8d8e-4434d46c4bcb.jpg?v=1629334958"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6ae63044-f52d-46b9-8d8e-4434d46c4bcb.jpg?v=1629334958","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=685432787\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e33 rpm 12\" vinyl\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSide A performed by Erik Carlson \u0026amp; T.J. Borden, Side B performed by Erik Carlson\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed 2015 by Matt Sargent\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded November 2016 in San Diego, CA by Andrew Munsey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Erik Carlson \u0026amp; T.J. Borden\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more A Wave Press releases available at Tobira. ---------------------------- Edition...
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{"id":6986886119589,"title":"Glorias Navales \/\/ Glorias Navales Presenta El Blues de Istvan LP","handle":"glorias-navales-glorias-navales-presenta-el-blues-de-istvan-lp","description":"\u003cp\u003e過去にKyeなどから発表しているチリのアコースティックバンドGlorias Navalesがアメリカ・カリフォルニアの実験レーベルA Wave Pressからリリースしたレコード。ミニマルな反復を多用した牧歌的なインストフォーク5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4238493971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1047609507\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4238493971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e33 rpm 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGlorias Navales is Christian Bartlau, Acoustic Guitar; Alvaro Daguer, \"Bailes Chino\" Bass Drum; Ivan Daguer, Ukulele; Tomas Salvatierra, Acoustic Guitar; Jose Luis Sepulveda, Rabel (A1, A3, B1, B2) \u0026amp; Ocarina (A2)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded during the Southern Hemisphere Winter of 2017 in Santiago, Chile at BYM Records by Ignacio Rodriguez (Nes)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Glorias Navales\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-19T11:20:35+09:00","created_at":"2021-08-19T10:00:45+09:00","vendor":"Tobira Records","type":"","tags":["a wave press","ambient","folk \/ left-field pop","lp"],"price":295000,"price_min":295000,"price_max":295000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611523526821,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Glorias Navales \/\/ Glorias Navales Presenta El Blues de Istvan LP","public_title":null,"options":["Default Title"],"price":295000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_f7fd53e5-f863-4358-9929-e82756b25be9.jpg?v=1629334847"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_f7fd53e5-f863-4358-9929-e82756b25be9.jpg?v=1629334847","options":["Title"],"media":[{"alt":null,"id":23411289129125,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_f7fd53e5-f863-4358-9929-e82756b25be9.jpg?v=1629334847"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_f7fd53e5-f863-4358-9929-e82756b25be9.jpg?v=1629334847","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にKyeなどから発表しているチリのアコースティックバンドGlorias Navalesがアメリカ・カリフォルニアの実験レーベルA Wave Pressからリリースしたレコード。ミニマルな反復を多用した牧歌的なインストフォーク5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4238493971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1047609507\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4238493971\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 300. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e33 rpm 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGlorias Navales is Christian Bartlau, Acoustic Guitar; Alvaro Daguer, \"Bailes Chino\" Bass Drum; Ivan Daguer, Ukulele; Tomas Salvatierra, Acoustic Guitar; Jose Luis Sepulveda, Rabel (A1, A3, B1, B2) \u0026amp; Ocarina (A2)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded during the Southern Hemisphere Winter of 2017 in Santiago, Chile at BYM Records by Ignacio Rodriguez (Nes)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Glorias Navales\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e"}
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過去にKyeなどから発表しているチリのアコースティックバンドGlorias Navalesがアメリカ・カリフォルニアの実験レーベルA Wave Pressからリリースしたレコード。ミニマルな反復を多用した牧歌的なインストフォーク5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more A Wave Press releases available at...
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{"id":6986876387493,"title":"Stephen Cornford \/\/ Electrocardiographs of a Cathode Ray Tube 7\"","handle":"stephen-cornford-electrocardiographs-of-a-cathode-ray-tube-7","description":"\u003cp\u003eイギリスの実験レーベルConsumer Waste主宰Stephen Cornfordが2018年にリリースした7\"。CDプレイヤー誤作動系のスキップノイズテクノ2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2548413731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/awp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/awp\"\u003ehere\u003c\/a\u003e to see more A Wave Press releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e----------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e45rpm 7\". \u003c\/span\u003eEdition of 300.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded May 2016 in Sokołowsko, Poland\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Stephen Cornford\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Wave Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-19T11:30:59+09:00","created_at":"2021-08-19T09:54:50+09:00","vendor":"Tobira Records","type":"","tags":["a wave press","lp","monooto","strange beats","techno \/ house"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611486531749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen Cornford \/\/ Electrocardiographs of a Cathode Ray Tube 7\"","public_title":null,"options":["Default Title"],"price":175000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el1_02556801-6721-4b4f-9df1-fdc0a43a8668.jpg?v=1629334492","\/\/tobirarecords.com\/cdn\/shop\/products\/el2_5e093af8-1422-462c-9b52-7d9b5bcc27a4.jpg?v=1629334492"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_02556801-6721-4b4f-9df1-fdc0a43a8668.jpg?v=1629334492","options":["Title"],"media":[{"alt":null,"id":23411227754661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_02556801-6721-4b4f-9df1-fdc0a43a8668.jpg?v=1629334492"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el1_02556801-6721-4b4f-9df1-fdc0a43a8668.jpg?v=1629334492","width":700},{"alt":null,"id":23411227787429,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_5e093af8-1422-462c-9b52-7d9b5bcc27a4.jpg?v=1629334492"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_5e093af8-1422-462c-9b52-7d9b5bcc27a4.jpg?v=1629334492","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験レーベルConsumer Waste主宰Stephen Cornfordが2018年にリリースした7\"。CDプレイヤー誤作動系のスキップノイズテクノ2曲を収録。マスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2548413731\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; 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{"id":6983307624613,"title":"Crazy Doberman \/\/ Hypnagogic Relapse And Other Penumberal Phenomena LP","handle":"crazy-doberman-hypnagogic-relapse-and-other-penumberal-phenomena-lp","description":"\u003cp\u003eアメリカ現行地下サイケシーンの最重要バンドのひとつCrazy Doberman諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Crazy Dobermanが2020年7月にリリースしたレコードです。17名のゲストミュージシャンを招きレコーディングした作品で、クラクラするほどのLSDインプロセッション8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=927998367\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=365021554\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWorking Man Lay Downその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wmld\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wmld\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wmld\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wmld\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorkingman Laydown releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eSam Lefebvre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003ePenumbra, from the Latin paene (almost) and umbra (shadow), refers to the partially luminescent fringe of an opaque object, like the streetlight outlining the sole of a shoe hurtling towards your eye. Hypnagogic, from the Greek hupnos (sleep) and agōgos (leading), refers to the drowsy state before sleep. Crazy Doberman here comprises 17 players from the greater Europe of the Midwest. Basement glyphs. Who’s on the lease? And what’s under the rug. The owner pays them to keep away the beast of busco. They do spontaneity, welcoming simultaneity, montaged in post. Further spool’t month to month, basking in the stroboscope.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crazy doberman\u003c\/p\u003e\n\u003cp\u003eLabel : Digital Regress \/ \u003c\/p\u003e","published_at":"2021-08-17T18:54:06+09:00","created_at":"2021-08-17T15:36:17+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","strange beats","working man lay down"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40599199318181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Crazy Doberman \/\/ Hypnagogic Relapse And Other Penumberal Phenomena LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hy1_1c14ba9d-29e8-4d0b-a842-b342ae1d1b52.jpg?v=1629182178","\/\/tobirarecords.com\/cdn\/shop\/products\/hy2_ef2952a9-a365-475a-93d1-f80a5e97de34.jpg?v=1629182179"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hy1_1c14ba9d-29e8-4d0b-a842-b342ae1d1b52.jpg?v=1629182178","options":["Title"],"media":[{"alt":null,"id":23386798489765,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hy1_1c14ba9d-29e8-4d0b-a842-b342ae1d1b52.jpg?v=1629182178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hy1_1c14ba9d-29e8-4d0b-a842-b342ae1d1b52.jpg?v=1629182178","width":700},{"alt":null,"id":23386798522533,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hy2_ef2952a9-a365-475a-93d1-f80a5e97de34.jpg?v=1629182179"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hy2_ef2952a9-a365-475a-93d1-f80a5e97de34.jpg?v=1629182179","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ現行地下サイケシーンの最重要バンドのひとつCrazy Doberman諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Crazy Dobermanが2020年7月にリリースしたレコードです。17名のゲストミュージシャンを招きレコーディングした作品で、クラクラするほどのLSDインプロセッション8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=927998367\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=365021554\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3213704964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWorking Man Lay Downその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wmld\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wmld\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wmld\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wmld\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorkingman Laydown releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eSam Lefebvre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003ePenumbra, from the Latin paene (almost) and umbra (shadow), refers to the partially luminescent fringe of an opaque object, like the streetlight outlining the sole of a shoe hurtling towards your eye. Hypnagogic, from the Greek hupnos (sleep) and agōgos (leading), refers to the drowsy state before sleep. Crazy Doberman here comprises 17 players from the greater Europe of the Midwest. Basement glyphs. Who’s on the lease? And what’s under the rug. The owner pays them to keep away the beast of busco. They do spontaneity, welcoming simultaneity, montaged in post. Further spool’t month to month, basking in the stroboscope.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : crazy doberman\u003c\/p\u003e\n\u003cp\u003eLabel : Digital Regress \/ \u003c\/p\u003e"}
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アメリカ現行地下サイケシーンの最重要バンドのひとつCrazy Doberman諸作を入荷しました。 本作は、Crazy Dobermanが2020年7月にリリースしたレコードです。17名のゲストミュージシャンを招きレコーディングした作品で、クラクラするほどのLSDインプロセッション8曲を収録。 Working Man Lay Downその他作品はこちら /// Click here to see more Workingman Laydown releases available...
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{"id":6983067304101,"title":"Teletopa \/\/ Tokyo 1972 3xLP","handle":"teletopa-tokyo-1972-3xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-18T17:44:13+09:00","created_at":"2021-08-17T10:43:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598287548581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teletopa \/\/ Tokyo 1972 3xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":580,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","options":["Title"],"media":[{"alt":null,"id":23384621318309,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_fc4908f7-8ac0-4722-98ae-2b26a0f06913.jpg?v=1629164631","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・シドニーの実験音楽家\u003cmeta charset=\"utf-8\"\u003eDavid Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548018686\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more - releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eAccompanying descrition by Splitrec:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1968 the young Sydney composer David Ahern studied in Germany with Stockhausen where he met Cornelius Cardew. The next year he travelled onto London attending Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra. These were revolutionary and defining moments in C20th music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReturning to Sydney in 1970, one of his aims was to set up an electro-acoustic improvisation group - Teletopa was founded in Sydney in late 1970 by Ahern, Peter Evans and Roger Frampton.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTokyo 1972 - The Triple LP or Double CD release - features two 50min improvisations from a radio session at NHK studios Tokyo. The group was Ahern, Frampton, Evans and Geoffrey Collins and they were completing a 1972 world tour. The group broke up on their return to Sydney. Only a small example of their work has ever been released before.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiner notes are a manifesto by Ahern from a 1971 pamphlet, and a newly penned Potted History of Teletopa by Geoffrey\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Barnard, who had been a member of the group from September 1971 until July 1972.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe tapes have sat in boxes for 42 years - with this release we can hear that Sydney in the early 1970's had a group at the forefront of musical experimentation with a unique take on free improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis document is not just important for Australian music – it should establish them posthumously as one of the most interesting developments in experimental music anywhere in the world at this time.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e------\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eA Potted History of Teletopa:\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"The electro-acoustic improvisation group Teletopa was founded in Sydney in late 1970 by David Ahern, Peter Evans and Roger Frampton and was one of two sub-groups to emerge out of the parent organisation AZ Music during the period 1970-72. (The other group was the Sunday Ensemble which was formed in mid-1971 comprised of both ‘trained’ and ‘untrained’ musicians, initially to perform such works by Cornelius Cardew as Treatise and Schooltime Special.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhillip L Ryan came up with the name ‘Teletopa’ for the group: ‘topa’, from the Greek tópos, meaning ‘the place of the origin of ideas’; ‘tele’, meaning ‘far, distant, an openness to any ideas whatsoever’.1 In this regard, Ryan contended that the activities of the group could (potentially) extend beyond music,2 while Ahern averred that the prefix ‘tele’ was indicative of the group’s willingness to use sound materials which may be found ‘in every corner of the globe.’3 More recently, Ryan has recalled that, at the time he decided upon the name ‘Teletopa’, he was reading the work of the Japanese philosopher Kitaro Nishida and that the name of the group essentially means ‘distant field’, ‘field’ being apposite for the sound of Teletopa.4\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAhern had been in London in 1969 where he attended Cardew’s classes in ‘Experimental Music’ at Morley College and – in a mammoth seven-hour concert at the Roundhouse on 4 May – participated (with Cardew) in performances of La Monte Young’s String Trio and Terry Jennings’ String Quartet and also took part in the realisation of Paragraph 2 of Cardew’s The Great Learning which proved to be the catalyst for the formation of the Scratch Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his stint in London, Ahern had the opportunity to hear the English group AMM (the membership of which then comprised Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe). In comparison with other improvisation groups which were formed during the 1960s – in particular the Gruppo di Improvvisazione Nuova Consonanza and Musica Elettronica Viva (Rome) and the Taj Mahal Travellers (Tokyo) – AMM was the clear prototype for Teletopa, not only in regard to the type of improvisation Teletopa promulgated, but to the general ethos of the group as well. In fact, much of what has been said about AMM could apply equally to Teletopa. As Michael Nyman has pointed out, the membership of MEV, for instance, ‘frequently changed according to who happened to be around at any time; other musicians sat in and played with the hard-core members (Frederic Rzewski, Richard Teitelbaum, Alvin Curran, Allan Bryant) and were welcomed more openly than they were by AMM, extremely self-contained and private, basically hostile to “outsiders”.’5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe membership of Teletopa was no less hostile to ‘outsiders’ than was that of AMM. In this way, the group was able to cultivate an identity which developed over time in which that of each of the individual players was subsumed. As a consequence, a viable, open form of music-making came about which hinged on a strong sense of communality and mutual aid within the group, what John Tilbury has referred to (in relation to AMM) as ‘a uniquely collectivist mode of playing.’6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile Ahern, Evans and Frampton were the founder members, Linda Wilson also played with the group for the first three months, mostly on bowed cymbal. This culminated in a performance by Teletopa at the Sydney Town Hall on 16 February 1971, simultaneously with a realisation of Paragraph 2 of The Great Learning by an augmented AZ Music Ensemble, as part of that year’s Prom concert series. As local critic Frank Harris reported, the performance ‘was a disaster. Hundreds walked out in the first fifteen minutes and then the mob took over in a howling opposition which turned the concert into a near-riot.’7\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom May 1971 until August that year, Ryan was a member of the group, and on 10 August the line-up of Ahern, Evans, Frampton and Ryan performed at the University of Melbourne’s Melba Hall as part of ‘The State of the Art of Electronic Music in Australia’, the first national seminar on electronic music to be held in Australia. Frampton recalled Ryan’s contribution to the group’s overall sound in glowing terms, stipulating that he ‘was a virtuoso of the radio. His playing of this instrument was stimulating, challenging and confront- ing. His “secret” was his ability to memorise the Radio Guide and to tune in to an appropriate station at just the right time.’8\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn September, I joined the group, primarily to replace Peter Evans, who was about to head off to work in Calgary, Canada for the next ten months in his capacity as a computer programmer; then in March 1972, Geoffrey Collins was added as a member. From 15 to 18 May, the group conducted music workshops at the Australian National University in Canberra in conjunction with the UNESCO seminar on ‘Youth and the Arts: Culture and Counter-Culture’. On 22 July, just prior to setting off on an overseas tour, Teletopa (Ahern, Collins, Frampton and myself) performed in Sydney for the last time at the Cell Block Theatre – two fifteen-minute ‘fragments’ of improvisation – in a concert (‘Action Music Theatre’) organised by the English composer and percussionist Bernard Rands, which also featured a realisation of Cardew’s Memories of You by Roger Frampton.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt virtually the same time that Teletopa was formed, the Inhibodress Gallery was established in the inner-Sydney suburb of Woolloomooloo. Inhibodress was the first artist-run space in Australia, initiated, financed and maintained solely by artists,9 and became the primary venue for post-object art10 in Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the outset, the members of Teletopa were financial members of the Inhibodress co-operative, contributing on a weekly basis towards rent and other overheads. Consequently, for nearly two years, Teletopa played in the gallery virtually every Monday night. Though these improvisatory sessions were private, conducted behind closed doors, in no sense were they rehearsals of any sort; in spite of the absence of an audience, they were nevertheless full-fledged performances. As Cardew maintained, ‘improvisation cannot be rehearsed. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.’11\u003cbr data-mce-fragment=\"1\"\u003eIn an essay Ahern wrote prior to the formation of Teletopa, he insisted that ‘music is now able to be not so much “listened to” but “existed in”. One walks into a set of situations (art) just as one walks down the street (life).’12 While this conviction had obvious implications for developments in the areas of sound environments and installations, it was also directly relevant to the type of improvisation Teletopa propagated: the group would invariably play for at least ninety minutes, often longer, at a fairly high level of amplification,13 with audience members free to come and go as they pleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s important to bear in mind that Teletopa utilised no electronic technology in performance other than contact microphones, which were used to amplify all sound sources. These sound sources ranged from conventional instruments such as violin (Ahern), saxophone (Frampton) and flute (Collins), to percussive devices such as cymbal (usually bowed or scraped), sheets of tin and masonite, plates of glass, various implements made of plastic, metal or wood and short-wave radio. On his way to Inhibodress, Frampton often collected objects he found lying in the street which he would then use in performance, necessitating the invention of playing methods for these objects. For a time during 1971, Frampton would attach an old alto saxophone to an Electrolux vacuum cleaner and allow the resulting sounds to issue forth unimpededly. In effect, this configuration of saxophone and vacuum cleaner was akin to the addition of another player. The sounds produced ‘were some of the loudest’ Frampton had ever heard. ‘They were completely unpredictable and totally fascinating.’14\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa’s quest for new or unknown sounds was often fraught with danger, yet such precariousness is an intrinsic part of the very fabric of free improvisation. In a review of Teletopa’s performance at Melba Hall, the Australian composer Ernie Gallagher was compelled to remark that ‘the importance of Teletopa sounds lie not so much with their life but with the nature of their death, their relevancy being moulded by the context in which they are created.\u003cbr data-mce-fragment=\"1\"\u003eThat is, for its purposes, the sound dies after its having been performed – otherwise it would no longer be Improvisation, no longer sound created “at the Instant of Now”.’15\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA little over a week after performing in the concert organised by Rands at the Cell Block Theatre, Teletopa embarked on a two-month overseas tour. The group had been invited by Stanley Lunetta and Arthur Woodbury, editors of the American new music journal SOURCE: music of the avant garde, to participate in ICES, the International Carnival of Experimental Sound, which was held in the UK from 13 to 27 August. However, the group first went to Manila, then to Rome, before linking up with Peter Evans in London, his duties in Calgary having concluded. Teletopa also had non-playing commitments in late August and early September in Munich, Cologne, Kassel, Hamburg and Amsterdam, interacting with composers such as Rzewski, Karlheinz Stockhausen16 and Mauricio Kagel during this time. The group returned to Sydney from Amsterdam via New York and Tokyo.\u003cbr data-mce-fragment=\"1\"\u003eWhile in Manila, Teletopa functioned more as a contemporary ensemble than an improvisation group per se: in a concert at the CCP Little Theatre on 3 August, the group gave performances of Christian Wolff’s Duo for Pianists II and Steve Reich’s Piano Phase (Collins and Frampton, pianos), Ahern’s Stereo\/Mono (Frampton, wind soloist), Frampton’s Things to do for Musicians and Stockhausen’s Set Sail for the Sun (from Aus den Sieben Tagen), in addition to an extended improvisation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the UK, Teletopa performed at the Cambridge Union on 16 August and the Round- house on 23 August and also took part in events aboard the ‘Music Train’, an actual train which left King’s Cross Station on 21 August en route to Edinburgh with 600 musicians and artists on board. Regrettably, during the group’s time in England, marked tensions developed between Ahern and Frampton. According to Frampton, Ahern wanted to predetermine how the improvisations should flow, whereas he and Evans ‘felt obligated to improvise without regard to “standards”. We felt it was an inherent risk that improvisation would sometimes be more successful than at other times. David wanted to exercise more control, whereas Peter and I deliberately sabotaged David’s attempts to steer the music in a certain direction. Eventually these differences came to a head and Peter and I decided to leave the group on our return to Australia.’17\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTeletopa was in Tokyo from 14 to 26 September. Of major significance during the time spent there were the two studio improvisations featured on this double CD set, along with a performance by Collins and Frampton of Piano Phase, which were recorded by NHK Radio. Just prior to returning to Sydney, the group played in a ‘pub restaurant’, again in its guise as a contemporary ensemble, with realisations of Set Sail for the Sun, Cardew’s Treatise and How to Play the Piano (Frampton, piano solo) by the Australian composer Robert Irving. Sadly, these were the final performances ever given by Teletopa, with the group disbanding upon its return to Sydney.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011.\u003cbr data-mce-fragment=\"1\"\u003e5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109.\u003cbr data-mce-fragment=\"1\"\u003e6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis.\u003cbr data-mce-fragment=\"1\"\u003e7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24.\u003cbr data-mce-fragment=\"1\"\u003e8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22.\u003cbr data-mce-fragment=\"1\"\u003e9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9.\u003cbr data-mce-fragment=\"1\"\u003e10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc.\u003cbr data-mce-fragment=\"1\"\u003e11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis.\u003cbr data-mce-fragment=\"1\"\u003e12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August\/September 1970), p 35.\u003cbr data-mce-fragment=\"1\"\u003e13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137.\u003cbr data-mce-fragment=\"1\"\u003e14 Frampton, op cit, p 22.\u003cbr data-mce-fragment=\"1\"\u003e15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Teletopa\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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オーストラリア・シドニーの実験音楽家David Ahern率いる即興グループTeletopaの秘蔵音源が40年の月日を経て初めて3枚組レコードにてリリース。 David AhernはドイツにてStockhausenに師事し、Cornelius CardewとともにLa Monte Youngの演奏を行った人物で、70年代オーストラリアの実験音楽シーンに多大な影響をもたらしました。 本作は、NHKにて行われたインプロパフォーマンスを収録した特大ボリュームの3枚組レコードです。インサート付属。 レーベルその他作品はこちら /// Click here to see more - releases...
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{"id":6983059964069,"title":"Jamie Fielding \/\/ Extinkt LP","handle":"jamie-fielding-extinkt-lp","description":"\u003cp\u003e1993年に列車事故により32歳の若さで他界した、オーストラリア・シドニーの知られざる実験音楽家Jamie Fieldingの生前録音音源がレコードでリリース。\u003c\/p\u003e\n\u003cp\u003eJon EvansやMichael Sheridan、John Murphyも参加した全13曲を収録。デッドストック盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Mtq8g5YcEvM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhen Australian piano player Jamie Fielding died in 1993 in a train accident in Sydney, he was 32 and virtually unknown. Although no projects were released under his name during his lifetime… it now seems evident that Fielding will become a legendary, semi-mythic figure, for in imaginative scope, virtuoso technique and joyful audacity, the only musician to compare him with is the late Russian Sergey Kuryokhin.” – David Lewis, Coda.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis posthumous release also features a who’s who of Australian 1980s experimental\/improv, including Jon Evans, Michael Sheridan and John Murphy. LP and CD both come in a limited edition of 500 numbered copies, featuring Fielding’s drawings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamie Fielding\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-18T17:57:53+09:00","created_at":"2021-08-17T10:35:46+09:00","vendor":"Tobira Records","type":"","tags":["lp","noise","shame file music"],"price":264000,"price_min":264000,"price_max":264000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598240985253,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jamie Fielding \/\/ Extinkt LP","public_title":null,"options":["Default Title"],"price":264000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148","options":["Title"],"media":[{"alt":null,"id":23384565383333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2560,"width":2560,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148"},"aspect_ratio":1.0,"height":2560,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_5f0b41d7-b334-49c5-826b-90117866bac0.jpg?v=1629164148","width":2560}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1993年に列車事故により32歳の若さで他界した、オーストラリア・シドニーの知られざる実験音楽家Jamie Fieldingの生前録音音源がレコードでリリース。\u003c\/p\u003e\n\u003cp\u003eJon EvansやMichael Sheridan、John Murphyも参加した全13曲を収録。デッドストック盤です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Mtq8g5YcEvM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShame File Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhen Australian piano player Jamie Fielding died in 1993 in a train accident in Sydney, he was 32 and virtually unknown. Although no projects were released under his name during his lifetime… it now seems evident that Fielding will become a legendary, semi-mythic figure, for in imaginative scope, virtuoso technique and joyful audacity, the only musician to compare him with is the late Russian Sergey Kuryokhin.” – David Lewis, Coda.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis posthumous release also features a who’s who of Australian 1980s experimental\/improv, including Jon Evans, Michael Sheridan and John Murphy. LP and CD both come in a limited edition of 500 numbered copies, featuring Fielding’s drawings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamie Fielding\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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1993年に列車事故により32歳の若さで他界した、オーストラリア・シドニーの知られざる実験音楽家Jamie Fieldingの生前録音音源がレコードでリリース。 Jon EvansやMichael Sheridan、John Murphyも参加した全13曲を収録。デッドストック盤です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases...
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{"id":6983044137125,"title":"Natural Numbers \/\/ Natural Numbers in Dub LP","handle":"natural-numbers-natural-numbers-in-dub-lp","description":"\u003cp\u003eLAの名物レゲエイベントDUB CLUBのプロデューサーTom Chasteen率いるダブバンドNatural Numbersによる2014年リリース作品。\u003c\/p\u003e\n\u003cp\u003eレイドバックなダブ10曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915470480\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNatural Numbers is the new project from Dub Club producer Tom Chasteen. Natural Numbers in Dub features reggae all-stars with members of Wilco, Mazzy Star.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Natural Numbers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eStones Throw\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T15:11:14+09:00","created_at":"2021-08-17T10:12:27+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","stones throw"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598185312421,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natural Numbers \/\/ Natural Numbers in Dub LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/na1_14a7f956-2124-4319-bd37-984e84d9ced7.jpg?v=1629162749"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_14a7f956-2124-4319-bd37-984e84d9ced7.jpg?v=1629162749","options":["Title"],"media":[{"alt":null,"id":23384470880421,"position":1,"preview_image":{"aspect_ratio":1.0,"height":455,"width":455,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_14a7f956-2124-4319-bd37-984e84d9ced7.jpg?v=1629162749"},"aspect_ratio":1.0,"height":455,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/na1_14a7f956-2124-4319-bd37-984e84d9ced7.jpg?v=1629162749","width":455}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLAの名物レゲエイベントDUB CLUBのプロデューサーTom Chasteen率いるダブバンドNatural Numbersによる2014年リリース作品。\u003c\/p\u003e\n\u003cp\u003eレイドバックなダブ10曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915470480\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNatural Numbers is the new project from Dub Club producer Tom Chasteen. Natural Numbers in Dub features reggae all-stars with members of Wilco, Mazzy Star.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Natural Numbers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eStones Throw\u003c\/span\u003e\u003c\/p\u003e"}
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LAの名物レゲエイベントDUB CLUBのプロデューサーTom Chasteen率いるダブバンドNatural Numbersによる2014年リリース作品。 レイドバックなダブ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":6983042433189,"title":"Stimulator Jones \/\/ Low Budget Environments Striving For Perfection LP","handle":"stimulator-jones-low-budget-environments-striving-for-perfection-lp","description":"\u003cp\u003eアメリカ・バージニアのビートメイカーStimulator Jonesが、2021年8月に同国老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなインストヒップホップ23曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1714767390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=831610496\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1714767390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eStones Throw:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eStimulator Jones is most comfortable jamming in his home studio to some of the soul, disco, dub and R\u0026amp;B tracks that have influenced him over the years. He particularly loves to sing along to “You Are My Starship” by Norman Connors, perform slap bass with The Brothers Johnson and play laidback beats in his bathrobe. To keep spirits high through lockdown, he’s spent the past year posting videos of himself playing just some of the many instruments he’s mastered throughout his life, including the vibraphone and the sitar, and live-streaming intricate DJ sets beside an overheating lava lamp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNow, Stimulator Jones brings that playful, no-frills spirit to a new instrumental beat album, Low Budget Environments Striving For Perfection. Its title was inspired by Ego Trip’s Book of Rap Lists, describing, “the setting and manner in which most of my music and art has been created – trying to do the best I can with limited means and resources. It’s the DIY philosophy.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDescribed simply as “tape hiss, turntables, and THC”, Low Budget Environments… is a record born out of Stimulator Jones’ lifelong love of hip-hop. It sees the singer and multi-instrumentalist compiling the hip-hop beats he’s been creating since getting his first sampler as a teenager. These are, he says, “pure, uncut, straight forward beats – no clever arrangements, no cerebral overindulgence, no cute stuff, no vocals.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStimulator Jones was born, raised and still lives among the nature and wildlife of Roanoke, Virginia. (Low Budget Environments artwork, by illustrator Adam Ace, reflects these surroundings with colorful drawings of a largemouth bass, mushroom, and pig). Stimulator’ hometown is a place where he can remain creatively inspired. He says: “the relatively small-town isolation of my home has given me the freedom and space to pursue my own personal artistic path, independent from trends, scenes, the pressures of big-city conformity and social ladder climbing.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Stimulator Jones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eLeaving Records\/Stones Throw\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T14:57:39+09:00","created_at":"2021-08-17T10:08:08+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","stones throw"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598180888741,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stimulator Jones \/\/ Low Budget Environments Striving For Perfection LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_99b04e9c-7862-442c-83c5-50d650f795d1.jpg?v=1629162490"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_99b04e9c-7862-442c-83c5-50d650f795d1.jpg?v=1629162490","options":["Title"],"media":[{"alt":null,"id":23384458035365,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_99b04e9c-7862-442c-83c5-50d650f795d1.jpg?v=1629162490"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_99b04e9c-7862-442c-83c5-50d650f795d1.jpg?v=1629162490","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・バージニアのビートメイカーStimulator Jonesが、2021年8月に同国老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなインストヒップホップ23曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1714767390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=831610496\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1714767390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eStones Throw:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eStimulator Jones is most comfortable jamming in his home studio to some of the soul, disco, dub and R\u0026amp;B tracks that have influenced him over the years. He particularly loves to sing along to “You Are My Starship” by Norman Connors, perform slap bass with The Brothers Johnson and play laidback beats in his bathrobe. To keep spirits high through lockdown, he’s spent the past year posting videos of himself playing just some of the many instruments he’s mastered throughout his life, including the vibraphone and the sitar, and live-streaming intricate DJ sets beside an overheating lava lamp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNow, Stimulator Jones brings that playful, no-frills spirit to a new instrumental beat album, Low Budget Environments Striving For Perfection. Its title was inspired by Ego Trip’s Book of Rap Lists, describing, “the setting and manner in which most of my music and art has been created – trying to do the best I can with limited means and resources. It’s the DIY philosophy.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDescribed simply as “tape hiss, turntables, and THC”, Low Budget Environments… is a record born out of Stimulator Jones’ lifelong love of hip-hop. It sees the singer and multi-instrumentalist compiling the hip-hop beats he’s been creating since getting his first sampler as a teenager. These are, he says, “pure, uncut, straight forward beats – no clever arrangements, no cerebral overindulgence, no cute stuff, no vocals.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStimulator Jones was born, raised and still lives among the nature and wildlife of Roanoke, Virginia. (Low Budget Environments artwork, by illustrator Adam Ace, reflects these surroundings with colorful drawings of a largemouth bass, mushroom, and pig). Stimulator’ hometown is a place where he can remain creatively inspired. He says: “the relatively small-town isolation of my home has given me the freedom and space to pursue my own personal artistic path, independent from trends, scenes, the pressures of big-city conformity and social ladder climbing.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Stimulator Jones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eLeaving Records\/Stones Throw\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・バージニアのビートメイカーStimulator Jonesが、2021年8月に同国老舗レーベルStones Throwからリリースしたレコードです。 レイドバックなインストヒップホップ23曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at...
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{"id":6983041515685,"title":"Stimulator Jones \/\/ Exotic Worlds and Masterful Treasures LP","handle":"stimulator-jones-exotic-worlds-and-masterful-treasures-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・バージニアのビートメイカーStimulator Jonesが、2018年にStones Throwから2018年にリリースしたレコードです\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなインストヒップホップ〜甘いネオソウル11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2886017018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eLeaving Records\/Stones Throw:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eHailing from Roanoke, VA, Sam plays every instrument you put in front of him (from banjo to fiddle to harmonica to sitar) and he played everything you hear on the new record.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSam also produced every track on the record himself and overdubbed each one – a technique he perfected since his dad first bought his older brother a Vestax four-track in 1993. On \"Give My All,\" you can hear every part stop together perfectly in sync. Says Sam, “I was thinking about fading out the end of the song,” he says, “but instead I just left it to where everything stops on a dime.”\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Stimulator Jones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Stones Throw \/ Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T15:00:23+09:00","created_at":"2021-08-17T10:05:35+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","stones throw"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598177120421,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stimulator Jones \/\/ Exotic Worlds and Masterful Treasures LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_896c2b2a-b282-4733-afa3-3469ded9d3b9.jpg?v=1629162337"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_896c2b2a-b282-4733-afa3-3469ded9d3b9.jpg?v=1629162337","options":["Title"],"media":[{"alt":null,"id":23384448532645,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_896c2b2a-b282-4733-afa3-3469ded9d3b9.jpg?v=1629162337"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_896c2b2a-b282-4733-afa3-3469ded9d3b9.jpg?v=1629162337","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・バージニアのビートメイカーStimulator Jonesが、2018年にStones Throwから2018年にリリースしたレコードです\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなインストヒップホップ〜甘いネオソウル11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2886017018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eLeaving Records\/Stones Throw:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eHailing from Roanoke, VA, Sam plays every instrument you put in front of him (from banjo to fiddle to harmonica to sitar) and he played everything you hear on the new record.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSam also produced every track on the record himself and overdubbed each one – a technique he perfected since his dad first bought his older brother a Vestax four-track in 1993. On \"Give My All,\" you can hear every part stop together perfectly in sync. Says Sam, “I was thinking about fading out the end of the song,” he says, “but instead I just left it to where everything stops on a dime.”\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Stimulator Jones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Stones Throw \/ Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・バージニアのビートメイカーStimulator Jonesが、2018年にStones Throwから2018年にリリースしたレコードです。 レイドバックなインストヒップホップ〜甘いネオソウル11曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at...
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{"id":6980918313125,"title":"Francesco Cavaliere \u0026 Tomoko Sauvage \/\/ Viridescens LP","handle":"francesco-cavaliere-tomoko-sauvage-viridescens-lp","description":"\u003cp\u003e過去にEdições CNなどから発表しているドイツ・ベルリンの作家Francesco Cavaliereと、Shelter Pressなどから発表しているフランス・パリの作家Tomoko Sauvageが2021年8月にMarionetteからリリースした共作レコード。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティックmeetsポップな5曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2397021054\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more Marionette releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrancesco Cavaliere and Tomoko Sauvage embody a tactile audio visual display, radiating the color green into sounds and painting meditative music. By transforming collected objects into invented instruments and scenography, each motif becomes a dedication to a specific situation, an anecdote or a symbol, sometimes real and other times absurd, that the artists have encountered through their travels and conversations: the Chinese myth about a man wearing a green hat, naming convention of Japanese traffic lights, or even the imaginary chants of frolicking twin dolphins. This inspired the duo’s personal research on experimenting with raw and synthesized idiophones, stage landscape design, spontaneous field recording and organized improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor their installation and performance, Cavaliere and Sauvage assemble a green cabinet of curiosities - instrumentarium combining water, glass, clay, bamboo xylophones, metallophones and synthesizers. Tomoko describes in an interview: “When you are actually surrounded by green musical instruments, it has a calming effect as if you were looking at a forest or mountain.” Surrounding themselves with amulets and fluorescent fluids, the duo transcend into a musical imagination that connects scores, choreography\u003cspan class=\"bcTruncateMore\"\u003e and sculpture. Motions like crisscrossing the stage, feeling the presence of a perfectly plump leaf as it strikes a glass bowl, minerals slipping through fingers, all resonate to the soothing sounds of splashing water. There’s an intuitive yet methodical nature to this conceptual approach to composition reminiscent of the fluxus art movement. The pair’s initial motif was to play Henning Christiansen’s Green Music, whose score turned to be nonexistent. By then, their green dream was already flourishing in their mind, retracing the path of so-called environmental music from Walter Tilgner, Knud Viktor, to the likes of Kankyo-Ongaku and Hiroshi Yoshimura.\u003cbr\u003e\u003cbr\u003eSince there is a strong visual element to their work, witnessing this captivating site specific performance may be imperative in understanding the range and influence of the color green and the impact on the sounds they create together. On ‘Viridescens’, the first release by Cavaliere and Sauvage, we are invited to experience these recordings in a more musical context. Acting like an intermediary, the duo transport us to their special planet, enlivened by animal voices, wind, and aquatic creatures dancing across a luminous aurora.\u003cbr\u003e\u003cbr\u003eTracks A1, B1 and B2 were recorded by\u003cbr\u003ePratik Dasgupta at the Empty Gallery, Hong Kong in 2017.\u003cbr\u003eTrack A3 was initially composed for the installation work\u003cbr\u003e≒ AO presented as part of the festival Infra, Tokyo in 2017.\u003cbr\u003eSpecial thanks to the Empty Gallery, Hong Kong;\u003cbr\u003eQ-O2, Brussels; Yuri Landman (electric xylophones)\u003cbr\u003e\u003cbr\u003eComposed and arranged by\u003cbr\u003eFrancesco Cavaliere and Tomoko Sauvage\u003cbr\u003eMastered and cut by Noel Summerville\u003cbr\u003eArtwork by Benjamin Kilchhofer\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Francesco Cavaliere \u0026amp; Tomoko Sauvage\u003c\/p\u003e\n\u003cp\u003elabel : Marionette\u003c\/p\u003e","published_at":"2021-08-16T13:47:41+09:00","created_at":"2021-08-16T13:47:41+09:00","vendor":"Tobira Records","type":"","tags":["lp","marionette","monooto","post newage","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40591626993829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Francesco Cavaliere \u0026 Tomoko Sauvage \/\/ Viridescens LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0046789994_16.jpg?v=1629089558","\/\/tobirarecords.com\/cdn\/shop\/products\/0025556187_10.jpg?v=1629089573"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0046789994_16.jpg?v=1629089558","options":["Title"],"media":[{"alt":null,"id":23372969836709,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0046789994_16.jpg?v=1629089558"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0046789994_16.jpg?v=1629089558","width":700},{"alt":null,"id":23372970754213,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025556187_10.jpg?v=1629089573"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025556187_10.jpg?v=1629089573","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にEdições CNなどから発表しているドイツ・ベルリンの作家Francesco Cavaliereと、Shelter Pressなどから発表しているフランス・パリの作家Tomoko Sauvageが2021年8月にMarionetteからリリースした共作レコード。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティックmeetsポップな5曲を収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2397021054\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mrn\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more Marionette releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrancesco Cavaliere and Tomoko Sauvage embody a tactile audio visual display, radiating the color green into sounds and painting meditative music. By transforming collected objects into invented instruments and scenography, each motif becomes a dedication to a specific situation, an anecdote or a symbol, sometimes real and other times absurd, that the artists have encountered through their travels and conversations: the Chinese myth about a man wearing a green hat, naming convention of Japanese traffic lights, or even the imaginary chants of frolicking twin dolphins. This inspired the duo’s personal research on experimenting with raw and synthesized idiophones, stage landscape design, spontaneous field recording and organized improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor their installation and performance, Cavaliere and Sauvage assemble a green cabinet of curiosities - instrumentarium combining water, glass, clay, bamboo xylophones, metallophones and synthesizers. 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Acting like an intermediary, the duo transport us to their special planet, enlivened by animal voices, wind, and aquatic creatures dancing across a luminous aurora.\u003cbr\u003e\u003cbr\u003eTracks A1, B1 and B2 were recorded by\u003cbr\u003ePratik Dasgupta at the Empty Gallery, Hong Kong in 2017.\u003cbr\u003eTrack A3 was initially composed for the installation work\u003cbr\u003e≒ AO presented as part of the festival Infra, Tokyo in 2017.\u003cbr\u003eSpecial thanks to the Empty Gallery, Hong Kong;\u003cbr\u003eQ-O2, Brussels; Yuri Landman (electric xylophones)\u003cbr\u003e\u003cbr\u003eComposed and arranged by\u003cbr\u003eFrancesco Cavaliere and Tomoko Sauvage\u003cbr\u003eMastered and cut by Noel Summerville\u003cbr\u003eArtwork by Benjamin Kilchhofer\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Francesco Cavaliere \u0026amp; Tomoko Sauvage\u003c\/p\u003e\n\u003cp\u003elabel : Marionette\u003c\/p\u003e"}
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{"id":6976176717989,"title":"Jeff Parker \/\/ JP's Myspace Beats 2x12\"","handle":"international-anthem-jps-myspace-beats-2xlp","description":"\u003cp\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1105726168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"myspace_preview\" href=\"https:\/\/soundcloud.com\/user-102607145\/my-movie-3\" target=\"_blank\"\u003emyspace_preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 777. \u003cbr\u003e2 x black 12\" vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVinyl only! Limited edition!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo digital, no represses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : International Anthem\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-08-14T12:27:41+09:00","created_at":"2021-08-14T12:01:04+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40581268734117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ JP's Myspace Beats 2x12\"","public_title":null,"options":["Default Title"],"price":428000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067","\/\/tobirarecords.com\/cdn\/shop\/products\/jp2.jpg?v=1628910067","\/\/tobirarecords.com\/cdn\/shop\/products\/jp3.jpg?v=1628910067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067","options":["Title"],"media":[{"alt":null,"id":23352009785509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067","width":700},{"alt":null,"id":23352009818277,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp2.jpg?v=1628910067"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp2.jpg?v=1628910067","width":1200},{"alt":null,"id":23352009851045,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp3.jpg?v=1628910067"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp3.jpg?v=1628910067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1105726168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"myspace_preview\" href=\"https:\/\/soundcloud.com\/user-102607145\/my-movie-3\" target=\"_blank\"\u003emyspace_preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 777. \u003cbr\u003e2 x black 12\" vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVinyl only! Limited edition!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo digital, no represses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : International Anthem\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。 tobirarecs2 · myspace_preview レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":6972823535781,"title":"Ramona Córdova \/\/ Quinn To New Relationships LP","handle":"ramona-cordova-quinn-to-new-relationships-lp","description":"\u003cp\u003eアメリカ・カリフォルニアのマルチ奏者／シンガーソングライターRamona Córdovaが、2013年にフランス・パリのサイケデリックレーベルMuraillesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターやチェロ、ピアノによる牧歌的なネオクラシカル・ポップ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=457757175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mumu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mumu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mumu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mumu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMurailles Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePerformers are :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Ramón V.A. (voice, guitar electric, synth)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Marina Voznyuk (harpsichord-spinet \u0026amp; piano)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Dom La Nena (cello)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Gaspar Claus (cello)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll songs written by Ramón V.A.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCello arrangements by Dom La Nena \u0026amp; Gaspar Claus\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHarpsichord-spinet arrangement by Marina Voznyuk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHarpsichord-spinet arrangement by Ramón V.A. \u0026amp; Marina Voznyuk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePiano arrangement by Ramón V.A. \u0026amp; Marina Voznyuk\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded summer 2012, Saint-Brevin-les-Pins, France, by Antoine Lacoste\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ramona Córdova\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMurailles Music \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-13T14:19:56+09:00","created_at":"2021-08-13T10:58:00+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","murailles music","neo classical"],"price":295000,"price_min":295000,"price_max":295000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40571112751269,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ramona Córdova \/\/ Quinn To New Relationships LP","public_title":null,"options":["Default Title"],"price":295000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_26a0fd34-013f-4ce6-b923-031b7ba9946e.jpg?v=1628819882"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_26a0fd34-013f-4ce6-b923-031b7ba9946e.jpg?v=1628819882","options":["Title"],"media":[{"alt":null,"id":23333989515429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_26a0fd34-013f-4ce6-b923-031b7ba9946e.jpg?v=1628819882"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_26a0fd34-013f-4ce6-b923-031b7ba9946e.jpg?v=1628819882","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのマルチ奏者／シンガーソングライターRamona Córdovaが、2013年にフランス・パリのサイケデリックレーベルMuraillesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターやチェロ、ピアノによる牧歌的なネオクラシカル・ポップ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=457757175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mumu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mumu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mumu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mumu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMurailles Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePerformers are :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- Ramón V.A. 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{"id":6970401751205,"title":"Winter in June \u0026 Vâyu \/\/ Dance of The Kachinas LP","handle":"winter-in-june-vayu-dance-of-the-kachinas-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのWinter in JuneとフランスのVâyuが、香港の\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eダンスレーベルKizenからリリースした共作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフロア映えするアンビエントテクノ5曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eClaudio PRCがリミックスで参加しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108734851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3120387369\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108734851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Third EP of Kizen Records: Winter in June \u0026amp; Vâyu with their first collaborative creation \"Dance of The Kachinas\" Being based in different places, their work originated, grew and blossomed somewhere between Cagliari and Paris. The EP includes a remix from Italian maestro Claudio PRC.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Winter in June \u0026amp; Vâyu\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e","published_at":"2021-08-12T19:05:28+09:00","created_at":"2021-08-12T17:30:51+09:00","vendor":"Tobira Records","type":"","tags":["kizen records","lp","techno \/ house"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40563411714213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Winter in June \u0026 Vâyu \/\/ Dance of The Kachinas LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_12634a6b-0fc4-49ec-97d9-a53349f5eaef.jpg?v=1628757054","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_ad2ef5f3-a7e4-4f50-9df2-a166b6729ae0.jpg?v=1628757054"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_12634a6b-0fc4-49ec-97d9-a53349f5eaef.jpg?v=1628757054","options":["Title"],"media":[{"alt":null,"id":23320965677221,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_12634a6b-0fc4-49ec-97d9-a53349f5eaef.jpg?v=1628757054"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_12634a6b-0fc4-49ec-97d9-a53349f5eaef.jpg?v=1628757054","width":700},{"alt":null,"id":23320965742757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_ad2ef5f3-a7e4-4f50-9df2-a166b6729ae0.jpg?v=1628757054"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_ad2ef5f3-a7e4-4f50-9df2-a166b6729ae0.jpg?v=1628757054","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアのWinter in JuneとフランスのVâyuが、香港の\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eダンスレーベルKizenからリリースした共作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフロア映えするアンビエントテクノ5曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eClaudio PRCがリミックスで参加しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108734851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3120387369\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3108734851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Third EP of Kizen Records: Winter in June \u0026amp; Vâyu with their first collaborative creation \"Dance of The Kachinas\" Being based in different places, their work originated, grew and blossomed somewhere between Cagliari and Paris. The EP includes a remix from Italian maestro Claudio PRC.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Winter in June \u0026amp; Vâyu\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e"}
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イタリアのWinter in JuneとフランスのVâyuが、香港のダンスレーベルKizenからリリースした共作です。 フロア映えするアンビエントテクノ5曲を収録。Claudio PRCがリミックスで参加しています。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kizen Records releases available at...
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{"id":6970395918501,"title":"Unjin \/\/ Hui Gui LP","handle":"unjin-hui-gui-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e韓国のテクノ作家Unjinが香港のダンスレーベルKizenからリリースした12\"。アンビエント・ダブテクノ4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=440564457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1856505274\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=440564457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"UNJIN\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA dreamy ambience of meditative sounds, plucks and a precise use of reverb decay ties us into a heightened sense of awareness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Dreaming ties me into an irresistible magnetic field, fictional yet surrendered;”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHui Gui, with its low-end drone-like sounds is coming from a sea of echoes, somewhere on a frozen planet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Go far from nearer, the tendency of the instinct. I return to love today;”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is something strange about returning. Only then, when we feel home, and secure, we can start to flower, to unfold.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd then, suddenly, a hint of a moon-lit melody in an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ever-expanding Untitled Space, over a vast ocean of sine waves and shimmering textures.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A sudden feeling that is stranger than tomorrow, let me unfold you. Space.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTAIL OF US\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA prelude to Hui Gui – an album that forms a journey into itself.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlucky mid tones and atmospheric pads are coming together to form the forebodes of a journey.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Millions of colours only irradiate with their colours; you form them, you get formed. Some colours are darker than the others. Life will always remain strangely colourful, no need to see it as an obstacle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eATRAMENTUM (THE END OF THE ORBIT)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA techno monster with a haunting resonant vibe, a slow-evolving energy building up with carefully placed glitchy interferences.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“The ice cracks. Blue turns into Black, the fantastic escape.” Reprise.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Unjin\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e","published_at":"2021-08-12T19:01:39+09:00","created_at":"2021-08-12T17:29:06+09:00","vendor":"Tobira Records","type":"","tags":["kizen records","lp","techno \/ house"],"price":208000,"price_min":208000,"price_max":208000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40563388448933,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Unjin \/\/ Hui Gui LP","public_title":null,"options":["Default Title"],"price":208000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_64d46d2f-2b82-4dd6-ac72-b7881945b300.jpg?v=1628756948","\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_046b3825-91d3-49d4-9993-0c68786e12c6.jpg?v=1628756948"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_64d46d2f-2b82-4dd6-ac72-b7881945b300.jpg?v=1628756948","options":["Title"],"media":[{"alt":null,"id":23320935170213,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_64d46d2f-2b82-4dd6-ac72-b7881945b300.jpg?v=1628756948"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_64d46d2f-2b82-4dd6-ac72-b7881945b300.jpg?v=1628756948","width":700},{"alt":null,"id":23320935202981,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_046b3825-91d3-49d4-9993-0c68786e12c6.jpg?v=1628756948"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_046b3825-91d3-49d4-9993-0c68786e12c6.jpg?v=1628756948","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e韓国のテクノ作家Unjinが香港のダンスレーベルKizenからリリースした12\"。アンビエント・ダブテクノ4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=440564457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1856505274\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=440564457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"UNJIN\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA dreamy ambience of meditative sounds, plucks and a precise use of reverb decay ties us into a heightened sense of awareness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Dreaming ties me into an irresistible magnetic field, fictional yet surrendered;”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHui Gui, with its low-end drone-like sounds is coming from a sea of echoes, somewhere on a frozen planet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Go far from nearer, the tendency of the instinct. I return to love today;”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is something strange about returning. Only then, when we feel home, and secure, we can start to flower, to unfold.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd then, suddenly, a hint of a moon-lit melody in an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ever-expanding Untitled Space, over a vast ocean of sine waves and shimmering textures.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“A sudden feeling that is stranger than tomorrow, let me unfold you. Space.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTAIL OF US\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA prelude to Hui Gui – an album that forms a journey into itself.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlucky mid tones and atmospheric pads are coming together to form the forebodes of a journey.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Millions of colours only irradiate with their colours; you form them, you get formed. Some colours are darker than the others. Life will always remain strangely colourful, no need to see it as an obstacle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eATRAMENTUM (THE END OF THE ORBIT)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA techno monster with a haunting resonant vibe, a slow-evolving energy building up with carefully placed glitchy interferences.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“The ice cracks. Blue turns into Black, the fantastic escape.” Reprise.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Unjin\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e"}
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韓国のテクノ作家Unjinが香港のダンスレーベルKizenからリリースした12"。アンビエント・ダブテクノ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kizen Records releases available at Tobira. ------------------- Edition of...
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{"id":6970385039525,"title":"Javier Marimon \/\/ Hoy 12\"","handle":"javier-marimon-hoy-lp","description":"\u003cp\u003eスペイン・ビラボーアのIDM作家Javier Marimonが香港のダンスレーベルKizenからリリースした12\"。アンビエント・ダブテクノ〜IDMなど4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3581956184\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA homage to a Typhoon,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003enow seen from the distance;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eto the arbitrary consequences\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand beautiful mutations of today;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand to the unstoppable\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003euproar of the city\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded in Saigon 2017\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Javier Marimon\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e","published_at":"2021-08-12T18:54:48+09:00","created_at":"2021-08-12T17:25:39+09:00","vendor":"Tobira Records","type":"","tags":["house","kizen records","lp","techno \/ house"],"price":208000,"price_min":208000,"price_max":208000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40563341328549,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Javier Marimon \/\/ Hoy 12\"","public_title":null,"options":["Default Title"],"price":208000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_95e40029-a89b-41a8-aebc-7d2be4f8824f.jpg?v=1628756741","\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_6b823754-0d02-4153-bde1-45904ccb9b2f.jpg?v=1628756741"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_95e40029-a89b-41a8-aebc-7d2be4f8824f.jpg?v=1628756741","options":["Title"],"media":[{"alt":null,"id":23320879038629,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_95e40029-a89b-41a8-aebc-7d2be4f8824f.jpg?v=1628756741"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_95e40029-a89b-41a8-aebc-7d2be4f8824f.jpg?v=1628756741","width":700},{"alt":null,"id":23320879071397,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_6b823754-0d02-4153-bde1-45904ccb9b2f.jpg?v=1628756741"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_6b823754-0d02-4153-bde1-45904ccb9b2f.jpg?v=1628756741","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・ビラボーアのIDM作家Javier Marimonが香港のダンスレーベルKizenからリリースした12\"。アンビエント・ダブテクノ〜IDMなど4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3581956184\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA homage to a Typhoon,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003enow seen from the distance;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eto the arbitrary consequences\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand beautiful mutations of today;\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand to the unstoppable\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003euproar of the city\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded in Saigon 2017\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Javier Marimon\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e"}
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スペイン・ビラボーアのIDM作家Javier Marimonが香港のダンスレーベルKizenからリリースした12"。アンビエント・ダブテクノ〜IDMなど4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Kizen Records releases available at Tobira. ------------------- "A...
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{"id":6970376978597,"title":"BLNDR \/\/ Callopsis 12\"","handle":"blndr-callopsis-lp","description":"\u003cp\u003eHypnusやSilent Seasonなどから発表しているフランス・パリのテクノ作家\u003cmeta charset=\"utf-8\"\u003eTom Huthwohl aka BLNDRが2021年7月に香港のレーベルKizenからリリースした12\"。アンビエントテクノ〜IDM4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904362353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=194769437\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904362353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2319213442\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904362353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAll Tracks written \u0026amp; produced by Tom Huthwohl aka BLNDR,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003einspired by the majestic landscape and the atmosphere of Santiago de Chile.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BLNDR\u003c\/p\u003e\n\u003cp\u003eLabel : Kizen Records\u003c\/p\u003e","published_at":"2021-08-12T18:11:53+09:00","created_at":"2021-08-12T17:23:04+09:00","vendor":"Tobira Records","type":"","tags":["house","kizen records","lp","techno \/ house"],"price":208000,"price_min":208000,"price_max":208000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40563315441829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"BLNDR \/\/ Callopsis 12\"","public_title":null,"options":["Default Title"],"price":208000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_78f69192-aac1-4075-abd7-a45340b87cdf.jpg?v=1628756586","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_c76d4bf2-a9c0-4e43-aab6-6e79d875321f.jpg?v=1628756586"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_78f69192-aac1-4075-abd7-a45340b87cdf.jpg?v=1628756586","options":["Title"],"media":[{"alt":null,"id":23320828575909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_78f69192-aac1-4075-abd7-a45340b87cdf.jpg?v=1628756586"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_78f69192-aac1-4075-abd7-a45340b87cdf.jpg?v=1628756586","width":700},{"alt":null,"id":23320828641445,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_c76d4bf2-a9c0-4e43-aab6-6e79d875321f.jpg?v=1628756586"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_c76d4bf2-a9c0-4e43-aab6-6e79d875321f.jpg?v=1628756586","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eHypnusやSilent Seasonなどから発表しているフランス・パリのテクノ作家\u003cmeta charset=\"utf-8\"\u003eTom Huthwohl aka BLNDRが2021年7月に香港のレーベルKizenからリリースした12\"。アンビエントテクノ〜IDM4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904362353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=194769437\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904362353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2319213442\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904362353\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kizrec\"\u003ehere\u003c\/a\u003e to see more Kizen Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAll Tracks written \u0026amp; 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{"id":6969848037541,"title":"SNACKBAR the Ambassador \/\/ Iedere Dag Vakantie 7\"","handle":"snackbar-the-ambassador-iedere-dag-vakantie-7","description":"\u003cp\u003eオランダの実験ダブポップ作家SNACKBAR the Ambassadorが、2020年12月にリリースしたデビュー7\"です。\u003c\/p\u003e\n\u003cp\u003eヘンテコですが頭にこびりつく2曲を収録。青盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JqqK04x7Muo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=538759127\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7\" turquoise coloured vinyl - packaged in a printed brown paper inner sleeve, a high quality reproduction of König’s drawing 'Iedere Dag Vakantie' and a transparent PVC outer sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eSNACKBAR the Ambassador is a moniker of transdisciplinary artist Matthias König, based in The Hague (NL), interweaving music, performance- and visual arts. For the past few years, König has immersed himself in the 'celebration of the delirious life', resulting in several large art installations, consisting of (sound) sculptures, drawings, videos and photos, exhibited in museums and art initiatives. During this period he recorded hours of audio compositions in his studio, that explore electronic- and folklore music vocabulary and strongly relate to his visual work, but have remained unpublished.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis release is the exciting prelude to a larger body of work, the essence of the amassed studio recordings, where the music and visual arts of Matthias König merge into his carefully crafted alter ego SNACKBAR the Ambassador, who also started acting out in disruptive but infectious live performances, dressed in elaborate costumes. The ultimate goal in the collaboration with Esc.rec. is a compounded collectible art object and 12\" album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sound of SNACKBAR the Ambassador is best described as a toxic concoction of deconstructed folklore, electronic beat and space explorations, otherworldly sounds, dub, cumbia, schlager, humpa and experimental electronics. Endearing, ugly, attractive\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, abrasive, compelling and taunting at the same time.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SNACKBAR the Ambassador\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-12T12:23:46+09:00","created_at":"2021-08-12T11:34:09+09:00","vendor":"Tobira Records","type":"","tags":["esc.rec.","folk \/ left-field pop","hiphop \/ funk","lp","strange beats"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561315643557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SNACKBAR the Ambassador \/\/ Iedere Dag Vakantie 7\"","public_title":null,"options":["Default Title"],"price":235000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_7bbbd36b-c36a-4e9e-8d25-eba41a480263.jpg?v=1628735652"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652","options":["Title"],"media":[{"alt":null,"id":23317366767781,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_b3d33d96-da87-4a5c-8217-527959b34b97.jpg?v=1628735652","width":700},{"alt":null,"id":23317366866085,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_7bbbd36b-c36a-4e9e-8d25-eba41a480263.jpg?v=1628735652"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_7bbbd36b-c36a-4e9e-8d25-eba41a480263.jpg?v=1628735652","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダの実験ダブポップ作家SNACKBAR the Ambassadorが、2020年12月にリリースしたデビュー7\"です。\u003c\/p\u003e\n\u003cp\u003eヘンテコですが頭にこびりつく2曲を収録。青盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JqqK04x7Muo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=538759127\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7\" turquoise coloured vinyl - packaged in a printed brown paper inner sleeve, a high quality reproduction of König’s drawing 'Iedere Dag Vakantie' and a transparent PVC outer sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesription by \u003cmeta charset=\"utf-8\"\u003eEsc.rec.:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eSNACKBAR the Ambassador is a moniker of transdisciplinary artist Matthias König, based in The Hague (NL), interweaving music, performance- and visual arts. For the past few years, König has immersed himself in the 'celebration of the delirious life', resulting in several large art installations, consisting of (sound) sculptures, drawings, videos and photos, exhibited in museums and art initiatives. During this period he recorded hours of audio compositions in his studio, that explore electronic- and folklore music vocabulary and strongly relate to his visual work, but have remained unpublished.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis release is the exciting prelude to a larger body of work, the essence of the amassed studio recordings, where the music and visual arts of Matthias König merge into his carefully crafted alter ego SNACKBAR the Ambassador, who also started acting out in disruptive but infectious live performances, dressed in elaborate costumes. The ultimate goal in the collaboration with Esc.rec. is a compounded collectible art object and 12\" album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sound of SNACKBAR the Ambassador is best described as a toxic concoction of deconstructed folklore, electronic beat and space explorations, otherworldly sounds, dub, cumbia, schlager, humpa and experimental electronics. Endearing, ugly, attractive\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, abrasive, compelling and taunting at the same time.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SNACKBAR the Ambassador\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsc.rec.\u003c\/span\u003e\u003c\/p\u003e"}
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オランダの実験ダブポップ作家SNACKBAR the Ambassadorが、2020年12月にリリースしたデビュー7"です。 ヘンテコですが頭にこびりつく2曲を収録。青盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. -------------------------...
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{"id":6965426749605,"title":"Various Artists \/\/ Northallsen V Years - The Path Of Nomads LP","handle":"various-artists-northallsen-v-years-the-path-of-nomads-lp","description":"\u003cp\u003eコロンビア・ボゴタのテクノレーベルNorthallsen Recordsが2021年6月にレーベル発足5周年記念でリリースした4-wayスプリット。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Oscar Mulero– Self-Determination\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Aleja Sanchez– Symbolicus Transmutation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 CHPTR– Apodictic Records\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Mike Parker– Hellish By Night\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308722605\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNorthallsen Records:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt is said that we have all migrated at some time. We migrate geographically, we migrate in thoughts, we migrate by transforming ourselves, we migrate by coming and going along the path we call life. Migration is a pitched fight for self-deconstruction and true rebirth, an instinctive force for changing with the vital aim of evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNorthallsen Records is pleased to present “The Path of Nomads” A various artists vinyl release celebrating five years of existence. With their characteristic and unique artistic concepts, Oscar Mulero, CHPTR, Mike Parker and Aleja Sanchez are together shaping our 64th release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNorthallsen Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-20T07:54:12+09:00","created_at":"2021-08-10T11:50:50+09:00","vendor":"Tobira Records","type":"","tags":["lp","northallsen records","techno \/ house"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40544771342501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists \/\/ Northallsen V Years - The Path Of Nomads LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_c6c8dee4-23ea-4be2-a88b-530056632b0d.jpg?v=1628563852","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_4001c2be-01ed-458c-aa74-bee778b50117.jpg?v=1628563852"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_c6c8dee4-23ea-4be2-a88b-530056632b0d.jpg?v=1628563852","options":["Title"],"media":[{"alt":null,"id":23287758225573,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_c6c8dee4-23ea-4be2-a88b-530056632b0d.jpg?v=1628563852"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_c6c8dee4-23ea-4be2-a88b-530056632b0d.jpg?v=1628563852","width":700},{"alt":null,"id":23287758258341,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_4001c2be-01ed-458c-aa74-bee778b50117.jpg?v=1628563852"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_4001c2be-01ed-458c-aa74-bee778b50117.jpg?v=1628563852","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eコロンビア・ボゴタのテクノレーベルNorthallsen Recordsが2021年6月にレーベル発足5周年記念でリリースした4-wayスプリット。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Oscar Mulero– Self-Determination\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Aleja Sanchez– Symbolicus Transmutation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 CHPTR– Apodictic Records\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Mike Parker– Hellish By Night\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1308722605\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNorthallsen Records:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt is said that we have all migrated at some time. We migrate geographically, we migrate in thoughts, we migrate by transforming ourselves, we migrate by coming and going along the path we call life. Migration is a pitched fight for self-deconstruction and true rebirth, an instinctive force for changing with the vital aim of evolution.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNorthallsen Records is pleased to present “The Path of Nomads” A various artists vinyl release celebrating five years of existence. With their characteristic and unique artistic concepts, Oscar Mulero, CHPTR, Mike Parker and Aleja Sanchez are together shaping our 64th release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNorthallsen Records\u003c\/span\u003e\u003c\/p\u003e"}
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コロンビア・ボゴタのテクノレーベルNorthallsen Recordsが2021年6月にレーベル発足5周年記念でリリースした4-wayスプリット。 A1 Oscar Mulero– Self-DeterminationA2 Aleja Sanchez– Symbolicus TransmutationB1 CHPTR– Apodictic RecordsB2 Mike...
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{"id":6961059397797,"title":"Comité Hypnotisé \/\/ Dubs Pour Oh La La LP","handle":"comite-hypnotise-dubs-pour-oh-la-la-lp","description":"\u003cp\u003eベルギーの実験ダブ作家Comité Hypnotiséが2021年7月にリリースしたレコード。70's エコーをたっぷりと効かせた異端ダブ12曲を収録。DLコード付属。シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3223211579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2327682353\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3223211579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNot a lockdown record here: With 'Comité Hypnotisé' Tim Vanhamel (Millionaire, Evil Superstars...) tumbles into a subsonic wormhole where smoked out dub glues with boogie funk and off-kiltered early hip hop vibes. Transcending frequencies from an unknown galaxy channeled through a broken 70’s echo deck.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShortly after Evil Superstars played a one off concert for ‘An Evening With Laika’ in the Ancienne Belgique in 2013 Tim started to create the music which was the entering point of ‘Dubs Pour Oh La La’ and Comité\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHypnotisé. Calibrated over the years and ready to be released now.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA dancing delirium of mind and soul. A fata morgana of a brain-melting future. Hearing is believing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Comité Hypnotisé\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2021-08-08T14:21:24+09:00","created_at":"2021-08-08T12:34:25+09:00","vendor":"Tobira Records","type":"","tags":["cortizona","hiphop \/ funk","lp","strange beats"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528824959141,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Comité Hypnotisé \/\/ Dubs Pour Oh La La LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_437f518c-2724-4fe1-8207-fc3aeeb9b5c6.jpg?v=1628393666","\/\/tobirarecords.com\/cdn\/shop\/products\/du2_a3665daa-e5af-4674-8464-08342e190941.jpg?v=1628393667"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_437f518c-2724-4fe1-8207-fc3aeeb9b5c6.jpg?v=1628393666","options":["Title"],"media":[{"alt":null,"id":23256580391077,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_437f518c-2724-4fe1-8207-fc3aeeb9b5c6.jpg?v=1628393666"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_437f518c-2724-4fe1-8207-fc3aeeb9b5c6.jpg?v=1628393666","width":700},{"alt":null,"id":23256580423845,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du2_a3665daa-e5af-4674-8464-08342e190941.jpg?v=1628393667"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du2_a3665daa-e5af-4674-8464-08342e190941.jpg?v=1628393667","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの実験ダブ作家Comité Hypnotiséが2021年7月にリリースしたレコード。70's エコーをたっぷりと効かせた異端ダブ12曲を収録。DLコード付属。シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3223211579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2327682353\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3223211579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNot a lockdown record here: With 'Comité Hypnotisé' Tim Vanhamel (Millionaire, Evil Superstars...) tumbles into a subsonic wormhole where smoked out dub glues with boogie funk and off-kiltered early hip hop vibes. Transcending frequencies from an unknown galaxy channeled through a broken 70’s echo deck.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShortly after Evil Superstars played a one off concert for ‘An Evening With Laika’ in the Ancienne Belgique in 2013 Tim started to create the music which was the entering point of ‘Dubs Pour Oh La La’ and Comité\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHypnotisé. Calibrated over the years and ready to be released now.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA dancing delirium of mind and soul. A fata morgana of a brain-melting future. Hearing is believing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Comité Hypnotisé\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}
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{"id":6961058447525,"title":"Sleepy Rich \/\/ Solaris 12\"","handle":"sleepy-rich-solaris-lp","description":"インストヒップホップデュオSleepy Richがドイツ・ミュンヘンのベース／ダンスレーベルIlian Tapesから2021年7月にリリースした12\"。レイドバックなビート8曲を収録。180g重量盤です。\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319550496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3261783703\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319550496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2357641248\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319550496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ilian-tapes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ilian-tapes\"\u003ehere\u003c\/a\u003e to see more Ilian Tapes releases available at Tobira. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sleepy Rich\u003c\/p\u003e\n\u003cp\u003eLabel : Ilian Tapes\u003c\/p\u003e","published_at":"2021-08-08T14:45:43+09:00","created_at":"2021-08-08T12:30:39+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","Ilian Tapes","lp"],"price":205000,"price_min":205000,"price_max":205000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528819159205,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sleepy Rich \/\/ Solaris 12\"","public_title":null,"options":["Default Title"],"price":205000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/so1_99af98a2-48f7-4bd6-b104-f3ed7f368dbc.jpg?v=1628393440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_99af98a2-48f7-4bd6-b104-f3ed7f368dbc.jpg?v=1628393440","options":["Title"],"media":[{"alt":null,"id":23256567775397,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_99af98a2-48f7-4bd6-b104-f3ed7f368dbc.jpg?v=1628393440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_99af98a2-48f7-4bd6-b104-f3ed7f368dbc.jpg?v=1628393440","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"インストヒップホップデュオSleepy Richがドイツ・ミュンヘンのベース／ダンスレーベルIlian Tapesから2021年7月にリリースした12\"。レイドバックなビート8曲を収録。180g重量盤です。\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319550496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3261783703\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319550496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2357641248\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319550496\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ilian-tapes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ilian-tapes\"\u003ehere\u003c\/a\u003e to see more Ilian Tapes releases available at Tobira. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sleepy Rich\u003c\/p\u003e\n\u003cp\u003eLabel : Ilian Tapes\u003c\/p\u003e"}
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インストヒップホップデュオSleepy Richがドイツ・ミュンヘンのベース／ダンスレーベルIlian Tapesから2021年7月にリリースした12"。レイドバックなビート8曲を収録。180g重量盤です。 レーベルその他作品はこちら /// Click here to see more Ilian Tapes releases available at Tobira. Artist...
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{"id":6961055400101,"title":"Vril \u0026 Rødhåd \/\/ Out Of Place Artefacts 2xLP","handle":"vril-rodhad-out-of-place-artefacts-2xlp","description":"\u003cp\u003eGieglingなどから発表しているドイツのテクノ作家VrilとRødhådが、\u003cspan data-mce-fragment=\"1\"\u003eWSNWGから\u003c\/span\u003e2020年12月にリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアブストラクトテクノ〜ダウンテンポ11曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3738784375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wsnwg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wsnwg\"\u003ehere\u003c\/a\u003e to see more WSNWG releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDouble 12\" pressed on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWSNWG:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStrange anomalies are scattered throughout the world. Things that could not possibly belong to the time period or place in which they were found. These so called out of place artifacts baffle historians \u0026amp; archaeologists up until today and have inspired producers Vril \u0026amp; Rødhåd to write a collaborative concept album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a result the two producers got together in the studio with the idea to subvert the expectations of their previous work. They experimented over two sessions in 2018 and 2019, resulting in a record showcasing a different palette of sounds and tempo.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is suited for deep listening and exploring aforementioned concepts or introspection in general. A mystic tone is set from the start, and grips the listener throughout the whole run time. Each track encapsulates this notion in its own unique form, blending sonic ambience and complex beats that reaches spectral heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth producer's styles shine individually, but the collaboration achieves something greater than the sum of its parts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vril \u0026amp; Rødhåd\u003c\/p\u003e\n\u003cp\u003eLabel : WSNWG\u003c\/p\u003e","published_at":"2021-08-08T14:59:38+09:00","created_at":"2021-08-08T12:23:48+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house","WSNWG"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528809951397,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Vril \u0026 Rødhåd \/\/ Out Of Place Artefacts 2xLP","public_title":null,"options":["Default Title"],"price":468000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_93797b8a-6dc6-4aec-81de-c74a2f5b850e.jpg?v=1628393030"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_93797b8a-6dc6-4aec-81de-c74a2f5b850e.jpg?v=1628393030","options":["Title"],"media":[{"alt":null,"id":23256543133861,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_93797b8a-6dc6-4aec-81de-c74a2f5b850e.jpg?v=1628393030"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ou1_93797b8a-6dc6-4aec-81de-c74a2f5b850e.jpg?v=1628393030","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGieglingなどから発表しているドイツのテクノ作家VrilとRødhådが、\u003cspan data-mce-fragment=\"1\"\u003eWSNWGから\u003c\/span\u003e2020年12月にリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアブストラクトテクノ〜ダウンテンポ11曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3738784375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wsnwg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wsnwg\"\u003ehere\u003c\/a\u003e to see more WSNWG releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDouble 12\" pressed on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWSNWG:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStrange anomalies are scattered throughout the world. Things that could not possibly belong to the time period or place in which they were found. These so called out of place artifacts baffle historians \u0026amp; archaeologists up until today and have inspired producers Vril \u0026amp; Rødhåd to write a collaborative concept album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a result the two producers got together in the studio with the idea to subvert the expectations of their previous work. They experimented over two sessions in 2018 and 2019, resulting in a record showcasing a different palette of sounds and tempo.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is suited for deep listening and exploring aforementioned concepts or introspection in general. A mystic tone is set from the start, and grips the listener throughout the whole run time. Each track encapsulates this notion in its own unique form, blending sonic ambience and complex beats that reaches spectral heights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth producer's styles shine individually, but the collaboration achieves something greater than the sum of its parts.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vril \u0026amp; Rødhåd\u003c\/p\u003e\n\u003cp\u003eLabel : WSNWG\u003c\/p\u003e"}
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Gieglingなどから発表しているドイツのテクノ作家VrilとRødhådが、WSNWGから2020年12月にリリースした2枚組レコードです。 アブストラクトテクノ〜ダウンテンポ11曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more WSNWG releases available at Tobira. --------------------------- Double 12"...
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{"id":6960080257189,"title":"viñu-vinu \/\/ Exilio Transitorio LP","handle":"vinu-vinu-exilio-transitorio-lp","description":"\u003cp\u003eMystery Circlesお抱え作家カナダ・モントリオールのIDM作家viñu-vinuが2021年4月にリリースした初のレコード。ダウンテンポ〜IDM11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1224278487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eviñu-vinu:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"viñu-vinu is my electronic music alias. The name viñu-vinu pays homage to my Chilean heritage and comes from the Francization of my father’s last name: Viñuela to Vinuela. On my previous two releases (Encounters, 2017, and Echoes from Afar, 2019) I started a musical exploration of origin, identity, changes, evolution and human relationships to my surroundings and nature. In this new album Exilio Transitorio I’m pursuing this quest further. Exilio Transitorio was inspired by a book of poems that my father, Francisco Viñuela, wrote after his exile from Chile during Pinochet's coup d'état in 1973. The poems, written in Spanish and French, relate his exile from his country, and initiate a humanist reflection on the devastating effects of totalitarian regimes and political wars. Created as a cinematic journey, Exilio Transitorio serves as a soundtrack honoring my father’s book. It is meant to inspire deep reflection in the hope that we do not forget these events and find a better world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI was an artist in residence with le Centre d'Expérimentation Musicale for two weeks back in March 2019 where I wrote the core compositions and started the production of the music. I worked individually with the artists of the centre to create and rehearse a show that would become the backbone of what Exilio\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Transitorio is today. The hybrid creations that came out of this process are dynamic and varied, blending electronic music with a six-piece acoustic band, jazz harmony, improvisations, and poetry in a unique and emotional way. Later that same year, I had the opportunity to participate in a six-week artist residency at the Banff Centre for Arts and Creativity. That’s where most of the final production and mixing of the album took place. In Banff, I was also really lucky to meet Julián Muro, an Argentinian musician, singer-songwriter, composer and poet, who graciously agreed to spend some time in the studio with me and record some of the poetry in Spanish. Like the journey that led to the creation of this project, this final iteration of Exilio Transitorio finds its way between light and darkness, melodicism and experimentation, ambience and groove, desperation and hope.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : viñu-vinu\u003c\/p\u003e\n\u003cp\u003eLabel : Florafone Records \/ Mystery Circles\u003c\/p\u003e","published_at":"2021-08-08T11:12:10+09:00","created_at":"2021-08-07T10:14:05+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","Mystery Circles"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40523361812645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"viñu-vinu \/\/ Exilio Transitorio LP","public_title":null,"options":["Default Title"],"price":238000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_ae1d6dff-8af1-48a3-be8a-7d21809d657b.jpg?v=1628298846","\/\/tobirarecords.com\/cdn\/shop\/products\/ex22.jpg?v=1628298846"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_ae1d6dff-8af1-48a3-be8a-7d21809d657b.jpg?v=1628298846","options":["Title"],"media":[{"alt":null,"id":23243183194277,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_ae1d6dff-8af1-48a3-be8a-7d21809d657b.jpg?v=1628298846"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex1_ae1d6dff-8af1-48a3-be8a-7d21809d657b.jpg?v=1628298846","width":700},{"alt":null,"id":23243183227045,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex22.jpg?v=1628298846"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ex22.jpg?v=1628298846","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMystery Circlesお抱え作家カナダ・モントリオールのIDM作家viñu-vinuが2021年4月にリリースした初のレコード。ダウンテンポ〜IDM11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1224278487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eviñu-vinu:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"viñu-vinu is my electronic music alias. The name viñu-vinu pays homage to my Chilean heritage and comes from the Francization of my father’s last name: Viñuela to Vinuela. On my previous two releases (Encounters, 2017, and Echoes from Afar, 2019) I started a musical exploration of origin, identity, changes, evolution and human relationships to my surroundings and nature. In this new album Exilio Transitorio I’m pursuing this quest further. Exilio Transitorio was inspired by a book of poems that my father, Francisco Viñuela, wrote after his exile from Chile during Pinochet's coup d'état in 1973. The poems, written in Spanish and French, relate his exile from his country, and initiate a humanist reflection on the devastating effects of totalitarian regimes and political wars. Created as a cinematic journey, Exilio Transitorio serves as a soundtrack honoring my father’s book. It is meant to inspire deep reflection in the hope that we do not forget these events and find a better world.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI was an artist in residence with le Centre d'Expérimentation Musicale for two weeks back in March 2019 where I wrote the core compositions and started the production of the music. I worked individually with the artists of the centre to create and rehearse a show that would become the backbone of what Exilio\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Transitorio is today. The hybrid creations that came out of this process are dynamic and varied, blending electronic music with a six-piece acoustic band, jazz harmony, improvisations, and poetry in a unique and emotional way. Later that same year, I had the opportunity to participate in a six-week artist residency at the Banff Centre for Arts and Creativity. That’s where most of the final production and mixing of the album took place. In Banff, I was also really lucky to meet Julián Muro, an Argentinian musician, singer-songwriter, composer and poet, who graciously agreed to spend some time in the studio with me and record some of the poetry in Spanish. Like the journey that led to the creation of this project, this final iteration of Exilio Transitorio finds its way between light and darkness, melodicism and experimentation, ambience and groove, desperation and hope.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : viñu-vinu\u003c\/p\u003e\n\u003cp\u003eLabel : Florafone Records \/ Mystery Circles\u003c\/p\u003e"}
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Mystery Circlesお抱え作家カナダ・モントリオールのIDM作家viñu-vinuが2021年4月にリリースした初のレコード。ダウンテンポ〜IDM11曲を収録。 レーベルその他作品はこちら /// Click here to see more Mystery Circles releases available at Tobira. --------------------- Edition...
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{"id":6957435650213,"title":"mindexxx \/\/ 回忆模糊推演（A Bleary Elapse) LP","handle":"mindexxx-a-bleary-elapse-lp","description":"\u003cp\u003e当店人気作家Zuhoを輩出した中国・上海のレーベルEating Musicがまたもや逸材を発掘しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国マルチ奏者mindexxxのデビューアルバムです。ピアノやクラリネット、シンセを全て一人で演奏した、ネオクラシカル・アンビエントジャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485898940\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/eamu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/eamu\"\u003ehere\u003c\/a\u003e to see more Eating Music releases available at Tobira. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEating Music:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'A Bleary Elapse', a neoclassical but irregular exploration, is full of exquisite phrases. Wandering electronic timbres combine with acoustic instruments, interweaving and flowing along, create the full dynamics. The introspection extends from words to music, like a lengthy letter without a certain addressee. No matter it is taken as a sincere presentation or a serious discussion, this album is a meaningful conversation to those who would prefer a calm while and would pay attention to the quietest sound. Eating Music intends to share such an opus without any other purpose with more people. In the music, we shall learn about each other better.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e-------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003emindexxx:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"[ A Bleary Elapse ]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewith certain details, I feel \/ you really cast off the old \/ and into the new \/ traveled in earnest \/ where dewdrops crumbled in the sky \/ and you smiled in uncertainty \/ brainwaves quivered softly \/ dancing still \/ till a flash of deja vu \/ armorous piano notes spilled out sternly \/ in the faraway place \/ I stood watching \/ on the park road \/ people kept on moving \/ till a moment of pivot \/ how do I traverse all spaces \/ with more spaces in between \/ unreachable, tempting \/ on that day when cars came and went \/ sunbeams through the leaves \/ young and harsh \/ electric drills and the dust, bus station and me \/ scrambling crowds \/ pushing everything out \/ this happiness in tumult \/ that came from a whisper \/ nowhere to find but the depth of a ghostly night \/ I must dive into the waterfall \/ a piece of danger in my history \/ in the foggy end \/ spent an hour facing my own eventual judgement \/ I've always curled up dry \/ and lived in humidity \/ frothing, bubbling up in steamy vapor \/ my fragrant body \/ inevitably entangled in water snakes \/ didn't know if we fought, or embraced \/ nevertheless, exhaustingly \/ thought I was still standing \/ perhaps this explained the gradual silence \/ low buzz coming from the weight of life \/ head to toe \/ passing through me \/ with no trace of tingles down my\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e spine \/ and I fell \/ might it be that on the precipice the light went on \/ the supposedly unbearable voltage \/ brought me peace \/ might I be dead, or dying \/ looking above indomitably \/ uncertainly \/ laying down in silence \/ amongst the cracks of all calm facades \/ twirled the rumbling order \/ how long is now? \/ this endless vacation \/ my memory rolled, a bleary elapse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ea traditional, honest and detailed record, with a deep sense of introspection, self-critical and self-sympathetic, noted a piece of memory, and revealed some correlative aspects between both the development and establishment of some of my own consciousnesses and those memories.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : mindexxx\u003c\/p\u003e\n\u003cp\u003eLabel : Eating Music\u003c\/p\u003e","published_at":"2021-08-06T12:54:20+09:00","created_at":"2021-08-06T11:28:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","eating music","jazz","lp","neo classical","recommended"],"price":275000,"price_min":275000,"price_max":275000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516040032421,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"mindexxx \/\/ 回忆模糊推演（A Bleary Elapse) LP","public_title":null,"options":["Default Title"],"price":275000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_b12cc42f-a134-46e0-a065-66d42bb3383e.jpg?v=1628216885","\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f739d54c-1d73-4d0d-ab48-b6f45b02f404.jpg?v=1628216886"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_b12cc42f-a134-46e0-a065-66d42bb3383e.jpg?v=1628216885","options":["Title"],"media":[{"alt":null,"id":23224382259365,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_b12cc42f-a134-46e0-a065-66d42bb3383e.jpg?v=1628216885"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_b12cc42f-a134-46e0-a065-66d42bb3383e.jpg?v=1628216885","width":700},{"alt":null,"id":23224382292133,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f739d54c-1d73-4d0d-ab48-b6f45b02f404.jpg?v=1628216886"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f739d54c-1d73-4d0d-ab48-b6f45b02f404.jpg?v=1628216886","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店人気作家Zuhoを輩出した中国・上海のレーベルEating Musicがまたもや逸材を発掘しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国マルチ奏者mindexxxのデビューアルバムです。ピアノやクラリネット、シンセを全て一人で演奏した、ネオクラシカル・アンビエントジャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485898940\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/eamu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/eamu\"\u003ehere\u003c\/a\u003e to see more Eating Music releases available at Tobira. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEating Music:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'A Bleary Elapse', a neoclassical but irregular exploration, is full of exquisite phrases. Wandering electronic timbres combine with acoustic instruments, interweaving and flowing along, create the full dynamics. The introspection extends from words to music, like a lengthy letter without a certain addressee. No matter it is taken as a sincere presentation or a serious discussion, this album is a meaningful conversation to those who would prefer a calm while and would pay attention to the quietest sound. Eating Music intends to share such an opus without any other purpose with more people. In the music, we shall learn about each other better.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e-------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003emindexxx:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"[ A Bleary Elapse ]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewith certain details, I feel \/ you really cast off the old \/ and into the new \/ traveled in earnest \/ where dewdrops crumbled in the sky \/ and you smiled in uncertainty \/ brainwaves quivered softly \/ dancing still \/ till a flash of deja vu \/ armorous piano notes spilled out sternly \/ in the faraway place \/ I stood watching \/ on the park road \/ people kept on moving \/ till a moment of pivot \/ how do I traverse all spaces \/ with more spaces in between \/ unreachable, tempting \/ on that day when cars came and went \/ sunbeams through the leaves \/ young and harsh \/ electric drills and the dust, bus station and me \/ scrambling crowds \/ pushing everything out \/ this happiness in tumult \/ that came from a whisper \/ nowhere to find but the depth of a ghostly night \/ I must dive into the waterfall \/ a piece of danger in my history \/ in the foggy end \/ spent an hour facing my own eventual judgement \/ I've always curled up dry \/ and lived in humidity \/ frothing, bubbling up in steamy vapor \/ my fragrant body \/ inevitably entangled in water snakes \/ didn't know if we fought, or embraced \/ nevertheless, exhaustingly \/ thought I was still standing \/ perhaps this explained the gradual silence \/ low buzz coming from the weight of life \/ head to toe \/ passing through me \/ with no trace of tingles down my\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e spine \/ and I fell \/ might it be that on the precipice the light went on \/ the supposedly unbearable voltage \/ brought me peace \/ might I be dead, or dying \/ looking above indomitably \/ uncertainly \/ laying down in silence \/ amongst the cracks of all calm facades \/ twirled the rumbling order \/ how long is now? \/ this endless vacation \/ my memory rolled, a bleary elapse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ea traditional, honest and detailed record, with a deep sense of introspection, self-critical and self-sympathetic, noted a piece of memory, and revealed some correlative aspects between both the development and establishment of some of my own consciousnesses and those memories.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : mindexxx\u003c\/p\u003e\n\u003cp\u003eLabel : Eating Music\u003c\/p\u003e"}
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当店人気作家Zuhoを輩出した中国・上海のレーベルEating Musicがまたもや逸材を発掘しました。 本作は、同国マルチ奏者mindexxxのデビューアルバムです。ピアノやクラリネット、シンセを全て一人で演奏した、ネオクラシカル・アンビエントジャズ7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Eating Music releases available at Tobira. ...
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{"id":6957424181413,"title":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 2 LP","handle":"bruce-lacey-the-spacey-bruce-lacey-film-music-and-improvisations-vol-2-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となった\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZMkxL_JivCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : Trunk Records\u003c\/p\u003e","published_at":"2021-08-06T17:52:48+09:00","created_at":"2021-08-06T11:19:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","trunk records"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515987046565,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 2 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392","options":["Title"],"media":[{"alt":null,"id":23224280514725,"position":1,"preview_image":{"aspect_ratio":0.995,"height":396,"width":394,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392"},"aspect_ratio":0.995,"height":396,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392","width":394}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となった\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZMkxL_JivCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : Trunk Records\u003c\/p\u003e"}
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50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。 レーベルその他作品はこちら /// Click here to see more Trunk Records releases available at Tobira. ------------------------------ Description by Jonny...
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{"id":6957419069605,"title":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 1 LP","handle":"bruce-lacey-the-spacey-bruce-lacey-film-music-and-improvisations-vol-1-lp","description":"\u003cp\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLW4OaqBZmY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : TRUNK\u003c\/p\u003e","published_at":"2021-08-06T17:52:03+09:00","created_at":"2021-08-06T11:15:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","trunk records"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515966009509,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 1 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448","options":["Title"],"media":[{"alt":null,"id":23224288936101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":200,"width":200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448"},"aspect_ratio":1.0,"height":200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLW4OaqBZmY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : TRUNK\u003c\/p\u003e"}
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50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。 レーベルその他作品はこちら /// Click here to see more Trunk Records releases available at Tobira. ------------------------------ Text...
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{"id":6957343342757,"title":"Projekt 22 \/\/ Projekt 22 12\"","handle":"projekt-22-projekt-22-lp","description":"\u003cp\u003eイギリス・ロンドンのドラムンベース〜テクノレーベルGroundwork主宰Projekt 22が2017年にリリースした12\"。フロア直球型BPM遅めのディープテクノ2曲、アンビエント1曲を収録。クリア盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2597117652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gwr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gwr\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eGroundwork Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eClear 12\" Vinyl.\u003c\/p\u003e\n\u003cp\u003eDesccription by Groundwork Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOriginally released in 2017 - A staple of the Groundwork Recordings catalogue materialize into the physical in the \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eform of a stunning 12” clear vinyl pressing. Crafted by label boss Projekt 22, the trio of ‘Intro', 'A Calling’ and 'Insight' Are a Clarion call, open invitation to listen and feel. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Projekt 22\u003c\/p\u003e\n\u003cp\u003eLabel : Groundwork Recordings\u003c\/p\u003e","published_at":"2021-08-07T14:59:39+09:00","created_at":"2021-08-06T10:11:11+09:00","vendor":"Tobira Records","type":"","tags":["groundwork recordings","lp","techno \/ house"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515672015013,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Projekt 22 \/\/ Projekt 22 12\"","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/221.jpg?v=1628212273","\/\/tobirarecords.com\/cdn\/shop\/products\/222.jpg?v=1628212273"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/221.jpg?v=1628212273","options":["Title"],"media":[{"alt":null,"id":23223619879077,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/221.jpg?v=1628212273"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/221.jpg?v=1628212273","width":700},{"alt":null,"id":23223619911845,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/222.jpg?v=1628212273"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/222.jpg?v=1628212273","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのドラムンベース〜テクノレーベルGroundwork主宰Projekt 22が2017年にリリースした12\"。フロア直球型BPM遅めのディープテクノ2曲、アンビエント1曲を収録。クリア盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2597117652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gwr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gwr\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eGroundwork Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eClear 12\" Vinyl.\u003c\/p\u003e\n\u003cp\u003eDesccription by Groundwork Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOriginally released in 2017 - A staple of the Groundwork Recordings catalogue materialize into the physical in the \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eform of a stunning 12” clear vinyl pressing. Crafted by label boss Projekt 22, the trio of ‘Intro', 'A Calling’ and 'Insight' Are a Clarion call, open invitation to listen and feel. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Projekt 22\u003c\/p\u003e\n\u003cp\u003eLabel : Groundwork Recordings\u003c\/p\u003e"}
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イギリス・ロンドンのドラムンベース〜テクノレーベルGroundwork主宰Projekt 22が2017年にリリースした12"。フロア直球型BPM遅めのディープテクノ2曲、アンビエント1曲を収録。クリア盤です。 レーベルその他作品はこちら /// Click here to see more Groundwork Recordings releases available at Tobira. --------------------------- Clear...
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{"id":6951961231525,"title":"Soft Boi \/\/ So Nice 2xLP","handle":"soft-boi-so-nice-2xlp","description":"\u003cp\u003eBlackest Ever Blackなどから発表しているイギリス・ブリストルのDJ PessimistがSoft Boi名義でのデビューアルバムを2枚組レコードでリリース。ひと癖あるトリップホップ〜ドラムンベース10曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615715970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003ehere\u003c\/a\u003e to see more Climate of Fear releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor its second release, Climate of Fear proudly presents “So Nice,” the debut LP from Soft Boi aka Pessimist aka Kristian Jabs. Following 2019’s sludge-crawl collab with Karim Maas and the eco-hellscape new age of Boreal Massif’s “We All Have An Impact,” Jabs turns his attention to a new nightmare: dating. “So Nice” dials back the suffocating d’n’b bass weight Jabs has perfected, opting instead for a shimmering palette of magenta hued synth leads and chunky Rhythm Nation snare cracks.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross this languid backdrop, Jabs narrates the inner monologue of his Soft Boi counterpart. By turns cheeky, seething and emotive, his terse lyrics dissect modern masculinity with unflinching control. Hours blearily wasted on dating apps, spiraling arguments and circular obsessions, the clammy loneliness of self-obsession and the rigid fury of objectification all spread out across the album like an oil spill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the opening credits roll of “Saying Hi To You,” through the slo-mo rave sheen of “Fais Moi La Guerre” (feat Nastychong), the junglist malaise of “And Shout” and the boiled trip hop of “Guestlist,” “So Nice” is an album of surprising violence, tightly coiled and covered in an artificially-sweetened pop glaze. As Soft Boi, Jabs reclaims the conceptual from its oft-clinical corner, giving us a concept \/ breakup album rooted in the club marketplace, executed with punk’s jugular concision and driven by a deep antipathy for modern life \u0026amp; love.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Soft Boi \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-04T07:48:01+09:00","created_at":"2021-08-03T09:44:54+09:00","vendor":"Tobira Records","type":"","tags":["climate of fear","hiphop \/ funk","house","lp","techno \/ house"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40495430336677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Soft Boi \/\/ So Nice 2xLP","public_title":null,"options":["Default Title"],"price":278000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496","\/\/tobirarecords.com\/cdn\/shop\/products\/so2_d05555d4-c045-4019-9e3a-d585f64263cd.jpg?v=1627951497"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496","options":["Title"],"media":[{"alt":null,"id":23182961508517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so1_a6e12d92-6040-4275-80f6-2b65b61d3f5b.jpg?v=1627951496","width":700},{"alt":null,"id":23182961541285,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so2_d05555d4-c045-4019-9e3a-d585f64263cd.jpg?v=1627951497"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/so2_d05555d4-c045-4019-9e3a-d585f64263cd.jpg?v=1627951497","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBlackest Ever Blackなどから発表しているイギリス・ブリストルのDJ PessimistがSoft Boi名義でのデビューアルバムを2枚組レコードでリリース。ひと癖あるトリップホップ〜ドラムンベース10曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3615715970\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cof\"\u003ehere\u003c\/a\u003e to see more Climate of Fear releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor its second release, Climate of Fear proudly presents “So Nice,” the debut LP from Soft Boi aka Pessimist aka Kristian Jabs. Following 2019’s sludge-crawl collab with Karim Maas and the eco-hellscape new age of Boreal Massif’s “We All Have An Impact,” Jabs turns his attention to a new nightmare: dating. “So Nice” dials back the suffocating d’n’b bass weight Jabs has perfected, opting instead for a shimmering palette of magenta hued synth leads and chunky Rhythm Nation snare cracks.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross this languid backdrop, Jabs narrates the inner monologue of his Soft Boi counterpart. By turns cheeky, seething and emotive, his terse lyrics dissect modern masculinity with unflinching control. Hours blearily wasted on dating apps, spiraling arguments and circular obsessions, the clammy loneliness of self-obsession and the rigid fury of objectification all spread out across the album like an oil spill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the opening credits roll of “Saying Hi To You,” through the slo-mo rave sheen of “Fais Moi La Guerre” (feat Nastychong), the junglist malaise of “And Shout” and the boiled trip hop of “Guestlist,” “So Nice” is an album of surprising violence, tightly coiled and covered in an artificially-sweetened pop glaze. As Soft Boi, Jabs reclaims the conceptual from its oft-clinical corner, giving us a concept \/ breakup album rooted in the club marketplace, executed with punk’s jugular concision and driven by a deep antipathy for modern life \u0026amp; love.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Soft Boi \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClimate of Fear\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6949976178853,"title":"NxWorries \/\/ Yes Lawd! 2xLP","handle":"nxworries-yes-lawd-2xlp","description":"\u003cp\u003eLAのシンガー／ドラマーANDERSON .PAAKと同じくLAの人気ビートメイカーKNXWLEDGEによるデュオNxWorriesの2018年リリース2枚組レコード。モダンソウル19曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2914321928\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Stones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYES LAWD! As temping as it may be to just let that exclamation suffice as your sole introduction to NxWorries, we should go a little deeper. The men at the heart of this LP — soul styler Anderson .Paak and loop beast Knxwledge — make an exceedingly clean pair, even as they deal almost entirely in the gritty: vocals that sound lived in for a couple of lifetimes; beats that kick up dust as they bump; and an 18-track set that plays like a mixtape merging skits, songs, and snippets into a package of fluid groove and rough-cut rap 'n' soul gems. You may have heard these two out in the world, on their own or sprinkling some of their musical gold dust on someone else's songs, but this is what happens when .Paak and Knx get home, lay back, light up, and let it go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf there's a Blaxploitation vibe to Yes Lawd!, that's just the depth of NxWorries' funk and strut showing. If there's gospel in the grits, that's the history of the cooks. Each grew up with religion. It was Knxwledge's job to tidy up the family church in Jersey as a kid, and when he was done, he got to play on the instruments. Better still, when those instruments went bad, he kept them. Similarly, he'd soon find sounds in his growing vinyl cache, and when he moved to Los Angeles in 2008 as a beat maker, his\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compositions ensured he'd be home at Stones Throw. His hypnotically dank 2015 LP Hud Dreems was the tip of an iceberg—75 Bandcamp collections, and counting. Paak was neck deep in those songs when Knxwledge reached out. The singer grew up in Oxnard drumming in his own family's church. His folks got locked up when he was a teen, and while he'd eke by on odd jobs (grocer, trimmer, personal assistant), he was homeless for a spell with a newborn son. But .Paak pushed forward, building a career via imaginative albums (2016's Malibu), and collaborations that always seem to make him the star, even when he's just there to sing the hook.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo when they got together, of course it was going to flow. As Knx points out, one of the reasons it's taken so long to deliver Yes Lawd! is the fact that every time they get together, they make more music. Their come-up was strangely synchronicitous too. Knx landed on Kendrick Lamar's To Pimp a Butterfly (\"Momma\") after the Aftermath MC heard one his beats on Knx's Bandcamp-culling Anthology release. And it was NxWorries' first single, the unforgettable \"Suede,\" that got Dr. Dre's attention, earning .Paak's no fewer than eight appearances on the Compton album and, ultimately, a deal with Aftermath. The point is: neither is a stranger to the head-down hustle, even if each was born for the spotlight. Which feeds back into the theme of NxWorries' debut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Yes Lawd!, .Paak – who calls the album “my best work” – plays theatrically brash version of himself who sings like a '70s superstar and talks shit like a stone cold player. But the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. Meanwhile, Knx weaves a tapestry of sampled bits and live fragments—bass, brass and violin—that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: NxWorries.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003eNxWorries\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2021-08-02T12:29:09+09:00","created_at":"2021-08-02T11:48:09+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","leaving records","lp","stones throw"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40488480964773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"NxWorries \/\/ Yes Lawd! 2xLP","public_title":null,"options":["Default Title"],"price":348000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491","options":["Title"],"media":[{"alt":null,"id":23172069064869,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ye1_c0d9278e-ad43-4864-a3ae-e21e5008e6df.jpg?v=1627872491","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLAのシンガー／ドラマーANDERSON .PAAKと同じくLAの人気ビートメイカーKNXWLEDGEによるデュオNxWorriesの2018年リリース2枚組レコード。モダンソウル19曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2914321928\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1302656889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Stones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYES LAWD! As temping as it may be to just let that exclamation suffice as your sole introduction to NxWorries, we should go a little deeper. The men at the heart of this LP — soul styler Anderson .Paak and loop beast Knxwledge — make an exceedingly clean pair, even as they deal almost entirely in the gritty: vocals that sound lived in for a couple of lifetimes; beats that kick up dust as they bump; and an 18-track set that plays like a mixtape merging skits, songs, and snippets into a package of fluid groove and rough-cut rap 'n' soul gems. You may have heard these two out in the world, on their own or sprinkling some of their musical gold dust on someone else's songs, but this is what happens when .Paak and Knx get home, lay back, light up, and let it go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf there's a Blaxploitation vibe to Yes Lawd!, that's just the depth of NxWorries' funk and strut showing. If there's gospel in the grits, that's the history of the cooks. Each grew up with religion. It was Knxwledge's job to tidy up the family church in Jersey as a kid, and when he was done, he got to play on the instruments. Better still, when those instruments went bad, he kept them. Similarly, he'd soon find sounds in his growing vinyl cache, and when he moved to Los Angeles in 2008 as a beat maker, his\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e compositions ensured he'd be home at Stones Throw. His hypnotically dank 2015 LP Hud Dreems was the tip of an iceberg—75 Bandcamp collections, and counting. Paak was neck deep in those songs when Knxwledge reached out. The singer grew up in Oxnard drumming in his own family's church. His folks got locked up when he was a teen, and while he'd eke by on odd jobs (grocer, trimmer, personal assistant), he was homeless for a spell with a newborn son. But .Paak pushed forward, building a career via imaginative albums (2016's Malibu), and collaborations that always seem to make him the star, even when he's just there to sing the hook.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo when they got together, of course it was going to flow. As Knx points out, one of the reasons it's taken so long to deliver Yes Lawd! is the fact that every time they get together, they make more music. Their come-up was strangely synchronicitous too. Knx landed on Kendrick Lamar's To Pimp a Butterfly (\"Momma\") after the Aftermath MC heard one his beats on Knx's Bandcamp-culling Anthology release. And it was NxWorries' first single, the unforgettable \"Suede,\" that got Dr. Dre's attention, earning .Paak's no fewer than eight appearances on the Compton album and, ultimately, a deal with Aftermath. The point is: neither is a stranger to the head-down hustle, even if each was born for the spotlight. Which feeds back into the theme of NxWorries' debut.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Yes Lawd!, .Paak – who calls the album “my best work” – plays theatrically brash version of himself who sings like a '70s superstar and talks shit like a stone cold player. But the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. Meanwhile, Knx weaves a tapestry of sampled bits and live fragments—bass, brass and violin—that smooths everything over, reminding us that despite whatever struggle it took to get here... well, you already know the name: NxWorries.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003eNxWorries\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
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LAのシンガー／ドラマーANDERSON .PAAKと同じくLAの人気ビートメイカーKNXWLEDGEによるデュオNxWorriesの2018年リリース2枚組レコード。モダンソウル19曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira. -------------------------------...
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{"id":6948940513445,"title":"Brin \u0026 Josiah Steinbrick \/\/ Bliss Place LP \/ TAPE","handle":"bjsbp","description":"\u003cp\u003eLeaving Recordsなどから発表しているアメリカ・LAのBrinとJosiah Steinbrickが2021年7月に共作レコード／カセットを自主リリース。アンビエント〜レフトフィールドIDMを横断する10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3202860243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eLP edition of 150.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBliss Place is a collaborative work between composer Josiah Steinbrick and sound artist Colin Blanton aka Brin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLargely sourced from Steinbrick’s spontaneously recorded sketches for film projects, the fragments were refracted through Brin’s chain of sample contortion into a dynamic textural collage. Dub aesthetics stretch to the outer realms, distilling each sound’s core components into a character-like presence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the furthest reaches of the dance floor to barely sentient internal haze, moods of unease and ecstasy oscillate feverishly; layers of concrète rhythm and hermetic grime enfold into their own cinematic ecosystem.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Brin \u0026amp; Josiah Steinbrick\u003c\/p\u003e\n\u003cp\u003eLabel : self-release\u003c\/p\u003e","published_at":"2021-08-05T09:52:09+09:00","created_at":"2021-08-01T14:37:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lp","recommended","tape","techno \/ house"],"price":185000,"price_min":185000,"price_max":358000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40508059320485,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brin \u0026 Josiah Steinbrick \/\/ Bliss Place LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40508059353253,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brin \u0026 Josiah Steinbrick \/\/ Bliss Place LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":185000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_1bb24b5f-b18a-49f3-ac2c-fc43d296a15d.jpg?v=1627796265","\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_8d95e328-9204-4b14-8107-8f67e884e2ee.jpg?v=1627796265","\/\/tobirarecords.com\/cdn\/shop\/products\/0025295100_10.jpg?v=1628124614"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_1bb24b5f-b18a-49f3-ac2c-fc43d296a15d.jpg?v=1627796265","options":["Format"],"media":[{"alt":null,"id":23166267359397,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_1bb24b5f-b18a-49f3-ac2c-fc43d296a15d.jpg?v=1627796265"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_1bb24b5f-b18a-49f3-ac2c-fc43d296a15d.jpg?v=1627796265","width":700},{"alt":null,"id":23166267392165,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_8d95e328-9204-4b14-8107-8f67e884e2ee.jpg?v=1627796265"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_8d95e328-9204-4b14-8107-8f67e884e2ee.jpg?v=1627796265","width":1200},{"alt":null,"id":23209057845413,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025295100_10.jpg?v=1628124614"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025295100_10.jpg?v=1628124614","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLeaving Recordsなどから発表しているアメリカ・LAのBrinとJosiah Steinbrickが2021年7月に共作レコード／カセットを自主リリース。アンビエント〜レフトフィールドIDMを横断する10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3202860243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eLP edition of 150.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBliss Place is a collaborative work between composer Josiah Steinbrick and sound artist Colin Blanton aka Brin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLargely sourced from Steinbrick’s spontaneously recorded sketches for film projects, the fragments were refracted through Brin’s chain of sample contortion into a dynamic textural collage. Dub aesthetics stretch to the outer realms, distilling each sound’s core components into a character-like presence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom the furthest reaches of the dance floor to barely sentient internal haze, moods of unease and ecstasy oscillate feverishly; layers of concrète rhythm and hermetic grime enfold into their own cinematic ecosystem.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Brin \u0026amp; Josiah Steinbrick\u003c\/p\u003e\n\u003cp\u003eLabel : self-release\u003c\/p\u003e"}
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Leaving Recordsなどから発表しているアメリカ・LAのBrinとJosiah Steinbrickが2021年7月に共作レコード／カセットを自主リリース。アンビエント〜レフトフィールドIDMを横断する10曲を収録。DLコード付属。 LP edition of 150. "Bliss Place is a collaborative work between...
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{"id":6948847943845,"title":"Sweatson Klank \/\/ Jewels From The Sun ep 12\"","handle":"sweatson-klank-jewels-from-the-sun-ep-lp","description":"\u003cp\u003eアメリカ・LAの夏男Sweatson Klankが、2021年6月に同州Friends of Friendsから70枚限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e夏を終わらせない甘いファンク・ハウス5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1370977061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2922191879\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1370977061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003ehere\u003c\/a\u003e to see more Friends of Friends releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 70.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewels from the Sun Vinyl (Blue Cover Art) 95 pressed, 70 available. Jackets have been hand silk screened by the legendary Hit \u0026amp; Run Crew in Los Angeles on recycled chipboard sleeves with incredible artwork by JX4. Hand numbered and signed by Sweatson Klank. The vinyl also features the bonus track \"Together in Love\" taken from the \"Good Days\" LP of which only 10 vinyl copies were ever made and which has long been sold out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eFriends of Friends Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSweatson Klank continues to surprise us by effortlessly weaving in and out of styles and tempos while always managing to keep his trademark style and feel good sound. Fresh on the heels of his highly regarded \"Path of an Empath\" release, the LA based producer continues his prolific musical output with \"Jewels From The Sun\". This time around, the tempo has picked up and we're treated to some vintage soul drenched house tunes. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Road to Love\" steps up the dance with an infectious piano and bass line combination, alongside catchy vocals from an anonymous legendary singer. It's a hard hitting groovy house number dealing with finding the strength to love again after all that we've been through in the last year. \"Yves Klein Blue\" is a Lo Fi jazz tinged instrumental hip hop number with hard hitting drums and a dusty soul aesthetic. Late night drives through hazy Los Angeles streets. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sweatson Klank\u003c\/p\u003e\n\u003cp\u003eLabel : Friends of Friends Music\u003c\/p\u003e","published_at":"2021-08-01T12:25:48+09:00","created_at":"2021-08-01T11:47:59+09:00","vendor":"Tobira Records","type":"","tags":["friends of friends","hiphop \/ funk","house","lp","recommended"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40484344758437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sweatson Klank \/\/ Jewels From The Sun ep 12\"","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/je1_dccaabe2-35c1-4630-8832-92dedaa544cb.jpg?v=1627786080","\/\/tobirarecords.com\/cdn\/shop\/products\/je2_b299debb-15a3-4309-9591-90eb46cac6d5.jpg?v=1627786080"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_dccaabe2-35c1-4630-8832-92dedaa544cb.jpg?v=1627786080","options":["Title"],"media":[{"alt":null,"id":23165624549541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_dccaabe2-35c1-4630-8832-92dedaa544cb.jpg?v=1627786080"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je1_dccaabe2-35c1-4630-8832-92dedaa544cb.jpg?v=1627786080","width":700},{"alt":null,"id":23165624582309,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je2_b299debb-15a3-4309-9591-90eb46cac6d5.jpg?v=1627786080"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/je2_b299debb-15a3-4309-9591-90eb46cac6d5.jpg?v=1627786080","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの夏男Sweatson Klankが、2021年6月に同州Friends of Friendsから70枚限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e夏を終わらせない甘いファンク・ハウス5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1370977061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2922191879\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1370977061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fofm\"\u003ehere\u003c\/a\u003e to see more Friends of Friends releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 70.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewels from the Sun Vinyl (Blue Cover Art) 95 pressed, 70 available. Jackets have been hand silk screened by the legendary Hit \u0026amp; Run Crew in Los Angeles on recycled chipboard sleeves with incredible artwork by JX4. Hand numbered and signed by Sweatson Klank. The vinyl also features the bonus track \"Together in Love\" taken from the \"Good Days\" LP of which only 10 vinyl copies were ever made and which has long been sold out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eFriends of Friends Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSweatson Klank continues to surprise us by effortlessly weaving in and out of styles and tempos while always managing to keep his trademark style and feel good sound. Fresh on the heels of his highly regarded \"Path of an Empath\" release, the LA based producer continues his prolific musical output with \"Jewels From The Sun\". This time around, the tempo has picked up and we're treated to some vintage soul drenched house tunes. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Road to Love\" steps up the dance with an infectious piano and bass line combination, alongside catchy vocals from an anonymous legendary singer. It's a hard hitting groovy house number dealing with finding the strength to love again after all that we've been through in the last year. \"Yves Klein Blue\" is a Lo Fi jazz tinged instrumental hip hop number with hard hitting drums and a dusty soul aesthetic. Late night drives through hazy Los Angeles streets. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sweatson Klank\u003c\/p\u003e\n\u003cp\u003eLabel : Friends of Friends Music\u003c\/p\u003e"}
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アメリカ・LAの夏男Sweatson Klankが、2021年6月に同州Friends of Friendsから70枚限定でリリースしたレコードです。 夏を終わらせない甘いファンク・ハウス5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Friends of Friends releases available...
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{"id":6947549970597,"title":"ccctyyy \/\/ Reappearance 12\" + Bonus CD","handle":"ccctyyy-reappearance-lp","description":"\u003cp\u003e新人アンビエント〜ダウンテンポ作家ccctyyyのデビュー12\"が、Ninja Tuneなどのリリースでおなじみ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMax Graef主宰レーベルTax Free Recordsから2021年7月にリリース。アルペジオの音色が美しいアンビエントからダウンテンポまで幅広い10曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=568310752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003ehere\u003c\/a\u003e to see more Tax Free Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomes with a rare Compact Disc, including bonus tracks and full booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDigital renaissance \u0026amp; romantic ambient by ccctyyy with contributions by isangyi. Reoccurring payment reminder!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ccctyyy\u003c\/p\u003e\n\u003cp\u003eLabel : Tax Free Records\u003c\/p\u003e","published_at":"2021-08-15T09:19:39+09:00","created_at":"2021-07-31T14:02:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","tax free records","techno \/ house"],"price":288000,"price_min":288000,"price_max":288000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40479384600741,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"ccctyyy \/\/ Reappearance 12\" + Bonus CD","public_title":null,"options":["Default Title"],"price":288000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_837ff56a-9ad8-4ba9-a9ed-361c07229bb4.jpg?v=1627707750","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_4380f15a-d993-41fc-b48f-21ce23ab984e.jpg?v=1627707750"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_837ff56a-9ad8-4ba9-a9ed-361c07229bb4.jpg?v=1627707750","options":["Title"],"media":[{"alt":null,"id":23156506263717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_837ff56a-9ad8-4ba9-a9ed-361c07229bb4.jpg?v=1627707750"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_837ff56a-9ad8-4ba9-a9ed-361c07229bb4.jpg?v=1627707750","width":700},{"alt":null,"id":23156506296485,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_4380f15a-d993-41fc-b48f-21ce23ab984e.jpg?v=1627707750"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_4380f15a-d993-41fc-b48f-21ce23ab984e.jpg?v=1627707750","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e新人アンビエント〜ダウンテンポ作家ccctyyyのデビュー12\"が、Ninja Tuneなどのリリースでおなじみ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMax Graef主宰レーベルTax Free Recordsから2021年7月にリリース。アルペジオの音色が美しいアンビエントからダウンテンポまで幅広い10曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=568310752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003ehere\u003c\/a\u003e to see more Tax Free Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecomes with a rare Compact Disc, including bonus tracks and full booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDigital renaissance \u0026amp; romantic ambient by ccctyyy with contributions by isangyi. Reoccurring payment reminder!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ccctyyy\u003c\/p\u003e\n\u003cp\u003eLabel : Tax Free Records\u003c\/p\u003e"}
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新人アンビエント〜ダウンテンポ作家ccctyyyのデビュー12"が、Ninja TuneなどのリリースでおなじみMax Graef主宰レーベルTax Free Recordsから2021年7月にリリース。アルペジオの音色が美しいアンビエントからダウンテンポまで幅広い10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tax Free Records releases available...
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{"id":6947539288229,"title":"F§D \/\/ Z1S1 \/ C1D3H 7\"","handle":"f-d-z1s1-c1d3h-7","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGet Togetherなどから発表するFerdinand DomesによるF§D名義での7\"。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントダブ〜パーカッシブなトライバルテクノ2曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325122619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3555659097\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325122619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003ehere\u003c\/a\u003e to see more Tax Free Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo strategies to skyrocket your business by Ferdinand Domes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : F§D\u003c\/p\u003e\n\u003cp\u003eLabel : Tax Free Records\u003c\/p\u003e","published_at":"2021-08-15T10:31:23+09:00","created_at":"2021-07-31T13:48:31+09:00","vendor":"Tobira Records","type":"","tags":["lp","strange beats","tax free records","techno \/ house"],"price":147000,"price_min":147000,"price_max":147000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40479339020453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"F§D \/\/ Z1S1 \/ C1D3H 7\"","public_title":null,"options":["Default Title"],"price":147000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/z1.jpg?v=1627706913","\/\/tobirarecords.com\/cdn\/shop\/products\/z12.jpg?v=1627706913"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/z1.jpg?v=1627706913","options":["Title"],"media":[{"alt":null,"id":23156440334501,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/z1.jpg?v=1627706913"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/z1.jpg?v=1627706913","width":700},{"alt":null,"id":23156440367269,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/z12.jpg?v=1627706913"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/z12.jpg?v=1627706913","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGet Togetherなどから発表するFerdinand DomesによるF§D名義での7\"。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントダブ〜パーカッシブなトライバルテクノ2曲を収録。\u003cmeta charset=\"utf-8\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325122619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3555659097\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325122619\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/taxfr\"\u003ehere\u003c\/a\u003e to see more Tax Free Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo strategies to skyrocket your business by Ferdinand Domes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : F§D\u003c\/p\u003e\n\u003cp\u003eLabel : Tax Free Records\u003c\/p\u003e"}
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Get Togetherなどから発表するFerdinand DomesによるF§D名義での7"。 アンビエントダブ〜パーカッシブなトライバルテクノ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Tax Free Records releases available...
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