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{"id":7049827647653,"title":"Lawrence English \/\/ A Mirror Holds The Sky CD + BOOK","handle":"lawrence-english-a-mirror-holds-the-sky-cd-book","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースしたCD+BOOKです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e現地で撮影した写真を掲載した48ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3250899447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatt laminate and embossed sleeve, insert card and 48 page perfect bound book featuring photographs by Lawrence English, taken on location in the Amazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Laurence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn late months of 2008, I had the great fortune to spend some weeks in the Amazon. The visit, facilitated through Francisco Lopez’s Mamori Artlab residency, remains one of the most deeply affecting experiences I have had. Each time I hear a Screaming Piha, which many would identify instantly thanks to their prevalence in Werner Herzog’s Aguirre Wrath Of God and Fitzcarraldo, I am transported back into a place that, to this day, features regularly in my daydreams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe reason this place made such an impression is simple; the Amazon dwarfs us. This is not some vulgar display of power on its behalf, rather its a tangible reminder of our place in, and on, this planet. Once you step into the Amazon it prompts us (strongly) to refocus the perspective we hold of ourselves, of our ways of being, of our understandings and it (not so gently) reminds us that we are but one very minor function in an equation that extends in all directions across time, and space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving in Australia, tropical rainforests are not foreign to me. I would even say I am rather at home in them. My family, who lived and worked on the land of the Ngajanji people, had an admiration for, or in the very least a respect of, the rainforest. What makes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e time spent in the jungles of the Amazon different however is the scale and sheer volume (metaphoric and literal) of the life that inhabits it. Hundreds of thousands of narratives are in play moment to moment, their interactions flow together forming a perpetual cascade of arrival and departure, fertility and decay - these fundamental states are intrinsically linked and constantly informing one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe jungle is never silent. Even when you might expect the Amazon to be hushed, in those hours before dawn or in the heat of the midday sun, it is hardly what could be described as quiet. What might be true to say though is during these moments where the chorus of insects takes a step back, the jungle opens just a little. To listen in the jungle is to listen in close relief - in every square metre, thousands of insect cry out, their voices reducing the horizon of listening to a matter of centimetres at certain times of the day (and night). The sensation is sensorially disorienting and frankly, overpowering.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those moments where you can get a sense of dimension and depth, the dynamism of the environment comes to the for. The abundance of birds, mammals, beetles, flies, ants and so many other creatures are a source of constant and evolving fascination. In the lakes and rivers too, the hydro-sonic environments are perpetual and effortlessly deep. It’s humbling to acknowledge how little we come to know of that which lies just below us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Mirror Holds The Sky is in some ways an act of acoustic and temporal compression. It is a rendering down of the lived in moments and environments that became points of intense listenership. If I am to be honest, it has taken me the better part of a decade to know how to approach this archive of materials. I owe a debt of gratitude to Chico Dub at Festival Novas Frequências, who very gently encouraged me to realise a piece for diffusion as part of his program in 2019. That invitation retuned my ears and in the process unlocked a way of approaching the mammoth 50+ hours of recordings I had gathered during my time there. I also owe a special debt of gratitude to my wife Rebecca, who was instrumental in gathering some of these recordings. Her ears reflected an entirely other set of interests than my own and without that, this piece would be substantially less than what it is\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-17T12:06:52+09:00","created_at":"2021-09-17T11:02:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","room40"],"price":318000,"price_min":318000,"price_max":318000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40825890373797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ A Mirror Holds The Sky CD + BOOK","public_title":null,"options":["Default Title"],"price":318000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi3.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi4.jpg?v=1631844175","\/\/tobirarecords.com\/cdn\/shop\/products\/mi5.jpg?v=1631844175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","options":["Title"],"media":[{"alt":null,"id":23739420704933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_9f633623-a33b-4ed7-9c4f-7fcf742069c8.jpg?v=1631844175","width":700},{"alt":null,"id":23739420737701,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_de30271e-40f5-4f4e-94b3-9ee725de6155.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420770469,"position":3,"preview_image":{"aspect_ratio":1.441,"height":833,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi3.jpg?v=1631844175"},"aspect_ratio":1.441,"height":833,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi3.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420803237,"position":4,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi4.jpg?v=1631844175"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi4.jpg?v=1631844175","width":1200},{"alt":null,"id":23739420836005,"position":5,"preview_image":{"aspect_ratio":2.878,"height":417,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi5.jpg?v=1631844175"},"aspect_ratio":2.878,"height":417,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi5.jpg?v=1631844175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースしたCD+BOOKです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e現地で撮影した写真を掲載した48ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3250899447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatt laminate and embossed sleeve, insert card and 48 page perfect bound book featuring photographs by Lawrence English, taken on location in the Amazon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Laurence English:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn late months of 2008, I had the great fortune to spend some weeks in the Amazon. The visit, facilitated through Francisco Lopez’s Mamori Artlab residency, remains one of the most deeply affecting experiences I have had. Each time I hear a Screaming Piha, which many would identify instantly thanks to their prevalence in Werner Herzog’s Aguirre Wrath Of God and Fitzcarraldo, I am transported back into a place that, to this day, features regularly in my daydreams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe reason this place made such an impression is simple; the Amazon dwarfs us. This is not some vulgar display of power on its behalf, rather its a tangible reminder of our place in, and on, this planet. Once you step into the Amazon it prompts us (strongly) to refocus the perspective we hold of ourselves, of our ways of being, of our understandings and it (not so gently) reminds us that we are but one very minor function in an equation that extends in all directions across time, and space.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLiving in Australia, tropical rainforests are not foreign to me. I would even say I am rather at home in them. My family, who lived and worked on the land of the Ngajanji people, had an admiration for, or in the very least a respect of, the rainforest. What makes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e time spent in the jungles of the Amazon different however is the scale and sheer volume (metaphoric and literal) of the life that inhabits it. Hundreds of thousands of narratives are in play moment to moment, their interactions flow together forming a perpetual cascade of arrival and departure, fertility and decay - these fundamental states are intrinsically linked and constantly informing one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe jungle is never silent. Even when you might expect the Amazon to be hushed, in those hours before dawn or in the heat of the midday sun, it is hardly what could be described as quiet. What might be true to say though is during these moments where the chorus of insects takes a step back, the jungle opens just a little. To listen in the jungle is to listen in close relief - in every square metre, thousands of insect cry out, their voices reducing the horizon of listening to a matter of centimetres at certain times of the day (and night). The sensation is sensorially disorienting and frankly, overpowering.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those moments where you can get a sense of dimension and depth, the dynamism of the environment comes to the for. The abundance of birds, mammals, beetles, flies, ants and so many other creatures are a source of constant and evolving fascination. In the lakes and rivers too, the hydro-sonic environments are perpetual and effortlessly deep. It’s humbling to acknowledge how little we come to know of that which lies just below us.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Mirror Holds The Sky is in some ways an act of acoustic and temporal compression. It is a rendering down of the lived in moments and environments that became points of intense listenership. If I am to be honest, it has taken me the better part of a decade to know how to approach this archive of materials. I owe a debt of gratitude to Chico Dub at Festival Novas Frequências, who very gently encouraged me to realise a piece for diffusion as part of his program in 2019. That invitation retuned my ears and in the process unlocked a way of approaching the mammoth 50+ hours of recordings I had gathered during my time there. I also owe a special debt of gratitude to my wife Rebecca, who was instrumental in gathering some of these recordings. Her ears reflected an entirely other set of interests than my own and without that, this piece would be substantially less than what it is\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・ブリスベンの音響レーベルroom40主宰Lawrence Englishが2021年9月にリリースしたCD+BOOKです。 2008年に彼がFrancisco Lopezが運営しているアマゾンのレジデンシーMamori Artlabに滞在した際に収集した50時間以上にも及ぶフィールドレコーディングをソースとして制作した作品です。密林で展開する聞いたこともない音色に耳が喜ぶ7曲を収録。 現地で撮影した写真を掲載した48ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
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{"id":7867626258682,"title":"Lawrence English \/\/ Approach CD","handle":"lawrence-english-approach-cd","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilliam Gibsonの作品Neuromancerの冒頭の一節、\"港の上の空は、死んだチャンネルに合わせたテレビの色だった \"をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである（そう、『AKIRA』よりも前に）。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e主人公の\u003cmeta charset=\"utf-8\"\u003eGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。\u003cmeta charset=\"utf-8\"\u003eGREYの社会的な期待に対する拒否反応（これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている）、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人（そしてこの漫画のような文化財）にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300411067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis edition Includes a matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I often find myself thinking about the opening line of William Gibson’s Neuromancer, \"The sky above the port was the color of television, tuned to a dead channel.\" When the book was written in early 1980s, a dead TV channel was a deadened grey of noise. Revisit the book now though and its character has shifted, for in the digital age a dead channel is a richly saturated sky blue. The referential effects of time are not constant, but they rather provoke new perspectives and ideally new understandings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album, Approach, is an echo that has travelled with me for 33 years, even if I wasn’t fully aware of it. It’s a record about memory, about how seemingly cursory encounters shape us and how experiences accumulate in time. It’s a distorted mirror catching the diminished glow of the fires that forged me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe record draws its root from Yoshihisa Tagami’s seminal manga Grey. In many respects this album is a soundtrack to that manga. What makes Grey unique, in the west at least, is that it was amongst one of the first Manga to be translated and distributed\u003cspan class=\"bcTruncateMore\"\u003e outside of Japan (yes, even before the touchstone that is Akira). It was one of the first droplets that has since become a torrent pouring outward from Japan. It was also the first Manga I bought for myself, when I was 13, and read as a serial.\u2028\u003cbr\u003eI tend not to think or speak very much about my teenage years. I had some profound experiences that have carried forward, I forged deep emotional partnerships that carry to this day. The majority of that time however was something of a slog, a day by day performance of self-preservation. Those years were a quiet war to push back against expectations for a way of being I had no interest in sharing.\u003cbr\u003e \u003cbr\u003eAll boys’ schools, one of which I attended, are a maleficent prison if you are not participating in, or as was my case you are maintaining an antithetical position to, hegemonic masculinity. There’s no real need to detail my experiences but suffice to say several years after high school a classmate approached me in a stationery store and asked for my forgiveness for what he had done to me. I was only too happy to give him that relief, it was obvious he wore scars from those experiences that seemingly ran deeper than my own.\u003cbr\u003e \u003cbr\u003eI don’t find myself dwelling on those negative experiences partly because during those years I was a sponge for culture. It’s difficult for me to quantify how much cultural consumption happened during my teen years, but I recognise now how formative so many of those exposures have become. An example of this came into sharp focus last year when I happened to remember, and then re-read Tagami’s Grey.\u003cbr\u003e \u003cbr\u003eAs laconic and occasionally unlikable as the main character, Grey, might have been I associated deeply with their sense of determination. Grey’s rejection of societal expectation (which is foregrounded by the edition’s introduction penned by speculative fiction author Harlan Ellison, who highlighted the class politics that haunt the storyline), and his refusal to accept the immobility of systems, and social codes, clearly resonated with me. Add to this a delightfully nihilistic optimism matched with unquenchable rage and that young version of me was sold; I knew already that sensation of rage, when applied with focus, would be my fuel throughout those years.\u003cbr\u003e \u003cbr\u003eThis record then is also a kind of sonic postcard retrospectively drafted for that very unsteady and volatile version of myself. It’s more than that of course, but I want to recognise and thank that belligerent young person, who seems so distant to me now. I recognise that their way of navigation, their determination to be curious and try to discover who they were, not who they were told to be, allowed this version of me to exist today. It also pays homage to the family and friends (and the cultural artefacts such as this manga) that helped cushion and guide that young body and mind. Without them, it’s difficult to know how I might be in the here and now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T17:27:08+09:00","created_at":"2022-12-14T15:38:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":229000,"price_min":229000,"price_max":229000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770405028090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ Approach CD","public_title":null,"options":["Default Title"],"price":229000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","options":["Title"],"media":[{"alt":null,"id":31188500840698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap1_4f70caa7-732c-46dd-a46f-8639317753be.jpg?v=1670999931","width":700},{"alt":null,"id":31188500873466,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ap2_7687170b-e7ed-4d23-93bc-2ac4a453b984.jpg?v=1670999931","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilliam Gibsonの作品Neuromancerの冒頭の一節、\"港の上の空は、死んだチャンネルに合わせたテレビの色だった \"をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである（そう、『AKIRA』よりも前に）。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。\u2028\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e主人公の\u003cmeta charset=\"utf-8\"\u003eGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。\u003cmeta charset=\"utf-8\"\u003eGREYの社会的な期待に対する拒否反応（これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている）、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人（そしてこの漫画のような文化財）にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3300411067\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis edition Includes a matte laminate and embossed sleeve with insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement from Lawrence English:\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"I often find myself thinking about the opening line of William Gibson’s Neuromancer, \"The sky above the port was the color of television, tuned to a dead channel.\" When the book was written in early 1980s, a dead TV channel was a deadened grey of noise. Revisit the book now though and its character has shifted, for in the digital age a dead channel is a richly saturated sky blue. The referential effects of time are not constant, but they rather provoke new perspectives and ideally new understandings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album, Approach, is an echo that has travelled with me for 33 years, even if I wasn’t fully aware of it. It’s a record about memory, about how seemingly cursory encounters shape us and how experiences accumulate in time. It’s a distorted mirror catching the diminished glow of the fires that forged me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe record draws its root from Yoshihisa Tagami’s seminal manga Grey. In many respects this album is a soundtrack to that manga. What makes Grey unique, in the west at least, is that it was amongst one of the first Manga to be translated and distributed\u003cspan class=\"bcTruncateMore\"\u003e outside of Japan (yes, even before the touchstone that is Akira). It was one of the first droplets that has since become a torrent pouring outward from Japan. It was also the first Manga I bought for myself, when I was 13, and read as a serial.\u2028\u003cbr\u003eI tend not to think or speak very much about my teenage years. I had some profound experiences that have carried forward, I forged deep emotional partnerships that carry to this day. The majority of that time however was something of a slog, a day by day performance of self-preservation. Those years were a quiet war to push back against expectations for a way of being I had no interest in sharing.\u003cbr\u003e \u003cbr\u003eAll boys’ schools, one of which I attended, are a maleficent prison if you are not participating in, or as was my case you are maintaining an antithetical position to, hegemonic masculinity. There’s no real need to detail my experiences but suffice to say several years after high school a classmate approached me in a stationery store and asked for my forgiveness for what he had done to me. I was only too happy to give him that relief, it was obvious he wore scars from those experiences that seemingly ran deeper than my own.\u003cbr\u003e \u003cbr\u003eI don’t find myself dwelling on those negative experiences partly because during those years I was a sponge for culture. It’s difficult for me to quantify how much cultural consumption happened during my teen years, but I recognise now how formative so many of those exposures have become. An example of this came into sharp focus last year when I happened to remember, and then re-read Tagami’s Grey.\u003cbr\u003e \u003cbr\u003eAs laconic and occasionally unlikable as the main character, Grey, might have been I associated deeply with their sense of determination. Grey’s rejection of societal expectation (which is foregrounded by the edition’s introduction penned by speculative fiction author Harlan Ellison, who highlighted the class politics that haunt the storyline), and his refusal to accept the immobility of systems, and social codes, clearly resonated with me. Add to this a delightfully nihilistic optimism matched with unquenchable rage and that young version of me was sold; I knew already that sensation of rage, when applied with focus, would be my fuel throughout those years.\u003cbr\u003e \u003cbr\u003eThis record then is also a kind of sonic postcard retrospectively drafted for that very unsteady and volatile version of myself. It’s more than that of course, but I want to recognise and thank that belligerent young person, who seems so distant to me now. I recognise that their way of navigation, their determination to be curious and try to discover who they were, not who they were told to be, allowed this version of me to exist today. It also pays homage to the family and friends (and the cultural artefacts such as this manga) that helped cushion and guide that young body and mind. Without them, it’s difficult to know how I might be in the here and now.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年9月にリリースしたCDです。ドローン14曲を収録。以下、作家本人による解説です。 William Gibsonの作品Neuromancerの冒頭の一節、"港の上の空は、死んだチャンネルに合わせたテレビの色だった "をよく思い出す。この本が書かれた1980年代初頭、死んだテレビのチャンネルは、ノイズの死んだ灰色だった。しかし、今、この本を読むと、その性格は変わっている。デジタル時代のデッドチャンネルは、豊かな飽和状態のスカイブルーである。時間の参照効果は一定ではなく、むしろ新しい視点と理想的な新しい理解を呼び起こす。このアルバム『Approach』は、たとえ私が完全に意識していなかったとしても、33年間私と一緒に旅をしてきたエコーである。このアルバムは記憶についてのレコードであり、一見雑多な出会いがいかに私たちを形成するか、そして経験がいかに時間の中で蓄積されるかについてのレコードである。それは、私を鍛え上げた炎の輝きが薄れていくのを受け止める、歪んだ鏡のようなものだ。このレコードは、田上 喜久の代表的な漫画「GREY」をルーツとしている。このアルバムは、多くの点で、その漫画のサウンドトラックである。少なくとも欧米では、『GREY』は日本国外で翻訳され流通した最初のマンガのひとつである（そう、『AKIRA』よりも前に）。その後、日本から海外へと流れ出る奔流となった最初の一滴である。そして、13歳の時に初めて自分で買って、連載で読んだ漫画でもある。
私は10代の頃について、あまり考えたり話したりしない傾向がある。しかし、10代のころは、今につながる深い経験もしたし、心の絆も築いた。しかし、その大半の時間はある種の苦行であり、日々、自己防衛のためのパフォーマンスだった。この数年間は、私が共有することに興味のないあり方への期待に背を向ける静かな戦いだった。私が通っていた男子校は、覇権主義的な男らしさに参加しない場合、あるいは私のように覇権主義的な男らしさに反抗する場合、悪意に満ちた牢獄と化す。私の経験を詳しく説明する必要はないが、高校を卒業して数年後、同級生が文房具屋で私に近づき、私にしたことを許してほしいと言ったというだけのことだ。私は喜んで許したが、彼は明らかに私よりも深い傷を負っているように思えた。その頃、私は文化のスポンジのような存在だったこともあり、ネガティブな体験にとらわれることはなかった。10代の頃にどれだけ文化的な消費をしていたかを数値化するのは難しいが、今となっては、その時の経験がいかに形成的であったかがわかる。その一例が、昨年、たまたま『GREY』を思い出し、再読したときに鮮明になった。主人公のGREYが饒舌で、時には憎めないキャラクターであったとしても、私は彼らの決意の感覚に深く共感していた。GREYの社会的な期待に対する拒否反応（これは、推理小説作家のハーラン・エリスンがこの版の序文を書き、ストーリーにつきまとう階級闘争を強調することによって前景化されている）、システムや社会規範の不動性を認めない姿勢は、明らかに私の心に響くものであった。そして、そのニヒルな楽観主義と、抑えきれない怒りとが見事にマッチして、若き日の私はすっかり魅了されてしまったのだ。このレコードは、その不安定で気まぐれな自分のために書かれた、音の絵葉書のようなものでもある。もちろん、それ以上のものであることは間違いないが、私は、今となってはとても遠くにいるように見える、あの好戦的な若者を認識し、感謝したい。彼らの航海術、好奇心を持ち、言われた通りの自分ではなく、自分らしさを発見しようとする決意が、今日の私を存在させているのだと認識している。また、その若い体と心を支え、導いてくれた家族や友人（そしてこの漫画のような文化財）にも敬意を表する。彼らがいなければ、今ここにいる私はどうなっていたのか、知ることは難しい。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at...
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{"id":8866807349498,"title":"Lawrence English \/\/ Even The Horizon Knows Its Bounds LP","handle":"lawrence-english-even-the-horizon-knows-its-bounds-lp","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2025年5月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eClaire RousayやJim O’Rourkeなど11名が参加しています。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家自身による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私は、音が建築に取り憑いていると考えたい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音の非物質性がもたらす、本当に不思議な相互作用のひとつだ。私たちの祖先が、洞窟のような暗い聖堂の中で、不思議と安心感を抱きながら、互いに呼び合っていたことを想像するのは難しくない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今日、音が空間を占める方法、いわゆるリキッド・アーキテクチャーは、機能性や形に支配されがちではあるが、同じように多くの驚きを秘めている。しかし、そのような制約を越えて、音が物質世界の中でどのように作用するかは、私たちの音楽理解の根底に存在するものであり、さらに私たちがサウンドアートのカノンとして知っている広い教会の中にあるものなのだ。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Even The Horizon Knows Its Bounds』は、こうした関係から生まれたレコードである。直接的な意味では、このレコードは、キュレーターのジョナサン・ウィルソンから、ニューサウスウェールズ州立美術館のナーラ・バドゥ・ビルを反映した音環境を作るよう依頼されて制作したものである。ガディガル語で「水を見る」と訳されるこの建物は2022年に開館し、この作品は開館後1年を通して、館内を歩く来館者に雰囲気のある色合いとして提供された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、音の持つ多孔性、特に共同作業のための装置としての多孔性への認識から生まれた記録でもある。このコンポジションは、寛大さと音響的連帯感から生まれたものなのだ。『Even The Horizon Knows Its Bounds』は、私の音だけでなく、アートギャラリー・オブ・ニューサウスウェールズで活動する素晴らしいアーティストたちの音で構成されている。アンビー・ダウンズ、クリス・エイブラハムズ、チャック・ジョンソン、クレア・ルーセイ、ディーン・ハーリー、ジム・オルーク、JW・パトン、マドレーヌ・ココラス、ノーマン・ウェストバーグ、スティーブン・ヴィティエロ、ヴァネッサ・トムリンソンなどである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、2つの長い形式のサウンドプロンプトを中心に構成され、各ミュージシャンがそれに反応した。これらの素材が咀嚼され、最終的な作品となった。この作品は、それぞれのアーティストが提供してくれたものなしには成り立たなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最後に、LP自体に掲載されているちょっとしたメモで締めくくろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e場所とは、進化する主観的な空間の経験である。空間は、私たちが感覚を生み出す方法によって形作られた、瞬間瞬間に創造する場所の機会を保持している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e空間の建築的、物質的な特徴はある程度一定しているかもしれないが、そこに充満する人、物、雰囲気、出会いは永遠に記憶の中に崩れ去っていく\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=86643838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ETHKIBI 04:20\u003cbr\u003e2. ETHKIBII 05:20\u003cbr\u003e3. ETHKIBIII 05:44\u003cbr\u003e4. ETHKIBIV 04:32\u003cbr\u003e5. ETHKIBV 08:41\u003cbr\u003e6. ETHKIBVI 04:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. ETHKIBVII 06:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. ETHKIBVIII 04:21\u003cbr\u003e\u003c\/span\u003e9. Even The Horizon Knows Its Bounds 44:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e like to think that sound haunts architecture.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt’s one of the truly magical interactions afforded by sound’s immateriality. It’s also something that has captivated us from the earliest times. It’s not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eToday the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albeit one that is often dominated by functionality and form. Beyond those constraints however, how sound operates in the material world is something that exists at the fundament of our understanding of music, and moreover within the broad church we know as the canon of sound arts.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEven The Horizon Knows Its Bounds is a record born out of these relations. In a direct sense, the record is the product of an invitation by curator Jonathan Wilson to create a sound environment, reflecting on the Naala Badu building at the Art Gallery Of NSW. The building’s name, which translates from the Gadigal language to\u003cspan class=\"bcTruncateMore\"\u003e ‘seeing water’, was opened in 2022 and this piece was offered as an atmospheric tint to visitors walking through the building throughout the year following its opening.\u003cbr\u003e \u003cbr\u003eIt’s also a record born out of a recognition for the porousness sound affords, especially as a device for collaborative endeavour. This composition is one born out of generosity and acoustic solidarity. Even The Horizon Knows Its Bounds is comprised not just of my sounds, but also that of an incredible array of artists who have also operated in the orbit of the Art Gallery Of NSW. The players include Amby Downs, Chris Abrahams, Chuck Johnson, Claire Rousay, Dean Hurley, Jim O’Rourke, JW Paton, Madeleine Cocolas, Norman Westberg, Stephen Vitiello and Vanessa Tomlinson.\u003cbr\u003e \u003cbr\u003eThe piece was constructed around two long form sound prompts that each musician responded and contributed to. These materials there when digested into the final piece you hear. The work could not exist without the substantial offerings these artists made, and I am immensely grateful to each of them.\u003cbr\u003e \u003cbr\u003eI’ll finish with a little note that appears on the LP itself.\u003cbr\u003e \u003cbr\u003ePlace is an evolving, subjective experience of space. Spaces hold the opportunity for place, which we create moment to moment, shaped by our ways of sense-making. \u003cbr\u003e \u003cbr\u003eWhilst the architectural and material features of space might remain somewhat constant, the people, objects, atmospheres, and encounters that fill them are forever collapsing into memory.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2025-07-23T20:28:16+09:00","created_at":"2025-07-23T18:11:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","room40"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47536008560890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ Even The Horizon Knows Its Bounds LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/even1_5946d222-7941-414c-a847-433dbaccbc28.jpg?v=1753261821","\/\/tobirarecords.com\/cdn\/shop\/files\/even2_bca11a26-21d7-490e-939c-10ac7668685f.jpg?v=1753261821"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1_5946d222-7941-414c-a847-433dbaccbc28.jpg?v=1753261821","options":["Title"],"media":[{"alt":null,"id":36417136558330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1_5946d222-7941-414c-a847-433dbaccbc28.jpg?v=1753261821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1_5946d222-7941-414c-a847-433dbaccbc28.jpg?v=1753261821","width":700},{"alt":null,"id":36417136591098,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even2_bca11a26-21d7-490e-939c-10ac7668685f.jpg?v=1753261821"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even2_bca11a26-21d7-490e-939c-10ac7668685f.jpg?v=1753261821","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2025年5月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eClaire RousayやJim O’Rourkeなど11名が参加しています。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、作家自身による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私は、音が建築に取り憑いていると考えたい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音の非物質性がもたらす、本当に不思議な相互作用のひとつだ。私たちの祖先が、洞窟のような暗い聖堂の中で、不思議と安心感を抱きながら、互いに呼び合っていたことを想像するのは難しくない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今日、音が空間を占める方法、いわゆるリキッド・アーキテクチャーは、機能性や形に支配されがちではあるが、同じように多くの驚きを秘めている。しかし、そのような制約を越えて、音が物質世界の中でどのように作用するかは、私たちの音楽理解の根底に存在するものであり、さらに私たちがサウンドアートのカノンとして知っている広い教会の中にあるものなのだ。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Even The Horizon Knows Its Bounds』は、こうした関係から生まれたレコードである。直接的な意味では、このレコードは、キュレーターのジョナサン・ウィルソンから、ニューサウスウェールズ州立美術館のナーラ・バドゥ・ビルを反映した音環境を作るよう依頼されて制作したものである。ガディガル語で「水を見る」と訳されるこの建物は2022年に開館し、この作品は開館後1年を通して、館内を歩く来館者に雰囲気のある色合いとして提供された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、音の持つ多孔性、特に共同作業のための装置としての多孔性への認識から生まれた記録でもある。このコンポジションは、寛大さと音響的連帯感から生まれたものなのだ。『Even The Horizon Knows Its Bounds』は、私の音だけでなく、アートギャラリー・オブ・ニューサウスウェールズで活動する素晴らしいアーティストたちの音で構成されている。アンビー・ダウンズ、クリス・エイブラハムズ、チャック・ジョンソン、クレア・ルーセイ、ディーン・ハーリー、ジム・オルーク、JW・パトン、マドレーヌ・ココラス、ノーマン・ウェストバーグ、スティーブン・ヴィティエロ、ヴァネッサ・トムリンソンなどである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、2つの長い形式のサウンドプロンプトを中心に構成され、各ミュージシャンがそれに反応した。これらの素材が咀嚼され、最終的な作品となった。この作品は、それぞれのアーティストが提供してくれたものなしには成り立たなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最後に、LP自体に掲載されているちょっとしたメモで締めくくろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e場所とは、進化する主観的な空間の経験である。空間は、私たちが感覚を生み出す方法によって形作られた、瞬間瞬間に創造する場所の機会を保持している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e空間の建築的、物質的な特徴はある程度一定しているかもしれないが、そこに充満する人、物、雰囲気、出会いは永遠に記憶の中に崩れ去っていく\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=86643838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ETHKIBI 04:20\u003cbr\u003e2. ETHKIBII 05:20\u003cbr\u003e3. ETHKIBIII 05:44\u003cbr\u003e4. ETHKIBIV 04:32\u003cbr\u003e5. ETHKIBV 08:41\u003cbr\u003e6. ETHKIBVI 04:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. ETHKIBVII 06:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. ETHKIBVIII 04:21\u003cbr\u003e\u003c\/span\u003e9. Even The Horizon Knows Its Bounds 44:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e like to think that sound haunts architecture.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt’s one of the truly magical interactions afforded by sound’s immateriality. It’s also something that has captivated us from the earliest times. It’s not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eToday the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albeit one that is often dominated by functionality and form. Beyond those constraints however, how sound operates in the material world is something that exists at the fundament of our understanding of music, and moreover within the broad church we know as the canon of sound arts.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEven The Horizon Knows Its Bounds is a record born out of these relations. In a direct sense, the record is the product of an invitation by curator Jonathan Wilson to create a sound environment, reflecting on the Naala Badu building at the Art Gallery Of NSW. The building’s name, which translates from the Gadigal language to\u003cspan class=\"bcTruncateMore\"\u003e ‘seeing water’, was opened in 2022 and this piece was offered as an atmospheric tint to visitors walking through the building throughout the year following its opening.\u003cbr\u003e \u003cbr\u003eIt’s also a record born out of a recognition for the porousness sound affords, especially as a device for collaborative endeavour. This composition is one born out of generosity and acoustic solidarity. Even The Horizon Knows Its Bounds is comprised not just of my sounds, but also that of an incredible array of artists who have also operated in the orbit of the Art Gallery Of NSW. The players include Amby Downs, Chris Abrahams, Chuck Johnson, Claire Rousay, Dean Hurley, Jim O’Rourke, JW Paton, Madeleine Cocolas, Norman Westberg, Stephen Vitiello and Vanessa Tomlinson.\u003cbr\u003e \u003cbr\u003eThe piece was constructed around two long form sound prompts that each musician responded and contributed to. These materials there when digested into the final piece you hear. The work could not exist without the substantial offerings these artists made, and I am immensely grateful to each of them.\u003cbr\u003e \u003cbr\u003eI’ll finish with a little note that appears on the LP itself.\u003cbr\u003e \u003cbr\u003ePlace is an evolving, subjective experience of space. Spaces hold the opportunity for place, which we create moment to moment, shaped by our ways of sense-making. \u003cbr\u003e \u003cbr\u003eWhilst the architectural and material features of space might remain somewhat constant, the people, objects, atmospheres, and encounters that fill them are forever collapsing into memory.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2025年5月にリリースしたレコードです。 Claire RousayやJim O’Rourkeなど11名が参加しています。DLコード付属。廃盤です。 以下、作家自身による解説です。 "私は、音が建築に取り憑いていると考えたい。 音の非物質性がもたらす、本当に不思議な相互作用のひとつだ。私たちの祖先が、洞窟のような暗い聖堂の中で、不思議と安心感を抱きながら、互いに呼び合っていたことを想像するのは難しくない。 今日、音が空間を占める方法、いわゆるリキッド・アーキテクチャーは、機能性や形に支配されがちではあるが、同じように多くの驚きを秘めている。しかし、そのような制約を越えて、音が物質世界の中でどのように作用するかは、私たちの音楽理解の根底に存在するものであり、さらに私たちがサウンドアートのカノンとして知っている広い教会の中にあるものなのだ。 『Even The Horizon...
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{"id":9379996401914,"title":"Lawrence English \/\/ The Rest Is My Ghost CD+BOOK","handle":"lawrence-english-the-rest-is-my-ghost-cd","description":"\u003cp\u003eオーストラリアの実験レーベルroom40主宰Lawrence Englishが、2026年8月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローン〜ドローン12曲を収録。写真や\u003cspan\u003eDavid Toopによるエッセイを掲載した本が付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eノスタルジアはイデオロギーではない。とはいえ、今の状況では、それがまさにイデオロギーであるかのように誤解されかねない。ここ数年、ノスタルジアという概念は、さまざまな政治的・技術的な視点を通じて解釈され、記憶するのではなく、忘却のための道具となってしまった。歴史の複雑さや矛盾を受け入れる代わりに、この種のノスタルジアは単一の記憶のみを追求する。この現代的なノスタルジア現象は、良くて方法論、悪くては武器となり、過去を蝕み、かつての物事や場所、生き方について、崩壊し、想像を絶するほど浄化された姿を未来へと投影するために利用されている。この投影こそが、未来の想像可能な可能性を狭めることに結びついた社会的病理において、ノスタルジアがますます重要な役割を果たしている理由だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、こうした単純化された未来像の現れを問い直し、挑戦して（失敗した）人々や、腐敗し改竄された立場に今も抵抗し続ける人々を称える作品だ。これは、あり得る未来を覆い隠す目的でノスタルジアが武器化されることを考察した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最近、私はこの武器化されたノスタルジアの使い方に対して、「アシッド・ノスタルジア」という用語を提案した。これは、過去の時代を平坦に描き出すことへの腐食的な執着を通じて、未来の輪郭をぼやけさせる現象を簡潔に表現するための言葉として提示するものだ。それは、ある意味で、過去の定型表現を絶対的なものとして、空虚な図版のように提示する、ある種の怠惰な文化的脚色である。実際の意味や有用な詳細を引き出すための原本を欠いた、単なるコピーに過ぎない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アシッド・ノスタルジア」とは、それを取り巻く記憶やそこに含まれる記憶との主観的なつながりを一切持たずに存在する、ますます一般的になりつつあるノスタルジアの政治的投影を指す。表面に酸を注ぐかのように、このノスタルジアの活用法は、これまでノスタルジアへの思索を導いてきた「生きたつながり」や「憧れ」の複雑さや質感を蝕み、滑らかに平坦化しようとするものである。その代わりに、「アシッド・ノスタルジア」は歴史の質感を消し去り、過去の輪郭をぼかす。そうすることで、その性質上、あらゆる（そしてすべての）想像しうる未来の起点となる可能性の地平を非物質化してしまうのだ。「アシッド・ノスタルジア」は夢のないスクリーンであり、そこでは不確実性、落ち着きのなさ、そして志が腐食にさらされ、現在の曖昧で複雑、時に混沌とした雰囲気の中から生まれる未来の源泉を崩壊させ、無力化してしまう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、しかし、こうした事象や出来事に対する普遍的な解釈ではない。むしろ、ノスタルジアをめぐる私自身の苦悩に満ちた経験によって切り拓かれた極めて個人的な道筋から息吹を得ており、偶然の出会い、状況、場所、そして刺激といった、バラバラな要素のコラージュを通じて形作られている。日本のメタボリスト運動、香港の「ワン・ライン・スカイ」、そしてロサンゼルスから姿を消したナトリウムランプといった、都市的・建築的な参照から間接的なヒントを得ている。本書は、フランコ・ベラルディ、ケイト・クロフォード、J・G・バラード、大友克洋、マーク・フィッシャー、アレクセイ・ユルチャクといった作家たちによる――事実に基づくものも架空のものも含む――テキストを織り交ぜている。彼らはそれぞれ見事に、「今」という慣れ親しんだ現実を断ち切り、私たち自身や周囲の環境、そしてこの世界における私たちの在り方を、新たな視点で捉えるよう促そうとしてきたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまた、今回の特集号の立ち上げに協力してくれたアダム・カーティスにも感謝の意を表したい。近未来を予測できるかどうか、そしてそれにどう対応すべきかという、圧倒的で深遠な不確実性について交わした会話の中で、彼が投げかけた挑発的な問いが、この特集号の最初の着想の火付け役となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、究極的には、物質的、社会的、政治的な、これから生まれる構築物やつながりの可能性についての記録だ。この作品は、失敗の脆さを究極の可能性の源として受け入れ、そこから想像力の最も深い自由を求め、呼び起こし、最も想像を絶する（しかし）可能な未来さえも創り出すことを目指している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136740380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate and embossed cardstock sleeve. \u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edeluxe book featuring an essay by David Toop, location photographs and documents that orbit the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. 大 03:13\u003cbr\u003e2. Acid Nostalgia 04:20 \u003cbr\u003e3. Eclosion 04:10 \u003cbr\u003e4. Sodium Vapour Halo 04:19 \u003cbr\u003e5. Grey's Shadow 04:38 \u003cbr\u003e6. One Line Sky 05:20 \u003cbr\u003e7. Metabolic City 01:55 \u003cbr\u003e8. Aerial Cable 04:02 \u003cbr\u003e9. Hack 02:45 \u003cbr\u003e10. GhostType 05:26 \u003cbr\u003e11. One Line Sky (alone) 04:44 \u003cbr\u003e12. Sodium Vapour Halo (alone) 04:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a weapon at worst, used to erode the past and project forward a collapsed and unimaginably sanitised version of things, places, and ways of being from former times. It’s this projection that sees it playing a mounting role in a social pathology associated with reducing the imagined possibilities of future.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Rest Is My Ghost is a record that interrogates the manifestations of this reductive futuring and celebrates those that\u003cspan class=\"bcTruncateMore\"\u003e have tried (and failed), and those who continue to push back against decayed and revisionist positions. It’s a record that considers the weaponisation of nostalgia for the purposes of cloaking possible futures.\u003cbr\u003e \u003cbr\u003eIn recent times, I’ve proposed a term for this weaponised use of nostalgia, something I have called Acid Nostalgia. I offer it as a shorthand to describe the de-contouring of the future through a corrosive fixation on a flatten rendering of the preceding times. It is, in part, a certain type of lazy cultural scripting where tropes of the past are presented in the absolute, as empty pictorials; photocopies without any original from which to draw actual meaning, or useful detail.\u003cbr\u003e \u003cbr\u003eAcid Nostalgia describes an increasingly common political projection of nostalgia that exists without any subjective connection to the memory surrounding and contained within it. Like acid poured onto a surface, this use of nostalgia seeks to erodes and smooth out the complexity and texture of lived connection and longing, which has until recently guided contemplations of nostalgia. Acid Nostalgia instead erases the texture of histories and de-contours the past, and in doing so dematerialises the horizon of possibility, which by its very nature marks the beginning point for any (and all) imaginable futures. Acid Nostalgia is a dreamless screen, where uncertainty, restlessness and aspiration are subjected to corrosion, breaking down and neutralising the wellspring of futures which are birthed from within the ambiguously charged, complex and at times chaotic atmospheres of the present.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is not however some universal reading of these things and happenings. Rather it draws its breath from a very personal pathway carved through my own fraught experiences of nostalgia and framed through a disparate collage of chance encounters, situations, places and provocations. It takes oblique notes from civic and architectural references such as Japan’s Metabolist movement, Hong Kong’s ‘one line sky’ and Los Angeles’s vanished Sodium Vapour lights. It interpolates texts – factual and fictional – by authors such as Franco Berardi, Kate Crawford, JG Ballard, Katsuhiro Otomo, Mark Fisher and Alexei Yurchak who have each so wonderfully sought to rupture the familiarity of now, and push us towards other ways of imaging ourselves, our surroundings and our very ways of being in this world.\u003cbr\u003e \u003cbr\u003eI also owe a debt of thanks to Adam Curtis in helping launch what has become this edition. It was his provocation, in a conversation we shared about an overwhelming and profound sense of uncertainty around being able to predict the immediate future and how to respond to that, which sparked the earliest inklings of this edition.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is ultimately a record about the promise of constructions and connections to come, material, social and political. It's a record that accepts the fragility of failure as a source of ultimate potential, and a position from which the deepest freedom of imagination might be sought and summoned forth to conjure even the most unimaginable, (but) possible futures.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th August 2026\u003c\/p\u003e","published_at":"2026-08-20T14:10:26+09:00","created_at":"2026-08-20T10:58:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","room40"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50139231715578,"title":"Default Title","option1":"Default 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Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_1b996ce2-a1cd-443c-8160-a8d21fb9e548.jpg?v=1787190983","\/\/tobirarecords.com\/cdn\/shop\/files\/gho2_db3879bf-80f8-4858-a5d2-f6617f2bc136.jpg?v=1787190983","\/\/tobirarecords.com\/cdn\/shop\/files\/gho3_0990c11a-4ba6-4118-9005-9b2b8db470f3.jpg?v=1787190983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_1b996ce2-a1cd-443c-8160-a8d21fb9e548.jpg?v=1787190983","options":["Title"],"media":[{"alt":null,"id":40665182503162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_1b996ce2-a1cd-443c-8160-a8d21fb9e548.jpg?v=1787190983"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_1b996ce2-a1cd-443c-8160-a8d21fb9e548.jpg?v=1787190983","width":350},{"alt":null,"id":40665182535930,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho2_db3879bf-80f8-4858-a5d2-f6617f2bc136.jpg?v=1787190983"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho2_db3879bf-80f8-4858-a5d2-f6617f2bc136.jpg?v=1787190983","width":1200},{"alt":null,"id":40665182568698,"position":3,"preview_image":{"aspect_ratio":2.667,"height":450,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho3_0990c11a-4ba6-4118-9005-9b2b8db470f3.jpg?v=1787190983"},"aspect_ratio":2.667,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho3_0990c11a-4ba6-4118-9005-9b2b8db470f3.jpg?v=1787190983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルroom40主宰Lawrence Englishが、2026年8月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローン〜ドローン12曲を収録。写真や\u003cspan\u003eDavid Toopによるエッセイを掲載した本が付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eノスタルジアはイデオロギーではない。とはいえ、今の状況では、それがまさにイデオロギーであるかのように誤解されかねない。ここ数年、ノスタルジアという概念は、さまざまな政治的・技術的な視点を通じて解釈され、記憶するのではなく、忘却のための道具となってしまった。歴史の複雑さや矛盾を受け入れる代わりに、この種のノスタルジアは単一の記憶のみを追求する。この現代的なノスタルジア現象は、良くて方法論、悪くては武器となり、過去を蝕み、かつての物事や場所、生き方について、崩壊し、想像を絶するほど浄化された姿を未来へと投影するために利用されている。この投影こそが、未来の想像可能な可能性を狭めることに結びついた社会的病理において、ノスタルジアがますます重要な役割を果たしている理由だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、こうした単純化された未来像の現れを問い直し、挑戦して（失敗した）人々や、腐敗し改竄された立場に今も抵抗し続ける人々を称える作品だ。これは、あり得る未来を覆い隠す目的でノスタルジアが武器化されることを考察した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最近、私はこの武器化されたノスタルジアの使い方に対して、「アシッド・ノスタルジア」という用語を提案した。これは、過去の時代を平坦に描き出すことへの腐食的な執着を通じて、未来の輪郭をぼやけさせる現象を簡潔に表現するための言葉として提示するものだ。それは、ある意味で、過去の定型表現を絶対的なものとして、空虚な図版のように提示する、ある種の怠惰な文化的脚色である。実際の意味や有用な詳細を引き出すための原本を欠いた、単なるコピーに過ぎない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アシッド・ノスタルジア」とは、それを取り巻く記憶やそこに含まれる記憶との主観的なつながりを一切持たずに存在する、ますます一般的になりつつあるノスタルジアの政治的投影を指す。表面に酸を注ぐかのように、このノスタルジアの活用法は、これまでノスタルジアへの思索を導いてきた「生きたつながり」や「憧れ」の複雑さや質感を蝕み、滑らかに平坦化しようとするものである。その代わりに、「アシッド・ノスタルジア」は歴史の質感を消し去り、過去の輪郭をぼかす。そうすることで、その性質上、あらゆる（そしてすべての）想像しうる未来の起点となる可能性の地平を非物質化してしまうのだ。「アシッド・ノスタルジア」は夢のないスクリーンであり、そこでは不確実性、落ち着きのなさ、そして志が腐食にさらされ、現在の曖昧で複雑、時に混沌とした雰囲気の中から生まれる未来の源泉を崩壊させ、無力化してしまう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、しかし、こうした事象や出来事に対する普遍的な解釈ではない。むしろ、ノスタルジアをめぐる私自身の苦悩に満ちた経験によって切り拓かれた極めて個人的な道筋から息吹を得ており、偶然の出会い、状況、場所、そして刺激といった、バラバラな要素のコラージュを通じて形作られている。日本のメタボリスト運動、香港の「ワン・ライン・スカイ」、そしてロサンゼルスから姿を消したナトリウムランプといった、都市的・建築的な参照から間接的なヒントを得ている。本書は、フランコ・ベラルディ、ケイト・クロフォード、J・G・バラード、大友克洋、マーク・フィッシャー、アレクセイ・ユルチャクといった作家たちによる――事実に基づくものも架空のものも含む――テキストを織り交ぜている。彼らはそれぞれ見事に、「今」という慣れ親しんだ現実を断ち切り、私たち自身や周囲の環境、そしてこの世界における私たちの在り方を、新たな視点で捉えるよう促そうとしてきたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまた、今回の特集号の立ち上げに協力してくれたアダム・カーティスにも感謝の意を表したい。近未来を予測できるかどうか、そしてそれにどう対応すべきかという、圧倒的で深遠な不確実性について交わした会話の中で、彼が投げかけた挑発的な問いが、この特集号の最初の着想の火付け役となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、究極的には、物質的、社会的、政治的な、これから生まれる構築物やつながりの可能性についての記録だ。この作品は、失敗の脆さを究極の可能性の源として受け入れ、そこから想像力の最も深い自由を求め、呼び起こし、最も想像を絶する（しかし）可能な未来さえも創り出すことを目指している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136740380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate and embossed cardstock sleeve. \u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003edeluxe book featuring an essay by David Toop, location photographs and documents that orbit the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. 大 03:13\u003cbr\u003e2. Acid Nostalgia 04:20 \u003cbr\u003e3. Eclosion 04:10 \u003cbr\u003e4. Sodium Vapour Halo 04:19 \u003cbr\u003e5. Grey's Shadow 04:38 \u003cbr\u003e6. One Line Sky 05:20 \u003cbr\u003e7. Metabolic City 01:55 \u003cbr\u003e8. Aerial Cable 04:02 \u003cbr\u003e9. Hack 02:45 \u003cbr\u003e10. GhostType 05:26 \u003cbr\u003e11. One Line Sky (alone) 04:44 \u003cbr\u003e12. Sodium Vapour Halo (alone) 04:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a weapon at worst, used to erode the past and project forward a collapsed and unimaginably sanitised version of things, places, and ways of being from former times. It’s this projection that sees it playing a mounting role in a social pathology associated with reducing the imagined possibilities of future.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Rest Is My Ghost is a record that interrogates the manifestations of this reductive futuring and celebrates those that\u003cspan class=\"bcTruncateMore\"\u003e have tried (and failed), and those who continue to push back against decayed and revisionist positions. It’s a record that considers the weaponisation of nostalgia for the purposes of cloaking possible futures.\u003cbr\u003e \u003cbr\u003eIn recent times, I’ve proposed a term for this weaponised use of nostalgia, something I have called Acid Nostalgia. I offer it as a shorthand to describe the de-contouring of the future through a corrosive fixation on a flatten rendering of the preceding times. It is, in part, a certain type of lazy cultural scripting where tropes of the past are presented in the absolute, as empty pictorials; photocopies without any original from which to draw actual meaning, or useful detail.\u003cbr\u003e \u003cbr\u003eAcid Nostalgia describes an increasingly common political projection of nostalgia that exists without any subjective connection to the memory surrounding and contained within it. Like acid poured onto a surface, this use of nostalgia seeks to erodes and smooth out the complexity and texture of lived connection and longing, which has until recently guided contemplations of nostalgia. Acid Nostalgia instead erases the texture of histories and de-contours the past, and in doing so dematerialises the horizon of possibility, which by its very nature marks the beginning point for any (and all) imaginable futures. Acid Nostalgia is a dreamless screen, where uncertainty, restlessness and aspiration are subjected to corrosion, breaking down and neutralising the wellspring of futures which are birthed from within the ambiguously charged, complex and at times chaotic atmospheres of the present.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is not however some universal reading of these things and happenings. Rather it draws its breath from a very personal pathway carved through my own fraught experiences of nostalgia and framed through a disparate collage of chance encounters, situations, places and provocations. It takes oblique notes from civic and architectural references such as Japan’s Metabolist movement, Hong Kong’s ‘one line sky’ and Los Angeles’s vanished Sodium Vapour lights. It interpolates texts – factual and fictional – by authors such as Franco Berardi, Kate Crawford, JG Ballard, Katsuhiro Otomo, Mark Fisher and Alexei Yurchak who have each so wonderfully sought to rupture the familiarity of now, and push us towards other ways of imaging ourselves, our surroundings and our very ways of being in this world.\u003cbr\u003e \u003cbr\u003eI also owe a debt of thanks to Adam Curtis in helping launch what has become this edition. It was his provocation, in a conversation we shared about an overwhelming and profound sense of uncertainty around being able to predict the immediate future and how to respond to that, which sparked the earliest inklings of this edition.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is ultimately a record about the promise of constructions and connections to come, material, social and political. It's a record that accepts the fragility of failure as a source of ultimate potential, and a position from which the deepest freedom of imagination might be sought and summoned forth to conjure even the most unimaginable, (but) possible futures.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th August 2026\u003c\/p\u003e"}
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オーストラリアの実験レーベルroom40主宰Lawrence Englishが、2026年8月にリリースしたアルバムです。 没入感のあるアンビエントドローン〜ドローン12曲を収録。写真やDavid Toopによるエッセイを掲載した本が付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、作家本人による解説です。 "ノスタルジアはイデオロギーではない。とはいえ、今の状況では、それがまさにイデオロギーであるかのように誤解されかねない。ここ数年、ノスタルジアという概念は、さまざまな政治的・技術的な視点を通じて解釈され、記憶するのではなく、忘却のための道具となってしまった。歴史の複雑さや矛盾を受け入れる代わりに、この種のノスタルジアは単一の記憶のみを追求する。この現代的なノスタルジア現象は、良くて方法論、悪くては武器となり、過去を蝕み、かつての物事や場所、生き方について、崩壊し、想像を絶するほど浄化された姿を未来へと投影するために利用されている。この投影こそが、未来の想像可能な可能性を狭めることに結びついた社会的病理において、ノスタルジアがますます重要な役割を果たしている理由だ。 『The Rest Is My Ghost』は、こうした単純化された未来像の現れを問い直し、挑戦して（失敗した）人々や、腐敗し改竄された立場に今も抵抗し続ける人々を称える作品だ。これは、あり得る未来を覆い隠す目的でノスタルジアが武器化されることを考察した作品である。 最近、私はこの武器化されたノスタルジアの使い方に対して、「アシッド・ノスタルジア」という用語を提案した。これは、過去の時代を平坦に描き出すことへの腐食的な執着を通じて、未来の輪郭をぼやけさせる現象を簡潔に表現するための言葉として提示するものだ。それは、ある意味で、過去の定型表現を絶対的なものとして、空虚な図版のように提示する、ある種の怠惰な文化的脚色である。実際の意味や有用な詳細を引き出すための原本を欠いた、単なるコピーに過ぎない。 「アシッド・ノスタルジア」とは、それを取り巻く記憶やそこに含まれる記憶との主観的なつながりを一切持たずに存在する、ますます一般的になりつつあるノスタルジアの政治的投影を指す。表面に酸を注ぐかのように、このノスタルジアの活用法は、これまでノスタルジアへの思索を導いてきた「生きたつながり」や「憧れ」の複雑さや質感を蝕み、滑らかに平坦化しようとするものである。その代わりに、「アシッド・ノスタルジア」は歴史の質感を消し去り、過去の輪郭をぼかす。そうすることで、その性質上、あらゆる（そしてすべての）想像しうる未来の起点となる可能性の地平を非物質化してしまうのだ。「アシッド・ノスタルジア」は夢のないスクリーンであり、そこでは不確実性、落ち着きのなさ、そして志が腐食にさらされ、現在の曖昧で複雑、時に混沌とした雰囲気の中から生まれる未来の源泉を崩壊させ、無力化してしまう。...
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{"id":9379998400762,"title":"Lawrence English \/\/ The Rest Is My Ghost LP","handle":"lawrence-english-the-rest-is-my-ghost-lp","description":"\u003cp\u003eオーストラリアの実験レーベルroom40主宰Lawrence Englishが、2026年8月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローン〜ドローン12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eノスタルジアはイデオロギーではない。とはいえ、今の状況では、それがまさにイデオロギーであるかのように誤解されかねない。ここ数年、ノスタルジアという概念は、さまざまな政治的・技術的な視点を通じて解釈され、記憶するのではなく、忘却のための道具となってしまった。歴史の複雑さや矛盾を受け入れる代わりに、この種のノスタルジアは単一の記憶のみを追求する。この現代的なノスタルジア現象は、良くて方法論、悪くては武器となり、過去を蝕み、かつての物事や場所、生き方について、崩壊し、想像を絶するほど浄化された姿を未来へと投影するために利用されている。この投影こそが、未来の想像可能な可能性を狭めることに結びついた社会的病理において、ノスタルジアがますます重要な役割を果たしている理由だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、こうした単純化された未来像の現れを問い直し、挑戦して（失敗した）人々や、腐敗し改竄された立場に今も抵抗し続ける人々を称える作品だ。これは、あり得る未来を覆い隠す目的でノスタルジアが武器化されることを考察した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最近、私はこの武器化されたノスタルジアの使い方に対して、「アシッド・ノスタルジア」という用語を提案した。これは、過去の時代を平坦に描き出すことへの腐食的な執着を通じて、未来の輪郭をぼやけさせる現象を簡潔に表現するための言葉として提示するものだ。それは、ある意味で、過去の定型表現を絶対的なものとして、空虚な図版のように提示する、ある種の怠惰な文化的脚色である。実際の意味や有用な詳細を引き出すための原本を欠いた、単なるコピーに過ぎない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アシッド・ノスタルジア」とは、それを取り巻く記憶やそこに含まれる記憶との主観的なつながりを一切持たずに存在する、ますます一般的になりつつあるノスタルジアの政治的投影を指す。表面に酸を注ぐかのように、このノスタルジアの活用法は、これまでノスタルジアへの思索を導いてきた「生きたつながり」や「憧れ」の複雑さや質感を蝕み、滑らかに平坦化しようとするものである。その代わりに、「アシッド・ノスタルジア」は歴史の質感を消し去り、過去の輪郭をぼかす。そうすることで、その性質上、あらゆる（そしてすべての）想像しうる未来の起点となる可能性の地平を非物質化してしまうのだ。「アシッド・ノスタルジア」は夢のないスクリーンであり、そこでは不確実性、落ち着きのなさ、そして志が腐食にさらされ、現在の曖昧で複雑、時に混沌とした雰囲気の中から生まれる未来の源泉を崩壊させ、無力化してしまう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、しかし、こうした事象や出来事に対する普遍的な解釈ではない。むしろ、ノスタルジアをめぐる私自身の苦悩に満ちた経験によって切り拓かれた極めて個人的な道筋から息吹を得ており、偶然の出会い、状況、場所、そして刺激といった、バラバラな要素のコラージュを通じて形作られている。日本のメタボリスト運動、香港の「ワン・ライン・スカイ」、そしてロサンゼルスから姿を消したナトリウムランプといった、都市的・建築的な参照から間接的なヒントを得ている。本書は、フランコ・ベラルディ、ケイト・クロフォード、J・G・バラード、大友克洋、マーク・フィッシャー、アレクセイ・ユルチャクといった作家たちによる――事実に基づくものも架空のものも含む――テキストを織り交ぜている。彼らはそれぞれ見事に、「今」という慣れ親しんだ現実を断ち切り、私たち自身や周囲の環境、そしてこの世界における私たちの在り方を、新たな視点で捉えるよう促そうとしてきたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまた、今回の特集号の立ち上げに協力してくれたアダム・カーティスにも感謝の意を表したい。近未来を予測できるかどうか、そしてそれにどう対応すべきかという、圧倒的で深遠な不確実性について交わした会話の中で、彼が投げかけた挑発的な問いが、この特集号の最初の着想の火付け役となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、究極的には、物質的、社会的、政治的な、これから生まれる構築物やつながりの可能性についての記録だ。この作品は、失敗の脆さを究極の可能性の源として受け入れ、そこから想像力の最も深い自由を求め、呼び起こし、最も想像を絶する（しかし）可能な未来さえも創り出すことを目指している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136740380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. 大 03:13\u003cbr\u003e2. Acid Nostalgia 04:20 \u003cbr\u003e3. Eclosion 04:10 \u003cbr\u003e4. Sodium Vapour Halo 04:19 \u003cbr\u003e5. Grey's Shadow 04:38 \u003cbr\u003e6. One Line Sky 05:20 \u003cbr\u003e7. Metabolic City 01:55 \u003cbr\u003e8. Aerial Cable 04:02 \u003cbr\u003e9. Hack 02:45 \u003cbr\u003e10. GhostType 05:26 \u003cbr\u003e11. One Line Sky (alone) 04:44 \u003cbr\u003e12. Sodium Vapour Halo (alone) 04:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a weapon at worst, used to erode the past and project forward a collapsed and unimaginably sanitised version of things, places, and ways of being from former times. It’s this projection that sees it playing a mounting role in a social pathology associated with reducing the imagined possibilities of future.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Rest Is My Ghost is a record that interrogates the manifestations of this reductive futuring and celebrates those that\u003cspan class=\"bcTruncateMore\"\u003e have tried (and failed), and those who continue to push back against decayed and revisionist positions. It’s a record that considers the weaponisation of nostalgia for the purposes of cloaking possible futures.\u003cbr\u003e \u003cbr\u003eIn recent times, I’ve proposed a term for this weaponised use of nostalgia, something I have called Acid Nostalgia. I offer it as a shorthand to describe the de-contouring of the future through a corrosive fixation on a flatten rendering of the preceding times. It is, in part, a certain type of lazy cultural scripting where tropes of the past are presented in the absolute, as empty pictorials; photocopies without any original from which to draw actual meaning, or useful detail.\u003cbr\u003e \u003cbr\u003eAcid Nostalgia describes an increasingly common political projection of nostalgia that exists without any subjective connection to the memory surrounding and contained within it. Like acid poured onto a surface, this use of nostalgia seeks to erodes and smooth out the complexity and texture of lived connection and longing, which has until recently guided contemplations of nostalgia. Acid Nostalgia instead erases the texture of histories and de-contours the past, and in doing so dematerialises the horizon of possibility, which by its very nature marks the beginning point for any (and all) imaginable futures. Acid Nostalgia is a dreamless screen, where uncertainty, restlessness and aspiration are subjected to corrosion, breaking down and neutralising the wellspring of futures which are birthed from within the ambiguously charged, complex and at times chaotic atmospheres of the present.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is not however some universal reading of these things and happenings. Rather it draws its breath from a very personal pathway carved through my own fraught experiences of nostalgia and framed through a disparate collage of chance encounters, situations, places and provocations. It takes oblique notes from civic and architectural references such as Japan’s Metabolist movement, Hong Kong’s ‘one line sky’ and Los Angeles’s vanished Sodium Vapour lights. It interpolates texts – factual and fictional – by authors such as Franco Berardi, Kate Crawford, JG Ballard, Katsuhiro Otomo, Mark Fisher and Alexei Yurchak who have each so wonderfully sought to rupture the familiarity of now, and push us towards other ways of imaging ourselves, our surroundings and our very ways of being in this world.\u003cbr\u003e \u003cbr\u003eI also owe a debt of thanks to Adam Curtis in helping launch what has become this edition. It was his provocation, in a conversation we shared about an overwhelming and profound sense of uncertainty around being able to predict the immediate future and how to respond to that, which sparked the earliest inklings of this edition.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is ultimately a record about the promise of constructions and connections to come, material, social and political. It's a record that accepts the fragility of failure as a source of ultimate potential, and a position from which the deepest freedom of imagination might be sought and summoned forth to conjure even the most unimaginable, (but) possible futures.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th August 2026\u003c\/p\u003e","published_at":"2026-08-20T14:08:43+09:00","created_at":"2026-08-20T10:59:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","new","room40"],"price":415000,"price_min":415000,"price_max":415000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50139251081466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ The Rest Is My Ghost LP","public_title":null,"options":["Default Title"],"price":415000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_e0ddaf75-818b-4c22-9bd6-063699544aa5.jpg?v=1787191213","\/\/tobirarecords.com\/cdn\/shop\/files\/gho4.jpg?v=1787191213"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_e0ddaf75-818b-4c22-9bd6-063699544aa5.jpg?v=1787191213","options":["Title"],"media":[{"alt":null,"id":40665344278778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_e0ddaf75-818b-4c22-9bd6-063699544aa5.jpg?v=1787191213"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_e0ddaf75-818b-4c22-9bd6-063699544aa5.jpg?v=1787191213","width":350},{"alt":null,"id":40665344311546,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho4.jpg?v=1787191213"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho4.jpg?v=1787191213","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルroom40主宰Lawrence Englishが、2026年8月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e没入感のあるアンビエントドローン〜ドローン12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eノスタルジアはイデオロギーではない。とはいえ、今の状況では、それがまさにイデオロギーであるかのように誤解されかねない。ここ数年、ノスタルジアという概念は、さまざまな政治的・技術的な視点を通じて解釈され、記憶するのではなく、忘却のための道具となってしまった。歴史の複雑さや矛盾を受け入れる代わりに、この種のノスタルジアは単一の記憶のみを追求する。この現代的なノスタルジア現象は、良くて方法論、悪くては武器となり、過去を蝕み、かつての物事や場所、生き方について、崩壊し、想像を絶するほど浄化された姿を未来へと投影するために利用されている。この投影こそが、未来の想像可能な可能性を狭めることに結びついた社会的病理において、ノスタルジアがますます重要な役割を果たしている理由だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、こうした単純化された未来像の現れを問い直し、挑戦して（失敗した）人々や、腐敗し改竄された立場に今も抵抗し続ける人々を称える作品だ。これは、あり得る未来を覆い隠す目的でノスタルジアが武器化されることを考察した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最近、私はこの武器化されたノスタルジアの使い方に対して、「アシッド・ノスタルジア」という用語を提案した。これは、過去の時代を平坦に描き出すことへの腐食的な執着を通じて、未来の輪郭をぼやけさせる現象を簡潔に表現するための言葉として提示するものだ。それは、ある意味で、過去の定型表現を絶対的なものとして、空虚な図版のように提示する、ある種の怠惰な文化的脚色である。実際の意味や有用な詳細を引き出すための原本を欠いた、単なるコピーに過ぎない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アシッド・ノスタルジア」とは、それを取り巻く記憶やそこに含まれる記憶との主観的なつながりを一切持たずに存在する、ますます一般的になりつつあるノスタルジアの政治的投影を指す。表面に酸を注ぐかのように、このノスタルジアの活用法は、これまでノスタルジアへの思索を導いてきた「生きたつながり」や「憧れ」の複雑さや質感を蝕み、滑らかに平坦化しようとするものである。その代わりに、「アシッド・ノスタルジア」は歴史の質感を消し去り、過去の輪郭をぼかす。そうすることで、その性質上、あらゆる（そしてすべての）想像しうる未来の起点となる可能性の地平を非物質化してしまうのだ。「アシッド・ノスタルジア」は夢のないスクリーンであり、そこでは不確実性、落ち着きのなさ、そして志が腐食にさらされ、現在の曖昧で複雑、時に混沌とした雰囲気の中から生まれる未来の源泉を崩壊させ、無力化してしまう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、しかし、こうした事象や出来事に対する普遍的な解釈ではない。むしろ、ノスタルジアをめぐる私自身の苦悩に満ちた経験によって切り拓かれた極めて個人的な道筋から息吹を得ており、偶然の出会い、状況、場所、そして刺激といった、バラバラな要素のコラージュを通じて形作られている。日本のメタボリスト運動、香港の「ワン・ライン・スカイ」、そしてロサンゼルスから姿を消したナトリウムランプといった、都市的・建築的な参照から間接的なヒントを得ている。本書は、フランコ・ベラルディ、ケイト・クロフォード、J・G・バラード、大友克洋、マーク・フィッシャー、アレクセイ・ユルチャクといった作家たちによる――事実に基づくものも架空のものも含む――テキストを織り交ぜている。彼らはそれぞれ見事に、「今」という慣れ親しんだ現実を断ち切り、私たち自身や周囲の環境、そしてこの世界における私たちの在り方を、新たな視点で捉えるよう促そうとしてきたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまた、今回の特集号の立ち上げに協力してくれたアダム・カーティスにも感謝の意を表したい。近未来を予測できるかどうか、そしてそれにどう対応すべきかという、圧倒的で深遠な不確実性について交わした会話の中で、彼が投げかけた挑発的な問いが、この特集号の最初の着想の火付け役となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The Rest Is My Ghost』は、究極的には、物質的、社会的、政治的な、これから生まれる構築物やつながりの可能性についての記録だ。この作品は、失敗の脆さを究極の可能性の源として受け入れ、そこから想像力の最も深い自由を求め、呼び起こし、最も想像を絶する（しかし）可能な未来さえも創り出すことを目指している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136740380\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. 大 03:13\u003cbr\u003e2. Acid Nostalgia 04:20 \u003cbr\u003e3. Eclosion 04:10 \u003cbr\u003e4. Sodium Vapour Halo 04:19 \u003cbr\u003e5. Grey's Shadow 04:38 \u003cbr\u003e6. One Line Sky 05:20 \u003cbr\u003e7. Metabolic City 01:55 \u003cbr\u003e8. Aerial Cable 04:02 \u003cbr\u003e9. Hack 02:45 \u003cbr\u003e10. GhostType 05:26 \u003cbr\u003e11. One Line Sky (alone) 04:44 \u003cbr\u003e12. Sodium Vapour Halo (alone) 04:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a weapon at worst, used to erode the past and project forward a collapsed and unimaginably sanitised version of things, places, and ways of being from former times. It’s this projection that sees it playing a mounting role in a social pathology associated with reducing the imagined possibilities of future.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Rest Is My Ghost is a record that interrogates the manifestations of this reductive futuring and celebrates those that\u003cspan class=\"bcTruncateMore\"\u003e have tried (and failed), and those who continue to push back against decayed and revisionist positions. It’s a record that considers the weaponisation of nostalgia for the purposes of cloaking possible futures.\u003cbr\u003e \u003cbr\u003eIn recent times, I’ve proposed a term for this weaponised use of nostalgia, something I have called Acid Nostalgia. I offer it as a shorthand to describe the de-contouring of the future through a corrosive fixation on a flatten rendering of the preceding times. It is, in part, a certain type of lazy cultural scripting where tropes of the past are presented in the absolute, as empty pictorials; photocopies without any original from which to draw actual meaning, or useful detail.\u003cbr\u003e \u003cbr\u003eAcid Nostalgia describes an increasingly common political projection of nostalgia that exists without any subjective connection to the memory surrounding and contained within it. Like acid poured onto a surface, this use of nostalgia seeks to erodes and smooth out the complexity and texture of lived connection and longing, which has until recently guided contemplations of nostalgia. Acid Nostalgia instead erases the texture of histories and de-contours the past, and in doing so dematerialises the horizon of possibility, which by its very nature marks the beginning point for any (and all) imaginable futures. Acid Nostalgia is a dreamless screen, where uncertainty, restlessness and aspiration are subjected to corrosion, breaking down and neutralising the wellspring of futures which are birthed from within the ambiguously charged, complex and at times chaotic atmospheres of the present.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is not however some universal reading of these things and happenings. Rather it draws its breath from a very personal pathway carved through my own fraught experiences of nostalgia and framed through a disparate collage of chance encounters, situations, places and provocations. It takes oblique notes from civic and architectural references such as Japan’s Metabolist movement, Hong Kong’s ‘one line sky’ and Los Angeles’s vanished Sodium Vapour lights. It interpolates texts – factual and fictional – by authors such as Franco Berardi, Kate Crawford, JG Ballard, Katsuhiro Otomo, Mark Fisher and Alexei Yurchak who have each so wonderfully sought to rupture the familiarity of now, and push us towards other ways of imaging ourselves, our surroundings and our very ways of being in this world.\u003cbr\u003e \u003cbr\u003eI also owe a debt of thanks to Adam Curtis in helping launch what has become this edition. It was his provocation, in a conversation we shared about an overwhelming and profound sense of uncertainty around being able to predict the immediate future and how to respond to that, which sparked the earliest inklings of this edition.\u003cbr\u003e \u003cbr\u003eThe Rest Is My Ghost is ultimately a record about the promise of constructions and connections to come, material, social and political. It's a record that accepts the fragility of failure as a source of ultimate potential, and a position from which the deepest freedom of imagination might be sought and summoned forth to conjure even the most unimaginable, (but) possible futures.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th August 2026\u003c\/p\u003e"}
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オーストラリアの実験レーベルroom40主宰Lawrence Englishが、2026年8月にリリースしたアルバムです。 没入感のあるアンビエントドローン〜ドローン12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、作家本人による解説です。 "ノスタルジアはイデオロギーではない。とはいえ、今の状況では、それがまさにイデオロギーであるかのように誤解されかねない。ここ数年、ノスタルジアという概念は、さまざまな政治的・技術的な視点を通じて解釈され、記憶するのではなく、忘却のための道具となってしまった。歴史の複雑さや矛盾を受け入れる代わりに、この種のノスタルジアは単一の記憶のみを追求する。この現代的なノスタルジア現象は、良くて方法論、悪くては武器となり、過去を蝕み、かつての物事や場所、生き方について、崩壊し、想像を絶するほど浄化された姿を未来へと投影するために利用されている。この投影こそが、未来の想像可能な可能性を狭めることに結びついた社会的病理において、ノスタルジアがますます重要な役割を果たしている理由だ。 『The Rest Is My Ghost』は、こうした単純化された未来像の現れを問い直し、挑戦して（失敗した）人々や、腐敗し改竄された立場に今も抵抗し続ける人々を称える作品だ。これは、あり得る未来を覆い隠す目的でノスタルジアが武器化されることを考察した作品である。 最近、私はこの武器化されたノスタルジアの使い方に対して、「アシッド・ノスタルジア」という用語を提案した。これは、過去の時代を平坦に描き出すことへの腐食的な執着を通じて、未来の輪郭をぼやけさせる現象を簡潔に表現するための言葉として提示するものだ。それは、ある意味で、過去の定型表現を絶対的なものとして、空虚な図版のように提示する、ある種の怠惰な文化的脚色である。実際の意味や有用な詳細を引き出すための原本を欠いた、単なるコピーに過ぎない。 「アシッド・ノスタルジア」とは、それを取り巻く記憶やそこに含まれる記憶との主観的なつながりを一切持たずに存在する、ますます一般的になりつつあるノスタルジアの政治的投影を指す。表面に酸を注ぐかのように、このノスタルジアの活用法は、これまでノスタルジアへの思索を導いてきた「生きたつながり」や「憧れ」の複雑さや質感を蝕み、滑らかに平坦化しようとするものである。その代わりに、「アシッド・ノスタルジア」は歴史の質感を消し去り、過去の輪郭をぼかす。そうすることで、その性質上、あらゆる（そしてすべての）想像しうる未来の起点となる可能性の地平を非物質化してしまうのだ。「アシッド・ノスタルジア」は夢のないスクリーンであり、そこでは不確実性、落ち着きのなさ、そして志が腐食にさらされ、現在の曖昧で複雑、時に混沌とした雰囲気の中から生まれる未来の源泉を崩壊させ、無力化してしまう。 『The...
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{"id":6545091199141,"title":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","handle":"lawrence-english-transit-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音＋アンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e7曲\u003c\/span\u003eを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:17:23+09:00","created_at":"2021-02-27T11:12:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276037341349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","options":["Title"],"media":[{"alt":null,"id":20330201940133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1.jpg?v=1614391976","width":700},{"alt":null,"id":20330201972901,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2.jpg?v=1614391976","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音＋アンビエントドローン\u003cspan data-mce-fragment=\"1\"\u003e7曲\u003c\/span\u003eを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア音響シーンの代表格Lawrence Englishが、2005年にリリースしたアルバムをCDで再発。環境音＋アンビエントドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- "Transit was...
¥2,150
クイックビュー
{"id":8601072795898,"title":"Lawrence English \/\/ Viento CD+BOOKLET","handle":"lawrence-english-viento-cd-booklet","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年にリリースした再発CDです。\u003c\/p\u003e\n\u003cp\u003e本作を録音した南極の写真やテキストを掲載した48ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1026743961\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einsert card, plus White Out; a 40+ page book of photography by Lawrence English made whilst in Antarctica, a document of the intensity of the iced continent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist statement by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. \u003c\/em\u003e\u003cem\u003eUpon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat was meant to be a few hours layover turned into several days as, on landing, a strong wind storm blew in unexpectedly. Conditions exceeded expectations, and before long it was clear the transport could not take off. The situation was only compounded by adverse weather along the Antarctic Peninsula.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst the scientists and military personnel we were travelling with bunkered down in their quarters, I found myself drawn outside into the howling air. The wind in Patagonia is, well, breathtaking. Literally, there were moments where it was so physical, that it was difficult to catch my breath. Across three days I recorded abandoned buildings, lone trees folded over in fields of tundra-like grasses, quivering road signs, wailing fences and other objects shaken into life by the wind. It wasn't a comfortable experience by any means, but the multiplicity of sounds I was able to capture, I hope, speak for\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Antarctic recordings were made during two blizzards at Marambio and Esperanza bases. During the blizzard in Marambio, the temperature dropped to -40 degrees centigrade (with wind chill) which made recording particularly challenging. The wind battered the base’s structures and telecommunications equipment, making a range of unsettling, phasing choral drones and deep low frequency vibrations that resonated inside the base itself. The blizzard at Esperanza was mild by comparison, but still strong enough to coat penguins in layer of snow as they huddled together during the worst of the storm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis year marks the 10th anniversary of completing these compositions and since that time, I have had the pleasure to diffuse them on numerous occasions. With those experiences in mind, as well as the format on which these works are now being made available, I have revisited them and completely remixed and remastered the pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening back to these recordings I am struck by the sheer physicality of the wind. It's rare that you feel physically reduced by the motion of air, but in both Patagonia and Antarctica that is just how I felt. A small speck of organic dust in a howling storm.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:18:16+09:00","created_at":"2024-08-19T10:17:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","room40"],"price":334000,"price_min":334000,"price_max":334000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581167063290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lawrence English \/\/ Viento CD+BOOKLET","public_title":null,"options":["Default Title"],"price":334000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","options":["Title"],"media":[{"alt":null,"id":30094759395578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_5be937d6-8754-4d03-82b8-3119f15e38dc.jpg?v=1657499640","width":700},{"alt":null,"id":30094759428346,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_2301407d-2bd0-48cb-b093-2caa7d0279df.jpg?v=1657499640","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年にリリースした再発CDです。\u003c\/p\u003e\n\u003cp\u003e本作を録音した南極の写真やテキストを掲載した48ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1026743961\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einsert card, plus White Out; a 40+ page book of photography by Lawrence English made whilst in Antarctica, a document of the intensity of the iced continent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eArtist statement by Lawrence English:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. \u003c\/em\u003e\u003cem\u003eUpon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat was meant to be a few hours layover turned into several days as, on landing, a strong wind storm blew in unexpectedly. Conditions exceeded expectations, and before long it was clear the transport could not take off. The situation was only compounded by adverse weather along the Antarctic Peninsula.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst the scientists and military personnel we were travelling with bunkered down in their quarters, I found myself drawn outside into the howling air. The wind in Patagonia is, well, breathtaking. Literally, there were moments where it was so physical, that it was difficult to catch my breath. Across three days I recorded abandoned buildings, lone trees folded over in fields of tundra-like grasses, quivering road signs, wailing fences and other objects shaken into life by the wind. It wasn't a comfortable experience by any means, but the multiplicity of sounds I was able to capture, I hope, speak for\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e themselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Antarctic recordings were made during two blizzards at Marambio and Esperanza bases. During the blizzard in Marambio, the temperature dropped to -40 degrees centigrade (with wind chill) which made recording particularly challenging. The wind battered the base’s structures and telecommunications equipment, making a range of unsettling, phasing choral drones and deep low frequency vibrations that resonated inside the base itself. The blizzard at Esperanza was mild by comparison, but still strong enough to coat penguins in layer of snow as they huddled together during the worst of the storm.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis year marks the 10th anniversary of completing these compositions and since that time, I have had the pleasure to diffuse them on numerous occasions. With those experiences in mind, as well as the format on which these works are now being made available, I have revisited them and completely remixed and remastered the pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening back to these recordings I am struck by the sheer physicality of the wind. It's rare that you feel physically reduced by the motion of air, but in both Patagonia and Antarctica that is just how I felt. A small speck of organic dust in a howling storm.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2022年にリリースした再発CDです。 本作を録音した南極の写真やテキストを掲載した48ページのブックレットが付属。 以下、作家による解説です。 "2010年の夏、私はアルゼンチン南極局の招きで南極大陸を訪れる機会をもらいました。誰もが思うように、それは人生を左右するような出来事でした。ブエノスアイレスを出発し、氷の大陸へ向かうヘラクレス輸送機は、アルゼンチン軍の指示のもと、リオ・ガジェゴス郊外の空軍基地に定期的に立ち寄りました。数時間の待ち時間のつもりが、着陸時に予想外の強風が吹き荒れ、数日に及びました。予想以上の強風に見舞われ、離陸できないことが明らかになりました。さらに、南極半島沿いの悪天候が状況を悪化させました。同行した科学者や軍人は宿舎で寝泊まりしているのに、私は外の荒れ狂う空気に引きずり込まれてしまいました。パタゴニアの風は、まさに息をのむようなものです。文字通り、息が止まりそうなほどの強風が吹き荒れます。3日間にわたり、私は廃墟となった建物、ツンドラのような草原に折り重なった一本の木、震える道路標識、泣き叫ぶフェンスなど、風に揺られて命を吹き込まれたものを記録しました。決して快適な体験ではありませんでしたが、その分、多様な音をとらえることができたと思います。南極での録音は、マランビオ基地とエスペランサ基地の2つの吹雪の中で行いました。マランビオの吹雪の時は、気温がマイナス40度まで下がり、録音には特に苦労しました。風は基地の構造物や通信機器を打ちのめし、基地の内部で共鳴する不穏なドローンや深い低周波の振動を作り出しました。エスペランサの吹雪は、それに比べれば穏やかなものでしたが、それでもペンギンが雪に覆われ、最悪の状態で身を寄せ合うほどの強さでした。これらの録音を聴き返すと、風の物理的な強さに驚かされます。空気の動きによって身体的な減少を感じることは稀だが、パタゴニアでも南極でも、私はまさにそう感じていました。荒れ狂う嵐の中の小さな有機的な塵の一片です。" レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
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{"id":8954091307258,"title":"Lawrence English \/\/ WhiteOut CD+BOOKLET","handle":"lawrence-english-whiteout-cd","description":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2025年9月にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e南極で録音したフィールドレコーディングによるコンクレート8曲を収録。\u003c\/p\u003e\n\u003cp\u003e制作時に撮影した写真やドキュメントを掲載したブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ここに収められた記録は、私たちが南極大陸に踏み込む日常を物語っている。それらは決して特別でも唯一無二でもない。季節や場所にもよるが、大陸の多くのキャンプや基地で刻一刻と繰り広げられている光景だからだ。むしろこれらの記録が浮き彫りにするのは、氷と岩と水が織りなす移ろいゆく平原で、環境と物質と気候と生命が入り乱れ、絡み合いながら共存する様相である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e意図したわけではないが、この作品は主に三つの章——人間、大地、水——で構成されている。これらは当然ながら交錯し、互いに溶け合うが、同時に独立した存在感も保っている。絡み合う領域を共有する登場人物たちであっても、彼らが紡ぐ物語は、連続的というより並行して展開されることが多い。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e15年ぶりにあの場所と時代から離れて、今これらの録音に戻ってみると、音は新たな強さと異なる抑揚で語りかけてくる。即座に懐かしいと感じつつも、驚くほど異質に聞こえることに驚いた――各録音の中に、数多くの新たな出来事を耳にしたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私にとってこれらの録音は、南極のような場所の二重性を捉えている。季節ごとに垣間見える、この環境で生き続ける野生生物と人間の生きた体験だ。同時に、この場所を構成する物や事象への省察でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e録音には、侵食される氷床の不穏な囁き、真夏の渓流のせせらぎ、シャチのエコーロケーションのクリック音、縄張りを争う南極オットセイの吠え声、そして冬が訪れる前に綿毛のような羽毛を脱ぎ捨て、比較的安全な海へと向かうペンギンの雛たちのさえずりが捉えられている。また、研究者や軍関係者、基地職員たちが、これから訪れる長く厳しい寒さの季節に備えて慌ただしく準備する様子も捉えている。この期間、彼らは事実上、地球の他の地域から切り離されるのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの瞬間は切迫感に満ちている。夏の優しい抱擁は儚く、冬は決して容赦しない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187975247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cspan\u003eatte laminate printed sleeve with custom embossing \u0026amp; insert card. \u003cbr\u003eIncludes a book featuring photography, artworks and documents collected during the recording of this edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hercules 03:01\u003cbr\u003e2. A Prayer 01:44\u003cbr\u003e3. Thaw 04:42\u003cbr\u003e4. Peak Transport 06:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Esperanza Glimmers 02:17\u003cbr\u003e\u003c\/span\u003e6. The Collapse 06:54\u003cbr\u003e7. The Outside From Within 04:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Towards An End Of Season 09:21\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe recordings here speak to the everyday of our incursions into Antarctica. They are not exceptional, or unique, in that they unfold across much of the continent’s camps and bases moment to moment, depending on the season and location of course. What they do highlight is the confluence of environments, materials, climate, and life that all clamber together in these shifting plains of ice, rock, and water.\u003cbr\u003e\u003cbr\u003eWhile not exactly intentional, the way this work played out is largely in three chapters, the human, the land and the water. Each of these intersect and fall into one another of course, but they also exist with a sense of being discrete. Whilst the characters might be shared across these zones of entanglement, the stories they tell into are often unfolding in parallel, rather than in sequence.\u003cbr\u003e\u003cbr\u003eTo come back to these recordings now, having been away from those places and times for 15 years, the sounds speak with a new intensity, and a different intonation. It was surprising to hear them as both instantly familiar, but also surprisingly alien – I heard many new events within each recording.\u003cbr\u003e\u003cbr\u003eTo me these recordings capture the duality of a place like Antarctica. They are a seasonal glimpse into the lived experience of the wildlife and humans that persist in this environment. They also reflect upon the objects and things that comprise this place.\u003cbr\u003e\u003cbr\u003eThe recordings catch the uneasy murmurs of eroding ice plates, the trickling conversations of high summer streams, the clicking echolocations of Orcas, the barked disputes of territorial Antarctic Fur Seals, and the chirping of penguin chicks racing to shed their downy coats and find their way to the relative security of the ocean before the winter sets in. They also capture the feverish rush of researchers, military personal, and station workers as they prepare for the long, frigid months ahead during which time they are effectively disconnected from the remainder of the planet.\u003cbr\u003e\u003cbr\u003eThese moments exist in urgency, the summer’s sweet caress is fleeting and the winter knows no forgiveness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRM4100\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-13T13:19:00+09:00","created_at":"2025-10-12T09:06:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","room40"],"price":295000,"price_min":295000,"price_max":295000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47814782091514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ WhiteOut CD+BOOKLET","public_title":null,"options":["Default Title"],"price":295000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/out1_9c01d92e-72e7-48ca-be88-658eb3c9ee1a.jpg?v=1760227434","\/\/tobirarecords.com\/cdn\/shop\/files\/out2_ca4cc78a-43b0-4eb6-855d-4c90985bb87e.jpg?v=1760227434","\/\/tobirarecords.com\/cdn\/shop\/files\/out3_a63f5571-8647-4dfe-b0da-2413d2ca130b.jpg?v=1760227434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/out1_9c01d92e-72e7-48ca-be88-658eb3c9ee1a.jpg?v=1760227434","options":["Title"],"media":[{"alt":null,"id":37074623856890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/out1_9c01d92e-72e7-48ca-be88-658eb3c9ee1a.jpg?v=1760227434"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/out1_9c01d92e-72e7-48ca-be88-658eb3c9ee1a.jpg?v=1760227434","width":700},{"alt":null,"id":37074623889658,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/out2_ca4cc78a-43b0-4eb6-855d-4c90985bb87e.jpg?v=1760227434"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/out2_ca4cc78a-43b0-4eb6-855d-4c90985bb87e.jpg?v=1760227434","width":1200},{"alt":null,"id":37074623922426,"position":3,"preview_image":{"aspect_ratio":2.899,"height":414,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/out3_a63f5571-8647-4dfe-b0da-2413d2ca130b.jpg?v=1760227434"},"aspect_ratio":2.899,"height":414,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/out3_a63f5571-8647-4dfe-b0da-2413d2ca130b.jpg?v=1760227434","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2025年9月にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e南極で録音したフィールドレコーディングによるコンクレート8曲を収録。\u003c\/p\u003e\n\u003cp\u003e制作時に撮影した写真やドキュメントを掲載したブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ここに収められた記録は、私たちが南極大陸に踏み込む日常を物語っている。それらは決して特別でも唯一無二でもない。季節や場所にもよるが、大陸の多くのキャンプや基地で刻一刻と繰り広げられている光景だからだ。むしろこれらの記録が浮き彫りにするのは、氷と岩と水が織りなす移ろいゆく平原で、環境と物質と気候と生命が入り乱れ、絡み合いながら共存する様相である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e意図したわけではないが、この作品は主に三つの章——人間、大地、水——で構成されている。これらは当然ながら交錯し、互いに溶け合うが、同時に独立した存在感も保っている。絡み合う領域を共有する登場人物たちであっても、彼らが紡ぐ物語は、連続的というより並行して展開されることが多い。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e15年ぶりにあの場所と時代から離れて、今これらの録音に戻ってみると、音は新たな強さと異なる抑揚で語りかけてくる。即座に懐かしいと感じつつも、驚くほど異質に聞こえることに驚いた――各録音の中に、数多くの新たな出来事を耳にしたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私にとってこれらの録音は、南極のような場所の二重性を捉えている。季節ごとに垣間見える、この環境で生き続ける野生生物と人間の生きた体験だ。同時に、この場所を構成する物や事象への省察でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e録音には、侵食される氷床の不穏な囁き、真夏の渓流のせせらぎ、シャチのエコーロケーションのクリック音、縄張りを争う南極オットセイの吠え声、そして冬が訪れる前に綿毛のような羽毛を脱ぎ捨て、比較的安全な海へと向かうペンギンの雛たちのさえずりが捉えられている。また、研究者や軍関係者、基地職員たちが、これから訪れる長く厳しい寒さの季節に備えて慌ただしく準備する様子も捉えている。この期間、彼らは事実上、地球の他の地域から切り離されるのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの瞬間は切迫感に満ちている。夏の優しい抱擁は儚く、冬は決して容赦しない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187975247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cspan\u003eatte laminate printed sleeve with custom embossing \u0026amp; insert card. \u003cbr\u003eIncludes a book featuring photography, artworks and documents collected during the recording of this edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hercules 03:01\u003cbr\u003e2. A Prayer 01:44\u003cbr\u003e3. Thaw 04:42\u003cbr\u003e4. Peak Transport 06:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Esperanza Glimmers 02:17\u003cbr\u003e\u003c\/span\u003e6. The Collapse 06:54\u003cbr\u003e7. The Outside From Within 04:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Towards An End Of Season 09:21\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eThe recordings here speak to the everyday of our incursions into Antarctica. They are not exceptional, or unique, in that they unfold across much of the continent’s camps and bases moment to moment, depending on the season and location of course. What they do highlight is the confluence of environments, materials, climate, and life that all clamber together in these shifting plains of ice, rock, and water.\u003cbr\u003e\u003cbr\u003eWhile not exactly intentional, the way this work played out is largely in three chapters, the human, the land and the water. Each of these intersect and fall into one another of course, but they also exist with a sense of being discrete. Whilst the characters might be shared across these zones of entanglement, the stories they tell into are often unfolding in parallel, rather than in sequence.\u003cbr\u003e\u003cbr\u003eTo come back to these recordings now, having been away from those places and times for 15 years, the sounds speak with a new intensity, and a different intonation. It was surprising to hear them as both instantly familiar, but also surprisingly alien – I heard many new events within each recording.\u003cbr\u003e\u003cbr\u003eTo me these recordings capture the duality of a place like Antarctica. They are a seasonal glimpse into the lived experience of the wildlife and humans that persist in this environment. They also reflect upon the objects and things that comprise this place.\u003cbr\u003e\u003cbr\u003eThe recordings catch the uneasy murmurs of eroding ice plates, the trickling conversations of high summer streams, the clicking echolocations of Orcas, the barked disputes of territorial Antarctic Fur Seals, and the chirping of penguin chicks racing to shed their downy coats and find their way to the relative security of the ocean before the winter sets in. They also capture the feverish rush of researchers, military personal, and station workers as they prepare for the long, frigid months ahead during which time they are effectively disconnected from the remainder of the planet.\u003cbr\u003e\u003cbr\u003eThese moments exist in urgency, the summer’s sweet caress is fleeting and the winter knows no forgiveness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRM4100\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2025年9月にリリースしたCDです。 南極で録音したフィールドレコーディングによるコンクレート8曲を収録。 制作時に撮影した写真やドキュメントを掲載したブックレットが付属。 以下、作家本人による解説です。 "ここに収められた記録は、私たちが南極大陸に踏み込む日常を物語っている。それらは決して特別でも唯一無二でもない。季節や場所にもよるが、大陸の多くのキャンプや基地で刻一刻と繰り広げられている光景だからだ。むしろこれらの記録が浮き彫りにするのは、氷と岩と水が織りなす移ろいゆく平原で、環境と物質と気候と生命が入り乱れ、絡み合いながら共存する様相である。 意図したわけではないが、この作品は主に三つの章——人間、大地、水——で構成されている。これらは当然ながら交錯し、互いに溶け合うが、同時に独立した存在感も保っている。絡み合う領域を共有する登場人物たちであっても、彼らが紡ぐ物語は、連続的というより並行して展開されることが多い。 15年ぶりにあの場所と時代から離れて、今これらの録音に戻ってみると、音は新たな強さと異なる抑揚で語りかけてくる。即座に懐かしいと感じつつも、驚くほど異質に聞こえることに驚いた――各録音の中に、数多くの新たな出来事を耳にしたのだ。 私にとってこれらの録音は、南極のような場所の二重性を捉えている。季節ごとに垣間見える、この環境で生き続ける野生生物と人間の生きた体験だ。同時に、この場所を構成する物や事象への省察でもある。 録音には、侵食される氷床の不穏な囁き、真夏の渓流のせせらぎ、シャチのエコーロケーションのクリック音、縄張りを争う南極オットセイの吠え声、そして冬が訪れる前に綿毛のような羽毛を脱ぎ捨て、比較的安全な海へと向かうペンギンの雛たちのさえずりが捉えられている。また、研究者や軍関係者、基地職員たちが、これから訪れる長く厳しい寒さの季節に備えて慌ただしく準備する様子も捉えている。この期間、彼らは事実上、地球の他の地域から切り離されるのだ。 これらの瞬間は切迫感に満ちている。夏の優しい抱擁は儚く、冬は決して容赦しない。" レーベルその他作品はこちら /// Click here to see...
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{"id":9022652023034,"title":"LAWWSS \/\/ STUDIO LP","handle":"lawwss-studio-lp","description":"\u003cp\u003eアメリカ・LAの管楽器集団Los Angeles Woodwind Skill Shareが、2025年11月に同国実験／ジャズレーベルRadical Documentsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e10種の管楽器によるインプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"STUDIOはロサンゼルス・ウッドウィンド・スキルシェア（LAWWSS）初の本格的なフルレングス・スタジオアルバムである。LAWWSSは自らを「非階層的な管楽器学習活動」と定義する。ミニマリズム、ドローン、フリージャズに焦点を当てた、現代版ポーツマス・シンフォニアとも言える存在だ。その規模とメンバーは日によって、また誰に聞くかによって常に変動する。演奏会場は駐車場やアートギャラリーから埃っぽい排水路まで様々。いずれにせよ、ここでの主軸は「大勢で集い、風の流れを解き放つ」という共通の願望だ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLAWWSS：フルート、アルトフルート、フーシー、クラリネット、アルトクラリネット、バスクラリネット、ヴェノーヴァ、アルトサックス、テナーサックス、バリトンサックス\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722495135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A 10:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. SIDE B 18:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRadical Documents:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSTUDIO is the first proper full length studio album the Los Angeles Woodwind Skill Share. LAWWSS is by their own definition, a Non-hierarchical Woodwind Learning effort. A contemporary Portsmouth Sinfonia of sorts with a focus on minimalism, drone, and free jazz. Their size and membership are always on the ebb and flow depending on the day and who you ask. The venues they play range from parking garages and art galleries to dusty culverts. regardless, the main thread here is a shared desire to congregate en masse and let the wind flow!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLos Angeles Woodwind Skill Share: Flute, Alto Flute, Hulusi Flute, Clarinet, Alto Clarinet, Bass Clarinet, Venova, Alto Sax, Tenor Sax and Baritone Sax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LAWWSS\u003c\/p\u003e\n\u003cp\u003eLabel : Radical Documents\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st November 2025\u003c\/p\u003e","published_at":"2025-12-11T06:29:54+09:00","created_at":"2025-12-08T13:39:14+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","radical documents"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48076979568890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LAWWSS \/\/ STUDIO LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/law1_5d7366c2-cc7e-4f31-8716-607d92e5b9a2.jpg?v=1765168651","\/\/tobirarecords.com\/cdn\/shop\/files\/law2.jpg?v=1765168651"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/law1_5d7366c2-cc7e-4f31-8716-607d92e5b9a2.jpg?v=1765168651","options":["Title"],"media":[{"alt":null,"id":37727573377274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/law1_5d7366c2-cc7e-4f31-8716-607d92e5b9a2.jpg?v=1765168651"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/law1_5d7366c2-cc7e-4f31-8716-607d92e5b9a2.jpg?v=1765168651","width":700},{"alt":null,"id":37727573410042,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/law2.jpg?v=1765168651"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/law2.jpg?v=1765168651","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの管楽器集団Los Angeles Woodwind Skill Shareが、2025年11月に同国実験／ジャズレーベルRadical Documentsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e10種の管楽器によるインプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"STUDIOはロサンゼルス・ウッドウィンド・スキルシェア（LAWWSS）初の本格的なフルレングス・スタジオアルバムである。LAWWSSは自らを「非階層的な管楽器学習活動」と定義する。ミニマリズム、ドローン、フリージャズに焦点を当てた、現代版ポーツマス・シンフォニアとも言える存在だ。その規模とメンバーは日によって、また誰に聞くかによって常に変動する。演奏会場は駐車場やアートギャラリーから埃っぽい排水路まで様々。いずれにせよ、ここでの主軸は「大勢で集い、風の流れを解き放つ」という共通の願望だ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLAWWSS：フルート、アルトフルート、フーシー、クラリネット、アルトクラリネット、バスクラリネット、ヴェノーヴァ、アルトサックス、テナーサックス、バリトンサックス\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1722495135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A 10:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. SIDE B 18:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRadical Documents:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSTUDIO is the first proper full length studio album the Los Angeles Woodwind Skill Share. LAWWSS is by their own definition, a Non-hierarchical Woodwind Learning effort. A contemporary Portsmouth Sinfonia of sorts with a focus on minimalism, drone, and free jazz. Their size and membership are always on the ebb and flow depending on the day and who you ask. The venues they play range from parking garages and art galleries to dusty culverts. regardless, the main thread here is a shared desire to congregate en masse and let the wind flow!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLos Angeles Woodwind Skill Share: Flute, Alto Flute, Hulusi Flute, Clarinet, Alto Clarinet, Bass Clarinet, Venova, Alto Sax, Tenor Sax and Baritone Sax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LAWWSS\u003c\/p\u003e\n\u003cp\u003eLabel : Radical Documents\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st November 2025\u003c\/p\u003e"}
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アメリカ・LAの管楽器集団Los Angeles Woodwind Skill Shareが、2025年11月に同国実験／ジャズレーベルRadical Documentsからリリースしたレコードです。 10種の管楽器によるインプロ2曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "STUDIOはロサンゼルス・ウッドウィンド・スキルシェア（LAWWSS）初の本格的なフルレングス・スタジオアルバムである。LAWWSSは自らを「非階層的な管楽器学習活動」と定義する。ミニマリズム、ドローン、フリージャズに焦点を当てた、現代版ポーツマス・シンフォニアとも言える存在だ。その規模とメンバーは日によって、また誰に聞くかによって常に変動する。演奏会場は駐車場やアートギャラリーから埃っぽい排水路まで様々。いずれにせよ、ここでの主軸は「大勢で集い、風の流れを解き放つ」という共通の願望だ！ LAWWSS：フルート、アルトフルート、フーシー、クラリネット、アルトクラリネット、バスクラリネット、ヴェノーヴァ、アルトサックス、テナーサックス、バリトンサックス" レーベルその他作品はこちら /// Click here to see...
¥3,980
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{"id":7871532564730,"title":"Layzi \/\/ What's Left To Lose TAPE","handle":"layzi-whats-left-to-lose-tape","description":"\u003cp\u003eアメリカ・カリフォルニアのインディーレーベルSpirit Goth Records作品を大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ボストンのドリームポップ作家Layziが、2021年11月にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e甘酸っぱいベッドルーム・ドリームポップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206910851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=370743385\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206910851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/spgth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/spgth\"\u003ehere\u003c\/a\u003e to see more Spirit Goth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDigital files available on request. 1st edition of 300.\u003c\/p\u003e\n\u003cp\u003eArtist : Layzi\u003c\/p\u003e\n\u003cp\u003eLabel : Spirit Goth\u003c\/p\u003e","published_at":"2022-12-19T12:07:33+09:00","created_at":"2022-12-18T12:30:18+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","spirit goth","tape"],"price":214800,"price_min":214800,"price_max":214800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43786724901114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Layzi \/\/ What's Left To Lose TAPE","public_title":null,"options":["Default Title"],"price":214800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0740.jpg?v=1673745246","\/\/tobirarecords.com\/cdn\/shop\/products\/la1_6f824690-07fc-4759-9be5-696c2609d666.jpg?v=1673745246","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_fd0cb67a-63f1-434c-89a4-1f4600202771.jpg?v=1673745246"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0740.jpg?v=1673745246","options":["Title"],"media":[{"alt":null,"id":31375400435962,"position":1,"preview_image":{"aspect_ratio":0.91,"height":921,"width":838,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0740.jpg?v=1673745246"},"aspect_ratio":0.91,"height":921,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/IMG_0740.jpg?v=1673745246","width":838},{"alt":null,"id":31216912367866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_6f824690-07fc-4759-9be5-696c2609d666.jpg?v=1673745246"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_6f824690-07fc-4759-9be5-696c2609d666.jpg?v=1673745246","width":700},{"alt":null,"id":31216912400634,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_fd0cb67a-63f1-434c-89a4-1f4600202771.jpg?v=1673745246"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_fd0cb67a-63f1-434c-89a4-1f4600202771.jpg?v=1673745246","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのインディーレーベルSpirit Goth Records作品を大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ボストンのドリームポップ作家Layziが、2021年11月にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e甘酸っぱいベッドルーム・ドリームポップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; 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クイックビュー
{"id":8927571935482,"title":"Lazarus \/\/ Mimoto 2xLP [COLOR]","handle":"lazarus-mimoto-2xlp-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ニュルンベルクのベース作家Lazarusが、2023年7月に\u003c\/span\u003eチェコのレフトフィールド・ダンスレーベルYUKUから300部限定でリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eブレイクビーツ〜IDM〜dnb12曲を収録。赤青マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3719364092\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" teal marble vinyl. Edition of 300 - no repress. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElegy 04:25\u003c\/li\u003e\n\u003cli\u003eA44E 05:10\u003c\/li\u003e\n\u003cli\u003eApnoe 04:50\u003c\/li\u003e\n\u003cli\u003eInfinite Trust 05:34\u003c\/li\u003e\n\u003cli\u003eMissile 05:52\u003c\/li\u003e\n\u003cli\u003eTaiko FM 04:38\u003c\/li\u003e\n\u003cli\u003eCombat Ego 06:10\u003c\/li\u003e\n\u003cli\u003eT.O.U. 05:09\u003c\/li\u003e\n\u003cli\u003eKomazawa 04:37\u003c\/li\u003e\n\u003cli\u003eWelt Als Wille 05:37\u003c\/li\u003e\n\u003cli\u003eDeliverance 04:49\u003c\/li\u003e\n\u003cli\u003eMimoto 04:38\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Lazarus\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e","published_at":"2025-09-20T11:08:01+09:00","created_at":"2025-09-20T11:07:20+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","techno \/ house","yuku"],"price":496400,"price_min":496400,"price_max":496400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47733410922746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lazarus \/\/ Mimoto 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":496400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_4fc69d92-26d0-4169-a829-610ea1250ca3.jpg?v=1694674292","\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_cabb972c-a221-49ca-89e0-c503505cd930.jpg?v=1694674292"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_4fc69d92-26d0-4169-a829-610ea1250ca3.jpg?v=1694674292","options":["Title"],"media":[{"alt":null,"id":32449130594554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_4fc69d92-26d0-4169-a829-610ea1250ca3.jpg?v=1694674292"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_4fc69d92-26d0-4169-a829-610ea1250ca3.jpg?v=1694674292","width":700},{"alt":null,"id":32449130627322,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_cabb972c-a221-49ca-89e0-c503505cd930.jpg?v=1694674292"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_cabb972c-a221-49ca-89e0-c503505cd930.jpg?v=1694674292","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ニュルンベルクのベース作家Lazarusが、2023年7月に\u003c\/span\u003eチェコのレフトフィールド・ダンスレーベルYUKUから300部限定でリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eブレイクビーツ〜IDM〜dnb12曲を収録。赤青マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3719364092\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" teal marble vinyl. Edition of 300 - no repress. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElegy 04:25\u003c\/li\u003e\n\u003cli\u003eA44E 05:10\u003c\/li\u003e\n\u003cli\u003eApnoe 04:50\u003c\/li\u003e\n\u003cli\u003eInfinite Trust 05:34\u003c\/li\u003e\n\u003cli\u003eMissile 05:52\u003c\/li\u003e\n\u003cli\u003eTaiko FM 04:38\u003c\/li\u003e\n\u003cli\u003eCombat Ego 06:10\u003c\/li\u003e\n\u003cli\u003eT.O.U. 05:09\u003c\/li\u003e\n\u003cli\u003eKomazawa 04:37\u003c\/li\u003e\n\u003cli\u003eWelt Als Wille 05:37\u003c\/li\u003e\n\u003cli\u003eDeliverance 04:49\u003c\/li\u003e\n\u003cli\u003eMimoto 04:38\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Lazarus\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e"}
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ドイツ・ニュルンベルクのベース作家Lazarusが、2023年7月にチェコのレフトフィールド・ダンスレーベルYUKUから300部限定でリリースした2枚組レコードです。 ブレイクビーツ〜IDM〜dnb12曲を収録。赤青マーブル盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Yuku releases available at Tobira. --------------------------- Ask...
¥4,964
![Lazuli_Yellow & Vivi Vulture // Frutiger Aero LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ae1_25ab00e6-68c7-4911-afae-b9f4106609d3_medium.jpg?v=1790765305)
クイックビュー
{"id":15401126756602,"title":"Lazuli_Yellow \u0026 Vivi Vulture \/\/ Frutiger Aero LP [COLOR]","handle":"frutiger-aero-lp-color","description":"\u003cp\u003e\u003cspan\u003eオランダのヴェイパーウェーブ作家猫 シ Corp.主宰レーベルHiraeth Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cspan\u003eアメリカのヴェイパー作家\u003c\/span\u003eLazuli_Yellow \u0026amp; Vivi Vultureが2026年9月にリリースした再発レコードです。（オリジナルは2024年カセットリリース）\u003c\/p\u003e\n\u003cp\u003e架空の歯科医院のBGMとして制作した、ひたすらゆるいラウンジ〜ボサノヴァ11曲を収録。DLコード付属。180g重量アクアマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003e設定：2004年。新しい歯科医院に初めて通い始めたところだ。MP3プレーヤーもゲームボーイも電池切れだが、そこにはゲームコーナーと大きな水槽がある。人生は最高だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、「Frutiger Aero」（Web 2.0 Glossとしても知られる）という美学へのラブレターだ。Frutiger Aeroという名前は、エイドリアン・フルティガー（Frutiger Aeroと併せて一般的に使用されるFrutigerフォントを作成した人物）と、Windows Aero（Windows Vistaおよび7のUIテーマ）に由来する。これらは広く普及し、当時の多くの企業のデザイン選択に影響を与えた。2001年から2013年頃にかけて、テクノロジーやデザインの分野で広く見られたスタイルだ。このアルバムでは、「Frutiger Eco」と「Frutiger Aurora」というサブジャンルに焦点を当てている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの美学に寄り添う音楽を楽しんでいただければ幸いだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1817896659\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/lazuli_yellow\" title=\"L a z u l i _ y e l l o w\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eL a z u l i _ y e l l o w\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/lazuli_yellow\/sets\/frutiger-aero\" title=\"Frutiger Aero\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFrutiger Aero\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003ehere\u003c\/a\u003e to see more Hiraeth Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" 'aqua marbled' color 180gram vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Appointment 02:22 \u003cbr\u003e2. Sunrise Lobby 01:45 \u003cbr\u003e3. Cozy Hotel Elevator 01:54 \u003cbr\u003e4. Smooth Cat Brain 02:08 \u003cbr\u003e5. Wii 2 - Character Creation 01:21 \u003cbr\u003e6. Moonlight Cafe 01:37 \u003cbr\u003e7. Poolside 02:38 \u003cbr\u003e8. The Garden Channel 01:50 \u003cbr\u003e9. Wii 2 - Menu 01:53 \u003cbr\u003e10. Rainforest Room 01:19 \u003cbr\u003e11. Full Demo Experience 03:02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003epov: its 2004. you just checked into your new dentist office. your mp3 player and gameboy are dead but they have a gaming center and a big aquarium. life is good.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is a love letter to the aesthetic \"frutiger Aero\" (also known as Web 2.0 Gloss ). Frutiger Aero is named after Adrian Frutiger - (who created the Frutiger Fonts commonly used alongside Frutiger Aero) and Windows Aero (the UI theme of Windows Vista \u0026amp; 7) which spread outward and influenced many other companies' design choices of the era. A broad style prevelent in tech and design roughly around 2001 - 2013. This album highlights the subgenres \"Frutiger Eco\" \u0026amp; \"Frutiger Aurora\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe hope you enjoy this accompaniment to the aesthetic\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : L a z u l i _ y e l l o w \u0026amp; Vivi Vulture\u003c\/p\u003e\n\u003cp\u003eLabel : Hiraeth Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHR031\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : August 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-01T07:35:35+09:00","created_at":"2026-09-30T19:51:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","hiraeth records","jazz","lp","new","post newage","recommended"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67610557186298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lazuli_Yellow \u0026 Vivi Vulture \/\/ Frutiger Aero LP [COLOR]","public_title":null,"options":["Default Title"],"price":499500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"8720598270778","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_25ab00e6-68c7-4911-afae-b9f4106609d3.jpg?v=1790765305","\/\/tobirarecords.com\/cdn\/shop\/files\/ae2_49277814-1273-4a73-b813-76457f1df03d.jpg?v=1790765305"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_25ab00e6-68c7-4911-afae-b9f4106609d3.jpg?v=1790765305","options":["Title"],"media":[{"alt":null,"id":46290684838138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_25ab00e6-68c7-4911-afae-b9f4106609d3.jpg?v=1790765305"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae1_25ab00e6-68c7-4911-afae-b9f4106609d3.jpg?v=1790765305","width":350},{"alt":null,"id":46290684870906,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2_49277814-1273-4a73-b813-76457f1df03d.jpg?v=1790765305"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2_49277814-1273-4a73-b813-76457f1df03d.jpg?v=1790765305","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eオランダのヴェイパーウェーブ作家猫 シ Corp.主宰レーベルHiraeth Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cspan\u003eアメリカのヴェイパー作家\u003c\/span\u003eLazuli_Yellow \u0026amp; Vivi Vultureが2026年9月にリリースした再発レコードです。（オリジナルは2024年カセットリリース）\u003c\/p\u003e\n\u003cp\u003e架空の歯科医院のBGMとして制作した、ひたすらゆるいラウンジ〜ボサノヴァ11曲を収録。DLコード付属。180g重量アクアマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cdiv style=\"color: inherit;\"\u003e\n\u003cp\u003e\"\u003cem\u003e設定：2004年。新しい歯科医院に初めて通い始めたところだ。MP3プレーヤーもゲームボーイも電池切れだが、そこにはゲームコーナーと大きな水槽がある。人生は最高だ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、「Frutiger Aero」（Web 2.0 Glossとしても知られる）という美学へのラブレターだ。Frutiger Aeroという名前は、エイドリアン・フルティガー（Frutiger Aeroと併せて一般的に使用されるFrutigerフォントを作成した人物）と、Windows Aero（Windows Vistaおよび7のUIテーマ）に由来する。これらは広く普及し、当時の多くの企業のデザイン選択に影響を与えた。2001年から2013年頃にかけて、テクノロジーやデザインの分野で広く見られたスタイルだ。このアルバムでは、「Frutiger Eco」と「Frutiger Aurora」というサブジャンルに焦点を当てている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの美学に寄り添う音楽を楽しんでいただければ幸いだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1817896659\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/lazuli_yellow\" title=\"L a z u l i _ y e l l o w\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eL a z u l i _ y e l l o w\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/lazuli_yellow\/sets\/frutiger-aero\" title=\"Frutiger Aero\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFrutiger Aero\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hirth\"\u003ehere\u003c\/a\u003e to see more Hiraeth Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" 'aqua marbled' color 180gram vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Appointment 02:22 \u003cbr\u003e2. Sunrise Lobby 01:45 \u003cbr\u003e3. Cozy Hotel Elevator 01:54 \u003cbr\u003e4. Smooth Cat Brain 02:08 \u003cbr\u003e5. Wii 2 - Character Creation 01:21 \u003cbr\u003e6. Moonlight Cafe 01:37 \u003cbr\u003e7. Poolside 02:38 \u003cbr\u003e8. The Garden Channel 01:50 \u003cbr\u003e9. Wii 2 - Menu 01:53 \u003cbr\u003e10. Rainforest Room 01:19 \u003cbr\u003e11. Full Demo Experience 03:02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003epov: its 2004. you just checked into your new dentist office. your mp3 player and gameboy are dead but they have a gaming center and a big aquarium. life is good.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is a love letter to the aesthetic \"frutiger Aero\" (also known as Web 2.0 Gloss ). Frutiger Aero is named after Adrian Frutiger - (who created the Frutiger Fonts commonly used alongside Frutiger Aero) and Windows Aero (the UI theme of Windows Vista \u0026amp; 7) which spread outward and influenced many other companies' design choices of the era. A broad style prevelent in tech and design roughly around 2001 - 2013. This album highlights the subgenres \"Frutiger Eco\" \u0026amp; \"Frutiger Aurora\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe hope you enjoy this accompaniment to the aesthetic\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : L a z u l i _ y e l l o w \u0026amp; Vivi Vulture\u003c\/p\u003e\n\u003cp\u003eLabel : Hiraeth Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHR031\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : August 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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オランダのヴェイパーウェーブ作家猫 シ Corp.主宰レーベルHiraeth Records諸作を入荷しました。 本作は、アメリカのヴェイパー作家Lazuli_Yellow & Vivi Vultureが2026年9月にリリースした再発レコードです。（オリジナルは2024年カセットリリース） 架空の歯科医院のBGMとして制作した、ひたすらゆるいラウンジ〜ボサノヴァ11曲を収録。DLコード付属。180g重量アクアマーブル盤です。 以下、レーベルによる解説です。 "設定：2004年。新しい歯科医院に初めて通い始めたところだ。MP3プレーヤーもゲームボーイも電池切れだが、そこにはゲームコーナーと大きな水槽がある。人生は最高だ。このアルバムは、「Frutiger Aero」（Web 2.0 Glossとしても知られる）という美学へのラブレターだ。Frutiger...
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{"id":8190738235642,"title":"lazy deejay \/\/ the 'self-titled' EP 12\"","handle":"lazy-deejay-the-self-titled-ep-12","description":"\u003cp\u003e正体不明ハウス作家lazy deejayが、2024年1月にSJT主宰新レーベルcool underground musicからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルハウス4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1682334708\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"C.U.M.\" href=\"https:\/\/soundcloud.com\/cool-undergroud-music\" target=\"_blank\"\u003eC.U.M.\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='lazy deejay - the \"self-titled\" ep' href=\"https:\/\/soundcloud.com\/cool-undergroud-music\/lazy-deejay-the-self-titled-ep\" target=\"_blank\"\u003elazy deejay - the \"self-titled\" ep\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ew coast blvd 05:46\u003c\/li\u003e\n\u003cli\u003econga 06:18\u003c\/li\u003e\n\u003cli\u003epeyote dub 05:48\u003c\/li\u003e\n\u003cli\u003efastrack 05:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ecool underground music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCool Underground Music presents: the lazy deejay EP. four foggy joints, pressed on wax. rolling basslines, hypnotic rhythms, familiar echoes from our past. right on time, the deed is done. warm transmissions have begun. with CUM001...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : lazy deejay\u003c\/p\u003e\n\u003cp\u003eLabel : cool underground music\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No.: CUM001\u003c\/p\u003e","published_at":"2024-03-02T10:04:55+09:00","created_at":"2024-02-27T18:49:40+09:00","vendor":"Tobira Records","type":"","tags":["house","lp"],"price":253000,"price_min":253000,"price_max":253000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45239936385274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"lazy deejay \/\/ the 'self-titled' EP 12\"","public_title":null,"options":["Default Title"],"price":253000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/self1_097ddf44-aa0d-41cf-895d-a68949a5ec78.jpg?v=1709027382","\/\/tobirarecords.com\/cdn\/shop\/files\/self2_e7b51bb2-7dbe-4602-befb-42f3cfbd9dcf.jpg?v=1709027383"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/self1_097ddf44-aa0d-41cf-895d-a68949a5ec78.jpg?v=1709027382","options":["Title"],"media":[{"alt":null,"id":33249805598970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/self1_097ddf44-aa0d-41cf-895d-a68949a5ec78.jpg?v=1709027382"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/self1_097ddf44-aa0d-41cf-895d-a68949a5ec78.jpg?v=1709027382","width":700},{"alt":null,"id":33249805631738,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/self2_e7b51bb2-7dbe-4602-befb-42f3cfbd9dcf.jpg?v=1709027383"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/self2_e7b51bb2-7dbe-4602-befb-42f3cfbd9dcf.jpg?v=1709027383","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e正体不明ハウス作家lazy deejayが、2024年1月にSJT主宰新レーベルcool underground musicからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eディープ・ミニマルハウス4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1682334708\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; 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{"id":9001205760250,"title":"Lb Honne \/ Efdemin \/ Tibi Dabo \/ Dolomea \/\/ Various Minds 002 12inch","handle":"lb-honne-efdemin-tibi-dabo-dolomea-various-minds-002-12inch","description":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneによるレーベルst odes諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、欧州エレクトロニック作家Lb Honne \/ Efdemin \/ Tibi Dabo \/ Dolomeaが2025年11月にリリースしたコンピレーション12\"です。\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ〜アンビエント・ハウス4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2128463874\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; 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color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/dolo-mea\" title=\"dolomea\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003edolomea\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/dolo-mea\/wrapped-in-spaces-between-us\" title=\"Wrapped in Spaces Between Us\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWrapped in Spaces Between Us\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eCompilation curated by Ben Kaczor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lb Honne - Untitled Wechsel \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e05:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Efdemin \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e- Be Here Now \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e07:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Tibi Dabo - Sol O \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e06:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Dolomea\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e- Wrapped in Spaces Between Us\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e07:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lb Honne \/ Efdemin \/ Tibi Dabo \/ Dolomea\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes x Dial Records\u003c\/p\u003e\n\u003cp\u003ecat no : SO003\u003c\/p\u003e","published_at":"2025-11-14T14:38:06+09:00","created_at":"2025-11-14T13:34:46+09:00","vendor":"Tobira Records","type":"","tags":["house","kcz","lp","new","recommended","techno \/ house"],"price":297500,"price_min":297500,"price_max":297500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47957785247994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lb Honne \/ Efdemin \/ Tibi Dabo \/ Dolomea \/\/ Various Minds 002 12inch","public_title":null,"options":["Default Title"],"price":297500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101490149","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-14at1.27.25pm.png?v=1763094475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-14at1.27.25pm.png?v=1763094475","options":["Title"],"media":[{"alt":null,"id":37503175590138,"position":1,"preview_image":{"aspect_ratio":1.008,"height":375,"width":378,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-14at1.27.25pm.png?v=1763094475"},"aspect_ratio":1.008,"height":375,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-14at1.27.25pm.png?v=1763094475","width":378}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneによるレーベルst odes諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、欧州エレクトロニック作家Lb Honne \/ Efdemin \/ Tibi Dabo \/ Dolomeaが2025年11月にリリースしたコンピレーション12\"です。\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ〜アンビエント・ハウス4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2128463874\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/lbhonne\" title=\"Lb Honne\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eLb Honne\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/lbhonne\/untitled-wechsel-1\" title=\"Untitled Wechsel\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eUntitled Wechsel\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2114939367\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/efdemin\" title=\"efdemin\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eefdemin\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/efdemin\/be-here-now\" title=\"Be Here Now\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eBe Here Now\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2129716116\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/tibidabosound\" title=\"Tibi Dabo\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eTibi Dabo\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/tibidabosound\/sol-o\" title=\"Sol O\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eSol O\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2134528155\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/dolo-mea\" title=\"dolomea\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003edolomea\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/dolo-mea\/wrapped-in-spaces-between-us\" title=\"Wrapped in Spaces Between Us\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWrapped in Spaces Between Us\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eCompilation curated by Ben Kaczor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lb Honne - Untitled Wechsel \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e05:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Efdemin \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e- Be Here Now \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e07:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Tibi Dabo - Sol O \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e06:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Dolomea\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e- Wrapped in Spaces Between Us\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e07:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lb Honne \/ Efdemin \/ Tibi Dabo \/ Dolomea\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes x Dial Records\u003c\/p\u003e\n\u003cp\u003ecat no : SO003\u003c\/p\u003e"}
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先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、デビュー作品が当店でも大人気だったLb Honneによるレーベルst odes諸作を入荷しました。 本作は、欧州エレクトロニック作家Lb Honne / Efdemin / Tibi Dabo / Dolomeaが2025年11月にリリースしたコンピレーション12"です。 アンビエント・テクノ〜アンビエント・ハウス4曲を収録。...
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{"id":9225212461306,"title":"Lb Honne \/\/ Guardwatcher (Pt. I) 2x12inch","handle":"lb-honne-guardwatcher-pt-i-2x12inch","description":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、Lb Honneが2026年4月にリリースした2枚組12\"です。\u003c\/p\u003e\n\u003cp\u003e版元即完のため今回限りの入荷となります。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2282242784\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"St. Odes\" href=\"https:\/\/soundcloud.com\/st_odes\" target=\"_blank\"\u003eSt. Odes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Lb Honne - Guardwatcher Pt. I (snippets)\" href=\"https:\/\/soundcloud.com\/st_odes\/lbhonne_guardwatcher_pt_i\" target=\"_blank\"\u003eLb Honne - Guardwatcher Pt. I (snippets)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea1 - casted\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea2 - heaven gw\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea3 - haouis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eb1 - ql essay\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eb2 - becoming a stone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ec1 - dual matter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ec2 - misuse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ed1 - by the sea\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ed2 - ohh loop\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLb Honne’s Guardwatcher (Pt. I) explores dramatic undertones across psychedelic house, techno, and ambient.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'through guarded spaces, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ehalf-lit fragments drift by. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003etension gathers in the distance. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ejust outside the moment, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eguardwatchers remain'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lb Honne\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSO005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T06:58:43+09:00","created_at":"2026-05-14T08:13:32+09:00","vendor":"Tobira Records","type":"","tags":["house","kcz","lp","new","recommended","techno \/ house"],"price":698000,"price_min":698000,"price_max":698000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883545112826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lb Honne \/\/ Guardwatcher (Pt. I) 2x12inch","public_title":null,"options":["Default Title"],"price":698000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101494505","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hon1_8457276f-ceb2-45cd-a2f2-4109a41cc94e.jpg?v=1778713906","\/\/tobirarecords.com\/cdn\/shop\/files\/hon2_8421ef7d-5353-43fe-a2a1-c239aacfc2cf.jpg?v=1778713906"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1_8457276f-ceb2-45cd-a2f2-4109a41cc94e.jpg?v=1778713906","options":["Title"],"media":[{"alt":null,"id":39362881159418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1_8457276f-ceb2-45cd-a2f2-4109a41cc94e.jpg?v=1778713906"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1_8457276f-ceb2-45cd-a2f2-4109a41cc94e.jpg?v=1778713906","width":350},{"alt":null,"id":39362881192186,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon2_8421ef7d-5353-43fe-a2a1-c239aacfc2cf.jpg?v=1778713906"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon2_8421ef7d-5353-43fe-a2a1-c239aacfc2cf.jpg?v=1778713906","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、Lb Honneが2026年4月にリリースした2枚組12\"です。\u003c\/p\u003e\n\u003cp\u003e版元即完のため今回限りの入荷となります。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2282242784\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"St. Odes\" href=\"https:\/\/soundcloud.com\/st_odes\" target=\"_blank\"\u003eSt. Odes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Lb Honne - Guardwatcher Pt. I (snippets)\" href=\"https:\/\/soundcloud.com\/st_odes\/lbhonne_guardwatcher_pt_i\" target=\"_blank\"\u003eLb Honne - Guardwatcher Pt. I (snippets)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea1 - casted\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea2 - heaven gw\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea3 - haouis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eb1 - ql essay\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eb2 - becoming a stone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ec1 - dual matter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ec2 - misuse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ed1 - by the sea\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ed2 - ohh loop\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLb Honne’s Guardwatcher (Pt. I) explores dramatic undertones across psychedelic house, techno, and ambient.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'through guarded spaces, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ehalf-lit fragments drift by. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003etension gathers in the distance. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ejust outside the moment, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eguardwatchers remain'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lb Honne\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSO005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、デビュー作品が当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。 本作は、Lb Honneが2026年4月にリリースした2枚組12"です。 版元即完のため今回限りの入荷となります。 レコードのみでの発表です。 St. Odes · Lb Honne -...
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{"id":9272172052730,"title":"Lb Honne \/\/ present future \/ here there 2x12inch","handle":"lb-honne-present-future-here-there-2x12inch","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月上旬発送開始します（プレス完成が遅れています）\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eスイス・チューリッヒのダンス作家Lb Honneが、2026年7月にチューリッヒのProject Indigoからリリースした再発2枚組12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・テクノ〜ディープハウス9曲を収録。\u003c\/p\u003e\n\u003cp\u003e同国バーゼルのレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kcz\"\u003eKCZ\u003c\/a\u003eが好きな方にもオススメします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1793551056\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"project indigo\" href=\"https:\/\/soundcloud.com\/projindigo\" target=\"_blank\"\u003eproject indigo\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"lb honne - present future \/ here there [pi003]\" href=\"https:\/\/soundcloud.com\/projindigo\/sets\/lb-honne-present-future-here\" target=\"_blank\"\u003elb honne - present future \/ here there [pi003]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in mid November.\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e2x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. musium 04:23\u003cbr\u003e2. viaggio 09:02\u003cbr\u003e3. longing (interlude) 02:43\u003cbr\u003e4. sky funk 07:52\u003cbr\u003e5. come and get me 04:03\u003cbr\u003e6. same again 07:17\u003cbr\u003e7. pa ohm 07:26\u003cbr\u003e8. homage to daylight 05:42\u003cbr\u003e9. luv (exit) 06:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Lb Honne\u003c\/p\u003e\n\u003cp\u003eLabel : Project Indigo\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePI003\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-22T07:59:41+09:00","created_at":"2026-06-22T07:59:18+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","Project Indigo","recommended","techno \/ house"],"price":558000,"price_min":558000,"price_max":558000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49053699866874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lb Honne \/\/ present future \/ here there 2x12inch","public_title":null,"options":["Default Title"],"price":558000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fu1.jpg?v=1717393869","\/\/tobirarecords.com\/cdn\/shop\/files\/fu2.jpg?v=1717393870"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu1.jpg?v=1717393869","options":["Title"],"media":[{"alt":null,"id":34230228418810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu1.jpg?v=1717393869"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu1.jpg?v=1717393869","width":700},{"alt":null,"id":34230228484346,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu2.jpg?v=1717393870"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fu2.jpg?v=1717393870","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月上旬発送開始します（プレス完成が遅れています）\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eスイス・チューリッヒのダンス作家Lb Honneが、2026年7月にチューリッヒのProject Indigoからリリースした再発2枚組12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・テクノ〜ディープハウス9曲を収録。\u003c\/p\u003e\n\u003cp\u003e同国バーゼルのレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kcz\"\u003eKCZ\u003c\/a\u003eが好きな方にもオススメします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1793551056\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; 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{"id":7545875398906,"title":"LBL \/\/ 20siebzehn 10\"","handle":"lbl-20siebzehn-10","description":"\u003cp\u003eドイツ・ベルリンのジャジーヒップホップ専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDezi-Belle諸作を大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、同国ビートメイカーLBLが、2021年3月に50部限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースしたレコードです。エモーショナルなジャジーインストヒップホップ7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2288143275\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\"\u003ehere\u003c\/a\u003e to see more Dezi-Belle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e20siebzehn is a concept ep between\u2029 Plusma I Flitz\u0026amp;Suppe I LBL I dasd I SterilOne\u2029by using the same piano sample base \u2029played by LBL in 2017\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u2029all tracks produced by the artists themself in 2017\u2029. all piano samples played and recorded by LBL\u2029\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LBL\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDezi-Belle\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-19T18:56:40+09:00","created_at":"2022-02-19T14:14:48+09:00","vendor":"Tobira Records","type":"","tags":["dezibelle","hiphop \/ funk","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42443621368058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LBL \/\/ 20siebzehn 10\"","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lb1_af2ee7e6-5766-465b-a90e-2e1ba3b318d6.jpg?v=1645247690","\/\/tobirarecords.com\/cdn\/shop\/products\/lb2_b4b72a6a-fd0f-47bd-adc6-e39005795dc2.jpg?v=1645247690"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lb1_af2ee7e6-5766-465b-a90e-2e1ba3b318d6.jpg?v=1645247690","options":["Title"],"media":[{"alt":null,"id":29177162006778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lb1_af2ee7e6-5766-465b-a90e-2e1ba3b318d6.jpg?v=1645247690"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lb1_af2ee7e6-5766-465b-a90e-2e1ba3b318d6.jpg?v=1645247690","width":700},{"alt":null,"id":29177162039546,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lb2_b4b72a6a-fd0f-47bd-adc6-e39005795dc2.jpg?v=1645247690"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lb2_b4b72a6a-fd0f-47bd-adc6-e39005795dc2.jpg?v=1645247690","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのジャジーヒップホップ専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDezi-Belle諸作を大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、同国ビートメイカーLBLが、2021年3月に50部限定で\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリースしたレコードです。エモーショナルなジャジーインストヒップホップ7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2288143275\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dezibelle\"\u003ehere\u003c\/a\u003e to see more Dezi-Belle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e20siebzehn is a concept ep between\u2029 Plusma I Flitz\u0026amp;Suppe I LBL I dasd I SterilOne\u2029by using the same piano sample base \u2029played by LBL in 2017\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u2029all tracks produced by the artists themself in 2017\u2029. all piano samples played and recorded by LBL\u2029\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LBL\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDezi-Belle\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8741187387642,"title":"LCD Soundsystem \/\/ x-ray eyes 12inch","handle":"lcd-soundsystem-x-ray-eyes-12inch","description":"\u003cp\u003eアメリカのエレクトロ・パンク作家LCD Soundsystemが、2025年3月にリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_PK1OcXp1t8?si=AKRWG9Dpk23-zITX\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XsyR_3meF84?si=uKNzGVhfKn95mUzd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003ea: x-ray eyes\u003cbr\u003eb: x-ray eyes (extended trash can dub)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : LCD Soundsystem\u003c\/p\u003e\n\u003cp\u003eLabel : DFA Records\u003c\/p\u003e\n\u003cp\u003ecat no : DFA2725lp\u003c\/p\u003e","published_at":"2025-03-24T08:35:34+09:00","created_at":"2025-03-10T13:58:57+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp"],"price":272000,"price_min":272000,"price_max":272000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47182194213114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LCD Soundsystem \/\/ x-ray eyes 12inch","public_title":null,"options":["Default Title"],"price":272000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"829732000696","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-03-10at1.56.42pm.png?v=1741582635","\/\/tobirarecords.com\/cdn\/shop\/files\/lcd.webp?v=1741582635","\/\/tobirarecords.com\/cdn\/shop\/files\/lcd2.webp?v=1741582635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-03-10at1.56.42pm.png?v=1741582635","options":["Title"],"media":[{"alt":null,"id":35714913960186,"position":1,"preview_image":{"aspect_ratio":1.006,"height":312,"width":314,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-03-10at1.56.42pm.png?v=1741582635"},"aspect_ratio":1.006,"height":312,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-03-10at1.56.42pm.png?v=1741582635","width":314},{"alt":null,"id":35714913894650,"position":2,"preview_image":{"aspect_ratio":1.501,"height":682,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lcd.webp?v=1741582635"},"aspect_ratio":1.501,"height":682,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lcd.webp?v=1741582635","width":1024},{"alt":null,"id":35714913927418,"position":3,"preview_image":{"aspect_ratio":1.501,"height":682,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lcd2.webp?v=1741582635"},"aspect_ratio":1.501,"height":682,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lcd2.webp?v=1741582635","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのエレクトロ・パンク作家LCD Soundsystemが、2025年3月にリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_PK1OcXp1t8?si=AKRWG9Dpk23-zITX\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XsyR_3meF84?si=uKNzGVhfKn95mUzd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003ea: x-ray eyes\u003cbr\u003eb: x-ray eyes (extended trash can dub)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : LCD Soundsystem\u003c\/p\u003e\n\u003cp\u003eLabel : DFA Records\u003c\/p\u003e\n\u003cp\u003ecat no : DFA2725lp\u003c\/p\u003e"}
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アメリカのエレクトロ・パンク作家LCD Soundsystemが、2025年3月にリリースした12"です。 -------------------------------------------------- 12" black vinyl. Tracklist: a: x-ray eyesb: x-ray eyes (extended trash...
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{"id":7620792746234,"title":"Lcp \/ Cutkachi \/\/ Quilotoa 288 12\"","handle":"lcp-cutkachi-quilotoa-288-lp","description":"\u003cp\u003eスイス・ベルンの実験テクノレーベル\u003cspan data-mce-fragment=\"1\"\u003ere:st諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、レーベルオーナーLcpとCutkachiによるスプリット12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験テクノ3曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536241066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003ehere\u003c\/a\u003e to see more re:st releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ere:07\u003c\/p\u003e\n\u003cp\u003eEdition of 130.\u003c\/p\u003e\n\u003cp\u003eArtist : Lcp \/ Cutkachi\u003c\/p\u003e\n\u003cp\u003eLabel : re:st\u003c\/p\u003e","published_at":"2022-05-28T11:04:31+09:00","created_at":"2022-05-28T10:27:43+09:00","vendor":"Tobira Records","type":"","tags":["lp","re:st","techno \/ house"],"price":239000,"price_min":239000,"price_max":239000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42803215204602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lcp \/ Cutkachi \/\/ Quilotoa 288 12\"","public_title":null,"options":["Default Title"],"price":239000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_d34877a4-6909-437f-937d-5e49525e4213.jpg?v=1653701264","\/\/tobirarecords.com\/cdn\/shop\/products\/qu2_e13c8d14-7064-4e49-9c81-714b6c5e58d8.jpg?v=1653701264"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_d34877a4-6909-437f-937d-5e49525e4213.jpg?v=1653701264","options":["Title"],"media":[{"alt":null,"id":29774651556090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_d34877a4-6909-437f-937d-5e49525e4213.jpg?v=1653701264"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu1_d34877a4-6909-437f-937d-5e49525e4213.jpg?v=1653701264","width":700},{"alt":null,"id":29774651588858,"position":2,"preview_image":{"aspect_ratio":1.01,"height":1188,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu2_e13c8d14-7064-4e49-9c81-714b6c5e58d8.jpg?v=1653701264"},"aspect_ratio":1.01,"height":1188,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/qu2_e13c8d14-7064-4e49-9c81-714b6c5e58d8.jpg?v=1653701264","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・ベルンの実験テクノレーベル\u003cspan data-mce-fragment=\"1\"\u003ere:st諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、レーベルオーナーLcpとCutkachiによるスプリット12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験テクノ3曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536241066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003ehere\u003c\/a\u003e to see more re:st releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ere:07\u003c\/p\u003e\n\u003cp\u003eEdition of 130.\u003c\/p\u003e\n\u003cp\u003eArtist : Lcp \/ Cutkachi\u003c\/p\u003e\n\u003cp\u003eLabel : re:st\u003c\/p\u003e"}
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{"id":7620792516858,"title":"Lcp \/\/ Access, Change 12\"","handle":"lcp-access-change-lp","description":"\u003cp\u003eスイス・ベルンの実験テクノレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ere:st諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、レーベルオーナーLcpが2017年にリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験テクノ4曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=626138491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003ehere\u003c\/a\u003e to see more re:st releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ere:10\u003c\/p\u003e\n\u003cp\u003eArtist : Lcp\u003c\/p\u003e\n\u003cp\u003eLabel : re:st\u003c\/p\u003e","published_at":"2022-05-28T11:06:37+09:00","created_at":"2022-05-28T10:24:19+09:00","vendor":"Tobira Records","type":"","tags":["lp","re:st","techno \/ house"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42803211436282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lcp \/\/ Access, Change 12\"","public_title":null,"options":["Default Title"],"price":249000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ac.jpg?v=1653701060","\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_5ff03fd9-9193-4b0f-99d5-89d3b687facc.jpg?v=1653701061"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac.jpg?v=1653701060","options":["Title"],"media":[{"alt":null,"id":29774649491706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac.jpg?v=1653701060"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac.jpg?v=1653701060","width":1200},{"alt":null,"id":29774649524474,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_5ff03fd9-9193-4b0f-99d5-89d3b687facc.jpg?v=1653701061"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_5ff03fd9-9193-4b0f-99d5-89d3b687facc.jpg?v=1653701061","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・ベルンの実験テクノレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ere:st諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、レーベルオーナーLcpが2017年にリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験テクノ4曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=626138491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003ehere\u003c\/a\u003e to see more re:st releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ere:10\u003c\/p\u003e\n\u003cp\u003eArtist : Lcp\u003c\/p\u003e\n\u003cp\u003eLabel : re:st\u003c\/p\u003e"}
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スイス・ベルンの実験テクノレーベルre:st諸作を入荷しました。 本作は、レーベルオーナーLcpが2017年にリリースした12"です。 実験テクノ4曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more re:st releases available at Tobira. ---------------------------- re:10...
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{"id":7620792189178,"title":"Lcp \/\/ Carried From Secret Seas 12\"","handle":"lcp-carried-from-secret-seas-lp","description":"\u003cp\u003eスイス・ベルンの実験テクノレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ere:st諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、レーベルオーナーLcpが2019年にリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフロア仕様のミニマル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eテクノ3曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4282530522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003ehere\u003c\/a\u003e to see more re:st releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ere:16\u003c\/p\u003e\n\u003cp\u003eArtist : Lcp\u003c\/p\u003e\n\u003cp\u003eLabel : re:st\u003c\/p\u003e","published_at":"2022-05-28T12:06:25+09:00","created_at":"2022-05-28T10:19:03+09:00","vendor":"Tobira Records","type":"","tags":["lp","re:st","techno \/ house"],"price":239000,"price_min":239000,"price_max":239000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42803210420474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lcp \/\/ Carried From Secret Seas 12\"","public_title":null,"options":["Default Title"],"price":239000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e81eecfe-b37a-43f2-a5d5-9ed769ab394a.jpg?v=1653700744","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_408d2e1a-0d68-4a72-95eb-fbccca46b333.jpg?v=1653700745"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e81eecfe-b37a-43f2-a5d5-9ed769ab394a.jpg?v=1653700744","options":["Title"],"media":[{"alt":null,"id":29774630158586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e81eecfe-b37a-43f2-a5d5-9ed769ab394a.jpg?v=1653700744"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_e81eecfe-b37a-43f2-a5d5-9ed769ab394a.jpg?v=1653700744","width":700},{"alt":null,"id":29774630191354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_408d2e1a-0d68-4a72-95eb-fbccca46b333.jpg?v=1653700745"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_408d2e1a-0d68-4a72-95eb-fbccca46b333.jpg?v=1653700745","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・ベルンの実験テクノレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ere:st諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、レーベルオーナーLcpが2019年にリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフロア仕様のミニマル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eテクノ3曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4282530522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/re-st\"\u003ehere\u003c\/a\u003e to see more re:st releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003ere:16\u003c\/p\u003e\n\u003cp\u003eArtist : Lcp\u003c\/p\u003e\n\u003cp\u003eLabel : re:st\u003c\/p\u003e"}
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{"id":7509356708090,"title":"LDGU \/\/ Religious Music For Non-Believers TAPE","handle":"ldgu-religious-music-for-non-believers-tape","description":"\u003cp\u003eイタリアの音響作家LDGUが、2021年12月にイギリス・ロンドンの実験レーベルSagomeから50本限定でリリースしたカセットです。パイプオルガンによるアンビエントドローン〜ドローン6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「奨学金をもらって中部ジャワに渡ったとき、私はあらゆる方法で自分のエゴを捨てようとした時期がありました。音楽、ドラッグ、セックス、詩などを通してね。私は自我を解体し、原子化し、経験というミクロのレンズを通して自我を見つめながら、その断片を何度も何度も思い起こしたのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e日常生活に深い意味を見出そうとしていた私は、航海が進めば進むほど、どんどんはげ落ちていきました。そうして「自分」は、旅の途中で宇宙のゴミのような小さな粒子を失っていきました。インドネシアで3年近く過ごした後、私はジャワ人とダヤック人の教えから得た精神的な強さを携えてイタリアに帰国しました。私が自分に課した困難な挑戦がもたらした打撃のために散らばっていた私のエゴは、新たな強さと統一性を見出したのです。それは、無限の愛、象徴と儀式、自然、知識、そして音楽からもたらされたものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのとき、ひとつだけはっきりしたことがありました。もし私が、そうした学びがどこでどのように根づいているかを理解し、弱い低木ではなく、たくましい樫の木のように感じられたなら、私は2000年代の西洋の若者であることの根無し草も理解したことになるのだろうと。ギリシャ語、ラテン語、哲学、イタリア美術史、文学、詩などをいくら勉強しても、私はネオリベラリズムの産物に過ぎず、より強い感情や特異性を常に求め、致命的なループに陥った体現された亡霊に過ぎないのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこうして帰国後すぐに、ジャワやバリのガムランのような神聖な楽器を探すのは、私にとって自然なことだと感じました。パイプオルガンは、教皇庁の関係で中部イタリア（ラツィオ、トスカーナ、ウンブリア、ロマーニャ、マルケ）で普及が始まりました。中央イタリアでパイプオルガンが登場する最初の文献は、9世紀に遡ります。1861年にイタリアが初めて統一されたとき、教皇庁は消滅しましたが、だからといって、教会で使われていた楽器が姿を消したわけではありません。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3053895229\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sagome\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sagome\"\u003ehere\u003c\/a\u003e to see more Sagome releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------- \u003c\/p\u003e\n\u003cp\u003eSagome:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eConceived between long periods spent abroad in Indonesia (2013-2015) and Morocco (2018) for ethnomusicology purposes, Religious Music For Non-Believers is at the same time a eulogy for Pauline Oliveros' demise, a homage to the music of Tim Hecker and Earth, and finally a descent into timeless horizons, where Ldgu seeks epiphanies in the realm of sound-related truths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLdgu’s music was recorded live at Chiesa Santissima Annunziata, Porto Sant’Elpidio (Marche, Italy) over two very hot and humid summer evenings in August 2017. All the tracks of the album are raw excerpts from Ldgu's extended improvisations on the church’s massive pipe organ.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLDGU:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eWhen I got the scholarship that allowed me to move to Central Java, I was coming from a period of my life in which I had tried to get rid of my ego in every possible way. Through music, through drugs, through sex, through poetry. I was dismantling it, atomizing it, to recollect the pieces over and over while looking at them through the\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microscopic lenses of experience.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was trying to find a deeper meaning in everyday life, and the further I was sailing, the more I flaked off. My \"self\" was thus losing tiny particles, like cosmic debris, along the journey. After almost three years spent in Indonesia, I got back to Italy with a spiritual strength I was given by the teachings of the Javanese and of the Dayak: my ego, which had been scattered because of the blows dealt by that difficult challenge I imposed on myself, found both renewed strength and unity. These came from infinite and disinterested love, symbols and rituals, nature, knowledge, and music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt this point, one thing was clear to me: if I had comprehended how and where such learnings were rooted and if I finally felt like a tough oak instead of a weak shrub, I had also understood the rootlessness of being a western young man in the 2000s. No matter how much I had studied Greek, Latin, philosophy, the history of Italian art, literature, and poetry: I was just a product of neoliberalism, an embodied ghost constantly seeking stronger emotions and singularities, trapped in what was nothing else but a deadly loop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThus, as soon as I got back, it felt natural to me to look for a sacred instrument, like gamelan, for the Javanese and the Balinese. The choice fell on the pipe organ, which saw its diffusion in Central Italy (Lazio, Toscana, Umbria, Romagna, Marche) because of the Papal States. The first documents talking of pipe organs in Central Italy go back to the IX century. The Papal States ceased to exist when Italy finally got reunited for the first time in 1861, but this doesn't mean that those instruments, mostly hosted in churches, disappeared.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LDGU\u003c\/p\u003e\n\u003cp\u003eLabel : Sagome\u003c\/p\u003e","published_at":"2022-01-09T15:58:11+09:00","created_at":"2022-01-07T12:48:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","sagome","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42287163769082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LDGU \/\/ Religious Music For Non-Believers TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_2848c297-0dfe-4bb6-a376-108240f452b2.jpg?v=1641527308","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_9a118252-7385-40bb-a0ea-22f06fe71f13.jpg?v=1641527308"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_2848c297-0dfe-4bb6-a376-108240f452b2.jpg?v=1641527308","options":["Title"],"media":[{"alt":null,"id":28970367910138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_2848c297-0dfe-4bb6-a376-108240f452b2.jpg?v=1641527308"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_2848c297-0dfe-4bb6-a376-108240f452b2.jpg?v=1641527308","width":700},{"alt":null,"id":28970367942906,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_9a118252-7385-40bb-a0ea-22f06fe71f13.jpg?v=1641527308"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_9a118252-7385-40bb-a0ea-22f06fe71f13.jpg?v=1641527308","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの音響作家LDGUが、2021年12月にイギリス・ロンドンの実験レーベルSagomeから50本限定でリリースしたカセットです。パイプオルガンによるアンビエントドローン〜ドローン6曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「奨学金をもらって中部ジャワに渡ったとき、私はあらゆる方法で自分のエゴを捨てようとした時期がありました。音楽、ドラッグ、セックス、詩などを通してね。私は自我を解体し、原子化し、経験というミクロのレンズを通して自我を見つめながら、その断片を何度も何度も思い起こしたのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e日常生活に深い意味を見出そうとしていた私は、航海が進めば進むほど、どんどんはげ落ちていきました。そうして「自分」は、旅の途中で宇宙のゴミのような小さな粒子を失っていきました。インドネシアで3年近く過ごした後、私はジャワ人とダヤック人の教えから得た精神的な強さを携えてイタリアに帰国しました。私が自分に課した困難な挑戦がもたらした打撃のために散らばっていた私のエゴは、新たな強さと統一性を見出したのです。それは、無限の愛、象徴と儀式、自然、知識、そして音楽からもたらされたものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのとき、ひとつだけはっきりしたことがありました。もし私が、そうした学びがどこでどのように根づいているかを理解し、弱い低木ではなく、たくましい樫の木のように感じられたなら、私は2000年代の西洋の若者であることの根無し草も理解したことになるのだろうと。ギリシャ語、ラテン語、哲学、イタリア美術史、文学、詩などをいくら勉強しても、私はネオリベラリズムの産物に過ぎず、より強い感情や特異性を常に求め、致命的なループに陥った体現された亡霊に過ぎないのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこうして帰国後すぐに、ジャワやバリのガムランのような神聖な楽器を探すのは、私にとって自然なことだと感じました。パイプオルガンは、教皇庁の関係で中部イタリア（ラツィオ、トスカーナ、ウンブリア、ロマーニャ、マルケ）で普及が始まりました。中央イタリアでパイプオルガンが登場する最初の文献は、9世紀に遡ります。1861年にイタリアが初めて統一されたとき、教皇庁は消滅しましたが、だからといって、教会で使われていた楽器が姿を消したわけではありません。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3053895229\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sagome\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sagome\"\u003ehere\u003c\/a\u003e to see more Sagome releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------- \u003c\/p\u003e\n\u003cp\u003eSagome:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eConceived between long periods spent abroad in Indonesia (2013-2015) and Morocco (2018) for ethnomusicology purposes, Religious Music For Non-Believers is at the same time a eulogy for Pauline Oliveros' demise, a homage to the music of Tim Hecker and Earth, and finally a descent into timeless horizons, where Ldgu seeks epiphanies in the realm of sound-related truths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLdgu’s music was recorded live at Chiesa Santissima Annunziata, Porto Sant’Elpidio (Marche, Italy) over two very hot and humid summer evenings in August 2017. All the tracks of the album are raw excerpts from Ldgu's extended improvisations on the church’s massive pipe organ.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLDGU:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eWhen I got the scholarship that allowed me to move to Central Java, I was coming from a period of my life in which I had tried to get rid of my ego in every possible way. Through music, through drugs, through sex, through poetry. I was dismantling it, atomizing it, to recollect the pieces over and over while looking at them through the\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microscopic lenses of experience.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI was trying to find a deeper meaning in everyday life, and the further I was sailing, the more I flaked off. My \"self\" was thus losing tiny particles, like cosmic debris, along the journey. After almost three years spent in Indonesia, I got back to Italy with a spiritual strength I was given by the teachings of the Javanese and of the Dayak: my ego, which had been scattered because of the blows dealt by that difficult challenge I imposed on myself, found both renewed strength and unity. These came from infinite and disinterested love, symbols and rituals, nature, knowledge, and music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt this point, one thing was clear to me: if I had comprehended how and where such learnings were rooted and if I finally felt like a tough oak instead of a weak shrub, I had also understood the rootlessness of being a western young man in the 2000s. No matter how much I had studied Greek, Latin, philosophy, the history of Italian art, literature, and poetry: I was just a product of neoliberalism, an embodied ghost constantly seeking stronger emotions and singularities, trapped in what was nothing else but a deadly loop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThus, as soon as I got back, it felt natural to me to look for a sacred instrument, like gamelan, for the Javanese and the Balinese. The choice fell on the pipe organ, which saw its diffusion in Central Italy (Lazio, Toscana, Umbria, Romagna, Marche) because of the Papal States. The first documents talking of pipe organs in Central Italy go back to the IX century. The Papal States ceased to exist when Italy finally got reunited for the first time in 1861, but this doesn't mean that those instruments, mostly hosted in churches, disappeared.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LDGU\u003c\/p\u003e\n\u003cp\u003eLabel : Sagome\u003c\/p\u003e"}
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イタリアの音響作家LDGUが、2021年12月にイギリス・ロンドンの実験レーベルSagomeから50本限定でリリースしたカセットです。パイプオルガンによるアンビエントドローン〜ドローン6曲を収録。DLコード付属。廃盤です。 「奨学金をもらって中部ジャワに渡ったとき、私はあらゆる方法で自分のエゴを捨てようとした時期がありました。音楽、ドラッグ、セックス、詩などを通してね。私は自我を解体し、原子化し、経験というミクロのレンズを通して自我を見つめながら、その断片を何度も何度も思い起こしたのです。日常生活に深い意味を見出そうとしていた私は、航海が進めば進むほど、どんどんはげ落ちていきました。そうして「自分」は、旅の途中で宇宙のゴミのような小さな粒子を失っていきました。インドネシアで3年近く過ごした後、私はジャワ人とダヤック人の教えから得た精神的な強さを携えてイタリアに帰国しました。私が自分に課した困難な挑戦がもたらした打撃のために散らばっていた私のエゴは、新たな強さと統一性を見出したのです。それは、無限の愛、象徴と儀式、自然、知識、そして音楽からもたらされたものです。このとき、ひとつだけはっきりしたことがありました。もし私が、そうした学びがどこでどのように根づいているかを理解し、弱い低木ではなく、たくましい樫の木のように感じられたなら、私は2000年代の西洋の若者であることの根無し草も理解したことになるのだろうと。ギリシャ語、ラテン語、哲学、イタリア美術史、文学、詩などをいくら勉強しても、私はネオリベラリズムの産物に過ぎず、より強い感情や特異性を常に求め、致命的なループに陥った体現された亡霊に過ぎないのです。こうして帰国後すぐに、ジャワやバリのガムランのような神聖な楽器を探すのは、私にとって自然なことだと感じました。パイプオルガンは、教皇庁の関係で中部イタリア（ラツィオ、トスカーナ、ウンブリア、ロマーニャ、マルケ）で普及が始まりました。中央イタリアでパイプオルガンが登場する最初の文献は、9世紀に遡ります。1861年にイタリアが初めて統一されたとき、教皇庁は消滅しましたが、だからといって、教会で使われていた楽器が姿を消したわけではありません。 レーベルその他作品はこちら /// Click here to see more Sagome releases available at Tobira. ------------------------------- Sagome: "Conceived...
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{"id":8034454274298,"title":"LDSN \u0026 Yakkida \/\/ Can Yr Ysgol TAPE","handle":"ldsn-yakkida-can-yr-ysgol-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家LDSNとYakkidaが、\u003c\/span\u003e2023年8月にアイルランド・コークの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eインプロのライブ録音〜サウンドポエトリー4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3193137708\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaughing And Bells (Live at Rammel Club) 18:50\u003c\/li\u003e\n\u003cli\u003eSeven Corpses 08:56\u003c\/li\u003e\n\u003cli\u003eYn Ofnys O Dwr A Hedfan 10:13\u003c\/li\u003e\n\u003cli\u003ePine Road 16:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKrim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLDSN is Todmorden-based writer and artist Lauren de Sá Naylor. Over the past number of years, she has released a string of highly hypnotic and intimate recordings on labels such as Chocolate Monk, Invisible Animals, Cardboard Club, and Fort Evil Fruit. Yakkida is Leeds-based artist Hilary Knott, who also performs as Basic Switches and is a member of indie-rock trio, Cowtown. Together, LDSN and Yakkida make rhythmic, dissonant and harmonious sounds using voices, loops, field recordings, bells, drums and harmoniums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LDSN \u0026amp; Yakkida\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e","published_at":"2024-05-25T14:16:57+09:00","created_at":"2023-10-15T15:23:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","krim kram","sound poetry","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44637553099002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LDSN \u0026 Yakkida \/\/ Can Yr Ysgol TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012","\/\/tobirarecords.com\/cdn\/shop\/files\/can2_42a85737-034b-4412-848c-6d1483b1a160.jpg?v=1697351012"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012","options":["Title"],"media":[{"alt":null,"id":32560246161658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_77f82cff-8963-448b-9f74-da9eb763aa87.jpg?v=1697351012","width":700},{"alt":null,"id":32560246194426,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can2_42a85737-034b-4412-848c-6d1483b1a160.jpg?v=1697351012"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can2_42a85737-034b-4412-848c-6d1483b1a160.jpg?v=1697351012","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家LDSNとYakkidaが、\u003c\/span\u003e2023年8月にアイルランド・コークの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eインプロのライブ録音〜サウンドポエトリー4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3193137708\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1367152795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaughing And Bells (Live at Rammel Club) 18:50\u003c\/li\u003e\n\u003cli\u003eSeven Corpses 08:56\u003c\/li\u003e\n\u003cli\u003eYn Ofnys O Dwr A Hedfan 10:13\u003c\/li\u003e\n\u003cli\u003ePine Road 16:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKrim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLDSN is Todmorden-based writer and artist Lauren de Sá Naylor. Over the past number of years, she has released a string of highly hypnotic and intimate recordings on labels such as Chocolate Monk, Invisible Animals, Cardboard Club, and Fort Evil Fruit. Yakkida is Leeds-based artist Hilary Knott, who also performs as Basic Switches and is a member of indie-rock trio, Cowtown. Together, LDSN and Yakkida make rhythmic, dissonant and harmonious sounds using voices, loops, field recordings, bells, drums and harmoniums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : LDSN \u0026amp; Yakkida\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e"}
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イギリスの実験音楽家LDSNとYakkidaが、2023年8月にアイルランド・コークの実験／ノイズレーベルKrim Kramから100本限定でリリースした共作カセットです。 インプロのライブ録音〜サウンドポエトリー4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Krim Kram releases available at Tobira. ----------------------...
¥1,980
クイックビュー
{"id":9055378047226,"title":"LDY OSC \/\/ Species of Beasts TAPE","handle":"ldy-osc-species-of-beasts-tape","description":"\u003cp\u003eオーストリア・ウィーンのポストインダストリアル作家LDY OSCが、2020年にイギリスの実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3652693325\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : LDY OSC\u003c\/p\u003e\n\u003cp\u003elabel : Industrial Coast\u003c\/p\u003e","published_at":"2026-01-12T07:55:41+09:00","created_at":"2026-01-12T07:54:41+09:00","vendor":"Tobira Records","type":"","tags":["industrial coast","new","tape","techno \/ house"],"price":198600,"price_min":198600,"price_max":198600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48213766242554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LDY OSC \/\/ Species of Beasts TAPE","public_title":null,"options":["Default Title"],"price":198600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3807796542_16.jpg?v=1611537208"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3807796542_16.jpg?v=1611537208","options":["Title"],"media":[{"alt":null,"id":16231530660005,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3807796542_16.jpg?v=1611537208"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3807796542_16.jpg?v=1611537208","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのポストインダストリアル作家LDY OSCが、2020年にイギリスの実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3652693325\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : LDY OSC\u003c\/p\u003e\n\u003cp\u003elabel : Industrial Coast\u003c\/p\u003e"}
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オーストリア・ウィーンのポストインダストリアル作家LDY OSCが、2020年にイギリスの実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。 ポストインダストリアル・テクノ4曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Industrial Coast releases available at Tobira. ...
¥1,986
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{"id":5475042721957,"title":"Le Bruit Vient De La Cuisine \/\/ st TAPE","handle":"le-bruit-vient-de-la-cuisine-st","description":"\u003cp\u003eフランスのコラージュ作家Le Bruit Vient De La Cuisineが、同国実験／コラージュレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etanzproceszからリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3297458577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTanzprocesz\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTanzprocesz releases available at Tobira. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Le Bruit Vient De La Cuisine\u003c\/p\u003e\n\u003cp\u003elabel : tanzprocesz \u003c\/p\u003e","published_at":"2020-07-31T17:14:55+09:00","created_at":"2020-07-31T17:14:53+09:00","vendor":"Tobira Records","type":"","tags":["monooto","tanzprocesz","tape"],"price":163000,"price_min":163000,"price_max":163000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35389449207973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Bruit Vient De La Cuisine \/\/ st TAPE","public_title":null,"options":["Default Title"],"price":163000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0944463300_10.jpg?v=1596183295"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0944463300_10.jpg?v=1596183295","options":["Title"],"media":[{"alt":null,"id":10369459257509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0944463300_10.jpg?v=1596183295"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0944463300_10.jpg?v=1596183295","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのコラージュ作家Le Bruit Vient De La Cuisineが、同国実験／コラージュレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etanzproceszからリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3297458577\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTanzprocesz\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tanzprocesz\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTanzprocesz releases available at Tobira. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Le Bruit Vient De La Cuisine\u003c\/p\u003e\n\u003cp\u003elabel : tanzprocesz \u003c\/p\u003e"}
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¥1,630
クイックビュー
{"id":8065869611258,"title":"Le Diable Dégoûtant \/ Le Voile Universel \/\/ Naia La Sorcière De Rochefort-En-Terre LP","handle":"le-diable-degoutant-le-voile-universel-naia-la-sorciere-de-rochefort-en-terre-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのLe Diable DégoûtantとイギリスのLe Voile Universelストレンジビーツ2組が、2023年10月にイギリスの民俗研究レーベルFolklore Tapesから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・ブルターニュの村ロシュフォール・アン・テールに住んでいた魔女ナイアをコンセプトにした土着ストレンジビーツ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e帯とインサート、DLコード付属。 \u003cmeta charset=\"utf-8\"\u003eロシュフォール・アン・テールのナイアの木の押し葉も付いています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"民俗研究レーベルFolklore Tapesが初めて海外にフォーカスしたのは、ブルトンの田舎町ロシュフォール＝アン＝テールだった。かつては高名な魔女ナイアが住んでおり、「精霊の杖」でおなじみの「グナミ」とともに病気を治し、地元の人々を呪い、2つに分裂させ、熱い炭を手で砕いて塵にした！\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaiaは、ブルターニュのアートグループLe Bon Acceuilとのコラボレーションで、1899年に『ワールド・ワイド・マガジン』に掲載された、ジャーナリスト、シャルル・ジェニューによる唯一知られている記事と見事な写真撮影を中心に、悪名高い魔女を2つの異なるサウンドで探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面はブルトン出身のミュージシャン、ポーリーヌ・マルクス（Le Diable Dégoûtant）、B面はイギリスのデュオLe Voile Universelによるもの。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eブルトン地方の住民は、田舎から都会へと出て行った。当時の伝統的な民俗文化の多くの側面は、消滅の危機に瀕していた。写真家のシャルル・ジェニュ（1870-1931）は、こうした伝統を記録することに熱心だった。そのため、1899年、ジェニューは『ワイド・ワールド』誌に、ブルターニュの南に位置する絵のように美しい町ロシュフォール＝アン＝テールに住む魔女についての記事を書いた。ロシュフォールの魔女ナイアと題されたこの記事には、ジェニューがリュー城跡でナイアと会ったときの様子や、長年にわたってナイアと出会ってきたさまざまな地元の人々との会話が記されている。その地元の人々によれば、ナイアは「用事があるのを見られたくないときは、ほうきに乗って空中を、あるいは地下を旅している。さらに、ナイアは \"赤々と燃える炭を拾い上げ、それを指で砕いて風に撒き散らす \"ことができる。彼女はまた、彼女を通して生き、彼女のあらゆる命令に従う強力な精霊であるグナミのことをジェニアウに語っている。記事に添えられた写真では、ナイアがレンズを正面に向け、その眼差しで見る者を貫き、年月を越えて彼女の視線に会うように私たちに懇願している。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3856431947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Le Diable Dégoûtant– Le Fantome Dans Le Champs\u003cbr\u003eA2 Le Diable Dégoûtant– Gnami Est Mon Ami (Drou)\u003cbr\u003eA3 Le Diable Dégoûtant– Voila Gnami\u003cbr\u003eA4 Le Diable Dégoûtant– Formulatte Pour Troucer Des Champignons\u003cbr\u003eA5 Le Diable Dégoûtant– Recuperer La Pierre\u003cbr\u003eA6 Le Diable Dégoûtant– Le Premier Mois De L'Annee\u003cbr\u003eA7 Le Diable Dégoûtant– J'emprunte Encore Les Souterrains Du Chateau Pour Faire Ce Qui Doit Etra Fait\u003cbr\u003eB Le Voile Universel– In Front Of The Black Hole \/ Invective The Elements \/ Blackening And Burning \/ Because He Is A Spirit \/ Don't Be Afraid, My Son, Approach...\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFolklore Tapes first foray overseas finds them in the rural Breton village Rochefort-en-Terre. Once inhabited by the renowned witch Naia, who along with her ‘spirit stick’ familiar ‘Gnami’ cured ills, cursed locals, split in two and crushed hot coals into dust using her hands!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaia is a collaboration with Brittany arts group Le Bon Acceuil and features two distinct sonic explorations into the infamous witch, largely based around the only known article and stunning photoshoot by journalist Charles Géniaux, published in World Wide Magazine in 1899. Face A is by Breton musician Pauline Marx AKA Le Diable Dégoûtant, Face B is by UK group Le Voile Universel (The Universal Veil) AKA Sam McLoughlin and David Chatton Barker.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe residents of rural Breton were leaving the country for the cities. Many aspects of the traditional folk culture of the time were on the verge of disappearing. The photographer Charles Géniaux (1870-1931), was keen to document these traditions. To this end, in 1899, Géniaux wrote an article for The Wide World Magazine about a witch who lived in the picturesque town of Rochefort-en-Terre, situated in the south of Brittany. The article, entitled Naia, the Witch of Rochefort, describes Géniaux’s meetings with Naia in the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ruins of the Château de Rieux, as well as his conversations with various locals who had encountered her over the years. According to these locals, we learn that Naia “travels on a broom through the air—or maybe underground—when she does not want to be seen going on her errands; that she fears neither fire nor water, disappears when she likes, and takes any shape that may suit her purpose.” Furthermore, Naia is capable of “picking up red hot coals, which she crushed with her fingers and scattered to the winds.” She also tells Géniaux of Gnami, a powerful spirit who lives through her and obeys her every command. The photos which accompany the article show Naia facing down the lens, piercing the viewer with her look, beseeching us to meet her gaze across the years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Dégoûtant \/ Le Voile Universel \u003c\/p\u003e\n\u003cp\u003eLabel : Folklore Tapes\u003c\/p\u003e","published_at":"2023-11-05T19:26:45+09:00","created_at":"2023-11-04T17:33:19+09:00","vendor":"Tobira Records","type":"","tags":["folklore tapes","lp","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728638669050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Diable Dégoûtant \/ Le Voile Universel \/\/ Naia La Sorcière De Rochefort-En-Terre LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_3c18e583-802d-4085-b8f1-d0f72e0d1353.jpg?v=1699086801"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801","options":["Title"],"media":[{"alt":null,"id":32642063794426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_99ca33ec-8395-4d30-a71d-2e9e2847a3b2.jpg?v=1699086801","width":700},{"alt":null,"id":32642063827194,"position":2,"preview_image":{"aspect_ratio":0.98,"height":600,"width":588,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_3c18e583-802d-4085-b8f1-d0f72e0d1353.jpg?v=1699086801"},"aspect_ratio":0.98,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_3c18e583-802d-4085-b8f1-d0f72e0d1353.jpg?v=1699086801","width":588}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのLe Diable DégoûtantとイギリスのLe Voile Universelストレンジビーツ2組が、2023年10月にイギリスの民俗研究レーベルFolklore Tapesから300部限定でリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・ブルターニュの村ロシュフォール・アン・テールに住んでいた魔女ナイアをコンセプトにした土着ストレンジビーツ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e帯とインサート、DLコード付属。 \u003cmeta charset=\"utf-8\"\u003eロシュフォール・アン・テールのナイアの木の押し葉も付いています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"民俗研究レーベルFolklore Tapesが初めて海外にフォーカスしたのは、ブルトンの田舎町ロシュフォール＝アン＝テールだった。かつては高名な魔女ナイアが住んでおり、「精霊の杖」でおなじみの「グナミ」とともに病気を治し、地元の人々を呪い、2つに分裂させ、熱い炭を手で砕いて塵にした！\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaiaは、ブルターニュのアートグループLe Bon Acceuilとのコラボレーションで、1899年に『ワールド・ワイド・マガジン』に掲載された、ジャーナリスト、シャルル・ジェニューによる唯一知られている記事と見事な写真撮影を中心に、悪名高い魔女を2つの異なるサウンドで探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面はブルトン出身のミュージシャン、ポーリーヌ・マルクス（Le Diable Dégoûtant）、B面はイギリスのデュオLe Voile Universelによるもの。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eブルトン地方の住民は、田舎から都会へと出て行った。当時の伝統的な民俗文化の多くの側面は、消滅の危機に瀕していた。写真家のシャルル・ジェニュ（1870-1931）は、こうした伝統を記録することに熱心だった。そのため、1899年、ジェニューは『ワイド・ワールド』誌に、ブルターニュの南に位置する絵のように美しい町ロシュフォール＝アン＝テールに住む魔女についての記事を書いた。ロシュフォールの魔女ナイアと題されたこの記事には、ジェニューがリュー城跡でナイアと会ったときの様子や、長年にわたってナイアと出会ってきたさまざまな地元の人々との会話が記されている。その地元の人々によれば、ナイアは「用事があるのを見られたくないときは、ほうきに乗って空中を、あるいは地下を旅している。さらに、ナイアは \"赤々と燃える炭を拾い上げ、それを指で砕いて風に撒き散らす \"ことができる。彼女はまた、彼女を通して生き、彼女のあらゆる命令に従う強力な精霊であるグナミのことをジェニアウに語っている。記事に添えられた写真では、ナイアがレンズを正面に向け、その眼差しで見る者を貫き、年月を越えて彼女の視線に会うように私たちに懇願している。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3856431947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fklret\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fklret\"\u003ehere\u003c\/a\u003e to see more Folklore Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Le Diable Dégoûtant– Le Fantome Dans Le Champs\u003cbr\u003eA2 Le Diable Dégoûtant– Gnami Est Mon Ami (Drou)\u003cbr\u003eA3 Le Diable Dégoûtant– Voila Gnami\u003cbr\u003eA4 Le Diable Dégoûtant– Formulatte Pour Troucer Des Champignons\u003cbr\u003eA5 Le Diable Dégoûtant– Recuperer La Pierre\u003cbr\u003eA6 Le Diable Dégoûtant– Le Premier Mois De L'Annee\u003cbr\u003eA7 Le Diable Dégoûtant– J'emprunte Encore Les Souterrains Du Chateau Pour Faire Ce Qui Doit Etra Fait\u003cbr\u003eB Le Voile Universel– In Front Of The Black Hole \/ Invective The Elements \/ Blackening And Burning \/ Because He Is A Spirit \/ Don't Be Afraid, My Son, Approach...\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFolklore Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFolklore Tapes first foray overseas finds them in the rural Breton village Rochefort-en-Terre. Once inhabited by the renowned witch Naia, who along with her ‘spirit stick’ familiar ‘Gnami’ cured ills, cursed locals, split in two and crushed hot coals into dust using her hands!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNaia is a collaboration with Brittany arts group Le Bon Acceuil and features two distinct sonic explorations into the infamous witch, largely based around the only known article and stunning photoshoot by journalist Charles Géniaux, published in World Wide Magazine in 1899. Face A is by Breton musician Pauline Marx AKA Le Diable Dégoûtant, Face B is by UK group Le Voile Universel (The Universal Veil) AKA Sam McLoughlin and David Chatton Barker.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe residents of rural Breton were leaving the country for the cities. Many aspects of the traditional folk culture of the time were on the verge of disappearing. The photographer Charles Géniaux (1870-1931), was keen to document these traditions. To this end, in 1899, Géniaux wrote an article for The Wide World Magazine about a witch who lived in the picturesque town of Rochefort-en-Terre, situated in the south of Brittany. The article, entitled Naia, the Witch of Rochefort, describes Géniaux’s meetings with Naia in the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e ruins of the Château de Rieux, as well as his conversations with various locals who had encountered her over the years. According to these locals, we learn that Naia “travels on a broom through the air—or maybe underground—when she does not want to be seen going on her errands; that she fears neither fire nor water, disappears when she likes, and takes any shape that may suit her purpose.” Furthermore, Naia is capable of “picking up red hot coals, which she crushed with her fingers and scattered to the winds.” She also tells Géniaux of Gnami, a powerful spirit who lives through her and obeys her every command. The photos which accompany the article show Naia facing down the lens, piercing the viewer with her look, beseeching us to meet her gaze across the years.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Dégoûtant \/ Le Voile Universel \u003c\/p\u003e\n\u003cp\u003eLabel : Folklore Tapes\u003c\/p\u003e"}
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フランスのLe Diable DégoûtantとイギリスのLe Voile Universelストレンジビーツ2組が、2023年10月にイギリスの民俗研究レーベルFolklore Tapesから300部限定でリリースしたスプリットレコードです。 フランス・ブルターニュの村ロシュフォール・アン・テールに住んでいた魔女ナイアをコンセプトにした土着ストレンジビーツ8曲を収録。 帯とインサート、DLコード付属。 ロシュフォール・アン・テールのナイアの木の押し葉も付いています。 以下、レーベルによる解説です。 "民俗研究レーベルFolklore Tapesが初めて海外にフォーカスしたのは、ブルトンの田舎町ロシュフォール＝アン＝テールだった。かつては高名な魔女ナイアが住んでおり、「精霊の杖」でおなじみの「グナミ」とともに病気を治し、地元の人々を呪い、2つに分裂させ、熱い炭を手で砕いて塵にした！Naiaは、ブルターニュのアートグループLe Bon Acceuilとのコラボレーションで、1899年に『ワールド・ワイド・マガジン』に掲載された、ジャーナリスト、シャルル・ジェニューによる唯一知られている記事と見事な写真撮影を中心に、悪名高い魔女を2つの異なるサウンドで探求している。...
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{"id":7980221825274,"title":"Le Diable Degoutant \/\/ Fleur De Chagrin LP","handle":"copy-of-le-diable-degoutant-fleur-de-chagrin-lp","description":"\u003cp\u003eフランスのアヴァンポップ作家Le Diable Degoutantが、2023年2月にベルギーのオールジャンルレーベルAguirreからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e中毒性のあるアウトサイダーポップ17曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=171356071\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191350819\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Devil at the Crossroads\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? Where do you think you're going? Lasciate ogni speranza, voi ch’entrate: you, with the noodle to the four winds, who pass the threshold of this disc, you better leave all hope there, and glide in the poisonous footstep of the devil your guide.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? The mountain is no longer just the mountain; after your passage, it will no longer even be a mountain. Like the whole landscape, it will have been eaten, sauced by invisible leeches. Your nostalgia for the ground and your thirst to find the source will have only discovered a forest of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e vain words and foul water. Where do you think you're going? At the crossroads, the world is consumed in the previous future. Only the devil will know how to make you overcome the disgust of traditions, and only the love for the devil will give you enough vim to reach your goal: a village, perhaps, but which belongs to no one, a haven to your excessiveness .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe dark tradition to which this game of ternary trampling belongs, like the rhythm of a heart in tune with the inverted world, has no country and no assigned time. Rather a topology of Eve awakened after a thousand-year sleep, an idiosyncratic and possessed reading of our common humus, made up of stories composted in the limbo of the past, of songs captured in extremis vitae and rebus in the privatized antechambers of death.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat does she tell us about? Of our automobile and in love roamings, of the porosity of the membranes that separate beings and things, of the constant inversion of signs. The seventeen stages of this short journey, where intertwine the throbbing of objects, blown horns and rubbed horsehair, form the map of a country never to be found, ours, where only the voice of an old child and the disgusting devil's poisonous charm can guide us.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Degoutant\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:51:04+09:00","created_at":"2023-05-30T15:01:41+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","folk \/ left-field pop","lp","strange beats"],"price":373000,"price_min":373000,"price_max":373000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748610298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Diable Degoutant \/\/ Fleur De Chagrin LP","public_title":null,"options":["Default Title"],"price":373000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503","options":["Title"],"media":[{"alt":null,"id":32037407260922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ch1_cad3e864-342b-420e-aa77-d7a227725d17.jpg?v=1685426503","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアヴァンポップ作家Le Diable Degoutantが、2023年2月にベルギーのオールジャンルレーベルAguirreからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e中毒性のあるアウトサイダーポップ17曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=171356071\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191350819\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=351032186\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Devil at the Crossroads\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? Where do you think you're going? Lasciate ogni speranza, voi ch’entrate: you, with the noodle to the four winds, who pass the threshold of this disc, you better leave all hope there, and glide in the poisonous footstep of the devil your guide.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere do you think you come from? The mountain is no longer just the mountain; after your passage, it will no longer even be a mountain. Like the whole landscape, it will have been eaten, sauced by invisible leeches. Your nostalgia for the ground and your thirst to find the source will have only discovered a forest of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e vain words and foul water. Where do you think you're going? At the crossroads, the world is consumed in the previous future. Only the devil will know how to make you overcome the disgust of traditions, and only the love for the devil will give you enough vim to reach your goal: a village, perhaps, but which belongs to no one, a haven to your excessiveness .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe dark tradition to which this game of ternary trampling belongs, like the rhythm of a heart in tune with the inverted world, has no country and no assigned time. Rather a topology of Eve awakened after a thousand-year sleep, an idiosyncratic and possessed reading of our common humus, made up of stories composted in the limbo of the past, of songs captured in extremis vitae and rebus in the privatized antechambers of death.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat does she tell us about? Of our automobile and in love roamings, of the porosity of the membranes that separate beings and things, of the constant inversion of signs. The seventeen stages of this short journey, where intertwine the throbbing of objects, blown horns and rubbed horsehair, form the map of a country never to be found, ours, where only the voice of an old child and the disgusting devil's poisonous charm can guide us.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Diable Degoutant\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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フランスのアヴァンポップ作家Le Diable Degoutantが、2023年2月にベルギーのオールジャンルレーベルAguirreからリリースしたデビューレコードです。 中毒性のあるアウトサイダーポップ17曲を収録。 レーベルその他作品はこちら /// Click here to see more Aguirre releases available at Tobira. ------------------------------ Edition...
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{"id":7877414682874,"title":"Le Forte Four | Doo-Dooettes \/\/ Live at the Brand 2xLP","handle":"le-forte-four-doo-dooettes-live-at-the-brand-2xlp","description":"\u003cp\u003e LAFMSの中核グループLe Forte FourとDoo-Dooettesの再発2枚組レコードです。（オリジナルは1976年リリース）\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qFM7OuWut2c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eText via Discogs:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On July 8th, 1976, the Doo-Dooettes and Le Forte Four as representatives of the L.A. Free Music Society gave a performance at the Brand Art Center in Glendale, California. For their portion of the event, Le Forte Four tried to play back prerecorded tapes through 44 pyramid shaped headphones. Both the tapes and the headphones were specifically designed for the concert. The Doo-Dooettes played live.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Le Forte Four - Birth Of Largie Schrapnel\u003cbr\u003eA2 Le Forte Four - The Very First Song I Ever Wrote\u003cbr\u003eA3 Le Forte Four - M-M-M\u003cbr\u003eA4 Le Forte Four - Keep That Point Up\u003cbr\u003eA5 Le Forte Four - 4,000 Holes In Blackburn, Lancashire\u003cbr\u003eA6 Le Forte Four - Telethon Returns\u003cbr\u003eA7 Le Forte Four - From The 12 Pages\u003cbr\u003eA8 Le Forte Four - Tree Shredding Blues\u003cbr\u003eA9 Le Forte Four - Do The Crow\u003cbr\u003eA10 Le Forte Four - Balanced Comfort\u003cbr\u003eA11 Le Forte Four - Telethon Returns\u003cbr\u003eA12 Le Forte Four - Internal C.B. Breakage\u003cbr\u003eA13 Le Forte Four - Good Friday Tape Dumb Session #1\u003cbr\u003eB1 Le Forte Four - Reel World\u003cbr\u003eB2 Le Forte Four - Columbia-Princeton Low Priority Soybean Meal\u003cbr\u003eB3 Le Forte Four - Telethon Returns\u003cbr\u003eB4 Le Forte Four - Down The Congo In A Backward Canoe\u003cbr\u003eB5 Le Forte Four - Telethon Returns Continues\u003cbr\u003eB6 Le Forte Four - Welcome To 35 South Raymond\u003cbr\u003eB7 Le Forte Four - Darker Scratcher\u003cbr\u003eB8 Le Forte Four - Diaramma I\u003cbr\u003eB9 Le Forte Four - Diaramma II\u003cbr\u003eB10 Le Forte Four - HHHMMM\u003cbr\u003eB11 Le Forte Four - Telethon Returns\u003cbr\u003eB12 Le Forte Four - Good Friday Tape Dumb Session II\u003cbr\u003eB13 Le Forte Four - Shoe Spot\u003cbr\u003eB14 Le Forte Four - Meet The Detectives\u003cbr\u003eB15 Le Forte Four - Simple Circus\u003cbr\u003eC1 Doo-Dooettes - Mojave\u003cbr\u003eC2 Doo-Dooettes - Silver Hours\u003cbr\u003eC3 Doo-Dooettes - Twenty-Four (24)\u003cbr\u003eC4 Doo-Dooettes - Children Undressing Animals (Part One)\u003cbr\u003eD1 Doo-Dooettes - Children Undressing Animals (Part Two)\u003cbr\u003eD2 Fredrik Nilsen – Green\u003c\/p\u003e\n\u003cp\u003eArtist : Le Forte Four | Doo-Dooettes\u003c\/p\u003e\n\u003cp\u003eLabel : LAFMS\u003c\/p\u003e","published_at":"2022-12-25T13:34:15+09:00","created_at":"2022-12-25T13:20:58+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto"],"price":459000,"price_min":459000,"price_max":459000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43811980673274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Forte Four | Doo-Dooettes \/\/ Live at the Brand 2xLP","public_title":null,"options":["Default Title"],"price":459000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-12-25at1.09.48pm.png?v=1671942060"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-12-25at1.09.48pm.png?v=1671942060","options":["Title"],"media":[{"alt":null,"id":31252503757050,"position":1,"preview_image":{"aspect_ratio":1.004,"height":497,"width":499,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-12-25at1.09.48pm.png?v=1671942060"},"aspect_ratio":1.004,"height":497,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-12-25at1.09.48pm.png?v=1671942060","width":499}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e LAFMSの中核グループLe Forte FourとDoo-Dooettesの再発2枚組レコードです。（オリジナルは1976年リリース）\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qFM7OuWut2c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eText via Discogs:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On July 8th, 1976, the Doo-Dooettes and Le Forte Four as representatives of the L.A. Free Music Society gave a performance at the Brand Art Center in Glendale, California. For their portion of the event, Le Forte Four tried to play back prerecorded tapes through 44 pyramid shaped headphones. Both the tapes and the headphones were specifically designed for the concert. The Doo-Dooettes played live.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Le Forte Four - Birth Of Largie Schrapnel\u003cbr\u003eA2 Le Forte Four - The Very First Song I Ever Wrote\u003cbr\u003eA3 Le Forte Four - M-M-M\u003cbr\u003eA4 Le Forte Four - Keep That Point Up\u003cbr\u003eA5 Le Forte Four - 4,000 Holes In Blackburn, Lancashire\u003cbr\u003eA6 Le Forte Four - Telethon Returns\u003cbr\u003eA7 Le Forte Four - From The 12 Pages\u003cbr\u003eA8 Le Forte Four - Tree Shredding Blues\u003cbr\u003eA9 Le Forte Four - Do The Crow\u003cbr\u003eA10 Le Forte Four - Balanced Comfort\u003cbr\u003eA11 Le Forte Four - Telethon Returns\u003cbr\u003eA12 Le Forte Four - Internal C.B. Breakage\u003cbr\u003eA13 Le Forte Four - Good Friday Tape Dumb Session #1\u003cbr\u003eB1 Le Forte Four - Reel World\u003cbr\u003eB2 Le Forte Four - Columbia-Princeton Low Priority Soybean Meal\u003cbr\u003eB3 Le Forte Four - Telethon Returns\u003cbr\u003eB4 Le Forte Four - Down The Congo In A Backward Canoe\u003cbr\u003eB5 Le Forte Four - Telethon Returns Continues\u003cbr\u003eB6 Le Forte Four - Welcome To 35 South Raymond\u003cbr\u003eB7 Le Forte Four - Darker Scratcher\u003cbr\u003eB8 Le Forte Four - Diaramma I\u003cbr\u003eB9 Le Forte Four - Diaramma II\u003cbr\u003eB10 Le Forte Four - HHHMMM\u003cbr\u003eB11 Le Forte Four - Telethon Returns\u003cbr\u003eB12 Le Forte Four - Good Friday Tape Dumb Session II\u003cbr\u003eB13 Le Forte Four - Shoe Spot\u003cbr\u003eB14 Le Forte Four - Meet The Detectives\u003cbr\u003eB15 Le Forte Four - Simple Circus\u003cbr\u003eC1 Doo-Dooettes - Mojave\u003cbr\u003eC2 Doo-Dooettes - Silver Hours\u003cbr\u003eC3 Doo-Dooettes - Twenty-Four (24)\u003cbr\u003eC4 Doo-Dooettes - Children Undressing Animals (Part One)\u003cbr\u003eD1 Doo-Dooettes - Children Undressing Animals (Part Two)\u003cbr\u003eD2 Fredrik Nilsen – Green\u003c\/p\u003e\n\u003cp\u003eArtist : Le Forte Four | Doo-Dooettes\u003c\/p\u003e\n\u003cp\u003eLabel : LAFMS\u003c\/p\u003e"}
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LAFMSの中核グループLe Forte FourとDoo-Dooettesの再発2枚組レコードです。（オリジナルは1976年リリース） ------------------------------------------ Text via Discogs: "On July 8th, 1976, the Doo-Dooettes and...
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{"id":9027926851834,"title":"Le Grand Couturier s\/t LP","handle":"le-grand-couturier-s-t-lp","description":"\u003cp\u003eフランスの実験ハワイアントリオLe Grand Couturierが、2025年11月に同国実験／ストレンジビーツレーベル\u003cspan\u003eunjenesaisquoiから\u003c\/span\u003eリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ハワイアン〜ストレンジビーツ〜マフィア・ラウンジ8曲を収録。DLコード付属。\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Le Grand Couturierは、Rachel Langlais (keyboards, vocals)、Jean-François Riffaud (composition, steel guitar, vocals)、Clément Vercelletto (drums, synths)によるトリオである。主に20世紀中頃のハワイアン・ポリネシアン音楽に触発され、現代的なシンセサイザーやエレクトリックのテクスチャーと対峙させることで、これらの音楽様式を再解釈している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLe Grand Couturierの音楽は、エキゾティカ運動における再解釈が示すように「アメリカン・ドリーム」と結びつけられることが多いこれらのスタイルの無邪気な精神と、現代世界の暴力との間の隔たりを喚起する。この美学の脱構築とノイズ音楽から借用した音響処理を通じて、その対比を浮き彫りにするのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのトリオのメンバーは、フランスの実験音楽やインディペンデントシーンで数年にわたり活動している。Rachel Langlaisは複数の音楽プロジェクト（ラ・コロニー・ド・ヴァカンス、ピジャマラマ）を率い、UJNSQレーベルからプリペアド・ピアノのソロアルバム『Dothe』をリリースしている。Jean-François Riffaudはアフリカのエレクトリック・ミュージックからアメリカのミニマリズム、1980年代のパワーポップまで幅広く探求している（エレクトリック・ヴォクヒラ、パルケ、ABACAXI、ザ・ワールド）。Clément Vercellettoは2025年1月にUJNSQより自身名義初のソロアルバム『L’engoulevent』をリリース。音楽とパフォーマンスの境界を越えた学際的な活動を、数多くの会場や国際フェスティバルで展開している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLe Grand Couturierのファーストアルバムは、キャピトラ・アナログ・スタジオでアナログ録音され、ライブのようなダイナミックなトラックを収録し、即興や創造的な偶然性を重視している。このアプローチは、マーティン・デニー、ジョー・ミーク、レス・バクスターなどのアーティストによる音響実験を彷彿とさせる一方で、生々しく現代的なサウンドのアイデンティティを主張している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマリオン・ジャダノフ（コレクティフ・パレフロワ）によるオリジナル絵画のカバーアートは、8曲（インストゥルメンタル5曲、ボーカル3曲）で構成されるこのファーストアルバムの精神を強調している。その雰囲気は、質感豊かでカラフル、細部にまでこだわっており、Fanta cinq のいたずらっぽい、漫画のような精神から、不気味で霧のような Maneki Neko、騒々しく、あからさまに実験的な Adventures in Paradise、そして催眠的で踊れる Hula Kong まで、さまざまなムードへと変化している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのデビューアルバムで、Le Grand Couturier は、想像上のエキゾチカと現代的な実験の狭間にある、予想外の音響的景観を探求している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=854668078\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=623326653\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=480230371\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3958763685\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003ehere\u003c\/a\u003e to see more unjenesaisquoi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fanta Cinq 05:02\u003cbr\u003e2. I Ku'u Wa Li'i Li'i 04:38\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Maneki Neko 04:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I One Huna Ka Pahu 01:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Adventures In Paradise 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hula Kong 03:18\u003cbr\u003e\u003c\/span\u003e7. Monette 04:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. L'isle 04:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eunjenesaisquoi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLe Grand Couturier is a trio formed by Rachel Langlais (keyboards, vocals), Jean-François Riffaud (composition, steel guitar, vocals) and Clément Vercelletto (drums, synths). Mainly inspired by Hawaiian and Polynesian music from the mid-20th century, the group revisits these musical forms by confronting them with contemporary synthetic and electric textures.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music of Le Grand Couturier evokes the gap between the carefree spirit often associated with these styles in the “American dream”—as illustrated by their reappropriation within the Exotica movement—and the violence of today’s world, through the deconstruction of this aesthetic and the use of sound treatments borrowed from noise music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe members of the trio have been active for several years on the French experimental and independent scene. Rachel Langlais leads several musical projects (La Colonie de Vacances, Pyjamarama) and released a solo album of prepared piano, Dothe, on the UJNSQ label. Jean-François Riffaud explores everything from African electric music and American minimalism to 1980s power pop (Electric Vocuhila, Parquet, ABACAXI, The World). Clément Vercelletto (Kaumwald, Sarah Terral, Orgue Agnès) released his first solo album\u003cspan class=\"bcTruncateMore\"\u003e under his name, L’engoulevent, in January 2025 on UJNSQ and develops transdisciplinary work between music and performance across numerous venues and international festivals.\u003cbr\u003e\u003cbr\u003eThe first album by Le Grand Couturier was recorded in analog at Capitola Analog studio, capturing the tracks with a live-like dynamic and favoring improvisation and creative accidents. This approach echoes the sonic experiments of artists such as Martin Denny, Joe Meek and Les Baxter, while asserting a raw and contemporary sound identity.\u003cbr\u003e\u003cbr\u003eThe cover art, an original painting by Marion Jdanoff (Collectif Palefroi), reinforces the spirit of this first album, which consists of eight tracks (five instrumentals and three with vocals). The atmosphere is textured and colorful, teeming with details and shifting from one mood to another, from the mischievous, cartoon-like spirit of Fanta cinq to the eerie, vaporous Maneki Neko, the noisy and openly experimental Adventures in Paradise or the hypnotic, danceable Hula Kong.\u003cbr\u003eWith this debut album, Le Grand Couturier explores an unexpected sonic landscape, poised between imaginary exotica and contemporary experimentation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Grand Couturier\u003c\/p\u003e\n\u003cp\u003eLabel : unjenesaisquoi\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUJNSQ-056\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-15T11:40:05+09:00","created_at":"2025-12-15T10:47:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","unjenesaisquoi"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48108315902202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Grand Couturier s\/t LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_4f635ad0-ba03-4e47-8035-0047d343c392.jpg?v=1765763122","\/\/tobirarecords.com\/cdn\/shop\/files\/grand2_c11418d6-4966-421c-a522-2652df2d0911.jpg?v=1765763122"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_4f635ad0-ba03-4e47-8035-0047d343c392.jpg?v=1765763122","options":["Title"],"media":[{"alt":null,"id":37786601390330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_4f635ad0-ba03-4e47-8035-0047d343c392.jpg?v=1765763122"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand1_4f635ad0-ba03-4e47-8035-0047d343c392.jpg?v=1765763122","width":700},{"alt":null,"id":37786601423098,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand2_c11418d6-4966-421c-a522-2652df2d0911.jpg?v=1765763122"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grand2_c11418d6-4966-421c-a522-2652df2d0911.jpg?v=1765763122","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験ハワイアントリオLe Grand Couturierが、2025年11月に同国実験／ストレンジビーツレーベル\u003cspan\u003eunjenesaisquoiから\u003c\/span\u003eリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ハワイアン〜ストレンジビーツ〜マフィア・ラウンジ8曲を収録。DLコード付属。\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Le Grand Couturierは、Rachel Langlais (keyboards, vocals)、Jean-François Riffaud (composition, steel guitar, vocals)、Clément Vercelletto (drums, synths)によるトリオである。主に20世紀中頃のハワイアン・ポリネシアン音楽に触発され、現代的なシンセサイザーやエレクトリックのテクスチャーと対峙させることで、これらの音楽様式を再解釈している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLe Grand Couturierの音楽は、エキゾティカ運動における再解釈が示すように「アメリカン・ドリーム」と結びつけられることが多いこれらのスタイルの無邪気な精神と、現代世界の暴力との間の隔たりを喚起する。この美学の脱構築とノイズ音楽から借用した音響処理を通じて、その対比を浮き彫りにするのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのトリオのメンバーは、フランスの実験音楽やインディペンデントシーンで数年にわたり活動している。Rachel Langlaisは複数の音楽プロジェクト（ラ・コロニー・ド・ヴァカンス、ピジャマラマ）を率い、UJNSQレーベルからプリペアド・ピアノのソロアルバム『Dothe』をリリースしている。Jean-François Riffaudはアフリカのエレクトリック・ミュージックからアメリカのミニマリズム、1980年代のパワーポップまで幅広く探求している（エレクトリック・ヴォクヒラ、パルケ、ABACAXI、ザ・ワールド）。Clément Vercellettoは2025年1月にUJNSQより自身名義初のソロアルバム『L’engoulevent』をリリース。音楽とパフォーマンスの境界を越えた学際的な活動を、数多くの会場や国際フェスティバルで展開している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLe Grand Couturierのファーストアルバムは、キャピトラ・アナログ・スタジオでアナログ録音され、ライブのようなダイナミックなトラックを収録し、即興や創造的な偶然性を重視している。このアプローチは、マーティン・デニー、ジョー・ミーク、レス・バクスターなどのアーティストによる音響実験を彷彿とさせる一方で、生々しく現代的なサウンドのアイデンティティを主張している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマリオン・ジャダノフ（コレクティフ・パレフロワ）によるオリジナル絵画のカバーアートは、8曲（インストゥルメンタル5曲、ボーカル3曲）で構成されるこのファーストアルバムの精神を強調している。その雰囲気は、質感豊かでカラフル、細部にまでこだわっており、Fanta cinq のいたずらっぽい、漫画のような精神から、不気味で霧のような Maneki Neko、騒々しく、あからさまに実験的な Adventures in Paradise、そして催眠的で踊れる Hula Kong まで、さまざまなムードへと変化している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのデビューアルバムで、Le Grand Couturier は、想像上のエキゾチカと現代的な実験の狭間にある、予想外の音響的景観を探求している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=854668078\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=623326653\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=480230371\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1834387421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3958763685\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003ehere\u003c\/a\u003e to see more unjenesaisquoi releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fanta Cinq 05:02\u003cbr\u003e2. I Ku'u Wa Li'i Li'i 04:38\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Maneki Neko 04:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. I One Huna Ka Pahu 01:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Adventures In Paradise 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hula Kong 03:18\u003cbr\u003e\u003c\/span\u003e7. Monette 04:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. L'isle 04:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eunjenesaisquoi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLe Grand Couturier is a trio formed by Rachel Langlais (keyboards, vocals), Jean-François Riffaud (composition, steel guitar, vocals) and Clément Vercelletto (drums, synths). Mainly inspired by Hawaiian and Polynesian music from the mid-20th century, the group revisits these musical forms by confronting them with contemporary synthetic and electric textures.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music of Le Grand Couturier evokes the gap between the carefree spirit often associated with these styles in the “American dream”—as illustrated by their reappropriation within the Exotica movement—and the violence of today’s world, through the deconstruction of this aesthetic and the use of sound treatments borrowed from noise music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe members of the trio have been active for several years on the French experimental and independent scene. Rachel Langlais leads several musical projects (La Colonie de Vacances, Pyjamarama) and released a solo album of prepared piano, Dothe, on the UJNSQ label. Jean-François Riffaud explores everything from African electric music and American minimalism to 1980s power pop (Electric Vocuhila, Parquet, ABACAXI, The World). Clément Vercelletto (Kaumwald, Sarah Terral, Orgue Agnès) released his first solo album\u003cspan class=\"bcTruncateMore\"\u003e under his name, L’engoulevent, in January 2025 on UJNSQ and develops transdisciplinary work between music and performance across numerous venues and international festivals.\u003cbr\u003e\u003cbr\u003eThe first album by Le Grand Couturier was recorded in analog at Capitola Analog studio, capturing the tracks with a live-like dynamic and favoring improvisation and creative accidents. This approach echoes the sonic experiments of artists such as Martin Denny, Joe Meek and Les Baxter, while asserting a raw and contemporary sound identity.\u003cbr\u003e\u003cbr\u003eThe cover art, an original painting by Marion Jdanoff (Collectif Palefroi), reinforces the spirit of this first album, which consists of eight tracks (five instrumentals and three with vocals). The atmosphere is textured and colorful, teeming with details and shifting from one mood to another, from the mischievous, cartoon-like spirit of Fanta cinq to the eerie, vaporous Maneki Neko, the noisy and openly experimental Adventures in Paradise or the hypnotic, danceable Hula Kong.\u003cbr\u003eWith this debut album, Le Grand Couturier explores an unexpected sonic landscape, poised between imaginary exotica and contemporary experimentation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Grand Couturier\u003c\/p\u003e\n\u003cp\u003eLabel : unjenesaisquoi\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUJNSQ-056\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの実験ハワイアントリオLe Grand Couturierが、2025年11月に同国実験／ストレンジビーツレーベルunjenesaisquoiからリリースしたデビューレコードです。 実験ハワイアン〜ストレンジビーツ〜マフィア・ラウンジ8曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Le Grand Couturierは、Rachel Langlais (keyboards, vocals)、Jean-François Riffaud (composition, steel...
¥3,980
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{"id":9111728029946,"title":"Le Matin \/\/ Inactive Worlds TAPE","handle":"le-matin-inactive-worlds-tape","description":"\u003cp\u003e\u003cspan\u003eレフトフィールド・ダンス作家Le Matinが、2021年8月にCudighi Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアシッド・ハウス〜フットワーク〜ダブテクノ9曲を収録\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2421512222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2634053626\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2421512222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLe Matin's Charles Torris returns with his first electronic exercise overseas, crafting an album equal parts punchy and funky, a fine blend of dance floor and dystopia. I like to imagine Inactive Worlds as the soundtrack to a bygone mid-90s MMORPG from the defunct Delphine Software. That, or a haunted Hypercard overgrown with mold, the computer's corrupted microchip seeping a corrosive acid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe snow melts. The ice thaws. Time for spring cleaning. You ascend to the attic. In a dusty box, a crumpled, yellowed notecard. On it, a jumble of numbers: a password. Beside it, a disc: Inactive Worlds. Curious, nostalgic, you boot up the old PC and log in...\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInstead of a lively hub filled with gamers from around the globe, you're left with empty space and pixelated polygons. With nobody to talk to, you trawl through abandoned artifacts and hidden messages hinting at a once thriving online ecosystem. Perhaps someone else is playing, deep in the depths...\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou press on, past buzzing neon hotels, through bubbling swampland, the endless acidic rain burning divots into your exposed skin. The rotating sky cast in a revolting greenish hue. Finally, you hear a murmur. A throbbing. A rattling. It crawls up from the ground. You edge closer...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Matin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-28T10:16:10+09:00","created_at":"2026-02-28T10:15:38+09:00","vendor":"Tobira Records","type":"","tags":["Cudighi Records","house","new","strange beats","tape","techno \/ house"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48392347287802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Matin \/\/ Inactive Worlds TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_118ed611-bea4-48e6-b34a-b6880d49fa95.jpg?v=1629160932"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_118ed611-bea4-48e6-b34a-b6880d49fa95.jpg?v=1629160932","options":["Title"],"media":[{"alt":null,"id":23384376213669,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_118ed611-bea4-48e6-b34a-b6880d49fa95.jpg?v=1629160932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_118ed611-bea4-48e6-b34a-b6880d49fa95.jpg?v=1629160932","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eレフトフィールド・ダンス作家Le Matinが、2021年8月にCudighi Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアシッド・ハウス〜フットワーク〜ダブテクノ9曲を収録\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2421512222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2634053626\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2421512222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLe Matin's Charles Torris returns with his first electronic exercise overseas, crafting an album equal parts punchy and funky, a fine blend of dance floor and dystopia. I like to imagine Inactive Worlds as the soundtrack to a bygone mid-90s MMORPG from the defunct Delphine Software. That, or a haunted Hypercard overgrown with mold, the computer's corrupted microchip seeping a corrosive acid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe snow melts. The ice thaws. Time for spring cleaning. You ascend to the attic. In a dusty box, a crumpled, yellowed notecard. On it, a jumble of numbers: a password. Beside it, a disc: Inactive Worlds. Curious, nostalgic, you boot up the old PC and log in...\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInstead of a lively hub filled with gamers from around the globe, you're left with empty space and pixelated polygons. With nobody to talk to, you trawl through abandoned artifacts and hidden messages hinting at a once thriving online ecosystem. Perhaps someone else is playing, deep in the depths...\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou press on, past buzzing neon hotels, through bubbling swampland, the endless acidic rain burning divots into your exposed skin. The rotating sky cast in a revolting greenish hue. Finally, you hear a murmur. A throbbing. A rattling. It crawls up from the ground. You edge closer...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Matin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records\u003c\/span\u003e\u003c\/p\u003e"}
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レフトフィールド・ダンス作家Le Matinが、2021年8月にCudighi Recordsからリリースしたカセットです。 アシッド・ハウス〜フットワーク〜ダブテクノ9曲を収録 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Cudighi Records releases available at Tobira. ...
¥1,988
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{"id":7976397734138,"title":"Le Motel \u0026 Bruce Wijn \/\/ MAAR LP","handle":"le-motel-bruce-wijn-maar","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ブリュッセルのベースレーベルMaloca主宰Le Motelと、同じくブリュッセルのポストロック作家Bruce Wijnが、2023年5月に同国オールジャンルレーベル\u003cmeta charset=\"utf-8\"\u003eCortizonaから500部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLe Motelは\u003ca href=\"https:\/\/tobirarecords.com\/products\/le-motel-suenos-lp\"\u003e前作\u003c\/a\u003eで見せたようなダンス要素は封印し、より叙情的なポストロック〜エレクトロニカに寄せた内容となっています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=954767939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=687934265\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=954767939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLe Motel: electronics, synths and tape recorders\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruce Wijn: guitar, synth and bass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Gert Van Hoof at Cochlea Mastering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCut by Dubplates \u0026amp; Mastering Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Le Motel and Bruce Wijn met at school, during a school art trip to Munich. They went separate ways for a long time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHailing from Brussels, Le Motel’s world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethrough his studio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruce Wijn is a Brussels-based guitarist who played in several postrock kind projects such as Sound Film, 52 Commercial Road, or more shoegaze orientated Lazy Sin. These collaborations\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003egave him the opportunity to perform in various locations in Belgium, France, England, and the USA. As a musician, his focus has always been attracted by progressively built rhythmic\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emelodies, which would eventually turn into long reverberated or distorted swells, or the other way round.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll these experiences brought them both to the idea of scoring movies with different yet similar\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e approaches.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat’s how their first collaboration happened as Le Motel was working on the soundtrack of the movie 'Binti' and invited Bruce Wijn for the track Exode, in 2018.\u003cbr data-mce-fragment=\"1\"\u003eSince then, they’ve been working on other scoring projects, such as the feature film ‘Aller Retour’ more recently. Alongside the movie scoring activities another audiovisual live project was born, in\u003cbr data-mce-fragment=\"1\"\u003ecollaboration with Antoine de Schuyter and his mesmerizing images.\u003cbr data-mce-fragment=\"1\"\u003eThis one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first album ‘MAAR’.\u003cbr data-mce-fragment=\"1\"\u003eThe album is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the first echoing sounds of playing kids on the shoreside in the opening track ‘La Perche’ Le Motel \u0026amp; Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled ,out of range, future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘MAAR’ dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with ‘Captain Ahab’ floating on sonic breaking waves, while seagulls gently spread their\u003cbr data-mce-fragment=\"1\"\u003ewings, flying through the breezy and misty clouds of Blankenberge.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLava vulcanica slowly melts in the sad euphoria of the cold North Sea, crystallizing sounds only Le Motel and Bruce Wijn can deliver.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaterproof \u0026amp; heat resistant vintage seventies reel to reel tape wizardry. Infused with technicolor electronics for a bright careless sonic future.\u003c\/span\u003e \"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel \u0026amp; Bruce Wijn\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Cortizona\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-17T11:32:07+09:00","created_at":"2023-05-17T11:32:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cortizona","lp","neo classical"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44240459563258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Motel \u0026 Bruce Wijn \/\/ MAAR LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2586663258_16.jpg?v=1684291566"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2586663258_16.jpg?v=1684291566","options":["Title"],"media":[{"alt":null,"id":31982144389370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2586663258_16.jpg?v=1684291566"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2586663258_16.jpg?v=1684291566","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ブリュッセルのベースレーベルMaloca主宰Le Motelと、同じくブリュッセルのポストロック作家Bruce Wijnが、2023年5月に同国オールジャンルレーベル\u003cmeta charset=\"utf-8\"\u003eCortizonaから500部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eLe Motelは\u003ca href=\"https:\/\/tobirarecords.com\/products\/le-motel-suenos-lp\"\u003e前作\u003c\/a\u003eで見せたようなダンス要素は封印し、より叙情的なポストロック〜エレクトロニカに寄せた内容となっています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=954767939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=687934265\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=954767939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLe Motel: electronics, synths and tape recorders\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruce Wijn: guitar, synth and bass\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Gert Van Hoof at Cochlea Mastering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCut by Dubplates \u0026amp; Mastering Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Le Motel and Bruce Wijn met at school, during a school art trip to Munich. They went separate ways for a long time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHailing from Brussels, Le Motel’s world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethrough his studio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBruce Wijn is a Brussels-based guitarist who played in several postrock kind projects such as Sound Film, 52 Commercial Road, or more shoegaze orientated Lazy Sin. These collaborations\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003egave him the opportunity to perform in various locations in Belgium, France, England, and the USA. As a musician, his focus has always been attracted by progressively built rhythmic\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emelodies, which would eventually turn into long reverberated or distorted swells, or the other way round.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll these experiences brought them both to the idea of scoring movies with different yet similar\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e approaches.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat’s how their first collaboration happened as Le Motel was working on the soundtrack of the movie 'Binti' and invited Bruce Wijn for the track Exode, in 2018.\u003cbr data-mce-fragment=\"1\"\u003eSince then, they’ve been working on other scoring projects, such as the feature film ‘Aller Retour’ more recently. Alongside the movie scoring activities another audiovisual live project was born, in\u003cbr data-mce-fragment=\"1\"\u003ecollaboration with Antoine de Schuyter and his mesmerizing images.\u003cbr data-mce-fragment=\"1\"\u003eThis one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first album ‘MAAR’.\u003cbr data-mce-fragment=\"1\"\u003eThe album is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the first echoing sounds of playing kids on the shoreside in the opening track ‘La Perche’ Le Motel \u0026amp; Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled ,out of range, future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘MAAR’ dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with ‘Captain Ahab’ floating on sonic breaking waves, while seagulls gently spread their\u003cbr data-mce-fragment=\"1\"\u003ewings, flying through the breezy and misty clouds of Blankenberge.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLava vulcanica slowly melts in the sad euphoria of the cold North Sea, crystallizing sounds only Le Motel and Bruce Wijn can deliver.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaterproof \u0026amp; heat resistant vintage seventies reel to reel tape wizardry. Infused with technicolor electronics for a bright careless sonic future.\u003c\/span\u003e \"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel \u0026amp; Bruce Wijn\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Cortizona\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギー・ブリュッセルのベースレーベルMaloca主宰Le Motelと、同じくブリュッセルのポストロック作家Bruce Wijnが、2023年5月に同国オールジャンルレーベルCortizonaから500部限定でリリースした共作レコードです。 Le Motelは前作で見せたようなダンス要素は封印し、より叙情的なポストロック〜エレクトロニカに寄せた内容となっています。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Cortizona releases available at Tobira. ...
¥3,780
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{"id":8927569477882,"title":"Le Motel \/\/ Kernel Panic 12inch","handle":"le-motel-kernel-panic-12inch","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ブリュッセルのベース作家Le Motelが、2023年8月に\u003c\/span\u003eチェコのレフトフィールド・ダンスレーベルYUKUから300部限定でリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ベース6曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3176470474\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300 - no repress. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpirals 04:04\u003c\/li\u003e\n\u003cli\u003eRaving Crew 04:22\u003c\/li\u003e\n\u003cli\u003ePiga Makofi (feat. Nah Eeto) 03:45\u003c\/li\u003e\n\u003cli\u003eHelix 04:26\u003c\/li\u003e\n\u003cli\u003e429 Too Many Requests 04:18\u003c\/li\u003e\n\u003cli\u003ePiga Makofi (Instrumental) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eLe Motel:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hi there, I’m really happy to present my new EP « Kernel Panic » released on one of my favorite labels « Yuku ». I’ve been discovering a lot of great music and new artists thanks to Yuku and I’m really happy to join the family.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy first release ever was a footwork release 8 years ago, and I wanted to experiment with this 160 bpm vibe again and merge it with a lot of different personal influences. I’ve been experimenting a lot with crazy polyrhythm sequencers and Euclidean algorithms for this EP. It was a lot of fun but my laptop didn’t like it at all. During the whole process, I experimented a huge amount and experienced loads of bugs and laptop freezes, so I decided to dedicate this EP to \"Kernel Panics\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt might be the most hybrid EP I've done. You can hear breaks, electro, footwork, grime, percussive, and dub ingredient within. I also had the pleasure to collaborate with the very talented Kenyan rapper, Nah Eeto, for Piga Makofi, and I can’t wait to play this one live with her.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI asked my friend Vica Pacheco to create the artwork and she built this psychedelic 3d world based on « the hypnotic and dynamic energy » of the EP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBig thanks to Yuku for following me into these new areas of experimentation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e","published_at":"2025-09-20T10:59:36+09:00","created_at":"2025-09-20T10:58:55+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","techno \/ house","yuku"],"price":329600,"price_min":329600,"price_max":329600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47733407777018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Motel \/\/ Kernel Panic 12inch","public_title":null,"options":["Default Title"],"price":329600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_4f191cf9-8098-4b8b-b7c5-8e45ee45f6d2.jpg?v=1709433160","\/\/tobirarecords.com\/cdn\/shop\/files\/pan2_8d5f49d0-ea56-495c-92fc-65cc58ec82e1.jpg?v=1709433160"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_4f191cf9-8098-4b8b-b7c5-8e45ee45f6d2.jpg?v=1709433160","options":["Title"],"media":[{"alt":null,"id":33288372846842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_4f191cf9-8098-4b8b-b7c5-8e45ee45f6d2.jpg?v=1709433160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_4f191cf9-8098-4b8b-b7c5-8e45ee45f6d2.jpg?v=1709433160","width":700},{"alt":null,"id":33288372879610,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan2_8d5f49d0-ea56-495c-92fc-65cc58ec82e1.jpg?v=1709433160"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan2_8d5f49d0-ea56-495c-92fc-65cc58ec82e1.jpg?v=1709433160","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ブリュッセルのベース作家Le Motelが、2023年8月に\u003c\/span\u003eチェコのレフトフィールド・ダンスレーベルYUKUから300部限定でリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ベース6曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3176470474\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300 - no repress. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpirals 04:04\u003c\/li\u003e\n\u003cli\u003eRaving Crew 04:22\u003c\/li\u003e\n\u003cli\u003ePiga Makofi (feat. Nah Eeto) 03:45\u003c\/li\u003e\n\u003cli\u003eHelix 04:26\u003c\/li\u003e\n\u003cli\u003e429 Too Many Requests 04:18\u003c\/li\u003e\n\u003cli\u003ePiga Makofi (Instrumental) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eLe Motel:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hi there, I’m really happy to present my new EP « Kernel Panic » released on one of my favorite labels « Yuku ». I’ve been discovering a lot of great music and new artists thanks to Yuku and I’m really happy to join the family.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy first release ever was a footwork release 8 years ago, and I wanted to experiment with this 160 bpm vibe again and merge it with a lot of different personal influences. I’ve been experimenting a lot with crazy polyrhythm sequencers and Euclidean algorithms for this EP. It was a lot of fun but my laptop didn’t like it at all. During the whole process, I experimented a huge amount and experienced loads of bugs and laptop freezes, so I decided to dedicate this EP to \"Kernel Panics\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt might be the most hybrid EP I've done. You can hear breaks, electro, footwork, grime, percussive, and dub ingredient within. I also had the pleasure to collaborate with the very talented Kenyan rapper, Nah Eeto, for Piga Makofi, and I can’t wait to play this one live with her.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI asked my friend Vica Pacheco to create the artwork and she built this psychedelic 3d world based on « the hypnotic and dynamic energy » of the EP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBig thanks to Yuku for following me into these new areas of experimentation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e"}
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ベルギー・ブリュッセルのベース作家Le Motelが、2023年8月にチェコのレフトフィールド・ダンスレーベルYUKUから300部限定でリリースした12"です。 レフトフィールド・ベース6曲を収録。180g重量盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Yuku releases available at Tobira. ---------------------------...
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{"id":8781757022458,"title":"Le Motel \/\/ Odd Numbers \/ Số Lẻ LP","handle":"le-motel-odd-numbers-số-lẻ-lp","description":"\u003cp\u003e\u003cspan\u003eベルギー・ブリュッセルのベース作家Le Motelが、\u003c\/span\u003e2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3581426841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elithographic 4-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Cried Like a Child of Three \/ Tôi đã khóc như một đứa trẻ lên ba (feat. Yvonne Quỳnh-Lan Dương, Bui Thi Oanh, Chi chi, Ma Ma Chi and Are Ro) 04:42\u003cbr\u003e2. Xăm Hường 02:47\u003cbr\u003e3. Early Night with Fa and the Dang Brothers \/ Đầu hôm với Fa và anh em nhà họ Đặng (feat. Long Dang) 02:43\u003cbr\u003e4. La Palanche \/ Đòn gánh 03:38\u003cbr\u003e5. The Universe Is a Rabid Creature \/ Vũ trụ là con thú điên (feat. Yvonne Quỳnh-Lan Dương, Phapxa Chan and Bui Thi Oanh) 03:37\u003cbr\u003e6. Hanoi - The Motorcycle Empire \/ Hà Nội - Đế chế Xe ôm (feat. Gretar Ingi Gunnlaugsson and Dung Tran Quoc) 02:58 video\u003cbr\u003e7. A Conversation Under the Night Sky \/ Cuộc chuyện dưới trời đêm 02:26\u003cbr\u003e8. Altar \/ Bàn thờ 02:46\u003cbr\u003e9. Roóng Poọc (feat. Giáy) 02:19\u003cbr\u003e10. Chàm Islands (feat. Hoàng Tuấn) 02:35\u003cbr\u003e11. Lục bát 03:32\u003cbr\u003e12. The Perfume River \/ Sông Hương (feat. Truong Phu) 01:33\u003cbr\u003e13. Tuj Lub (feat. Lander Gyselinck) 04:11\u003cbr\u003e14. Đông Ba Market (feat. Hoàng Tuấn and Yvonne Quỳnh-Lan Dương) 02:31\u003cbr\u003e15. Home Is a Fire \/ Nhà là một ngọn lửa 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt took a village to create Le Motel’s Odd Numbers \/ Số Lẻ. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers \/ Số Lẻ—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators\u003cspan class=\"bcTruncateMore\"\u003e are Yvonne Quỳnh-Lan Dương, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).\u003cbr\u003e\u003cbr\u003eThe result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers \/ Số Lẻ suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT15\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T09:02:34+09:00","created_at":"2025-05-08T19:19:07+09:00","vendor":"Tobira Records","type":"","tags":["balmat","house","lp","recommended","techno \/ house"],"price":474000,"price_min":474000,"price_max":474000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303777714426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Motel \/\/ Odd Numbers \/ Số Lẻ LP","public_title":null,"options":["Default Title"],"price":474000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","options":["Title"],"media":[{"alt":null,"id":35997869015290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","width":700},{"alt":null,"id":35997869048058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eベルギー・ブリュッセルのベース作家Le Motelが、\u003c\/span\u003e2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3581426841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elithographic 4-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Cried Like a Child of Three \/ Tôi đã khóc như một đứa trẻ lên ba (feat. Yvonne Quỳnh-Lan Dương, Bui Thi Oanh, Chi chi, Ma Ma Chi and Are Ro) 04:42\u003cbr\u003e2. Xăm Hường 02:47\u003cbr\u003e3. Early Night with Fa and the Dang Brothers \/ Đầu hôm với Fa và anh em nhà họ Đặng (feat. Long Dang) 02:43\u003cbr\u003e4. La Palanche \/ Đòn gánh 03:38\u003cbr\u003e5. The Universe Is a Rabid Creature \/ Vũ trụ là con thú điên (feat. Yvonne Quỳnh-Lan Dương, Phapxa Chan and Bui Thi Oanh) 03:37\u003cbr\u003e6. Hanoi - The Motorcycle Empire \/ Hà Nội - Đế chế Xe ôm (feat. Gretar Ingi Gunnlaugsson and Dung Tran Quoc) 02:58 video\u003cbr\u003e7. A Conversation Under the Night Sky \/ Cuộc chuyện dưới trời đêm 02:26\u003cbr\u003e8. Altar \/ Bàn thờ 02:46\u003cbr\u003e9. Roóng Poọc (feat. Giáy) 02:19\u003cbr\u003e10. Chàm Islands (feat. Hoàng Tuấn) 02:35\u003cbr\u003e11. Lục bát 03:32\u003cbr\u003e12. The Perfume River \/ Sông Hương (feat. Truong Phu) 01:33\u003cbr\u003e13. Tuj Lub (feat. Lander Gyselinck) 04:11\u003cbr\u003e14. Đông Ba Market (feat. Hoàng Tuấn and Yvonne Quỳnh-Lan Dương) 02:31\u003cbr\u003e15. Home Is a Fire \/ Nhà là một ngọn lửa 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt took a village to create Le Motel’s Odd Numbers \/ Số Lẻ. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers \/ Số Lẻ—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators\u003cspan class=\"bcTruncateMore\"\u003e are Yvonne Quỳnh-Lan Dương, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).\u003cbr\u003e\u003cbr\u003eThe result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers \/ Số Lẻ suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT15\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギー・ブリュッセルのベース作家Le Motelが、2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。 ベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lapsus / Balmat releases available at...
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{"id":9459951763706,"title":"Le Motel \/\/ Pozo de Agua LP","handle":"le-motel-pozo-de-agua-lp","description":"\u003cp\u003eベルギーのベースレーベルMaloca主宰Le Motelが、2026年9月にアメリカ・オークランドの老舗アンビエントレーベルConstellation Tatsuからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e躍動感のあるアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1234330905\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eConstellation Tatsu releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Mangrove 03:16 \u003cbr\u003e2. Yakushima 02:54 \u003cbr\u003e3. Cabane 03:00 \u003cbr\u003e4. Sundogs 04:46 \u003cbr\u003e5. Caracol 04:03 \u003cbr\u003e6. Tree Arp 03:18 \u003cbr\u003e7. Waiting for Kiku 03:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrussels-based producer, composer, and field recordist Le Motel has developed a distinct body of work rooted in environmental sound, collage, and immersive electronic composition. Across releases, collaborations, and audiovisual projects, his music blends ambient textures, rhythmic experimentation, field recordings, and downtempo electronics into transportive listening experiences.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel is also the founder of the Brussels label Maloca Records and has become known for projects that incorporate recordings gathered through travel and collaboration. His acclaimed release Odd Numbers \/ Số Lẻ drew from recordings made in Vietnam and explored the intersection of ambient composition, documentary sound, and experimental electronic music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePozo de Agua continues Le Motel’s exploration of atmosphere, texture, and place through a fluid palette of ambient electronics, organic detail, and layered sonic environments. Most of the tracks were created outdoors or in transit, primarily on trains, emerging from what Le Motel describes as “a very natural and emotional process” of translating feelings, memories, and passing thoughts into sound. The album treats environmental sounds — ripples, water drops, movement, and air — with the same importance as\u003cspan class=\"bcTruncateMore\"\u003e traditional instruments, allowing elements to drift in and out like ocean waves while forming subtle polyrhythms and overlapping textures.\u003cbr\u003e\u003cbr\u003eWorking at the intersection of ambient, experimental electronic music, balearic downtempo, and new age-inspired sound design, Le Motel creates music that feels both intimate and expansive. His approach combines processed acoustic elements, environmental recordings, and soft electronic structures into compositions that reward deep listening while maintaining an understated emotional pull.\u003cbr\u003e\u003cbr\u003eFor listeners drawn to exploratory ambient music, environmental sound collage, and contemporary downtempo electronics, Pozo de Agua presents another entry in Le Motel’s evolving sonic world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Le Motel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Constellation Tatsu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th September 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-09-20T14:01:08+09:00","created_at":"2026-09-20T09:05:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","constellation tatsu","lp","new"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50468821500154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Motel \/\/ Pozo de Agua LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_c3f5bb1b-9705-4ea9-a1e8-799f6398cad5.jpg?v=1789862662","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_973c5287-3321-43bc-a960-eec41c49da09.jpg?v=1789862662"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_c3f5bb1b-9705-4ea9-a1e8-799f6398cad5.jpg?v=1789862662","options":["Title"],"media":[{"alt":null,"id":41220211376378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_c3f5bb1b-9705-4ea9-a1e8-799f6398cad5.jpg?v=1789862662"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_c3f5bb1b-9705-4ea9-a1e8-799f6398cad5.jpg?v=1789862662","width":350},{"alt":null,"id":41220211409146,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_973c5287-3321-43bc-a960-eec41c49da09.jpg?v=1789862662"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_973c5287-3321-43bc-a960-eec41c49da09.jpg?v=1789862662","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのベースレーベルMaloca主宰Le Motelが、2026年9月にアメリカ・オークランドの老舗アンビエントレーベルConstellation Tatsuからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e躍動感のあるアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1234330905\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ctatsu\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eConstellation Tatsu releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Mangrove 03:16 \u003cbr\u003e2. Yakushima 02:54 \u003cbr\u003e3. Cabane 03:00 \u003cbr\u003e4. Sundogs 04:46 \u003cbr\u003e5. Caracol 04:03 \u003cbr\u003e6. Tree Arp 03:18 \u003cbr\u003e7. Waiting for Kiku 03:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrussels-based producer, composer, and field recordist Le Motel has developed a distinct body of work rooted in environmental sound, collage, and immersive electronic composition. Across releases, collaborations, and audiovisual projects, his music blends ambient textures, rhythmic experimentation, field recordings, and downtempo electronics into transportive listening experiences.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel is also the founder of the Brussels label Maloca Records and has become known for projects that incorporate recordings gathered through travel and collaboration. His acclaimed release Odd Numbers \/ Số Lẻ drew from recordings made in Vietnam and explored the intersection of ambient composition, documentary sound, and experimental electronic music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePozo de Agua continues Le Motel’s exploration of atmosphere, texture, and place through a fluid palette of ambient electronics, organic detail, and layered sonic environments. Most of the tracks were created outdoors or in transit, primarily on trains, emerging from what Le Motel describes as “a very natural and emotional process” of translating feelings, memories, and passing thoughts into sound. The album treats environmental sounds — ripples, water drops, movement, and air — with the same importance as\u003cspan class=\"bcTruncateMore\"\u003e traditional instruments, allowing elements to drift in and out like ocean waves while forming subtle polyrhythms and overlapping textures.\u003cbr\u003e\u003cbr\u003eWorking at the intersection of ambient, experimental electronic music, balearic downtempo, and new age-inspired sound design, Le Motel creates music that feels both intimate and expansive. His approach combines processed acoustic elements, environmental recordings, and soft electronic structures into compositions that reward deep listening while maintaining an understated emotional pull.\u003cbr\u003e\u003cbr\u003eFor listeners drawn to exploratory ambient music, environmental sound collage, and contemporary downtempo electronics, Pozo de Agua presents another entry in Le Motel’s evolving sonic world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Le Motel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Constellation Tatsu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th September 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーのベースレーベルMaloca主宰Le Motelが、2026年9月にアメリカ・オークランドの老舗アンビエントレーベルConstellation Tatsuからリリースしたアルバムです。 躍動感のあるアンビエント7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Constellation Tatsu releases available at Tobira. ----------------------------------------------...
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{"id":9113387925754,"title":"Le Motel \/\/ Sueños LP","handle":"le-motel-suenos-lp","description":"\u003cp\u003eベルギーのベースレーベルMaloca主宰Le Motelが、2022年8月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003ednb〜ジャングル〜グリッチIDM〜トラップ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1391662360\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" vinyl version of MLC005\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e33 ⅓ RPM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaloca Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBelgian artist and Maloca Records founder Le Motel returns to the label for a new EP, ‘Sueños’, his most expansive work to date. Released on the 25th February, Le Motel draws from the worldly ethos of the label to bring together collaborators from the UK, Ghana, Spain and Brussels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMeaning dream in Spanish, ‘Sueños’ was made during the lockdown and is inspired by the fragments for dreams and the incapacity of experiencing music and life in a physical way. On Le Motel’s two solo cuts, ‘Sueños’ and ‘Talking To Drums’, the dynamic artist showcases his signature percussive driven sound. With the global influences from the collaborators, ‘Sueños’ continues to expand across heavyweight grime on ‘Love Talk Bad’ with Logan, glitchy IDM with Cabasa on ‘Libet’s Delay’, Clara! bringing reggaeton flavours to ‘Rápido’ and Bryte provides his distinctive vocals to the heavy bass rhythms of ‘Wonteeda’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a music producer and film composer, Le Motel’s versatility has taken him to festivals and clubs in every direction and as a field recordist, he has ventured out to the less accessible areas of the globe to source sounds for his enriching productions. Having produced for some of Belgium’s biggest hip hop artists\u003cspan class=\"bcTruncateMore\"\u003e, Le Motel has also released on Portugal’s XXIII, LA’s TAR and New Zealand’s Cosmic Compositions.\u003cbr\u003e\u003cbr\u003eLaunching Maloca Records in 2020, Le Motel aims to bring together a global network of makers which was highlighted on the label’s first compilation, Maloca Vol. 1. The release focused on a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit, featuring tracks from Nick León, OMAAR, DJ JM, Dengue Dengue Dengue, Coen, DJ N.K. and Tsongo. Maloca has also released solo EPs from Howie Lee, Farsight and more recently Griffit Vigo.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Maloca Records\u003c\/p\u003e","published_at":"2026-03-01T14:12:06+09:00","created_at":"2026-03-01T14:11:37+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","house","lp","Maloca","new","techno \/ house"],"price":365400,"price_min":365400,"price_max":365400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48397985677562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Motel \/\/ Sueños LP","public_title":null,"options":["Default Title"],"price":365400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_9ae5d603-75cb-4dc0-aad6-08c1cd4465f7.jpg?v=1660705832","\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_fa5524bd-a496-439d-9396-ebd09c630bdf.jpg?v=1660705832"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_9ae5d603-75cb-4dc0-aad6-08c1cd4465f7.jpg?v=1660705832","options":["Title"],"media":[{"alt":null,"id":30307391340794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_9ae5d603-75cb-4dc0-aad6-08c1cd4465f7.jpg?v=1660705832"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_9ae5d603-75cb-4dc0-aad6-08c1cd4465f7.jpg?v=1660705832","width":700},{"alt":null,"id":30307391373562,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_fa5524bd-a496-439d-9396-ebd09c630bdf.jpg?v=1660705832"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_fa5524bd-a496-439d-9396-ebd09c630bdf.jpg?v=1660705832","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーのベースレーベルMaloca主宰Le Motelが、2022年8月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003ednb〜ジャングル〜グリッチIDM〜トラップ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1391662360\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" vinyl version of MLC005\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e33 ⅓ RPM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaloca Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBelgian artist and Maloca Records founder Le Motel returns to the label for a new EP, ‘Sueños’, his most expansive work to date. Released on the 25th February, Le Motel draws from the worldly ethos of the label to bring together collaborators from the UK, Ghana, Spain and Brussels.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMeaning dream in Spanish, ‘Sueños’ was made during the lockdown and is inspired by the fragments for dreams and the incapacity of experiencing music and life in a physical way. On Le Motel’s two solo cuts, ‘Sueños’ and ‘Talking To Drums’, the dynamic artist showcases his signature percussive driven sound. With the global influences from the collaborators, ‘Sueños’ continues to expand across heavyweight grime on ‘Love Talk Bad’ with Logan, glitchy IDM with Cabasa on ‘Libet’s Delay’, Clara! bringing reggaeton flavours to ‘Rápido’ and Bryte provides his distinctive vocals to the heavy bass rhythms of ‘Wonteeda’.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a music producer and film composer, Le Motel’s versatility has taken him to festivals and clubs in every direction and as a field recordist, he has ventured out to the less accessible areas of the globe to source sounds for his enriching productions. Having produced for some of Belgium’s biggest hip hop artists\u003cspan class=\"bcTruncateMore\"\u003e, Le Motel has also released on Portugal’s XXIII, LA’s TAR and New Zealand’s Cosmic Compositions.\u003cbr\u003e\u003cbr\u003eLaunching Maloca Records in 2020, Le Motel aims to bring together a global network of makers which was highlighted on the label’s first compilation, Maloca Vol. 1. The release focused on a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit, featuring tracks from Nick León, OMAAR, DJ JM, Dengue Dengue Dengue, Coen, DJ N.K. and Tsongo. Maloca has also released solo EPs from Howie Lee, Farsight and more recently Griffit Vigo.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Maloca Records\u003c\/p\u003e"}
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{"id":9394139136250,"title":"Le Nemesiache: Reclaiming Mythological Rituals ART BOOK","handle":"le-nemesiache-reclaiming-mythological-rituals-art-book","description":"\u003cp\u003eイタリアの実験フェミニスト集団Le Nemesiacheが、2026年にフランスのMousse Publishingからリリースしたアートブックです。\u003c\/p\u003e\n\u003cp\u003eソフトカバー仕様／165 x 225 mm ／336ページ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e『Le Nemesiache: Reclaiming Mythological Rituals』は、ナポリのフェミニストかつ平和主義者のアーティスト集団に捧げられた初の単行本である。1970年に、多分野にまたがる先見の明あるアーティスト兼作家リナ・マンジャカプレによって共同設立された『Le Nemesiache』は、フェミニズム、神話、民話、SF、そしてラディカルな想像力に根ざした実験的な芸術的実践と世界との関わり方を育み、80年代初頭には「トランスフェミニズム」も導入した。数十年にわたる長期にわたる実践を通じて、このグループは、芸術を単なる表象として超越し、現代のアイデンティティのカテゴリーとしての「女性性」に異議を唱えるために、両性具有的な神話哲学を再発見した。イタリアおよび西洋のフェミニスト美術史において、彼女たちが示した独特で変革的なアプローチは、映画、パフォーマンス、執筆、儀式、詩、音楽、コラージュ、衣装、抗議活動、会議などを網羅する学際的な実践の出現につながっただけでなく、神話的儀式を通じた宇宙論的な創造性と正義に根ざした新たな政治的言語の創出にもつながった。このグループに関する未公開の文書、画像、写真、マニフェストには、新たな創造的・政治的・歴史的な寄稿が添えられており、レ・ネメシアチェの歴史がもたらした集団的な喜びを呼び起こすことで、世界に神話の感覚を取り戻し、それを書き換え、新たに体現している。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e336 pages\u003cbr\u003e165mm × 225mm\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLe Nemesiache: Reclaiming Mythological Rituals is the first monograph dedicated to the Neapolitan feminist and pacifist artists’ group. Co-founded in 1970 by the multidisciplinary and visionary artist and writer Lina Mangiacapre, Le Nemesiache fostered an experimental artistic practice and a way of being in the world rooted in feminism, mythology, folktales, sci-fi, and radical imagination, while also introducing “transfeminism” in the early ’80s. Throughout their long-lasting practice spanning several decades, the group retrieved an androgynous mythosophy to transcend art as mere representation and challenge the feminine as a modern identity category. Their distinct transformative approach within both Italian and Western feminist art history led not only to the emergence of an interdisciplinary practice—encompassing film, performance, writing, rituals, poetry, music, collage, costumes, protests, and conferences—but also the creation of a new political language, grounded in cosmological creativity and justice through mythological rituals. Unpublished documents, images, photographs, and manifestos about the group are accompanied by new creative, political, and historical contributions, evoking the collective joy of Le Nemesiache’s history so as to bring a sense of myth back into the world, rewriting and embodying it anew.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/antenne\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/antenne\"\u003ehere\u003c\/a\u003e to see more Antenne releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eAuthor : Walter Pfeiffer\u003c\/p\u003e\n\u003cp\u003ePublisher : \u003cmeta charset=\"utf-8\"\u003eMousse Publishing\u003c\/p\u003e\n\u003cp\u003eRelease date : 2026\u003c\/p\u003e","published_at":"2026-09-05T07:01:35+09:00","created_at":"2026-08-31T10:20:01+09:00","vendor":"Tobira Records","type":"","tags":["antenne books","books \/ clothing \/ others","new"],"price":598000,"price_min":598000,"price_max":598000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50200480743674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Nemesiache: Reclaiming Mythological Rituals ART BOOK","public_title":null,"options":["Default Title"],"price":598000,"weight":700,"compare_at_price":null,"inventory_management":"shopify","barcode":"9788867497003","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.49am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.59am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.02am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.04am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.05am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.07am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.08am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.10am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.11am.png?v=1788139132","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.13am.png?v=1788139132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.49am.png?v=1788139132","options":["Title"],"media":[{"alt":null,"id":40810810441978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":424,"width":424,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.49am.png?v=1788139132"},"aspect_ratio":1.0,"height":424,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.49am.png?v=1788139132","width":424},{"alt":null,"id":40810810474746,"position":2,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.59am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.17.59am.png?v=1788139132","width":650},{"alt":null,"id":40810810507514,"position":3,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.02am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.02am.png?v=1788139132","width":650},{"alt":null,"id":40810810540282,"position":4,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.04am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.04am.png?v=1788139132","width":650},{"alt":null,"id":40810810573050,"position":5,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.05am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.05am.png?v=1788139132","width":650},{"alt":null,"id":40810810605818,"position":6,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.07am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.07am.png?v=1788139132","width":650},{"alt":null,"id":40810810638586,"position":7,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.08am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.08am.png?v=1788139132","width":650},{"alt":null,"id":40810810671354,"position":8,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.10am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.10am.png?v=1788139132","width":650},{"alt":null,"id":40810810704122,"position":9,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.11am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.11am.png?v=1788139132","width":650},{"alt":null,"id":40810810736890,"position":10,"preview_image":{"aspect_ratio":1.413,"height":460,"width":650,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.13am.png?v=1788139132"},"aspect_ratio":1.413,"height":460,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-08-31at10.18.13am.png?v=1788139132","width":650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験フェミニスト集団Le Nemesiacheが、2026年にフランスのMousse Publishingからリリースしたアートブックです。\u003c\/p\u003e\n\u003cp\u003eソフトカバー仕様／165 x 225 mm ／336ページ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e『Le Nemesiache: Reclaiming Mythological Rituals』は、ナポリのフェミニストかつ平和主義者のアーティスト集団に捧げられた初の単行本である。1970年に、多分野にまたがる先見の明あるアーティスト兼作家リナ・マンジャカプレによって共同設立された『Le Nemesiache』は、フェミニズム、神話、民話、SF、そしてラディカルな想像力に根ざした実験的な芸術的実践と世界との関わり方を育み、80年代初頭には「トランスフェミニズム」も導入した。数十年にわたる長期にわたる実践を通じて、このグループは、芸術を単なる表象として超越し、現代のアイデンティティのカテゴリーとしての「女性性」に異議を唱えるために、両性具有的な神話哲学を再発見した。イタリアおよび西洋のフェミニスト美術史において、彼女たちが示した独特で変革的なアプローチは、映画、パフォーマンス、執筆、儀式、詩、音楽、コラージュ、衣装、抗議活動、会議などを網羅する学際的な実践の出現につながっただけでなく、神話的儀式を通じた宇宙論的な創造性と正義に根ざした新たな政治的言語の創出にもつながった。このグループに関する未公開の文書、画像、写真、マニフェストには、新たな創造的・政治的・歴史的な寄稿が添えられており、レ・ネメシアチェの歴史がもたらした集団的な喜びを呼び起こすことで、世界に神話の感覚を取り戻し、それを書き換え、新たに体現している。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e336 pages\u003cbr\u003e165mm × 225mm\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLe Nemesiache: Reclaiming Mythological Rituals is the first monograph dedicated to the Neapolitan feminist and pacifist artists’ group. Co-founded in 1970 by the multidisciplinary and visionary artist and writer Lina Mangiacapre, Le Nemesiache fostered an experimental artistic practice and a way of being in the world rooted in feminism, mythology, folktales, sci-fi, and radical imagination, while also introducing “transfeminism” in the early ’80s. Throughout their long-lasting practice spanning several decades, the group retrieved an androgynous mythosophy to transcend art as mere representation and challenge the feminine as a modern identity category. Their distinct transformative approach within both Italian and Western feminist art history led not only to the emergence of an interdisciplinary practice—encompassing film, performance, writing, rituals, poetry, music, collage, costumes, protests, and conferences—but also the creation of a new political language, grounded in cosmological creativity and justice through mythological rituals. Unpublished documents, images, photographs, and manifestos about the group are accompanied by new creative, political, and historical contributions, evoking the collective joy of Le Nemesiache’s history so as to bring a sense of myth back into the world, rewriting and embodying it anew.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/antenne\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/antenne\"\u003ehere\u003c\/a\u003e to see more Antenne releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eAuthor : Walter Pfeiffer\u003c\/p\u003e\n\u003cp\u003ePublisher : \u003cmeta charset=\"utf-8\"\u003eMousse Publishing\u003c\/p\u003e\n\u003cp\u003eRelease date : 2026\u003c\/p\u003e"}
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{"id":8960632684794,"title":"Le Perrie \/\/ Merindah's Dream MIX TAPE","handle":"le-perrie-merindahs-dream-mix-tape","description":"\u003cp\u003e東京のDJ Le Perrieのミックステープです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bafu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bafu\"\u003ehere\u003c\/a\u003e to see more Basic Function releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eGREEN artwork version. \u003cbr\u003eGreen edition of 100. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eFun Fun Fun Record's Hirono Abe:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The long-awaited new mixtape curated by Le Perrie.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those already familiar with her DJ sets, it offers the rare pleasure of immersing yourself fully in her enchanting world. For newcomers, it’s a revelation—“I never knew music like this existed”—a collection destined to become an unforgettable standard.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom the timeless melodies of vintage American and European jazz, to piano pieces shimmering like fleeting illusions, to gentle and nostalgic Latin tunes, and even classical songs that carry the weight of prayer—each track flows naturally, like echoes from a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e dream, from beginning to end. Listening feels as if the very secret of a beautiful melody is being quietly revealed.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe can only hope she continues to make many more.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Perrie\u003c\/p\u003e\n\u003cp\u003eLabel : Basic Function\u003c\/p\u003e\n\u003cp\u003ecat no : bMx-002\u003c\/p\u003e","published_at":"2025-11-21T07:33:54+09:00","created_at":"2025-10-19T11:33:25+09:00","vendor":"Tobira Records","type":"","tags":["basic function","jazz","new","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47838790385914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Perrie \/\/ Merindah's Dream MIX TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mer3.jpg?v=1760841075","\/\/tobirarecords.com\/cdn\/shop\/files\/mer4.jpg?v=1760841075"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mer3.jpg?v=1760841075","options":["Title"],"media":[{"alt":null,"id":37151743738106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mer3.jpg?v=1760841075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mer3.jpg?v=1760841075","width":700},{"alt":null,"id":37151743770874,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mer4.jpg?v=1760841075"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mer4.jpg?v=1760841075","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のDJ Le Perrieのミックステープです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bafu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bafu\"\u003ehere\u003c\/a\u003e to see more Basic Function releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eGREEN artwork version. \u003cbr\u003eGreen edition of 100. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eFun Fun Fun Record's Hirono Abe:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The long-awaited new mixtape curated by Le Perrie.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those already familiar with her DJ sets, it offers the rare pleasure of immersing yourself fully in her enchanting world. 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{"id":7780076060922,"title":"Le Révélateur \/\/ Hyper 12\"","handle":"le-revelateur-hyper-12","description":"\u003cp\u003e過去にRoot Strataなどから発表しているエレクトロニックデュオLe Révélateurが、2016年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e電子音が飛び跳ねるエレクトロニック・アンビエント2曲を収録。DLコード付属。 片面ピクチャー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2274605154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eHYBRID VINYL : 1-sided 12\" vinyl on one side and Picture-Disc on the other\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e(\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePicture discs are \u003c\/span\u003egramophone (phonograph) records that show images on their playing surface, rather than being of\u003cspan data-mce-fragment=\"1\"\u003e plain black or colored vinyl.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*****\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eLe Révélateur – multimedia duo of visual artist Sabrina Ratté and composer Roger Tellier-Craig – return with Hyper, a bold stylistic leap that represents their most experimental and conceptually rich work to date. Having already begun to move away from their trademark analog synth panoramas, Hyper goes even further in expanding the digital abstractions that first bubbled to the surface on 2014’s Extreme Events. Gone are the hypnotic arabesques and Berlin School melodicism that characterized Tellier-Craig’s earlier efforts; in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e their stead, he offers two deeply engrossing examples of cutting edge electronic music that eschew nostalgia and pastiche. What results is not so much a departure – those familiar with Le Révélateur will still recognize Tellier-Craig’s deft hand at work – as it is a logical, if no less radical, development of his aesthetic with staggering and deeply satisfying results.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOpening track “Imagineers Are Governed” is nearly 8 minutes of hyperreal world building, a complex web of digital chirps, lush drones, and robust rhythms that demonstrate a greater physicality than has yet been seen in the Le Révélateur oeuvre. Meanwhile, “Fakeaway Haptics” is a similarly beguiling simulacrum soundscape, one inhabited by discrete components that flicker to life and gleefully chatter amongst themselves. While so much contemporary electronic music fixates on Internet culture, Hyper feels more like a music of the Internet itself: like a sonification of networked topologies or an etude on packet-switching as compositional form, this is the sound of information as heard from inside the machine. Despite such experimentation, Hyper manages to be tremendously adventurous and forward thinking without alienating those who appreciate Tellier-Craig’s keen ear for beautiful textures. Consequently, he is able to examine the place of human beings in an increasingly digitized world without simply wallowing in dystopian anxiety. Over these two compositions, Hyper instead encourages the patient listener to delight in confusion and complexity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHighly collectable vinyl-only release (no repress!) on a new format. Mastering by Stephan Mathieu and vinyl cut by Lupo at Calyx.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Révélateur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-10-05T19:06:26+09:00","created_at":"2022-09-30T17:51:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Dekorder \/ Cellule 75","lp"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43458674458874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Le Révélateur \/\/ Hyper 12\"","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_8d09a6e9-510b-4064-b959-12c1f3823aa6.jpg?v=1664527883"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_8d09a6e9-510b-4064-b959-12c1f3823aa6.jpg?v=1664527883","options":["Title"],"media":[{"alt":null,"id":30609160143098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_8d09a6e9-510b-4064-b959-12c1f3823aa6.jpg?v=1664527883"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_8d09a6e9-510b-4064-b959-12c1f3823aa6.jpg?v=1664527883","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRoot Strataなどから発表しているエレクトロニックデュオLe Révélateurが、2016年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e電子音が飛び跳ねるエレクトロニック・アンビエント2曲を収録。DLコード付属。 片面ピクチャー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2274605154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dek\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dek\"\u003ehere\u003c\/a\u003e to see more Dekorder \/ Cellule 75 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eHYBRID VINYL : 1-sided 12\" vinyl on one side and Picture-Disc on the other\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e(\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePicture discs are \u003c\/span\u003egramophone (phonograph) records that show images on their playing surface, rather than being of\u003cspan data-mce-fragment=\"1\"\u003e plain black or colored vinyl.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*****\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDekorder \/ Cellule 75:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eLe Révélateur – multimedia duo of visual artist Sabrina Ratté and composer Roger Tellier-Craig – return with Hyper, a bold stylistic leap that represents their most experimental and conceptually rich work to date. Having already begun to move away from their trademark analog synth panoramas, Hyper goes even further in expanding the digital abstractions that first bubbled to the surface on 2014’s Extreme Events. Gone are the hypnotic arabesques and Berlin School melodicism that characterized Tellier-Craig’s earlier efforts; in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e their stead, he offers two deeply engrossing examples of cutting edge electronic music that eschew nostalgia and pastiche. What results is not so much a departure – those familiar with Le Révélateur will still recognize Tellier-Craig’s deft hand at work – as it is a logical, if no less radical, development of his aesthetic with staggering and deeply satisfying results.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOpening track “Imagineers Are Governed” is nearly 8 minutes of hyperreal world building, a complex web of digital chirps, lush drones, and robust rhythms that demonstrate a greater physicality than has yet been seen in the Le Révélateur oeuvre. Meanwhile, “Fakeaway Haptics” is a similarly beguiling simulacrum soundscape, one inhabited by discrete components that flicker to life and gleefully chatter amongst themselves. While so much contemporary electronic music fixates on Internet culture, Hyper feels more like a music of the Internet itself: like a sonification of networked topologies or an etude on packet-switching as compositional form, this is the sound of information as heard from inside the machine. Despite such experimentation, Hyper manages to be tremendously adventurous and forward thinking without alienating those who appreciate Tellier-Craig’s keen ear for beautiful textures. Consequently, he is able to examine the place of human beings in an increasingly digitized world without simply wallowing in dystopian anxiety. Over these two compositions, Hyper instead encourages the patient listener to delight in confusion and complexity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHighly collectable vinyl-only release (no repress!) on a new format. Mastering by Stephan Mathieu and vinyl cut by Lupo at Calyx.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Révélateur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDekorder \/ Cellule 75\u003c\/span\u003e\u003c\/p\u003e"}
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過去にRoot Strataなどから発表しているエレクトロニックデュオLe Révélateurが、2016年にドイツ・ハンブルグの実験レーベルDekorderからリリースしたレコードです。 電子音が飛び跳ねるエレクトロニック・アンビエント2曲を収録。DLコード付属。 片面ピクチャー盤です。 レーベルその他作品はこちら /// Click here to see more Dekorder / Cellule 75 releases available at...
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{"id":8866818097402,"title":"Lea Bertucci + Olivia Block \/\/ I Know the Number of the Sand and the Measure of the Sea CD","handle":"lea-bertucci-olivia-block-i-know-the-number-of-the-sand-and-the-measure-of-the-sea-cd","description":"\u003cp\u003e\u003cspan\u003e過去にNNA TapesやUltraviolet Light、GRMなどから発表しているアメリカの実験音楽家Lea BertucciとOlivia Blockが、2025年4月にオーストラリアの実験レーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコンクレート2曲を収録\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『I Know the Number of the Sand and the Measure of the Sea』は、 彼女たちの初のコラボレーション作品である。このコラボレーションは、数年前の2017年、作家のスティーブ・スミスが進行役を務めたインタビューを通じて、リアとオリビアがつながったことでスローモーションになった。2022年、2人はニューヨークのパイオニア・ワークスで即興セットを披露し、ついにコラボレーションの機会を得た。それ以来、ニューヨークを拠点とするベルトゥッチとシカゴを拠点とするブロックは、ライブ・パフォーマンスから派生したアイデアを遠隔操作で構築し、サウンドを行き来させながら、「I Know the Number of the Sand and the Measure of the Sea」が誕生した。このタイトルは、デルファイの神託の有名な言葉である。彼女たちは、近くの火山噴出孔の有毒な蒸気を吸い込むことで、求道者たちに神秘的なヴィジョンをもたらし、しばしば文明の行く末を変えた。地球からハイになる。それが、このアルバムがリスナーに達成させたいと願っていることだ。）\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのコラボレーションでは、ブロックがシンセサイザーとテープを演奏し、ベルトゥッチは自分の声をオープンリールテープで加工し、フィールドレコーディングのマイクロカセット・コラージュを使用している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672574556\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cspan\u003eatte laminate and monochrone printed jacket with emboss, plus insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Number of the Sand 11:54\u003cbr\u003e2. The Measure of the Sea 21:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eI Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated by writer Steve Smith. In 2022, the artists finally had a chance to collaborate, performing an improvised set at Pioneer Works in New York City. Since then, the New York based Bertucci and Chicago based Block remotely built out ideas stemming from their live performance, passing sounds back and forth, until “I Know the Number of the Sand and the Measure of the Sea” was forged into existence. The title is a famous utterance of the Oracle of Delphi, a cult of female priestesses who would inhale the poisonous vapors of nearby volcanic vents to induce mystical visions for their seekers, often changing the course of civilization. Getting high from the earth. That is what this album hopes to achieve for our listeners :)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis collaboration sees Block playing synthesizer and tape, and Bertucci using her own voice processed through reel to reel tape, as well as microcassette collage of field recordings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci + Olivia Block\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2025-07-24T06:29:19+09:00","created_at":"2025-07-23T18:26:10+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","room40"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47536081928442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lea Bertucci + Olivia Block \/\/ I Know the Number of the Sand and the Measure of the Sea CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_e8accbf8-41b4-427f-a7ca-ab6774e762f3.jpg?v=1753262688","\/\/tobirarecords.com\/cdn\/shop\/files\/sea2_d59b60e6-ec53-4316-997b-fb41ce8fe749.jpg?v=1753262688"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_e8accbf8-41b4-427f-a7ca-ab6774e762f3.jpg?v=1753262688","options":["Title"],"media":[{"alt":null,"id":36417240072442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_e8accbf8-41b4-427f-a7ca-ab6774e762f3.jpg?v=1753262688"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea1_e8accbf8-41b4-427f-a7ca-ab6774e762f3.jpg?v=1753262688","width":700},{"alt":null,"id":36417240105210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea2_d59b60e6-ec53-4316-997b-fb41ce8fe749.jpg?v=1753262688"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sea2_d59b60e6-ec53-4316-997b-fb41ce8fe749.jpg?v=1753262688","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にNNA TapesやUltraviolet Light、GRMなどから発表しているアメリカの実験音楽家Lea BertucciとOlivia Blockが、2025年4月にオーストラリアの実験レーベルRoom40からリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコンクレート2曲を収録\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『I Know the Number of the Sand and the Measure of the Sea』は、 彼女たちの初のコラボレーション作品である。このコラボレーションは、数年前の2017年、作家のスティーブ・スミスが進行役を務めたインタビューを通じて、リアとオリビアがつながったことでスローモーションになった。2022年、2人はニューヨークのパイオニア・ワークスで即興セットを披露し、ついにコラボレーションの機会を得た。それ以来、ニューヨークを拠点とするベルトゥッチとシカゴを拠点とするブロックは、ライブ・パフォーマンスから派生したアイデアを遠隔操作で構築し、サウンドを行き来させながら、「I Know the Number of the Sand and the Measure of the Sea」が誕生した。このタイトルは、デルファイの神託の有名な言葉である。彼女たちは、近くの火山噴出孔の有毒な蒸気を吸い込むことで、求道者たちに神秘的なヴィジョンをもたらし、しばしば文明の行く末を変えた。地球からハイになる。それが、このアルバムがリスナーに達成させたいと願っていることだ。）\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのコラボレーションでは、ブロックがシンセサイザーとテープを演奏し、ベルトゥッチは自分の声をオープンリールテープで加工し、フィールドレコーディングのマイクロカセット・コラージュを使用している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672574556\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in m\u003cspan\u003eatte laminate and monochrone printed jacket with emboss, plus insert card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Number of the Sand 11:54\u003cbr\u003e2. The Measure of the Sea 21:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eI Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated by writer Steve Smith. In 2022, the artists finally had a chance to collaborate, performing an improvised set at Pioneer Works in New York City. Since then, the New York based Bertucci and Chicago based Block remotely built out ideas stemming from their live performance, passing sounds back and forth, until “I Know the Number of the Sand and the Measure of the Sea” was forged into existence. The title is a famous utterance of the Oracle of Delphi, a cult of female priestesses who would inhale the poisonous vapors of nearby volcanic vents to induce mystical visions for their seekers, often changing the course of civilization. Getting high from the earth. That is what this album hopes to achieve for our listeners :)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis collaboration sees Block playing synthesizer and tape, and Bertucci using her own voice processed through reel to reel tape, as well as microcassette collage of field recordings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci + Olivia Block\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にNNA TapesやUltraviolet Light、GRMなどから発表しているアメリカの実験音楽家Lea BertucciとOlivia Blockが、2025年4月にオーストラリアの実験レーベルRoom40からリリースした共作CDです。 コンクレート2曲を収録。 以下、レーベルによる解説です。 "『I Know the Number of the Sand...
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{"id":4878316994692,"title":"Lea Bertucci \/ Kyle Eyre Clyd \/\/ split TAPE","handle":"lea-bertucci-kyle-eyre-clyd-split-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのコラージュ作家Lea BertucciとKyle Eyre Clydが、同国実験レーベルultraviolet lightから\u003cmeta charset=\"utf-8\"\u003e100部限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eリズミックなコラージュ・ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/716199292\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci \/ Kyle Eyre Clyd\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Light\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T08:21:44+09:00","vendor":"Tobira Records","type":"","tags":["monooto","noise","tape","Ultraviolet Light"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33564072968324,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lea Bertucci \/ Kyle Eyre Clyd \/\/ split TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/UVL019.jpg?v=1587856906"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/UVL019.jpg?v=1587856906","options":["Title"],"media":[{"alt":null,"id":7816902803588,"position":1,"preview_image":{"aspect_ratio":1.265,"height":419,"width":530,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/UVL019.jpg?v=1587856906"},"aspect_ratio":1.265,"height":419,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/UVL019.jpg?v=1587856906","width":530}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのコラージュ作家Lea BertucciとKyle Eyre Clydが、同国実験レーベルultraviolet lightから\u003cmeta charset=\"utf-8\"\u003e100部限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eリズミックなコラージュ・ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/716199292\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eUltraviolet Lightその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uvl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/uvl\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraviolet Light releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci \/ Kyle Eyre Clyd\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraviolet Light\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのコラージュ作家Lea BertucciとKyle Eyre Clydが、同国実験レーベルultraviolet lightから100部限定でリリースしたスプリットカセットです。 リズミックなコラージュ・ノイズ5曲を収録。DLコード付属。廃盤です。 Ultraviolet Lightその他作品はこちら /// Click here to see more Ultraviolet Light releases available...
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{"id":6781003333797,"title":"Lea Bertucci \/\/ A Visible Length of Light LP","handle":"lebe","description":"\u003cp\u003eNNA Tapesや\u003ca href=\"https:\/\/tobirarecords.com\/products\/lea-bertucci-kyle-eyre-clyd-split-tape\"\u003eUltraviolet Light\u003c\/a\u003eなどから発表しているNYの実験音楽家Lea Bertucciが、彼女のプライベートレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCibachrome Editionsより2021年4月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e吹奏楽器を主としたアコースティック\u003c\/span\u003eドローン11曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272075148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eCibachrome Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChannelling temperaments of dislocation and wanderlust, filtered through impressions of distinctly American landscapes – coasts, cities, prairie – and the sonic material of everyday experience, defamiliarized by crisis, the New York based composer and multi-instrumentalist, Lea Bertucci, delivers A Visible Length Of Light.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConceived across much of 2020, A Visible Length is the product of real-time reactions to, and reflections upon, the instability of the year, distilled into a series of prescient auditory typographies that shimmer with life and hope.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded at Bertucci’s home in New York City and in Omaha, Nebraska, during her residency at the Bemis Center for Contemporary Art, A Visible Length Of Light comprises seven condensed works – deploying bass clarinet, alto sax, manipulated tape, organ, a venu wooden flute, and field recordings made in places as wide-ranging as Rio de Janeiro, the California coast, and Dead Horse Bay – surrounded by four “Refrains” – brief, minimal segments that capture Bertucci improvising, via whispers of flute, with the sounds upfolding outside her apartment. Foregoing the long-form compositional approach that has marked her previous albums, it emerges as one of her most pointedly melodic, harmonically rich, and structurally\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e distinct efforts to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLaced with subtle nods to Bertucci’s long-standing immersion in early 20th century American traditional music (folk, bluegrass, jazz, and gospel), vast washes of spatial ambience, long-tones, pointillistic texture, and delicate interplay, weave an abstract vision of place in the face of displacement – what the composer describes as “the feeling of physically inhabiting a space, when the relationship to that space has become overwhelming, and provokes the desire to seek truth, transcendence, and moments of comfort, disquiet and catharsis through confusion” – that doubles as an intimate contemplation of collective experience and what it means to be American during turbulent times.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndulging beauty, while simultaneously challenging notions of what that might be, fleeting impressions of emptied city streets in the midst of lockdowns and the overwhelming sprawl of the American midwest, merge with tense, aural metaphors for the necessary social unrest that has underscored their disarming quiet over the last year.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Visible Length Of Light marks the relaunch of Bertucci’s Cibachrome Editions, conceived as a home for various projects and art objects, including recordings and music scores. It will be issued on vinyl in a standard edition of 475 copies and a deluxe edition of 25 copies that includes a custom-printed endless loop cassette containing an extended version of the track “Threshes”, as well as digital formats.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eCibachrome Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-05-25T11:49:31+09:00","created_at":"2021-05-25T10:13:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","lp","monooto"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39960668733605,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lea Bertucci \/\/ A Visible Length of Light LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/vi1_fab65d43-25ed-49dd-bd1a-3d8e3fd4976b.jpg?v=1621905226"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/vi1_fab65d43-25ed-49dd-bd1a-3d8e3fd4976b.jpg?v=1621905226","options":["Title"],"media":[{"alt":null,"id":22260055736485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vi1_fab65d43-25ed-49dd-bd1a-3d8e3fd4976b.jpg?v=1621905226"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vi1_fab65d43-25ed-49dd-bd1a-3d8e3fd4976b.jpg?v=1621905226","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNNA Tapesや\u003ca href=\"https:\/\/tobirarecords.com\/products\/lea-bertucci-kyle-eyre-clyd-split-tape\"\u003eUltraviolet Light\u003c\/a\u003eなどから発表しているNYの実験音楽家Lea Bertucciが、彼女のプライベートレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCibachrome Editionsより2021年4月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e吹奏楽器を主としたアコースティック\u003c\/span\u003eドローン11曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272075148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eCibachrome Editions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChannelling temperaments of dislocation and wanderlust, filtered through impressions of distinctly American landscapes – coasts, cities, prairie – and the sonic material of everyday experience, defamiliarized by crisis, the New York based composer and multi-instrumentalist, Lea Bertucci, delivers A Visible Length Of Light.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConceived across much of 2020, A Visible Length is the product of real-time reactions to, and reflections upon, the instability of the year, distilled into a series of prescient auditory typographies that shimmer with life and hope.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded at Bertucci’s home in New York City and in Omaha, Nebraska, during her residency at the Bemis Center for Contemporary Art, A Visible Length Of Light comprises seven condensed works – deploying bass clarinet, alto sax, manipulated tape, organ, a venu wooden flute, and field recordings made in places as wide-ranging as Rio de Janeiro, the California coast, and Dead Horse Bay – surrounded by four “Refrains” – brief, minimal segments that capture Bertucci improvising, via whispers of flute, with the sounds upfolding outside her apartment. Foregoing the long-form compositional approach that has marked her previous albums, it emerges as one of her most pointedly melodic, harmonically rich, and structurally\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e distinct efforts to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLaced with subtle nods to Bertucci’s long-standing immersion in early 20th century American traditional music (folk, bluegrass, jazz, and gospel), vast washes of spatial ambience, long-tones, pointillistic texture, and delicate interplay, weave an abstract vision of place in the face of displacement – what the composer describes as “the feeling of physically inhabiting a space, when the relationship to that space has become overwhelming, and provokes the desire to seek truth, transcendence, and moments of comfort, disquiet and catharsis through confusion” – that doubles as an intimate contemplation of collective experience and what it means to be American during turbulent times.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndulging beauty, while simultaneously challenging notions of what that might be, fleeting impressions of emptied city streets in the midst of lockdowns and the overwhelming sprawl of the American midwest, merge with tense, aural metaphors for the necessary social unrest that has underscored their disarming quiet over the last year.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Visible Length Of Light marks the relaunch of Bertucci’s Cibachrome Editions, conceived as a home for various projects and art objects, including recordings and music scores. It will be issued on vinyl in a standard edition of 475 copies and a deluxe edition of 25 copies that includes a custom-printed endless loop cassette containing an extended version of the track “Threshes”, as well as digital formats.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eCibachrome Editions\u003c\/span\u003e\u003c\/p\u003e"}
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NNA TapesやUltraviolet Lightなどから発表しているNYの実験音楽家Lea Bertucciが、彼女のプライベートレーベルCibachrome Editionsより2021年4月にリリースしたレコードです。 吹奏楽器を主としたアコースティックドローン11曲を収録。廃盤です。 Description by Cibachrome Editions: "Channelling temperaments of dislocation and...
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{"id":8632043405562,"title":"Lea Bertucci \/\/ Hold Music TAPE","handle":"lea-bertucci-hold-music-tape","description":"\u003cp\u003e過去にNNA TapesやUltraviolet Lightなどから発表しているアメリカ・NYの実験音楽家Lea Bertucciが、2024年9月に同国LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルトサックスとエレクトロニクスによるロングフォームな実験アンビエント〜ドローン2曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/ben-vida-lea-bertucci-murmurations-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hold Music』は、アルトサックスとエレクトロニクスのための2つのロングフォームなループ曲で、無限に繰り返し聴くことを意図している。魅惑的でプリズムのような、絶えず螺旋を描くこの音楽は、どのようなリスニング・シチュエーションにも適応し、集中して聴き応えがあるのと同様に、日々の活動の伴奏にも適している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2105996148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. 2nd pressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Anticipation Of 14:44\u003cbr\u003e2. Waiting in Non-Linear Time 15:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHold Music is a pair of expansive long-form loop pieces for alto saxophone and electronics, intended to be listened to on infinite repeat. Entrancing and prismatic, constantly spiraling, this is a music that adapts to any listening situation – equally well-suited as accompaniment to daily activities as it is rewarding to the concentrated listen.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally commissioned by the Art Gallery of New South Wales for the Volumes Festival in 2023\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : Dinzu 106\u003c\/p\u003e","published_at":"2024-09-30T17:48:12+09:00","created_at":"2024-09-30T16:02:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","dinzu artefacts","drone","new","tape"],"price":197800,"price_min":197800,"price_max":197800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46701005504762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lea Bertucci \/\/ Hold Music TAPE","public_title":null,"options":["Default Title"],"price":197800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_f1308d7f-75a6-4896-8df7-cce0af9c1c1a.jpg?v=1727679674","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_d73dd36f-5308-433b-9a9d-2687ba2e32d1.jpg?v=1727679674"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_f1308d7f-75a6-4896-8df7-cce0af9c1c1a.jpg?v=1727679674","options":["Title"],"media":[{"alt":null,"id":34959171649786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_f1308d7f-75a6-4896-8df7-cce0af9c1c1a.jpg?v=1727679674"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_f1308d7f-75a6-4896-8df7-cce0af9c1c1a.jpg?v=1727679674","width":700},{"alt":null,"id":34959171682554,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_d73dd36f-5308-433b-9a9d-2687ba2e32d1.jpg?v=1727679674"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_d73dd36f-5308-433b-9a9d-2687ba2e32d1.jpg?v=1727679674","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNNA TapesやUltraviolet Lightなどから発表しているアメリカ・NYの実験音楽家Lea Bertucciが、2024年9月に同国LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルトサックスとエレクトロニクスによるロングフォームな実験アンビエント〜ドローン2曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/ben-vida-lea-bertucci-murmurations-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hold Music』は、アルトサックスとエレクトロニクスのための2つのロングフォームなループ曲で、無限に繰り返し聴くことを意図している。魅惑的でプリズムのような、絶えず螺旋を描くこの音楽は、どのようなリスニング・シチュエーションにも適応し、集中して聴き応えがあるのと同様に、日々の活動の伴奏にも適している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2105996148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. 2nd pressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Anticipation Of 14:44\u003cbr\u003e2. Waiting in Non-Linear Time 15:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHold Music is a pair of expansive long-form loop pieces for alto saxophone and electronics, intended to be listened to on infinite repeat. Entrancing and prismatic, constantly spiraling, this is a music that adapts to any listening situation – equally well-suited as accompaniment to daily activities as it is rewarding to the concentrated listen.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally commissioned by the Art Gallery of New South Wales for the Volumes Festival in 2023\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : Dinzu 106\u003c\/p\u003e"}
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過去にNNA TapesやUltraviolet Lightなどから発表しているアメリカ・NYの実験音楽家Lea Bertucciが、2024年9月に同国LAの実験レーベルDinzu Artefactsからリリースしたカセットです。 アルトサックスとエレクトロニクスによるロングフォームな実験アンビエント〜ドローン2曲を収録。DLコード付属。廃盤です。 前作もオススメです。 以下、レーベルによる解説です。 "『Hold Music』は、アルトサックスとエレクトロニクスのための2つのロングフォームなループ曲で、無限に繰り返し聴くことを意図している。魅惑的でプリズムのような、絶えず螺旋を描くこの音楽は、どのようなリスニング・シチュエーションにも適応し、集中して聴き応えがあるのと同様に、日々の活動の伴奏にも適している。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8135697432826,"title":"Lea Bertucci \/\/ Of Shadow and Substance LP","handle":"lea-bertucci-of-shadow-and-substance-lp","description":"\u003cp\u003e過去にNNA TapesやUltraviolet Lightなどから発表しているNYの実験音楽家Lea Bertucciが、2023年12月に彼女のプライベートレーベル\u003cspan data-mce-fragment=\"1\"\u003eCibachrome Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eストリングス、エレクトロニクス、ハープ、パーカッションによるロングフォームなドローン〜コンテンポラリー2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/ben-vida-lea-bertucci-murmurations-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711881237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVapours 19:21\u003c\/li\u003e\n\u003cli\u003eOf Shadow and Substance 21:17\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt \/ artist bio by Cibachrome Editions:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eAcclaimed NYC experimental musician Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion on \"Of Shadow and Substance\"[...]\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[...]The record opens with “Vapours”, whose contemplative, semi-improvisational, interflowing lines of acoustic instrumentation swell and expand like the passage of time, as if revealing an ancient, eternal memory, old as humanity itself. Its spacious, mutable open strings and droning harmonies do not favour a soloist or even any single melody, but instead blur and coalesce into one\u003cspan class=\"bcTruncateMore\"\u003e entity, drifting from consonance to discordance in harmonic clusters. A dizzying middle section gives rise to a sense of panic, pulling the strands of languid, drifting vapours into a volatile tumult before resettling into a misty, atmospheric trance-state. Bertucci writes: “A “vapor” is a molecule that exists on the verge between a liquid, gaseous or solid state, and the archaic term “vapours” was a pseudo-scientific term to diagnose types of hysteria in women.” The piece was commissioned and performed by Italy’s Quartetto Maurice, who were prompted to visualize vapours in air and to meditate on hysteric fits as they play, while Bertucci controls the sonic space with subtle processing and spatial mixing.\u003cbr\u003e\u003cbr\u003eThe latter half of the album - just as moving and evocative - comprises the composition “Of Shadow and Substance” for double bass, cello, harp, percussion and electronics commissioned by the Philadelphia creative foundation ARS Nova Workshop and performed by Henry Fraser, Lester St. Louis, Lucia Stravros and Matt Evans. “This piece measures the accumulation of events over glacial periods of time as a metaphor for social and environmental shifts,” Bertucci tells us. “It is a meditation on time travel, asking the listener to consider the way events from the past propel themselves into the future.” Its construction reflects the strange concertina of time we find in recorded history, suspended densely in the moveable center of an empty space. Using experimental mixing techniques, Bertucci loops and layers fragments of the performance in real-time, resulting in a diffuse, swirling, self-referential mass of experience, both familiar and metamorphic.\u003cbr\u003e\u003cbr\u003eLea Bertucci is a New York-based artist, composer and performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her longstanding practice with woodwind instruments, her work incorporates multichannel speaker arrays, radical methods of free improvisation and creative misuses of audio technology applied to field recording and sampling\/collage techniques. Her discography spans over a decade, with eight full-length solo albums and a number of collaborative projects. In 2021 she founded her own imprint, Cibachrome Editions, to focus on releasing her own music. The title \"Of Shadow and Substance\" is a reference to an episode of cult TV favourite The Twilight Zone.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci\u003c\/p\u003e\n\u003cp\u003eLabel : Cibachrome Editions\u003c\/p\u003e","published_at":"2024-01-15T13:59:20+09:00","created_at":"2024-01-14T15:35:11+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp"],"price":498800,"price_min":498800,"price_max":498800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44993369276666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lea Bertucci \/\/ Of Shadow and Substance LP","public_title":null,"options":["Default Title"],"price":498800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/of1_6fe356f9-a30d-4cad-80d7-74428ceca099.jpg?v=1705214113","\/\/tobirarecords.com\/cdn\/shop\/files\/of2_1b28746a-26dc-4eea-a669-53b0823a8a50.jpg?v=1705214113"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/of1_6fe356f9-a30d-4cad-80d7-74428ceca099.jpg?v=1705214113","options":["Title"],"media":[{"alt":null,"id":32974502822138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of1_6fe356f9-a30d-4cad-80d7-74428ceca099.jpg?v=1705214113"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of1_6fe356f9-a30d-4cad-80d7-74428ceca099.jpg?v=1705214113","width":700},{"alt":null,"id":32974502920442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of2_1b28746a-26dc-4eea-a669-53b0823a8a50.jpg?v=1705214113"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/of2_1b28746a-26dc-4eea-a669-53b0823a8a50.jpg?v=1705214113","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNNA TapesやUltraviolet Lightなどから発表しているNYの実験音楽家Lea Bertucciが、2023年12月に彼女のプライベートレーベル\u003cspan data-mce-fragment=\"1\"\u003eCibachrome Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eストリングス、エレクトロニクス、ハープ、パーカッションによるロングフォームなドローン〜コンテンポラリー2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/ben-vida-lea-bertucci-murmurations-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711881237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVapours 19:21\u003c\/li\u003e\n\u003cli\u003eOf Shadow and Substance 21:17\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt \/ artist bio by Cibachrome Editions:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eAcclaimed NYC experimental musician Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion on \"Of Shadow and Substance\"[...]\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[...]The record opens with “Vapours”, whose contemplative, semi-improvisational, interflowing lines of acoustic instrumentation swell and expand like the passage of time, as if revealing an ancient, eternal memory, old as humanity itself. Its spacious, mutable open strings and droning harmonies do not favour a soloist or even any single melody, but instead blur and coalesce into one\u003cspan class=\"bcTruncateMore\"\u003e entity, drifting from consonance to discordance in harmonic clusters. A dizzying middle section gives rise to a sense of panic, pulling the strands of languid, drifting vapours into a volatile tumult before resettling into a misty, atmospheric trance-state. Bertucci writes: “A “vapor” is a molecule that exists on the verge between a liquid, gaseous or solid state, and the archaic term “vapours” was a pseudo-scientific term to diagnose types of hysteria in women.” The piece was commissioned and performed by Italy’s Quartetto Maurice, who were prompted to visualize vapours in air and to meditate on hysteric fits as they play, while Bertucci controls the sonic space with subtle processing and spatial mixing.\u003cbr\u003e\u003cbr\u003eThe latter half of the album - just as moving and evocative - comprises the composition “Of Shadow and Substance” for double bass, cello, harp, percussion and electronics commissioned by the Philadelphia creative foundation ARS Nova Workshop and performed by Henry Fraser, Lester St. Louis, Lucia Stravros and Matt Evans. “This piece measures the accumulation of events over glacial periods of time as a metaphor for social and environmental shifts,” Bertucci tells us. “It is a meditation on time travel, asking the listener to consider the way events from the past propel themselves into the future.” Its construction reflects the strange concertina of time we find in recorded history, suspended densely in the moveable center of an empty space. Using experimental mixing techniques, Bertucci loops and layers fragments of the performance in real-time, resulting in a diffuse, swirling, self-referential mass of experience, both familiar and metamorphic.\u003cbr\u003e\u003cbr\u003eLea Bertucci is a New York-based artist, composer and performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her longstanding practice with woodwind instruments, her work incorporates multichannel speaker arrays, radical methods of free improvisation and creative misuses of audio technology applied to field recording and sampling\/collage techniques. Her discography spans over a decade, with eight full-length solo albums and a number of collaborative projects. In 2021 she founded her own imprint, Cibachrome Editions, to focus on releasing her own music. The title \"Of Shadow and Substance\" is a reference to an episode of cult TV favourite The Twilight Zone.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Bertucci\u003c\/p\u003e\n\u003cp\u003eLabel : Cibachrome Editions\u003c\/p\u003e"}
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過去にNNA TapesやUltraviolet Lightなどから発表しているNYの実験音楽家Lea Bertucciが、2023年12月に彼女のプライベートレーベルCibachrome Editionsからリリースしたレコードです。 ストリングス、エレクトロニクス、ハープ、パーカッションによるロングフォームなドローン〜コンテンポラリー2曲を収録。 前作もオススメです。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします ----------------------------------- Ask us for digital files....
¥4,988
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{"id":8734368301306,"title":"LÉA ROGER \/ FÉLIX BLUME \/\/ TAPE SERIES PT009 TAPE","handle":"lea-roger-felix-blume-tape-series-pt009-tape","description":"\u003cp\u003eフィールドレコーディング作家LÉA ROGERとFÉLIX BLUMEが、\u003cspan\u003e2025年2月にフランスの\u003c\/span\u003eフィールドレコーディング専門レーベル\u003cspan\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eボリビアとメキシコでのフィールドレコーディング2曲40分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、LÉA ROGERによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRosillas, Tarija (BO)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12\/30\/2023, 10:00 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[-21.92683, -64.77565]\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ボリビアのタリハ近郊の山岳地帯にあるロシージャスという小さな村の中心部、メインストリートの曲がり角で、水たまりで休んでいる両生類のプレウロデマ・シネリウムの群れが、通りを車や人が通らない限り止まることなく歌っている。隣の家ではお祭り騒ぎで、もっと遠くでは他のPleurodema cinereumが肺のてっぺんで歌っている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eカエルノイズウォール対サウンドシステム、1年の終わりのお祝い。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFÉLIX BLUMEによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMexico City (MX)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16\/09\/2013, 1:00 pm.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[19.436, -99.146264]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"私は数年間、メキシコシティの中心部アラメダ公園の角にある1950年に建てられたアパートに住んでいた。3階の大きなバルコニーは、私の耳元で繰り広げられるメキシコの生活（夜のバー、週末のマーケット、2台のスピーカーを囲んで踊るグループ、政治的な集会、時には暴力的で扇動的な抗議活動など）を眺めるのに理想的な視点（そしてリスニングスポット）だった。ここでは、9月16日の独立記念日を祝う軍事パレードを聞くことができる。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1160779859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCasette in norelco case with outer slipcase.\u003cbr\u003eEdition of 53.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. LÉA ROGER - Rosillas, Tarija (BO), 12\/30\/2023, 10:00 pm 20:00\u003cbr\u003e2. FÉLIX BLUME - Mexico City (MX, 16\/09\/2013, 1:00 pm 20:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist and track information, via the label :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e► LÉA ROGER\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRosillas, Tarija (BO)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12\/30\/2023, 10:00 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[-21.92683, -64.77565]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the center of the small village of Rosillas, located in the montains near Tarija in Bolivia, in the bend of the main street, resting in a puddle, a community of Pleurodema cinereum amphibians sings without stopping unless a car or someone passes in the street. The house next door is celebrating, futher away other Pleurodema cinereum singing at the top of their lungs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrogs noise wall vs sound system de celebraciones de fin de año.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : Schoeps CCM41\/ CCM8 (MS setup) \u0026amp; Cinela Pianissimo\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sound Devices MixPre-3\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e++++\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► FÉLIX BLUME\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMexico City (MX)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16\/09\/2013, 1:00 pm.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[19.436, -99.146264]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI lived for a few years in Mexico City, right in the center\u003cspan class=\"bcTruncateMore\"\u003e, on the corner of Alameda Park, in a 1950s apartment that was still resisting (at the time) real estate gentrification. The large balcony on the 3rd floor was an ideal viewpoint (and listening spot) to take in the Mexican life unfolding beneath my ears: the bars at night, the weekend market, dancing groups around two speakers, political gatherings, or sometimes violent and agitated protests. Here, you can hear the military parade for the celebration of Independence Day on September 16th.\u003cbr\u003e\u003cbr\u003eMicrophones : Schoeps CMC5-MK4 \/ CCM8 (MS setup) \u0026amp; Cinela Leo-MS\u003cbr\u003eRecorder : Sound Devices 302 \/ Olympus LS5\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : LÉA ROGER \/ FÉLIX BLUME\u003c\/p\u003e\n\u003cp\u003elabel : Presque Tout\u003c\/p\u003e\n\u003cp\u003ecat no : Presque Tout 009\u003c\/p\u003e","published_at":"2025-02-28T18:36:12+09:00","created_at":"2025-02-28T14:03:35+09:00","vendor":"Tobira Records","type":"","tags":["presque tout","tape"],"price":255400,"price_min":255400,"price_max":255400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47161015664890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"LÉA ROGER \/ FÉLIX BLUME \/\/ TAPE SERIES PT009 TAPE","public_title":null,"options":["Default Title"],"price":255400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/les1.jpg?v=1740718930","\/\/tobirarecords.com\/cdn\/shop\/files\/les2.jpg?v=1740718930"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/les1.jpg?v=1740718930","options":["Title"],"media":[{"alt":null,"id":35641681641722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/les1.jpg?v=1740718930"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/les1.jpg?v=1740718930","width":700},{"alt":null,"id":35641681674490,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/les2.jpg?v=1740718930"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/les2.jpg?v=1740718930","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィールドレコーディング作家LÉA ROGERとFÉLIX BLUMEが、\u003cspan\u003e2025年2月にフランスの\u003c\/span\u003eフィールドレコーディング専門レーベル\u003cspan\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eボリビアとメキシコでのフィールドレコーディング2曲40分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、LÉA ROGERによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRosillas, Tarija (BO)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12\/30\/2023, 10:00 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[-21.92683, -64.77565]\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ボリビアのタリハ近郊の山岳地帯にあるロシージャスという小さな村の中心部、メインストリートの曲がり角で、水たまりで休んでいる両生類のプレウロデマ・シネリウムの群れが、通りを車や人が通らない限り止まることなく歌っている。隣の家ではお祭り騒ぎで、もっと遠くでは他のPleurodema cinereumが肺のてっぺんで歌っている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eカエルノイズウォール対サウンドシステム、1年の終わりのお祝い。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFÉLIX BLUMEによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMexico City (MX)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16\/09\/2013, 1:00 pm.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[19.436, -99.146264]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"私は数年間、メキシコシティの中心部アラメダ公園の角にある1950年に建てられたアパートに住んでいた。3階の大きなバルコニーは、私の耳元で繰り広げられるメキシコの生活（夜のバー、週末のマーケット、2台のスピーカーを囲んで踊るグループ、政治的な集会、時には暴力的で扇動的な抗議活動など）を眺めるのに理想的な視点（そしてリスニングスポット）だった。ここでは、9月16日の独立記念日を祝う軍事パレードを聞くことができる。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1160779859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCasette in norelco case with outer slipcase.\u003cbr\u003eEdition of 53.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. LÉA ROGER - Rosillas, Tarija (BO), 12\/30\/2023, 10:00 pm 20:00\u003cbr\u003e2. FÉLIX BLUME - Mexico City (MX, 16\/09\/2013, 1:00 pm 20:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist and track information, via the label :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e► LÉA ROGER\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRosillas, Tarija (BO)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12\/30\/2023, 10:00 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[-21.92683, -64.77565]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the center of the small village of Rosillas, located in the montains near Tarija in Bolivia, in the bend of the main street, resting in a puddle, a community of Pleurodema cinereum amphibians sings without stopping unless a car or someone passes in the street. The house next door is celebrating, futher away other Pleurodema cinereum singing at the top of their lungs.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrogs noise wall vs sound system de celebraciones de fin de año.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophones : Schoeps CCM41\/ CCM8 (MS setup) \u0026amp; Cinela Pianissimo\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sound Devices MixPre-3\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e++++\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► FÉLIX BLUME\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMexico City (MX)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16\/09\/2013, 1:00 pm.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[19.436, -99.146264]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI lived for a few years in Mexico City, right in the center\u003cspan class=\"bcTruncateMore\"\u003e, on the corner of Alameda Park, in a 1950s apartment that was still resisting (at the time) real estate gentrification. The large balcony on the 3rd floor was an ideal viewpoint (and listening spot) to take in the Mexican life unfolding beneath my ears: the bars at night, the weekend market, dancing groups around two speakers, political gatherings, or sometimes violent and agitated protests. Here, you can hear the military parade for the celebration of Independence Day on September 16th.\u003cbr\u003e\u003cbr\u003eMicrophones : Schoeps CMC5-MK4 \/ CCM8 (MS setup) \u0026amp; Cinela Leo-MS\u003cbr\u003eRecorder : Sound Devices 302 \/ Olympus LS5\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : LÉA ROGER \/ FÉLIX BLUME\u003c\/p\u003e\n\u003cp\u003elabel : Presque Tout\u003c\/p\u003e\n\u003cp\u003ecat no : Presque Tout 009\u003c\/p\u003e"}
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フィールドレコーディング作家LÉA ROGERとFÉLIX BLUMEが、2025年2月にフランスのフィールドレコーディング専門レーベルPresque Toutから53本限定でリリースしたスプリットカセットです。 ボリビアとメキシコでのフィールドレコーディング2曲40分を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、LÉA ROGERによるA面の解説です。 Rosillas, Tarija (BO)12/30/2023, 10:00 p.m.[-21.92683, -64.77565]...
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クイックビュー
{"id":9017131073786,"title":"Lea Thomas \/\/ Cosmos Forever LP","handle":"lea-thomas-cosmos-forever-lp","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのシンガーソングライターLea Thomasが、2024年9月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスローコア〜インディーフォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/57J-XDu1ZME?si=HjvQoxowWc1D1WQw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3010682765\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3010682765\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1167488894\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Gift 03:40\u003cbr\u003e2. We Must Be In Love 07:13\u003cbr\u003e3. Cosmos Forever 04:03\u003cbr\u003e4. Bauhinia 06:08\u003cbr\u003e5. River Runs Through Us 08:14\u003cbr\u003e6. A Thousand Leaves 04:50\u003cbr\u003e7. You Belong To No One 05:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText written by Jen Powers, via the label:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lea Thomas’ album “Cosmos Forever” unfurls in a moment of exquisitely gentle suggestion: “Let’s go for a walk\/Don’t talk.” Hers is a voice that is at peace with itself, that is trusting of its own ability to convey the truths of her experience and her personal philosophy, and to express her enduring love for the natural world. These truths, inspired by growing up on Maui, are embroidered with elegantly simple imagery. Fragments and fine details of a myriad different landscapes–a spray of leaves, a winding river, a bracing trade wind–seem to weave themselves together into a blanket of sound that is warm and wholly enveloping.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the recording, Thomas, her co-producer John Thayer (Arp, Ezra Feinberg, Yai), and three other bandmates traveled to a house at the end of a mountain road in the woods. There, in a hushed landscape, they discovered a peaceful respite over the course of about a week, during which something benevolent and clear-eyed had enough time to be born.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a lot of space to move around in these compositions, which lightly sidestep the trappings of rigid structure. They’re more like expansive fields of wildflowers rather than crafted\u003cspan class=\"bcTruncateMore\"\u003e bouquets–their nature remains ephemeral, but it is also cyclical, which suggests something of the eternal, or of timelessness.\u003cbr\u003e\u003cbr\u003eThe Hudson Valley-based songwriter’s body of work could be regarded as cyclical as well. Her 2021 album “Mirrors to the Sun” is more of a pop-oriented songwriting endeavor; 2019’s “Blue of Distance” is something more ephemeral, open-ended, and hushed; 2017’s “Want for Nothing” is filled with straightforward, breezy, and engaging hooks. This oscillation of approach is something that Thomas says has come naturally to her over the years, threading its way through each of her endeavors.\u003cbr\u003e\u003cbr\u003eEven if the listener finds themselves immersed in “Cosmos Forever” without the context of her earlier material, however, this is an album that shines on its own, warmly rewarding deeper and repeated listening with a sense of tranquility and gentle assurance. Lushness without drama, honesty without sharpness–rare and fine qualities that suffuse every song. Like a friendly hand resting on the shoulder, this music encourages the listener to become more at ease with the unanswered questions they might contain within themselves. It suggests that to forgive oneself for being uncertain, to allow oneself to experience pure and simple goodness, is to feel more at home in the world, and to better feel the embrace of the all-encompassing universe itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Triple Dolphin Records\u003c\/p\u003e","published_at":"2025-12-01T07:14:09+09:00","created_at":"2025-12-01T07:13:19+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Lea Thomas","lp","new","recommended","Triple Dolphin Records"],"price":389800,"price_min":389800,"price_max":389800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48048585310458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lea Thomas \/\/ Cosmos Forever LP","public_title":null,"options":["Default Title"],"price":389800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos1.jpg?v=1734846961","\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos2.jpg?v=1734846961"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos1.jpg?v=1734846961","options":["Title"],"media":[{"alt":null,"id":35335609221370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos1.jpg?v=1734846961"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos1.jpg?v=1734846961","width":700},{"alt":null,"id":35335609254138,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos2.jpg?v=1734846961"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cosmos2.jpg?v=1734846961","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのシンガーソングライターLea Thomasが、2024年9月に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスローコア〜インディーフォーク7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/57J-XDu1ZME?si=HjvQoxowWc1D1WQw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3010682765\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3010682765\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1167488894\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Gift 03:40\u003cbr\u003e2. We Must Be In Love 07:13\u003cbr\u003e3. Cosmos Forever 04:03\u003cbr\u003e4. Bauhinia 06:08\u003cbr\u003e5. River Runs Through Us 08:14\u003cbr\u003e6. A Thousand Leaves 04:50\u003cbr\u003e7. You Belong To No One 05:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText written by Jen Powers, via the label:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Lea Thomas’ album “Cosmos Forever” unfurls in a moment of exquisitely gentle suggestion: “Let’s go for a walk\/Don’t talk.” Hers is a voice that is at peace with itself, that is trusting of its own ability to convey the truths of her experience and her personal philosophy, and to express her enduring love for the natural world. These truths, inspired by growing up on Maui, are embroidered with elegantly simple imagery. Fragments and fine details of a myriad different landscapes–a spray of leaves, a winding river, a bracing trade wind–seem to weave themselves together into a blanket of sound that is warm and wholly enveloping.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the recording, Thomas, her co-producer John Thayer (Arp, Ezra Feinberg, Yai), and three other bandmates traveled to a house at the end of a mountain road in the woods. There, in a hushed landscape, they discovered a peaceful respite over the course of about a week, during which something benevolent and clear-eyed had enough time to be born.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a lot of space to move around in these compositions, which lightly sidestep the trappings of rigid structure. They’re more like expansive fields of wildflowers rather than crafted\u003cspan class=\"bcTruncateMore\"\u003e bouquets–their nature remains ephemeral, but it is also cyclical, which suggests something of the eternal, or of timelessness.\u003cbr\u003e\u003cbr\u003eThe Hudson Valley-based songwriter’s body of work could be regarded as cyclical as well. Her 2021 album “Mirrors to the Sun” is more of a pop-oriented songwriting endeavor; 2019’s “Blue of Distance” is something more ephemeral, open-ended, and hushed; 2017’s “Want for Nothing” is filled with straightforward, breezy, and engaging hooks. This oscillation of approach is something that Thomas says has come naturally to her over the years, threading its way through each of her endeavors.\u003cbr\u003e\u003cbr\u003eEven if the listener finds themselves immersed in “Cosmos Forever” without the context of her earlier material, however, this is an album that shines on its own, warmly rewarding deeper and repeated listening with a sense of tranquility and gentle assurance. Lushness without drama, honesty without sharpness–rare and fine qualities that suffuse every song. Like a friendly hand resting on the shoulder, this music encourages the listener to become more at ease with the unanswered questions they might contain within themselves. It suggests that to forgive oneself for being uncertain, to allow oneself to experience pure and simple goodness, is to feel more at home in the world, and to better feel the embrace of the all-encompassing universe itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lea Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Triple Dolphin Records\u003c\/p\u003e"}
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Tobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのシンガーソングライターLea Thomasが、2024年9月に自主リリースしたレコードです。 スローコア〜インディーフォーク7曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ------------------------------------------ 12" black vinyl. Tracklist: 1. The Gift 03:402. We...
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{"id":8686953529594,"title":"Lea Thomas \/\/ Mirrors To The Sun LP","handle":"lea-thomas-mirrors-to-the-sun-lp","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのシンガーソングライターLea Thomasが、2021年に同国インディーレーベルSpirit House Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスローコア〜インディーフォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=414790557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1532893150\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=414790557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirrors To The Sun 03:50\u003cbr\u003e2. Hummingbird 04:59\u003cbr\u003e3. Howl 04:36\u003cbr\u003e4. What Did The Music Sound Like 04:48\u003cbr\u003e5. Heat Keeps Rising 06:24\u003cbr\u003e6. Magnolias 04:23\u003cbr\u003e7. How Would I Dream 02:26\u003cbr\u003e8. Close To Me 03:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Lea Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Spirit House\u003c\/p\u003e","published_at":"2024-12-23T07:25:42+09:00","created_at":"2024-12-22T14:54:18+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Lea Thomas","lp","new"],"price":349600,"price_min":349600,"price_max":349600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46974213685498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lea Thomas \/\/ Mirrors To The Sun LP","public_title":null,"options":["Default Title"],"price":349600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lea1.jpg?v=1734846728","\/\/tobirarecords.com\/cdn\/shop\/files\/lea2.jpg?v=1734846728"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lea1.jpg?v=1734846728","options":["Title"],"media":[{"alt":null,"id":35335604502778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lea1.jpg?v=1734846728"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lea1.jpg?v=1734846728","width":700},{"alt":null,"id":35335604535546,"position":2,"preview_image":{"aspect_ratio":0.907,"height":1200,"width":1088,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lea2.jpg?v=1734846728"},"aspect_ratio":0.907,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lea2.jpg?v=1734846728","width":1088}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのシンガーソングライターLea Thomasが、2021年に同国インディーレーベルSpirit House Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスローコア〜インディーフォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=414790557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1532893150\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=414790557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirrors To The Sun 03:50\u003cbr\u003e2. Hummingbird 04:59\u003cbr\u003e3. Howl 04:36\u003cbr\u003e4. What Did The Music Sound Like 04:48\u003cbr\u003e5. Heat Keeps Rising 06:24\u003cbr\u003e6. Magnolias 04:23\u003cbr\u003e7. How Would I Dream 02:26\u003cbr\u003e8. Close To Me 03:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Lea Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Spirit House\u003c\/p\u003e"}
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¥1,580
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{"id":7345436852474,"title":"Leaf Erikson \/\/ Hidden Gems EP LP","handle":"leaf-erikson-hidden-gems-ep-lp","description":"\u003cp\u003eアメリカ・ミシガンのMC Leaf Eriksonが、2015年にオーストラリア・シドニーのヒップホップレーベルFifty Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなヒップホップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=500065096\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fifty\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fifty\"\u003ehere\u003c\/a\u003e to see more Fifty Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Leaf Erikson's 1st solo release on vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe 2nd release on Fifty Records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA collection of songs that will last a lifetime.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe let the music speak for itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leaf Erikson\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFifty Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-25T19:14:33+09:00","created_at":"2021-10-25T13:29:30+09:00","vendor":"Tobira Records","type":"","tags":["fifty records","hiphop \/ funk","lp","sale22"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41921089831162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Leaf Erikson \/\/ Hidden Gems EP LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_c510124f-c651-4f7f-a0b4-b981e584e263.jpg?v=1635136172","\/\/tobirarecords.com\/cdn\/shop\/products\/hi2_a0ff05e8-4f4a-41f7-bb19-955dcaab7932.jpg?v=1635136172"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_c510124f-c651-4f7f-a0b4-b981e584e263.jpg?v=1635136172","options":["Title"],"media":[{"alt":null,"id":25342441128186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_c510124f-c651-4f7f-a0b4-b981e584e263.jpg?v=1635136172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_c510124f-c651-4f7f-a0b4-b981e584e263.jpg?v=1635136172","width":700},{"alt":null,"id":25342441160954,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi2_a0ff05e8-4f4a-41f7-bb19-955dcaab7932.jpg?v=1635136172"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi2_a0ff05e8-4f4a-41f7-bb19-955dcaab7932.jpg?v=1635136172","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミシガンのMC Leaf Eriksonが、2015年にオーストラリア・シドニーのヒップホップレーベルFifty Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなヒップホップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=500065096\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fifty\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fifty\"\u003ehere\u003c\/a\u003e to see more Fifty Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Leaf Erikson's 1st solo release on vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe 2nd release on Fifty Records.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA collection of songs that will last a lifetime.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe let the music speak for itself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leaf Erikson\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFifty Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ミシガンのMC Leaf Eriksonが、2015年にオーストラリア・シドニーのヒップホップレーベルFifty Recordsからリリースしたレコードです。 レイドバックなヒップホップ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Fifty Records releases available...
¥2,780
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{"id":7522492383482,"title":"Leafcutter John \u0026 Devon Loch \/ Claire Orme \/\/ Piano Music TAPE","handle":"leafcutter-john-devon-loch-claire-orme-piano-music-tape","description":"\u003cp\u003eイギリスの実験音楽家Leafcutter JohnとDevon Lochが、2017年にリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eピアノを主としたライブレコーディング2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=909080710\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003ehere\u003c\/a\u003e to see more Reckno releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eReckno:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReckno is extremely proud to present PIANO MUSIC, two side long live recordings featuring the piano as the primary sound source.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Side A: the composer and inventor Leafcutter John joins forces with the sound artist Devon Loch for an improvised duet, utilising John's self-made light interface and a piano that had sat unused for decades in the Margate Arts Club.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBy connecting ultra sensitive contact microphones to the antique piano's frame, the pair were able to sample notes and other timbres from the instrument's strings and body, which were manipulated live using a photo-sensitive grid stimulated with an array of bike lights, torches and \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003esparklers.\u003cbr data-mce-fragment=\"1\"\u003eThe result is an investigative, transportive piece of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e electro-acoustic music. Between sparse dissonance and flurries of alien texture, the performance keeps at its heart a sensitive understanding - like two unfamiliar creatures attempting communication for the first time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlip the tape over and performance\/sound artist Claire Orme takes us on an elegant trip across the dark sea using the piano as a boat. Vibraphone, violin and live sampling merge to conjure images of a ritual happening on the shore; only partially visible through the fog. Orme uses the space and the objects around her to create a fragile dreamlike sound world, the initial beauty giving way to mechanical clanking and violin contortions. Everything ends with the piano back on dry land and a romantic encounter with a Ghost.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leafcutter John \u0026amp; Devon Loch \/ Claire Orme\u003c\/p\u003e\n\u003cp\u003eLabel : Reckno\u003c\/p\u003e","published_at":"2022-01-22T12:10:03+09:00","created_at":"2022-01-21T14:34:17+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","reckno","tape"],"price":115000,"price_min":115000,"price_max":115000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42347902304506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Leafcutter John \u0026 Devon Loch \/ Claire Orme \/\/ Piano Music TAPE","public_title":null,"options":["Default Title"],"price":115000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_d8fd760a-79fc-4861-b754-c034e7b11a59.jpg?v=1642743258"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_d8fd760a-79fc-4861-b754-c034e7b11a59.jpg?v=1642743258","options":["Title"],"media":[{"alt":null,"id":29038861549818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_d8fd760a-79fc-4861-b754-c034e7b11a59.jpg?v=1642743258"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_d8fd760a-79fc-4861-b754-c034e7b11a59.jpg?v=1642743258","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Leafcutter JohnとDevon Lochが、2017年にリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eピアノを主としたライブレコーディング2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=909080710\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/reckno\"\u003ehere\u003c\/a\u003e to see more Reckno releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eReckno:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReckno is extremely proud to present PIANO MUSIC, two side long live recordings featuring the piano as the primary sound source.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn Side A: the composer and inventor Leafcutter John joins forces with the sound artist Devon Loch for an improvised duet, utilising John's self-made light interface and a piano that had sat unused for decades in the Margate Arts Club.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBy connecting ultra sensitive contact microphones to the antique piano's frame, the pair were able to sample notes and other timbres from the instrument's strings and body, which were manipulated live using a photo-sensitive grid stimulated with an array of bike lights, torches and \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003esparklers.\u003cbr data-mce-fragment=\"1\"\u003eThe result is an investigative, transportive piece of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e electro-acoustic music. Between sparse dissonance and flurries of alien texture, the performance keeps at its heart a sensitive understanding - like two unfamiliar creatures attempting communication for the first time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eFlip the tape over and performance\/sound artist Claire Orme takes us on an elegant trip across the dark sea using the piano as a boat. Vibraphone, violin and live sampling merge to conjure images of a ritual happening on the shore; only partially visible through the fog. Orme uses the space and the objects around her to create a fragile dreamlike sound world, the initial beauty giving way to mechanical clanking and violin contortions. Everything ends with the piano back on dry land and a romantic encounter with a Ghost.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Leafcutter John \u0026amp; Devon Loch \/ Claire Orme\u003c\/p\u003e\n\u003cp\u003eLabel : Reckno\u003c\/p\u003e"}
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イギリスの実験音楽家Leafcutter JohnとDevon Lochが、2017年にリリースした共作カセットです。 ピアノを主としたライブレコーディング2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Reckno releases available at Tobira. -------------------------------...
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{"id":7811039199482,"title":"Lean Year \/\/ Sides LP","handle":"lean-year-sides-lp","description":"\u003cp\u003eアメリカ・バージニアのインディーフォークデュオLean Yearが、2022年9月に同国老舗フォーク〜ポップレーベルWestern Vinylからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e緩やかなスローコア〜ネオクラシカル・ポップ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoseph Shabasonもキーボードで参加しています。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=610110582\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1622659844\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=610110582\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl i\u003cspan data-mce-fragment=\"1\"\u003encludes insert with full-color photo and lyrics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWestern Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThere is a moment on Sides, the new album from Richmond, Virginia-based duo Lean Year, in which a hospital room floor is filled with white chrysanthemums. This imagery, based on an opiate-induced hallucination experienced by vocalist Emilie Rex’s mother as she recovered from surgery, is a perfect encapsulation of the band’s second album: dreamlike and beautiful, yet burdened with cold, stark reality. Sides is a harrowing journey through realms of grief and memory, a meditation woven into a tapestry of synth pads, woodwinds, and Rex’s instantly recognizable voice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe duo of Rex and Rick Alverson—who also works as a film director (The Mountain, Entertainment, The Comedy)—originally set out to write an album about conflict, but during the writing and recording process, they were confronted with a number of personal tragedies. Alverson lost both of his parents in rapid succession, Rex’s mother received a cancer diagnosis, and the couple’s beloved family dog, Orca, died. These events transformed the album into an exploration of loss—an attempt at processing the painful, complex, and private emotions that bubble to the surface when confronted with death. “We thought we’d do a concept album called Sides where we could reflect on all of the division in the world, and some in our own families\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, but then COVID transformed everything\/everyone, and we suffered our own specific losses. The record became about loss and grief,” Rex explains. “In this way, the title Sides was still appropriate: our individual grief and collective grief, the margins of before and after, the act and feeling of during and enduring.” Alverson adds, “It felt like straddling a threshold between two opposing sides—the moment before conflict and the moment after it passes, life and death, the act of living and the memory of the act. Grief feels like a contention between what you knew and what you now know, and often both feel real and unreal at once.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSides—produced by Alverson alongside Erik Hall (In Tall Buildings) and featuring contributions from Elliot Bergman (Nomo, Wild Belle) and Joseph Shabason (Destroyer, The War on Drugs)—has a distinctly cinematic quality, perhaps due in part to Alverson’s other career. Moments of jazz, slowcore, and dirgelike R\u0026amp;B find their way into the sorrowful, ambient suite, lulling the listener into a state of calm while the lyrics speak of ghosts, childhood, and mortality. The album opens with the spare \"Legs,\" a forlorn lullaby tethered by a hypnotic kalimba loop and flourishes of saxophone. “Rick wrote the song alone in Erik’s basement the night that Orca died,” Rex explains. “We found out the next day that my mother was dying,” Alverson continues. “And, there were eerie parallels in their deaths: their inability to stand, the medicine they were prescribed, the profound disorientation of failing minds. It was almost as though Orca was preparing us for her death.” The album continues with tracks like the soft rock lament \"End,\" a love letter to sisters that the duo feels is “a strange amalgam between ‘Walk on the Wild Side’ and John Cale,” and the stunning \"Trouble with Being Warm,\" an instant classic that starts as a contemplation of memory and builds to a powerful peak of desperation, with Rex pushing her voice to its limits against bursts of distortion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite the gravity of the subject matter, Sides succeeds in mastering a balancing act between pathos and pop. Each song is indelible and haunting, with melodies that have the kind of broad appeal reminiscent of Karen Dalton, Aldous Harding, and FKA twigs. The sun shines through the mist on vibrant and casually bold tracks like \"Panes\" and \"Bend,\" while the stark, elegiac waltz about the cyclical fluidity of time, \"Marriage of Heaven and Hell,\" features a vocal melody that almost sounds medieval.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSides, while undeniably accessible, is haunted and almost confrontational in its pacing as it unfolds like a slow motion funeral parade honoring the mystery and might of loss. And like a parade, when the album finishes and the spectacle fades away, the listener is once again alone on the street. Created as a form of emotional processing, Sides offers no new understanding, no cure for grief, but instead exists as a companion in dark times–and perhaps that is consolation enough.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA photograph of Alverson’s mother as a young woman graces the album’s cover, and in the image, her eyes are fixed slightly above the camera and her face bears a contented, somewhat amused grin. “Her smile in the photo is everything: radiant but secretive in her way, like she knew something we didn’t,” Rex explains. “Which of course is true—then, and now.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lean Year\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e","published_at":"2022-10-19T18:48:51+09:00","created_at":"2022-10-16T09:13:41+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","western vinyl"],"price":325000,"price_min":325000,"price_max":325000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43548309422330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lean Year \/\/ Sides LP","public_title":null,"options":["Default Title"],"price":325000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/le1_22ee347e-20f6-48c5-9ec4-e0069f522d4b.jpg?v=1665879222","\/\/tobirarecords.com\/cdn\/shop\/products\/le2_bd15b14e-740a-4ba1-bf92-b1d264618d62.jpg?v=1665879222"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_22ee347e-20f6-48c5-9ec4-e0069f522d4b.jpg?v=1665879222","options":["Title"],"media":[{"alt":null,"id":30758910099706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_22ee347e-20f6-48c5-9ec4-e0069f522d4b.jpg?v=1665879222"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le1_22ee347e-20f6-48c5-9ec4-e0069f522d4b.jpg?v=1665879222","width":700},{"alt":null,"id":30758910132474,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_bd15b14e-740a-4ba1-bf92-b1d264618d62.jpg?v=1665879222"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/le2_bd15b14e-740a-4ba1-bf92-b1d264618d62.jpg?v=1665879222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・バージニアのインディーフォークデュオLean Yearが、2022年9月に同国老舗フォーク〜ポップレーベルWestern Vinylからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e緩やかなスローコア〜ネオクラシカル・ポップ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoseph Shabasonもキーボードで参加しています。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=610110582\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1622659844\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=610110582\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl i\u003cspan data-mce-fragment=\"1\"\u003encludes insert with full-color photo and lyrics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWestern Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThere is a moment on Sides, the new album from Richmond, Virginia-based duo Lean Year, in which a hospital room floor is filled with white chrysanthemums. This imagery, based on an opiate-induced hallucination experienced by vocalist Emilie Rex’s mother as she recovered from surgery, is a perfect encapsulation of the band’s second album: dreamlike and beautiful, yet burdened with cold, stark reality. Sides is a harrowing journey through realms of grief and memory, a meditation woven into a tapestry of synth pads, woodwinds, and Rex’s instantly recognizable voice.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe duo of Rex and Rick Alverson—who also works as a film director (The Mountain, Entertainment, The Comedy)—originally set out to write an album about conflict, but during the writing and recording process, they were confronted with a number of personal tragedies. Alverson lost both of his parents in rapid succession, Rex’s mother received a cancer diagnosis, and the couple’s beloved family dog, Orca, died. These events transformed the album into an exploration of loss—an attempt at processing the painful, complex, and private emotions that bubble to the surface when confronted with death. “We thought we’d do a concept album called Sides where we could reflect on all of the division in the world, and some in our own families\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, but then COVID transformed everything\/everyone, and we suffered our own specific losses. The record became about loss and grief,” Rex explains. “In this way, the title Sides was still appropriate: our individual grief and collective grief, the margins of before and after, the act and feeling of during and enduring.” Alverson adds, “It felt like straddling a threshold between two opposing sides—the moment before conflict and the moment after it passes, life and death, the act of living and the memory of the act. Grief feels like a contention between what you knew and what you now know, and often both feel real and unreal at once.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSides—produced by Alverson alongside Erik Hall (In Tall Buildings) and featuring contributions from Elliot Bergman (Nomo, Wild Belle) and Joseph Shabason (Destroyer, The War on Drugs)—has a distinctly cinematic quality, perhaps due in part to Alverson’s other career. Moments of jazz, slowcore, and dirgelike R\u0026amp;B find their way into the sorrowful, ambient suite, lulling the listener into a state of calm while the lyrics speak of ghosts, childhood, and mortality. The album opens with the spare \"Legs,\" a forlorn lullaby tethered by a hypnotic kalimba loop and flourishes of saxophone. “Rick wrote the song alone in Erik’s basement the night that Orca died,” Rex explains. “We found out the next day that my mother was dying,” Alverson continues. “And, there were eerie parallels in their deaths: their inability to stand, the medicine they were prescribed, the profound disorientation of failing minds. It was almost as though Orca was preparing us for her death.” The album continues with tracks like the soft rock lament \"End,\" a love letter to sisters that the duo feels is “a strange amalgam between ‘Walk on the Wild Side’ and John Cale,” and the stunning \"Trouble with Being Warm,\" an instant classic that starts as a contemplation of memory and builds to a powerful peak of desperation, with Rex pushing her voice to its limits against bursts of distortion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite the gravity of the subject matter, Sides succeeds in mastering a balancing act between pathos and pop. Each song is indelible and haunting, with melodies that have the kind of broad appeal reminiscent of Karen Dalton, Aldous Harding, and FKA twigs. The sun shines through the mist on vibrant and casually bold tracks like \"Panes\" and \"Bend,\" while the stark, elegiac waltz about the cyclical fluidity of time, \"Marriage of Heaven and Hell,\" features a vocal melody that almost sounds medieval.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSides, while undeniably accessible, is haunted and almost confrontational in its pacing as it unfolds like a slow motion funeral parade honoring the mystery and might of loss. And like a parade, when the album finishes and the spectacle fades away, the listener is once again alone on the street. Created as a form of emotional processing, Sides offers no new understanding, no cure for grief, but instead exists as a companion in dark times–and perhaps that is consolation enough.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA photograph of Alverson’s mother as a young woman graces the album’s cover, and in the image, her eyes are fixed slightly above the camera and her face bears a contented, somewhat amused grin. “Her smile in the photo is everything: radiant but secretive in her way, like she knew something we didn’t,” Rex explains. “Which of course is true—then, and now.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lean Year\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e"}
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アメリカ・バージニアのインディーフォークデュオLean Yearが、2022年9月に同国老舗フォーク〜ポップレーベルWestern Vinylからリリースしたレコードです。 緩やかなスローコア〜ネオクラシカル・ポップ9曲を収録。DLコード付属。 Joseph Shabasonもキーボードで参加しています。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available...
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