Nickelman & Keta Ra // Akasha TAPE
SIDE B
C2000XLを駆使し切り刻み、再構築したトラックの上にKETA RAがメロディーを乗せ、NICKELMANがDUB処理を施す、と言った度重なるサウンドコラージュから産まれたExperimental House Album "Akasha"を僅か2ヶ月足らずで完成させる。
アルバムは夜明けから始まり、深い眠りへと導いて行く。時の流れをコンセプトにしたこの作品は、ドリーミーで心地よいチル•ダンスミュージックでありながらそれぞれの曲が持つ空想的な情景を彷彿とさせるサウンドスケープの賜物である。
細かくレイヤーされた温もりのある音像のリズムやメロディー、抑揚のあるベースラインやドラムパターンであなたを極上のリラックスへと誘う。それぞれ違うスタイルを持った2人の個性が混ざり合ったオリジナルの結晶とも言える天空楽園サウンドを是非体感してもらいたい。"
A1.dawn A2.lazy morning
A3.rainbow
SIDE B
B1.nightfall B2.water dance
B3.sleeping beauty
Nickelman & Keta Ra // Akasha TAPE
¥2,200
- Item no:
- Availability:
大阪のビートメイカーNickelmanと広島のアンビエント作家KETA RAが、2024年1月にdeepconstructionrecordsからリリースしたカセットです。
バレアリックなアンビエント・ハウス6曲を収録。DLコード付属。
以下、レーベルによる解説です。
"KETA RAが生演奏した数々の楽器フレーズをNICKELMANがMPC2000XLを駆使し切り刻み、再構築したトラックの上にKETA RAがメロディーを乗せ、NICKELMANがDUB処理を施す、と言った度重なるサウンドコラージュから産まれたExperimental House Album "Akasha"を僅か2ヶ月足らずで完成させる。
アルバムは夜明けから始まり、深い眠りへと導いて行く。時の流れをコンセプトにしたこの作品は、ドリーミーで心地よいチル•ダンスミュージックでありながらそれぞれの曲が持つ空想的な情景を彷彿とさせるサウンドスケープの賜物である。
細かくレイヤーされた温もりのある音像のリズムやメロディー、抑揚のあるベースラインやドラムパターンであなたを極上のリラックスへと誘う。それぞれ違うスタイルを持った2人の個性が混ざり合ったオリジナルの結晶とも言える天空楽園サウンドを是非体感してもらいたい。"
-------------------------------------
Includes DL code.
A collaborative album by Osaka-based beatmaker Nickelman and Hiroshima-based ambinet guitarist Keta Ra.
Tracklist:
SIDE A
A1.dawn
A2.lazy morning
A3.rainbow
SIDE B
B1.nightfall
B2.water dance
B3.sleeping beauty
++
Artist : Nickelman & Keta Ra
Label : deepconstructionrecords
大阪のビートメイカーNickelmanと広島のアンビエント作家KETA RAが、2024年1月にdeepconstructionrecordsからリリースしたカセットです。
バレアリックなアンビエント・ハウス6曲を収録。DLコード付属。
以下、レーベルによる解説です。
"KETA RAが生演奏した数々の楽器フレーズをNICKELMANがMPアルバムは夜明けから始まり、深い眠りへと導いて行く。
細かくレイヤーされた温もりのある音像のリズムやメロディー、
-------------------------------------
Includes DL code.
A collaborative album by Osaka-based beatmaker Nickelman and Hiroshima-based ambinet guitarist Keta Ra.
Tracklist:
SIDE AA1.dawn A2.lazy morning
A3.rainbow
SIDE B
B1.nightfall B2.water dance
B3.sleeping beauty
++
Artist : Nickelman & Keta Ra
Label : deepconstructionrecords
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Lediard \/\/ Comet Kept Crashing TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_92164e80-4724-40ab-a88e-f430c29e51cb.jpg?v=1716089348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_92164e80-4724-40ab-a88e-f430c29e51cb.jpg?v=1716089348","options":["Title"],"media":[{"alt":null,"id":34073492095226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_92164e80-4724-40ab-a88e-f430c29e51cb.jpg?v=1716089348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_92164e80-4724-40ab-a88e-f430c29e51cb.jpg?v=1716089348","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eカナダのノイズ作家Barrett E. Lediardが、2024年4月に同国実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e低空飛行のドローン〜ノイズ・ドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3273806176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3941107834\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3273806176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Night Conjured A Fragmented Glass Beacon 14:46\u003cbr\u003e2. Finer Shining Beacons 06:41\u003cbr\u003e3. Running Toward A Sandstone Alcove 16:17\u003cbr\u003e4. Underbrush Trepanation 06:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Barrett E. Lediard\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 043\u003c\/span\u003e\u003c\/p\u003e"}
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カナダのノイズ作家Barrett E. Lediardが、2024年4月に同国実験/ノイズレーベルBuried In Slag and Debrisからリリースしたカセットです。 低空飛行のドローン〜ノイズ・ドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Buried In...
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{"id":8446300324090,"title":"JP \/\/ field research TAPE","handle":"jp-field-research-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・バーモントの実験レーベルGranite City主宰JPが、2024年4月にカナダの実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテープマシーン、フィールドレコーディングによるLo-Fiコンクレート〜コラージュ・ノイズ8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1726575774\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. field study no 1 04:26\u003cbr\u003e2. field study no 2 04:43\u003cbr\u003e3. field study no 3 02:37\u003cbr\u003e4. field study no 4 04:03\u003cbr\u003e5. field study no 5 05:05\u003cbr\u003e6. field study no 6 02:22\u003cbr\u003e7. field study no 7 04:58\u003cbr\u003e8. song for Boulder 03:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by JP:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ethe title chosen explains not just the concept and methods behind this release, but the entire purpose for my interest in sound as a whole. for the past several years, an enthusiasm for exploring sound has subsumed my interest in creating it. for one, there is a directness between the source itself and what it expresses. two, simplicity is efficiency; the entire process was done with field recordings and tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ei’ve also come to a third realization, which is now a general principle in my understanding of “noise” and sound art in general: presentation over simulation. while one could use devices, gadgets or instruments to convey a certain experience of that reality, that reality could be arguably better presented directly and by itself, as \u003c\/em\u003e\u003cem\u003eits own material and representation simultaneously. for example, \u003c\/em\u003e\u003cem\u003ei found it easier to locate areas and certain types of sound or qualities of sound than to recreate or synthesize them with effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe reality conveyed is that the world is defined in many ways by constant sound. as we enter the anthropocene era, human-generated noise has come to define the auditory experience for most people and animals. i also found it difficult to avoid, whenever attempted, during these sessions. i kept thinking about the amount of physical waste myself and others have damaged the environment with, using equipment to create, explore and present our findings in sound. it occurred to me that when searching for areas with interesting sound qualities or just quiet, i no longer see private property as a viable option for our species. many of these locations captured were abandoned, unused properties left in a dangerous state. in some cases, i was harassed or threatened in the process.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JP\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 041 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-19T19:36:50+09:00","created_at":"2024-05-19T12:24:07+09:00","vendor":"Tobira Records","type":"","tags":["buried in slag and debris","drone","monooto","new","noise","tape"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46010976698618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JP \/\/ field research TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956","options":["Title"],"media":[{"alt":null,"id":34073418072314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・バーモントの実験レーベルGranite City主宰JPが、2024年4月にカナダの実験/ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテープマシーン、フィールドレコーディングによるLo-Fiコンクレート〜コラージュ・ノイズ8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1726575774\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. field study no 1 04:26\u003cbr\u003e2. field study no 2 04:43\u003cbr\u003e3. field study no 3 02:37\u003cbr\u003e4. field study no 4 04:03\u003cbr\u003e5. field study no 5 05:05\u003cbr\u003e6. field study no 6 02:22\u003cbr\u003e7. field study no 7 04:58\u003cbr\u003e8. song for Boulder 03:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by JP:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ethe title chosen explains not just the concept and methods behind this release, but the entire purpose for my interest in sound as a whole. for the past several years, an enthusiasm for exploring sound has subsumed my interest in creating it. for one, there is a directness between the source itself and what it expresses. two, simplicity is efficiency; the entire process was done with field recordings and tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ei’ve also come to a third realization, which is now a general principle in my understanding of “noise” and sound art in general: presentation over simulation. while one could use devices, gadgets or instruments to convey a certain experience of that reality, that reality could be arguably better presented directly and by itself, as \u003c\/em\u003e\u003cem\u003eits own material and representation simultaneously. for example, \u003c\/em\u003e\u003cem\u003ei found it easier to locate areas and certain types of sound or qualities of sound than to recreate or synthesize them with effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe reality conveyed is that the world is defined in many ways by constant sound. as we enter the anthropocene era, human-generated noise has come to define the auditory experience for most people and animals. i also found it difficult to avoid, whenever attempted, during these sessions. i kept thinking about the amount of physical waste myself and others have damaged the environment with, using equipment to create, explore and present our findings in sound. it occurred to me that when searching for areas with interesting sound qualities or just quiet, i no longer see private property as a viable option for our species. many of these locations captured were abandoned, unused properties left in a dangerous state. in some cases, i was harassed or threatened in the process.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JP\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 041 \u003c\/span\u003e\u003c\/p\u003e"}
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