Tuotteet
![Akhira Sano // D-R LP [COLOR]](http://tobirarecords.com/cdn/shop/files/sano1_medium.jpg?v=1754620136)
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{"id":8881019355386,"title":"Akhira Sano \/\/ D-R LP [COLOR]","handle":"akhira-sano-d-r-lp-color","description":"\u003cp\u003e\u003cspan\u003e東京のアンビエント作家\u003c\/span\u003eAkhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとシンセによる微睡アンビエント4曲を収録。白盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_THB8R2x0eE?si=WopA3zNc9oTddpTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j7ymaTY1WLE?si=IiU8-wF-F8r7AMHC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fUncelvFY0g?si=7AF2sHNcblYTOasc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRsm5yhFGLU?si=a4dxqshup1PnOcQf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" white vinyl.\u003cbr\u003eVinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demande Un 05:15\u003cbr\u003e2. Demande Deux 09:27\u003cbr\u003e3. Réponse Un 11:34\u003cbr\u003e4. Réponse Deux 05:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based music artist who has recorded since 2019 several albums on labels such as Important Records, IIKKI, and recently 12K among others. Working with electronic, instrumental, and concrete sounds, he crafts immersive assemblages of long overlapping tones and blurred resonance, cut through with textural crunch and hiss.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : L\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaaps 045\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-08T15:23:07+09:00","created_at":"2025-08-08T11:32:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Laaps","lp","new"],"price":428600,"price_min":428600,"price_max":428600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47592991457530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akhira Sano \/\/ D-R LP [COLOR]","public_title":null,"options":["Default Title"],"price":428600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136","\/\/tobirarecords.com\/cdn\/shop\/files\/sano2.jpg?v=1754620136"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136","options":["Title"],"media":[{"alt":null,"id":36496360669434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136","width":700},{"alt":null,"id":36496360702202,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano2.jpg?v=1754620136"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano2.jpg?v=1754620136","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e東京のアンビエント作家\u003c\/span\u003eAkhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとシンセによる微睡アンビエント4曲を収録。白盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_THB8R2x0eE?si=WopA3zNc9oTddpTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j7ymaTY1WLE?si=IiU8-wF-F8r7AMHC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fUncelvFY0g?si=7AF2sHNcblYTOasc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRsm5yhFGLU?si=a4dxqshup1PnOcQf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" white vinyl.\u003cbr\u003eVinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demande Un 05:15\u003cbr\u003e2. Demande Deux 09:27\u003cbr\u003e3. Réponse Un 11:34\u003cbr\u003e4. Réponse Deux 05:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based music artist who has recorded since 2019 several albums on labels such as Important Records, IIKKI, and recently 12K among others. Working with electronic, instrumental, and concrete sounds, he crafts immersive assemblages of long overlapping tones and blurred resonance, cut through with textural crunch and hiss.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : L\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaaps 045\u003c\/span\u003e\u003c\/p\u003e"}
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東京のアンビエント作家Akhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたレコードです。 フィールドレコーディングとシンセによる微睡アンビエント4曲を収録。白盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
¥4,286
![Akhira Sano // Shadow's Praise LP [COLOR] / CD](http://tobirarecords.com/cdn/shop/files/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de_medium.jpg?v=1685427070)
クイックビュー
{"id":7980223463674,"title":"Akhira Sano \/\/ Shadow's Praise LP [COLOR] \/ CD","handle":"akhira-sano-shadows-praise-lp-color","description":"\u003cp\u003e日本のアンビエント作家Akhira Sanoが、2023年4月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエント7曲を収録。DLコード付属。シルバー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2564791222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear, silver and white vinyl. Hand numbered edition of 300.\u003c\/p\u003e\n\u003cp\u003eIIKKI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Shadow’s Praise\" is the result of the dialogue between the Japanese musician Akhira Sano and the French photographer David Nissen initiated by IIKKI, between December 2022 and March 2023. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe complete project works in two physical imprints:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea book and a disc (vinyl\/cd)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eit should be experienced in different ways :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book read alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe disc listened to alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book and the disc read and listened to together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e___________________________________________________\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkhira Sano was born in 1992 in Niigata, Japan. Artist. Focusing on the imperfections and irregularities of form and sound, he creates, observes, records, and extends them secondarily through drawing, graphics, installation, videography, and music composition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis major works include \"Penetrating, For Filtration\" (Important Records, 2019), \"Particle Dialogue - Observation and\u003cspan class=\"bcTruncateMore\"\u003e Recording\" (The Trilogy Tapes, Inc. 2022), and major solo exhibitions include \"Perspectives of Possibility\" (FAITH, 2021) and \"mē on - Seeing the Absent\" (TOH, 2022).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : IIKKI\u003c\/p\u003e","published_at":"2023-06-03T09:00:24+09:00","created_at":"2023-05-30T15:11:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","IIKKI","lp"],"price":218000,"price_min":218000,"price_max":368000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44872902213882,"title":"LP [COLOR]","option1":"LP [COLOR]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426533523706,"product_id":7980223463674,"position":2,"created_at":"2023-05-30T15:11:09+09:00","updated_at":"2023-05-30T15:11:11+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071","variant_ids":[44872902213882]},"available":false,"name":"Akhira Sano \/\/ Shadow's Praise LP [COLOR] \/ CD - LP [COLOR]","public_title":"LP [COLOR]","options":["LP [COLOR]"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037477417210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44872902246650,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40166223937786,"product_id":7980223463674,"position":3,"created_at":"2023-12-11T10:11:48+09:00","updated_at":"2023-12-11T10:11:50+09:00","alt":null,"width":1200,"height":767,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110","variant_ids":[44872902246650]},"available":false,"name":"Akhira Sano \/\/ Shadow's Praise LP [COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32821101527290,"position":3,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070","\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071","\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070","options":["Format"],"media":[{"alt":null,"id":32037477384442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070","width":700},{"alt":null,"id":32037477417210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071","width":1200},{"alt":null,"id":32821101527290,"position":3,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のアンビエント作家Akhira Sanoが、2023年4月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエント7曲を収録。DLコード付属。シルバー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2564791222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear, silver and white vinyl. Hand numbered edition of 300.\u003c\/p\u003e\n\u003cp\u003eIIKKI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Shadow’s Praise\" is the result of the dialogue between the Japanese musician Akhira Sano and the French photographer David Nissen initiated by IIKKI, between December 2022 and March 2023. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe complete project works in two physical imprints:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea book and a disc (vinyl\/cd)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eit should be experienced in different ways :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book read alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe disc listened to alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book and the disc read and listened to together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e___________________________________________________\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkhira Sano was born in 1992 in Niigata, Japan. Artist. Focusing on the imperfections and irregularities of form and sound, he creates, observes, records, and extends them secondarily through drawing, graphics, installation, videography, and music composition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis major works include \"Penetrating, For Filtration\" (Important Records, 2019), \"Particle Dialogue - Observation and\u003cspan class=\"bcTruncateMore\"\u003e Recording\" (The Trilogy Tapes, Inc. 2022), and major solo exhibitions include \"Perspectives of Possibility\" (FAITH, 2021) and \"mē on - Seeing the Absent\" (TOH, 2022).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : IIKKI\u003c\/p\u003e"}
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日本のアンビエント作家Akhira Sanoが、2023年4月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。 ミニマルなアンビエント7曲を収録。DLコード付属。シルバー盤です。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
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クイックビュー
{"id":9002428301562,"title":"Akhira Sano \/\/ To Material Past TAPE","handle":"akhira-sano-to-material-past-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e東京のアンビエント作家Akhira Sanoが、2025年10月にイギリスのアンビエントレーベルSWIMSから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e微睡アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1268766503\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ NX Records \/ Swims releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette. \u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. Momentary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. Celebratory\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Visionary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Customary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Imaginary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Ordinary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based artist working across sound, drawing, installation, and video. His practice finds generative potential for music in life's fleeting incidents, etching meaning from unassuming spaces and resonances. With releases on 12k, LAAPS, IIKKI, and The Trilogy Tapes, Sano has steadily carved out a distinctive voice within minimal and experimental music - one that privileges attentiveness and patience over spectacle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"To Material Past\", Sano's debut for SWIMS, carries this thread with a single 30-minute work built solely using glockenspiel tones and field recordings from his local neighbourhood. This is a night walk with no map or end point; Sano follows irregular, coiling fragments that extend to form a tessellating luminous whole - like a subliminal mass of tree roots quietly shifting the concrete slabs beneath our feet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnder this faded gauze of gestures and interactions, Sano's glockenspiel interjects like a grandfather clock, softly marking the partitions that make up a day's collected experience; clicking and chiming like the sleeping brain, as it sifts and catalogues a lifetime's ephemera of thoughts, faces and puzzles.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSWIM14\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-27T09:46:27+09:00","created_at":"2025-11-17T09:47:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","kit records","new","tape"],"price":239000,"price_min":239000,"price_max":239000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966572773626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akhira Sano \/\/ To Material Past TAPE","public_title":null,"options":["Default Title"],"price":239000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mat_5fe58e9b-9b7c-49e0-91a7-0640dcf19fc6.jpg?v=1763340431","\/\/tobirarecords.com\/cdn\/shop\/files\/mat2_5dbaf86a-7f85-4dbe-8b91-40717589a48a.jpg?v=1763340431"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat_5fe58e9b-9b7c-49e0-91a7-0640dcf19fc6.jpg?v=1763340431","options":["Title"],"media":[{"alt":null,"id":37529428787450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat_5fe58e9b-9b7c-49e0-91a7-0640dcf19fc6.jpg?v=1763340431"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat_5fe58e9b-9b7c-49e0-91a7-0640dcf19fc6.jpg?v=1763340431","width":700},{"alt":null,"id":37529428820218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat2_5dbaf86a-7f85-4dbe-8b91-40717589a48a.jpg?v=1763340431"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat2_5dbaf86a-7f85-4dbe-8b91-40717589a48a.jpg?v=1763340431","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e東京のアンビエント作家Akhira Sanoが、2025年10月にイギリスのアンビエントレーベルSWIMSから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e微睡アンビエント6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1268766503\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kitrecs\"\u003ehere\u003c\/a\u003e to see more Kit Records \/ NX Records \/ Swims releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette. \u003cbr\u003eEdition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. Momentary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. Celebratory\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Visionary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Customary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Imaginary\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Ordinary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKit Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based artist working across sound, drawing, installation, and video. His practice finds generative potential for music in life's fleeting incidents, etching meaning from unassuming spaces and resonances. With releases on 12k, LAAPS, IIKKI, and The Trilogy Tapes, Sano has steadily carved out a distinctive voice within minimal and experimental music - one that privileges attentiveness and patience over spectacle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"To Material Past\", Sano's debut for SWIMS, carries this thread with a single 30-minute work built solely using glockenspiel tones and field recordings from his local neighbourhood. This is a night walk with no map or end point; Sano follows irregular, coiling fragments that extend to form a tessellating luminous whole - like a subliminal mass of tree roots quietly shifting the concrete slabs beneath our feet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnder this faded gauze of gestures and interactions, Sano's glockenspiel interjects like a grandfather clock, softly marking the partitions that make up a day's collected experience; clicking and chiming like the sleeping brain, as it sifts and catalogues a lifetime's ephemera of thoughts, faces and puzzles.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Kit Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSWIM14\u003c\/span\u003e\u003c\/p\u003e"}
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※12月下旬再入荷後発送します 東京のアンビエント作家Akhira Sanoが、2025年10月にイギリスのアンビエントレーベルSWIMSから50本限定でリリースしたカセットです。 微睡アンビエント6曲を収録。 レーベルその他作品はこちら /// Click here to see more Kit Records / NX Records...
¥2,390
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{"id":8669111582970,"title":"Aki Onda \/\/ 99 Cent Dreams TAPE","handle":"aki-onda-99-cent-dreams-tape","description":"\u003cp\u003e日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『\u003cspan class=\"bcTruncateMore\"\u003eReminiscences of a Journey to Lithuania\u003c\/span\u003e』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは \u003cspan class=\"bcTruncateMore\"\u003eWilliam Klein's 『Muhammad Ali the Greatest』(1969); Ken Jacobs's 『Blonde Cobra』(1963); Michael Snow’s 『Rameau’s Nephew by Diderot』 (1974); Harry Smith's 『Mahagonny』 (1980) and 『Heaven and Earth Magic』 (1962); Bruce Conner’s 『The White Rose』 (1965); Milton Moses Ginsberg's 『Coming Apart』 (1969); Béla Tarr’s 『The Outsider』 (1981)\u003c\/span\u003eなどだ。映画の映像と音の混合に没頭することは、私の作品に滲み出る強烈な経験の蓄積となった。私はサウンドトラックをよく録音し、そのカセットテープは映画製作者の音に対するアプローチを研究する手段となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eつまり、これらは単なる環境音でもなければ、私の個人的な生活の聴覚的記録でもない。私のフィールドレコーディングの実践は、LESの歴史、文化、精神と私を結びつけるツールなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711281190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 17:47\u003cbr\u003e2. Part II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eI recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listening. These recordings carved a dense collage on the magnetic tapes, and I am presenting the sounds here with the same editing style as I captured them almost 20 years ago. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack then, the LES was the place to be. The neighborhood was home to many artists, filmmakers, and musicians, and there was a vibe of genuine bohemian community. A large portion of the area was protected by the Landmarks Commission, and there were many rent-stabilized buildings. Gentrification eventually priced out some of the long-time residents of the LES, who moved to Williamsburg and other parts of Brooklyn, but the rest held on to the rent-stabilized units and have been residing there for decades. Since the 19th century, the area has been inhabited by a succession of immigrant communities, including Italians, Jews, and Puerto Ricans. Toward the East River\u003cspan class=\"bcTruncateMore\"\u003e in Alphabet City (the part of the LES where the avenues are lettered rather than numbered), it was, and still is, a largely Latinx community. The mixture of all of these characteristics created a multicultural and low-key atmosphere that was different from any other part of the city. \u003cbr\u003e\u003cbr\u003eI spent countless hours at Anthology Film Archives (AFA) on the corner of 2nd Street and Second Ave. In 1998, I became acquainted with one of AFA’s co-founders, Jonas Mekas. I first watched his Reminiscences of a Journey to Lithuania (1972) in Tokyo in the '90s, and Mekas’s work became a strong influence on me, so it was a natural consequence to visit him. AFA was a more chaotic, underground place back then. We would hang out in the basement, where Jonas had a photography studio. A few of his Lithuanian friends occupied the other rooms. Jonas gave me copies of Film Culture magazines, which were excellent resources to trace film history. We would have lunch at an Italian restaurant nearby and end up stopping by the trashy Mars Bar on the corner of 1st Street and Second Ave, which was almost like an extension of Jonas's office. With free access to AFA’s screenings, I absorbed the essence of avant-garde cinema. My favorites were: William Klein's Muhammad Ali the Greatest (1969); Ken Jacobs's Blonde Cobra (1963); Michael Snow’s Rameau’s Nephew by Diderot (1974); Harry Smith's Mahagonny (1980) and Heaven and Earth Magic (1962); Bruce Conner’s The White Rose (1965); Milton Moses Ginsberg's Coming Apart (1969); Béla Tarr’s The Outsider (1981), and so on. Immersing myself in cinema’s mixture of visual and sound became a powerful accumulation of experiences that bled into my work. I often taped the soundtracks, and those cassettes became a way to study filmmakers' approaches to sounds. \u003cbr\u003e\u003cbr\u003eSo, these are not just environmental sounds nor are they aural documentation of my personal life. My field recording practice is a tool to connect me to the history, culture, and psyche of the LES, which exists as much in the realm of the imagination as it does in the coordinates of topology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2024-11-22T18:15:25+09:00","created_at":"2024-11-22T17:48:18+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","monooto","new","tape"],"price":213800,"price_min":213800,"price_max":213800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883432136954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aki Onda \/\/ 99 Cent Dreams TAPE","public_title":null,"options":["Default Title"],"price":213800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","options":["Title"],"media":[{"alt":null,"id":35217535140090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","width":700},{"alt":null,"id":35217535172858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『\u003cspan class=\"bcTruncateMore\"\u003eReminiscences of a Journey to Lithuania\u003c\/span\u003e』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは \u003cspan class=\"bcTruncateMore\"\u003eWilliam Klein's 『Muhammad Ali the Greatest』(1969); Ken Jacobs's 『Blonde Cobra』(1963); Michael Snow’s 『Rameau’s Nephew by Diderot』 (1974); Harry Smith's 『Mahagonny』 (1980) and 『Heaven and Earth Magic』 (1962); Bruce Conner’s 『The White Rose』 (1965); Milton Moses Ginsberg's 『Coming Apart』 (1969); Béla Tarr’s 『The Outsider』 (1981)\u003c\/span\u003eなどだ。映画の映像と音の混合に没頭することは、私の作品に滲み出る強烈な経験の蓄積となった。私はサウンドトラックをよく録音し、そのカセットテープは映画製作者の音に対するアプローチを研究する手段となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eつまり、これらは単なる環境音でもなければ、私の個人的な生活の聴覚的記録でもない。私のフィールドレコーディングの実践は、LESの歴史、文化、精神と私を結びつけるツールなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711281190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 17:47\u003cbr\u003e2. Part II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eI recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listening. These recordings carved a dense collage on the magnetic tapes, and I am presenting the sounds here with the same editing style as I captured them almost 20 years ago. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack then, the LES was the place to be. The neighborhood was home to many artists, filmmakers, and musicians, and there was a vibe of genuine bohemian community. A large portion of the area was protected by the Landmarks Commission, and there were many rent-stabilized buildings. Gentrification eventually priced out some of the long-time residents of the LES, who moved to Williamsburg and other parts of Brooklyn, but the rest held on to the rent-stabilized units and have been residing there for decades. Since the 19th century, the area has been inhabited by a succession of immigrant communities, including Italians, Jews, and Puerto Ricans. Toward the East River\u003cspan class=\"bcTruncateMore\"\u003e in Alphabet City (the part of the LES where the avenues are lettered rather than numbered), it was, and still is, a largely Latinx community. The mixture of all of these characteristics created a multicultural and low-key atmosphere that was different from any other part of the city. \u003cbr\u003e\u003cbr\u003eI spent countless hours at Anthology Film Archives (AFA) on the corner of 2nd Street and Second Ave. In 1998, I became acquainted with one of AFA’s co-founders, Jonas Mekas. I first watched his Reminiscences of a Journey to Lithuania (1972) in Tokyo in the '90s, and Mekas’s work became a strong influence on me, so it was a natural consequence to visit him. AFA was a more chaotic, underground place back then. We would hang out in the basement, where Jonas had a photography studio. A few of his Lithuanian friends occupied the other rooms. Jonas gave me copies of Film Culture magazines, which were excellent resources to trace film history. We would have lunch at an Italian restaurant nearby and end up stopping by the trashy Mars Bar on the corner of 1st Street and Second Ave, which was almost like an extension of Jonas's office. With free access to AFA’s screenings, I absorbed the essence of avant-garde cinema. My favorites were: William Klein's Muhammad Ali the Greatest (1969); Ken Jacobs's Blonde Cobra (1963); Michael Snow’s Rameau’s Nephew by Diderot (1974); Harry Smith's Mahagonny (1980) and Heaven and Earth Magic (1962); Bruce Conner’s The White Rose (1965); Milton Moses Ginsberg's Coming Apart (1969); Béla Tarr’s The Outsider (1981), and so on. Immersing myself in cinema’s mixture of visual and sound became a powerful accumulation of experiences that bled into my work. I often taped the soundtracks, and those cassettes became a way to study filmmakers' approaches to sounds. \u003cbr\u003e\u003cbr\u003eSo, these are not just environmental sounds nor are they aural documentation of my personal life. My field recording practice is a tool to connect me to the history, culture, and psyche of the LES, which exists as much in the realm of the imagination as it does in the coordinates of topology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。 物音コラージュスケープ2曲を収録。DLコード付属。 以下、作家本人による解説です。 "私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。 当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。 私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『Reminiscences of a Journey to Lithuania』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは William...
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{"id":8601072075002,"title":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","handle":"aki-onda-brisbane-september-25-2004-tape","description":"\u003cp\u003e過去にDinzu Artefactsなどから発表している日本の実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ〜ドローン46分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:09:58+09:00","created_at":"2024-08-19T10:09:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","room40","tape"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581162705146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","public_title":null,"options":["Default Title"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","options":["Title"],"media":[{"alt":null,"id":28965875024122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","width":700},{"alt":null,"id":28965875056890,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDinzu Artefactsなどから発表している日本の実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ〜ドローン46分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にDinzu Artefactsなどから発表している日本の実験音楽家Aki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。 コラージュ〜ドローン46分を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥2,380
クイックビュー
{"id":8916490453242,"title":"Aki Onda \/\/ In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern LP","handle":"aki-onda-in-the-depth-of-illusion-a-soundtrack-for-nervous-magic-lantern-lp","description":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、\u003cspan\u003e2025年8月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカの大御所実験映画監督Ken Jacobsが長年録りためたカセットのフィールドレコーディングを素材にした物音コラージュ〜ドローン5曲を収録\u003c\/span\u003e。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/aki-onda-transmissions-from-the-radio-midnight-lp\"\u003e前作\u003c\/a\u003eもオススメです。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ken Jacobsはアヴァンギャルド映画に欠かせない人物で、私とは10年以上にわたるコラボレーションがある。2007年にブリュッセルで開催されたアルゴス・フェスティバルで、彼の『Nervous Magic Lantern』プロジェクトに初めて出演した。ヨーロッパに飛ぶ前、Kenは私を、Kenと妻のFloが1965年から住み、働いているトライベッカのチェンバーズ・ストリートの最上階にあるロフトに招待してくれた。ロールシャッハのインクブロットのような幾何学模様が渦を巻くように回転し、立体的なイメージが強い明滅を伴って脈打つ。奇妙なのは、映像がスクリーンの表面に張り付いていないことだ。まるでホログラムのように浮き出ているのだ。そして私の目は、顔や手、流出した油の表面など、抽象的なパターンの奥にある物理的な形をとらえ始め、それらは幽霊やドッペルゲンガーのように現れては消えていった。「ナーバス・マジック・ランタンはどのように機能するのですか？」 私はKenに尋ねた。発明家の答えは予想外のものだった。 「分からない！夢を見て、実験して見つけたんだ。僕はそんなに技術的なことはできないんだ。」まあ、彼は神秘のファンタスマゴリアを創り出す芸術家なのだから、そのメカニズムは神経科学者に説明させればいい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作の装置には、回転するシャッター、光源、レンズが木製のフレームにセットされている。Kenは手描きの円形スライドを光とレンズの間に挿入し、手でそっと動かす。レンズはスライドの小さな部分を拡大し、回転するシャッターはフリッカー効果を与える。しばしば冷徹な政治批判に満ちたKenの他の作品と比べると、『Nervous Magic Lantern』のイメージは明らかに抽象的であり、私たちの脳がどのように知覚を制御しているかを検証している。ジョナス・メカスの『Movie Journal』で、Kenはかつてこう語っている。「私たちはより深い傾斜に向かって足を踏み入れている。何か不可能なもの。」エイゼンシュテインは、映画の力はショットとショットの間にあると言った。ピーター・クベルカは、フィルムのフレームの間にそれを求める。私は目と目の間に入りたい。ここでは、まったく新しい外観の遊びが可能なのだ。『Nervous Magic Lantern』は、このような遊びを、スクリーン上で踊る奇妙な幻覚として提供する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私の音楽に対するKenからのリクエストは、「日常生活の音 」を演奏することだった。彼は、このプロジェクトは「逃避」であり、「何のメッセージも持たず、現実世界を反映しないことに罪悪感を感じている」と説明した。私たちを取り巻く環境音を使うことで、「現実世界に根ざしたい 」と彼は続けた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2014年頃、私はKenが過去数十年にわたって集めたカセット・フィールドレコーディングのかなりのコレクションを持っていることに気づいた。チャイナタウンのストリートノイズや友人との会話など、彼の身の回りにあるカテゴライズできないあらゆる音だ。私は魅了され、それらを作曲の足がかりにしようと決めた。Nervous Magic Lanternのユニークな点のひとつは、ビジュアルは抽象的なままである一方、サウンドはありふれた音から派生する意味や物語性を取り入れることができるという点だ。その点を強調し、ドキュメンタリーのような感覚を加えたかった。それ以上に、私は単純にKenとFloの人生の聴覚的描写が好きだった。それが、彼らとの思い出の引き金にもなった。何年もの間、夏の間、KenとFlo、そして私の妻のマキコは、チャイナタウンにある彼らのお気に入りのレストランに行くのが習慣になっていた。また、Kenと私は彼らのロフトのすぐ下にあるプエルトリコ料理店でモーニングコーヒーを飲んだこともある。人生と芸術は切っても切り離せないものであり、絶え間なく互いに割り込んでくる。Kenは常に不可能を思い描くアーティストだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2832709803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where Would You Like to Go? 02:56\u003cbr\u003e2. Liminal Space 12:44\u003cbr\u003e3. Screen Test 06:59\u003cbr\u003e4. Tiger Balm 02:04\u003cbr\u003e5. Brooklyn Bridge (extended version) 20:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKen Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-floor loft on Chambers Street in TriBeCa, where Ken and his wife, Flo, have lived and worked since 1965, to experience a private screening. He turned on the apparatus and the image flashed onto the screen: geometric patterns — something of a Rorschach inkblot — rotated as if in a whirlpool, and three-dimensional imagery pulsed with strong flicker. What was weird was that the images did not adhere to the surface of the screen. They stood out, almost floating, like holograms. Then, my eyes started catching physical shapes in the depth of the abstract patterns such as faces, hands, the surface of an oil spill, and they appeared and disappeared like ghosts or doppelgängers. “How does Nervous Magic Lantern work?” I asked Ken. The inventor's answer was something unexpected: \"I don't know! I dreamed it and found it through experimentations then stuck to it. I'm not that technical.\" Well, he is an artist who creates a phantasmagoria of mystery; let the neuroscientists explain the\u003cspan class=\"bcTruncateMore\"\u003e mechanism.\u003cbr\u003e\u003cbr\u003eThe self-made apparatus contains a spinning shutter, a light source, and lenses set in a wooden frame. Ken inserts his hand-painted circular slides between the light and lenses and moved them gently with his hands. The lenses enlarged a tiny portion on the slide, while the spinning shutter gave the flicker effect. Compared to Ken's other works, which are often filled with unflinching political criticism, the imagery of Nervous Magic Lantern is patently abstract, and it examines how our brain regulates our perceptions. In Jonas Mekas' Movie Journal, Ken once said, “We’re stepping towards a deeper incline, something challenging our notion of the way things are. Something impossible.” Elsewhere he stated, “Eisenstein said the power of film was to be found between shots. Peter Kubelka seeks it between film frames. I want to get between the eyes, contest the separate halves of the brain. A whole new play of appearances is possible here.” Nervous Magic Lantern offers up this sort of play in stunning hallucinations, strange visions dancing on the screen.\u003cbr\u003e\u003cbr\u003eKen's request for my music was to play “sounds of daily life.” He explained that the project “is an escape,” and that he felt “guilty not having any messages or reflecting the real world. By using environmental sounds to surround us,” he continued, “I'd like to be rooted in the real world.\"\u003cbr\u003eAround 2014, I noticed that Ken had a sizable collection of cassette field recordings he had amassed over the last several decades. Street noises in Chinatown, conversations with friends, or any sort of uncategorizable sound around him. I was fascinated and decided to use them as a springboard for composing. One of the unique aspects of Nervous Magic Lantern is that the visual stays abstract while the sound is able to adopt meanings or a narrative sense derived from the quotidian sounds. I wanted to emphasize that point and add almost a sense of documentary. More than that, I simply loved the aural depictions of Ken and Flo’s life. Those also trigger my memories with them. Over the years, during summer time, Ken, Flo, and my wife, Makiko, made a habit of going to their favorite restaurant in Chinatown. Other times, Ken and I had morning coffee at a Puerto Rican restaurant just below their loft. Life and art are inseparable, breaking into one another incessantly. Ken is an artist who always envisioned the impossible. I wanted to see if it's possible to present that vision as something universal, something whole, something running through everyone’s life. A soundtrack for life in the depth of illusion. That is perhaps what this album is. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2025-09-05T17:45:05+09:00","created_at":"2025-09-05T16:55:04+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","room40"],"price":381800,"price_min":381800,"price_max":381800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47697488150778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aki Onda \/\/ In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern LP","public_title":null,"options":["Default Title"],"price":381800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_80f4d6ac-01bd-429e-8bd4-af8cfd10da32.jpg?v=1757058785"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_80f4d6ac-01bd-429e-8bd4-af8cfd10da32.jpg?v=1757058785","options":["Title"],"media":[{"alt":null,"id":36741702451450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_80f4d6ac-01bd-429e-8bd4-af8cfd10da32.jpg?v=1757058785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_80f4d6ac-01bd-429e-8bd4-af8cfd10da32.jpg?v=1757058785","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、\u003cspan\u003e2025年8月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカの大御所実験映画監督Ken Jacobsが長年録りためたカセットのフィールドレコーディングを素材にした物音コラージュ〜ドローン5曲を収録\u003c\/span\u003e。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/aki-onda-transmissions-from-the-radio-midnight-lp\"\u003e前作\u003c\/a\u003eもオススメです。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ken Jacobsはアヴァンギャルド映画に欠かせない人物で、私とは10年以上にわたるコラボレーションがある。2007年にブリュッセルで開催されたアルゴス・フェスティバルで、彼の『Nervous Magic Lantern』プロジェクトに初めて出演した。ヨーロッパに飛ぶ前、Kenは私を、Kenと妻のFloが1965年から住み、働いているトライベッカのチェンバーズ・ストリートの最上階にあるロフトに招待してくれた。ロールシャッハのインクブロットのような幾何学模様が渦を巻くように回転し、立体的なイメージが強い明滅を伴って脈打つ。奇妙なのは、映像がスクリーンの表面に張り付いていないことだ。まるでホログラムのように浮き出ているのだ。そして私の目は、顔や手、流出した油の表面など、抽象的なパターンの奥にある物理的な形をとらえ始め、それらは幽霊やドッペルゲンガーのように現れては消えていった。「ナーバス・マジック・ランタンはどのように機能するのですか？」 私はKenに尋ねた。発明家の答えは予想外のものだった。 「分からない！夢を見て、実験して見つけたんだ。僕はそんなに技術的なことはできないんだ。」まあ、彼は神秘のファンタスマゴリアを創り出す芸術家なのだから、そのメカニズムは神経科学者に説明させればいい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作の装置には、回転するシャッター、光源、レンズが木製のフレームにセットされている。Kenは手描きの円形スライドを光とレンズの間に挿入し、手でそっと動かす。レンズはスライドの小さな部分を拡大し、回転するシャッターはフリッカー効果を与える。しばしば冷徹な政治批判に満ちたKenの他の作品と比べると、『Nervous Magic Lantern』のイメージは明らかに抽象的であり、私たちの脳がどのように知覚を制御しているかを検証している。ジョナス・メカスの『Movie Journal』で、Kenはかつてこう語っている。「私たちはより深い傾斜に向かって足を踏み入れている。何か不可能なもの。」エイゼンシュテインは、映画の力はショットとショットの間にあると言った。ピーター・クベルカは、フィルムのフレームの間にそれを求める。私は目と目の間に入りたい。ここでは、まったく新しい外観の遊びが可能なのだ。『Nervous Magic Lantern』は、このような遊びを、スクリーン上で踊る奇妙な幻覚として提供する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私の音楽に対するKenからのリクエストは、「日常生活の音 」を演奏することだった。彼は、このプロジェクトは「逃避」であり、「何のメッセージも持たず、現実世界を反映しないことに罪悪感を感じている」と説明した。私たちを取り巻く環境音を使うことで、「現実世界に根ざしたい 」と彼は続けた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2014年頃、私はKenが過去数十年にわたって集めたカセット・フィールドレコーディングのかなりのコレクションを持っていることに気づいた。チャイナタウンのストリートノイズや友人との会話など、彼の身の回りにあるカテゴライズできないあらゆる音だ。私は魅了され、それらを作曲の足がかりにしようと決めた。Nervous Magic Lanternのユニークな点のひとつは、ビジュアルは抽象的なままである一方、サウンドはありふれた音から派生する意味や物語性を取り入れることができるという点だ。その点を強調し、ドキュメンタリーのような感覚を加えたかった。それ以上に、私は単純にKenとFloの人生の聴覚的描写が好きだった。それが、彼らとの思い出の引き金にもなった。何年もの間、夏の間、KenとFlo、そして私の妻のマキコは、チャイナタウンにある彼らのお気に入りのレストランに行くのが習慣になっていた。また、Kenと私は彼らのロフトのすぐ下にあるプエルトリコ料理店でモーニングコーヒーを飲んだこともある。人生と芸術は切っても切り離せないものであり、絶え間なく互いに割り込んでくる。Kenは常に不可能を思い描くアーティストだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2832709803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where Would You Like to Go? 02:56\u003cbr\u003e2. Liminal Space 12:44\u003cbr\u003e3. Screen Test 06:59\u003cbr\u003e4. Tiger Balm 02:04\u003cbr\u003e5. Brooklyn Bridge (extended version) 20:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKen Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-floor loft on Chambers Street in TriBeCa, where Ken and his wife, Flo, have lived and worked since 1965, to experience a private screening. He turned on the apparatus and the image flashed onto the screen: geometric patterns — something of a Rorschach inkblot — rotated as if in a whirlpool, and three-dimensional imagery pulsed with strong flicker. What was weird was that the images did not adhere to the surface of the screen. They stood out, almost floating, like holograms. Then, my eyes started catching physical shapes in the depth of the abstract patterns such as faces, hands, the surface of an oil spill, and they appeared and disappeared like ghosts or doppelgängers. “How does Nervous Magic Lantern work?” I asked Ken. The inventor's answer was something unexpected: \"I don't know! I dreamed it and found it through experimentations then stuck to it. I'm not that technical.\" Well, he is an artist who creates a phantasmagoria of mystery; let the neuroscientists explain the\u003cspan class=\"bcTruncateMore\"\u003e mechanism.\u003cbr\u003e\u003cbr\u003eThe self-made apparatus contains a spinning shutter, a light source, and lenses set in a wooden frame. Ken inserts his hand-painted circular slides between the light and lenses and moved them gently with his hands. The lenses enlarged a tiny portion on the slide, while the spinning shutter gave the flicker effect. Compared to Ken's other works, which are often filled with unflinching political criticism, the imagery of Nervous Magic Lantern is patently abstract, and it examines how our brain regulates our perceptions. In Jonas Mekas' Movie Journal, Ken once said, “We’re stepping towards a deeper incline, something challenging our notion of the way things are. Something impossible.” Elsewhere he stated, “Eisenstein said the power of film was to be found between shots. Peter Kubelka seeks it between film frames. I want to get between the eyes, contest the separate halves of the brain. A whole new play of appearances is possible here.” Nervous Magic Lantern offers up this sort of play in stunning hallucinations, strange visions dancing on the screen.\u003cbr\u003e\u003cbr\u003eKen's request for my music was to play “sounds of daily life.” He explained that the project “is an escape,” and that he felt “guilty not having any messages or reflecting the real world. By using environmental sounds to surround us,” he continued, “I'd like to be rooted in the real world.\"\u003cbr\u003eAround 2014, I noticed that Ken had a sizable collection of cassette field recordings he had amassed over the last several decades. Street noises in Chinatown, conversations with friends, or any sort of uncategorizable sound around him. I was fascinated and decided to use them as a springboard for composing. One of the unique aspects of Nervous Magic Lantern is that the visual stays abstract while the sound is able to adopt meanings or a narrative sense derived from the quotidian sounds. I wanted to emphasize that point and add almost a sense of documentary. More than that, I simply loved the aural depictions of Ken and Flo’s life. Those also trigger my memories with them. Over the years, during summer time, Ken, Flo, and my wife, Makiko, made a habit of going to their favorite restaurant in Chinatown. Other times, Ken and I had morning coffee at a Puerto Rican restaurant just below their loft. Life and art are inseparable, breaking into one another incessantly. Ken is an artist who always envisioned the impossible. I wanted to see if it's possible to present that vision as something universal, something whole, something running through everyone’s life. A soundtrack for life in the depth of illusion. That is perhaps what this album is. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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茨城の実験音楽家Aki Ondaが、2025年8月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。 アメリカの大御所実験映画監督Ken Jacobsが長年録りためたカセットのフィールドレコーディングを素材にした物音コラージュ〜ドローン5曲を収録。DLコード付属。 前作もオススメです。 以下、作家本人による解説の抜粋です。 "Ken Jacobsはアヴァンギャルド映画に欠かせない人物で、私とは10年以上にわたるコラボレーションがある。2007年にブリュッセルで開催されたアルゴス・フェスティバルで、彼の『Nervous Magic Lantern』プロジェクトに初めて出演した。ヨーロッパに飛ぶ前、Kenは私を、Kenと妻のFloが1965年から住み、働いているトライベッカのチェンバーズ・ストリートの最上階にあるロフトに招待してくれた。ロールシャッハのインクブロットのような幾何学模様が渦を巻くように回転し、立体的なイメージが強い明滅を伴って脈打つ。奇妙なのは、映像がスクリーンの表面に張り付いていないことだ。まるでホログラムのように浮き出ているのだ。そして私の目は、顔や手、流出した油の表面など、抽象的なパターンの奥にある物理的な形をとらえ始め、それらは幽霊やドッペルゲンガーのように現れては消えていった。「ナーバス・マジック・ランタンはどのように機能するのですか？」 私はKenに尋ねた。発明家の答えは予想外のものだった。 「分からない！夢を見て、実験して見つけたんだ。僕はそんなに技術的なことはできないんだ。」まあ、彼は神秘のファンタスマゴリアを創り出す芸術家なのだから、そのメカニズムは神経科学者に説明させればいい。 自作の装置には、回転するシャッター、光源、レンズが木製のフレームにセットされている。Kenは手描きの円形スライドを光とレンズの間に挿入し、手でそっと動かす。レンズはスライドの小さな部分を拡大し、回転するシャッターはフリッカー効果を与える。しばしば冷徹な政治批判に満ちたKenの他の作品と比べると、『Nervous Magic...
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{"id":8916490682618,"title":"Aki Onda \/\/ In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern LP [COLOR]","handle":"aki-onda-in-the-depth-of-illusion-a-soundtrack-for-nervous-magic-lantern-lp-color","description":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、\u003cspan\u003e2025年8月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカの大御所実験映画監督Ken Jacobsが長年録りためたカセットのフィールドレコーディングを素材にした物音コラージュ〜ドローン5曲を収録\u003c\/span\u003e。クリア盤です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/aki-onda-transmissions-from-the-radio-midnight-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ken Jacobsはアヴァンギャルド映画に欠かせない人物で、私とは10年以上にわたるコラボレーションがある。2007年にブリュッセルで開催されたアルゴス・フェスティバルで、彼の『Nervous Magic Lantern』プロジェクトに初めて出演した。ヨーロッパに飛ぶ前、Kenは私を、Kenと妻のFloが1965年から住み、働いているトライベッカのチェンバーズ・ストリートの最上階にあるロフトに招待してくれた。ロールシャッハのインクブロットのような幾何学模様が渦を巻くように回転し、立体的なイメージが強い明滅を伴って脈打つ。奇妙なのは、映像がスクリーンの表面に張り付いていないことだ。まるでホログラムのように浮き出ているのだ。そして私の目は、顔や手、流出した油の表面など、抽象的なパターンの奥にある物理的な形をとらえ始め、それらは幽霊やドッペルゲンガーのように現れては消えていった。「ナーバス・マジック・ランタンはどのように機能するのですか？」 私はKenに尋ねた。発明家の答えは予想外のものだった。 「分からない！夢を見て、実験して見つけたんだ。僕はそんなに技術的なことはできないんだ。」まあ、彼は神秘のファンタスマゴリアを創り出す芸術家なのだから、そのメカニズムは神経科学者に説明させればいい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作の装置には、回転するシャッター、光源、レンズが木製のフレームにセットされている。Kenは手描きの円形スライドを光とレンズの間に挿入し、手でそっと動かす。レンズはスライドの小さな部分を拡大し、回転するシャッターはフリッカー効果を与える。しばしば冷徹な政治批判に満ちたKenの他の作品と比べると、『Nervous Magic Lantern』のイメージは明らかに抽象的であり、私たちの脳がどのように知覚を制御しているかを検証している。ジョナス・メカスの『Movie Journal』で、Kenはかつてこう語っている。「私たちはより深い傾斜に向かって足を踏み入れている。何か不可能なもの。」エイゼンシュテインは、映画の力はショットとショットの間にあると言った。ピーター・クベルカは、フィルムのフレームの間にそれを求める。私は目と目の間に入りたい。ここでは、まったく新しい外観の遊びが可能なのだ。『Nervous Magic Lantern』は、このような遊びを、スクリーン上で踊る奇妙な幻覚として提供する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私の音楽に対するKenからのリクエストは、「日常生活の音 」を演奏することだった。彼は、このプロジェクトは「逃避」であり、「何のメッセージも持たず、現実世界を反映しないことに罪悪感を感じている」と説明した。私たちを取り巻く環境音を使うことで、「現実世界に根ざしたい 」と彼は続けた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2014年頃、私はKenが過去数十年にわたって集めたカセット・フィールドレコーディングのかなりのコレクションを持っていることに気づいた。チャイナタウンのストリートノイズや友人との会話など、彼の身の回りにあるカテゴライズできないあらゆる音だ。私は魅了され、それらを作曲の足がかりにしようと決めた。Nervous Magic Lanternのユニークな点のひとつは、ビジュアルは抽象的なままである一方、サウンドはありふれた音から派生する意味や物語性を取り入れることができるという点だ。その点を強調し、ドキュメンタリーのような感覚を加えたかった。それ以上に、私は単純にKenとFloの人生の聴覚的描写が好きだった。それが、彼らとの思い出の引き金にもなった。何年もの間、夏の間、KenとFlo、そして私の妻のマキコは、チャイナタウンにある彼らのお気に入りのレストランに行くのが習慣になっていた。また、Kenと私は彼らのロフトのすぐ下にあるプエルトリコ料理店でモーニングコーヒーを飲んだこともある。人生と芸術は切っても切り離せないものであり、絶え間なく互いに割り込んでくる。Kenは常に不可能を思い描くアーティストだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2832709803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where Would You Like to Go? 02:56\u003cbr\u003e2. Liminal Space 12:44\u003cbr\u003e3. Screen Test 06:59\u003cbr\u003e4. Tiger Balm 02:04\u003cbr\u003e5. Brooklyn Bridge (extended version) 20:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKen Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-floor loft on Chambers Street in TriBeCa, where Ken and his wife, Flo, have lived and worked since 1965, to experience a private screening. He turned on the apparatus and the image flashed onto the screen: geometric patterns — something of a Rorschach inkblot — rotated as if in a whirlpool, and three-dimensional imagery pulsed with strong flicker. What was weird was that the images did not adhere to the surface of the screen. They stood out, almost floating, like holograms. Then, my eyes started catching physical shapes in the depth of the abstract patterns such as faces, hands, the surface of an oil spill, and they appeared and disappeared like ghosts or doppelgängers. “How does Nervous Magic Lantern work?” I asked Ken. The inventor's answer was something unexpected: \"I don't know! I dreamed it and found it through experimentations then stuck to it. I'm not that technical.\" Well, he is an artist who creates a phantasmagoria of mystery; let the neuroscientists explain the\u003cspan class=\"bcTruncateMore\"\u003e mechanism.\u003cbr\u003e\u003cbr\u003eThe self-made apparatus contains a spinning shutter, a light source, and lenses set in a wooden frame. Ken inserts his hand-painted circular slides between the light and lenses and moved them gently with his hands. The lenses enlarged a tiny portion on the slide, while the spinning shutter gave the flicker effect. Compared to Ken's other works, which are often filled with unflinching political criticism, the imagery of Nervous Magic Lantern is patently abstract, and it examines how our brain regulates our perceptions. In Jonas Mekas' Movie Journal, Ken once said, “We’re stepping towards a deeper incline, something challenging our notion of the way things are. Something impossible.” Elsewhere he stated, “Eisenstein said the power of film was to be found between shots. Peter Kubelka seeks it between film frames. I want to get between the eyes, contest the separate halves of the brain. A whole new play of appearances is possible here.” Nervous Magic Lantern offers up this sort of play in stunning hallucinations, strange visions dancing on the screen.\u003cbr\u003e\u003cbr\u003eKen's request for my music was to play “sounds of daily life.” He explained that the project “is an escape,” and that he felt “guilty not having any messages or reflecting the real world. By using environmental sounds to surround us,” he continued, “I'd like to be rooted in the real world.\"\u003cbr\u003eAround 2014, I noticed that Ken had a sizable collection of cassette field recordings he had amassed over the last several decades. Street noises in Chinatown, conversations with friends, or any sort of uncategorizable sound around him. I was fascinated and decided to use them as a springboard for composing. One of the unique aspects of Nervous Magic Lantern is that the visual stays abstract while the sound is able to adopt meanings or a narrative sense derived from the quotidian sounds. I wanted to emphasize that point and add almost a sense of documentary. More than that, I simply loved the aural depictions of Ken and Flo’s life. Those also trigger my memories with them. Over the years, during summer time, Ken, Flo, and my wife, Makiko, made a habit of going to their favorite restaurant in Chinatown. Other times, Ken and I had morning coffee at a Puerto Rican restaurant just below their loft. Life and art are inseparable, breaking into one another incessantly. Ken is an artist who always envisioned the impossible. I wanted to see if it's possible to present that vision as something universal, something whole, something running through everyone’s life. A soundtrack for life in the depth of illusion. That is perhaps what this album is. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2025-09-05T17:49:20+09:00","created_at":"2025-09-05T16:55:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","room40"],"price":397000,"price_min":397000,"price_max":397000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47697488478458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aki Onda \/\/ In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern LP [COLOR]","public_title":null,"options":["Default Title"],"price":397000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_700bbf0f-978d-4c52-abd4-f28d8e0dddf9.jpg?v=1757058960","\/\/tobirarecords.com\/cdn\/shop\/files\/dep3_41f00929-e51b-45bc-a526-f6e61782b452.jpg?v=1757058960"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_700bbf0f-978d-4c52-abd4-f28d8e0dddf9.jpg?v=1757058960","options":["Title"],"media":[{"alt":null,"id":36741717885178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_700bbf0f-978d-4c52-abd4-f28d8e0dddf9.jpg?v=1757058960"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_700bbf0f-978d-4c52-abd4-f28d8e0dddf9.jpg?v=1757058960","width":700},{"alt":null,"id":36741717917946,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep3_41f00929-e51b-45bc-a526-f6e61782b452.jpg?v=1757058960"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep3_41f00929-e51b-45bc-a526-f6e61782b452.jpg?v=1757058960","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、\u003cspan\u003e2025年8月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカの大御所実験映画監督Ken Jacobsが長年録りためたカセットのフィールドレコーディングを素材にした物音コラージュ〜ドローン5曲を収録\u003c\/span\u003e。クリア盤です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/aki-onda-transmissions-from-the-radio-midnight-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ken Jacobsはアヴァンギャルド映画に欠かせない人物で、私とは10年以上にわたるコラボレーションがある。2007年にブリュッセルで開催されたアルゴス・フェスティバルで、彼の『Nervous Magic Lantern』プロジェクトに初めて出演した。ヨーロッパに飛ぶ前、Kenは私を、Kenと妻のFloが1965年から住み、働いているトライベッカのチェンバーズ・ストリートの最上階にあるロフトに招待してくれた。ロールシャッハのインクブロットのような幾何学模様が渦を巻くように回転し、立体的なイメージが強い明滅を伴って脈打つ。奇妙なのは、映像がスクリーンの表面に張り付いていないことだ。まるでホログラムのように浮き出ているのだ。そして私の目は、顔や手、流出した油の表面など、抽象的なパターンの奥にある物理的な形をとらえ始め、それらは幽霊やドッペルゲンガーのように現れては消えていった。「ナーバス・マジック・ランタンはどのように機能するのですか？」 私はKenに尋ねた。発明家の答えは予想外のものだった。 「分からない！夢を見て、実験して見つけたんだ。僕はそんなに技術的なことはできないんだ。」まあ、彼は神秘のファンタスマゴリアを創り出す芸術家なのだから、そのメカニズムは神経科学者に説明させればいい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自作の装置には、回転するシャッター、光源、レンズが木製のフレームにセットされている。Kenは手描きの円形スライドを光とレンズの間に挿入し、手でそっと動かす。レンズはスライドの小さな部分を拡大し、回転するシャッターはフリッカー効果を与える。しばしば冷徹な政治批判に満ちたKenの他の作品と比べると、『Nervous Magic Lantern』のイメージは明らかに抽象的であり、私たちの脳がどのように知覚を制御しているかを検証している。ジョナス・メカスの『Movie Journal』で、Kenはかつてこう語っている。「私たちはより深い傾斜に向かって足を踏み入れている。何か不可能なもの。」エイゼンシュテインは、映画の力はショットとショットの間にあると言った。ピーター・クベルカは、フィルムのフレームの間にそれを求める。私は目と目の間に入りたい。ここでは、まったく新しい外観の遊びが可能なのだ。『Nervous Magic Lantern』は、このような遊びを、スクリーン上で踊る奇妙な幻覚として提供する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私の音楽に対するKenからのリクエストは、「日常生活の音 」を演奏することだった。彼は、このプロジェクトは「逃避」であり、「何のメッセージも持たず、現実世界を反映しないことに罪悪感を感じている」と説明した。私たちを取り巻く環境音を使うことで、「現実世界に根ざしたい 」と彼は続けた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2014年頃、私はKenが過去数十年にわたって集めたカセット・フィールドレコーディングのかなりのコレクションを持っていることに気づいた。チャイナタウンのストリートノイズや友人との会話など、彼の身の回りにあるカテゴライズできないあらゆる音だ。私は魅了され、それらを作曲の足がかりにしようと決めた。Nervous Magic Lanternのユニークな点のひとつは、ビジュアルは抽象的なままである一方、サウンドはありふれた音から派生する意味や物語性を取り入れることができるという点だ。その点を強調し、ドキュメンタリーのような感覚を加えたかった。それ以上に、私は単純にKenとFloの人生の聴覚的描写が好きだった。それが、彼らとの思い出の引き金にもなった。何年もの間、夏の間、KenとFlo、そして私の妻のマキコは、チャイナタウンにある彼らのお気に入りのレストランに行くのが習慣になっていた。また、Kenと私は彼らのロフトのすぐ下にあるプエルトリコ料理店でモーニングコーヒーを飲んだこともある。人生と芸術は切っても切り離せないものであり、絶え間なく互いに割り込んでくる。Kenは常に不可能を思い描くアーティストだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2832709803\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where Would You Like to Go? 02:56\u003cbr\u003e2. Liminal Space 12:44\u003cbr\u003e3. Screen Test 06:59\u003cbr\u003e4. Tiger Balm 02:04\u003cbr\u003e5. Brooklyn Bridge (extended version) 20:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKen Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-floor loft on Chambers Street in TriBeCa, where Ken and his wife, Flo, have lived and worked since 1965, to experience a private screening. He turned on the apparatus and the image flashed onto the screen: geometric patterns — something of a Rorschach inkblot — rotated as if in a whirlpool, and three-dimensional imagery pulsed with strong flicker. What was weird was that the images did not adhere to the surface of the screen. They stood out, almost floating, like holograms. Then, my eyes started catching physical shapes in the depth of the abstract patterns such as faces, hands, the surface of an oil spill, and they appeared and disappeared like ghosts or doppelgängers. “How does Nervous Magic Lantern work?” I asked Ken. The inventor's answer was something unexpected: \"I don't know! I dreamed it and found it through experimentations then stuck to it. I'm not that technical.\" Well, he is an artist who creates a phantasmagoria of mystery; let the neuroscientists explain the\u003cspan class=\"bcTruncateMore\"\u003e mechanism.\u003cbr\u003e\u003cbr\u003eThe self-made apparatus contains a spinning shutter, a light source, and lenses set in a wooden frame. Ken inserts his hand-painted circular slides between the light and lenses and moved them gently with his hands. The lenses enlarged a tiny portion on the slide, while the spinning shutter gave the flicker effect. Compared to Ken's other works, which are often filled with unflinching political criticism, the imagery of Nervous Magic Lantern is patently abstract, and it examines how our brain regulates our perceptions. In Jonas Mekas' Movie Journal, Ken once said, “We’re stepping towards a deeper incline, something challenging our notion of the way things are. Something impossible.” Elsewhere he stated, “Eisenstein said the power of film was to be found between shots. Peter Kubelka seeks it between film frames. I want to get between the eyes, contest the separate halves of the brain. A whole new play of appearances is possible here.” Nervous Magic Lantern offers up this sort of play in stunning hallucinations, strange visions dancing on the screen.\u003cbr\u003e\u003cbr\u003eKen's request for my music was to play “sounds of daily life.” He explained that the project “is an escape,” and that he felt “guilty not having any messages or reflecting the real world. By using environmental sounds to surround us,” he continued, “I'd like to be rooted in the real world.\"\u003cbr\u003eAround 2014, I noticed that Ken had a sizable collection of cassette field recordings he had amassed over the last several decades. Street noises in Chinatown, conversations with friends, or any sort of uncategorizable sound around him. I was fascinated and decided to use them as a springboard for composing. One of the unique aspects of Nervous Magic Lantern is that the visual stays abstract while the sound is able to adopt meanings or a narrative sense derived from the quotidian sounds. I wanted to emphasize that point and add almost a sense of documentary. More than that, I simply loved the aural depictions of Ken and Flo’s life. Those also trigger my memories with them. Over the years, during summer time, Ken, Flo, and my wife, Makiko, made a habit of going to their favorite restaurant in Chinatown. Other times, Ken and I had morning coffee at a Puerto Rican restaurant just below their loft. Life and art are inseparable, breaking into one another incessantly. Ken is an artist who always envisioned the impossible. I wanted to see if it's possible to present that vision as something universal, something whole, something running through everyone’s life. A soundtrack for life in the depth of illusion. That is perhaps what this album is. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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茨城の実験音楽家Aki Ondaが、2025年8月にオーストラリアの実験レーベルRoom40からリリースしたレコードです。 アメリカの大御所実験映画監督Ken Jacobsが長年録りためたカセットのフィールドレコーディングを素材にした物音コラージュ〜ドローン5曲を収録。クリア盤です。DLコード付属。 前作もオススメです。 以下、作家本人による解説の抜粋です。 "Ken Jacobsはアヴァンギャルド映画に欠かせない人物で、私とは10年以上にわたるコラボレーションがある。2007年にブリュッセルで開催されたアルゴス・フェスティバルで、彼の『Nervous Magic Lantern』プロジェクトに初めて出演した。ヨーロッパに飛ぶ前、Kenは私を、Kenと妻のFloが1965年から住み、働いているトライベッカのチェンバーズ・ストリートの最上階にあるロフトに招待してくれた。ロールシャッハのインクブロットのような幾何学模様が渦を巻くように回転し、立体的なイメージが強い明滅を伴って脈打つ。奇妙なのは、映像がスクリーンの表面に張り付いていないことだ。まるでホログラムのように浮き出ているのだ。そして私の目は、顔や手、流出した油の表面など、抽象的なパターンの奥にある物理的な形をとらえ始め、それらは幽霊やドッペルゲンガーのように現れては消えていった。「ナーバス・マジック・ランタンはどのように機能するのですか？」 私はKenに尋ねた。発明家の答えは予想外のものだった。 「分からない！夢を見て、実験して見つけたんだ。僕はそんなに技術的なことはできないんだ。」まあ、彼は神秘のファンタスマゴリアを創り出す芸術家なのだから、そのメカニズムは神経科学者に説明させればいい。 自作の装置には、回転するシャッター、光源、レンズが木製のフレームにセットされている。Kenは手描きの円形スライドを光とレンズの間に挿入し、手でそっと動かす。レンズはスライドの小さな部分を拡大し、回転するシャッターはフリッカー効果を与える。しばしば冷徹な政治批判に満ちたKenの他の作品と比べると、『Nervous Magic...
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{"id":8092539257082,"title":"Aki Onda \/\/ Nam June's Spirit Was Speaking To Me LP","handle":"aki-onda-nam-junes-spirit-was-speaking-to-me-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003eアメリカ・NYを拠点に活動している実験音楽家Aki Ondaが、2022年6月に同国Recitalからリリースした再発盤です。\u003c\/p\u003e\n\u003cp\u003e題の通り、フルクサス・ビデオアート作家Nam June Paikに捧げた物音コラージュ〜ドローン4曲を収録。20ページの写真集付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2851467951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eSecond edition of 250. \u003cspan\u003eNew pressing of the sold out LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 20 page 11\" x 8.5\" booklet of essays and rare photos of Nam June Paik.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSean McCann, 2020: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006). Aki himself describes the project:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Nam June’s Spirit Was Speaking to Me occurred purely by chance. In 2010, I was spending four days at Nam June Paik Art Center in South Korea for a series of performances and had plenty of free time to wander. The building was packed with Paik’s artwork and related material. I have always felt a close kinship with him as an artist, and so it was a great opportunity to immerse myself in his works and ephemera.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was that night I made the first contact, via a hand-held radio in a hotel room in Seoul. It was literally out of the blue. Scanning through the stations, I stumbled upon what sounded like a submerged voice and I began to record it in fascination. I concluded this was Paik’s spirit reaching out to me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe project continued to grow organically as I kept channeling Paik’s spirit over long distance and receiving cryptic broadcasts\/messages. The series of séances, conducted in different cities across the globe, began in Seoul in 2010, and continued in Köln\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, Germany in 2012, Wrocław, Poland in 2013, and Lewisburg, USA in 2014. The original recordings were captured by the same radio which has a tape recorder, with almost no editing, save for some minimal slicing and mastering.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePaik is known for his association with shamanism, a practice that constantly surfaces in his works all through his career. In an interview, he stated “In Korea, diverse forms of shamanism are strongly remained. Even though I have created my work unconsciously, the most inspiring thing in my work came from Korean female shaman Mudang.” Paik himself was a master shaman and vividly used shaman rituals and symbols for staging his performances and installations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese recordings also became a way for me to explore the mythic form of radio—a medium which is full of mysteries. The transmissions captured may be “secret broadcasts” on anonymous radio stations. There are in fact hundreds of those stations around the world, although the numbers dwindle as clandestine messages can now be sent via encrypted digital channels. Some of these stations were likely for military use or espionage or relics of the Cold War. But many others continue without apparent explanation. These are just some of the questions that remain unanswered.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned in 2017 by documenta 14’s radio program “Every Time A Ear di Soun,” these recordings were continually broadcast on eight radios stations around the world that year. Nam June’s Spirit is a beautifully formed homage, I cannot think of any other like it. An intimate, flickering language discovered through the air. The LP comes replete with a booklet of rare photographs of Paik. These images were shot on the set of Michael Snow’s film Rameau’s Nephew… (1974), although the scene was not included in the final cut.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2023-11-25T18:41:14+09:00","created_at":"2023-11-25T18:40:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","Recital"],"price":379000,"price_min":379000,"price_max":379000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44807776993530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aki Onda \/\/ Nam June's Spirit Was Speaking To Me LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_9c40a0c1-a5c3-4b14-9545-c5756b8643ed.jpg?v=1700905230"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230","options":["Title"],"media":[{"alt":null,"id":32744262762746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230","width":700},{"alt":null,"id":32744262795514,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_9c40a0c1-a5c3-4b14-9545-c5756b8643ed.jpg?v=1700905230"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_9c40a0c1-a5c3-4b14-9545-c5756b8643ed.jpg?v=1700905230","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003eアメリカ・NYを拠点に活動している実験音楽家Aki Ondaが、2022年6月に同国Recitalからリリースした再発盤です。\u003c\/p\u003e\n\u003cp\u003e題の通り、フルクサス・ビデオアート作家Nam June Paikに捧げた物音コラージュ〜ドローン4曲を収録。20ページの写真集付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2851467951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eSecond edition of 250. \u003cspan\u003eNew pressing of the sold out LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 20 page 11\" x 8.5\" booklet of essays and rare photos of Nam June Paik.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSean McCann, 2020: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006). Aki himself describes the project:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Nam June’s Spirit Was Speaking to Me occurred purely by chance. In 2010, I was spending four days at Nam June Paik Art Center in South Korea for a series of performances and had plenty of free time to wander. The building was packed with Paik’s artwork and related material. I have always felt a close kinship with him as an artist, and so it was a great opportunity to immerse myself in his works and ephemera.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was that night I made the first contact, via a hand-held radio in a hotel room in Seoul. It was literally out of the blue. Scanning through the stations, I stumbled upon what sounded like a submerged voice and I began to record it in fascination. I concluded this was Paik’s spirit reaching out to me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe project continued to grow organically as I kept channeling Paik’s spirit over long distance and receiving cryptic broadcasts\/messages. The series of séances, conducted in different cities across the globe, began in Seoul in 2010, and continued in Köln\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, Germany in 2012, Wrocław, Poland in 2013, and Lewisburg, USA in 2014. The original recordings were captured by the same radio which has a tape recorder, with almost no editing, save for some minimal slicing and mastering.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePaik is known for his association with shamanism, a practice that constantly surfaces in his works all through his career. In an interview, he stated “In Korea, diverse forms of shamanism are strongly remained. Even though I have created my work unconsciously, the most inspiring thing in my work came from Korean female shaman Mudang.” Paik himself was a master shaman and vividly used shaman rituals and symbols for staging his performances and installations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese recordings also became a way for me to explore the mythic form of radio—a medium which is full of mysteries. The transmissions captured may be “secret broadcasts” on anonymous radio stations. There are in fact hundreds of those stations around the world, although the numbers dwindle as clandestine messages can now be sent via encrypted digital channels. Some of these stations were likely for military use or espionage or relics of the Cold War. But many others continue without apparent explanation. These are just some of the questions that remain unanswered.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned in 2017 by documenta 14’s radio program “Every Time A Ear di Soun,” these recordings were continually broadcast on eight radios stations around the world that year. Nam June’s Spirit is a beautifully formed homage, I cannot think of any other like it. An intimate, flickering language discovered through the air. The LP comes replete with a booklet of rare photographs of Paik. These images were shot on the set of Michael Snow’s film Rameau’s Nephew… (1974), although the scene was not included in the final cut.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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アメリカ・NYを拠点に活動している実験音楽家Aki Ondaが、2022年6月に同国Recitalからリリースした再発盤です。 題の通り、フルクサス・ビデオアート作家Nam June Paikに捧げた物音コラージュ〜ドローン4曲を収録。20ページの写真集付属。 レーベルその他作品はこちら /// Click here to see more Recital releases available at Tobira. ...
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![Aki Onda // Transmissions From The Radio Midnight LP [BLACK / COLOR]](http://tobirarecords.com/cdn/shop/files/aki1_medium.jpg?v=1694483850)
クイックビュー
{"id":8016992141562,"title":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR]","handle":"aki-onda-transmissions-from-the-radio-midnight-lp","description":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e世界10ヵ国を旅しながら\u003c\/span\u003eAM\/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM\/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2599816025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlbum is based on Aki Onda's previous cassette, \"Voice Studies 17,” released in 2013 by London-based label My Dance The Skull. In 2022, the artist re-edited these materials and incorporated more previously unheard material.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Part I\u003cbr\u003e2. Part II \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Aki Onda\u003cbr\u003eSeptember 20, 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM\/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed, I would begin tuning the radio in search of a program that I liked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf I concentrated intently on my fingers controlling the knob, I could sometimes catch two or three frequencies at once and hear the overlap of different languages. Otherwise I would scan through frequencies and jump around programs to hear the juxtaposition of different languages, such as Spanish, Swedish, French, Polish, Arabic, Korean, among others. There was no greater joy than the moment in which I would begin to hear these languages, which were foreign to me, not as words but as aural texture. Was I enjoying text-sound compositions with alien words? Perhaps it was the abstract fusing of these lingual sounds. It was, at the very least, something akin to sound poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI would often fall asleep while doing this — and so, just\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as often, the radio would continue playing in my dreams. Sometimes, in the middle of the night, I would wake up to the high-pitched beep of a test tone bouncing off the walls of the hotel room. On other occasions I would awaken in the mornings to some unknown program, or, if the tuning was off, simply static noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe radio is like an ocean of languages. It continuously projects a million chatterings happening simultaneously all over the world. This album captures and presents a tiny drop of this ocean, while the ocean itself flows onward — enormous, endless, infinite — for as long as the medium itself lasts. Isn’t that amazing?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-09-12T12:12:06+09:00","created_at":"2023-09-12T10:57:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","lp","monooto"],"price":379000,"price_min":379000,"price_max":428000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222352646394,"title":"Black LP","option1":"Black LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":{"id":39805866148090,"product_id":8016992141562,"position":2,"created_at":"2023-09-12T10:57:28+09:00","updated_at":"2023-09-12T10:57:30+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","variant_ids":[46222352646394]},"available":true,"name":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR] - Black LP","public_title":"Black LP","options":["Black LP"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32436484833530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46222352679162,"title":"Rainbow Splatter LP","option1":"Rainbow Splatter LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":{"id":41565209166074,"product_id":8016992141562,"position":3,"created_at":"2024-06-12T13:57:16+09:00","updated_at":"2024-06-12T13:57:17+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237","variant_ids":[46222352679162]},"available":true,"name":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR] - Rainbow Splatter LP","public_title":"Rainbow Splatter LP","options":["Rainbow Splatter LP"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34311754514682,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","options":["Color"],"media":[{"alt":null,"id":32436484800762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","width":700},{"alt":null,"id":32436484833530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","width":1200},{"alt":null,"id":34311754514682,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e世界10ヵ国を旅しながら\u003c\/span\u003eAM\/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM\/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2599816025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlbum is based on Aki Onda's previous cassette, \"Voice Studies 17,” released in 2013 by London-based label My Dance The Skull. In 2022, the artist re-edited these materials and incorporated more previously unheard material.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Part I\u003cbr\u003e2. Part II \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Aki Onda\u003cbr\u003eSeptember 20, 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM\/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed, I would begin tuning the radio in search of a program that I liked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf I concentrated intently on my fingers controlling the knob, I could sometimes catch two or three frequencies at once and hear the overlap of different languages. Otherwise I would scan through frequencies and jump around programs to hear the juxtaposition of different languages, such as Spanish, Swedish, French, Polish, Arabic, Korean, among others. There was no greater joy than the moment in which I would begin to hear these languages, which were foreign to me, not as words but as aural texture. Was I enjoying text-sound compositions with alien words? Perhaps it was the abstract fusing of these lingual sounds. It was, at the very least, something akin to sound poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI would often fall asleep while doing this — and so, just\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as often, the radio would continue playing in my dreams. Sometimes, in the middle of the night, I would wake up to the high-pitched beep of a test tone bouncing off the walls of the hotel room. On other occasions I would awaken in the mornings to some unknown program, or, if the tuning was off, simply static noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe radio is like an ocean of languages. It continuously projects a million chatterings happening simultaneously all over the world. This album captures and presents a tiny drop of this ocean, while the ocean itself flows onward — enormous, endless, infinite — for as long as the medium itself lasts. Isn’t that amazing?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。 世界10ヵ国を旅しながらAM/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 以下、作家本人による解説です。 "Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。ツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。そうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。このアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。ラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？" レーベルその他作品はこちら /// Click here to see...
¥3,790
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{"id":6561937588389,"title":"Akiko Haruna \/\/ Delusions 12\"","handle":"akiko-haruna-delusions-lp","description":"\u003cp\u003e新人作家Akiko HarunaがWhere To Now?よりリリースしたデビューEP。電子音響寄りのテクノ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=430200672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhere To Nowその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhere To Now releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Where To Now? Records present the debut release from Akiko Haruna. Akiko’s world is one where cacophonic distress lingers, shuffling itself over scapes of percussive damage and driven groove. Akiko presents a fresh take on the current Technoid function through her use of emotive and intentionally disruptive vocal chops and a dizzying ‘wall of sound’ approach to the dancefloor, consuming all yet somehow keeping vibes alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkiko’s artistic background is primarily in Dance, and undoubtedly this performance led background has had an acute impact on her approach to melodic detail \u0026amp; storytelling. Akiko’s tracks rapidly shift \u0026amp; morph states, always restless and searching with fluidity and intent. From the ever present Micro Electronic details to sweeping swathes of Bass flutter the notion of progressive movement remains at the forefront of her sound, minute elements of detail become briefly isolated, intentionally directing the listener to their subtle presence.\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e- Where To Now\u003c\/p\u003e\n\u003cp\u003eArtist : Akiko Haruna\u003c\/p\u003e\n\u003cp\u003eLabel : Where To Now\u003c\/p\u003e","published_at":"2021-03-12T11:54:12+09:00","created_at":"2021-03-09T13:05:56+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house","where to now"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39337710846117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akiko Haruna \/\/ Delusions 12\"","public_title":null,"options":["Default Title"],"price":175000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_1783dfd6-18f0-4e95-8bf0-301b3bbe8b7a.jpg?v=1615262758"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757","options":["Title"],"media":[{"alt":null,"id":20585385722021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757","width":700},{"alt":null,"id":20585385754789,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_1783dfd6-18f0-4e95-8bf0-301b3bbe8b7a.jpg?v=1615262758"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_1783dfd6-18f0-4e95-8bf0-301b3bbe8b7a.jpg?v=1615262758","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e新人作家Akiko HarunaがWhere To Now?よりリリースしたデビューEP。電子音響寄りのテクノ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=430200672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhere To Nowその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhere To Now releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Where To Now? Records present the debut release from Akiko Haruna. Akiko’s world is one where cacophonic distress lingers, shuffling itself over scapes of percussive damage and driven groove. Akiko presents a fresh take on the current Technoid function through her use of emotive and intentionally disruptive vocal chops and a dizzying ‘wall of sound’ approach to the dancefloor, consuming all yet somehow keeping vibes alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkiko’s artistic background is primarily in Dance, and undoubtedly this performance led background has had an acute impact on her approach to melodic detail \u0026amp; storytelling. Akiko’s tracks rapidly shift \u0026amp; morph states, always restless and searching with fluidity and intent. From the ever present Micro Electronic details to sweeping swathes of Bass flutter the notion of progressive movement remains at the forefront of her sound, minute elements of detail become briefly isolated, intentionally directing the listener to their subtle presence.\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e- Where To Now\u003c\/p\u003e\n\u003cp\u003eArtist : Akiko Haruna\u003c\/p\u003e\n\u003cp\u003eLabel : Where To Now\u003c\/p\u003e"}
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新人作家Akiko HarunaがWhere To Now?よりリリースしたデビューEP。電子音響寄りのテクノ3曲を収録。 Where To Nowその他作品はこちら /// Click here to see more Where To Now releases available...
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{"id":5813386117285,"title":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","handle":"pre-order-akio-suzuki-aki-onda-gi-n-ga-cd","description":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-21T17:58:53+09:00","created_at":"2020-10-21T17:58:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","Hasana Editions","monooto","recommended","sale22"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36821138407589,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","options":["Title"],"media":[{"alt":null,"id":12508852453541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2021,"width":2022,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725"},"aspect_ratio":1.0,"height":2021,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","width":2022},{"alt":null,"id":12782584430757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e"}
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これまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。 レーベルその他作品はこちら /// Click here to see more Hasana Editions releases available at Tobira. ...
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{"id":7586960507130,"title":"Akio Suzuki \u0026 Lawrence English \/\/ boombana echoes CD","handle":"akio-suzuki-and-lawrence-english-boombana-echoes-cd","description":"\u003cp\u003e京都の音響作家Akio Suzukiとオーストラリア・ブリスベンの音響作家Lawrence Englishが、2012年にアメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜自作楽器によるドローン4曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2101518716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003eText by Lawrence English, May 2012:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"I had the pleasure to meet and record with Akio Suzuki late in 2005. Having discovered his work a good few years before that, I had always been impressed with his clear passion for the expressive nature of sound - not merely as a vibrational art form, but also for its mystic, perhaps even spiritual qualities. His many experiments with sound, space and environment were a great inspiration for me and still to this day fill me with a great sense of wonder (no doubt a result of Suzuki's magician like quality, after all he is a shaman).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese recordings are edits from a series of both site specific and situation specific encounters we developed together during a short performance based residency in Brisbane. The first recordings we made together were site specific, and the title of this edition reflects the location in which we began working on the project together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoombana is an area of forest that shifts from open eucalypt woodland to sub-tropic rainforest within a matter of 500 metres. It's located on route to Mt Nebo and not far from there, the view stretches all the way to Moreton Bay. I recorded Suzuki-san during high summer, the forest sizzling with an eerie electronic fizz of cicadas and leaf hoppers, occasionally interrupted by screeching Sulphur Crested Cockatoos. It was these recordings that form the inspiration for the duet published here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReturning to Brisbane, Suzuki and I recorded a series of pieces late one evening. Suzuki played his remarkable Analapos and I used a some hand percussion and a range of small electronic devices that in many ways reflected on the initial sessions we recorded in Boombana - the cicadas replaced by tone generators and filters. The titles of each work also directly link back to Boombana, its distinctive flora and fauna.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing back to these recordings more than half a decade after they were created, I'm still captivated by Suzuki's remarkable use of his unique instrument the Analapos and I'm inspired to this day by his mastery of sound as an art form. I dearly hope you enjoy these pieces.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : akio suzuki and lawrence english\u003c\/p\u003e\n\u003cp\u003eLabel : Winds Measure Recordings\u003c\/p\u003e","published_at":"2022-04-13T07:35:20+09:00","created_at":"2022-04-11T16:42:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","winds measure recordings"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42626522185978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akio Suzuki \u0026 Lawrence English \/\/ boombana echoes CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969","\/\/tobirarecords.com\/cdn\/shop\/products\/ec2_4064108c-3292-453c-ac88-f5fd1832f3ea.jpg?v=1649662969"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969","options":["Title"],"media":[{"alt":null,"id":29513533030650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969","width":700},{"alt":null,"id":29513533063418,"position":2,"preview_image":{"aspect_ratio":1.376,"height":872,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec2_4064108c-3292-453c-ac88-f5fd1832f3ea.jpg?v=1649662969"},"aspect_ratio":1.376,"height":872,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec2_4064108c-3292-453c-ac88-f5fd1832f3ea.jpg?v=1649662969","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e京都の音響作家Akio Suzukiとオーストラリア・ブリスベンの音響作家Lawrence Englishが、2012年にアメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜自作楽器によるドローン4曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2101518716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003eText by Lawrence English, May 2012:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"I had the pleasure to meet and record with Akio Suzuki late in 2005. Having discovered his work a good few years before that, I had always been impressed with his clear passion for the expressive nature of sound - not merely as a vibrational art form, but also for its mystic, perhaps even spiritual qualities. His many experiments with sound, space and environment were a great inspiration for me and still to this day fill me with a great sense of wonder (no doubt a result of Suzuki's magician like quality, after all he is a shaman).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese recordings are edits from a series of both site specific and situation specific encounters we developed together during a short performance based residency in Brisbane. The first recordings we made together were site specific, and the title of this edition reflects the location in which we began working on the project together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoombana is an area of forest that shifts from open eucalypt woodland to sub-tropic rainforest within a matter of 500 metres. It's located on route to Mt Nebo and not far from there, the view stretches all the way to Moreton Bay. I recorded Suzuki-san during high summer, the forest sizzling with an eerie electronic fizz of cicadas and leaf hoppers, occasionally interrupted by screeching Sulphur Crested Cockatoos. It was these recordings that form the inspiration for the duet published here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReturning to Brisbane, Suzuki and I recorded a series of pieces late one evening. Suzuki played his remarkable Analapos and I used a some hand percussion and a range of small electronic devices that in many ways reflected on the initial sessions we recorded in Boombana - the cicadas replaced by tone generators and filters. The titles of each work also directly link back to Boombana, its distinctive flora and fauna.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing back to these recordings more than half a decade after they were created, I'm still captivated by Suzuki's remarkable use of his unique instrument the Analapos and I'm inspired to this day by his mastery of sound as an art form. I dearly hope you enjoy these pieces.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : akio suzuki and lawrence english\u003c\/p\u003e\n\u003cp\u003eLabel : Winds Measure Recordings\u003c\/p\u003e"}
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京都の音響作家Akio Suzukiとオーストラリア・ブリスベンの音響作家Lawrence Englishが、2012年にアメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。 フィールドレコーディング〜自作楽器によるドローン4曲を収録。廃盤です。 Winds Measure Recordingsその他作品はこちら /// Click here to see more Winds Measure Recordings...
¥2,280
クイックビュー
{"id":7671367663866,"title":"Akio Suzuki \/\/ Analapos CD","handle":"akio-suzuki-analapos-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227392117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card and 28 page book which includes exclusive photographs and an extensive interview conducted by Aki Onda about the history of the Analapos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 1979, Akio Suzuki recorded a performance, ’New Sense Of Hearing’, at the Nagoya American Centre. During the performance, Suzuki used voice, turntables, glass harmonica and his self-designed instrument the Analapos to create a series of improvised pieces that effectively charted out his sonic investigations for the proceeding decades.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1980 these recordings were issued by ALM records as Analapos, the first work made publicly available by Akio Suzuki.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor going on six decades now, Akio Suzuki has been responsible for creating amongst the most otherworldly, yet deeply affective sound works of his generation. As a musician, sculptor and sound artist, Suzuki’s work threads an important linkage between Eastern and Western sound art practices. His approaches, that focus primarily on intense states of listening, ’throwing and following’ and a relentless sense of open curiosity, have allowed him to continuously deepen his work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally published in an edition of just 200 copies in 1980, Analapos has been out of print literally since its release. Clocking in an over an hour, the original pressing of the recordings to a single LP, presented some technical\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e limitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 40th anniversary edition of Analapos is entirely remastered and is published with a booklet that includes a long form interview with Akio Suzuki conducted by sound artist and collaborator Aki Onda, plus extensive photographic documentation of the development of the Analapos. The publication of this edition is announced in conjunction with the Sense Of Ekō retrospective exhibition which opens at The Substation in Melbourne late January.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-11T14:39:29+09:00","created_at":"2022-07-11T09:30:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","room40"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974064050426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Analapos CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","options":["Title"],"media":[{"alt":null,"id":30094755627258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","width":700},{"alt":null,"id":30094755660026,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227392117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card and 28 page book which includes exclusive photographs and an extensive interview conducted by Aki Onda about the history of the Analapos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 1979, Akio Suzuki recorded a performance, ’New Sense Of Hearing’, at the Nagoya American Centre. During the performance, Suzuki used voice, turntables, glass harmonica and his self-designed instrument the Analapos to create a series of improvised pieces that effectively charted out his sonic investigations for the proceeding decades.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1980 these recordings were issued by ALM records as Analapos, the first work made publicly available by Akio Suzuki.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor going on six decades now, Akio Suzuki has been responsible for creating amongst the most otherworldly, yet deeply affective sound works of his generation. As a musician, sculptor and sound artist, Suzuki’s work threads an important linkage between Eastern and Western sound art practices. His approaches, that focus primarily on intense states of listening, ’throwing and following’ and a relentless sense of open curiosity, have allowed him to continuously deepen his work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally published in an edition of just 200 copies in 1980, Analapos has been out of print literally since its release. Clocking in an over an hour, the original pressing of the recordings to a single LP, presented some technical\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e limitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 40th anniversary edition of Analapos is entirely remastered and is published with a booklet that includes a long form interview with Akio Suzuki conducted by sound artist and collaborator Aki Onda, plus extensive photographic documentation of the development of the Analapos. The publication of this edition is announced in conjunction with the Sense Of Ekō retrospective exhibition which opens at The Substation in Melbourne late January.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。 自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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クイックビュー
{"id":8626263818490,"title":"Akio Suzuki \/\/ KA I KI LP","handle":"akio-suzuki-ka-i-ki-tape","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月15日(火)発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e京都の大御所実験音楽家Akio Suzukiが、2024年10月に新潟のExperimental Roomsからリリースするレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンド・アート界の巨匠、鈴木昭男が超絶エコー空間と共に創り上げたサイト・スペシフィック音響作品。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1960年代より「聴く」ことを主体に置き、自らをエコー人間とも称して響きの場を求め、これまでに洞窟、トンネル、宮殿、石油タンクなど数々のエコー空間を訪れてきたサウンド・アートの先駆的存在＝鈴木昭男。そんな巨匠が新潟・新発田市内の山奥に位置する内の倉ダム堤体内の残響40秒の異世界に導かれ、無観客レコーディングを敢行した記録が今作である。石、竹、スポンジ、手鏡、櫛、段ボール、ガラス瓶、そして自身の声。日常的に扱うオブジェクトや身体はたちまち「音器」と化し、叩く、転がす、擦る、回す、吹く、引っ張るなど、様々な作法によって演奏行為が行われ、電気的な増幅を一切持たない巨大なコンクリート空間の自然反射による特異なリバーブ効果とともにアコースティックな音響作品が立ち上がっていく。その様はミクロにもマクロにも変容し、私たち聴衆者に無限の宇宙をも想起させてくれる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2536465428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Kikkokikiriki | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキッコキキリキ\u003c\/span\u003e 02:26\u003cbr\u003e2. Bokorobonboko | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eボコロボンボコ\u003c\/span\u003e 03:28\u003cbr\u003e3. Kyurukyuttsu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキュルキュッツ\u003c\/span\u003e 03:22\u003cbr\u003e4. Hyarihyariu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eヒャリヒャリウ\u003c\/span\u003e 03:00\u003cbr\u003e5. Gurunmechuru | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eグルンメチュル\u003c\/span\u003e 06:53\u003cbr\u003e6. Jarujiruyaji | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eジャルジルャジ\u003c\/span\u003e 05:42\u003cbr\u003e7. Konrokokonro | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eコンロココンロ\u003c\/span\u003e 05:43\u003cbr\u003e8. Ōhohhōo | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eオーホッホーオ\u003c\/span\u003e 08:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eExperimental Rooms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA site-specific sound piece created by Akio Suzuki, a master of sound art, with a transcendent\u003cspan class=\"bcTruncateMore\"\u003e echo space.\u003cbr\u003e\u003cbr\u003eSince the 1960s, Akio Suzuki, a pioneer of sound art, has focused on \"listening\" and has visited numerous echo spaces such as caves, tunnels, palaces, and oil tanks in search of places of resonance, calling himself an \"echo man.\" This work is a record of the master's being led to a 40-second otherworldly world of reverberation inside the embankment of Uchinokura Dam, located deep in the mountains of Shibata City, Niigata, and recording without an audience. Stones, bamboo, sponges, hand mirrors, combs, cardboard, glass bottles, and his own voice. Everyday objects and bodies are instantly transformed into \"sound instruments,\" and performances are performed in various ways, such as hitting, rolling, rubbing, spinning, blowing, and pulling, and an acoustic sound piece is created with the unique reverb effect of natural reflections in a huge concrete space without any electrical amplification. The scene transforms into both micro and macro scenes, evoking us, the audience, the infinite universe.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Experimental Rooms\u003c\/p\u003e","published_at":"2024-09-25T08:00:52+09:00","created_at":"2024-09-23T11:54:14+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46679533486330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ KA I KI LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756","\/\/tobirarecords.com\/cdn\/shop\/files\/kai2_6bf9787a-261f-442c-98ff-7f3403f1e4a4.jpg?v=1727059757"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756","options":["Title"],"media":[{"alt":null,"id":34924017680634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756","width":700},{"alt":null,"id":34924017713402,"position":2,"preview_image":{"aspect_ratio":1.332,"height":901,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai2_6bf9787a-261f-442c-98ff-7f3403f1e4a4.jpg?v=1727059757"},"aspect_ratio":1.332,"height":901,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai2_6bf9787a-261f-442c-98ff-7f3403f1e4a4.jpg?v=1727059757","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月15日(火)発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e京都の大御所実験音楽家Akio Suzukiが、2024年10月に新潟のExperimental Roomsからリリースするレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンド・アート界の巨匠、鈴木昭男が超絶エコー空間と共に創り上げたサイト・スペシフィック音響作品。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1960年代より「聴く」ことを主体に置き、自らをエコー人間とも称して響きの場を求め、これまでに洞窟、トンネル、宮殿、石油タンクなど数々のエコー空間を訪れてきたサウンド・アートの先駆的存在＝鈴木昭男。そんな巨匠が新潟・新発田市内の山奥に位置する内の倉ダム堤体内の残響40秒の異世界に導かれ、無観客レコーディングを敢行した記録が今作である。石、竹、スポンジ、手鏡、櫛、段ボール、ガラス瓶、そして自身の声。日常的に扱うオブジェクトや身体はたちまち「音器」と化し、叩く、転がす、擦る、回す、吹く、引っ張るなど、様々な作法によって演奏行為が行われ、電気的な増幅を一切持たない巨大なコンクリート空間の自然反射による特異なリバーブ効果とともにアコースティックな音響作品が立ち上がっていく。その様はミクロにもマクロにも変容し、私たち聴衆者に無限の宇宙をも想起させてくれる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2536465428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Kikkokikiriki | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキッコキキリキ\u003c\/span\u003e 02:26\u003cbr\u003e2. Bokorobonboko | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eボコロボンボコ\u003c\/span\u003e 03:28\u003cbr\u003e3. Kyurukyuttsu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキュルキュッツ\u003c\/span\u003e 03:22\u003cbr\u003e4. Hyarihyariu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eヒャリヒャリウ\u003c\/span\u003e 03:00\u003cbr\u003e5. Gurunmechuru | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eグルンメチュル\u003c\/span\u003e 06:53\u003cbr\u003e6. Jarujiruyaji | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eジャルジルャジ\u003c\/span\u003e 05:42\u003cbr\u003e7. Konrokokonro | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eコンロココンロ\u003c\/span\u003e 05:43\u003cbr\u003e8. Ōhohhōo | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eオーホッホーオ\u003c\/span\u003e 08:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eExperimental Rooms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA site-specific sound piece created by Akio Suzuki, a master of sound art, with a transcendent\u003cspan class=\"bcTruncateMore\"\u003e echo space.\u003cbr\u003e\u003cbr\u003eSince the 1960s, Akio Suzuki, a pioneer of sound art, has focused on \"listening\" and has visited numerous echo spaces such as caves, tunnels, palaces, and oil tanks in search of places of resonance, calling himself an \"echo man.\" This work is a record of the master's being led to a 40-second otherworldly world of reverberation inside the embankment of Uchinokura Dam, located deep in the mountains of Shibata City, Niigata, and recording without an audience. Stones, bamboo, sponges, hand mirrors, combs, cardboard, glass bottles, and his own voice. Everyday objects and bodies are instantly transformed into \"sound instruments,\" and performances are performed in various ways, such as hitting, rolling, rubbing, spinning, blowing, and pulling, and an acoustic sound piece is created with the unique reverb effect of natural reflections in a huge concrete space without any electrical amplification. The scene transforms into both micro and macro scenes, evoking us, the audience, the infinite universe.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Experimental Rooms\u003c\/p\u003e"}
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※10月15日(火)発送開始します 京都の大御所実験音楽家Akio Suzukiが、2024年10月に新潟のExperimental Roomsからリリースするレコードです。DLコード付属。 以下、レーベルによる解説です。 "サウンド・アート界の巨匠、鈴木昭男が超絶エコー空間と共に創り上げたサイト・スペシフィック音響作品。 1960年代より「聴く」ことを主体に置き、自らをエコー人間とも称して響きの場を求め、これまでに洞窟、トンネル、宮殿、石油タンクなど数々のエコー空間を訪れてきたサウンド・アートの先駆的存在＝鈴木昭男。そんな巨匠が新潟・新発田市内の山奥に位置する内の倉ダム堤体内の残響40秒の異世界に導かれ、無観客レコーディングを敢行した記録が今作である。石、竹、スポンジ、手鏡、櫛、段ボール、ガラス瓶、そして自身の声。日常的に扱うオブジェクトや身体はたちまち「音器」と化し、叩く、転がす、擦る、回す、吹く、引っ張るなど、様々な作法によって演奏行為が行われ、電気的な増幅を一切持たない巨大なコンクリート空間の自然反射による特異なリバーブ効果とともにアコースティックな音響作品が立ち上がっていく。その様はミクロにもマクロにも変容し、私たち聴衆者に無限の宇宙をも想起させてくれる。 " ------------------------------------------- Includes DL code. 12" black...
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{"id":5850282229925,"title":"Akio Suzuki \/\/ Kidate DVD+BOOK","handle":"kidate","description":"\u003cp\u003e日本が世界に誇るサウンドアーティスト鈴木昭男の展覧会記念DVDと写真集セットを入荷しました。DVDには谷川俊太郎との「詩と音のパフォーマンス」などライブ映像を3時間半収録。写真集はバイリンガル仕様で189ページにも及びます。ケースは茶と白の2色からお選びいただけます。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is Akio Suzuki's brand new fantastic item consisted of an exhibition catalog and DVD boxed! He carried out an exhibition at a small museum in Aichi pref. This DVD includes his installations, talking with poet Syuntaro Tanikawa, live performances and some past events in 3 hours and a half !! Also small catalog is included many photographs of this exhibition and very rare performances in earlier period. 189 pp, text is in Japanese and English (translated by Alan Cummings). Also box is appeared two colors (white and brown)'. 'The Theme of the exhibition is ki-date - a phase which orginally derives from the tea ceremony, where no-date means to brew tea outdoors. But rather than brewing tea, Suzuki means to kindle our awareness, and our spirit (ki ). Ki appears in many Japanese words - tenki (weather), kisei (elan), iki (spirited). In each of these cases, ki points to the latent potentioal to reveal its inner life. Atmosphere, life-force, beauty - each is composed of ki itself.\u003c\/span\u003e-soundohm\u003c\/p\u003e\n\u003cp\u003eartist : Akio Suzuki \u003c\/p\u003e","published_at":"2020-10-31T16:21:07+09:00","created_at":"2020-10-31T16:21:05+09:00","vendor":"Tobira Records","type":"","tags":["asia","books \/ clothing \/ others","monooto","recommended"],"price":396000,"price_min":396000,"price_max":396000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36960094421157,"title":"Brown","option1":"Brown","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Kidate DVD+BOOK - Brown","public_title":"Brown","options":["Brown"],"price":396000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":36960094453925,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Kidate DVD+BOOK - White","public_title":"White","options":["White"],"price":396000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868","\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date400.jpg?v=1604128868","\/\/tobirarecords.com\/cdn\/shop\/products\/kidate_dvd.jpg?v=1604128868","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_4.jpg?v=1604128869","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_1_906b54a1-3742-44b9-9cca-d8a732961de4.jpg?v=1604128869","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_3.jpg?v=1604128869","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_2_efd77746-9f0c-4f63-8a82-dbbe41f9e699.jpg?v=1604128869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868","options":["Color"],"media":[{"alt":null,"id":13022157308069,"position":1,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868","width":600},{"alt":null,"id":13022157373605,"position":2,"preview_image":{"aspect_ratio":0.696,"height":575,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date400.jpg?v=1604128868"},"aspect_ratio":0.696,"height":575,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date400.jpg?v=1604128868","width":400},{"alt":null,"id":13022157406373,"position":3,"preview_image":{"aspect_ratio":1.515,"height":660,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kidate_dvd.jpg?v=1604128868"},"aspect_ratio":1.515,"height":660,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kidate_dvd.jpg?v=1604128868","width":1000},{"alt":null,"id":13022157471909,"position":4,"preview_image":{"aspect_ratio":1.333,"height":2448,"width":3264,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_4.jpg?v=1604128869"},"aspect_ratio":1.333,"height":2448,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_4.jpg?v=1604128869","width":3264},{"alt":null,"id":13022157504677,"position":5,"preview_image":{"aspect_ratio":0.75,"height":3264,"width":2448,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_1_906b54a1-3742-44b9-9cca-d8a732961de4.jpg?v=1604128869"},"aspect_ratio":0.75,"height":3264,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_1_906b54a1-3742-44b9-9cca-d8a732961de4.jpg?v=1604128869","width":2448},{"alt":null,"id":13022157537445,"position":6,"preview_image":{"aspect_ratio":0.75,"height":3264,"width":2448,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_3.jpg?v=1604128869"},"aspect_ratio":0.75,"height":3264,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_3.jpg?v=1604128869","width":2448},{"alt":null,"id":13022157602981,"position":7,"preview_image":{"aspect_ratio":0.75,"height":3264,"width":2448,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_2_efd77746-9f0c-4f63-8a82-dbbe41f9e699.jpg?v=1604128869"},"aspect_ratio":0.75,"height":3264,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_2_efd77746-9f0c-4f63-8a82-dbbe41f9e699.jpg?v=1604128869","width":2448}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本が世界に誇るサウンドアーティスト鈴木昭男の展覧会記念DVDと写真集セットを入荷しました。DVDには谷川俊太郎との「詩と音のパフォーマンス」などライブ映像を3時間半収録。写真集はバイリンガル仕様で189ページにも及びます。ケースは茶と白の2色からお選びいただけます。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is Akio Suzuki's brand new fantastic item consisted of an exhibition catalog and DVD boxed! He carried out an exhibition at a small museum in Aichi pref. This DVD includes his installations, talking with poet Syuntaro Tanikawa, live performances and some past events in 3 hours and a half !! Also small catalog is included many photographs of this exhibition and very rare performances in earlier period. 189 pp, text is in Japanese and English (translated by Alan Cummings). Also box is appeared two colors (white and brown)'. 'The Theme of the exhibition is ki-date - a phase which orginally derives from the tea ceremony, where no-date means to brew tea outdoors. But rather than brewing tea, Suzuki means to kindle our awareness, and our spirit (ki ). Ki appears in many Japanese words - tenki (weather), kisei (elan), iki (spirited). In each of these cases, ki points to the latent potentioal to reveal its inner life. Atmosphere, life-force, beauty - each is composed of ki itself.\u003c\/span\u003e-soundohm\u003c\/p\u003e\n\u003cp\u003eartist : Akio Suzuki \u003c\/p\u003e"}
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日本が世界に誇るサウンドアーティスト鈴木昭男の展覧会記念DVDと写真集セットを入荷しました。DVDには谷川俊太郎との「詩と音のパフォーマンス」などライブ映像を3時間半収録。写真集はバイリンガル仕様で189ページにも及びます。ケースは茶と白の2色からお選びいただけます。 This is Akio Suzuki's brand new fantastic item consisted of an exhibition catalog...
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{"id":6174823612581,"title":"Akio Suzuki \/\/ Na-Gi 1997 CD","handle":"akio-suzuki-na-gi-1997-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサウンドアーティスト鈴木昭男氏が1997年にリリースしたパフォーマンス音源。洞窟や風、虫の音など約1時間の壮大なサウンドスケープが堪能できます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1997 release. A CD of minimalist environmental sounds by this Japanese sound-artist, previously known for his fabulous Soundsphere CD on the Dutch Het Apollohuis label. \"This music was recorded in Takano, Tango-cho, the northern-most coast of Kyoto, where I live. The bay surrounded by volcanic rock caves is the place where the mighty sounds of waves of the open sea have their muffled echo. Seawater flows into the hollows in the rock again and again like breathing in and breathing out. Spring water constantly drips in the cave, and now and then the wind from the meadow above the chasm brings the sounds of the crickets...the sound spaces of the coast of Takano. A site of a new encounter with the rhythm of the sounds of the sea.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Performance 17.10.'97 52:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Performance 20.10.'97 6:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Edition RZ\u003c\/p\u003e","published_at":"2021-02-15T09:45:50+09:00","created_at":"2021-02-13T15:26:00+09:00","vendor":"Tobira Records","type":"","tags":["asia","edition RZ","field recording","lp","monooto"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37903975448741,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Na-Gi 1997 CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562","options":["Title"],"media":[{"alt":null,"id":16474187956389,"position":1,"preview_image":{"aspect_ratio":1.015,"height":335,"width":340,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562"},"aspect_ratio":1.015,"height":335,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562","width":340}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサウンドアーティスト鈴木昭男氏が1997年にリリースしたパフォーマンス音源。洞窟や風、虫の音など約1時間の壮大なサウンドスケープが堪能できます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1997 release. A CD of minimalist environmental sounds by this Japanese sound-artist, previously known for his fabulous Soundsphere CD on the Dutch Het Apollohuis label. \"This music was recorded in Takano, Tango-cho, the northern-most coast of Kyoto, where I live. The bay surrounded by volcanic rock caves is the place where the mighty sounds of waves of the open sea have their muffled echo. Seawater flows into the hollows in the rock again and again like breathing in and breathing out. Spring water constantly drips in the cave, and now and then the wind from the meadow above the chasm brings the sounds of the crickets...the sound spaces of the coast of Takano. A site of a new encounter with the rhythm of the sounds of the sea.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Performance 17.10.'97 52:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Performance 20.10.'97 6:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Edition RZ\u003c\/p\u003e"}
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日本のサウンドアーティスト鈴木昭男氏が1997年にリリースしたパフォーマンス音源。洞窟や風、虫の音など約1時間の壮大なサウンドスケープが堪能できます。 1997 release. A CD of minimalist environmental sounds by this Japanese sound-artist, previously...
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{"id":8556016992506,"title":"Akio Suzuki \/\/ Stone CD","handle":"akio-suzuki-stone-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース）\u003c\/p\u003e\n\u003cp\u003e石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1396641625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. Includes booklet with essay by David Toop. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Keihitsu 00:32\u003cbr\u003e2. Seseragi 10:05\u003cbr\u003e3. Hinabi 04:28\u003cbr\u003e4. Tsumugi 08:43\u003cbr\u003e5. Hata 11:51\u003cbr\u003e6. Kinuta 05:01\u003cbr\u003e7. Tubarama 02:39\u003cbr\u003e8. Raiin 00:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by David Toop (excerpt from the Stone booklet):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Akio performs, certain qualities (grace, warmth, a quiet authority of mind and action, an engagement with the vessel of nothingness through which sound can emerge) are evident as presences, as soon as he begins. He begins from a state we call silence, by listening, yet at the same time raises questions about our ideas of what this silence might be.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime passes; fixity gives way to destruction; visual perfection is relinquished within the faintest of sound fields. As for the work, this ceremony returns us to nothing, ‘to the feeling of not\u003cspan class=\"bcTruncateMore\"\u003e knowing exactly what is before us’, so to the uncanny, to the shell-like ear found by the sea, the ‘ungraspable phantom of life’, the record of a haunting, time regained. The sound is a parabola, a finger tracing on skin, a brush point, bird in flight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-11T18:58:24+09:00","created_at":"2024-07-11T16:33:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","new","room40"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385089675514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Stone CD","public_title":null,"options":["Default Title"],"price":279000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","options":["Title"],"media":[{"alt":null,"id":34523934523642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","width":700},{"alt":null,"id":34523934556410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース）\u003c\/p\u003e\n\u003cp\u003e石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1396641625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. Includes booklet with essay by David Toop. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Keihitsu 00:32\u003cbr\u003e2. Seseragi 10:05\u003cbr\u003e3. Hinabi 04:28\u003cbr\u003e4. Tsumugi 08:43\u003cbr\u003e5. Hata 11:51\u003cbr\u003e6. Kinuta 05:01\u003cbr\u003e7. Tubarama 02:39\u003cbr\u003e8. Raiin 00:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by David Toop (excerpt from the Stone booklet):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Akio performs, certain qualities (grace, warmth, a quiet authority of mind and action, an engagement with the vessel of nothingness through which sound can emerge) are evident as presences, as soon as he begins. He begins from a state we call silence, by listening, yet at the same time raises questions about our ideas of what this silence might be.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime passes; fixity gives way to destruction; visual perfection is relinquished within the faintest of sound fields. As for the work, this ceremony returns us to nothing, ‘to the feeling of not\u003cspan class=\"bcTruncateMore\"\u003e knowing exactly what is before us’, so to the uncanny, to the shell-like ear found by the sea, the ‘ungraspable phantom of life’, the record of a haunting, time regained. The sound is a parabola, a finger tracing on skin, a brush point, bird in flight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース） 石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":6545079959717,"title":"Akio Suzuki \/\/ Zeitstudie LP","handle":"akio-suzuki-zeitstudie-lp","description":"\u003cp\u003e日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1267095545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally release on cassette in 1984, “Zeitstudie” is remastered and published as an LP by Room40. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOn May 1984 I appeared at a German festival called Pro \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMusica Nova, organized by Radio Bremen. I then travelled to Berlin by car with Rolf Langebertels, the owner of Galerie Giannozzo who had driven to Bremen to hear me perform. I still remember very vividly the experience of passing through the checkpoint to enter West Berlin, a city that floated like an island in the middle of the still socialist GDR. I had previously visited Berlin in 1982 to perform at Kunstlerhaus Bethanien at an event that Rolf had organized. This time too Rolf had organized a concert for me at the Technische Universitat. Playing off the title of the piece (“Study Time”) I had performed at Pro Musica Nova, I titled the piece for this concert “Zeitstudie”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI owe Rolf a great deal of gratitude, as it was him who encouraged me by releasing my very first cassette tape, “Zeitstudie von Akio Suzuki”. In recent years it has become difficult for me to carry heavy instruments around with me, and I have started to do simpler performances with objects assembled on site. So it feels wonderful to have the sound of the battery of instruments I used back then to be\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e returned to the light of day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Zeitstudie von A.S.” I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected by a coil spring. You play it by stretching out the spring horizonally and then projecting your voice into the open end of one of the cylinders. The second piece features a variation, where I would suspend several ANALAPOS vertically and play them like a percussion instrument.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Suzuki-type glass harmonica is in a simpler form than the pre-existing glass harmonica, and consists of five long glass tubes of varying diameters suspended horizontally in a metal frame. As well as rubbing the tubes with wet hands, I developed my own style of playing it using sticks. Once when I was practicing with it in the Netherlands, outside the window I was surprised to hear a bird imitating my sounds. However, later I discovered that the bird always sang that way, and as a token of my regret for having ever doubted it, I borrowed the bird’s Dutch name, De Koolmees, and I s till use it for my instrument. Recently, as I listened back to the cassette of “Zeitstudie von A.S.”, one of Hiromi Miyakita’s drawings was lying in front of me. There was a sympathetic resonance between the sounds and the drawing, so I decided to use it on the cover. This is a joyful music.\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eAkio Suzuki\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:05:33+09:00","created_at":"2021-02-27T11:02:18+09:00","vendor":"Tobira Records","type":"","tags":["asia","field recording","lp","monooto","room40"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276009390245,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Zeitstudie LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512","\/\/tobirarecords.com\/cdn\/shop\/products\/zei3.jpg?v=1614481512"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512","options":["Title"],"media":[{"alt":null,"id":20330138632357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512","width":700},{"alt":null,"id":20330138665125,"position":2,"preview_image":{"aspect_ratio":1.339,"height":896,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei3.jpg?v=1614481512"},"aspect_ratio":1.339,"height":896,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei3.jpg?v=1614481512","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1267095545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally release on cassette in 1984, “Zeitstudie” is remastered and published as an LP by Room40. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOn May 1984 I appeared at a German festival called Pro \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMusica Nova, organized by Radio Bremen. I then travelled to Berlin by car with Rolf Langebertels, the owner of Galerie Giannozzo who had driven to Bremen to hear me perform. I still remember very vividly the experience of passing through the checkpoint to enter West Berlin, a city that floated like an island in the middle of the still socialist GDR. I had previously visited Berlin in 1982 to perform at Kunstlerhaus Bethanien at an event that Rolf had organized. This time too Rolf had organized a concert for me at the Technische Universitat. Playing off the title of the piece (“Study Time”) I had performed at Pro Musica Nova, I titled the piece for this concert “Zeitstudie”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI owe Rolf a great deal of gratitude, as it was him who encouraged me by releasing my very first cassette tape, “Zeitstudie von Akio Suzuki”. In recent years it has become difficult for me to carry heavy instruments around with me, and I have started to do simpler performances with objects assembled on site. So it feels wonderful to have the sound of the battery of instruments I used back then to be\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e returned to the light of day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Zeitstudie von A.S.” I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected by a coil spring. You play it by stretching out the spring horizonally and then projecting your voice into the open end of one of the cylinders. The second piece features a variation, where I would suspend several ANALAPOS vertically and play them like a percussion instrument.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Suzuki-type glass harmonica is in a simpler form than the pre-existing glass harmonica, and consists of five long glass tubes of varying diameters suspended horizontally in a metal frame. As well as rubbing the tubes with wet hands, I developed my own style of playing it using sticks. Once when I was practicing with it in the Netherlands, outside the window I was surprised to hear a bird imitating my sounds. However, later I discovered that the bird always sang that way, and as a token of my regret for having ever doubted it, I borrowed the bird’s Dutch name, De Koolmees, and I s till use it for my instrument. Recently, as I listened back to the cassette of “Zeitstudie von A.S.”, one of Hiromi Miyakita’s drawings was lying in front of me. There was a sympathetic resonance between the sounds and the drawing, so I decided to use it on the cover. This is a joyful music.\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eAkio Suzuki\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。 Originally release on cassette in 1984, “Zeitstudie” is remastered and published...
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{"id":7990147318010,"title":"Akira Ishikawa Count Buffalo Jazz And Rock Band \/\/ Bakishinba: Memories Of Africa LP","handle":"akira-ishikawa-count-buffalo-jazz-and-rock-band-bakishinba-memories-of-africa-lp","description":"\u003cp\u003eAkira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3507430855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sandstorm\u003cbr\u003eA2 Sunrise\u003cbr\u003eA3 Flamingo\u003cbr\u003eA4 African Deer\u003cbr\u003eB1 Bakishinba\u003cbr\u003eB2 Mirage\u003cbr\u003eB3 Blue Soul \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ishikawa Count Buffalo Jazz And Rock Band\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e","published_at":"2023-06-29T13:43:05+09:00","created_at":"2023-06-29T12:07:17+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp"],"price":478000,"price_min":478000,"price_max":478000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44303551987962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Ishikawa Count Buffalo Jazz And Rock Band \/\/ Bakishinba: Memories Of Africa LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","options":["Title"],"media":[{"alt":null,"id":32166199066874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","width":700},{"alt":null,"id":32166199099642,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAkira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3507430855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sandstorm\u003cbr\u003eA2 Sunrise\u003cbr\u003eA3 Flamingo\u003cbr\u003eA4 African Deer\u003cbr\u003eB1 Bakishinba\u003cbr\u003eB2 Mirage\u003cbr\u003eB3 Blue Soul \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ishikawa Count Buffalo Jazz And Rock Band\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e"}
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Akira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース） ジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more...
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{"id":7568233627898,"title":"Akira Ito \/\/ Marine Flowers (Science Fantasy) LP","handle":"akira-ito-marine-flowers-science-fantasy-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のニューエイジ作家Akira Itoが、1986年にリリースしたアルバムの再発レコードです。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=947565442\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCelebrating its 35th anniversary, this is the first remaster and reissue of the 1986 Akira Ito's 1986 album 'Marine Flowers (Science Fantasy). \u003cbr\u003eThe album was originally c\u003cspan data-mce-fragment=\"1\"\u003eomposed for a documentary for Marine wildlife filmed in Palau and commissioned by Pionner's Laser Disc campaign.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGlossy Mistakes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multiartist Akira Ito. An album that is unique, delicate, exploratory…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA true one of a kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLooking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor\/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlikely as it seems, Akira would segue a string of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e stints playing in American cover bands into backing up a slew of varied American artists that would come tour Japanese military bases. Aretha, The Jacksons, Stevie Wonder or James Brown. Those were a few of the big names Akira would play alongside.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Akira’s musical interests changed throught his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAkira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First he started his own record label, dubbing it “Green \u0026amp; Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFladked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like “W・A・T・E・R”, “Dancing Spirits’’, and “Life Goes On” that he’d let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi “Ponta” Murakami, and others contribute their own ideas afterward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHearing the music now, it’s not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of “ambient” artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or “music for life”, treated us to gorgeous, floating music like album opener “Prologue, Into the Beauty” where Akira’s droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned “W·A·T·E·R”. Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGentle piano melodies cycle in and out of songs like “Dancing Spirits” evoking classic ambient discreet music from the likes of Brian Eno. Others like “Essence Of Beauty” have gossamer parallels in the works of Harmonia. Nevertheless, according to Akira Ito, every idea was just different to the others, creating pieces that although they did not lack coherence o cohesion, were independent and self-contained.\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner notes are written by Diego Olivas, author of the blog Fond\/Sond, from an interview with the artist coordinated by Ken Hidaka.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ito\u003c\/p\u003e\n\u003cp\u003eLabel : Glossy Mistakes\u003c\/p\u003e","published_at":"2022-03-17T18:52:29+09:00","created_at":"2022-03-17T16:03:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","glossy mistakes","lp","post newage"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42537147367674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Ito \/\/ Marine Flowers (Science Fantasy) LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ae845532-b5ae-44fd-9603-a9d9d80a6376.jpg?v=1647500615"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615","options":["Title"],"media":[{"alt":null,"id":29322965254394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615","width":700},{"alt":null,"id":29322965287162,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ae845532-b5ae-44fd-9603-a9d9d80a6376.jpg?v=1647500615"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ae845532-b5ae-44fd-9603-a9d9d80a6376.jpg?v=1647500615","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のニューエイジ作家Akira Itoが、1986年にリリースしたアルバムの再発レコードです。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=947565442\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCelebrating its 35th anniversary, this is the first remaster and reissue of the 1986 Akira Ito's 1986 album 'Marine Flowers (Science Fantasy). \u003cbr\u003eThe album was originally c\u003cspan data-mce-fragment=\"1\"\u003eomposed for a documentary for Marine wildlife filmed in Palau and commissioned by Pionner's Laser Disc campaign.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGlossy Mistakes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multiartist Akira Ito. An album that is unique, delicate, exploratory…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA true one of a kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLooking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor\/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlikely as it seems, Akira would segue a string of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e stints playing in American cover bands into backing up a slew of varied American artists that would come tour Japanese military bases. Aretha, The Jacksons, Stevie Wonder or James Brown. Those were a few of the big names Akira would play alongside.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Akira’s musical interests changed throught his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAkira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First he started his own record label, dubbing it “Green \u0026amp; Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFladked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like “W・A・T・E・R”, “Dancing Spirits’’, and “Life Goes On” that he’d let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi “Ponta” Murakami, and others contribute their own ideas afterward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHearing the music now, it’s not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of “ambient” artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or “music for life”, treated us to gorgeous, floating music like album opener “Prologue, Into the Beauty” where Akira’s droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned “W·A·T·E·R”. Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGentle piano melodies cycle in and out of songs like “Dancing Spirits” evoking classic ambient discreet music from the likes of Brian Eno. Others like “Essence Of Beauty” have gossamer parallels in the works of Harmonia. Nevertheless, according to Akira Ito, every idea was just different to the others, creating pieces that although they did not lack coherence o cohesion, were independent and self-contained.\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner notes are written by Diego Olivas, author of the blog Fond\/Sond, from an interview with the artist coordinated by Ken Hidaka.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ito\u003c\/p\u003e\n\u003cp\u003eLabel : Glossy Mistakes\u003c\/p\u003e"}
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日本のニューエイジ作家Akira Itoが、1986年にリリースしたアルバムの再発レコードです。DLコード付属。 -------------------------------- Celebrating its 35th anniversary, this is the first remaster and...
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![Akira Kosemura & Lawrence English // Selene LP [BLACK/COLOR]](http://tobirarecords.com/cdn/shop/files/sel1_medium.jpg?v=1716879661)
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{"id":8473003655418,"title":"Akira Kosemura \u0026 Lawrence English \/\/ Selene LP [BLACK\/COLOR]","handle":"akira-kosemura-lawrence-english-selene-lp-black-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e東京のピアニストAkira Kosemuraとオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2024年5月にアメリカ・NYのTemporary Residence Ltdからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UjcnOF4Kuqk?si=ca6ZtuZRnaR551yh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W8sQPFpAM7w?si=lHPYsKqMBFxx5Xpn\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" cloudy white vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Crescents\u003cbr\u003e2. Crater\u003cbr\u003e3. Thela 04:56\u003cbr\u003e4. The Shadow Falling\u003cbr\u003e5. Twilight Wave\u003cbr\u003e6. Tint Of Ionosphere\u003cbr\u003e7. Mirroring Feldspar 04:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTemporary Residence Ltd.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAtmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can’t help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSelene is a record about that this lingering desire for that which sits beyond. It is work that seeks new perspectives snatched from familiar vistas, and it meditates on that sense of anchor and perspective. The work is also a speculative hymn to the visions of the celestial zones that spill ever outward. These visions, once merely what we could perceive with the naked eye are now so much more. Our minds eye is fed in equal parts by radio telecopy, filmic dreams and fiction renders of a place most of us will never know first-hand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording ties into a linage that reaches back, while stretching forward. It is just one story of so many, told across places, across cultures, across generations. It sits in the in-between of before and after, and in that moment invites us to situate ourselves and lean into it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Kosemura \u0026amp; Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Temporary Residence Ltd. \u003c\/p\u003e\n\u003cp\u003eCAT No: TRR428lp\u003c\/p\u003e","published_at":"2024-05-28T17:35:14+09:00","created_at":"2024-05-28T16:03:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","temporary residence ltd."],"price":398800,"price_min":398800,"price_max":413200,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46128927965434,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41427029524730,"product_id":8473003655418,"position":3,"created_at":"2024-05-28T16:01:00+09:00","updated_at":"2024-05-28T16:01:01+09:00","alt":null,"width":1200,"height":907,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661","variant_ids":[46128927965434]},"available":false,"name":"Akira Kosemura \u0026 Lawrence English \/\/ Selene LP [BLACK\/COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":398800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34167504503034,"position":3,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46128927998202,"title":"Cloudy White Vinyl","option1":"Cloudy White Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41427029491962,"product_id":8473003655418,"position":2,"created_at":"2024-05-28T16:01:00+09:00","updated_at":"2024-05-28T16:01:01+09:00","alt":null,"width":1200,"height":907,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661","variant_ids":[46128927998202]},"available":false,"name":"Akira Kosemura \u0026 Lawrence English \/\/ Selene LP [BLACK\/COLOR] - Cloudy White Vinyl","public_title":"Cloudy White Vinyl","options":["Cloudy White Vinyl"],"price":413200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34167504470266,"position":2,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661","\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661","\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661","options":["Size"],"media":[{"alt":null,"id":34167504437498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661","width":700},{"alt":null,"id":34167504470266,"position":2,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661"},"aspect_ratio":1.323,"height":907,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661","width":1200},{"alt":null,"id":34167504503034,"position":3,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661"},"aspect_ratio":1.323,"height":907,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e東京のピアニストAkira Kosemuraとオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2024年5月にアメリカ・NYのTemporary Residence Ltdからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UjcnOF4Kuqk?si=ca6ZtuZRnaR551yh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W8sQPFpAM7w?si=lHPYsKqMBFxx5Xpn\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" cloudy white vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Crescents\u003cbr\u003e2. Crater\u003cbr\u003e3. Thela 04:56\u003cbr\u003e4. The Shadow Falling\u003cbr\u003e5. Twilight Wave\u003cbr\u003e6. Tint Of Ionosphere\u003cbr\u003e7. Mirroring Feldspar 04:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTemporary Residence Ltd.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAtmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can’t help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSelene is a record about that this lingering desire for that which sits beyond. It is work that seeks new perspectives snatched from familiar vistas, and it meditates on that sense of anchor and perspective. The work is also a speculative hymn to the visions of the celestial zones that spill ever outward. These visions, once merely what we could perceive with the naked eye are now so much more. Our minds eye is fed in equal parts by radio telecopy, filmic dreams and fiction renders of a place most of us will never know first-hand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording ties into a linage that reaches back, while stretching forward. It is just one story of so many, told across places, across cultures, across generations. It sits in the in-between of before and after, and in that moment invites us to situate ourselves and lean into it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Kosemura \u0026amp; Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Temporary Residence Ltd. \u003c\/p\u003e\n\u003cp\u003eCAT No: TRR428lp\u003c\/p\u003e"}
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東京のピアニストAkira Kosemuraとオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2024年5月にアメリカ・NYのTemporary Residence Ltdからリリースした共作レコードです。 ネオクラシカル・アンビエント7曲を収録。 ---------------------------------------- Available on 12" black vinyl or 12"...
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{"id":8781952090362,"title":"Akira Sakata \u0026 Giotis Damianidis \/\/ Adyton LP","handle":"akira-sakata-giotis-damianidis-adyton-lp","description":"\u003cp\u003e\u003cspan\u003e御年80歳の日本のフリージャズ作家Akira Sakataと、ギリシャの実験ギタリストGiotis Damianidisが、2025年4月にベルギーの実験レーベルAguirreからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2023年にベルギー・ブリュッセルのHaekem Theatreで行ったライブ録音7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"日本のフリージャズ界のレジェンドAkira Sakataとギリシャのアヴァンギャルド・ギタリストGiotis Damianidisが初のデュオ録音『Adyton』を発表する。2018年からコラボレートしてきた2人のミュージシャンは、直感的で衝撃的な音楽的対話を展開し、このブリュッセルのヘケムでのライブパフォーマンス（2023年9月にエンタシスと行った2週間のツアーの最終公演）で最高潮に達した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年2月21日に80歳を迎えたSakataは、彼の特徴である激しいアルトサックス、エボケイトなクラリネット、表現力豊かな声、共鳴するベルを披露し、Damianidisは質感豊かなギターとエフェクトで音のスペクトルを広げ、構造と混沌のダイナミックな相互作用を織り成す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、古代寺院の最も神聖な場所である『Adyton』にちなんでタイトルが付けられ、リスナーを、自然発生的なエネルギーと深く根付いた伝統が融合する、生々しく、フィルターにかからない音楽的探求の空間へと誘う。Sakataが生涯をかけて即興演奏に打ち込んできたことと、Damianidisがギターの境界を押し広げるようなアプローチをしてきたことの証であるこの『Adyton』は、未知へのパワフルで超越的な旅である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2037238685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fuji Talked to Olympus (i) 05:36\u003cbr\u003e2. Kondō (ii) 04:49\u003cbr\u003e3. Haibōru Lapse 02:28\u003cbr\u003e4. I Don't Stop You 07:53\u003cbr\u003e5. Back Home Safely 03:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Athanasia 03:30\u003cbr\u003e\u003c\/span\u003e7. Gion Shōja (i), All That the Man Left Behind When He Died (ii) 12:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese free jazz legend Akira Sakata and Greek avant-garde guitarist Giotis Damianidis present Adyton, their first-ever duo recording. Having collaborated since 2018, the two musicians have developed an intuitive and electrifying musical dialogue, culminating in this live performance at Haekem, Brussels—the final concert of a two-week tour with Entasis in September 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSakata, who turned 80 on February 21st, 2024, delivers his signature fiery alto saxophone, evocative clarinet, expressive voice, and resonant bells, while Damianidis expands the sonic spectrum with textural guitar and effects, weaving a dynamic interplay between structure and chaos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTitled after the \"Adyton\"—the innermost, most sacred part of an ancient temple—this album invites listeners into a raw, unfiltered space of musical exploration, where spontaneous energy and deep-rooted tradition converge. A testament to Sakata’s lifelong commitment to improvisation and Damianidis’ boundary-pushing approach to guitar, Adyton is a powerful, transcendental journey into the unknown.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sakata \u0026amp; Giotis Damianidis\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2025-05-14T12:25:49+09:00","created_at":"2025-05-09T08:10:31+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":434400,"price_min":434400,"price_max":434400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304457781498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Sakata \u0026 Giotis Damianidis \/\/ Adyton LP","public_title":null,"options":["Default Title"],"price":434400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752","options":["Title"],"media":[{"alt":null,"id":35999396724986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e御年80歳の日本のフリージャズ作家Akira Sakataと、ギリシャの実験ギタリストGiotis Damianidisが、2025年4月にベルギーの実験レーベルAguirreからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2023年にベルギー・ブリュッセルのHaekem Theatreで行ったライブ録音7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"日本のフリージャズ界のレジェンドAkira Sakataとギリシャのアヴァンギャルド・ギタリストGiotis Damianidisが初のデュオ録音『Adyton』を発表する。2018年からコラボレートしてきた2人のミュージシャンは、直感的で衝撃的な音楽的対話を展開し、このブリュッセルのヘケムでのライブパフォーマンス（2023年9月にエンタシスと行った2週間のツアーの最終公演）で最高潮に達した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年2月21日に80歳を迎えたSakataは、彼の特徴である激しいアルトサックス、エボケイトなクラリネット、表現力豊かな声、共鳴するベルを披露し、Damianidisは質感豊かなギターとエフェクトで音のスペクトルを広げ、構造と混沌のダイナミックな相互作用を織り成す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、古代寺院の最も神聖な場所である『Adyton』にちなんでタイトルが付けられ、リスナーを、自然発生的なエネルギーと深く根付いた伝統が融合する、生々しく、フィルターにかからない音楽的探求の空間へと誘う。Sakataが生涯をかけて即興演奏に打ち込んできたことと、Damianidisがギターの境界を押し広げるようなアプローチをしてきたことの証であるこの『Adyton』は、未知へのパワフルで超越的な旅である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2037238685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fuji Talked to Olympus (i) 05:36\u003cbr\u003e2. Kondō (ii) 04:49\u003cbr\u003e3. Haibōru Lapse 02:28\u003cbr\u003e4. I Don't Stop You 07:53\u003cbr\u003e5. Back Home Safely 03:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Athanasia 03:30\u003cbr\u003e\u003c\/span\u003e7. Gion Shōja (i), All That the Man Left Behind When He Died (ii) 12:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese free jazz legend Akira Sakata and Greek avant-garde guitarist Giotis Damianidis present Adyton, their first-ever duo recording. Having collaborated since 2018, the two musicians have developed an intuitive and electrifying musical dialogue, culminating in this live performance at Haekem, Brussels—the final concert of a two-week tour with Entasis in September 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSakata, who turned 80 on February 21st, 2024, delivers his signature fiery alto saxophone, evocative clarinet, expressive voice, and resonant bells, while Damianidis expands the sonic spectrum with textural guitar and effects, weaving a dynamic interplay between structure and chaos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTitled after the \"Adyton\"—the innermost, most sacred part of an ancient temple—this album invites listeners into a raw, unfiltered space of musical exploration, where spontaneous energy and deep-rooted tradition converge. A testament to Sakata’s lifelong commitment to improvisation and Damianidis’ boundary-pushing approach to guitar, Adyton is a powerful, transcendental journey into the unknown.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sakata \u0026amp; Giotis Damianidis\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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御年80歳の日本のフリージャズ作家Akira Sakataと、ギリシャの実験ギタリストGiotis Damianidisが、2025年4月にベルギーの実験レーベルAguirreからリリースした共作レコードです。 2023年にベルギー・ブリュッセルのHaekem Theatreで行ったライブ録音7曲を収録。 以下、レーベルによる解説です。 "日本のフリージャズ界のレジェンドAkira Sakataとギリシャのアヴァンギャルド・ギタリストGiotis Damianidisが初のデュオ録音『Adyton』を発表する。2018年からコラボレートしてきた2人のミュージシャンは、直感的で衝撃的な音楽的対話を展開し、このブリュッセルのヘケムでのライブパフォーマンス（2023年9月にエンタシスと行った2週間のツアーの最終公演）で最高潮に達した。 2024年2月21日に80歳を迎えたSakataは、彼の特徴である激しいアルトサックス、エボケイトなクラリネット、表現力豊かな声、共鳴するベルを披露し、Damianidisは質感豊かなギターとエフェクトで音のスペクトルを広げ、構造と混沌のダイナミックな相互作用を織り成す。 このアルバムは、古代寺院の最も神聖な場所である『Adyton』にちなんでタイトルが付けられ、リスナーを、自然発生的なエネルギーと深く根付いた伝統が融合する、生々しく、フィルターにかからない音楽的探求の空間へと誘う。Sakataが生涯をかけて即興演奏に打ち込んできたことと、Damianidisがギターの境界を押し広げるようなアプローチをしてきたことの証であるこの『Adyton』は、未知へのパワフルで超越的な旅である。" レーベルその他作品はこちら /// Click here to see...
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{"id":6939651965093,"title":"Akira Sileas \/\/ Ito TAPE","handle":"akira-sileas-ito-tape","description":"\u003cp\u003eイギリス・ファーンハムのアンビエントドローンレーベルRusted Tone Recordingsの2021年2月新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・サリーのアンビエント作家Akira Sileas\u003cspan data-mce-fragment=\"1\"\u003eが80本限定でリリースしたカセットです。モジュラーによるアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675433330\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003ehere\u003c\/a\u003e to see more Rusted Tone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIto' is the latest album from Surrey-based experimental musician Akira Sileas, exploring themes of time and place through gradual progression.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sileas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-28T11:47:45+09:00","created_at":"2021-07-27T10:02:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","rusted tone recordings","tape"],"price":128000,"price_min":128000,"price_max":128000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40449750761637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Sileas \/\/ Ito TAPE","public_title":null,"options":["Default Title"],"price":128000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727","\/\/tobirarecords.com\/cdn\/shop\/products\/it2_7a4560c0-fd05-401e-84b7-711c6908b96e.jpg?v=1627347727"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727","options":["Title"],"media":[{"alt":null,"id":23111520714917,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727","width":700},{"alt":null,"id":23111520747685,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it2_7a4560c0-fd05-401e-84b7-711c6908b96e.jpg?v=1627347727"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it2_7a4560c0-fd05-401e-84b7-711c6908b96e.jpg?v=1627347727","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ファーンハムのアンビエントドローンレーベルRusted Tone Recordingsの2021年2月新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・サリーのアンビエント作家Akira Sileas\u003cspan data-mce-fragment=\"1\"\u003eが80本限定でリリースしたカセットです。モジュラーによるアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675433330\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003ehere\u003c\/a\u003e to see more Rusted Tone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIto' is the latest album from Surrey-based experimental musician Akira Sileas, exploring themes of time and place through gradual progression.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sileas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8430635090170,"title":"Akira Uchida \/\/ Kurayami LP [COLOR] \/ CD","handle":"akira-uchida-kurayami-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e日本のサックス奏者／ピアノ調律師／楽器製作者Akira Uchidaが、2023年7月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自身で製作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラヴィーコード（\u003c\/span\u003e中世後期のルネサンスから古典派の時代に主にオルガン奏者の練習用や作曲用に用いられた、チェンバロより小型の鍵盤楽器）と、笙、経による和アンビエント・ジャズ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1791073609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Cutting lacquer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 12’’ black vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper, white inner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 300 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Glass Mastered CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 200 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAkira Uchida\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e","published_at":"2024-05-11T12:09:14+09:00","created_at":"2024-05-11T12:07:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","Laaps","lp"],"price":228000,"price_min":228000,"price_max":374000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45909122810106,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41263722103034,"product_id":8430635090170,"position":7,"created_at":"2024-05-11T12:07:42+09:00","updated_at":"2024-05-11T12:07:42+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862","variant_ids":[45909122810106]},"available":false,"name":"Akira Uchida \/\/ Kurayami LP [COLOR] \/ CD - LP","public_title":"LP","options":["LP"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33995813880058,"position":7,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45909122842874,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41263722037498,"product_id":8430635090170,"position":5,"created_at":"2024-05-11T12:07:42+09:00","updated_at":"2024-05-11T12:07:42+09:00","alt":null,"width":1200,"height":767,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862","variant_ids":[45909122842874]},"available":false,"name":"Akira Uchida \/\/ Kurayami LP [COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33995813814522,"position":5,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_744d835f-a7fd-4d93-aca7-46dd87662386.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_1c2f5086-ae25-473f-a7df-dc514bfba1f7.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_77554e9a-1471-4f6e-b87e-90031b615ab3.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_b69491f0-c74c-4008-8197-06c05b382cd7.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861","options":["Format"],"media":[{"alt":null,"id":33995813617914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861","width":700},{"alt":null,"id":33995813650682,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_744d835f-a7fd-4d93-aca7-46dd87662386.jpg?v=1715396862"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_744d835f-a7fd-4d93-aca7-46dd87662386.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813683450,"position":3,"preview_image":{"aspect_ratio":1.521,"height":789,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_1c2f5086-ae25-473f-a7df-dc514bfba1f7.jpg?v=1715396862"},"aspect_ratio":1.521,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_1c2f5086-ae25-473f-a7df-dc514bfba1f7.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813781754,"position":4,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_77554e9a-1471-4f6e-b87e-90031b615ab3.jpg?v=1715396862"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_77554e9a-1471-4f6e-b87e-90031b615ab3.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813814522,"position":5,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813847290,"position":6,"preview_image":{"aspect_ratio":1.521,"height":789,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_b69491f0-c74c-4008-8197-06c05b382cd7.jpg?v=1715396862"},"aspect_ratio":1.521,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_b69491f0-c74c-4008-8197-06c05b382cd7.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813880058,"position":7,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e日本のサックス奏者／ピアノ調律師／楽器製作者Akira Uchidaが、2023年7月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自身で製作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラヴィーコード（\u003c\/span\u003e中世後期のルネサンスから古典派の時代に主にオルガン奏者の練習用や作曲用に用いられた、チェンバロより小型の鍵盤楽器）と、笙、経による和アンビエント・ジャズ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1791073609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Cutting lacquer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 12’’ black vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper, white inner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 300 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Glass Mastered CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 200 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAkira Uchida\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e"}
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日本のサックス奏者／ピアノ調律師／楽器製作者Akira Uchidaが、2023年7月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。 自身で製作したクラヴィーコード（中世後期のルネサンスから古典派の時代に主にオルガン奏者の練習用や作曲用に用いられた、チェンバロより小型の鍵盤楽器）と、笙、経による和アンビエント・ジャズ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
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{"id":8848099115258,"title":"Akira Umeda \u0026 Metal Preyers \/\/ Clube da Mariposa Mórbida LP","handle":"akira-umeda-metal-preyers-clube-da-mariposa-morbida-lp","description":"\u003cp\u003e\u003cspan\u003eブラジルのストレンジビーツ作家Akira UmedaとMetal Preyersが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eストレンジビーツ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ジャダーな電子音響リズム、アナログシンセ、環境録音、音声合成詩、そしてAkira Umedaが「ゴースト・サウンド」と呼ぶものからコラージュされた「Clube da Mariposa Mórbida」は、純粋なサウンドファンタジーへのトランスカルチュラルな旅である。サンパウロを拠点とするDIYの奇才で元歴史家のAkira Umedaは、Nyegeの常連であるMetal Preyersと印象と妄想を交換し、グロいVRアバター、愛に飢えたクモ型生物、超巨大ブラックホール、そしてタイトルにもなっている病的な蛾のクラブなど、彼らの歪んだ変幻自在のサウンドスケープを汚す不条理な図像を想像する。Metal PreyersとUmedaは、Umedaの広大な「Gueixa」に続いてこのプロジェクトに取りかかった。コラージュとキュレーションが両者の原動力であることに共通点を見出したMetal Preyersのメンバージェシー・ハケットは、4ヶ月間にわたる旋風的な交流に乗り出した。Umedaの貢献は、より不気味なものだった。スケッチを繰り返し聴き、その音が彼の頭の中で「回避的な印象」を生み出すまで、彼はアナログ楽器と音声合成ソフトを使って、これらの幻の出来事を再現した。「妖怪は決して明瞭ではなく、常に移り変わるものだから、それを合成する経験は粘土の造形に似ている。これらの合成ゴーストサウンドを録音することは、陶器の鍋を焼くようなもの」と彼は説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、2人のコラボレーションのハイブリッドな性質は、それだけにとどまらない。ハケットとUmedaはともにビジュアルアートの分野で活躍している。 Umedaは映画、陶芸、イラストレーションを手がけ、ハケットは1960年代に活躍したプロト・パンク・アーティストであり、神秘的なオカルトのような彫刻やキース・リチャーズの象徴的なスカル・リングの制作で知られる父ビルと共にジュエリーや彫刻を制作している。ビルが手がけた2つの作品はアルバムアートにも使用されており、78回転の古いレコードから作られたシェラック染料で染色された木に彫られている。Umedaとハケットの音楽も同じようにリサイクルされたもので、まるで新鮮なアートに長い間忘れられていた色をつけているかのようだ。オープニングトラックの「One Eyed Weasel」では、減速したブラジリアン・ファンクのシンコペーションが、重みのない声、オーケストラの華やかさ、定型文のような叫び声と絡み合って、不気味なホワイトノイズのベッドに沈んでいく。タブラ、オーバードライブしたサイケギター、暗号のようなサントゥールのチャイム、微音のリードエコーなど、絡み合った色とりどりの音楽の糸を、さまざまな言語でサイボーグの声が淀みなく取り囲んでいる。しかし、Umedaとハケットの音楽は、ハッセル以降の第4世界のコンセプトの伴奏ではなく、デジタルであれ何であれ、私たちの文化のパッチワークがかすかな記憶に還元されたパラレルな未来への投影なのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2521788044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 27th July 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. One Eyed Weasel\u003cbr\u003e2. Big Scud 01:52\u003cbr\u003e3. Clube da Mariposa Mórbida\u003cbr\u003e4. Immolation Meditation\u003cbr\u003e5. Boi de Piranha\u003cbr\u003e6. Rato Gordo\u003cbr\u003e7. Cut Throat Mickey\u003cbr\u003e8. Hora Do Slime\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Olhos De Facão\u003cbr\u003e\u003c\/span\u003e10. Gnomo Desagradável\u003cbr\u003e11. Ice Maidens Myriad Dream\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCollaged from juddery electroacoustic rhythms, analog synth segments, environmental recordings, text-to-speech poems and what Akira Umeda calls \"ghost sounds\", 'Clube da Mariposa Mórbida' is a transcultural voyage into pure sonic fantasy. The São Paulo-based DIY maverick and former historian trades impressions and delusions with Nyege regular Metal Preyers, imagining gory VR avatars, lovestruck arachnids, supermassive black holes and the titular morbid moth club, absurd iconography that stains their warped, mutable soundscapes. Metal Preyers and Umeda starting working on this project following Umeda’s sprawling 'Gueixa', an hour-long postmodern mixtape made from 202 fragments of the artist's seemingly bottomless library of experiments. Spotting a similarity in the way they were both driven by collage and curation, Metal Preyers member Jesse Hackett embarked on four whirlwind months of exchange, sending Umeda audio snippets and concepts that the Brazilian eccentric would decode with Google translate. Umeda's contribution was more uncanny; listening to the sketches on repeat until the sounds created \"evasive impressions\" in his mind, he used analog instruments and text-to-speech software to recreate these phantom occurrences. \"Specters are never clear and always\u003cspan class=\"bcTruncateMore\"\u003e shifting, so the experience of synthesizing them is similar to clay modeling,\" he explains. \"To record these synthetic ghost sounds is like firing ceramic pots.\"\u003cbr\u003e\u003cbr\u003eAnd the hybrid nature of their collaboration doesn't begin and end there. Both Hackett and Umeda work within visual art: Umeda has made films, ceramics and illustrations, while Hackett works on jewelry and sculpture with his father Bill, the proto-punk artist from the 1960’s best known for his mysterious occult like sculptures and for creating Keith Richards' iconic skull ring. Two of Bill's artworks are featured on the album art and shadow the record's themes, both carved in wood that's stained with a shellac dye made from old 78rpm records. Umeda and Hackett's music is similarly recycled, as if they're dousing fresh art with long forgotten colors. On the opening track 'One Eyed Weasel', decelerated Brazilian funk syncopations are twisted with weightless voices, orchestral flourishes and canned screams before being lowered into eerie beds of unplaceable white noise. Even at the best of times, it's difficult to pry apart what's real and what's synthesized; cyborg voices in different languages stutter around tangled, colorful musical threads: tablas, overdriven psych guitars, cryptic santur chimes and microtonal reed echoes. But Umeda and Hackett's music isn't an accompaniment to some post-Hassell Fourth World concept, it's a projection into parallel future where our patchwork of cultures, digital and otherwise, has been reduced to hazy memories.\u003cbr\u003e\u003cbr\u003eOn 'Boi de Piranha', defective temple bells punctuate blown-out spiraling beats and unsettling backmasked chatter, and ruffled, featherlight rhythms and mbira-like repeating sequences quiver through sleazy 4\/4 architectures on 'Cut Throat Mickey'. Unfolding like a hypnagogic soundtrack to an unwritten queer post-apocalyptic noir, 'Clube da Mariposa Mórbida' retches and heaves in the glamor of decay; slithering electro-plated music box earworms burrow into 'Hora Do Slime', while on 'Olhos De Facão' humid synth sequences chew on bone-rattling acoustic percussion and dissociated traces of humanity. It's Akira Umeda’s and Metal Preyers most bizarre offering yet, a few paces beyond 'Shadow Swamps' murking shadows towards Umeda's kaleidoscopic concrète jungle.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Umeda \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT076\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-07T13:28:01+09:00","created_at":"2025-07-02T10:15:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":459000,"price_min":459000,"price_max":459000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47467055022330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Umeda \u0026 Metal Preyers \/\/ Clube da Mariposa Mórbida LP","public_title":null,"options":["Default Title"],"price":459000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818","\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_960560b2-9c2c-47bb-b3e5-20e4caf9f532.jpg?v=1751418818"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818","options":["Title"],"media":[{"alt":null,"id":36305174167802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818","width":700},{"alt":null,"id":36305174200570,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_960560b2-9c2c-47bb-b3e5-20e4caf9f532.jpg?v=1751418818"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_960560b2-9c2c-47bb-b3e5-20e4caf9f532.jpg?v=1751418818","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eブラジルのストレンジビーツ作家Akira UmedaとMetal Preyersが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eストレンジビーツ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ジャダーな電子音響リズム、アナログシンセ、環境録音、音声合成詩、そしてAkira Umedaが「ゴースト・サウンド」と呼ぶものからコラージュされた「Clube da Mariposa Mórbida」は、純粋なサウンドファンタジーへのトランスカルチュラルな旅である。サンパウロを拠点とするDIYの奇才で元歴史家のAkira Umedaは、Nyegeの常連であるMetal Preyersと印象と妄想を交換し、グロいVRアバター、愛に飢えたクモ型生物、超巨大ブラックホール、そしてタイトルにもなっている病的な蛾のクラブなど、彼らの歪んだ変幻自在のサウンドスケープを汚す不条理な図像を想像する。Metal PreyersとUmedaは、Umedaの広大な「Gueixa」に続いてこのプロジェクトに取りかかった。コラージュとキュレーションが両者の原動力であることに共通点を見出したMetal Preyersのメンバージェシー・ハケットは、4ヶ月間にわたる旋風的な交流に乗り出した。Umedaの貢献は、より不気味なものだった。スケッチを繰り返し聴き、その音が彼の頭の中で「回避的な印象」を生み出すまで、彼はアナログ楽器と音声合成ソフトを使って、これらの幻の出来事を再現した。「妖怪は決して明瞭ではなく、常に移り変わるものだから、それを合成する経験は粘土の造形に似ている。これらの合成ゴーストサウンドを録音することは、陶器の鍋を焼くようなもの」と彼は説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、2人のコラボレーションのハイブリッドな性質は、それだけにとどまらない。ハケットとUmedaはともにビジュアルアートの分野で活躍している。 Umedaは映画、陶芸、イラストレーションを手がけ、ハケットは1960年代に活躍したプロト・パンク・アーティストであり、神秘的なオカルトのような彫刻やキース・リチャーズの象徴的なスカル・リングの制作で知られる父ビルと共にジュエリーや彫刻を制作している。ビルが手がけた2つの作品はアルバムアートにも使用されており、78回転の古いレコードから作られたシェラック染料で染色された木に彫られている。Umedaとハケットの音楽も同じようにリサイクルされたもので、まるで新鮮なアートに長い間忘れられていた色をつけているかのようだ。オープニングトラックの「One Eyed Weasel」では、減速したブラジリアン・ファンクのシンコペーションが、重みのない声、オーケストラの華やかさ、定型文のような叫び声と絡み合って、不気味なホワイトノイズのベッドに沈んでいく。タブラ、オーバードライブしたサイケギター、暗号のようなサントゥールのチャイム、微音のリードエコーなど、絡み合った色とりどりの音楽の糸を、さまざまな言語でサイボーグの声が淀みなく取り囲んでいる。しかし、Umedaとハケットの音楽は、ハッセル以降の第4世界のコンセプトの伴奏ではなく、デジタルであれ何であれ、私たちの文化のパッチワークがかすかな記憶に還元されたパラレルな未来への投影なのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2521788044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 27th July 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. One Eyed Weasel\u003cbr\u003e2. Big Scud 01:52\u003cbr\u003e3. Clube da Mariposa Mórbida\u003cbr\u003e4. Immolation Meditation\u003cbr\u003e5. Boi de Piranha\u003cbr\u003e6. Rato Gordo\u003cbr\u003e7. Cut Throat Mickey\u003cbr\u003e8. Hora Do Slime\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Olhos De Facão\u003cbr\u003e\u003c\/span\u003e10. Gnomo Desagradável\u003cbr\u003e11. Ice Maidens Myriad Dream\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCollaged from juddery electroacoustic rhythms, analog synth segments, environmental recordings, text-to-speech poems and what Akira Umeda calls \"ghost sounds\", 'Clube da Mariposa Mórbida' is a transcultural voyage into pure sonic fantasy. The São Paulo-based DIY maverick and former historian trades impressions and delusions with Nyege regular Metal Preyers, imagining gory VR avatars, lovestruck arachnids, supermassive black holes and the titular morbid moth club, absurd iconography that stains their warped, mutable soundscapes. Metal Preyers and Umeda starting working on this project following Umeda’s sprawling 'Gueixa', an hour-long postmodern mixtape made from 202 fragments of the artist's seemingly bottomless library of experiments. Spotting a similarity in the way they were both driven by collage and curation, Metal Preyers member Jesse Hackett embarked on four whirlwind months of exchange, sending Umeda audio snippets and concepts that the Brazilian eccentric would decode with Google translate. Umeda's contribution was more uncanny; listening to the sketches on repeat until the sounds created \"evasive impressions\" in his mind, he used analog instruments and text-to-speech software to recreate these phantom occurrences. \"Specters are never clear and always\u003cspan class=\"bcTruncateMore\"\u003e shifting, so the experience of synthesizing them is similar to clay modeling,\" he explains. \"To record these synthetic ghost sounds is like firing ceramic pots.\"\u003cbr\u003e\u003cbr\u003eAnd the hybrid nature of their collaboration doesn't begin and end there. Both Hackett and Umeda work within visual art: Umeda has made films, ceramics and illustrations, while Hackett works on jewelry and sculpture with his father Bill, the proto-punk artist from the 1960’s best known for his mysterious occult like sculptures and for creating Keith Richards' iconic skull ring. Two of Bill's artworks are featured on the album art and shadow the record's themes, both carved in wood that's stained with a shellac dye made from old 78rpm records. Umeda and Hackett's music is similarly recycled, as if they're dousing fresh art with long forgotten colors. On the opening track 'One Eyed Weasel', decelerated Brazilian funk syncopations are twisted with weightless voices, orchestral flourishes and canned screams before being lowered into eerie beds of unplaceable white noise. Even at the best of times, it's difficult to pry apart what's real and what's synthesized; cyborg voices in different languages stutter around tangled, colorful musical threads: tablas, overdriven psych guitars, cryptic santur chimes and microtonal reed echoes. But Umeda and Hackett's music isn't an accompaniment to some post-Hassell Fourth World concept, it's a projection into parallel future where our patchwork of cultures, digital and otherwise, has been reduced to hazy memories.\u003cbr\u003e\u003cbr\u003eOn 'Boi de Piranha', defective temple bells punctuate blown-out spiraling beats and unsettling backmasked chatter, and ruffled, featherlight rhythms and mbira-like repeating sequences quiver through sleazy 4\/4 architectures on 'Cut Throat Mickey'. Unfolding like a hypnagogic soundtrack to an unwritten queer post-apocalyptic noir, 'Clube da Mariposa Mórbida' retches and heaves in the glamor of decay; slithering electro-plated music box earworms burrow into 'Hora Do Slime', while on 'Olhos De Facão' humid synth sequences chew on bone-rattling acoustic percussion and dissociated traces of humanity. It's Akira Umeda’s and Metal Preyers most bizarre offering yet, a few paces beyond 'Shadow Swamps' murking shadows towards Umeda's kaleidoscopic concrète jungle.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Umeda \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT076\u003c\/span\u003e\u003c\/p\u003e"}
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ブラジルのストレンジビーツ作家Akira UmedaとMetal Preyersが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。 ストレンジビーツ11曲を収録。 以下、レーベルによる解説です。 "ジャダーな電子音響リズム、アナログシンセ、環境録音、音声合成詩、そしてAkira Umedaが「ゴースト・サウンド」と呼ぶものからコラージュされた「Clube da Mariposa Mórbida」は、純粋なサウンドファンタジーへのトランスカルチュラルな旅である。サンパウロを拠点とするDIYの奇才で元歴史家のAkira Umedaは、Nyegeの常連であるMetal Preyersと印象と妄想を交換し、グロいVRアバター、愛に飢えたクモ型生物、超巨大ブラックホール、そしてタイトルにもなっている病的な蛾のクラブなど、彼らの歪んだ変幻自在のサウンドスケープを汚す不条理な図像を想像する。Metal PreyersとUmedaは、Umedaの広大な「Gueixa」に続いてこのプロジェクトに取りかかった。コラージュとキュレーションが両者の原動力であることに共通点を見出したMetal...
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{"id":5616779886757,"title":"Akiyama \/ Field \/ Vidic \/\/ Interpersonal Subjectivities CD","handle":"akiyama-field-vidic-interpersonal-subjectivities-cd","description":"\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2228696841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akiyama \/ Field \/ Vidic\u003c\/p\u003e\n\u003cp\u003eLabel : Astral Spirits\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-09-04T13:58:27+09:00","created_at":"2020-09-04T13:58:26+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","cd","jazz"],"price":239600,"price_min":239600,"price_max":239600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36009548152997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akiyama \/ Field \/ Vidic \/\/ Interpersonal Subjectivities CD","public_title":null,"options":["Default Title"],"price":239600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507","options":["Title"],"media":[{"alt":null,"id":10982239535269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2228696841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akiyama \/ Field \/ Vidic\u003c\/p\u003e\n\u003cp\u003eLabel : Astral Spirits\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira. Artist : Akiyama / Field /...
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{"id":6126495498405,"title":"Akkad The Orphic Priest \/ City Of Dawn \/\/ The Stars Speak Quietly In Their Own Language TAPE","handle":"akkad-the-orphic-priest-city-of-dawn-the-stars-speak-quietly-in-their-own-language-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、アンビエント作家2名による\u003c\/span\u003e2020年リリースのスプリットカセット。ドリーミーなアンビエント7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881306638\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll of these pieces of music were written to express emotions through the form of sound. Hopefully this music takes you to wherever your mind desires. Experience, feel, and absorb the vibrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Akkad The Orphic Priest \/ City Of Dawn\u003c\/p\u003e\n\u003cp\u003elabel : aural canyon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2021-01-26T10:35:39+09:00","created_at":"2021-01-26T10:35:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aural canyon","drone","tape"],"price":209800,"price_min":209800,"price_max":209800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37777938481317,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akkad The Orphic Priest \/ City Of Dawn \/\/ The Stars Speak Quietly In Their Own Language TAPE","public_title":null,"options":["Default Title"],"price":209800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056","\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-5409_jpeg.jpg?v=1611625056"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056","options":["Title"],"media":[{"alt":null,"id":16244880015525,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056","width":600},{"alt":null,"id":16244879982757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-5409_jpeg.jpg?v=1611625056"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-5409_jpeg.jpg?v=1611625056","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、アンビエント作家2名による\u003c\/span\u003e2020年リリースのスプリットカセット。ドリーミーなアンビエント7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881306638\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll of these pieces of music were written to express emotions through the form of sound. Hopefully this music takes you to wherever your mind desires. Experience, feel, and absorb the vibrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Akkad The Orphic Priest \/ City Of Dawn\u003c\/p\u003e\n\u003cp\u003elabel : aural canyon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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テキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、アンビエント作家2名による2020年リリースのスプリットカセット。ドリーミーなアンビエント7曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Aural Canyon releases available at Tobira. ------------------------- All...
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{"id":7637751726330,"title":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","handle":"akos-rozmann-12-stations-tolv-stationer-1978-2001-7xcd-boxset","description":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-12T07:55:49+09:00","created_at":"2022-06-11T13:52:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862353383674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","options":["Title"],"media":[{"alt":null,"id":29869699989754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":250,"width":250,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142"},"aspect_ratio":1.0,"height":250,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","width":250},{"alt":null,"id":29869700022522,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。 以下、Mark Harwoodによる解説です。 アコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。ロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black...
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{"id":7637752938746,"title":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","handle":"akos-rozmann-mass-massa-7xcd-boxset","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2022-06-12T08:01:57+09:00","created_at":"2022-06-11T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862367473914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","options":["Title"],"media":[{"alt":null,"id":29869711196410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","width":700},{"alt":null,"id":29869711229178,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。 以下、レーベル解説です。 Ákos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。ロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。ミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。ミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。"作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。" レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":7980224086266,"title":"AKSU and IL SANTO BEVITORE \u0026 THE SEER \/\/ split TAPE","handle":"aksu-and-il-santo-bevitore-the-seer-split-tape","description":"\u003cp\u003eAKSUとIL SANTO BEVITORE、THE SEER\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eリチュアリスティックプロジェクト3組が、2023年5月にイギリスの実験レーベルIndustrial Coast からリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e儀式的なストレンジビーツ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526388544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Industrial Coast releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eC50 cassette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText via Industrial Coast:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Started in 2020, this project aims to gather two entities, separate in space but close\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ein spirit. On the one side, a magical call escaped from the desert sand and the salted\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003esea. On the other side, its echo responds, heaving from the depth of a chasmal land,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ean incantation told by an ancient seer spun like old yarn with strings, chants and percussions\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU is the project of Pierre Arese (Drums and Percussions) and Guillaume Cazalet (Guitar, Bass and Vocals) Guillaume and Pierre started AKSU in 2012. After a few self-released works, their first album \"The Way to Destroy and Create Things\" came out on Paradigms Recordings in November 2013. Since then, AKSU took part in numerous projects, including Neptunian Maximalism. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU contribute with SIDE A: Erg Namib, emerged from live sessions that took part in Brussels between 2018 and 2020. At that time, the aim of those sessions was to find a commune energy to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e connect ourselves with our surroundings. Erg Namib is a successful attempt to reach this goal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded, Mixed and Mastered by Guillaume Cazalet at Homo Sensibilis Sounds Studio, Brussels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl Santo Bevitore and THE SEER come together with their first collaboration to date.\u003cbr data-mce-fragment=\"1\"\u003eISB (Drums, Percussions, Electronics) is Nicola Serra’s ethnographic research and sound project which explores folklore and pagan mysteries from his native land of Sardinia. Nicola is an Italian born musician, producer and sound engineer based in London. He’s the founder and curator of Dronica, renowned experimental sound-art UK festival, as well as the curator and resident artist of Ritualtronics. ISB has performed across Europe and has released on a number of labels such\u003cbr data-mce-fragment=\"1\"\u003eas Opal Tapes, Aurora Borealis, An Trinse, Champion Version, Borders Of Known, Modern Bon, Attenuation Circuit and Amek Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE SEER (Cello, Vocals, Piano and Flute) is the performance and sound project created by London based artist Conny Prantera. The Seer is a multimedia live performance that interlocks A\/V, music, theatre and performance art. The project is based on unpublished writings that explore the story of a prophet in a timeless frame, floating between Homeric myths and personal memoir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was nominated by Red Bull Academy as one of the “7 women audiovisual artists pushing boundaries and challenging perceptions.”\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was also named by Elephant Magazine as one of “the Women Rewriting the Audiovisual Rulebook” and by The Quietus as part of the “New Weird Britannia” music phenomenon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eISB \u0026amp; THE SEER contribute with SIDE B: STONES (I, II, III), a short trilogy based on The Völuspá, an Old Norse poem that describes the life cycles of birth, death and rebirth through the words of a Seeress, or Völva, called by Odin to share her memories and prophecies with humankind. The three tracks are the result of a semi-improvised jam meticulously edited and enhanced.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : AKSU \/\/ IL SANTO BEVITORE \u0026amp; THE SEER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Industrial Coast\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-25T09:27:49+09:00","created_at":"2023-05-30T15:15:36+09:00","vendor":"Tobira Records","type":"","tags":["industrial coast","strange beats","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259755589882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"AKSU and IL SANTO BEVITORE \u0026 THE SEER \/\/ split TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338","options":["Title"],"media":[{"alt":null,"id":32037511135482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAKSUとIL SANTO BEVITORE、THE SEER\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eリチュアリスティックプロジェクト3組が、2023年5月にイギリスの実験レーベルIndustrial Coast からリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e儀式的なストレンジビーツ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526388544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Industrial Coast releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eC50 cassette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText via Industrial Coast:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Started in 2020, this project aims to gather two entities, separate in space but close\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ein spirit. On the one side, a magical call escaped from the desert sand and the salted\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003esea. On the other side, its echo responds, heaving from the depth of a chasmal land,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ean incantation told by an ancient seer spun like old yarn with strings, chants and percussions\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU is the project of Pierre Arese (Drums and Percussions) and Guillaume Cazalet (Guitar, Bass and Vocals) Guillaume and Pierre started AKSU in 2012. After a few self-released works, their first album \"The Way to Destroy and Create Things\" came out on Paradigms Recordings in November 2013. Since then, AKSU took part in numerous projects, including Neptunian Maximalism. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU contribute with SIDE A: Erg Namib, emerged from live sessions that took part in Brussels between 2018 and 2020. At that time, the aim of those sessions was to find a commune energy to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e connect ourselves with our surroundings. Erg Namib is a successful attempt to reach this goal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded, Mixed and Mastered by Guillaume Cazalet at Homo Sensibilis Sounds Studio, Brussels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl Santo Bevitore and THE SEER come together with their first collaboration to date.\u003cbr data-mce-fragment=\"1\"\u003eISB (Drums, Percussions, Electronics) is Nicola Serra’s ethnographic research and sound project which explores folklore and pagan mysteries from his native land of Sardinia. Nicola is an Italian born musician, producer and sound engineer based in London. He’s the founder and curator of Dronica, renowned experimental sound-art UK festival, as well as the curator and resident artist of Ritualtronics. ISB has performed across Europe and has released on a number of labels such\u003cbr data-mce-fragment=\"1\"\u003eas Opal Tapes, Aurora Borealis, An Trinse, Champion Version, Borders Of Known, Modern Bon, Attenuation Circuit and Amek Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE SEER (Cello, Vocals, Piano and Flute) is the performance and sound project created by London based artist Conny Prantera. The Seer is a multimedia live performance that interlocks A\/V, music, theatre and performance art. The project is based on unpublished writings that explore the story of a prophet in a timeless frame, floating between Homeric myths and personal memoir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was nominated by Red Bull Academy as one of the “7 women audiovisual artists pushing boundaries and challenging perceptions.”\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was also named by Elephant Magazine as one of “the Women Rewriting the Audiovisual Rulebook” and by The Quietus as part of the “New Weird Britannia” music phenomenon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eISB \u0026amp; THE SEER contribute with SIDE B: STONES (I, II, III), a short trilogy based on The Völuspá, an Old Norse poem that describes the life cycles of birth, death and rebirth through the words of a Seeress, or Völva, called by Odin to share her memories and prophecies with humankind. The three tracks are the result of a semi-improvised jam meticulously edited and enhanced.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : AKSU \/\/ IL SANTO BEVITORE \u0026amp; THE SEER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Industrial Coast\u003c\/span\u003e\u003c\/p\u003e"}
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AKSUとIL SANTO BEVITORE、THE SEERリチュアリスティックプロジェクト3組が、2023年5月にイギリスの実験レーベルIndustrial Coast からリリースしたスプリットカセットです。 儀式的なストレンジビーツ4曲を収録。 レーベルその他作品はこちら /// Click here to see more Industrial Coast releases...
¥1,880
クイックビュー
{"id":8171441717498,"title":"Akti ZINE VOL. 2","handle":"akti-zine-vol-2","description":"\u003cp\u003eフィンランドの実験レーベルAkti Recordsによる72ページのZINEです。\u003c\/p\u003e\n\u003cp\u003eインタビューとレビューが掲載。絶版です。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003ehere\u003c\/a\u003e to see more AKTI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e72-page zine featuring interviews and record reviews.\u003c\/p\u003e\n\u003cp\u003eAKTI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003e[...] Afrer a brief cooling-off period, I found myself facing what some zine enthusiasts might term the ”brick wall of the second edition,” where the imperative is to make the paper bigger, better, and more comprehensive. Despite the fact that the paper is my cherished creation, I must as humbly as possible to admit that, in my opinion, Akti Zine Vol. 2 succeeded in achieving its goal; It serves as a simple DIY cut-and-paste exploration of experimentalists and experimental music, kicking off with interviews followed by musings on captivating sonic puzzles — that one might even dare to call audio recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, I’ll let you folks decide if this was worth the trouble. Special thanks to Jani Hirvonen for his enourmous help making the zine digital and thus getting it to print mode and for heikki hautala for lending his scrap book for cut and paste!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInterviews:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Orcutt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKuupuu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoachim Nordwall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAprapat\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArv \u0026amp; Miljö\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArttu Partinen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunhiilow\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eP.Wits\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRasmus Östling\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTomutonttu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrenna Murphy\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Akti\u003c\/p\u003e","published_at":"2024-07-08T10:57:24+09:00","created_at":"2024-02-11T11:36:00+09:00","vendor":"Tobira Records","type":"","tags":["akti","books \/ clothing \/ others","new"],"price":217000,"price_min":217000,"price_max":217000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45173875605754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akti ZINE VOL. 2","public_title":null,"options":["Default Title"],"price":217000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839","options":["Title"],"media":[{"alt":null,"id":33153420820730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":878,"width":878,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839"},"aspect_ratio":1.0,"height":878,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839","width":878}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドの実験レーベルAkti Recordsによる72ページのZINEです。\u003c\/p\u003e\n\u003cp\u003eインタビューとレビューが掲載。絶版です。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003ehere\u003c\/a\u003e to see more AKTI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e72-page zine featuring interviews and record reviews.\u003c\/p\u003e\n\u003cp\u003eAKTI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003e[...] Afrer a brief cooling-off period, I found myself facing what some zine enthusiasts might term the ”brick wall of the second edition,” where the imperative is to make the paper bigger, better, and more comprehensive. Despite the fact that the paper is my cherished creation, I must as humbly as possible to admit that, in my opinion, Akti Zine Vol. 2 succeeded in achieving its goal; It serves as a simple DIY cut-and-paste exploration of experimentalists and experimental music, kicking off with interviews followed by musings on captivating sonic puzzles — that one might even dare to call audio recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, I’ll let you folks decide if this was worth the trouble. Special thanks to Jani Hirvonen for his enourmous help making the zine digital and thus getting it to print mode and for heikki hautala for lending his scrap book for cut and paste!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInterviews:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Orcutt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKuupuu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoachim Nordwall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAprapat\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArv \u0026amp; Miljö\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArttu Partinen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunhiilow\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eP.Wits\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRasmus Östling\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTomutonttu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrenna Murphy\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Akti\u003c\/p\u003e"}
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フィンランドの実験レーベルAkti Recordsによる72ページのZINEです。 インタビューとレビューが掲載。絶版です。 レーベルその他作品はこちら /// Click here to see more AKTI releases available at Tobira. ------------------------------------ 72-page...
¥2,170
クイックビュー
{"id":8018700304634,"title":"al dente \/\/ Running and Falling Over 12\"","handle":"aldet","description":"\u003cp\u003eオーストラリア・メルボルンのトランス作家al denteが、2023年9月にイギリス・ロンドンのトランスレーベルBEAMからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなテックハウス〜トランス4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366734915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple Effect 06:26\u003c\/li\u003e\n\u003cli\u003eSoft Steps 06:17\u003c\/li\u003e\n\u003cli\u003eUnfold 05:59\u003c\/li\u003e\n\u003cli\u003eBlue Trial 07:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBEAM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter another long hiatus, BEAM is excited to present the vinyl debut from rising star and nebulous neurocranker, al dente. Over 4 tracks, ‘Running and Falling Over’ captures the stylistic fluidity we have come to know and love from Naarm\/Melbourne. Ever present traces of Dozzy refract through millennium-bug tek haus, summoning atmospheres of deep yet ever playful psychedelia. Opening the A-side on ‘Ripple Effect’, pulsating drones and echoes of organic percussion slither through the undergrowth. ‘Soft Steps’ explores fractal resonance amid expansive, evolving textures. Flipping to the B-side, ‘Unfold’ melds paranoiac psy with a wiggly tek swagger. Slow-burner ‘Blue Trial’ closes out the EP – a proggy roller for the eternal sunrise.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : al dente\u003c\/p\u003e\n\u003cp\u003eLabel : BEAM\u003c\/p\u003e","published_at":"2023-09-18T09:08:14+09:00","created_at":"2023-09-17T13:05:14+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house"],"price":229500,"price_min":229500,"price_max":229500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44568330371322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"al dente \/\/ Running and Falling Over 12\"","public_title":null,"options":["Default Title"],"price":229500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516","\/\/tobirarecords.com\/cdn\/shop\/files\/dent2.jpg?v=1694923516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516","options":["Title"],"media":[{"alt":null,"id":32464014377210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516","width":700},{"alt":null,"id":32464014409978,"position":2,"preview_image":{"aspect_ratio":1.012,"height":1186,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent2.jpg?v=1694923516"},"aspect_ratio":1.012,"height":1186,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent2.jpg?v=1694923516","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンのトランス作家al denteが、2023年9月にイギリス・ロンドンのトランスレーベルBEAMからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなテックハウス〜トランス4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366734915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple Effect 06:26\u003c\/li\u003e\n\u003cli\u003eSoft Steps 06:17\u003c\/li\u003e\n\u003cli\u003eUnfold 05:59\u003c\/li\u003e\n\u003cli\u003eBlue Trial 07:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBEAM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter another long hiatus, BEAM is excited to present the vinyl debut from rising star and nebulous neurocranker, al dente. Over 4 tracks, ‘Running and Falling Over’ captures the stylistic fluidity we have come to know and love from Naarm\/Melbourne. Ever present traces of Dozzy refract through millennium-bug tek haus, summoning atmospheres of deep yet ever playful psychedelia. Opening the A-side on ‘Ripple Effect’, pulsating drones and echoes of organic percussion slither through the undergrowth. ‘Soft Steps’ explores fractal resonance amid expansive, evolving textures. Flipping to the B-side, ‘Unfold’ melds paranoiac psy with a wiggly tek swagger. Slow-burner ‘Blue Trial’ closes out the EP – a proggy roller for the eternal sunrise.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : al dente\u003c\/p\u003e\n\u003cp\u003eLabel : BEAM\u003c\/p\u003e"}
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オーストラリア・メルボルンのトランス作家al denteが、2023年9月にイギリス・ロンドンのトランスレーベルBEAMからリリースした12"です。 フロアフレンドリーなテックハウス〜トランス4曲を収録。 -------------------------------------- 12" black vinyl. Vinyl Tracklist: Ripple Effect 06:26 Soft Steps...
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クイックビュー
{"id":8100195467514,"title":"Al Fajer Group \/\/ Al Fajer (The Dawn) فرقة الفجر الفلسطينية LP","handle":"al-fajer-group-al-fajer-the-dawn","description":"\u003cp\u003e1987年から活動していたクウェートのフォークバンドAl Fajer Groupが、2023年11月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1988年に制作したものの、1990年のイラクによるクウェート侵攻により発表の機会を逃したフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Al Fajer Groupは1987年にクウェートで設立され、4人のアーティストによって共同設立された： シマ・カナーン（ヴォーカル）、バシャール・シャムアウト（ギター）、ジャミール・サラージ（ウードとギター）、ニザール・アリヤン（パーカッション）。アル・ファジェール・グループは、そのユニークな周波数と透明感のあるサウンドで知られるようになった。バンドはアコースティック・ウード、ギター、パーカッションに根ざしており、セット中に電子機器を使用することはない。結成当初は、パレスチナ解放闘争に関連したパレスチナの愛国的な曲を演奏していた。1988年の第一次インティファーダ中に、リールテープに録音したアルバムを発表。1990年にイラクがクウェートに侵攻したため、メンバー全員が国外退去を余儀なくされ、セカンド・アルバムをリリースするための再結成ができなかった。限られた活動期間の中で、彼らはクウェート、イラク、ドイツなどで複数のツアーに参加した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれはバンドにとって初のヴァイナル・リリースであり、今日まで入手不可能だったオリジナル楽曲も収録されている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=120118569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalalalalayya - هلالاليا 07:09\u003c\/li\u003e\n\u003cli\u003e3an Insan - عن إنسان 05:43\u003c\/li\u003e\n\u003cli\u003eRubbama - ربما 01:53\u003c\/li\u003e\n\u003cli\u003eLiqaa - لقاء 02:44\u003c\/li\u003e\n\u003cli\u003eFilisteen - فلسطين 01:25\u003c\/li\u003e\n\u003cli\u003e3aneed Ana - عنيد أنا 02:29\u003c\/li\u003e\n\u003cli\u003e3an al Umniyat - عن الأمنيات 03:24\u003c\/li\u003e\n\u003cli\u003eYamma Mweil el Hawa - يما مويل الهوى 04:10\u003c\/li\u003e\n\u003cli\u003eU3linuha - أعلنها 03:01\u003c\/li\u003e\n\u003cli\u003eHalalalalayya Music - موسيقى هلالاليا 05:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMajazz Project \/ Palestine Sound Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Fajer Group was established in Kuwait in 1987, co-founded by four artists: Sima Kanaan (Vocals), Bashar Shammout (Guitar) Jameel Saraj (Oud and Guitar) and Nizar Alyan (Percussion). Al Fajer Group became known for their unique frequencies and the transparency of their sound. The band is rooted in acoustic oud, guitar and percussion and they never used any electronic equipment during their sets. When they were first established they would perform Palestinian patriotic songs, related to the Palestinian liberation struggle. They released their launch album, recorded on reel tapes, during the First Intifada in 1988, after which they began composing and writing their own original music. They were unable to release this due to the Iraqi invasion of Kuwait in 1990, when all the band members were forced to leave the country and could not reunite to release the second album. During the limited time in which they were able to work together, they participated in multiple tours in Kuwait, Iraq, Germany and other locations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first vinyl release for the band and includes original music, which has not been available until today.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Al Fajer Group\u003c\/p\u003e\n\u003cp\u003eLabel : Majazz Project \/ Palestine Sound Archive\u003c\/p\u003e","published_at":"2023-12-18T12:00:36+09:00","created_at":"2023-12-03T15:57:54+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp"],"price":648000,"price_min":648000,"price_max":648000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44839469089018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Fajer Group \/\/ Al Fajer (The Dawn) فرقة الفجر الفلسطينية LP","public_title":null,"options":["Default Title"],"price":648000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_41696709-deb6-4f13-8061-5b76bf72f1c2.jpg?v=1701586676"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675","options":["Title"],"media":[{"alt":null,"id":32786384322810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675","width":700},{"alt":null,"id":32786384355578,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_41696709-deb6-4f13-8061-5b76bf72f1c2.jpg?v=1701586676"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_41696709-deb6-4f13-8061-5b76bf72f1c2.jpg?v=1701586676","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1987年から活動していたクウェートのフォークバンドAl Fajer Groupが、2023年11月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1988年に制作したものの、1990年のイラクによるクウェート侵攻により発表の機会を逃したフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Al Fajer Groupは1987年にクウェートで設立され、4人のアーティストによって共同設立された： シマ・カナーン（ヴォーカル）、バシャール・シャムアウト（ギター）、ジャミール・サラージ（ウードとギター）、ニザール・アリヤン（パーカッション）。アル・ファジェール・グループは、そのユニークな周波数と透明感のあるサウンドで知られるようになった。バンドはアコースティック・ウード、ギター、パーカッションに根ざしており、セット中に電子機器を使用することはない。結成当初は、パレスチナ解放闘争に関連したパレスチナの愛国的な曲を演奏していた。1988年の第一次インティファーダ中に、リールテープに録音したアルバムを発表。1990年にイラクがクウェートに侵攻したため、メンバー全員が国外退去を余儀なくされ、セカンド・アルバムをリリースするための再結成ができなかった。限られた活動期間の中で、彼らはクウェート、イラク、ドイツなどで複数のツアーに参加した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれはバンドにとって初のヴァイナル・リリースであり、今日まで入手不可能だったオリジナル楽曲も収録されている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=120118569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalalalalayya - هلالاليا 07:09\u003c\/li\u003e\n\u003cli\u003e3an Insan - عن إنسان 05:43\u003c\/li\u003e\n\u003cli\u003eRubbama - ربما 01:53\u003c\/li\u003e\n\u003cli\u003eLiqaa - لقاء 02:44\u003c\/li\u003e\n\u003cli\u003eFilisteen - فلسطين 01:25\u003c\/li\u003e\n\u003cli\u003e3aneed Ana - عنيد أنا 02:29\u003c\/li\u003e\n\u003cli\u003e3an al Umniyat - عن الأمنيات 03:24\u003c\/li\u003e\n\u003cli\u003eYamma Mweil el Hawa - يما مويل الهوى 04:10\u003c\/li\u003e\n\u003cli\u003eU3linuha - أعلنها 03:01\u003c\/li\u003e\n\u003cli\u003eHalalalalayya Music - موسيقى هلالاليا 05:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMajazz Project \/ Palestine Sound Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Fajer Group was established in Kuwait in 1987, co-founded by four artists: Sima Kanaan (Vocals), Bashar Shammout (Guitar) Jameel Saraj (Oud and Guitar) and Nizar Alyan (Percussion). Al Fajer Group became known for their unique frequencies and the transparency of their sound. The band is rooted in acoustic oud, guitar and percussion and they never used any electronic equipment during their sets. When they were first established they would perform Palestinian patriotic songs, related to the Palestinian liberation struggle. They released their launch album, recorded on reel tapes, during the First Intifada in 1988, after which they began composing and writing their own original music. They were unable to release this due to the Iraqi invasion of Kuwait in 1990, when all the band members were forced to leave the country and could not reunite to release the second album. During the limited time in which they were able to work together, they participated in multiple tours in Kuwait, Iraq, Germany and other locations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first vinyl release for the band and includes original music, which has not been available until today.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Al Fajer Group\u003c\/p\u003e\n\u003cp\u003eLabel : Majazz Project \/ Palestine Sound Archive\u003c\/p\u003e"}
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1987年から活動していたクウェートのフォークバンドAl Fajer Groupが、2023年11月にリリースしたレコードです。 1988年に制作したものの、1990年のイラクによるクウェート侵攻により発表の機会を逃したフォーク10曲を収録。 以下、レーベルによる解説です。 "Al Fajer Groupは1987年にクウェートで設立され、4人のアーティストによって共同設立された： シマ・カナーン（ヴォーカル）、バシャール・シャムアウト（ギター）、ジャミール・サラージ（ウードとギター）、ニザール・アリヤン（パーカッション）。アル・ファジェール・グループは、そのユニークな周波数と透明感のあるサウンドで知られるようになった。バンドはアコースティック・ウード、ギター、パーカッションに根ざしており、セット中に電子機器を使用することはない。結成当初は、パレスチナ解放闘争に関連したパレスチナの愛国的な曲を演奏していた。1988年の第一次インティファーダ中に、リールテープに録音したアルバムを発表。1990年にイラクがクウェートに侵攻したため、メンバー全員が国外退去を余儀なくされ、セカンド・アルバムをリリースするための再結成ができなかった。限られた活動期間の中で、彼らはクウェート、イラク、ドイツなどで複数のツアーに参加した。 これはバンドにとって初のヴァイナル・リリースであり、今日まで入手不可能だったオリジナル楽曲も収録されている。" ----------------------------------- 12" black vinyl. ...
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{"id":7872222396666,"title":"Al Marantz \/\/ The Mechanic TAPE","handle":"al-marantz-the-mechanic-tape","description":"\u003cp\u003eアメリカ・NYのベッドルーム・ポップ作家Al Marantz が、2022年7月に同国LAのレフトフィールド・ポップレーベルCudighi Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eキャッチーなLo-Fiサイケデリック・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843921937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJanglepop Hub:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eA lo-fi, psychedelic inflected aesthetic that is as brilliantly obtuse as it is endearing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Al Marantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Cudighi Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-29T07:42:32+09:00","created_at":"2022-12-19T10:33:43+09:00","vendor":"Tobira Records","type":"","tags":["Cudighi Records","folk \/ left-field pop","folk \/ vocal \/ band","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43789597114618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Marantz \/\/ The Mechanic TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_684814fa-cd5d-4f09-ad80-880d833f4921.jpg?v=1671413625"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625","options":["Title"],"media":[{"alt":null,"id":31220454392058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625","width":700},{"alt":null,"id":31220454424826,"position":2,"preview_image":{"aspect_ratio":1.019,"height":1178,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_684814fa-cd5d-4f09-ad80-880d833f4921.jpg?v=1671413625"},"aspect_ratio":1.019,"height":1178,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_684814fa-cd5d-4f09-ad80-880d833f4921.jpg?v=1671413625","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのベッドルーム・ポップ作家Al Marantz が、2022年7月に同国LAのレフトフィールド・ポップレーベルCudighi Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eキャッチーなLo-Fiサイケデリック・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843921937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJanglepop Hub:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eA lo-fi, psychedelic inflected aesthetic that is as brilliantly obtuse as it is endearing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Al Marantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Cudighi Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのベッドルーム・ポップ作家Al Marantz が、2022年7月に同国LAのレフトフィールド・ポップレーベルCudighi Recordsからリリースしたカセットです。 キャッチーなLo-Fiサイケデリック・ポップ11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Cudighi Records releases available at Tobira. --------------------------...
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{"id":8259257270522,"title":"Al Margolis \u0026 Jim Strong \/\/ Correspondences TAPE","handle":"al-margolis-jim-strong-correspondences-tape","description":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisと、過去にvitrineやphineryから発表している物音作家Jim Strongが、2024年3月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e燻銀のミュージックコンクレート2曲を収録。\u003c\/p\u003e\n\u003cp\u003eAl Margolisの\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-ordet-cd\"\u003e前作\u003c\/a\u003eとJim Strongの\u003ca href=\"https:\/\/tobirarecords.com\/products\/jim-strong-voluntary-letters-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255484897\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide A 24:43\u003c\/li\u003e\n\u003cli\u003eSide B 23:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Al Margolis \u0026amp; Jim Strong\u003c\/p\u003e\n\u003cp\u003eLabel : Regional Bears\u003c\/p\u003e","published_at":"2024-04-03T09:04:29+09:00","created_at":"2024-04-02T15:22:40+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","regional bears","tape"],"price":199800,"price_min":199800,"price_max":199800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45498863157498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Margolis \u0026 Jim Strong \/\/ Correspondences TAPE","public_title":null,"options":["Default Title"],"price":199800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962","\/\/tobirarecords.com\/cdn\/shop\/files\/al2.jpg?v=1712038962"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962","options":["Title"],"media":[{"alt":null,"id":33531348615418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962","width":700},{"alt":null,"id":33531348648186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2.jpg?v=1712038962"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2.jpg?v=1712038962","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisと、過去にvitrineやphineryから発表している物音作家Jim Strongが、2024年3月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e燻銀のミュージックコンクレート2曲を収録。\u003c\/p\u003e\n\u003cp\u003eAl Margolisの\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-ordet-cd\"\u003e前作\u003c\/a\u003eとJim Strongの\u003ca href=\"https:\/\/tobirarecords.com\/products\/jim-strong-voluntary-letters-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255484897\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide A 24:43\u003c\/li\u003e\n\u003cli\u003eSide B 23:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Al Margolis \u0026amp; Jim Strong\u003c\/p\u003e\n\u003cp\u003eLabel : Regional Bears\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig / Pugus主宰Al Margolisと、過去にvitrineやphineryから発表している物音作家Jim Strongが、2024年3月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースした共作カセットです。 燻銀のミュージックコンクレート2曲を収録。 Al Margolisの前作とJim Strongの前作もオススメです。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら ///...
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{"id":7837403185402,"title":"Al Margolis \/\/ Iceless, Faceless CD","handle":"al-margolis-iceless-faceless-cd","description":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、1990年代にリリースしていたレア音源がこの度CDで再発。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=696923693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTribe Tapes その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProfessionally-manufactured CD in full-color, 4-panel digipak.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released via HalTapes, 90s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eAl Margolis, July 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e'Iceless, Faceless' has always felt like a 'lost' release\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to me. It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewas originally released on Hal McGee's Haltapes label, just as he was\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esuspending the labels activity. So I'm very pleased that Max\/Tribe\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTapes is reissuing this (as a CD!!!) and rescuing it from 'the void'.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI hope it is still worth a listen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrans de Waard, Vital Weekly 1356\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eDecades of experience by now; that is Al Margolis. Long ago, he worked as If, Bwana and had a cassette label, Sound Of Pig. He has used his real name in recent years and ran another label, Pogus Productions. His music also changed over the years. From the more or less randomized tape experiments of the early years to minimalism (the excellent 'R.ISMV.1' CD springs to mind) and improvisation. As with many of the releases on Tribe Tapes, especially regarding people, we can call 'veterans'; this is a historical release. 'Iceless, Faceless' was intended for release on Hal McGee's Hal Tapes, but that didn't happen as he was about to stop his label activities. This being in the early 90s. On the six pieces on this release, there is sound input from others, and two pieces are solo. The improvisational aspect of the music is there, especially in the collaborative pieces, but in all six, there are elements of that. Margolis plays tapes, electronics, piano, processing and an ARP 2600. Usually, not all at the same time. Yet, the music isn't all that improvised sounding perse. Maybe Margolis' tape processing adds a different shape and texture to the music. In 'Jamming', for instance, he plays vibe samples, while Danielle Reddick adds percussion and Paul Richard drums. It sounds as if the piece never starts and keeps stumbling around. This piece has a lo-fi quality, making me like it even more. There is also something similar with 'Prelude To An Ongoing Conversation', with a four-piece line-up, same percussionists but adding Brian Charles on didjeridu and Margolis on vocals, whistler and percussion. A curious, minimalist rockist agenda approach. Not all pieces have the lo-fi quality, but that studio-as-instrument approach to reshape improvisations lingers through all of these pieces. It's music that isn't easily captured as one thing or another (musique concrète, new music, improvisation), and indeed not easy to digest, but one that slowly unfolds its beauty.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e","published_at":"2022-11-17T16:57:53+09:00","created_at":"2022-11-13T12:19:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","tribe tapes"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644660646138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Margolis \/\/ Iceless, Faceless CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_32cdbb7d-92fa-4c04-ac97-df377543cba6.jpg?v=1668309588"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587","options":["Title"],"media":[{"alt":null,"id":30987231625466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587","width":700},{"alt":null,"id":30987231658234,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_32cdbb7d-92fa-4c04-ac97-df377543cba6.jpg?v=1668309588"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_32cdbb7d-92fa-4c04-ac97-df377543cba6.jpg?v=1668309588","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、1990年代にリリースしていたレア音源がこの度CDで再発。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=696923693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTribe Tapes その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProfessionally-manufactured CD in full-color, 4-panel digipak.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released via HalTapes, 90s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eAl Margolis, July 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e'Iceless, Faceless' has always felt like a 'lost' release\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to me. It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewas originally released on Hal McGee's Haltapes label, just as he was\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esuspending the labels activity. So I'm very pleased that Max\/Tribe\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTapes is reissuing this (as a CD!!!) and rescuing it from 'the void'.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI hope it is still worth a listen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrans de Waard, Vital Weekly 1356\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eDecades of experience by now; that is Al Margolis. Long ago, he worked as If, Bwana and had a cassette label, Sound Of Pig. He has used his real name in recent years and ran another label, Pogus Productions. His music also changed over the years. From the more or less randomized tape experiments of the early years to minimalism (the excellent 'R.ISMV.1' CD springs to mind) and improvisation. As with many of the releases on Tribe Tapes, especially regarding people, we can call 'veterans'; this is a historical release. 'Iceless, Faceless' was intended for release on Hal McGee's Hal Tapes, but that didn't happen as he was about to stop his label activities. This being in the early 90s. On the six pieces on this release, there is sound input from others, and two pieces are solo. The improvisational aspect of the music is there, especially in the collaborative pieces, but in all six, there are elements of that. Margolis plays tapes, electronics, piano, processing and an ARP 2600. Usually, not all at the same time. Yet, the music isn't all that improvised sounding perse. Maybe Margolis' tape processing adds a different shape and texture to the music. In 'Jamming', for instance, he plays vibe samples, while Danielle Reddick adds percussion and Paul Richard drums. It sounds as if the piece never starts and keeps stumbling around. This piece has a lo-fi quality, making me like it even more. There is also something similar with 'Prelude To An Ongoing Conversation', with a four-piece line-up, same percussionists but adding Brian Charles on didjeridu and Margolis on vocals, whistler and percussion. A curious, minimalist rockist agenda approach. Not all pieces have the lo-fi quality, but that studio-as-instrument approach to reshape improvisations lingers through all of these pieces. It's music that isn't easily captured as one thing or another (musique concrète, new music, improvisation), and indeed not easy to digest, but one that slowly unfolds its beauty.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig / Pugus主宰Al Margolisが、1990年代にリリースしていたレア音源がこの度CDで再発。 Lo-Fiコンクレート6曲を収録。デジパック、シュリンク仕様です。 Tribe Tapes その他作品はこちら /// Click here to see more Tribe...
¥1,980
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{"id":8171441029370,"title":"Al Margolis \/\/ Ordet CD","handle":"al-margolis-ordet-cd","description":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、2024年1月にフィンランドの実験レーベルArtsyからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。6面デジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-iceless-faceless-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3372592528\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCopernicium 06:56\u003c\/li\u003e\n\u003cli\u003eLivermorium 10:03\u003c\/li\u003e\n\u003cli\u003eNihonium 10:00\u003c\/li\u003e\n\u003cli\u003eDarmstadtium 07:15\u003c\/li\u003e\n\u003cli\u003eOganesson 09:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtsy Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour of the five pieces on Ordet can be considered as solo \u003c\/em\u003e\u003cem\u003ecollaborations – or perhaps, collaborations with oneself. \u003c\/em\u003e\u003cem\u003eThese assemblages\/constructions are reworked\/reimagined\/revisited\/recycled pieces - transformed into something new. The one exception, \u003c\/em\u003e\u003cem\u003eLivermorium, is more accurately described as a process piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAl Margolis is a composer\/performer, improvisor, and painter. Since \u003c\/em\u003e\u003cem\u003e1984, often under his project name If, Bwana, he has worked in the field \u003c\/em\u003e\u003cem\u003eof non-commercial, non-popular music and sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e","published_at":"2024-02-12T07:43:11+09:00","created_at":"2024-02-11T11:30:27+09:00","vendor":"Tobira Records","type":"","tags":["artsy records","cd","monooto"],"price":197500,"price_min":197500,"price_max":197500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45173869248762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Margolis \/\/ Ordet CD","public_title":null,"options":["Default Title"],"price":197500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_4bf4cdbf-a769-4843-a144-040a6fd80982.jpg?v=1707618629"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629","options":["Title"],"media":[{"alt":null,"id":33153414267130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629","width":700},{"alt":null,"id":33153414299898,"position":2,"preview_image":{"aspect_ratio":0.973,"height":1200,"width":1168,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_4bf4cdbf-a769-4843-a144-040a6fd80982.jpg?v=1707618629"},"aspect_ratio":0.973,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_4bf4cdbf-a769-4843-a144-040a6fd80982.jpg?v=1707618629","width":1168}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、2024年1月にフィンランドの実験レーベルArtsyからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。6面デジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-iceless-faceless-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3372592528\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCopernicium 06:56\u003c\/li\u003e\n\u003cli\u003eLivermorium 10:03\u003c\/li\u003e\n\u003cli\u003eNihonium 10:00\u003c\/li\u003e\n\u003cli\u003eDarmstadtium 07:15\u003c\/li\u003e\n\u003cli\u003eOganesson 09:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtsy Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour of the five pieces on Ordet can be considered as solo \u003c\/em\u003e\u003cem\u003ecollaborations – or perhaps, collaborations with oneself. \u003c\/em\u003e\u003cem\u003eThese assemblages\/constructions are reworked\/reimagined\/revisited\/recycled pieces - transformed into something new. The one exception, \u003c\/em\u003e\u003cem\u003eLivermorium, is more accurately described as a process piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAl Margolis is a composer\/performer, improvisor, and painter. Since \u003c\/em\u003e\u003cem\u003e1984, often under his project name If, Bwana, he has worked in the field \u003c\/em\u003e\u003cem\u003eof non-commercial, non-popular music and sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig / Pugus主宰Al Margolisが、2024年1月にフィンランドの実験レーベルArtsyからリリースしたCDです。 Lo-Fiコンクレート6曲を収録。6面デジスリーブ仕様です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Artsy Records releases...
¥1,975
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{"id":7594634739962,"title":"al Riggs \/\/ Oh Good It's Al Riggs LP","handle":"al-riggs-oh-good-its-al-riggs-lp","description":"\u003cp\u003eアメリカ・ノースカロライナのベッドルームポップ作家al Riggsが、2021年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHusky Pantsからリリースした最新レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベッドルームインディーポップ8曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=35608517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/husky-pants\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/husky-pants\"\u003ehere\u003c\/a\u003e to see more Husky Pants releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eText by Husky Pants:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eal Riggs makes a lot of music. Too much.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince 2011 they’ve been releasing albums, singles, EPs, and more at a clip some have called “irresponsible” and “oversaturating” but the true heads have called “good”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt a certain point some songs fall by the wayside; getting dropped from albums, getting reworked, seemingly without a home.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow al Riggs and the kind folks at Husky Pants Records have found eight lucky little guys a forever home on the purposely low-stakes OH GOOD.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOH GOOD IT’S AL RIGGS collects songs originally recorded between 2019 and 2021, intended for release on I GOT A BIG ELECTRIC FAN TO KEEP ME COOL WHILE I SLEEP or the upcoming THEMSELVES but never quite fitting. And yet oddly they seem to fit snugly together here. A combination of home recorded mini-epics mixed with sessions produced by Brad Cook (Megafaun, Hiss Golden Messenger, behind the window for many others) await the hungry listener. Wheezing mellotron, chunky banjo, vibraphone, a frankenstein-shaped vocal looper, and the humble nylon string guitar swirl around and around on Riggs’ first vinyl release, mastered by the great Patrick Klem.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe here at al Riggs LLC believe in the Sondheim golden rule “content dictates form”. Nothing could represent that more than the neat little 30 minute package that will have you too saying “Oh, good”.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : al Riggs\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHusky Pants\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-04-22T11:05:25+09:00","created_at":"2022-04-22T10:19:46+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","husky pants","lp"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42672691478778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"al Riggs \/\/ Oh Good It's Al Riggs LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go_7f2eafc4-e38a-48d4-b700-fcdaae8e6dcc.jpg?v=1650590387","\/\/tobirarecords.com\/cdn\/shop\/products\/go2_6ee05d30-1980-4e86-89ba-c33cf1a249d5.jpg?v=1650590387"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go_7f2eafc4-e38a-48d4-b700-fcdaae8e6dcc.jpg?v=1650590387","options":["Title"],"media":[{"alt":null,"id":29587708969210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go_7f2eafc4-e38a-48d4-b700-fcdaae8e6dcc.jpg?v=1650590387"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go_7f2eafc4-e38a-48d4-b700-fcdaae8e6dcc.jpg?v=1650590387","width":700},{"alt":null,"id":29587709001978,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_6ee05d30-1980-4e86-89ba-c33cf1a249d5.jpg?v=1650590387"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_6ee05d30-1980-4e86-89ba-c33cf1a249d5.jpg?v=1650590387","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナのベッドルームポップ作家al Riggsが、2021年11月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHusky Pantsからリリースした最新レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベッドルームインディーポップ8曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=35608517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/husky-pants\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/husky-pants\"\u003ehere\u003c\/a\u003e to see more Husky Pants releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eText by Husky Pants:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eal Riggs makes a lot of music. Too much.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince 2011 they’ve been releasing albums, singles, EPs, and more at a clip some have called “irresponsible” and “oversaturating” but the true heads have called “good”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt a certain point some songs fall by the wayside; getting dropped from albums, getting reworked, seemingly without a home.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow al Riggs and the kind folks at Husky Pants Records have found eight lucky little guys a forever home on the purposely low-stakes OH GOOD.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOH GOOD IT’S AL RIGGS collects songs originally recorded between 2019 and 2021, intended for release on I GOT A BIG ELECTRIC FAN TO KEEP ME COOL WHILE I SLEEP or the upcoming THEMSELVES but never quite fitting. And yet oddly they seem to fit snugly together here. A combination of home recorded mini-epics mixed with sessions produced by Brad Cook (Megafaun, Hiss Golden Messenger, behind the window for many others) await the hungry listener. Wheezing mellotron, chunky banjo, vibraphone, a frankenstein-shaped vocal looper, and the humble nylon string guitar swirl around and around on Riggs’ first vinyl release, mastered by the great Patrick Klem.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe here at al Riggs LLC believe in the Sondheim golden rule “content dictates form”. Nothing could represent that more than the neat little 30 minute package that will have you too saying “Oh, good”.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : al Riggs\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHusky Pants\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナのベッドルームポップ作家al Riggsが、2021年11月にHusky Pantsからリリースした最新レコードです。 ベッドルームインディーポップ8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Husky Pants releases available at Tobira. ...
¥3,180
クイックビュー
{"id":8980676477178,"title":"Al Sunny \/\/ Summer End LP","handle":"al-sunny-summer-end-lp","description":"\u003cp\u003eフランスのネオソウル作家Al Sunnyが、2025年10月に\u003cspan\u003eLégère Recordings\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eメローなネオソウル〜ジャズ・ポップ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4267777088\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Why 03:28\u003cbr\u003e2. Goodbye 03:17\u003cbr\u003e3. So Lonely 04:00\u003cbr\u003e4. Drinking Too Much 02:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Take Your Time 04:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. My Love 04:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Summer End 03:23\u003cbr\u003e\u003c\/span\u003e8. Feeling's Gone Away 03:37\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eSummer End' is the new album by Al Sunny, a singer-songwriter now based in Nîmes\/France. It blends soul, pop and groove into a luminous and refined musical universe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter debuting in 2017 with “Time to Decide”, an album praised for its authentic production and warm sound, he followed up in 2019 with “Planets”. This second album, recorded at Question de Son studio in Paris using analogue equipment and captured live with Guts' backing band, helped him gain recognition beyond France, especially in Japan, where both albums were met with great success.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2025, Al Sunny releases “Summer End”, his third album, signed with Légère Recordings. This new record marks a significant evolution in his artistic journey while staying true to the essence of his previous work. The album was recorded in Florian Pellissier's home (keyboardist on all three albums) during a week-long session in near isolation, with Loïs Eichelbrenner (Planet Gloria) handling the sound recording. Mixed at Question de Son studio in Paris by Jordan Kouby and mastered by Mickael Rangeard, “Summer End” boasts a pure and polished sound that complements its laid-back, introspective vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile soul and pop remain at the heart of Al\u003cspan class=\"bcTruncateMore\"\u003e Sunny’s writing, “Summer End” incorporates fresh influences from artists like Sault, Khruangbin, Daniel Caesar, Anderson .Paak, and Tom Misch. The album stands out for its more nocturnal tones and atmospheric textures, offering an invitation to introspection and relaxation, while representing a subtle, natural evolution of the artist.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Sunny\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLégère Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : LEGO385VL\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-02T07:18:27+09:00","created_at":"2025-11-01T18:31:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","jazz","lp","new"],"price":448400,"price_min":448400,"price_max":448400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47891147817210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Sunny \/\/ Summer End LP","public_title":null,"options":["Default Title"],"price":448400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4026424013514","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/end1_e6200c70-b789-44af-8522-2fd0bd5cf3ef.jpg?v=1761989360","\/\/tobirarecords.com\/cdn\/shop\/files\/end2_ca1c56bd-e299-47cb-9cad-b59ff151da64.jpg?v=1761989360"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/end1_e6200c70-b789-44af-8522-2fd0bd5cf3ef.jpg?v=1761989360","options":["Title"],"media":[{"alt":null,"id":37361872240890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end1_e6200c70-b789-44af-8522-2fd0bd5cf3ef.jpg?v=1761989360"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end1_e6200c70-b789-44af-8522-2fd0bd5cf3ef.jpg?v=1761989360","width":700},{"alt":null,"id":37361872273658,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end2_ca1c56bd-e299-47cb-9cad-b59ff151da64.jpg?v=1761989360"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/end2_ca1c56bd-e299-47cb-9cad-b59ff151da64.jpg?v=1761989360","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのネオソウル作家Al Sunnyが、2025年10月に\u003cspan\u003eLégère Recordings\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eメローなネオソウル〜ジャズ・ポップ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4267777088\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Why 03:28\u003cbr\u003e2. Goodbye 03:17\u003cbr\u003e3. So Lonely 04:00\u003cbr\u003e4. Drinking Too Much 02:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Take Your Time 04:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. My Love 04:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Summer End 03:23\u003cbr\u003e\u003c\/span\u003e8. Feeling's Gone Away 03:37\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eSummer End' is the new album by Al Sunny, a singer-songwriter now based in Nîmes\/France. It blends soul, pop and groove into a luminous and refined musical universe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter debuting in 2017 with “Time to Decide”, an album praised for its authentic production and warm sound, he followed up in 2019 with “Planets”. This second album, recorded at Question de Son studio in Paris using analogue equipment and captured live with Guts' backing band, helped him gain recognition beyond France, especially in Japan, where both albums were met with great success.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2025, Al Sunny releases “Summer End”, his third album, signed with Légère Recordings. This new record marks a significant evolution in his artistic journey while staying true to the essence of his previous work. The album was recorded in Florian Pellissier's home (keyboardist on all three albums) during a week-long session in near isolation, with Loïs Eichelbrenner (Planet Gloria) handling the sound recording. Mixed at Question de Son studio in Paris by Jordan Kouby and mastered by Mickael Rangeard, “Summer End” boasts a pure and polished sound that complements its laid-back, introspective vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile soul and pop remain at the heart of Al\u003cspan class=\"bcTruncateMore\"\u003e Sunny’s writing, “Summer End” incorporates fresh influences from artists like Sault, Khruangbin, Daniel Caesar, Anderson .Paak, and Tom Misch. The album stands out for its more nocturnal tones and atmospheric textures, offering an invitation to introspection and relaxation, while representing a subtle, natural evolution of the artist.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Sunny\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLégère Recordings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : LEGO385VL\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのネオソウル作家Al Sunnyが、2025年10月にLégère Recordingsからリリースしたレコードです。 メローなネオソウル〜ジャズ・ポップ8曲を収録。 -------------------------------------------------- 12" black vinyl. Tracklist: 1. Why 03:282. Goodbye 03:173....
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{"id":8592351985914,"title":"Al Wootton \/\/ Albacete Knife 12\"","handle":"al-wootton-albacete-knife-12","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイギリスのテクノ作家Al Woottonが、2024年7月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eトライバル・ダブテクノ4曲を収録。ポスター付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/t4bsDgoWSMU?si=nrxbVWbRaV_oSd3s\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nM-ETFwCk4M?si=YBA0KV0GGd0xFaGt\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DvGFnTLDq4o?si=lNRaMlSwM328aWwo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RcWhUQpFiFU?si=xUi_yBnHFxAoqxM3\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eHand stamped 12\" black Vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Albacete Knife 05:28\u003cbr\u003e2. Bracero Rising 10:57\u003cbr\u003e3. Midnight Paseo 07:02\u003cbr\u003e4. Magic Fire 04:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Albacete Knife Al Wootton offers up four hardware tracks of raw percussion and ambience dubbed out to infinity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on the Post-Punk elements of his Holy Tongue project and transmuting them for the sound-system deejays, the EP covers low slung steppers, trance inducing percussion trips, psyched out Goa beatdowns and mutoid hardcore reductions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaw and bristling psychedelic techno dubs for out there heads and feet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT No : TRULE027\u003c\/p\u003e","published_at":"2024-08-12T14:39:07+09:00","created_at":"2024-08-12T14:04:41+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","recommended","techno \/ house","trule"],"price":343000,"price_min":343000,"price_max":343000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46542467891450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Wootton \/\/ Albacete Knife 12\"","public_title":null,"options":["Default Title"],"price":343000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_e9cab190-3c22-4b21-ae6f-8ad6bf00687d.jpg?v=1723438962","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_ca3e1bc0-b968-4034-9597-bf8072ce5c7e.jpg?v=1723438961"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_e9cab190-3c22-4b21-ae6f-8ad6bf00687d.jpg?v=1723438962","options":["Title"],"media":[{"alt":null,"id":34696273199354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_e9cab190-3c22-4b21-ae6f-8ad6bf00687d.jpg?v=1723438962"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_e9cab190-3c22-4b21-ae6f-8ad6bf00687d.jpg?v=1723438962","width":700},{"alt":null,"id":34696273264890,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_ca3e1bc0-b968-4034-9597-bf8072ce5c7e.jpg?v=1723438961"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_ca3e1bc0-b968-4034-9597-bf8072ce5c7e.jpg?v=1723438961","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイギリスのテクノ作家Al Woottonが、2024年7月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eトライバル・ダブテクノ4曲を収録。ポスター付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/t4bsDgoWSMU?si=nrxbVWbRaV_oSd3s\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nM-ETFwCk4M?si=YBA0KV0GGd0xFaGt\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DvGFnTLDq4o?si=lNRaMlSwM328aWwo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RcWhUQpFiFU?si=xUi_yBnHFxAoqxM3\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eHand stamped 12\" black Vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Albacete Knife 05:28\u003cbr\u003e2. Bracero Rising 10:57\u003cbr\u003e3. Midnight Paseo 07:02\u003cbr\u003e4. Magic Fire 04:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Albacete Knife Al Wootton offers up four hardware tracks of raw percussion and ambience dubbed out to infinity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on the Post-Punk elements of his Holy Tongue project and transmuting them for the sound-system deejays, the EP covers low slung steppers, trance inducing percussion trips, psyched out Goa beatdowns and mutoid hardcore reductions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRaw and bristling psychedelic techno dubs for out there heads and feet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT No : TRULE027\u003c\/p\u003e"}
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{"id":7894991208698,"title":"Al Wootton \/\/ Artefacts 12\"","handle":"al-wootton-artefacts-12","description":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2022年12月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e4\/4に徹したフロア仕様のミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3601203911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eTrule\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Wootton returns home on Trule with an EP of highly functional dance floor techno that retains his signature brittle textures, dubwise sensibilities and clipped, stepping, swinging rhythms.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e","published_at":"2023-01-16T08:56:28+09:00","created_at":"2023-01-15T14:20:43+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house","trule"],"price":239000,"price_min":239000,"price_max":239000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43893158904058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Wootton \/\/ Artefacts 12\"","public_title":null,"options":["Default Title"],"price":239000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/woo1.jpg?v=1673760045","\/\/tobirarecords.com\/cdn\/shop\/products\/woo2.jpg?v=1673760045","\/\/tobirarecords.com\/cdn\/shop\/products\/woo3.jpg?v=1673760045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo1.jpg?v=1673760045","options":["Title"],"media":[{"alt":null,"id":31376211804410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo1.jpg?v=1673760045"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo1.jpg?v=1673760045","width":700},{"alt":null,"id":31376211837178,"position":2,"preview_image":{"aspect_ratio":0.954,"height":1200,"width":1145,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo2.jpg?v=1673760045"},"aspect_ratio":0.954,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo2.jpg?v=1673760045","width":1145},{"alt":null,"id":31376211869946,"position":3,"preview_image":{"aspect_ratio":0.972,"height":1200,"width":1166,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo3.jpg?v=1673760045"},"aspect_ratio":0.972,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/woo3.jpg?v=1673760045","width":1166}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2022年12月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e4\/4に徹したフロア仕様のミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3601203911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eTrule\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Wootton returns home on Trule with an EP of highly functional dance floor techno that retains his signature brittle textures, dubwise sensibilities and clipped, stepping, swinging rhythms.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e"}
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{"id":8418602057978,"title":"Al Wootton \/\/ Callers Spring 12\"","handle":"al-wootton-callers-spring-12","description":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2024年4月に自身主宰レーベルTruleからリリースした再発12\"です。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eアトモスフェリックなディープテクノ〜UKG4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ITgoJnwJlLA?si=HzSnFte2tRwRtL0y\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tN_Yi477n1M?si=XO-ib7o0VENFfYwl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/HUMZ3RIHn3Q?si=hGVbTdXs2djK7JVe\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cqj273fAcew?si=1YcZA49OKyCMie0l\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Callers Spring 06:15\u003cbr\u003e2. Grounding 05:00\u003cbr\u003e3. Saraph 04:56\u003cbr\u003e4. Doxa 06:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Wootton presents the second part of a trilogy, following on from the Maenads EP, of sparse, percussive techno drawing influences from Dub and UK Garage. Heavily textured and weighty music for dancefloors and forest floors.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT No: TRULE014\u003c\/p\u003e","published_at":"2024-05-06T18:53:43+09:00","created_at":"2024-05-06T12:48:36+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house","trule"],"price":259000,"price_min":259000,"price_max":259000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45860569841914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Wootton \/\/ Callers Spring 12\"","public_title":null,"options":["Default Title"],"price":259000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/call1_ab25f736-6a3f-43f0-8807-e6c4add6f096.jpg?v=1714967318","\/\/tobirarecords.com\/cdn\/shop\/files\/call2_3bbb90f8-9796-488d-9f8b-0e757071e298.jpg?v=1714967318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/call1_ab25f736-6a3f-43f0-8807-e6c4add6f096.jpg?v=1714967318","options":["Title"],"media":[{"alt":null,"id":33944957780218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call1_ab25f736-6a3f-43f0-8807-e6c4add6f096.jpg?v=1714967318"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call1_ab25f736-6a3f-43f0-8807-e6c4add6f096.jpg?v=1714967318","width":700},{"alt":null,"id":33944957812986,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call2_3bbb90f8-9796-488d-9f8b-0e757071e298.jpg?v=1714967318"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/call2_3bbb90f8-9796-488d-9f8b-0e757071e298.jpg?v=1714967318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2024年4月に自身主宰レーベルTruleからリリースした再発12\"です。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003eアトモスフェリックなディープテクノ〜UKG4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ITgoJnwJlLA?si=HzSnFte2tRwRtL0y\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tN_Yi477n1M?si=XO-ib7o0VENFfYwl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/HUMZ3RIHn3Q?si=hGVbTdXs2djK7JVe\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cqj273fAcew?si=1YcZA49OKyCMie0l\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Callers Spring 06:15\u003cbr\u003e2. Grounding 05:00\u003cbr\u003e3. Saraph 04:56\u003cbr\u003e4. Doxa 06:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Wootton presents the second part of a trilogy, following on from the Maenads EP, of sparse, percussive techno drawing influences from Dub and UK Garage. Heavily textured and weighty music for dancefloors and forest floors.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT No: TRULE014\u003c\/p\u003e"}
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イギリスのテクノ作家Al Woottonが、2024年4月に自身主宰レーベルTruleからリリースした再発12"です。（オリジナルは2022年リリース） アトモスフェリックなディープテクノ〜UKG4曲を収録。 レーベルその他作品はこちら /// Click here to see more Trule releases available at...
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{"id":8710061261050,"title":"Al Wootton \/\/ Calvinist Hospitality 12inch","handle":"al-wootton-calvinist-hospitality-12inch","description":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2025年1月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eトライバル・ダブテクノ〜ポストインダストリアル・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2MDB7OxPImI?si=xZcHD5OA0t_BBPLo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SZxGD76o400?si=s05en4GwK3YF_pWD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KlG-Sc5iowU?si=5crDgDiYtF-APGoD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4HW5FO9OVh8?si=0rvj_Lie4YaYv2Ff\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Facing The Horses Tail 06:39\u003cbr\u003e2. When Hempe Is Spun 06:26\u003cbr\u003e3. Calvinist Hospitality 09:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Imperial Toledano 05:52\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Calvinist Hospitality Al Wootton reaches further into psych industrial dub ritualism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHand percussion rattles through noisy vintage delay units, ricocheting off throbbing subs and bristling texture. Alive and haunted.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on the tribal-industrialism of the 1980s and early 90s, for the soundsystems and dance spaces of tomorrow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTransposing dusty Goan beaches into the abandoned warehouses of post-industrial Europe.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT no : TRULE030\u003c\/p\u003e","published_at":"2025-01-29T14:36:40+09:00","created_at":"2025-01-29T10:25:24+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","recommended","techno \/ house","trule"],"price":393500,"price_min":393500,"price_max":393500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47086368686330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Wootton \/\/ Calvinist Hospitality 12inch","public_title":null,"options":["Default Title"],"price":393500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cal1_25e8cf0a-c7ed-422b-bbc0-f1d013545dc8.jpg?v=1738113807","\/\/tobirarecords.com\/cdn\/shop\/files\/cal2_17c5b0dd-4221-4f8a-87e4-43b8670c65b0.jpg?v=1738113807"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cal1_25e8cf0a-c7ed-422b-bbc0-f1d013545dc8.jpg?v=1738113807","options":["Title"],"media":[{"alt":null,"id":35488017809658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cal1_25e8cf0a-c7ed-422b-bbc0-f1d013545dc8.jpg?v=1738113807"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cal1_25e8cf0a-c7ed-422b-bbc0-f1d013545dc8.jpg?v=1738113807","width":700},{"alt":null,"id":35488017842426,"position":2,"preview_image":{"aspect_ratio":0.974,"height":1200,"width":1169,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cal2_17c5b0dd-4221-4f8a-87e4-43b8670c65b0.jpg?v=1738113807"},"aspect_ratio":0.974,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cal2_17c5b0dd-4221-4f8a-87e4-43b8670c65b0.jpg?v=1738113807","width":1169}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2025年1月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eトライバル・ダブテクノ〜ポストインダストリアル・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2MDB7OxPImI?si=xZcHD5OA0t_BBPLo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SZxGD76o400?si=s05en4GwK3YF_pWD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KlG-Sc5iowU?si=5crDgDiYtF-APGoD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4HW5FO9OVh8?si=0rvj_Lie4YaYv2Ff\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Facing The Horses Tail 06:39\u003cbr\u003e2. When Hempe Is Spun 06:26\u003cbr\u003e3. Calvinist Hospitality 09:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Imperial Toledano 05:52\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Calvinist Hospitality Al Wootton reaches further into psych industrial dub ritualism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHand percussion rattles through noisy vintage delay units, ricocheting off throbbing subs and bristling texture. 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{"id":9026497773818,"title":"Al Wootton \/\/ CRUX 12inch","handle":"al-wootton-crux-12inch","description":"\u003cp\u003eイギリスのテクノレーベルTrule主宰Al Woottonが、2025年12月にフィンランドの老舗実験テクノレーベル\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003eからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるポストパンク・トライバルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-wootton-rhythm-archives-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mSSwYAabMfI?si=4wv_-nY514NzgAnw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1. Essene 06:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e2. Per Incanto 07:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e3. Cloister 08:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e4. Armen 07:04\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUU-60\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-12T12:00:48+09:00","created_at":"2025-12-12T11:59:58+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","recommended","sahko recordings","strange beats","techno \/ house"],"price":299600,"price_min":299600,"price_max":299600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48100365304058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Wootton \/\/ CRUX 12inch","public_title":null,"options":["Default Title"],"price":299600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-14at4.43.59pm.png?v=1757835901"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-14at4.43.59pm.png?v=1757835901","options":["Title"],"media":[{"alt":null,"id":36806391759098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":509,"width":509,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-14at4.43.59pm.png?v=1757835901"},"aspect_ratio":1.0,"height":509,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-09-14at4.43.59pm.png?v=1757835901","width":509}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのテクノレーベルTrule主宰Al Woottonが、2025年12月にフィンランドの老舗実験テクノレーベル\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003eからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるポストパンク・トライバルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-wootton-rhythm-archives-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mSSwYAabMfI?si=4wv_-nY514NzgAnw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1. Essene 06:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e2. Per Incanto 07:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e3. Cloister 08:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e4. Armen 07:04\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUU-60\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのテクノレーベルTrule主宰Al Woottonが、2025年12月にフィンランドの老舗実験テクノレーベルSÄHKÖ RECORDINGSからリリースした12"です。 ポリリズム溢れるポストパンク・トライバルテクノ4曲を収録。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Sahko Recordings releases available at...
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{"id":8831347622138,"title":"Al Wootton \/\/ Rhythm Archives LP","handle":"al-wootton-rhythm-archives-lp","description":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2025年6月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e実験テクノ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年1月、Al Woottonはオーストラリアのメルボルン・エレクトロニック・サウンド・スタジオに招かれた。Alは複数のドラムマシンのそれぞれのリズム、特性、癖を利用したレコーディングを行った。これらの録音はイギリスに持ち帰られ、リズム・アーカイヴを制作するために様々な加工や追加が施された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e出来上がったレコードは、インダストリアル、ダブ、ポストパンク、プロト・テクノのサウンドを介したリズムのミニマルな探求である。これらのマシンとその製作者、そしてこれらの楽器やその他の楽器の膨大なアーカイブを管理し、一般への公開と教育を優先しているメルボルン・エレクトロニック・サウンド・スタジオのようなリソースへの賛辞である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/C2LhiE4c7z8?si=AgkUQ1-5j70Yd4a1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GJc1ZY5-gQU?si=v4h_FOwwR6ltLJMl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kehxlrbJ42g?si=T7UKYNtk6QuD5xbq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/541NdGZ0kBI?si=mCuz816IIt8g7lDL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k54t9JmDO1o?si=Ecqmr06RM3aBYYx5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-H_kCSPP7wc?si=K8FPgFM4RApwqd11\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ilphiwq0Mb0?si=FnOOIAvaeCmBYzgb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/83bvjtQG0zU?si=csiU5WTZBee_nUlu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. March 03:37\u003cbr\u003e2. Slow Rock 04:51\u003cbr\u003e3. Foxtrot 03:52\u003cbr\u003e4. Beguine 04:12\u003cbr\u003e5. Shuffle 03:21\u003cbr\u003e6. Bajon 04:12\u003cbr\u003e7. Swing 04:06\u003cbr\u003e8. No Selected 04:18 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In January 2025 Al Wootton was invited to Melbourne Electronic Sound Studio in Australia, home to a unique collection of rare vintage drum machines. Al made recordings of multiple drum machines utilising their individual rhythms, characteristics and quirks. These recordings were taken back to the UK and treated with various processes and additions to create Rhythm Archives.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe resulting record is a minimal exploration of rhythm via industrial, dub, post-punk and proto-techno sonics. It is a tribute to these machines and their creators, and resources such as Melbourne Electronic Sound Studio who maintain a huge archive of these and other instruments, prioritising public access and education.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT no : TRULE031\u003c\/p\u003e","published_at":"2025-06-12T12:48:18+09:00","created_at":"2025-06-12T12:38:20+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","recommended","techno \/ house","trule"],"price":499000,"price_min":499000,"price_max":499000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47406589575418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Wootton \/\/ Rhythm Archives LP","public_title":null,"options":["Default Title"],"price":499000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1278199391_10.jpg?v=1749699851"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1278199391_10.jpg?v=1749699851","options":["Title"],"media":[{"alt":null,"id":36173294371066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1278199391_10.jpg?v=1749699851"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1278199391_10.jpg?v=1749699851","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのテクノ作家Al Woottonが、2025年6月に自身主宰レーベルTruleからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e実験テクノ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年1月、Al Woottonはオーストラリアのメルボルン・エレクトロニック・サウンド・スタジオに招かれた。Alは複数のドラムマシンのそれぞれのリズム、特性、癖を利用したレコーディングを行った。これらの録音はイギリスに持ち帰られ、リズム・アーカイヴを制作するために様々な加工や追加が施された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e出来上がったレコードは、インダストリアル、ダブ、ポストパンク、プロト・テクノのサウンドを介したリズムのミニマルな探求である。これらのマシンとその製作者、そしてこれらの楽器やその他の楽器の膨大なアーカイブを管理し、一般への公開と教育を優先しているメルボルン・エレクトロニック・サウンド・スタジオのようなリソースへの賛辞である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/C2LhiE4c7z8?si=AgkUQ1-5j70Yd4a1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GJc1ZY5-gQU?si=v4h_FOwwR6ltLJMl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kehxlrbJ42g?si=T7UKYNtk6QuD5xbq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/541NdGZ0kBI?si=mCuz816IIt8g7lDL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k54t9JmDO1o?si=Ecqmr06RM3aBYYx5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-H_kCSPP7wc?si=K8FPgFM4RApwqd11\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ilphiwq0Mb0?si=FnOOIAvaeCmBYzgb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/83bvjtQG0zU?si=csiU5WTZBee_nUlu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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¥4,990
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{"id":8232353595642,"title":"Al Wootton \/\/ River Songs 12\"","handle":"al-wootton-river-songs-12","description":"\u003cp\u003eイギリスのベース作家Al Woottonが、2024年3月に自身主宰レーベルTruleからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムが効いたサイケデリックなトライバル・テクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e33rpmと45rpmどちらでも使えます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bzEenA0BKSk?si=-fZlKt9UKiF_dVUK\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0fMmwthmgpY?si=dczNhApK0GAZba8W\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QuY2B-0QVlg?si=MuShLD0LCQziIN0P\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uMLlTxXoe_g?si=hwPqy8wlqglUp92b\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVinyl edition pressed at 45rpm with reverse-board printed sleeves.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlay at 33rpm for alternate versions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eXana 05:58\u003c\/li\u003e\n\u003cli\u003eTone Circle 03:51\u003c\/li\u003e\n\u003cli\u003eRiver Song 06:05\u003c\/li\u003e\n\u003cli\u003eHechicera 04:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRiver Songs sees Al Wootton head deeper into esoteric rhythmic territory. Polyrhythmic hand percussion and bells are offset with modular synthesis and narcotic sound design that evokes the mysteries of the rainforest and the inherent psychedelia of nature. A heady dance floor river ride through unknown and uncharted spaces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT No.: TRULE025\u003c\/p\u003e","published_at":"2024-03-21T20:25:29+09:00","created_at":"2024-03-21T19:47:21+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house","trule"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45380641489146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Wootton \/\/ River Songs 12\"","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/woo1.jpg?v=1711018042","\/\/tobirarecords.com\/cdn\/shop\/files\/woo2.jpg?v=1711018043"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/woo1.jpg?v=1711018042","options":["Title"],"media":[{"alt":null,"id":33427039617274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woo1.jpg?v=1711018042"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woo1.jpg?v=1711018042","width":700},{"alt":null,"id":33427039650042,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woo2.jpg?v=1711018043"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woo2.jpg?v=1711018043","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのベース作家Al Woottonが、2024年3月に自身主宰レーベルTruleからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムが効いたサイケデリックなトライバル・テクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e33rpmと45rpmどちらでも使えます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bzEenA0BKSk?si=-fZlKt9UKiF_dVUK\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0fMmwthmgpY?si=dczNhApK0GAZba8W\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QuY2B-0QVlg?si=MuShLD0LCQziIN0P\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uMLlTxXoe_g?si=hwPqy8wlqglUp92b\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trule\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trule\"\u003ehere\u003c\/a\u003e to see more Trule releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVinyl edition pressed at 45rpm with reverse-board printed sleeves.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePlay at 33rpm for alternate versions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eXana 05:58\u003c\/li\u003e\n\u003cli\u003eTone Circle 03:51\u003c\/li\u003e\n\u003cli\u003eRiver Song 06:05\u003c\/li\u003e\n\u003cli\u003eHechicera 04:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTrule:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRiver Songs sees Al Wootton head deeper into esoteric rhythmic territory. Polyrhythmic hand percussion and bells are offset with modular synthesis and narcotic sound design that evokes the mysteries of the rainforest and the inherent psychedelia of nature. A heady dance floor river ride through unknown and uncharted spaces.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Wootton\u003c\/p\u003e\n\u003cp\u003eLabel : Trule\u003c\/p\u003e\n\u003cp\u003eCAT No.: TRULE025\u003c\/p\u003e"}
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イギリスのベース作家Al Woottonが、2024年3月に自身主宰レーベルTruleからリリースした12"です。 ポリリズムが効いたサイケデリックなトライバル・テクノ4曲を収録。 33rpmと45rpmどちらでも使えます。 レーベルその他作品はこちら /// Click here to see more Trule releases available...
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{"id":8758171271418,"title":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole CD","handle":"alabaster-deplume-a-blade-because-a-blade-is-whole-cd","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in 6-panel digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T11:33:03+09:00","created_at":"2025-04-07T09:10:53+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","international anthem","jazz","new"],"price":243000,"price_min":243000,"price_max":243000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241476833530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole CD","public_title":null,"options":["Default Title"],"price":243000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198258","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684","\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_f26187de-5e0e-4a73-928f-204718a73fba.jpg?v=1743984684"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684","options":["Title"],"media":[{"alt":null,"id":35844206461178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_29dec1cc-b2d1-4242-8537-9ba0de4a83c9.jpg?v=1743984684","width":700},{"alt":null,"id":35844206493946,"position":2,"preview_image":{"aspect_ratio":1.594,"height":753,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_f26187de-5e0e-4a73-928f-204718a73fba.jpg?v=1743984684"},"aspect_ratio":1.594,"height":753,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl3_f26187de-5e0e-4a73-928f-204718a73fba.jpg?v=1743984684","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in 6-panel digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 フォーク・ジャズ11曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥2,430
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{"id":8758171009274,"title":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole LP","handle":"alabaster-deplume-a-blade-because-a-blade-is-whole-lp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T11:31:55+09:00","created_at":"2025-04-07T09:10:41+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","international anthem","jazz","lp","new"],"price":435300,"price_min":435300,"price_max":435300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241476604154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole LP","public_title":null,"options":["Default Title"],"price":435300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198234","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","options":["Title"],"media":[{"alt":null,"id":35844203380986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","width":700},{"alt":null,"id":35844203413754,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 フォーク・ジャズ11曲を収録。ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8108860932346,"title":"Alabaster DePlume \/\/ Come With Fierce Grace LP \/ CD","handle":"alabaster-deplume-come-with-fierce-grace-lp-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-12-10T11:58:28+09:00","created_at":"2023-12-10T10:35:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","international 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charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 アンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7570091540730,"title":"Alabaster DePlume \/\/ GOLD 2xLP","handle":"alabaster-deplume-gold-2xlp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-20T13:46:03+09:00","created_at":"2022-03-20T11:57:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42545095344378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alabaster DePlume \/\/ GOLD 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","options":["Title"],"media":[{"alt":null,"id":29338514456826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","width":700},{"alt":null,"id":29338514489594,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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