Cool Maritime // Big Earth Energy LP
![Ava Luna s/t LP [COLOR]](//tobirarecords.com/cdn/shop/files/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642_medium.jpg?v=1766455842)
Cool Maritime // Big Earth Energy LP
¥3,350
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アメリカのポストニューエイジ・アンビエント作家／映像作家Cool Maritimeが、2022年5月に同国Western Vinylからリリースしたレコードです。
躍動感のあるポストニューエイジ・アンビエント7曲を収録。
レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira.
----------------------------
Artist : Cool Maritime
Label : Western Vinyl
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{"id":9075182960890,"title":"Erik Hall \/\/ Solo Three LP","handle":"erik-hall-solo-three-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者Erik Hallが、2026年1月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGlenn BrancaとCharlemagne Palestine、Laurie Spiegel、Steve Reichの楽曲のリアリゼーション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3030806145\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Temple of Venus Pt. 1 (Glenn Branca) 04:11\u003cbr\u003e2. Strumming Music (Charlemagne Palestine) 14:19\u003cbr\u003e3. A Folk Study (Laurie Spiegel) 03:13\u003cbr\u003e4. Music for a Large Ensemble (Steve Reich) 15:32\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eZach Schonfeld, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"There is a certain solace to be found in minimal music—a contemplative joy that emerges through sustained repetition and subtle variation. Solo Three, the slyly absorbing new album from Michigan-based composer and multi-instrumentalist Erik Hall, embodies that hypnotic charge while boldly reimagining a distinct selection of contemporary classical works. \u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...] \u003cem\u003eWith Solo Three, Hall brings this trilogy to a sweeping close. Instead of focusing on a single composition, he weaves together multiple works by several visionary composers: Glenn Branca, Charlemagne Palestine, Laurie Spiegel, and a return to Steve Reich. The result is a rich, varied homage to American minimalism—at once reverent and exploratory. Branca’s “The Temple of Venus Pt. 1” unfolds in oscillating organ and prepared piano; Palestine’s “Strumming Music” becomes a meditative blur of felted piano and guitar; Spiegel’s “A Folk Study” is recast with acoustic warmth in lieu of electronics; and Reich’s “Music for a Large Ensemble” closes the album with a 16-minute, kaleidoscopic rush of overlapping melodies and jubilant rhythmic patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue to his method, Hall performs and records every part himself, layering instruments one by one like sonic bricks. The approach is deeply human and quietly defiant in an age of faceless automation. “It’s just so much more compelling to actually play every note,” Hall says. “Those micro-differences between takes create a sort of living, breathing magic.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat living, breathing magic fills every corner of Solo Three. It’s both a reverent ode to the composers who shaped Hall’s musical identity and a vivid reminder that minimalism’s hypnotic beauty—its patience, precision, and quiet emotional power—still speaks urgently to the present moment.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Hall\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV291lp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-13T07:41:18+09:00","created_at":"2026-02-07T14:39:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","western vinyl"],"price":357000,"price_min":357000,"price_max":357000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48297691087098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erik Hall \/\/ Solo Three LP","public_title":null,"options":["Default Title"],"price":357000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563189979","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628","\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_b105313d-e6cd-468e-ad71-b57a05e0b0c7.jpg?v=1770442628"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628","options":["Title"],"media":[{"alt":null,"id":38270100373754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628","width":700},{"alt":null,"id":38270100406522,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_b105313d-e6cd-468e-ad71-b57a05e0b0c7.jpg?v=1770442628"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_b105313d-e6cd-468e-ad71-b57a05e0b0c7.jpg?v=1770442628","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者Erik Hallが、2026年1月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGlenn BrancaとCharlemagne Palestine、Laurie Spiegel、Steve Reichの楽曲のリアリゼーション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3030806145\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Temple of Venus Pt. 1 (Glenn Branca) 04:11\u003cbr\u003e2. Strumming Music (Charlemagne Palestine) 14:19\u003cbr\u003e3. A Folk Study (Laurie Spiegel) 03:13\u003cbr\u003e4. Music for a Large Ensemble (Steve Reich) 15:32\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eZach Schonfeld, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"There is a certain solace to be found in minimal music—a contemplative joy that emerges through sustained repetition and subtle variation. Solo Three, the slyly absorbing new album from Michigan-based composer and multi-instrumentalist Erik Hall, embodies that hypnotic charge while boldly reimagining a distinct selection of contemporary classical works. \u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...] \u003cem\u003eWith Solo Three, Hall brings this trilogy to a sweeping close. Instead of focusing on a single composition, he weaves together multiple works by several visionary composers: Glenn Branca, Charlemagne Palestine, Laurie Spiegel, and a return to Steve Reich. The result is a rich, varied homage to American minimalism—at once reverent and exploratory. Branca’s “The Temple of Venus Pt. 1” unfolds in oscillating organ and prepared piano; Palestine’s “Strumming Music” becomes a meditative blur of felted piano and guitar; Spiegel’s “A Folk Study” is recast with acoustic warmth in lieu of electronics; and Reich’s “Music for a Large Ensemble” closes the album with a 16-minute, kaleidoscopic rush of overlapping melodies and jubilant rhythmic patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue to his method, Hall performs and records every part himself, layering instruments one by one like sonic bricks. The approach is deeply human and quietly defiant in an age of faceless automation. “It’s just so much more compelling to actually play every note,” Hall says. “Those micro-differences between takes create a sort of living, breathing magic.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat living, breathing magic fills every corner of Solo Three. It’s both a reverent ode to the composers who shaped Hall’s musical identity and a vivid reminder that minimalism’s hypnotic beauty—its patience, precision, and quiet emotional power—still speaks urgently to the present moment.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Hall\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV291lp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのマルチ奏者Erik Hallが、2026年1月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 Glenn BrancaとCharlemagne Palestine、Laurie Spiegel、Steve Reichの楽曲のリアリゼーション4曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl...
¥3,570
![Ava Luna s/t LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642_medium.jpg?v=1766455842)
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{"id":9038225080570,"title":"Ava Luna s\/t LP [COLOR]","handle":"ava-luna-s-t-lp-color","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのポストパンクバンドAva Lunaが、2025年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポストパンク〜コンテンポラリーR\u0026amp;B11曲を収録。クリアグレープ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1730232522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent grape vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Math Money Job 01:32\u003cbr\u003e2. Frame of Us 03:04\u003cbr\u003e3. Lasting Impression 02:42\u003cbr\u003e4. Fancy 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Social Diving 01:57\u003cbr\u003e\u003c\/span\u003e6. Your Man 03:28\u003cbr\u003e7. Roof 03:28\u003cbr\u003e8. Archive 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Tacos El Bronco 02:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. My Walk 03:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Game Level 03:26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAva Luna's self-titled album is an introspective and grounded collection that marks a significant evolution for the quartet. The acclaimed group — now consisting of Carlos Hernandez, Julian Fader, Ethan Bassford, and Felicia Douglass — has stripped back their sound to its core. Following the departure of Kye (fka Becca Kauffman) in 2019, Ava Luna re-emerges with a focus on the fundamental elements of drums, bass, and the dual vocals of Carlos and Felicia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new album is decidedly Earth-bound, drawing heavily on the members' shared experiences and their deep roots in New York City. This back-to-basics approach was a conscious decision to move away from the expansive, \"cosmic\" feel of their previous album, Moon 2. Instead, the album delves into the nuances of everyday life, exploring themes of frustration and exhaustion that come with the mundane realities of work and survival, but also the joy and power in moving through life in community and chosen family, and finding precarious rootedness. For instance, \"Lasting Impression\" captures the feeling of being fed up at a job, while \"Math Money Job\" offers a playful, body-conscious take on a friendly reunion, in the form of a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eschoolyard chant.\u003cbr\u003e\u003cbr\u003eAt the heart of the album is the rhythmic interplay between Julian Fader's drums and Ethan Bassford's bass, forming a \"close to the earth, melting into the sidewalk\" foundation. This deliberate focus on the rhythm section was a key part of their creative process, ensuring the songs could stand strong in their most stripped-down format before any additional layers were introduced. Julian specifically cites Soul Coughing as an influence, particularly their use of crude sampling, which can be heard scattered throughout the record, including on \"Frame of Us,\" where their powerful rhythm section.\u003cbr\u003e\u003cbr\u003eMoving beyond traditional lead and backup roles, Carlos and Felicia's voices dance, weave, and harmonize, often blending into a singular, almost supernatural entity. This meticulous and thoughtful approach to vocal arrangement allows for a wider variety of melodic outcomes and requires a high degree of collaborative thought. On \"Archive,\" their voices are fragmented, weaving in and out of synchronicity, mirroring the meticulous organization of an archival system.\u003cbr\u003e\u003cbr\u003eWhile the album's core is mindfully minimalist, the production is far from sparse. Legendary percussionist Larry McDonald (Gil Scott-Heron, King Tubby) joins the band on congas and percussion, while subtle orchestrations, faint drifts of piano, a touch of Carlos’s famous guitar noise, and samples from his parents' obscure records, punctuate the landscape, creating a rich yet uncluttered sound.\u003cbr\u003e\u003cbr\u003eTheir evolution in approach allows for careful refinement while capturing singular moments and happy accidents. The album also touches on universal experiences, like the pandemic-era disorientation in \"Social Diving,\" which Julian describes as his best Digable Planets impression. \"My Walk\" is an homage to Brooklyn’s rich tapestry of immigrant communities — a journey from Carlos's apartment in Flatbush to Felicia's in Sunset Park. in which snippets of at least a half dozen different languages drift into earshot.\u003cbr\u003e\u003cbr\u003eUltimately, Ava Luna's self-titled album is a testament to almost twenty years of shared musical sensibility, now distilled into its barest elements. The album paints an intimate yet exaggerated portrait of NYC, a cacophony of jagged post-punk, funk, and dance beats giving way to lush strings and spacious minimalism. Songs like \"Your Man\" showcase a raw urge to call out toxic behavior, while \"Fancy\" champions holding onto dignity in the face of adversity. It's a sound that is both resilient and reflective, offering a wisdom that only years of experience could bring, proving that even as the city and the band evolve, Ava Luna continues to take listeners somewhere urgent and new.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ava Luna\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV276lp-C1\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e","published_at":"2025-12-24T07:00:42+09:00","created_at":"2025-12-23T11:14:37+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":433300,"price_min":433300,"price_max":433300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148961329402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ava Luna s\/t LP [COLOR]","public_title":null,"options":["Default Title"],"price":433300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842","\/\/tobirarecords.com\/cdn\/shop\/files\/ava2_1c19e457-e81c-48c6-ab11-54e49ed134b6.jpg?v=1766455842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842","options":["Title"],"media":[{"alt":null,"id":37877513978106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842","width":700},{"alt":null,"id":37877514010874,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava2_1c19e457-e81c-48c6-ab11-54e49ed134b6.jpg?v=1766455842"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava2_1c19e457-e81c-48c6-ab11-54e49ed134b6.jpg?v=1766455842","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのポストパンクバンドAva Lunaが、2025年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポストパンク〜コンテンポラリーR\u0026amp;B11曲を収録。クリアグレープ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1730232522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent grape vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Math Money Job 01:32\u003cbr\u003e2. Frame of Us 03:04\u003cbr\u003e3. Lasting Impression 02:42\u003cbr\u003e4. Fancy 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Social Diving 01:57\u003cbr\u003e\u003c\/span\u003e6. Your Man 03:28\u003cbr\u003e7. Roof 03:28\u003cbr\u003e8. Archive 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Tacos El Bronco 02:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. My Walk 03:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Game Level 03:26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAva Luna's self-titled album is an introspective and grounded collection that marks a significant evolution for the quartet. The acclaimed group — now consisting of Carlos Hernandez, Julian Fader, Ethan Bassford, and Felicia Douglass — has stripped back their sound to its core. Following the departure of Kye (fka Becca Kauffman) in 2019, Ava Luna re-emerges with a focus on the fundamental elements of drums, bass, and the dual vocals of Carlos and Felicia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new album is decidedly Earth-bound, drawing heavily on the members' shared experiences and their deep roots in New York City. This back-to-basics approach was a conscious decision to move away from the expansive, \"cosmic\" feel of their previous album, Moon 2. Instead, the album delves into the nuances of everyday life, exploring themes of frustration and exhaustion that come with the mundane realities of work and survival, but also the joy and power in moving through life in community and chosen family, and finding precarious rootedness. For instance, \"Lasting Impression\" captures the feeling of being fed up at a job, while \"Math Money Job\" offers a playful, body-conscious take on a friendly reunion, in the form of a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eschoolyard chant.\u003cbr\u003e\u003cbr\u003eAt the heart of the album is the rhythmic interplay between Julian Fader's drums and Ethan Bassford's bass, forming a \"close to the earth, melting into the sidewalk\" foundation. This deliberate focus on the rhythm section was a key part of their creative process, ensuring the songs could stand strong in their most stripped-down format before any additional layers were introduced. Julian specifically cites Soul Coughing as an influence, particularly their use of crude sampling, which can be heard scattered throughout the record, including on \"Frame of Us,\" where their powerful rhythm section.\u003cbr\u003e\u003cbr\u003eMoving beyond traditional lead and backup roles, Carlos and Felicia's voices dance, weave, and harmonize, often blending into a singular, almost supernatural entity. This meticulous and thoughtful approach to vocal arrangement allows for a wider variety of melodic outcomes and requires a high degree of collaborative thought. On \"Archive,\" their voices are fragmented, weaving in and out of synchronicity, mirroring the meticulous organization of an archival system.\u003cbr\u003e\u003cbr\u003eWhile the album's core is mindfully minimalist, the production is far from sparse. Legendary percussionist Larry McDonald (Gil Scott-Heron, King Tubby) joins the band on congas and percussion, while subtle orchestrations, faint drifts of piano, a touch of Carlos’s famous guitar noise, and samples from his parents' obscure records, punctuate the landscape, creating a rich yet uncluttered sound.\u003cbr\u003e\u003cbr\u003eTheir evolution in approach allows for careful refinement while capturing singular moments and happy accidents. The album also touches on universal experiences, like the pandemic-era disorientation in \"Social Diving,\" which Julian describes as his best Digable Planets impression. \"My Walk\" is an homage to Brooklyn’s rich tapestry of immigrant communities — a journey from Carlos's apartment in Flatbush to Felicia's in Sunset Park. in which snippets of at least a half dozen different languages drift into earshot.\u003cbr\u003e\u003cbr\u003eUltimately, Ava Luna's self-titled album is a testament to almost twenty years of shared musical sensibility, now distilled into its barest elements. The album paints an intimate yet exaggerated portrait of NYC, a cacophony of jagged post-punk, funk, and dance beats giving way to lush strings and spacious minimalism. Songs like \"Your Man\" showcase a raw urge to call out toxic behavior, while \"Fancy\" champions holding onto dignity in the face of adversity. It's a sound that is both resilient and reflective, offering a wisdom that only years of experience could bring, proving that even as the city and the band evolve, Ava Luna continues to take listeners somewhere urgent and new.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ava Luna\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV276lp-C1\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e"}
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アメリカ・NYのポストパンクバンドAva Lunaが、2025年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 ポストパンク〜コンテンポラリーR&B11曲を収録。クリアグレープ盤です。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
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{"id":8951649403130,"title":"Joseph Shabason \/\/ Anne CD","handle":"joseph-shabason-anne-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜\u003cspan\u003eアンビエント\u003c\/span\u003e・ポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2942634866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought That I Could Get Away with It 04:45\u003cbr\u003e2. Deep Dark Divide 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dangerous Chemicals 06:31\u003cbr\u003e\u003c\/span\u003e4. Donna Lee 04:50\u003cbr\u003e5. Forest Run 04:28\u003cbr\u003e6. Fred and Lil 06:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Toh Koh 03:08\u003cbr\u003e\u003c\/span\u003e8. November (feat. Gigi Masin) 05:09\u003cbr\u003e9. Treat It Like a Wine Bar 06:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic\u003cspan class=\"bcTruncateMore\"\u003e exercise.\u003cbr\u003e\u003cbr\u003eStill, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible. The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.\u003cbr\u003e\u003cbr\u003eThe serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV182cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-12T06:14:23+09:00","created_at":"2025-10-10T09:06:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808148373754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ Anne CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563106280","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","options":["Title"],"media":[{"alt":null,"id":37049514787066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","width":700},{"alt":null,"id":37049514819834,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜\u003cspan\u003eアンビエント\u003c\/span\u003e・ポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2942634866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought That I Could Get Away with It 04:45\u003cbr\u003e2. Deep Dark Divide 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dangerous Chemicals 06:31\u003cbr\u003e\u003c\/span\u003e4. Donna Lee 04:50\u003cbr\u003e5. Forest Run 04:28\u003cbr\u003e6. Fred and Lil 06:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Toh Koh 03:08\u003cbr\u003e\u003c\/span\u003e8. November (feat. Gigi Masin) 05:09\u003cbr\u003e9. Treat It Like a Wine Bar 06:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic\u003cspan class=\"bcTruncateMore\"\u003e exercise.\u003cbr\u003e\u003cbr\u003eStill, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible. The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.\u003cbr\u003e\u003cbr\u003eThe serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV182cd\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ〜アンビエント・ポップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥2,194
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{"id":8907061035258,"title":"Wilder Maker \/\/ The Streets Like Beds Still Warm LP","handle":"wilder-maker-the-streets-like-beds-still-warm-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアダルト・ポップ〜アンビエント・ジャズ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3590446895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Strange Meeting with Owls 02:14\u003cbr\u003e2. Skewered by the Daystar 01:53\u003cbr\u003e3. It Was a Flood\u003cbr\u003e4. Atlas on His Day Off\u003cbr\u003e5. Turn Signal\u003cbr\u003e6. And You Want to Be My Dog\u003cbr\u003e7. Secret Weather\u003cbr\u003e8. A Tavern Poem, Passed From Mouth to Mouth\u003cbr\u003e9. Another Bullshit Rodeo 01:16\u003cbr\u003e10. They Laugh That Win 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Escape Artist\u003cbr\u003e\u003c\/span\u003e12. Darkness Leaning Like Water Against the Windows\u003cbr\u003e13. The Moon Says\u003cbr\u003e14. Horse \u0026amp; Hero\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Demon Confrontation\u003cbr\u003e\u003c\/span\u003e16. Fixing the Past is a Sucker's Game\u003cbr\u003e17. Sea \u0026amp; Swimmer\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrooklyn band Wilder Maker’s principal songwriter, Gabriel Birnbaum says that the group’s latest full-length, The Streets Like Beds Still Warm follows “an overall formal asymmetry, like dream logic.” It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that’s because it is. “Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they’ve started slapping people around in desperation,” Birnbaum says. “Are they the good guy anymore? I find this fascinating and I love the\u003cspan class=\"bcTruncateMore\"\u003e visual cues reflecting the internal landscape.” While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography.\u003cbr\u003e\u003cbr\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum’s husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all its dim-lit barroom storytelling, one may think of Tom Waits. It’s a comparison that threatens both to mislead and sell short, but it’s difficult not to see things while listening to The Streets Like Beds Still Warm –– perhaps a slowly swinging Tiffany lamp just above the narrator’s head as he’s a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it’s not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm’s musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum’s series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Wilder Maker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eWV287lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-02T10:36:44+09:00","created_at":"2025-08-29T11:58:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","western vinyl"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666461475066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wilder Maker \/\/ The Streets Like Beds Still Warm LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563186763","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","options":["Title"],"media":[{"alt":null,"id":36676933517562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed1_ca67b5d8-beeb-45cc-89f3-06a7edeb3056.jpg?v=1756436160","width":700},{"alt":null,"id":36676933550330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bed2_0c8b65e6-c913-4fd8-8ab8-1d07564ea36d.jpg?v=1756436160","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアダルト・ポップ〜アンビエント・ジャズ17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3590446895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Strange Meeting with Owls 02:14\u003cbr\u003e2. Skewered by the Daystar 01:53\u003cbr\u003e3. It Was a Flood\u003cbr\u003e4. Atlas on His Day Off\u003cbr\u003e5. Turn Signal\u003cbr\u003e6. And You Want to Be My Dog\u003cbr\u003e7. Secret Weather\u003cbr\u003e8. A Tavern Poem, Passed From Mouth to Mouth\u003cbr\u003e9. Another Bullshit Rodeo 01:16\u003cbr\u003e10. They Laugh That Win 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Escape Artist\u003cbr\u003e\u003c\/span\u003e12. Darkness Leaning Like Water Against the Windows\u003cbr\u003e13. The Moon Says\u003cbr\u003e14. Horse \u0026amp; Hero\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Demon Confrontation\u003cbr\u003e\u003c\/span\u003e16. Fixing the Past is a Sucker's Game\u003cbr\u003e17. Sea \u0026amp; Swimmer\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by Western Vinyl:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrooklyn band Wilder Maker’s principal songwriter, Gabriel Birnbaum says that the group’s latest full-length, The Streets Like Beds Still Warm follows “an overall formal asymmetry, like dream logic.” It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that’s because it is. “Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they’ve started slapping people around in desperation,” Birnbaum says. “Are they the good guy anymore? I find this fascinating and I love the\u003cspan class=\"bcTruncateMore\"\u003e visual cues reflecting the internal landscape.” While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography.\u003cbr\u003e\u003cbr\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum’s husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all its dim-lit barroom storytelling, one may think of Tom Waits. It’s a comparison that threatens both to mislead and sell short, but it’s difficult not to see things while listening to The Streets Like Beds Still Warm –– perhaps a slowly swinging Tiffany lamp just above the narrator’s head as he’s a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it’s not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm’s musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum’s series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not[...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Wilder Maker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : Western Vinyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eWV287lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのジャズ・ポップバンドWilder Makerが、2025年9月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 アダルト・ポップ〜アンビエント・ジャズ17曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥3,580