Little Mystery // Little Mystery LP

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アメリカ・NYのシンガーソングライターLittle Mysteryが、2024年9月にNYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。

オルタナ・カントリー〜インディーフォーク〜インディーロック10曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at Tobira.

--------------------------------------

Includes DL code. 12" black vinyl.

Tracklist:

1. Eye of the Storm 03:13
2. Shame 04:06
3. The Garden 03:02
4. I'm So Tired 03:11
5. Burning Blue 03:05
6. As It Seems 03:00
7. Orbit 02:35
8. Easy 03:19
9. Down Too Fast 01:49
10. The Well 02:57

Artist : Little Mystery

Label : Ruination Records

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アメリカ・NYのシンガーソングライターLittle Mysteryが、2024年9月にNYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。

オルタナ・カントリー〜インディーフォーク〜インディーロック10曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at Tobira.

--------------------------------------

Includes DL code. 12" black vinyl.

Tracklist:

1. Eye of the Storm 03:13
2. Shame 04:06
3. The Garden 03:02
4. I'm So Tired 03:11
5. Burning Blue 03:05
6. As It Seems 03:00
7. Orbit 02:35
8. Easy 03:19
9. Down Too Fast 01:49
10. The Well 02:57

Artist : Little Mystery

Label : Ruination Records

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Quickview {"id":8647989985530,"title":"Dave Vettraino \/\/ A Bird Shaped Shadow LP","handle":"dave-vettraino-a-bird-shaped-shadow-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthem主宰の一人Dave Vettrainoが、2024年10月に同国NYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・フォーク〜アンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e本レーベルオーナーAdeline Hotelが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ruination Record Co.からリリースされたVettrainoのフルアルバム『A Bird Shaped Shadow』は、彼が自身の公式の境界線を押し広げることを発見させてくれる。このアルバムのタイトルは、村上春樹の短編小説の一節に由来する。村上春樹の文章を特徴づけるような、平易な語り口によるミステリアスな雰囲気に包まれている。朝のエネルギーを模倣することを目指したこの6曲は、太陽に照らされたような輝きに包まれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Bird Shaped Shadowのクレジットには、イリノイのお気に入りのミュージシャンがずらりと並んでいる。話題のアヴァンギャルド・チェリスト、リア・コールとマシー・スチュワート（Finom、Tweedy）がストリングスで参加し、フィル・スダーバーグ（Spirits Having Fun、Grandkids）とインターナショナル・アンセムと契約しているダニエル・ヴィラレアルがパーカッション、ロブ・フライ（Bitchin Bajas、Flux Bikes）がクラリネット、フルート、サックスを演奏している。フィーチャー満載のトラックリストにヴォーカルがないのは少々意外だ。しかし、Vettrainoはインストゥルメンタルに語らせることを選び、その方が言葉よりも実感のこもった表現ができることを知っていた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=335118085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Bird Shaped Shadow\u003cbr\u003e2. Morning Melody 04:20\u003cbr\u003e3. Parallel Play 04:04\u003cbr\u003e4. Mid Mind\u003cbr\u003e5. There Is No Way Not To Choose\u003cbr\u003e6. Uplift Twenty Twenty Two\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Ruination Records:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003eA Bird Shaped Shadow — Vettraino’s new full-length for Ruination Record Co. — finds him pushing the boundaries of his formula. The album borrows its title from a phrase in a Haruki Murakami short story. It basks in a plain-spoken mysteriousness similar to the one that defines the Japanese author’s writing. 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Edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Bird Shaped Shadow\u003cbr\u003e2. Morning Melody 04:20\u003cbr\u003e3. Parallel Play 04:04\u003cbr\u003e4. Mid Mind\u003cbr\u003e5. There Is No Way Not To Choose\u003cbr\u003e6. Uplift Twenty Twenty Two\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Ruination Records:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003eA Bird Shaped Shadow — Vettraino’s new full-length for Ruination Record Co. — finds him pushing the boundaries of his formula. The album borrows its title from a phrase in a Haruki Murakami short story. It basks in a plain-spoken mysteriousness similar to the one that defines the Japanese author’s writing. Aiming to mimic the energy of morning, these six pieces are doused in a sun-kissed glow — warm and auspicious, with a dash of secrecy. “I wanted to explore a more organic approach compared to the last record, Exercise, which was mostly all me,” Vettraino says. “I wanted to hear musicians in a room interacting — exploring mediative and harmonic still music, but with more melodies... something that you could perhaps take with you on your day.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnlisting friends to flesh things out, A Bird Shaped Shadow’s credits read like a who’s who of Illinois favorites. Buzzy avant-garde cellist Lia Kohl and Macie Stewart (Finom, Tweedy) appear on strings; Phil Sudderberg (Spirits Having Fun, Grandkids) and International Anthem signee Daniel Villarreal contribute percussion; Rob Frye (Bitchin Bajas, Flux Bikes) plays clarinet, flute, and saxophone. It’s somewhat surprising that a tracklist packed with features incorporates no vocals. But Vettraino opted to let the instrumentals speak for themselves, knowing this would allow him to provide a more realized statement than words could.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dave Vettraino\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}

アメリカ・シカゴのジャズレーベルInternational Anthem主宰の一人Dave Vettrainoが、2024年10月に同国NYのインディーフォークレーベルRuination Recordsからリリースしたレコードです。ネオクラシカル・フォーク〜アンビエント・ジャズ6曲を収録。本レーベルオーナーAdeline Hotelが好きな方にオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ以下、レーベルによる解説です。 "Ruination Record Co.からリリースされたVettrainoのフルアルバム『A Bird Shaped...

¥4,393

Quickview {"id":8612394467578,"title":"Adeline Hotel \/\/ Whodunnit LP","handle":"adeline-hotel-whodunnit-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYのフォークレーベルRuination Records諸作を入荷しました。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーAdeline Hotelが、2024年9月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケロック作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-solid-love-lp\"\u003e『Solid Love』\u003c\/a\u003e、ギターによるアンビエント・フォーク作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-good-timing-cd\"\u003e『Good Timing』\u003c\/a\u003e、ピアノ中心のネオクラシカル・ポップ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-the-cherries-are-speaking-cd-lp\"\u003e『The Cherries Are Speaking』\u003c\/a\u003e、ユニークなアンビエント・ジャズ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-hot-fruit-lp\"\u003e『Hot Fruit』\u003c\/a\u003eと続き、今回は言葉／歌をテーマにしたスローコア〜インディーフォーク9曲を収録。DLコード付属。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはカナダ・トロントの重鎮Sandro Perriが担当しています。\u003c\/p\u003e\n\u003cp\u003eDan Knishkowy - guitars, vocals\u003cbr\u003eWinston Cook-Wilson - piano, una corda, synthesizers\u003cbr\u003eSean Mullins - drums, percussion, una corda\u003cbr\u003eCarmen Quill - upright bass\u003cbr\u003eKatie Von Schleicher - vocals\u003cbr\u003eJackie West - vocals\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768849156\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Gatefold jacket.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. How Did I Get So Lucky?\u003cbr\u003e2. Whodunnit 06:09\u003cbr\u003e3. Preying On\u003cbr\u003e4. Grief 03:45\u003cbr\u003e5. Egg On My Face\u003cbr\u003e6. Joy\u003cbr\u003e7. Isn't That Enough?\u003cbr\u003e8. I Will Let Your Flowers Grow\u003cbr\u003e9. Possible Lives \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Sodomsky :\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dan Knishkowy has never written a song like “Whodunnit.” With his acoustic guitar dropped to a deep, open tuning, the Brooklyn artist noticed a fragile melody resonating from the strings, stretching out like a neverending highway. The lyrics followed suit, emerging in a series of intimate and escalating verses almost effortlessly while he played. Delivering the words in an inquisitive hum, Knishkowky soon found himself addressing the profound, lingering questions that would become the core of his latest album, Whodunnit, the most striking and ambitious record he has ever released. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the tender, surrealist world that Knishkowy has developed under the name Adeline Hotel, stories have been told through sprawling psych-rock epics (2020’s Solid Love), stark solo guitar performances (2021’s Good Timing), piano-led orchestral song cycles (2021’s The Cherries Are Speaking), and lush, jazzy compositions that felt like a genre unto themselves (2023’s Hot Fruit). Inspired by indie lifers and fellow world-builders like Jim O’Rourke and Phil Elverum, the Ruination Records co-founder has rewritten the rule book with each new project, inviting listeners to join as he discovers new channels for his singular voice. By now the sound of Adeline Hotel is equally identifiable through Knishkowy’s dextrous fingerpicking—the aural equivalent of tracing your fingers through cool sand at sunrise—as his low, whispered vocals and autumnal melodies.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs soon as he began writing the material for Whodunnit, a few things seemed instantly clear about his new direction. This time, the words would become the focus and the arrangements would be more threadbare. In order to maintain the immersive feeling that has come to define the project, he would have to craft songs that felt both layered and raw, close to the chest but open-ended enough to suit his amorphous, free-flowing song structures. Imagine Neil Young’s On the Beach cast in the twilight colors of John Martyn’s Solid Air, or Gillian Welch’s Time (The Revelator) as interpreted by the stream-of-consciousness players on Van Morrison’s Veedon Fleece. Whodunnit flows as if in a trance, pulling you closer to the heart with every word, every note.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting about the end of a marriage, Knishkowy refused the bitterness and brutality often associated with the breakup genre in favor of a kind of cosmic curiosity. These are songs full of space and silence, recurring images and textures, openness and grace. They are also among the most immediately affecting in his vast songbook. On previous Adeline Hotel records, Knishkowy cast his voice as a melodic texture interwoven with his visceral, dynamic guitar licks. Here he commands the room, even with a whisper: a fitting delivery for a set of songs where the action tends to occur in moments of crushing isolation and disconnect.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDespite the solitude in the lyrics, Knishkowy recorded Whodunnit with a tight-knit community of collaborators. Working with producer\/engineer Katie Von Schleicher—a similarly idiosyncratic songwriter who encouraged Knishkowy to trust the intuitive spark of his first takes—he assembled a band who could embrace the delicate balance of the material: drummer Sean Mullins (Moon Mullins, Sam Evian), keyboardist Winston Cook-Wilson (Office Culture), bassist Carmen Quill (Scree, Tilt), and vocalist Jackie West. Together, they found the ability to gather a dust storm of psychedelic Americana (“Preying On”), a mystical ballet in miniature (“Egg On My Face”), or a tender pulse that blends seamlessly with morning birdsong (“How Did I Get So Lucky?”).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiscussing the central metaphor in the stunning, six-minute title track, Knishkowy reflects on his favorite mystery ‘whodunnits’: “By the time you find out who’s responsible for the crime, it sort of doesn't matter anymore. What's compelling is watching the dialectic circumstances in the plot reacting to and causing each other.” In the spirit of this observation, he envisioned his record as a close investigation into what went wrong between two people; eventually, he realized he was telling a story that extends beyond any one relationship, speaking instead to the particularities that allow us to connect at all. “It’s only then I start to wonder,” he sings in the title track’s closing lines, “if it’s strange to need somebody.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Even though I was going through something that was objectively hard, I didn't feel lonely,” Knishkowy reflects of the transitional period in his life that inspired the record. “I was being freed to find myself, to build my own connection with the world that had been lost.” It was this sense of gratitude that led him to open the record with a simple question: “How Did I Get So Lucky?” Even when the lyrics touch on alienation and loss—when a requisite encounter with a waitress spirals into an existential tailspin, when the intricacies of fading love resemble the scattered clues in a grim detective story—Knishkowy maintains a tone of optimism, a sense of hope in our potential to start again and know ourselves better. He understands he is not the only traveler on this road, and Whodunnit will be a treasured companion for those of us seeking comfort on our own journey. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adeline Hotel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ruination Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-09-01T09:33:48+09:00","created_at":"2024-09-01T09:28:04+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","ruination record co."],"price":359000,"price_min":359000,"price_max":359000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46622058512634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adeline Hotel \/\/ Whodunnit LP","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595","\/\/tobirarecords.com\/cdn\/shop\/files\/0036722986_10.jpg?v=1725150593"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595","options":["Title"],"media":[{"alt":null,"id":34811346288890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3477992483_16.jpg?v=1725150595","width":700},{"alt":null,"id":34811346223354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036722986_10.jpg?v=1725150593"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036722986_10.jpg?v=1725150593","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYのフォークレーベルRuination Records諸作を入荷しました。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーAdeline Hotelが、2024年9月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケロック作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-solid-love-lp\"\u003e『Solid Love』\u003c\/a\u003e、ギターによるアンビエント・フォーク作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-good-timing-cd\"\u003e『Good Timing』\u003c\/a\u003e、ピアノ中心のネオクラシカル・ポップ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-the-cherries-are-speaking-cd-lp\"\u003e『The Cherries Are Speaking』\u003c\/a\u003e、ユニークなアンビエント・ジャズ作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/adeline-hotel-hot-fruit-lp\"\u003e『Hot Fruit』\u003c\/a\u003eと続き、今回は言葉／歌をテーマにしたスローコア〜インディーフォーク9曲を収録。DLコード付属。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはカナダ・トロントの重鎮Sandro Perriが担当しています。\u003c\/p\u003e\n\u003cp\u003eDan Knishkowy - guitars, vocals\u003cbr\u003eWinston Cook-Wilson - piano, una corda, synthesizers\u003cbr\u003eSean Mullins - drums, percussion, una corda\u003cbr\u003eCarmen Quill - upright bass\u003cbr\u003eKatie Von Schleicher - vocals\u003cbr\u003eJackie West - vocals\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263537868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2768849156\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Gatefold jacket.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. How Did I Get So Lucky?\u003cbr\u003e2. Whodunnit 06:09\u003cbr\u003e3. Preying On\u003cbr\u003e4. Grief 03:45\u003cbr\u003e5. Egg On My Face\u003cbr\u003e6. Joy\u003cbr\u003e7. Isn't That Enough?\u003cbr\u003e8. I Will Let Your Flowers Grow\u003cbr\u003e9. Possible Lives \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSam Sodomsky :\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Dan Knishkowy has never written a song like “Whodunnit.” With his acoustic guitar dropped to a deep, open tuning, the Brooklyn artist noticed a fragile melody resonating from the strings, stretching out like a neverending highway. The lyrics followed suit, emerging in a series of intimate and escalating verses almost effortlessly while he played. Delivering the words in an inquisitive hum, Knishkowky soon found himself addressing the profound, lingering questions that would become the core of his latest album, Whodunnit, the most striking and ambitious record he has ever released. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn the tender, surrealist world that Knishkowy has developed under the name Adeline Hotel, stories have been told through sprawling psych-rock epics (2020’s Solid Love), stark solo guitar performances (2021’s Good Timing), piano-led orchestral song cycles (2021’s The Cherries Are Speaking), and lush, jazzy compositions that felt like a genre unto themselves (2023’s Hot Fruit). Inspired by indie lifers and fellow world-builders like Jim O’Rourke and Phil Elverum, the Ruination Records co-founder has rewritten the rule book with each new project, inviting listeners to join as he discovers new channels for his singular voice. By now the sound of Adeline Hotel is equally identifiable through Knishkowy’s dextrous fingerpicking—the aural equivalent of tracing your fingers through cool sand at sunrise—as his low, whispered vocals and autumnal melodies.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs soon as he began writing the material for Whodunnit, a few things seemed instantly clear about his new direction. This time, the words would become the focus and the arrangements would be more threadbare. In order to maintain the immersive feeling that has come to define the project, he would have to craft songs that felt both layered and raw, close to the chest but open-ended enough to suit his amorphous, free-flowing song structures. Imagine Neil Young’s On the Beach cast in the twilight colors of John Martyn’s Solid Air, or Gillian Welch’s Time (The Revelator) as interpreted by the stream-of-consciousness players on Van Morrison’s Veedon Fleece. Whodunnit flows as if in a trance, pulling you closer to the heart with every word, every note.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting about the end of a marriage, Knishkowy refused the bitterness and brutality often associated with the breakup genre in favor of a kind of cosmic curiosity. These are songs full of space and silence, recurring images and textures, openness and grace. They are also among the most immediately affecting in his vast songbook. On previous Adeline Hotel records, Knishkowy cast his voice as a melodic texture interwoven with his visceral, dynamic guitar licks. Here he commands the room, even with a whisper: a fitting delivery for a set of songs where the action tends to occur in moments of crushing isolation and disconnect.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDespite the solitude in the lyrics, Knishkowy recorded Whodunnit with a tight-knit community of collaborators. Working with producer\/engineer Katie Von Schleicher—a similarly idiosyncratic songwriter who encouraged Knishkowy to trust the intuitive spark of his first takes—he assembled a band who could embrace the delicate balance of the material: drummer Sean Mullins (Moon Mullins, Sam Evian), keyboardist Winston Cook-Wilson (Office Culture), bassist Carmen Quill (Scree, Tilt), and vocalist Jackie West. Together, they found the ability to gather a dust storm of psychedelic Americana (“Preying On”), a mystical ballet in miniature (“Egg On My Face”), or a tender pulse that blends seamlessly with morning birdsong (“How Did I Get So Lucky?”).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiscussing the central metaphor in the stunning, six-minute title track, Knishkowy reflects on his favorite mystery ‘whodunnits’: “By the time you find out who’s responsible for the crime, it sort of doesn't matter anymore. What's compelling is watching the dialectic circumstances in the plot reacting to and causing each other.” In the spirit of this observation, he envisioned his record as a close investigation into what went wrong between two people; eventually, he realized he was telling a story that extends beyond any one relationship, speaking instead to the particularities that allow us to connect at all. “It’s only then I start to wonder,” he sings in the title track’s closing lines, “if it’s strange to need somebody.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Even though I was going through something that was objectively hard, I didn't feel lonely,” Knishkowy reflects of the transitional period in his life that inspired the record. “I was being freed to find myself, to build my own connection with the world that had been lost.” It was this sense of gratitude that led him to open the record with a simple question: “How Did I Get So Lucky?” Even when the lyrics touch on alienation and loss—when a requisite encounter with a waitress spirals into an existential tailspin, when the intricacies of fading love resemble the scattered clues in a grim detective story—Knishkowy maintains a tone of optimism, a sense of hope in our potential to start again and know ourselves better. He understands he is not the only traveler on this road, and Whodunnit will be a treasured companion for those of us seeking comfort on our own journey. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adeline Hotel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Ruination Records\u003c\/span\u003e\u003c\/p\u003e"}