Jahmal Padmore // Esparonto LP

¥3,740

Write a review

Item no:
Availability:

カナダ・トロントのシンガーソングライターJahmal Padmoresが、2022年5月にトロントのインディーポップレーベルTelephone Explosion Recordsからリリースしたレコードです。

コンテンポラリーR&B〜エレクトロニックポップ10曲を収録。DLリンク付属。

レーベルその他作品はこちら /// Click here to see more Telephone Explosion Records releases available at Tobira.

-------------------------------------

Includes DL link

Telephone Explosion Records:

"Jahmal Padmore’s debut solo album, Esparonto, arrives via Telephone Explosion Records on May 28th, 2022. Padmore has been honing his producing, songwriting, and drumming skills since 2007, working with artists like MSTRKRFT, The Carps, Just John and Brendan Philip. This extensive studio & collaboration experience has primed Jahmal for a standout debut, one that encompasses the diversity of his past musical work. Esparonto is a stunning collection of ten post-Afropunk R&B tracks that are languid, sexy and wry.

... Recording at Telephone Explosion’s Studio Z, the trio of Padmore, Benja and OBGMs drummer/keyboardist Colanthony Humphries began with lengthy jam sessions which eventually became the cores of each track. Padmore plucked the most progressive bass and percussion elements from the sessions and added samples to create Esperonto’s uniquely live aesthetic. The album was then mixed by Louis Cremades at House Of Balloons (The Weeknd) and mastered by Kevin McPhee at East End Mastering."

Artist : Jahmal Padmore

Label : Telephone Explosion Records

Quantity

+ -

コンテンポラリーR&B〜エレクトロニックポップ10曲を収録。DLリンク付属。

レーベルその他作品はこちら /// Click here to see more Telephone Explosion Records releases available at Tobira.

-------------------------------------

Includes DL link

Telephone Explosion Records:

Artist : Jahmal Padmore

Label : Telephone Explosion Records

Related Products

Quickview {"id":7828671201530,"title":"Ingredient \/\/ Ingredient LP","handle":"ingredient-ingredient-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eカナダ・トロントの詩人／長年の友人Ian Daniel KehoeとLuka Kuplowskyによるエレクトロニック・アヴァンポップデュオIngredientが、2022年11月にトロントのTelephone Explosion Recordsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eこころの病を抱えていた\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIan Daniel Kehoeのセラピーの一環として制作した本作は、実験的ではあるもののキャッチーで馴染みやすい側面も併せ持っています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eコンテンポラリーR\u0026amp;Bやハウスを通過したベッドルーム・アンビエントシンセ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e同郷トロントのポップ作家Joseph ShabasonやNicholas Krgovich、Evan J Cartwrightはもちろん、Blue NileやArthur Russel、\u003cmeta charset=\"utf-8\"\u003e高橋幸宏が好きな方にもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLリンク付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MFjUnB5x7wg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText written by Fan Wu in collaboration with Ingredient:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ingredient is the elegant collaboration of Toronto poets, composers, producers and dear friends Ian Daniel Kehoe and Luka Kuplowsky. Their self-titled release is an enigmatic electronic avant-pop record attuned to the micro and macro perspectives of the natural world. Ingredient is an album whose lyrics are more poem than lyric, and whose songs exist in a merger of house music, philosophically-minded lyricism and contemporary R\u0026amp;B. One might recall electronic and art-pop luminaries such as Yukihiro Takahashi, The Blue Nile, and Arthur Russell, or connect it to contemporaries like Nite Jewel, Westerman and Blood Orange. A distinct world of dance, of questions, of secrecy and ultimate softness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEight years of friendship forges strange telepathy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the summer of 2020, Ian Daniel Kehoe was entrenched in a new feeling of heaviness; psychosomatic symptoms had started to proliferate; stress made new pores across the body, bending sensitivity into pain. His days were met with confusion, detachment, sleeplessness and pain without causation. Disfigured, he felt that what had been central and centering was blown out to the periphery of things. In a moment of self-preservation he reached out to his dear friend Luka Kuplowsky to make an album together. For\u003cspan class=\"bcTruncateMore\"\u003e Kehoe, it was an instinctual grasp for the anchoring truthfulness of deep friendship and the potential for a dedicated creative collaboration. Kuplowsky’s presence was light, supportful and curious, eager to explore musically the sounds they were mutually drawn to: house music, ambient pop, dub. The duality between Kuplowsky and Kehoe – between the Aflight and the Unmoored – is a portrait of a friendship whose exchanges came easy and produced an outpouring of song. Creation and therapy crisscross. In email correspondence that catalogs their process of collaboration, affection abounds: “feels bare without the Luka Licks”, or “Love you so much”, or “Kinda just overwhelmed with deadliness coming in at all angles.” When their voices first come in together on “Wolf,” that harmony arrives in a dramatic avant-pop sound that is bold and wondrous.\u003cbr\u003e\u003cbr\u003eKuplowsky and Kehoe both arrive at Ingredient as established artists whose works are committed to language’s propensity to provoke and mystify. Kuplowsky’s 2020 album Stardust is an idiosyncratic and otherworldly blend of pop and jazz romanticism grounded by Cohen-esque vocals and a stirring philosophical curiosity. Kehoe’s entrance into the new decade has hatched four records of pop experimentation, most recently 2022’s Yes Very So, a euphoric and bold album of poetic synth-pop and meditative ambient instrumentals. Kuplowsky and Kehoe’s union as Ingredient is a beautiful and unusual chemistry that integrates their distinct approaches while bringing forth a newness: a sound that alternates between cinematic technicolor and dubbed out fogginess; a lyricism that exchanges their lucid and clear poetics for a playful and obtuse verse. The album intuitively taps into the opposing emotional states of Kuplowsky and Kehoe during the conception of the record, contrasting the buoyancy of trumpeting keyboards (“Resurface”), angelic synthesized voices (“Come”), and rolling bass (“Photo”) with the record’s underlying darkness of whirring buzzsaw textures (“Transmission”), whooping sirens (“Wolf”) and murky ambience (“Illumination”). Lyrically, this duality arises in the record’s flux between openness (“Variation”, “Raindrop”) and existential dread (“Wolf”). “Illumination” most clearly crystalizes this opposition, reconciling the verses’ neurotic yearning for enlightenment with the chorus’ liberating doctrine of negation: “no more devotion… no more delusion”. Amidst the gradations of light and dark, Kuplowsky and Kehoe trade indelible, lush melodies as though their voices are made of a substance that melts easily one into the other. The harmony of poetry, sound, and texture cuts through your brain fog like a wet diamond.\u003cbr\u003e\u003cbr\u003eIngredient’s self-titled record was assembled by Kuplowsky and Kehoe over the course of six months in a home studio they frequented daily. Amidst synthesizers and drum machines they composed, re-composed, and workshopped a wide array of music, ultimately focusing on a set of eight songs that lived in a shared musical and philosophical world. Recording days often ended in basketball games at a local court or a rooftop commune over a pot of tulsi tea and a crossword puzzle. Kuplowsky brought in the Blue Cliff Record – the classic anthology of Chan Buddhism – whose inscrutable and sublime insights remained constant throughout the recording process as an activator of reorientation and reflection. While Kehoe was frequently rendered physically immobile by bouts of anxiety, a patience and mutual caring governed the pace of their creation; rest, stretching and meditation became equally important as the act of arrangement. Invited into their intimate circle of composition was Thom Gill, whose heavenly voice uplifts “Variation” and “Raindrop,” and Karen Ng, whose alto sax simmers and dances around the funky strut of “Raindrop.”\u003cbr\u003e\u003cbr\u003eThe lyrics on Ingredient reflect the persistence of change, the infinite variability of nature where randomness and divergence are no accidents. In Daoism, duality, in the form of Yin and Yang, is not contradictory as it is in Western idealist philosophy, but rather composes the eternal and lived paradox of our changeless-changing universe: changeless because all is change, and changing because the dynamism of the Dao makes each moment transformational. Kuplowsky and Kehoe refract this way of seeing the world, as in Variation: “Variation in the natural world \/ there it is.” Ingredient is an experience of the manifold ways of saying there it is of the transformational world, and there it is, unfolding. Elsewhere, change and ephemerality is addressed through the record’s preoccupation with non-human perspectives, reorienting the listener to the wolf, the mouse, the emerald frog, the centipede, the bird, the fly in the lamp. The album cover visualizes this fascination with the striking image of a reddish-orange frog atop a defamiliarized landscape of dark green leaves. Mirroring the exploratory process of the record’s collaboration, the frog also signals the amphibian’s natural inclination to leap into boundless potential. Kuplowsky and Kehoe’s lyrics manifest philosopher and ecologist Timothy Morton’s concept of “the mesh,” drawing attention to the “vast, entangled web” of interconnectedness that connects all life forms and interweaving the songwriters’ shared wonder into the Animal’s unknowability. As Luka narrates in the breakdown of the dance-floor ready “Photo,” “the closer we observe things, the further they retreat into abstraction.” In Ingredient’s ecosystem, perception is a reversible fractal where the world’s minutest details mirror the shape of the cosmos.\u003cbr\u003e\u003cbr\u003eAccording to the Dao, the path to healing starts by reorienting perception away from the self and toward the self’s subsumption in Totality. For Kehoe, collaborating with Kuplowsky became the reorientation necessary for the self-preservation he was seeking, opening up a shared creative practice to navigate and soften the complexity of his psychological shattering. The album begins with Kuplowsky intoning “colossal faith” which bounces around the stereo field in a cloud of echo, and it is the enormity of “faith” that centers both Kuplowsky and Kehoe’s collaboration and their inquisitiveness in the vast mysteries of our very being. Truth in Ingredient is not an essential nugget, but a bending of the light – it is the equivocal entanglement of how we are in nature as nature, but with a plea or prayer under our breath that marks our felt distance from what we are a part of: 'carry me towards the mountains of my birth \/ returning to the nest \/ the silence of the earth.'\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Ingredient\u003c\/p\u003e\n\u003cp\u003elabel : Telephone Explosion Records\u003c\/p\u003e","published_at":"2022-11-07T13:37:46+09:00","created_at":"2022-11-05T05:30:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","Telephone Explosion Records"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43615970132218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ingredient \/\/ Ingredient LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2773587496_16.jpg?v=1667593849"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2773587496_16.jpg?v=1667593849","options":["Title"],"media":[{"alt":null,"id":30918901072122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2773587496_16.jpg?v=1667593849"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2773587496_16.jpg?v=1667593849","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eカナダ・トロントの詩人／長年の友人Ian Daniel KehoeとLuka Kuplowskyによるエレクトロニック・アヴァンポップデュオIngredientが、2022年11月にトロントのTelephone Explosion Recordsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eこころの病を抱えていた\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIan Daniel Kehoeのセラピーの一環として制作した本作は、実験的ではあるもののキャッチーで馴染みやすい側面も併せ持っています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eコンテンポラリーR\u0026amp;Bやハウスを通過したベッドルーム・アンビエントシンセ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e同郷トロントのポップ作家Joseph ShabasonやNicholas Krgovich、Evan J Cartwrightはもちろん、Blue NileやArthur Russel、\u003cmeta charset=\"utf-8\"\u003e高橋幸宏が好きな方にもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLリンク付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MFjUnB5x7wg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText written by Fan Wu in collaboration with Ingredient:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ingredient is the elegant collaboration of Toronto poets, composers, producers and dear friends Ian Daniel Kehoe and Luka Kuplowsky. Their self-titled release is an enigmatic electronic avant-pop record attuned to the micro and macro perspectives of the natural world. Ingredient is an album whose lyrics are more poem than lyric, and whose songs exist in a merger of house music, philosophically-minded lyricism and contemporary R\u0026amp;B. One might recall electronic and art-pop luminaries such as Yukihiro Takahashi, The Blue Nile, and Arthur Russell, or connect it to contemporaries like Nite Jewel, Westerman and Blood Orange. A distinct world of dance, of questions, of secrecy and ultimate softness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEight years of friendship forges strange telepathy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the summer of 2020, Ian Daniel Kehoe was entrenched in a new feeling of heaviness; psychosomatic symptoms had started to proliferate; stress made new pores across the body, bending sensitivity into pain. His days were met with confusion, detachment, sleeplessness and pain without causation. Disfigured, he felt that what had been central and centering was blown out to the periphery of things. In a moment of self-preservation he reached out to his dear friend Luka Kuplowsky to make an album together. For\u003cspan class=\"bcTruncateMore\"\u003e Kehoe, it was an instinctual grasp for the anchoring truthfulness of deep friendship and the potential for a dedicated creative collaboration. Kuplowsky’s presence was light, supportful and curious, eager to explore musically the sounds they were mutually drawn to: house music, ambient pop, dub. The duality between Kuplowsky and Kehoe – between the Aflight and the Unmoored – is a portrait of a friendship whose exchanges came easy and produced an outpouring of song. Creation and therapy crisscross. In email correspondence that catalogs their process of collaboration, affection abounds: “feels bare without the Luka Licks”, or “Love you so much”, or “Kinda just overwhelmed with deadliness coming in at all angles.” When their voices first come in together on “Wolf,” that harmony arrives in a dramatic avant-pop sound that is bold and wondrous.\u003cbr\u003e\u003cbr\u003eKuplowsky and Kehoe both arrive at Ingredient as established artists whose works are committed to language’s propensity to provoke and mystify. Kuplowsky’s 2020 album Stardust is an idiosyncratic and otherworldly blend of pop and jazz romanticism grounded by Cohen-esque vocals and a stirring philosophical curiosity. Kehoe’s entrance into the new decade has hatched four records of pop experimentation, most recently 2022’s Yes Very So, a euphoric and bold album of poetic synth-pop and meditative ambient instrumentals. Kuplowsky and Kehoe’s union as Ingredient is a beautiful and unusual chemistry that integrates their distinct approaches while bringing forth a newness: a sound that alternates between cinematic technicolor and dubbed out fogginess; a lyricism that exchanges their lucid and clear poetics for a playful and obtuse verse. The album intuitively taps into the opposing emotional states of Kuplowsky and Kehoe during the conception of the record, contrasting the buoyancy of trumpeting keyboards (“Resurface”), angelic synthesized voices (“Come”), and rolling bass (“Photo”) with the record’s underlying darkness of whirring buzzsaw textures (“Transmission”), whooping sirens (“Wolf”) and murky ambience (“Illumination”). Lyrically, this duality arises in the record’s flux between openness (“Variation”, “Raindrop”) and existential dread (“Wolf”). “Illumination” most clearly crystalizes this opposition, reconciling the verses’ neurotic yearning for enlightenment with the chorus’ liberating doctrine of negation: “no more devotion… no more delusion”. Amidst the gradations of light and dark, Kuplowsky and Kehoe trade indelible, lush melodies as though their voices are made of a substance that melts easily one into the other. The harmony of poetry, sound, and texture cuts through your brain fog like a wet diamond.\u003cbr\u003e\u003cbr\u003eIngredient’s self-titled record was assembled by Kuplowsky and Kehoe over the course of six months in a home studio they frequented daily. Amidst synthesizers and drum machines they composed, re-composed, and workshopped a wide array of music, ultimately focusing on a set of eight songs that lived in a shared musical and philosophical world. Recording days often ended in basketball games at a local court or a rooftop commune over a pot of tulsi tea and a crossword puzzle. Kuplowsky brought in the Blue Cliff Record – the classic anthology of Chan Buddhism – whose inscrutable and sublime insights remained constant throughout the recording process as an activator of reorientation and reflection. While Kehoe was frequently rendered physically immobile by bouts of anxiety, a patience and mutual caring governed the pace of their creation; rest, stretching and meditation became equally important as the act of arrangement. Invited into their intimate circle of composition was Thom Gill, whose heavenly voice uplifts “Variation” and “Raindrop,” and Karen Ng, whose alto sax simmers and dances around the funky strut of “Raindrop.”\u003cbr\u003e\u003cbr\u003eThe lyrics on Ingredient reflect the persistence of change, the infinite variability of nature where randomness and divergence are no accidents. In Daoism, duality, in the form of Yin and Yang, is not contradictory as it is in Western idealist philosophy, but rather composes the eternal and lived paradox of our changeless-changing universe: changeless because all is change, and changing because the dynamism of the Dao makes each moment transformational. Kuplowsky and Kehoe refract this way of seeing the world, as in Variation: “Variation in the natural world \/ there it is.” Ingredient is an experience of the manifold ways of saying there it is of the transformational world, and there it is, unfolding. Elsewhere, change and ephemerality is addressed through the record’s preoccupation with non-human perspectives, reorienting the listener to the wolf, the mouse, the emerald frog, the centipede, the bird, the fly in the lamp. The album cover visualizes this fascination with the striking image of a reddish-orange frog atop a defamiliarized landscape of dark green leaves. Mirroring the exploratory process of the record’s collaboration, the frog also signals the amphibian’s natural inclination to leap into boundless potential. Kuplowsky and Kehoe’s lyrics manifest philosopher and ecologist Timothy Morton’s concept of “the mesh,” drawing attention to the “vast, entangled web” of interconnectedness that connects all life forms and interweaving the songwriters’ shared wonder into the Animal’s unknowability. As Luka narrates in the breakdown of the dance-floor ready “Photo,” “the closer we observe things, the further they retreat into abstraction.” In Ingredient’s ecosystem, perception is a reversible fractal where the world’s minutest details mirror the shape of the cosmos.\u003cbr\u003e\u003cbr\u003eAccording to the Dao, the path to healing starts by reorienting perception away from the self and toward the self’s subsumption in Totality. For Kehoe, collaborating with Kuplowsky became the reorientation necessary for the self-preservation he was seeking, opening up a shared creative practice to navigate and soften the complexity of his psychological shattering. The album begins with Kuplowsky intoning “colossal faith” which bounces around the stereo field in a cloud of echo, and it is the enormity of “faith” that centers both Kuplowsky and Kehoe’s collaboration and their inquisitiveness in the vast mysteries of our very being. Truth in Ingredient is not an essential nugget, but a bending of the light – it is the equivocal entanglement of how we are in nature as nature, but with a plea or prayer under our breath that marks our felt distance from what we are a part of: 'carry me towards the mountains of my birth \/ returning to the nest \/ the silence of the earth.'\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Ingredient\u003c\/p\u003e\n\u003cp\u003elabel : Telephone Explosion Records\u003c\/p\u003e"}

カナダ・トロントの詩人／長年の友人Ian Daniel KehoeとLuka Kuplowskyによるエレクトロニック・アヴァンポップデュオIngredientが、2022年11月にトロントのTelephone Explosion Recordsからリリースしたデビューレコードです。こころの病を抱えていたIan Daniel Kehoeのセラピーの一環として制作した本作は、実験的ではあるもののキャッチーで馴染みやすい側面も併せ持っています。コンテンポラリーR&Bやハウスを通過したベッドルーム・アンビエントシンセポップ8曲を収録。同郷トロントのポップ作家Joseph ShabasonやNicholas Krgovich、Evan J...

¥3,890

Add to cart

Quickview {"id":8056717705466,"title":"Masahiro Takahashi \/\/ Humid Sun LP [BLACK\/COLOR]","handle":"masahiro-takahashi-humid-sun-lp-1","description":"\u003cp\u003eカナダ・トロントを拠点に活動する日本人アンビエント作家Masahiro Takahashiが、2023年10月にトロントのポップ〜アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eTelephone Explosion Recordsからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過ぎ去る夏に想いを馳せるポストニューエイジ・アンビエントジャズ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=189970426\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=901168256\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=189970426\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. October 2023 repress. Available on 12\" black or 12\" translucent blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSilky lake 03:44\u003c\/li\u003e\n\u003cli\u003eCloud boat 05:30\u003c\/li\u003e\n\u003cli\u003eEast Chinatown Stroller 04:03\u003c\/li\u003e\n\u003cli\u003eSea fireflies 03:39\u003c\/li\u003e\n\u003cli\u003eOkinawa sunset 03:06\u003c\/li\u003e\n\u003cli\u003eSweltering drive 03:54\u003c\/li\u003e\n\u003cli\u003eFantasy in soy sauce 02:56\u003c\/li\u003e\n\u003cli\u003eMinamo 05:25\u003c\/li\u003e\n\u003cli\u003eTrees sleep at night 03:13\u003c\/li\u003e\n\u003cli\u003eBack to the West 02:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Nick Storring:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"For the good part of the past decade, Japanese composer-musician Masahiro Takahashi has been crafting gently spellbinding pieces that simultaneously embrace electronic abstraction and a palpable, even brittle, humanity. His delicate and evocative landscapes always seem to be illuminated in vibrant magic hour tones as golden synth lines emanate from between soft flickers of acoustic instrumentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince moving to Toronto in 2020, Takahashi has swiftly become a local fixture, enough so that his elegant Not Not Fun tape, Flowering Tree, Distant Moon saw an LP reissue with prominent local imprint Telephone Explosion (home to Joseph Shabason, Mas Aya, Steve Roach, Badge Epoque, Eucalyptus and others).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe forthcoming follow-up, also on Telephone Explosion, is entitled Humid Sun and proudly exhibits connections that he has cultivated in both his new and former homes. Recorded between January and August 2022, the record lives up to its title and sunset-hued cover, unfolding a kaleidoscopic, vaguely tropical calm over ten luxuriant tracks. All but one of the pieces features contributions from guest artists. On one hand he has invited several artists from back home namely Tokyo-based electronic producers H. Takahashi, Takao, and Yamaan, on the other he has brought aboard members\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e of Toronto's rich experimental music community, including his labelmates Joseph Shabason and Brodie West (leader of Eucalyptus), as well as Ryan Driver, Bram Gielen, and Michael Davidson. He also enlisted Sandro Perri of Constellation Records infamy to provide the final mix.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough bearing Takahashi's personal atmospheric signatures, Humid Sun's warm, saturated colour palette and sunny repose audibly also take cues from the imaginary utopias of vintage lounge and exotica. These tropes offer an unexpected avenue through which Toronto's local influence creeps in again. Takahashi explains that he envisions the record as an auditory tool to cope with the city's harsh winters—and the references are designed to provide a sort of sonic vacation. Indeed he succeeds in achieving this objective; the album's nuanced colours and contours engender a sense of equatorial tranquility, though completely devoid of the kitsch associated with his inspiration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile it might be easy to imagine Masahiro Takahashi's unique brand of introversion as the product of hermetic solitude, anyone that knows him from the Toronto scene will tell you that Humid Sun vividly captures his true temperament—curious, attentive, and quietly gregarious.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masahiro Takahashi\u003c\/p\u003e\n\u003cp\u003eLabel : Telephone Explosion Records\u003c\/p\u003e","published_at":"2023-10-30T12:24:41+09:00","created_at":"2023-10-30T12:10:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","post newage","telephone explosion","Telephone Explosion Records"],"price":428000,"price_min":428000,"price_max":429800,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44703695143162,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39976656208122,"product_id":8056717705466,"position":2,"created_at":"2023-10-30T12:10:38+09:00","updated_at":"2023-10-30T12:10:38+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu2_f1d16a57-fa02-4db2-a0b2-8ede25e16855.jpg?v=1698635438","variant_ids":[44703695143162]},"available":true,"name":"Masahiro Takahashi \/\/ Humid Sun LP [BLACK\/COLOR] - Black","public_title":"Black","options":["Black"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32619950506234,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu2_f1d16a57-fa02-4db2-a0b2-8ede25e16855.jpg?v=1698635438"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44703695110394,"title":"Translucent Blue","option1":"Translucent Blue","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39976659878138,"product_id":8056717705466,"position":3,"created_at":"2023-10-30T12:11:33+09:00","updated_at":"2023-10-30T12:11:35+09:00","alt":null,"width":1200,"height":892,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_a9fddd81-94d5-47b1-a3d6-a6b154e7c1f2.jpg?v=1698635495","variant_ids":[44703695110394]},"available":false,"name":"Masahiro Takahashi \/\/ Humid Sun LP [BLACK\/COLOR] - Translucent Blue","public_title":"Translucent Blue","options":["Translucent Blue"],"price":429800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32619954045178,"position":3,"preview_image":{"aspect_ratio":1.345,"height":892,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_a9fddd81-94d5-47b1-a3d6-a6b154e7c1f2.jpg?v=1698635495"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_1f58632c-7fc9-4ec0-9d25-311aca5336e9.jpg?v=1698635438","\/\/tobirarecords.com\/cdn\/shop\/files\/hu2_f1d16a57-fa02-4db2-a0b2-8ede25e16855.jpg?v=1698635438","\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_a9fddd81-94d5-47b1-a3d6-a6b154e7c1f2.jpg?v=1698635495"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_1f58632c-7fc9-4ec0-9d25-311aca5336e9.jpg?v=1698635438","options":["Color"],"media":[{"alt":null,"id":32619950440698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_1f58632c-7fc9-4ec0-9d25-311aca5336e9.jpg?v=1698635438"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_1f58632c-7fc9-4ec0-9d25-311aca5336e9.jpg?v=1698635438","width":700},{"alt":null,"id":32619950506234,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu2_f1d16a57-fa02-4db2-a0b2-8ede25e16855.jpg?v=1698635438"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu2_f1d16a57-fa02-4db2-a0b2-8ede25e16855.jpg?v=1698635438","width":1200},{"alt":null,"id":32619954045178,"position":3,"preview_image":{"aspect_ratio":1.345,"height":892,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_a9fddd81-94d5-47b1-a3d6-a6b154e7c1f2.jpg?v=1698635495"},"aspect_ratio":1.345,"height":892,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hu1_a9fddd81-94d5-47b1-a3d6-a6b154e7c1f2.jpg?v=1698635495","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントを拠点に活動する日本人アンビエント作家Masahiro Takahashiが、2023年10月にトロントのポップ〜アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eTelephone Explosion Recordsからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過ぎ去る夏に想いを馳せるポストニューエイジ・アンビエントジャズ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=189970426\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=901168256\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=189970426\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/teex\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/teex\"\u003ehere\u003c\/a\u003e to see more Telephone Explosion Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. October 2023 repress. Available on 12\" black or 12\" translucent blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSilky lake 03:44\u003c\/li\u003e\n\u003cli\u003eCloud boat 05:30\u003c\/li\u003e\n\u003cli\u003eEast Chinatown Stroller 04:03\u003c\/li\u003e\n\u003cli\u003eSea fireflies 03:39\u003c\/li\u003e\n\u003cli\u003eOkinawa sunset 03:06\u003c\/li\u003e\n\u003cli\u003eSweltering drive 03:54\u003c\/li\u003e\n\u003cli\u003eFantasy in soy sauce 02:56\u003c\/li\u003e\n\u003cli\u003eMinamo 05:25\u003c\/li\u003e\n\u003cli\u003eTrees sleep at night 03:13\u003c\/li\u003e\n\u003cli\u003eBack to the West 02:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eText by Nick Storring:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"For the good part of the past decade, Japanese composer-musician Masahiro Takahashi has been crafting gently spellbinding pieces that simultaneously embrace electronic abstraction and a palpable, even brittle, humanity. His delicate and evocative landscapes always seem to be illuminated in vibrant magic hour tones as golden synth lines emanate from between soft flickers of acoustic instrumentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince moving to Toronto in 2020, Takahashi has swiftly become a local fixture, enough so that his elegant Not Not Fun tape, Flowering Tree, Distant Moon saw an LP reissue with prominent local imprint Telephone Explosion (home to Joseph Shabason, Mas Aya, Steve Roach, Badge Epoque, Eucalyptus and others).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe forthcoming follow-up, also on Telephone Explosion, is entitled Humid Sun and proudly exhibits connections that he has cultivated in both his new and former homes. Recorded between January and August 2022, the record lives up to its title and sunset-hued cover, unfolding a kaleidoscopic, vaguely tropical calm over ten luxuriant tracks. All but one of the pieces features contributions from guest artists. On one hand he has invited several artists from back home namely Tokyo-based electronic producers H. Takahashi, Takao, and Yamaan, on the other he has brought aboard members\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e of Toronto's rich experimental music community, including his labelmates Joseph Shabason and Brodie West (leader of Eucalyptus), as well as Ryan Driver, Bram Gielen, and Michael Davidson. He also enlisted Sandro Perri of Constellation Records infamy to provide the final mix.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough bearing Takahashi's personal atmospheric signatures, Humid Sun's warm, saturated colour palette and sunny repose audibly also take cues from the imaginary utopias of vintage lounge and exotica. These tropes offer an unexpected avenue through which Toronto's local influence creeps in again. Takahashi explains that he envisions the record as an auditory tool to cope with the city's harsh winters—and the references are designed to provide a sort of sonic vacation. Indeed he succeeds in achieving this objective; the album's nuanced colours and contours engender a sense of equatorial tranquility, though completely devoid of the kitsch associated with his inspiration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile it might be easy to imagine Masahiro Takahashi's unique brand of introversion as the product of hermetic solitude, anyone that knows him from the Toronto scene will tell you that Humid Sun vividly captures his true temperament—curious, attentive, and quietly gregarious.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masahiro Takahashi\u003c\/p\u003e\n\u003cp\u003eLabel : Telephone Explosion Records\u003c\/p\u003e"}