LCD Soundsystem // x-ray eyes 12inch
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LCD Soundsystem // x-ray eyes 12inch
¥2,720
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アメリカのエレクトロ・パンク作家LCD Soundsystemが、2025年3月にリリースした12"です。
--------------------------------------------------
12" black vinyl.
Tracklist:
a: x-ray eyes
b: x-ray eyes (extended trash can dub)
Artist : LCD Soundsystem
Label : DFA Records
cat no : DFA2725lp
アメリカのエレクトロ・パンク作家LCD Soundsystemが、2025年3月にリリースした12"です。
--------------------------------------------------
12" black vinyl.
Tracklist:
a: x-ray eyes
b: x-ray eyes (extended trash can dub)
Artist : LCD Soundsystem
Label : DFA Records
cat no : DFA2725lp
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{"id":8766445256954,"title":"Grand River \/\/ Tuning the Wind LP","handle":"grand-river-tuning-the-wind-lp","description":"\u003cp\u003eドイツ・ベルリンのエレクトロニック作家Grand Riverが、2025年3月にUmor Rexからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り風を素材にしたアンビエントスケープ作品です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Tuning the Windは、2022年にインスタレーション作品として制作された。それ以来、マルチチャンネル、4DSOUND、ステレオのインスタレーションに転用され、また世界中で何度もライブ演奏されている。作品時間は36分15秒。レコード・プレスのため、2つのパートに分かれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrand Riverの名で知られる作曲家エーメ・ポルティオリは、さまざまな種類の風を録音し、レイヤーやピッチの調整によって、風そのものが用意された楽器となるような音楽作品を作り上げた。ある時は風の音が440Hzを基準にチューニングされ、またある時は楽器が風の音にチューニングされる。Tuning the Windでは、自然と音楽がシームレスに融合する。シンセサイザーと管楽器の録音は区別がつかなくなり、自然の音と人間が作った楽器が融合する。一陣の風と楽器から生み出された音との境界は消え去る。人間の芸術性と自然のシンフォニーがひとつになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e風は動いている空気である。風は物体にぶつかるまで音を発しない。風が出す音は、風の強さと、風が触れる物体の形や材質によって変わる。風が吹くと、木が揺れ、建物が揺れ、物質が動き、音波が発生する。気温の変化によって空気の層ができ、その摩擦によって独特の音が生まれるという説もある。風は時に吠え、時に歌い、あるいは口笛を吹き、穏やかなざわめきから怒りに満ちた轟音へと変化する。風の周波数、音色の範囲は広大で変化に富んでいる。本作は、風をテーマにした作品であり、風とともに作られた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2715642078\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tuning the Wind 36:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eUmor Rex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTuning the Wind was created in 2022 as an installation piece. Since then, it has been adapted into multichannel, 4DSOUND, and stereo installations, as well as performed live on numerous occasions around the world. The piece has a duration of 36 minutes and 15 seconds. For the vinyl pressing, it has been divided into two parts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposer Aimée Portioli, known professionally as Grand River, recorded various types of wind and then reworked them through layering and pitch adjustment to create a musical piece where the wind itself becomes a prepared instrument. At times, the sound of the wind is tuned to the 440 Hz reference, while at other times, the instruments are tuned to the sound of the wind. In Tuning the Wind, nature and music merge seamlessly. Synthesizers and wind recordings become indistinguishable, blending natural sounds with human-made instruments. The boundary between a gust of wind and an instrument-generated sound fades away. Human artistry and nature’s symphony merge to become one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWind is air in motion. It makes no sound until it encounters an object. The sounds it produces depend on the strength of the wind and the shape and material of the object it touches. When the wind blows, trees sway, buildings rattle, materials move, and\u003cspan class=\"bcTruncateMore\"\u003e sound waves are generated. Some believe that temperature changes create layers of air, and that the friction between them forms a unique sound—perhaps the true voice of the wind, which birds may be the only creatures capable of recognising. Sometimes the wind howls; at other times, it sings or whistles, shifting from a gentle murmur to an angry roar. The wind’s range of frequencies, tones, and timbres is vast and varied. Tuning the Wind is a piece about the wind, made with the wind—an abstract expression of our ongoing conversation with nature.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Grand River\u003c\/p\u003e\n\u003cp\u003eLabel : Umor Rex\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUR153LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-17T13:53:42+09:00","created_at":"2025-04-17T08:07:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new"],"price":448800,"price_min":448800,"price_max":448800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47260747202810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Grand River \/\/ Tuning the Wind LP","public_title":null,"options":["Default Title"],"price":448800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_98e1f6ac-95b6-46a0-a613-181dd4219dd0.jpg?v=1744844759","\/\/tobirarecords.com\/cdn\/shop\/files\/grand2.jpg?v=1744844759"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_98e1f6ac-95b6-46a0-a613-181dd4219dd0.jpg?v=1744844759","options":["Title"],"media":[{"alt":null,"id":35892820738298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_98e1f6ac-95b6-46a0-a613-181dd4219dd0.jpg?v=1744844759"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_98e1f6ac-95b6-46a0-a613-181dd4219dd0.jpg?v=1744844759","width":700},{"alt":null,"id":35892820771066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand2.jpg?v=1744844759"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand2.jpg?v=1744844759","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのエレクトロニック作家Grand Riverが、2025年3月にUmor Rexからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り風を素材にしたアンビエントスケープ作品です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Tuning the Windは、2022年にインスタレーション作品として制作された。それ以来、マルチチャンネル、4DSOUND、ステレオのインスタレーションに転用され、また世界中で何度もライブ演奏されている。作品時間は36分15秒。レコード・プレスのため、2つのパートに分かれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrand Riverの名で知られる作曲家エーメ・ポルティオリは、さまざまな種類の風を録音し、レイヤーやピッチの調整によって、風そのものが用意された楽器となるような音楽作品を作り上げた。ある時は風の音が440Hzを基準にチューニングされ、またある時は楽器が風の音にチューニングされる。Tuning the Windでは、自然と音楽がシームレスに融合する。シンセサイザーと管楽器の録音は区別がつかなくなり、自然の音と人間が作った楽器が融合する。一陣の風と楽器から生み出された音との境界は消え去る。人間の芸術性と自然のシンフォニーがひとつになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e風は動いている空気である。風は物体にぶつかるまで音を発しない。風が出す音は、風の強さと、風が触れる物体の形や材質によって変わる。風が吹くと、木が揺れ、建物が揺れ、物質が動き、音波が発生する。気温の変化によって空気の層ができ、その摩擦によって独特の音が生まれるという説もある。風は時に吠え、時に歌い、あるいは口笛を吹き、穏やかなざわめきから怒りに満ちた轟音へと変化する。風の周波数、音色の範囲は広大で変化に富んでいる。本作は、風をテーマにした作品であり、風とともに作られた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2715642078\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tuning the Wind 36:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eUmor Rex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTuning the Wind was created in 2022 as an installation piece. Since then, it has been adapted into multichannel, 4DSOUND, and stereo installations, as well as performed live on numerous occasions around the world. The piece has a duration of 36 minutes and 15 seconds. For the vinyl pressing, it has been divided into two parts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposer Aimée Portioli, known professionally as Grand River, recorded various types of wind and then reworked them through layering and pitch adjustment to create a musical piece where the wind itself becomes a prepared instrument. At times, the sound of the wind is tuned to the 440 Hz reference, while at other times, the instruments are tuned to the sound of the wind. In Tuning the Wind, nature and music merge seamlessly. Synthesizers and wind recordings become indistinguishable, blending natural sounds with human-made instruments. The boundary between a gust of wind and an instrument-generated sound fades away. Human artistry and nature’s symphony merge to become one.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWind is air in motion. It makes no sound until it encounters an object. The sounds it produces depend on the strength of the wind and the shape and material of the object it touches. When the wind blows, trees sway, buildings rattle, materials move, and\u003cspan class=\"bcTruncateMore\"\u003e sound waves are generated. Some believe that temperature changes create layers of air, and that the friction between them forms a unique sound—perhaps the true voice of the wind, which birds may be the only creatures capable of recognising. Sometimes the wind howls; at other times, it sings or whistles, shifting from a gentle murmur to an angry roar. The wind’s range of frequencies, tones, and timbres is vast and varied. Tuning the Wind is a piece about the wind, made with the wind—an abstract expression of our ongoing conversation with nature.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Grand River\u003c\/p\u003e\n\u003cp\u003eLabel : Umor Rex\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUR153LP\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンのエレクトロニック作家Grand Riverが、2025年3月にUmor Rexからリリースしたレコードです。 題の通り風を素材にしたアンビエントスケープ作品です。 以下、レーベルによる解説です。 "Tuning the Windは、2022年にインスタレーション作品として制作された。それ以来、マルチチャンネル、4DSOUND、ステレオのインスタレーションに転用され、また世界中で何度もライブ演奏されている。作品時間は36分15秒。レコード・プレスのため、2つのパートに分かれている。 Grand Riverの名で知られる作曲家エーメ・ポルティオリは、さまざまな種類の風を録音し、レイヤーやピッチの調整によって、風そのものが用意された楽器となるような音楽作品を作り上げた。ある時は風の音が440Hzを基準にチューニングされ、またある時は楽器が風の音にチューニングされる。Tuning the Windでは、自然と音楽がシームレスに融合する。シンセサイザーと管楽器の録音は区別がつかなくなり、自然の音と人間が作った楽器が融合する。一陣の風と楽器から生み出された音との境界は消え去る。人間の芸術性と自然のシンフォニーがひとつになる。 風は動いている空気である。風は物体にぶつかるまで音を発しない。風が出す音は、風の強さと、風が触れる物体の形や材質によって変わる。風が吹くと、木が揺れ、建物が揺れ、物質が動き、音波が発生する。気温の変化によって空気の層ができ、その摩擦によって独特の音が生まれるという説もある。風は時に吠え、時に歌い、あるいは口笛を吹き、穏やかなざわめきから怒りに満ちた轟音へと変化する。風の周波数、音色の範囲は広大で変化に富んでいる。本作は、風をテーマにした作品であり、風とともに作られた作品である。 "...
¥4,488
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{"id":8766444273914,"title":"Kirk Barley \/\/ Lux LP","handle":"kirk-barley-lux-lp","description":"\u003cp\u003eイギリス・ヨークシャーのマルチ奏者Kirk Barleyが、2025年4月に同国アンビエントレーベルOdda \u003cspan\u003eRecordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアナログとデジタルが良い塩梅で交わるポストニューエイジ・アンビエントフォーク〜4thワールドジャズ〜ストレンジビーツ7曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=220040568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=795423543\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=220040568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cache 05:29\u003cbr\u003e2. Vita 05:45\u003cbr\u003e3. Verre 04:28\u003cbr\u003e4. Descendent 04:58\u003cbr\u003e5. Sprite 04:14\u003cbr\u003e6. Balanced 05:19\u003cbr\u003e7. Lux 05:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOdda Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAnother foggy day in Yorkshire. A steel grey sky. Raindrops tracing one another down the windowpane. Kirk Barley sits in his studio and assembles compositions from scraps of found sound and live instrumentation. Melodies swell, withdraw and repeat like waves. Time slows. Accelerates. Slows again. The light bends, tweaked at the edges. Twisted by rhythms that never quite resolve.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten, recorded and produced by Barley in Yorkshire in early 2024, Lux picks up where 2023 LP Marionette leaves off, conjuring a mystical, reflective space between formal minimalism and sonic imaginaries of northern landscapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd yet, where Marionette relied at times on more recognisable field recordings, Lux leans into Barley’s skill as an instrumentalist and sound designer, working from a palette of short samples and utilising a variety of alternate tuning systems to build, layer and coax his compositions into being. Most evident on tracks ‘Vita’, ‘Sprite’ and ‘Descendent’, these tunings create an otherworldly harmonic language that is easier to perceive than describe.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kirk Barley\u003c\/p\u003e\n\u003cp\u003eLabel : Odda Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eODA05M\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-17T12:03:48+09:00","created_at":"2025-04-17T07:56:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","odda","post newage","recommended","strange beats"],"price":449400,"price_min":449400,"price_max":449400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47260740813050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kirk Barley \/\/ Lux LP","public_title":null,"options":["Default Title"],"price":449400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843190090617","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lux1.jpg?v=1744844112","\/\/tobirarecords.com\/cdn\/shop\/files\/lux2.jpg?v=1744844111"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lux1.jpg?v=1744844112","options":["Title"],"media":[{"alt":null,"id":35892809662714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lux1.jpg?v=1744844112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lux1.jpg?v=1744844112","width":700},{"alt":null,"id":35892809695482,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lux2.jpg?v=1744844111"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lux2.jpg?v=1744844111","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ヨークシャーのマルチ奏者Kirk Barleyが、2025年4月に同国アンビエントレーベルOdda \u003cspan\u003eRecordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアナログとデジタルが良い塩梅で交わるポストニューエイジ・アンビエントフォーク〜4thワールドジャズ〜ストレンジビーツ7曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=220040568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=795423543\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=220040568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cache 05:29\u003cbr\u003e2. Vita 05:45\u003cbr\u003e3. Verre 04:28\u003cbr\u003e4. Descendent 04:58\u003cbr\u003e5. Sprite 04:14\u003cbr\u003e6. Balanced 05:19\u003cbr\u003e7. Lux 05:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOdda Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAnother foggy day in Yorkshire. A steel grey sky. Raindrops tracing one another down the windowpane. Kirk Barley sits in his studio and assembles compositions from scraps of found sound and live instrumentation. Melodies swell, withdraw and repeat like waves. Time slows. Accelerates. Slows again. The light bends, tweaked at the edges. Twisted by rhythms that never quite resolve.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten, recorded and produced by Barley in Yorkshire in early 2024, Lux picks up where 2023 LP Marionette leaves off, conjuring a mystical, reflective space between formal minimalism and sonic imaginaries of northern landscapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd yet, where Marionette relied at times on more recognisable field recordings, Lux leans into Barley’s skill as an instrumentalist and sound designer, working from a palette of short samples and utilising a variety of alternate tuning systems to build, layer and coax his compositions into being. Most evident on tracks ‘Vita’, ‘Sprite’ and ‘Descendent’, these tunings create an otherworldly harmonic language that is easier to perceive than describe.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kirk Barley\u003c\/p\u003e\n\u003cp\u003eLabel : Odda Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eODA05M\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ヨークシャーのマルチ奏者Kirk Barleyが、2025年4月に同国アンビエントレーベルOdda Recordsから300部限定でリリースしたレコードです。 アナログとデジタルが良い塩梅で交わるポストニューエイジ・アンビエントフォーク〜4thワールドジャズ〜ストレンジビーツ7曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ----------------------------------------------- 12" black vinyl. Edition of 300. Tracklist: 1. Cache...
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![Olga Anna Markowska // ISKRA LP [COLOR]](http://tobirarecords.com/cdn/shop/files/olga1_medium.jpg?v=1744843856)
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{"id":8766444077306,"title":"Olga Anna Markowska \/\/ ISKRA LP [COLOR]","handle":"olga-anna-markowska-iskra-lp-color","description":"\u003cp\u003eポーランドのネオクラシカル作家Olga Anna Markowskaが、2025年1月にドイツのMiasmah Recordingsから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eメランコリックなネオクラシカル・アンビエント10曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2455360826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=90350240\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2455360826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" red vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dawn 03:04\u003cbr\u003e2. Blue spring 05:16\u003cbr\u003e3. Train ride home 07:16\u003cbr\u003e4. Borderland 03:46\u003cbr\u003e5. Unfolding 03:54\u003cbr\u003e6. Fever dream 05:25\u003cbr\u003e7. A heart is an eye 04:53\u003cbr\u003e8. Helix 03:46\u003cbr\u003e9. Mizpah 01:28\u003cbr\u003e10. Dusk 03:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMiasmah Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eISKRA is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was \u0026amp; what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek and William Basinski, or the films of Kieslowski. However, there’s a personal touch in her playing and compositions that stands out. Olga explains: “the cello pieces, in particular, were born from a desire to reconnect with the instrument I’ve known intimately since childhood. However, I had to step away from it for two years to gain perspective and find a fresh approach when I returned.” She continues : “ISKRA is an album about \"ignition\" — a gradual shift in how I think about music and a search for new values. It also marks the closing of a chapter, blending archival recordings with the dawn of new ideas.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album feels deeply personal from the first note, and bridges the difficult point between classical and ambient music in a truly natural way, leaving any typical tropes far off, instead\u003cspan class=\"bcTruncateMore\"\u003e demanding your full attention. Olga uses plenty of loops throughout, which together with the cello and zither builds a transcendent atmosphere. Standouts contain amongst others the stunning “Train Ride Home” - a 7 minute piece with zither as main focal point; “Fever Dream” - a plunge into warm static noise and deep plucks, as well as the beautiful “Helix”, which sounds like a washed out dream with its minimal tape loops and ambient vocal washes. Overall the album connects very well with Olga’s subjects of identity, memory of the places and human relations with nature. There is a deep humanity burrowed within these 40 minutes of music which feels immensely appropriate in these contemporary times.\u003cbr\u003e\u003cbr\u003eISKRA was recorded in different times and places from 2017 to 2022 and lands with perfection on Miasmah - connecting the dots from the early years while reaching into the stars.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Olga Anna Markowska\u003c\/p\u003e\n\u003cp\u003eLabel : Miasmah Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003emialp060\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-18T14:44:33+09:00","created_at":"2025-04-17T07:52:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new"],"price":472900,"price_min":472900,"price_max":472900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47260740059386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Olga Anna Markowska \/\/ ISKRA LP [COLOR]","public_title":null,"options":["Default Title"],"price":472900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0880918267548","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/olga1.jpg?v=1744843856","\/\/tobirarecords.com\/cdn\/shop\/files\/olga2.jpg?v=1744843856"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/olga1.jpg?v=1744843856","options":["Title"],"media":[{"alt":null,"id":35892808745210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/olga1.jpg?v=1744843856"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/olga1.jpg?v=1744843856","width":700},{"alt":null,"id":35892808777978,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/olga2.jpg?v=1744843856"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/olga2.jpg?v=1744843856","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのネオクラシカル作家Olga Anna Markowskaが、2025年1月にドイツのMiasmah Recordingsから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eメランコリックなネオクラシカル・アンビエント10曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2455360826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=90350240\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2455360826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" red vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dawn 03:04\u003cbr\u003e2. Blue spring 05:16\u003cbr\u003e3. Train ride home 07:16\u003cbr\u003e4. Borderland 03:46\u003cbr\u003e5. Unfolding 03:54\u003cbr\u003e6. Fever dream 05:25\u003cbr\u003e7. A heart is an eye 04:53\u003cbr\u003e8. Helix 03:46\u003cbr\u003e9. Mizpah 01:28\u003cbr\u003e10. Dusk 03:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eMiasmah Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eISKRA is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was \u0026amp; what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek and William Basinski, or the films of Kieslowski. However, there’s a personal touch in her playing and compositions that stands out. Olga explains: “the cello pieces, in particular, were born from a desire to reconnect with the instrument I’ve known intimately since childhood. However, I had to step away from it for two years to gain perspective and find a fresh approach when I returned.” She continues : “ISKRA is an album about \"ignition\" — a gradual shift in how I think about music and a search for new values. It also marks the closing of a chapter, blending archival recordings with the dawn of new ideas.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album feels deeply personal from the first note, and bridges the difficult point between classical and ambient music in a truly natural way, leaving any typical tropes far off, instead\u003cspan class=\"bcTruncateMore\"\u003e demanding your full attention. Olga uses plenty of loops throughout, which together with the cello and zither builds a transcendent atmosphere. Standouts contain amongst others the stunning “Train Ride Home” - a 7 minute piece with zither as main focal point; “Fever Dream” - a plunge into warm static noise and deep plucks, as well as the beautiful “Helix”, which sounds like a washed out dream with its minimal tape loops and ambient vocal washes. Overall the album connects very well with Olga’s subjects of identity, memory of the places and human relations with nature. 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{"id":8766443782394,"title":"Aaron Landsman \/ Norman Westberg \/\/ Night Keeper LP","handle":"aaron-landsman-norman-westberg-night-keeper-12inch","description":"\u003cp\u003eアメリカ・NYの実験音楽家Aaron Landsmanと、Swansのギタリストとして活動していたNorman Westbergが、2025年4月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドローン〜サウンドポエトリー2曲を収録。16ページのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=765378866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Hallow Ground releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes a 16-page booklet with an essay by the author and drawings and DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Keeper I 20:36\u003cbr\u003e2. Night Keeper II 22:55\u003cbr\u003e3. Night Keeper I (edit) 02:28\u003cbr\u003e4. Night Keeper II (edit) 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eHallow Ground:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e»Night Keeper« is a collaborative album by New York City-based artist Aaron Landsman and former Swans guitarist Norman Westberg that is based on the former's eponymous play. Westberg recorded it together with performer Jehan O. Young for the Swiss Hallow Ground label, with Landsman serving as the record’s producer. The original piece was first performed in the Spring of 2023 at The Chocolate Factory Theater in Queens and filled the stark industrial space with spoken text, choreography, projections, and music in dim light and, occasionally, complete darkness. 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As he explains in the liner notes—accompanying the music along with drawings made by audience members during the performances—he started listening to the particular way in which the voice in his head navigates time and language. Accordingly, the texts that Young reads on the record form a diverse collection of specific moments, imagining different speakers and evoking different situations. Westberg complements, accentuates, and juxtaposes these with different means. Ominous drones, soaring melodies, rhythmic bass sounds: the guitarist, whose latest release for Hallow Ground was 2021’s »First Man In The Moon« with Polish double bassist Jacek Mazurkiewicz, conjures up distinct sound worlds in which Young can let Landsman’s scenes unfold to gripping effect.\u003cbr\u003e\u003cbr\u003eLandsman makes it clear that »Night Keeper« was intended as an invitation to »stay up, look out the window, let what’s happening outside spark reveries or predictions« or even take it on a stroll through the neighbourhood—at night, of course. Much like the original piece, this album is then one dedicated to wandering around, both mentally and physically.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Landsman \/ Norman Westberg\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Hallow Ground\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHG2407\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-19T07:52:02+09:00","created_at":"2025-04-17T07:47:53+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","hallow ground","lp","new"],"price":463300,"price_min":463300,"price_max":463300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47260738912506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aaron Landsman \/ Norman Westberg \/\/ Night Keeper LP","public_title":null,"options":["Default Title"],"price":463300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"602343041841","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592","\/\/tobirarecords.com\/cdn\/shop\/files\/night2_c63b5368-7da2-4de6-9e7b-1aad557bdb64.jpg?v=1744843592"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592","options":["Title"],"media":[{"alt":null,"id":35892806615290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night1_9b76bb1e-8c27-4b8e-b414-f13c3973de7a.jpg?v=1744843592","width":700},{"alt":null,"id":35892806648058,"position":2,"preview_image":{"aspect_ratio":0.779,"height":1200,"width":935,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night2_c63b5368-7da2-4de6-9e7b-1aad557bdb64.jpg?v=1744843592"},"aspect_ratio":0.779,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/night2_c63b5368-7da2-4de6-9e7b-1aad557bdb64.jpg?v=1744843592","width":935}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの実験音楽家Aaron Landsmanと、Swansのギタリストとして活動していたNorman Westbergが、2025年4月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドローン〜サウンドポエトリー2曲を収録。16ページのブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=765378866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hagr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Hallow Ground releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes a 16-page booklet with an essay by the author and drawings and DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Keeper I 20:36\u003cbr\u003e2. Night Keeper II 22:55\u003cbr\u003e3. Night Keeper I (edit) 02:28\u003cbr\u003e4. Night Keeper II (edit) 03:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eHallow Ground:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e»Night Keeper« is a collaborative album by New York City-based artist Aaron Landsman and former Swans guitarist Norman Westberg that is based on the former's eponymous play. Westberg recorded it together with performer Jehan O. Young for the Swiss Hallow Ground label, with Landsman serving as the record’s producer. The original piece was first performed in the Spring of 2023 at The Chocolate Factory Theater in Queens and filled the stark industrial space with spoken text, choreography, projections, and music in dim light and, occasionally, complete darkness. Westberg and Young afterwards brought it to the studio to record it as a two-part album in whose course his textural sounds, based on loops and samples, set the stage for her soothing, sonorous vocal performance. »Night Keeper« is a performance inspired by sleeplessness and the wanderings of the human mind at night—about time and memory. Westberg and Young elegantly capture its essence in these roughly 44 minutes with a somnambulic album, letting sound and meaning flow into each other.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe initial spark for »Night Keeper« was a run of almost sleepless nights in different neighbourhoods of a city that is perpetually insomniac. Instead of trying to force himself to go back to sleep by any means necessary, Landsman started writing\u003cspan class=\"bcTruncateMore\"\u003e down his thoughts. As he explains in the liner notes—accompanying the music along with drawings made by audience members during the performances—he started listening to the particular way in which the voice in his head navigates time and language. Accordingly, the texts that Young reads on the record form a diverse collection of specific moments, imagining different speakers and evoking different situations. Westberg complements, accentuates, and juxtaposes these with different means. Ominous drones, soaring melodies, rhythmic bass sounds: the guitarist, whose latest release for Hallow Ground was 2021’s »First Man In The Moon« with Polish double bassist Jacek Mazurkiewicz, conjures up distinct sound worlds in which Young can let Landsman’s scenes unfold to gripping effect.\u003cbr\u003e\u003cbr\u003eLandsman makes it clear that »Night Keeper« was intended as an invitation to »stay up, look out the window, let what’s happening outside spark reveries or predictions« or even take it on a stroll through the neighbourhood—at night, of course. Much like the original piece, this album is then one dedicated to wandering around, both mentally and physically.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Landsman \/ Norman Westberg\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Hallow Ground\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHG2407\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYの実験音楽家Aaron Landsmanと、Swansのギタリストとして活動していたNorman Westbergが、2025年4月にスイスのドローンレーベルHallow Groundからリリースした共作レコードです。 ドローン〜サウンドポエトリー2曲を収録。16ページのブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Hallow Ground releases available at...
¥4,633