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{"id":9061552652538,"title":"Piam \/\/ The Longest Day TAPE","handle":"piam-the-longest-day-tape","description":"\u003cp\u003eロシアのエレクトロニックデュオPiamが、2025年3月に同国サンクトペテルブルグのアンビエントレーベル\u003cspan\u003e\u003cspan data-sheets-root=\"1\"\u003eKartaskvazhin\u003c\/span\u003e\u003c\/span\u003eから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eオーバーダブ無しのポストニューエイジ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=290039534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krtskvzn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krtskvzn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eКартаскважин (\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-sheets-root=\"1\"\u003eKartaskvazhin)\u003c\/span\u003e\u003c\/span\u003e releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in numbered cardstock slipcase.\u003cbr\u003eEdition of 99. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cats, Ribbons And Chrysanthemums 06:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Garment Of Love 06:56\u003cbr\u003e\u003c\/span\u003e3. Forgotten Water 03:30\u003cbr\u003e4. Old Grass Becomes Fireflies 07:09\u003cbr\u003e5. Red Sunset Sky 07:10\u003cbr\u003e6. Plum Fruit Starts To Turn Yellow 03:17\u003cbr\u003e7. Twilight, Haze Over Volcanoes And Cooling Engines 05:33\u003cbr\u003e8. Air Vibrates With Warmth 04:14\u003cbr\u003e9. The Misty Moon 06:00\u003cbr\u003e10. Wind Blows The Seashells Ashore 13:00\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eKartaskvazhin:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 33rd release from the Kartaskvazhin label introduces a new album by Piam, the duo of Vlad Dobrovolski and Ilya Sadovsky, masters of organic electronic music from Moscow and Kaluga. Both have long been releasing successful solo records, collaborating on various projects, and performing as part of the quartet Kurvenschreiber.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the third album in Piam’s discography, following their self-titled debut (2002) and Happy New Vectors (2016). Each previous release featured an additional musician: Georgy Bagdasarov on the debut and Valentin Kulagin (DJ Afrosoundsystem) on the second album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Longest Day takes its name from the longest day in The Iliad. Though recorded as a duo, Vlad and Ilya introduce a third, hidden voice through the use of field recordings captured between 2022 and 2024 in India, Sri Lanka, Southeast Asia, and Bali. The hum of engines, the drone of nighttime cities, and the bellowing of a massive ox blend with both technological and natural sounds. Echoes, reverberations, and waves from Vlad and Ilya’s synthesizers do more than complement the collected material. They merge into a single sonic canvas, filled with life from different sides of memory\u003cspan class=\"bcTruncateMore\"\u003e, especially intriguing on deeper listening.\u003cbr\u003e\u003cbr\u003eAll tracks on The Longest Day were recorded live in a single take, without overdubs, edits, or post-processing. On a summer day in 2024, Ilya and Vlad met, brewed tea, played back the recordings from their travels, and began to play, responding in real time to shifts in the sonic palette. As Vlad Dobrovolski explains:\u003cbr\u003e\u003cbr\u003e\"We left the recordings as they are, uncut. In some places, loud sounds captured up close literally burst to the forefront. Of course, we could have smoothed them out with editing or compression, but we chose not to. Maybe that’s why the recordings feel so alive. Everything happens right next to the listener. We weren’t aiming for any particular effect. We were simply listening and playing.\"\u003cbr\u003e\u003cbr\u003eThe album truly breathes. It feels alive and organic. The music of The Longest Day is like the sky gazing down at the earth. The field recordings carry an airy openness, while the yearning, shimmering synth tones respond in kind. At times, the music takes on extra dimensions, morphing into a phantasmagoric sonic animation (\"Old Grass Becomes Fireflies”). In others, it echoes the classic New Age sound of the ’80s (\"Plum Fruit Starts to Turn Yellow”), or dissolves into an all-consuming drone (\"The Misty Moon”). Yet throughout, it remains natural, tender, meditative, and deliberate, crafted with love. The longest day, short conversations.\u003cbr\u003e\u003cbr\u003eAlong with The Longest Day, Piam's first two albums have also made their way to streaming services: the roaring, slightly jazzy Piam from 2002, and the dramatic, triumphant-sounding Happy New Vectors from 2016.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Piam\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eКартаскважин\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : karsk_33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st March 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-21T04:08:02+09:00","created_at":"2026-01-20T09:47:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Kartaskvazhin","new","post newage","tape"],"price":299500,"price_min":299500,"price_max":299500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48236504547578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Piam \/\/ The Longest Day TAPE","public_title":null,"options":["Default Title"],"price":299500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/piam1.jpg?v=1768869865","\/\/tobirarecords.com\/cdn\/shop\/files\/piam2.jpg?v=1768869865"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/piam1.jpg?v=1768869865","options":["Title"],"media":[{"alt":null,"id":38123954962682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/piam1.jpg?v=1768869865"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/piam1.jpg?v=1768869865","width":700},{"alt":null,"id":38123954995450,"position":2,"preview_image":{"aspect_ratio":1.55,"height":774,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/piam2.jpg?v=1768869865"},"aspect_ratio":1.55,"height":774,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/piam2.jpg?v=1768869865","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシアのエレクトロニックデュオPiamが、2025年3月に同国サンクトペテルブルグのアンビエントレーベル\u003cspan\u003e\u003cspan data-sheets-root=\"1\"\u003eKartaskvazhin\u003c\/span\u003e\u003c\/span\u003eから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eオーバーダブ無しのポストニューエイジ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=290039534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krtskvzn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krtskvzn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eКартаскважин (\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-sheets-root=\"1\"\u003eKartaskvazhin)\u003c\/span\u003e\u003c\/span\u003e releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in numbered cardstock slipcase.\u003cbr\u003eEdition of 99. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Cats, Ribbons And Chrysanthemums 06:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Garment Of Love 06:56\u003cbr\u003e\u003c\/span\u003e3. Forgotten Water 03:30\u003cbr\u003e4. Old Grass Becomes Fireflies 07:09\u003cbr\u003e5. Red Sunset Sky 07:10\u003cbr\u003e6. Plum Fruit Starts To Turn Yellow 03:17\u003cbr\u003e7. Twilight, Haze Over Volcanoes And Cooling Engines 05:33\u003cbr\u003e8. Air Vibrates With Warmth 04:14\u003cbr\u003e9. The Misty Moon 06:00\u003cbr\u003e10. Wind Blows The Seashells Ashore 13:00\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eKartaskvazhin:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 33rd release from the Kartaskvazhin label introduces a new album by Piam, the duo of Vlad Dobrovolski and Ilya Sadovsky, masters of organic electronic music from Moscow and Kaluga. Both have long been releasing successful solo records, collaborating on various projects, and performing as part of the quartet Kurvenschreiber.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the third album in Piam’s discography, following their self-titled debut (2002) and Happy New Vectors (2016). Each previous release featured an additional musician: Georgy Bagdasarov on the debut and Valentin Kulagin (DJ Afrosoundsystem) on the second album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Longest Day takes its name from the longest day in The Iliad. Though recorded as a duo, Vlad and Ilya introduce a third, hidden voice through the use of field recordings captured between 2022 and 2024 in India, Sri Lanka, Southeast Asia, and Bali. The hum of engines, the drone of nighttime cities, and the bellowing of a massive ox blend with both technological and natural sounds. Echoes, reverberations, and waves from Vlad and Ilya’s synthesizers do more than complement the collected material. They merge into a single sonic canvas, filled with life from different sides of memory\u003cspan class=\"bcTruncateMore\"\u003e, especially intriguing on deeper listening.\u003cbr\u003e\u003cbr\u003eAll tracks on The Longest Day were recorded live in a single take, without overdubs, edits, or post-processing. On a summer day in 2024, Ilya and Vlad met, brewed tea, played back the recordings from their travels, and began to play, responding in real time to shifts in the sonic palette. As Vlad Dobrovolski explains:\u003cbr\u003e\u003cbr\u003e\"We left the recordings as they are, uncut. In some places, loud sounds captured up close literally burst to the forefront. Of course, we could have smoothed them out with editing or compression, but we chose not to. Maybe that’s why the recordings feel so alive. Everything happens right next to the listener. We weren’t aiming for any particular effect. We were simply listening and playing.\"\u003cbr\u003e\u003cbr\u003eThe album truly breathes. It feels alive and organic. The music of The Longest Day is like the sky gazing down at the earth. The field recordings carry an airy openness, while the yearning, shimmering synth tones respond in kind. At times, the music takes on extra dimensions, morphing into a phantasmagoric sonic animation (\"Old Grass Becomes Fireflies”). In others, it echoes the classic New Age sound of the ’80s (\"Plum Fruit Starts to Turn Yellow”), or dissolves into an all-consuming drone (\"The Misty Moon”). Yet throughout, it remains natural, tender, meditative, and deliberate, crafted with love. The longest day, short conversations.\u003cbr\u003e\u003cbr\u003eAlong with The Longest Day, Piam's first two albums have also made their way to streaming services: the roaring, slightly jazzy Piam from 2002, and the dramatic, triumphant-sounding Happy New Vectors from 2016.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Piam\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eКартаскважин\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : karsk_33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st March 2025\u003c\/span\u003e\u003c\/p\u003e"}
