fib // Heavy Lifting CD
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fib // Heavy Lifting CD
¥2,130
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アメリカ・ペンシルベニアのインディーバンドfibが、2025年4月にペンシルベニアのインディーレーベルJulia's Warからリリースしたアルバムです。
インディーロック9曲を収録。
レーベルその他作品はこちら /// Click here to see more Julia's War releases available at Tobira.
-------------------------------------------
CD in jewel case.
Tracklist:
1. Mutuals
2. Say
3. Dotted Lines
4. You Ruined Everything
5. Right Out The Window
6. PS
7. Pictures
8. Real Heat
9. Outro
Artist : fib
Label : Julia's War
cat no : JWR079cass
アメリカ・ペンシルベニアのインディーバンドfibが、2025年4月にペンシルベニアのインディーレーベルJulia's Warからリリースしたアルバムです。
インディーロック9曲を収録。
レーベルその他作品はこちら /// Click here to see more Julia's War releases available at Tobira.
-------------------------------------------
CD in jewel case.
Tracklist:
1. Mutuals
2. Say
3. Dotted Lines
4. You Ruined Everything
5. Right Out The Window
6. PS
7. Pictures
8. Real Heat
9. Outro
Artist : fib
Label : Julia's War
cat no : JWR079cass
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{"id":8771950805242,"title":"Eliana Glass \/\/ E CD","handle":"eliana-glass-e-cd","description":"\u003cp\u003eオーストラリア出身アメリカ在住のピアニスト／シンガーソングライターが、2025年4月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ポップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140368094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All My Life\u003cbr\u003e2. Shrine 03:51\u003cbr\u003e3. Good Friends Call Me E 03:55\u003cbr\u003e4. Flood\u003cbr\u003e5. Human Dust\u003cbr\u003e6. Solid Stone\u003cbr\u003e7. Dreams\u003cbr\u003e8. Sing Me Softly Of The Blues\u003cbr\u003e9. On The Way Down\u003cbr\u003e10. Song for Emahoy\u003cbr\u003e11. Da\u003cbr\u003e12. Good Friends Call Me E (reprise)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGlass’ experimental, improvisational works evoke the sensual minimalism of Annette Peacock, the joyful mysteriousness of Carla Bley, and the wistful intimacy of Sibylle Baier. Her reverence for leftfield jazz and free improv greats is evident, but it’s always filtered through her signature nascent, naturalistic sound. “Dreams” is a majestic take on Peacock’s spine-tingling 1971 track of the same name, “Sing Me Softly the Blues” is a minimal, arresting reimagination of Bley’s jazz standard with lyrics adapted by Norwegian vocalist Karin Krog, and “Emahoy” is a languorous tribute to Ethiopian pianist, composer, and nun Emahoy Tsegué-Maryam Guèbrou and her 2006 compilation Éthiopiques. Glass’ music rests on a tactile, mercurial sound and her vocal brawn and versatility. E’s slippery stabs of double bass and drums tickle the ear canal and accentuate the percussiveness of her distinctive low voice, which blends sonorous, androgynous poise with fluttering delicacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eE also has an enigmatic electronic bent that heightens the blurry emotions of Glass’ songwriting. From background hiss and windy vocals to kaleidoscopic synths, these subtle, tasteful adornments often came from specialized analog equipment: a 1960s underground echo chamber, a Cooper Time Cube (essentially, the hardware equivalent of processing audio through a garden hose), and a 1940s AEA ribbon microphone. But that doesn’t mean E sounds dated—Glass’ songs bloom with a forward-thinking spirit and ultimately function as vehicles for her heady emotions and fragmented memories and dreams...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliana Glass\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP160cd\u003c\/p\u003e","published_at":"2025-04-26T09:33:56+09:00","created_at":"2025-04-25T22:26:56+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","jazz","new","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275612569850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eliana Glass \/\/ E CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411695","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_60cac9db-86c4-45d0-8db8-52d9d004bc61.jpg?v=1745587636"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636","options":["Title"],"media":[{"alt":null,"id":35935191728378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636","width":700},{"alt":null,"id":35935191761146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_60cac9db-86c4-45d0-8db8-52d9d004bc61.jpg?v=1745587636"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_60cac9db-86c4-45d0-8db8-52d9d004bc61.jpg?v=1745587636","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア出身アメリカ在住のピアニスト／シンガーソングライターが、2025年4月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ポップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140368094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All My Life\u003cbr\u003e2. Shrine 03:51\u003cbr\u003e3. Good Friends Call Me E 03:55\u003cbr\u003e4. Flood\u003cbr\u003e5. Human Dust\u003cbr\u003e6. Solid Stone\u003cbr\u003e7. Dreams\u003cbr\u003e8. Sing Me Softly Of The Blues\u003cbr\u003e9. On The Way Down\u003cbr\u003e10. Song for Emahoy\u003cbr\u003e11. Da\u003cbr\u003e12. Good Friends Call Me E (reprise)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGlass’ experimental, improvisational works evoke the sensual minimalism of Annette Peacock, the joyful mysteriousness of Carla Bley, and the wistful intimacy of Sibylle Baier. Her reverence for leftfield jazz and free improv greats is evident, but it’s always filtered through her signature nascent, naturalistic sound. “Dreams” is a majestic take on Peacock’s spine-tingling 1971 track of the same name, “Sing Me Softly the Blues” is a minimal, arresting reimagination of Bley’s jazz standard with lyrics adapted by Norwegian vocalist Karin Krog, and “Emahoy” is a languorous tribute to Ethiopian pianist, composer, and nun Emahoy Tsegué-Maryam Guèbrou and her 2006 compilation Éthiopiques. Glass’ music rests on a tactile, mercurial sound and her vocal brawn and versatility. E’s slippery stabs of double bass and drums tickle the ear canal and accentuate the percussiveness of her distinctive low voice, which blends sonorous, androgynous poise with fluttering delicacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eE also has an enigmatic electronic bent that heightens the blurry emotions of Glass’ songwriting. From background hiss and windy vocals to kaleidoscopic synths, these subtle, tasteful adornments often came from specialized analog equipment: a 1960s underground echo chamber, a Cooper Time Cube (essentially, the hardware equivalent of processing audio through a garden hose), and a 1940s AEA ribbon microphone. But that doesn’t mean E sounds dated—Glass’ songs bloom with a forward-thinking spirit and ultimately function as vehicles for her heady emotions and fragmented memories and dreams...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliana Glass\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP160cd\u003c\/p\u003e"}
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{"id":8771950706938,"title":"Lucy Railton \/\/ Blue Veil CD","handle":"lucy-railton-blue-veil-cd","description":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063cd\u003c\/p\u003e","published_at":"2025-04-26T09:33:20+09:00","created_at":"2025-04-25T22:25:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","recommended","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275612438778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lucy Railton \/\/ Blue Veil CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408292","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","options":["Title"],"media":[{"alt":null,"id":35935185404154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","width":700},{"alt":null,"id":35935185436922,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063cd\u003c\/p\u003e"}
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過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。 チェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。 以下、レーベルによる解説です。 "音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。 Railtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。Railtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。...
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{"id":8771950215418,"title":"Kali Malone \/\/ The Sacrificial Code (2025 Edition) CD","handle":"kali-malone-the-sacrificial-code-2025-edition-cd","description":"\u003cp\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発CDです。（オリジナルは2019年リリース）\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマル・ドローン10曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1430790623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve with OBI. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spectacle Of Ritual\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:53\u003cbr\u003e2. Sacrificial Code 05:29\u003cbr\u003e3. Rose Wreath Crown (for CW)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:26\u003cbr\u003e4. Sacer Profanare\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:48\u003cbr\u003e5. Litanic Cloth Wrung\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e13:25\u003cbr\u003e6. Fifth Worship II 07:50\u003cbr\u003e7. Hagakyrka Bells 01:08\u003cbr\u003e8. Sacrificial Code II 13:22\u003cbr\u003e9. Sacrificial Code III 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Williger, February 2025\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSix years after its initial release, Ideologic Organ has reissued The Sacrificial Code, adorned with striking archival organ photography by Malone and including a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. The album remains one of the defining works of 21st-century minimalism, singular in its approach and impact. Its legacy has been defined by the revelatory experiences of those who encountered it, passed from listener to listener by word of mouth. The intensely personal experience of taking in these sounds, sitting with them for over an hour, absorbing each chordal shift in countless repetitions and finding oneself within them, became the driver of its slow cultural saturation. As she began regularly performing these pieces in churches and concert halls around the world, their impact deepened.\u003cbr\u003e\u003cbr\u003eTo produce the reissue, Malone went so far as to return to the copy machine at the legendary EMS studios in Stockholm to lay out the typography, revisiting the physical spaces in which it was created and remaining faithful to its DIY roots. The album’s first three pieces - “Spectacle of Ritual,” “Sacrificial Code,” and “Rose Wreath Crown (for CW)” - were captured voice by voice, each in single takes, on the Mats Arvidsson organ in Kirnberger III temperament as a part of her thesis. They were realized in isolation, and were originally presented as electroacoustic works on multi-channel speaker arrays in acousmoniums, speaker domes, and an abandoned iron mine. “Sacer Profanare,” “Litanic Cloth Wrung,” and “Fifth Worship II” were all recorded within two-hours of borrowed studio time on the Woehl organ at Studio Acusticum in Piteå; their patient and deliberate nature cutting through the hasty timeline of their capture. With each, Malone was developing and deploying self-taught close micing techniques to reproduce the most granular, air-filled sound of the instrument, bringing the listener into its stoically heaving guts.\u003cbr\u003e\u003cbr\u003eThe effect of all this careful work is a sense of time dilation, the physicality of the sound itself - the thunderous rolls of bass, the pitched hiss of the flue, the quivering dance of air molecules animated by dissonance - drawing attention away from the clock. Each piece cycles through purposefully constructed chord progressions, the repetition creating moments that can feel anthemic or mournful depending on the harmonic resonance and duration of the piece. These reiterations become so steady and expected that at the end of “Fifth Worship II,” when Malone switches off the organ mid-stream and the harmonics wither and fall, it feels like the ground slips away from under us. Repetition becomes the magnetic force shaping and stabilizing space and time...\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA060cd\u003c\/p\u003e","published_at":"2025-04-26T09:32:24+09:00","created_at":"2025-04-25T22:21:42+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275611357434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kali Malone \/\/ The Sacrificial Code (2025 Edition) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408322","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455","\/\/tobirarecords.com\/cdn\/shop\/files\/kali1.jpg?v=1745587455"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455","options":["Title"],"media":[{"alt":null,"id":35935176950010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455","width":700},{"alt":null,"id":35935176917242,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali1.jpg?v=1745587455"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali1.jpg?v=1745587455","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発CDです。（オリジナルは2019年リリース）\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマル・ドローン10曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1430790623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve with OBI. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spectacle Of Ritual\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:53\u003cbr\u003e2. Sacrificial Code 05:29\u003cbr\u003e3. Rose Wreath Crown (for CW)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:26\u003cbr\u003e4. Sacer Profanare\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:48\u003cbr\u003e5. Litanic Cloth Wrung\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e13:25\u003cbr\u003e6. Fifth Worship II 07:50\u003cbr\u003e7. Hagakyrka Bells 01:08\u003cbr\u003e8. Sacrificial Code II 13:22\u003cbr\u003e9. Sacrificial Code III 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Williger, February 2025\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSix years after its initial release, Ideologic Organ has reissued The Sacrificial Code, adorned with striking archival organ photography by Malone and including a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. The album remains one of the defining works of 21st-century minimalism, singular in its approach and impact. Its legacy has been defined by the revelatory experiences of those who encountered it, passed from listener to listener by word of mouth. The intensely personal experience of taking in these sounds, sitting with them for over an hour, absorbing each chordal shift in countless repetitions and finding oneself within them, became the driver of its slow cultural saturation. As she began regularly performing these pieces in churches and concert halls around the world, their impact deepened.\u003cbr\u003e\u003cbr\u003eTo produce the reissue, Malone went so far as to return to the copy machine at the legendary EMS studios in Stockholm to lay out the typography, revisiting the physical spaces in which it was created and remaining faithful to its DIY roots. The album’s first three pieces - “Spectacle of Ritual,” “Sacrificial Code,” and “Rose Wreath Crown (for CW)” - were captured voice by voice, each in single takes, on the Mats Arvidsson organ in Kirnberger III temperament as a part of her thesis. They were realized in isolation, and were originally presented as electroacoustic works on multi-channel speaker arrays in acousmoniums, speaker domes, and an abandoned iron mine. “Sacer Profanare,” “Litanic Cloth Wrung,” and “Fifth Worship II” were all recorded within two-hours of borrowed studio time on the Woehl organ at Studio Acusticum in Piteå; their patient and deliberate nature cutting through the hasty timeline of their capture. With each, Malone was developing and deploying self-taught close micing techniques to reproduce the most granular, air-filled sound of the instrument, bringing the listener into its stoically heaving guts.\u003cbr\u003e\u003cbr\u003eThe effect of all this careful work is a sense of time dilation, the physicality of the sound itself - the thunderous rolls of bass, the pitched hiss of the flue, the quivering dance of air molecules animated by dissonance - drawing attention away from the clock. Each piece cycles through purposefully constructed chord progressions, the repetition creating moments that can feel anthemic or mournful depending on the harmonic resonance and duration of the piece. These reiterations become so steady and expected that at the end of “Fifth Worship II,” when Malone switches off the organ mid-stream and the harmonics wither and fall, it feels like the ground slips away from under us. Repetition becomes the magnetic force shaping and stabilizing space and time...\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA060cd\u003c\/p\u003e"}
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スウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発CDです。（オリジナルは2019年リリース） オルガンによるミニマル・ドローン10曲を収録。 マスタリングはRashad beckerが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8771949101306,"title":"Tanika Charles \/\/ Reasons To Stay CD [PRE-ORDER]","handle":"tanika-charles-reasons-to-stay-cd-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/16発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダのソウル作家Tanika Charlesが、2025年5月にイタリアのRecord KicksからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eネオソウル〜R\u0026amp;B11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1442319104\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 16, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Don't Like You Anymore 03:05\u003cbr\u003e2. Consistency\u003cbr\u003e3. No More\u003cbr\u003e4. How Long Will It Take\u003cbr\u003e5. Here When You're Ready 03:21\u003cbr\u003e6. Reasons To Stay\u003cbr\u003e7. The Lament\u003cbr\u003e8. Don't Let Go\u003cbr\u003e9. Talk To Me Nice 03:13\u003cbr\u003e10. Having A Time\u003cbr\u003e11. Win feat. Clerel\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tanika Charles\u003c\/p\u003e\n\u003cp\u003eLabel : Record Kicks\u003c\/p\u003e\n\u003cp\u003ecat no : RKX101cd\u003c\/p\u003e","published_at":"2025-04-26T10:00:40+09:00","created_at":"2025-04-25T22:15:12+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","hiphop \/ funk","new"],"price":215500,"price_min":215500,"price_max":215500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275607884026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tanika Charles \/\/ Reasons To Stay CD [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":215500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"617308095081","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tan1_444b15eb-5d18-405a-817d-4b80f2d5e12a.jpg?v=1745586941","\/\/tobirarecords.com\/cdn\/shop\/files\/tan3.jpg?v=1745586941"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tan1_444b15eb-5d18-405a-817d-4b80f2d5e12a.jpg?v=1745586941","options":["Title"],"media":[{"alt":null,"id":35935143330042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tan1_444b15eb-5d18-405a-817d-4b80f2d5e12a.jpg?v=1745586941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tan1_444b15eb-5d18-405a-817d-4b80f2d5e12a.jpg?v=1745586941","width":700},{"alt":null,"id":35935143362810,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tan3.jpg?v=1745586941"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tan3.jpg?v=1745586941","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/16発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダのソウル作家Tanika Charlesが、2025年5月にイタリアのRecord KicksからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eネオソウル〜R\u0026amp;B11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1442319104\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 16, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Don't Like You Anymore 03:05\u003cbr\u003e2. Consistency\u003cbr\u003e3. No More\u003cbr\u003e4. How Long Will It Take\u003cbr\u003e5. Here When You're Ready 03:21\u003cbr\u003e6. Reasons To Stay\u003cbr\u003e7. The Lament\u003cbr\u003e8. Don't Let Go\u003cbr\u003e9. Talk To Me Nice 03:13\u003cbr\u003e10. Having A Time\u003cbr\u003e11. Win feat. Clerel\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tanika Charles\u003c\/p\u003e\n\u003cp\u003eLabel : Record Kicks\u003c\/p\u003e\n\u003cp\u003ecat no : RKX101cd\u003c\/p\u003e"}
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