Mount Eerie with Julie Doiron // Lost Wisdom pt. 2 LP
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Mount Eerie with Julie Doiron // Lost Wisdom pt. 2 LP
¥4,283
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アメリカ・ワシントンのインディー作家Mount Eerieが、2019年にリリースしたレコードです。
彼特有のポエティックなインディーフォーク8曲を収録。
アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at Tobira.
----------------------------------------------
12" black vinyl.
Tracklist:
1. Belief 07:23
2. When I Walk Out Of The Museum 02:52
3. Enduring The Waves 02:50
4. Love Without Possession 04:32
5. Real Lost Wisdom 04:08
6. Widows 03:02
7. Pink Light 01:57
8. Belief pt. 2 04:42
From the artist:
"Eight songs written in early 2019 about devotion and release. Julie graciously came back to the northwest and recorded this kind-of-sequel to the Lost Wisdom from 11 years ago. This one goes deeper. We recorded with the doors wide open and between breaths you can hear birds, jackhammering in the distance, and on some songs night air."
Artist : Mount Eerie with Julie Doiron
Label : P.W. Elverum & Sun
cat no : ELV045
アメリカ・ワシントンのインディー作家Mount Eerieが、2019年にリリースしたレコードです。
彼特有のポエティックなインディーフォーク8曲を収録。
アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at Tobira.
----------------------------------------------
12" black vinyl.
Tracklist:
1. Belief 07:23
2. When I Walk Out Of The Museum 02:52
3. Enduring The Waves 02:50
4. Love Without Possession 04:32
5. Real Lost Wisdom 04:08
6. Widows 03:02
7. Pink Light 01:57
8. Belief pt. 2 04:42
From the artist:
"Eight songs written in early 2019 about devotion and release. Julie graciously came back to the northwest and recorded this kind-of-sequel to the Lost Wisdom from 11 years ago. This one goes deeper. We recorded with the doors wide open and between breaths you can hear birds, jackhammering in the distance, and on some songs night air."
Artist : Mount Eerie with Julie Doiron
Label : P.W. Elverum & Sun
cat no : ELV045
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{"id":8789886075130,"title":"Mount Eerie \/\/ (after): singing and guitar at Jacobikerk, Utrecht, Netherlands, Nov. 10th, 2017 at Le Guess Who? festival 2x12inch","handle":"mount-eerie-after-singing-and-guitar-at-jacobikerk-utrecht-netherlands-nov-10th-2017-at-le-guess-who-festival-2x12inch","description":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2018年に自主リリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音12曲を収録。 DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3545163354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003ehere\u003c\/a\u003e to see more Mount Eerie releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Real Death (live) 02:50\u003cbr\u003e2. Seaweed (live) 03:18\u003cbr\u003e3. Ravens (live) 07:02\u003cbr\u003e4. When I Take Out The Garbage At Night (live) 02:21\u003cbr\u003e5. Emptiness pt. 2 (live) 02:40\u003cbr\u003e6. Soria Moria (live) 06:19\u003cbr\u003e7. Crow (live) 02:19\u003cbr\u003e8. Distortion (live) 11:11\u003cbr\u003e9. Now Only (live) 05:57\u003cbr\u003e10. Crow pt. 2 (live) 07:09\u003cbr\u003e11. remarks 00:36\u003cbr\u003e12. Tintin In Tibet (live) 06:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhile making the songs that would be released as \"A Crow Looked At Me\", I wasn't thinking at all about sharing them with other people, family or strangers. Nobody. I was only thinking of squeezing the constant flow of words that was crashing around in my head into a familiar form, a song, since that was my habitual method of processing that had accidentally developed since adolescence. I made my inner monologue into songs for no other reason than to release it from my skull. At some point during the writing I recognized a feeling in the vicinity of \"pride\" about the work. It was a strange realization. These songs, and my the facts of my life that the songs were made from, seemed like nothing to be proud of. They seemed like something purely brutal and new and apart from my usual conception of creative work, and the notion of having excitement stemming from these new songs was accompanied by so many apprehensions and uncertainties. What does it mean to write things like this down? What would it mean to record it? What would it mean to share it with strangers? Where is the line of propriety? What is anyone supposed to do?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt every step I was uncertain if it was OK to be doing what I was doing. My hunch was almost always that it was wrong\u003cspan class=\"bcTruncateMore\"\u003e. Don't write it, don't record it, don't sing it in front of people, don't repeat it. But also I was surprised to discover that my internal response to this hesitation was almost always to double down and go deeper in; to write more nakedly, to go on another tour, etc. In the year that came after releasing \"A Crow Looked At Me\" I toured a lot. The United States, Canada, Europe, Australia, New Zealand, Japan. It wasn't easy. The shows were emotionally difficult and the atmosphere was so delicate and strange, like reenacting a violent act on stage in front of a paying audience every night. On top of that, I had to tour with my daughter (and a nanny) so my mind was stretched between 2 big difficulties. But fortunately, with the help of so many understanding and helpful agents, bookers, organizers, I was lucky to get to perform these songs in very well suited and beautiful rooms, nice theaters and churches, to kind and supportive listeners. The concerts ended up being something beyond strange, macabre, gawk-shows. I don't know what they were exactly. Just strangers gathered in beautiful rooms to pay close attention to one person's difficult details, and to open up together, quietly. They have been the most powerful shows of my life, no question.\u003cbr\u003e\u003cbr\u003eEven so, every time it was clear that the audiences shared the same apprehensions that I had. After the first song, every time, there was a palpable hanging question in the air: \"should we clap?\". It's a good question. What is this? Is it entertainment? What is applause for? What kind of ritual is this? Many close friends have still not listened to the records or come to a concert. What, beyond pain, is embodied here? I don't know exactly what my job is, traveling around and delivering these feelings. The concerts in 2017 and 2018 have been unusual, unexplainable, and great.\u003cbr\u003e\u003cbr\u003eThe best one was at Le Guess Who? festival in Utrecht, Netherlands on November 10th, 2017. Nobody was supposed to be recording these shows but fortunately someone didn't get that message and this beautiful recording of that show has surfaced.\u003cbr\u003e\u003cbr\u003eSo now I'm plunged back into the apprehensions, now pushed into new territory. What would it mean to release a live album of these songs that maybe shouldn't have been written in the first place, let alone recorded or performed? Is it OK? Does it bring anything new to the songs to hear them in this way? My hope is: yes. You can hear the breath in the room. You can feel the simultaneous intimacy and immensity. Foregrounded by the hyper-bare instrumentation (minimal acoustic guitar), the words burn brighter even than on the albums, more legible. This is a recording of these ultra-intimate songs living in the real world among people, and of peoples' wide eyed accepting silence, and clapping.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : P.W. Elverum \u0026amp; Sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELV044\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-22T09:11:46+09:00","created_at":"2025-05-21T10:41:23+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","P.W. Elverum \u0026 Sun"],"price":496800,"price_min":496800,"price_max":496800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47330690957562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mount Eerie \/\/ (after): singing and guitar at Jacobikerk, Utrecht, Netherlands, Nov. 10th, 2017 at Le Guess Who? festival 2x12inch","public_title":null,"options":["Default Title"],"price":496800,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/after1.jpg?v=1747791556","\/\/tobirarecords.com\/cdn\/shop\/files\/after2.jpg?v=1747791555"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/after1.jpg?v=1747791556","options":["Title"],"media":[{"alt":null,"id":36063117836538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/after1.jpg?v=1747791556"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/after1.jpg?v=1747791556","width":700},{"alt":null,"id":36063117869306,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/after2.jpg?v=1747791555"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/after2.jpg?v=1747791555","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2018年に自主リリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音12曲を収録。 DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3545163354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003ehere\u003c\/a\u003e to see more Mount Eerie releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Real Death (live) 02:50\u003cbr\u003e2. Seaweed (live) 03:18\u003cbr\u003e3. Ravens (live) 07:02\u003cbr\u003e4. When I Take Out The Garbage At Night (live) 02:21\u003cbr\u003e5. Emptiness pt. 2 (live) 02:40\u003cbr\u003e6. Soria Moria (live) 06:19\u003cbr\u003e7. Crow (live) 02:19\u003cbr\u003e8. Distortion (live) 11:11\u003cbr\u003e9. Now Only (live) 05:57\u003cbr\u003e10. Crow pt. 2 (live) 07:09\u003cbr\u003e11. remarks 00:36\u003cbr\u003e12. Tintin In Tibet (live) 06:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWhile making the songs that would be released as \"A Crow Looked At Me\", I wasn't thinking at all about sharing them with other people, family or strangers. Nobody. I was only thinking of squeezing the constant flow of words that was crashing around in my head into a familiar form, a song, since that was my habitual method of processing that had accidentally developed since adolescence. I made my inner monologue into songs for no other reason than to release it from my skull. At some point during the writing I recognized a feeling in the vicinity of \"pride\" about the work. It was a strange realization. These songs, and my the facts of my life that the songs were made from, seemed like nothing to be proud of. They seemed like something purely brutal and new and apart from my usual conception of creative work, and the notion of having excitement stemming from these new songs was accompanied by so many apprehensions and uncertainties. What does it mean to write things like this down? What would it mean to record it? What would it mean to share it with strangers? Where is the line of propriety? What is anyone supposed to do?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt every step I was uncertain if it was OK to be doing what I was doing. My hunch was almost always that it was wrong\u003cspan class=\"bcTruncateMore\"\u003e. Don't write it, don't record it, don't sing it in front of people, don't repeat it. But also I was surprised to discover that my internal response to this hesitation was almost always to double down and go deeper in; to write more nakedly, to go on another tour, etc. In the year that came after releasing \"A Crow Looked At Me\" I toured a lot. The United States, Canada, Europe, Australia, New Zealand, Japan. It wasn't easy. The shows were emotionally difficult and the atmosphere was so delicate and strange, like reenacting a violent act on stage in front of a paying audience every night. On top of that, I had to tour with my daughter (and a nanny) so my mind was stretched between 2 big difficulties. But fortunately, with the help of so many understanding and helpful agents, bookers, organizers, I was lucky to get to perform these songs in very well suited and beautiful rooms, nice theaters and churches, to kind and supportive listeners. The concerts ended up being something beyond strange, macabre, gawk-shows. I don't know what they were exactly. Just strangers gathered in beautiful rooms to pay close attention to one person's difficult details, and to open up together, quietly. They have been the most powerful shows of my life, no question.\u003cbr\u003e\u003cbr\u003eEven so, every time it was clear that the audiences shared the same apprehensions that I had. After the first song, every time, there was a palpable hanging question in the air: \"should we clap?\". It's a good question. What is this? Is it entertainment? What is applause for? What kind of ritual is this? Many close friends have still not listened to the records or come to a concert. What, beyond pain, is embodied here? I don't know exactly what my job is, traveling around and delivering these feelings. The concerts in 2017 and 2018 have been unusual, unexplainable, and great.\u003cbr\u003e\u003cbr\u003eThe best one was at Le Guess Who? festival in Utrecht, Netherlands on November 10th, 2017. Nobody was supposed to be recording these shows but fortunately someone didn't get that message and this beautiful recording of that show has surfaced.\u003cbr\u003e\u003cbr\u003eSo now I'm plunged back into the apprehensions, now pushed into new territory. What would it mean to release a live album of these songs that maybe shouldn't have been written in the first place, let alone recorded or performed? Is it OK? Does it bring anything new to the songs to hear them in this way? My hope is: yes. You can hear the breath in the room. You can feel the simultaneous intimacy and immensity. Foregrounded by the hyper-bare instrumentation (minimal acoustic guitar), the words burn brighter even than on the albums, more legible. This is a recording of these ultra-intimate songs living in the real world among people, and of peoples' wide eyed accepting silence, and clapping.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : P.W. Elverum \u0026amp; Sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELV044\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ワシントンのインディー作家Mount Eerieが、2018年に自主リリースした2枚組レコードです。 ライブ録音12曲を収録。 DLコード付属。 アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at...
¥4,968
![Mount Eerie // Clear Moon / Ocean Roar 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/files/moon1_medium.webp?v=1747791243)
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{"id":8789885714682,"title":"Mount Eerie \/\/ Clear Moon \/ Ocean Roar 2xLP [COLOR]","handle":"mount-eerie-clear-moon-ocean-roar-2xlp-color","description":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2011年に自主リリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼特有のポエティックなインディーフォーク19曲を収録。 DLコード付属。ゲートフォルド仕様。白と黒盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3360685427\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1015707482\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003ehere\u003c\/a\u003e to see more Mount Eerie releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 12\" clear vinyl in gatefold sleeve.\u003cbr\u003eDouble LP featuring 2 albums released in 2011. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear Moon:\u003c\/strong\u003e\u003cbr\u003e1. Through The Trees pt. 2 05:50\u003cbr\u003e2. the Place Lives 02:42\u003cbr\u003e3. the Place I Live 05:58\u003cbr\u003e4. (something) 01:31\u003cbr\u003e5. Lone Bell 04:15\u003cbr\u003e6. House Shape 04:03\u003cbr\u003e7. Over Dark Water 03:06\u003cbr\u003e8. (something) 00:30\u003cbr\u003e9. Clear Moon 07:20\u003cbr\u003e10. Yawning Sky 03:28\u003cbr\u003e11. (synthesizer) 02:59\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOcean Roar:\u003c\/strong\u003e\u003cbr\u003e1. Pale Lights 09:58\u003cbr\u003e2. Ocean Roar 02:46\u003cbr\u003e3. Ancient Times 01:10\u003cbr\u003e4. instrumental 05:31\u003cbr\u003e5. Waves 04:56\u003cbr\u003e6. Engel Der Luft (Popol Vuh) 03:14\u003cbr\u003e7. I Walked Home Beholding 04:04\u003cbr\u003e8. instrumental 06:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo records that came out in 2012, packaged here as a pair.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClear Moon is songs about a quiet life in and around a small northwest town, usually buried in fog, and the unexpected moments of clarity that briefly flash through, a resonant lone bell symbol, the glint in the water, the sudden breath.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOcean Roar acts as a counterpoint to the soft synth walls and landscape pondering, presenting the opposite of those clear glints of awareness: a total wall of blue-grey oceanic fog, a half remembered dream of a trip through dense old growth hills to the gnarly winter ocean, in the middle of the night, decades ago. This album is the audio equivalent of the blanket of thick dark water vapor that covers the Pacific Northwest for most of the year, revealing only brief glimpses. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe sound is not lo-fi as it is sometimes called. It’s also not hi-fi. These are just crazy recordings, bigger and deeper than any real-life fjord. It’s 100% analog, and it is a sound that can only come from 15 months of studio solitude, crushing tape, riding waves of fake strings, finding new angles on “intensity”. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOcean Roar is perhaps more experimental than the average album. Calling these things \"songs\" only loosely applies. These are closer to studies in sound, attempts to alter the way the brain experiences its surroundings after being subjected to endless chords, repeating note flurries, stretched drones. It's \"psychedelic\" in same way as seasickness or vertigo. Warmth and distortion, burning driftwood, 9 months of rain.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : P.W. Elverum \u0026amp; Sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELV043\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-22T09:07:12+09:00","created_at":"2025-05-21T10:37:07+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","P.W. Elverum \u0026 Sun"],"price":496800,"price_min":496800,"price_max":496800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47330688303354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mount Eerie \/\/ Clear Moon \/ Ocean Roar 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":496800,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moon1.webp?v=1747791243","\/\/tobirarecords.com\/cdn\/shop\/files\/cleae2.webp?v=1747791243"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon1.webp?v=1747791243","options":["Title"],"media":[{"alt":null,"id":36063114723578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":470,"width":470,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon1.webp?v=1747791243"},"aspect_ratio":1.0,"height":470,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon1.webp?v=1747791243","width":470},{"alt":null,"id":36063114690810,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cleae2.webp?v=1747791243"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cleae2.webp?v=1747791243","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2011年に自主リリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼特有のポエティックなインディーフォーク19曲を収録。 DLコード付属。ゲートフォルド仕様。白と黒盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3360685427\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1015707482\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003ehere\u003c\/a\u003e to see more Mount Eerie releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 12\" clear vinyl in gatefold sleeve.\u003cbr\u003eDouble LP featuring 2 albums released in 2011. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear Moon:\u003c\/strong\u003e\u003cbr\u003e1. Through The Trees pt. 2 05:50\u003cbr\u003e2. the Place Lives 02:42\u003cbr\u003e3. the Place I Live 05:58\u003cbr\u003e4. (something) 01:31\u003cbr\u003e5. Lone Bell 04:15\u003cbr\u003e6. House Shape 04:03\u003cbr\u003e7. Over Dark Water 03:06\u003cbr\u003e8. (something) 00:30\u003cbr\u003e9. Clear Moon 07:20\u003cbr\u003e10. Yawning Sky 03:28\u003cbr\u003e11. (synthesizer) 02:59\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOcean Roar:\u003c\/strong\u003e\u003cbr\u003e1. Pale Lights 09:58\u003cbr\u003e2. Ocean Roar 02:46\u003cbr\u003e3. Ancient Times 01:10\u003cbr\u003e4. instrumental 05:31\u003cbr\u003e5. Waves 04:56\u003cbr\u003e6. Engel Der Luft (Popol Vuh) 03:14\u003cbr\u003e7. I Walked Home Beholding 04:04\u003cbr\u003e8. instrumental 06:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo records that came out in 2012, packaged here as a pair.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClear Moon is songs about a quiet life in and around a small northwest town, usually buried in fog, and the unexpected moments of clarity that briefly flash through, a resonant lone bell symbol, the glint in the water, the sudden breath.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOcean Roar acts as a counterpoint to the soft synth walls and landscape pondering, presenting the opposite of those clear glints of awareness: a total wall of blue-grey oceanic fog, a half remembered dream of a trip through dense old growth hills to the gnarly winter ocean, in the middle of the night, decades ago. This album is the audio equivalent of the blanket of thick dark water vapor that covers the Pacific Northwest for most of the year, revealing only brief glimpses. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe sound is not lo-fi as it is sometimes called. It’s also not hi-fi. These are just crazy recordings, bigger and deeper than any real-life fjord. It’s 100% analog, and it is a sound that can only come from 15 months of studio solitude, crushing tape, riding waves of fake strings, finding new angles on “intensity”. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOcean Roar is perhaps more experimental than the average album. Calling these things \"songs\" only loosely applies. These are closer to studies in sound, attempts to alter the way the brain experiences its surroundings after being subjected to endless chords, repeating note flurries, stretched drones. It's \"psychedelic\" in same way as seasickness or vertigo. Warmth and distortion, burning driftwood, 9 months of rain.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : P.W. Elverum \u0026amp; Sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELV043\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ワシントンのインディー作家Mount Eerieが、2011年に自主リリースした2枚組レコードです。 彼特有のポエティックなインディーフォーク19曲を収録。 DLコード付属。ゲートフォルド仕様。白と黒盤です。 アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at...
¥4,968
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{"id":8789885157626,"title":"Mount Eerie \/\/ Now Only LP","handle":"mount-eerie-now-only-lp","description":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2018年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼特有のポエティックなインディーフォーク6曲を収録。 DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3448073016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003ehere\u003c\/a\u003e to see more Mount Eerie releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tintin In Tibet 04:37\u003cbr\u003e2. Distortion 10:58\u003cbr\u003e3. Now Only 05:54\u003cbr\u003e4. Earth 05:52\u003cbr\u003e5. Two Paintings By Nikolai Astrup 09:22\u003cbr\u003e6. Crow pt. 2 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eP.W. Elverum \u0026amp; Sun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eNow Only, written shortly following the release of A Crow Looked At Me and the first live performances of those songs, is a deeper exploration of that style of candid, undisguised lyrical writing. It portrays Elverum’s continuing immersion in the strange reality of Geneviève’s death, chronicling the evolution of his relationship to her and her memory, and of the effect the artistic exploration of his grief has had on his own life. The scope of Now Only encompasses not only hospitals and deathbeds, but also a music festival, childhood memories of conversations with Elverum’s mother, profound paintings and affecting artworks he encounters, a\u003cspan class=\"bcTruncateMore\"\u003e documentary about Jack Kerouac, and most significantly, memories of his life with Geneviève. These moments and thoughts resonate with each other, creating a more complex and nuanced picture of mourning and healing. The power of these songs comes not from the small, sharp moments of cutting phrases or shocks, but the echoes that weave the songs together, the way a life is woven.\u003cbr\u003e\u003cbr\u003eThe music, fully realized by Elverum alone at home, is fleshed out texturally and seems to react to the words in real time. In a moment of confusion, dissonance abruptly makes itself known; in a moment of clarity, gentle piano arises. On the title track, the blunt declaration of “people get cancer and die” is subverted by a melody that can only be described as pop. As Elverum reinvents his lyrical process, he is also refining his musical vocabulary.\u003cbr\u003e\u003cbr\u003eElverum’s life during the period he wrote Now Only was defined by the duality of existing with the praise and attention garnered by A Crow Looked At Me and the difficult reality of maintaining a house with a small child by himself, as well as working to preserve Geneviève’s artistic legacy. Consumed with the day to day of raising his daughter, Elverum felt his musical self was so distant that it seemed fictional. Stepping into the role of Phil Elverum of Mount Eerie held the promise of positive empathy and praise, but also the difficulty of inhabiting the intense grief that produced the music. These moments, both public and domestic, are chronicled in these songs. They are songs of remembrance, and songs about the idea of remembrance, about living on the cusp of the past and present and reluctantly witnessing a beloved person’s history take shape. Time continues.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : P.W. Elverum \u0026amp; Sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELV041\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-22T09:02:39+09:00","created_at":"2025-05-21T10:31:10+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","P.W. Elverum \u0026 Sun"],"price":428300,"price_min":428300,"price_max":428300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47330684371194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mount Eerie \/\/ Now Only LP","public_title":null,"options":["Default Title"],"price":428300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/now1_2e5c4aba-404a-432f-ac5c-0d2299bd19fc.jpg?v=1747790993","\/\/tobirarecords.com\/cdn\/shop\/files\/now2_3691a02f-9fc2-4aa0-935d-e08efab31218.jpg?v=1747790993"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_2e5c4aba-404a-432f-ac5c-0d2299bd19fc.jpg?v=1747790993","options":["Title"],"media":[{"alt":null,"id":36063100993786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_2e5c4aba-404a-432f-ac5c-0d2299bd19fc.jpg?v=1747790993"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now1_2e5c4aba-404a-432f-ac5c-0d2299bd19fc.jpg?v=1747790993","width":700},{"alt":null,"id":36063101026554,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now2_3691a02f-9fc2-4aa0-935d-e08efab31218.jpg?v=1747790993"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/now2_3691a02f-9fc2-4aa0-935d-e08efab31218.jpg?v=1747790993","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2018年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼特有のポエティックなインディーフォーク6曲を収録。 DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3448073016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pwelsn\"\u003ehere\u003c\/a\u003e to see more Mount Eerie releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tintin In Tibet 04:37\u003cbr\u003e2. Distortion 10:58\u003cbr\u003e3. Now Only 05:54\u003cbr\u003e4. Earth 05:52\u003cbr\u003e5. Two Paintings By Nikolai Astrup 09:22\u003cbr\u003e6. Crow pt. 2 06:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eP.W. Elverum \u0026amp; Sun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eNow Only, written shortly following the release of A Crow Looked At Me and the first live performances of those songs, is a deeper exploration of that style of candid, undisguised lyrical writing. It portrays Elverum’s continuing immersion in the strange reality of Geneviève’s death, chronicling the evolution of his relationship to her and her memory, and of the effect the artistic exploration of his grief has had on his own life. The scope of Now Only encompasses not only hospitals and deathbeds, but also a music festival, childhood memories of conversations with Elverum’s mother, profound paintings and affecting artworks he encounters, a\u003cspan class=\"bcTruncateMore\"\u003e documentary about Jack Kerouac, and most significantly, memories of his life with Geneviève. These moments and thoughts resonate with each other, creating a more complex and nuanced picture of mourning and healing. The power of these songs comes not from the small, sharp moments of cutting phrases or shocks, but the echoes that weave the songs together, the way a life is woven.\u003cbr\u003e\u003cbr\u003eThe music, fully realized by Elverum alone at home, is fleshed out texturally and seems to react to the words in real time. In a moment of confusion, dissonance abruptly makes itself known; in a moment of clarity, gentle piano arises. On the title track, the blunt declaration of “people get cancer and die” is subverted by a melody that can only be described as pop. As Elverum reinvents his lyrical process, he is also refining his musical vocabulary.\u003cbr\u003e\u003cbr\u003eElverum’s life during the period he wrote Now Only was defined by the duality of existing with the praise and attention garnered by A Crow Looked At Me and the difficult reality of maintaining a house with a small child by himself, as well as working to preserve Geneviève’s artistic legacy. Consumed with the day to day of raising his daughter, Elverum felt his musical self was so distant that it seemed fictional. Stepping into the role of Phil Elverum of Mount Eerie held the promise of positive empathy and praise, but also the difficulty of inhabiting the intense grief that produced the music. These moments, both public and domestic, are chronicled in these songs. They are songs of remembrance, and songs about the idea of remembrance, about living on the cusp of the past and present and reluctantly witnessing a beloved person’s history take shape. Time continues.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : P.W. Elverum \u0026amp; Sun\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eELV041\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ワシントンのインディー作家Mount Eerieが、2018年に自主リリースしたレコードです。 彼特有のポエティックなインディーフォーク6曲を収録。 DLコード付属。 アーティストその他作品はこちら /// Click here to see more Mount Eerie releases available at...
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