Oddisee // Rock Creek Park LP [COLOR]

¥4,290

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アメリカ・ワシントンのヒップホップ作家Oddiseeが、2023年にリリースした再発レコードです。（オリジナルは2011年リリース）

ジャジー・ヒップホップ〜ブーンバップ12曲を収録。

----------------------------------------

12" vinyl.

Tracklist:

1. Still Doing It (feat. yU) (free) 03:44
2. Skipping Rocks 04:10
3. The Carter Barron 03:54
4. Scenic Route To You 04:59
5. All Along The River 06:36
6. Uptown Cabaret 02:37
7. Beach Dr. 05:22
8. Clara Barton 03:27
9. Mattered Much 03:55
10. Closed After Dark 04:03
11. For Certain (feat. Diamond District) 04:15
12. Mattered Much (feat. Olivier Daysoul) 03:55

Artist statement:

"Rock creek park is & has always been one of my favorite places in Washington, DC. It has a way of aging with you & adapting to where you are in life. When I was younger, it was a place for skipping rocks, bike rides & imaginary adventures in the woods. As a teen it was a place where I played basket ball, had cook outs with friends & walked through with dates. As an adult it's my short cut through the city, my quickest way from Silver Spring to George Town. One thing it still is and always well be is my retreat.

Listening to the Black Byrd's "Rock Creek Park" inspired me to create an entire album around the park & my relationship with it. If the park were to have a soundtrack, what would it be? What does walking along the trails of the park sound like? What does driving on the narrow tree lined roads sound like? This album is my interpretation of Rock Creek Park through break beats, samples & live instrumentation."

Artist : Oddisee

Label : Mello Music Group

アメリカ・ワシントンのヒップホップ作家Oddiseeが、2023年にリリースした再発レコードです。（オリジナルは2011年リリース）

ジャジー・ヒップホップ〜ブーンバップ12曲を収録。

----------------------------------------

12" vinyl.

Tracklist:

1. Still Doing It (feat. yU) (free) 03:44
2. Skipping Rocks 04:10
3. The Carter Barron 03:54
4. Scenic Route To You 04:59
5. All Along The River 06:36
6. Uptown Cabaret 02:37
7. Beach Dr. 05:22
8. Clara Barton 03:27
9. Mattered Much 03:55
10. Closed After Dark 04:03
11. For Certain (feat. Diamond District) 04:15
12. Mattered Much (feat. Olivier Daysoul) 03:55

Artist statement:

Artist : Oddisee

Label : Mello Music Group

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Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e","published_at":"2024-05-07T15:29:43+09:00","created_at":"2024-05-07T11:12:10+09:00","vendor":"Tobira Records","type":"","tags":["double circumflex","hiphop \/ funk","lp","new","techno \/ house"],"price":478000,"price_min":478000,"price_max":478000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45864013037818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jigen \/\/ Blood's Finality \/ 狂雲求敗 (Remastered) LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","options":["Title"],"media":[{"alt":null,"id":33952842875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","width":700},{"alt":null,"id":33952842907898,"position":2,"preview_image":{"aspect_ratio":1.031,"height":1164,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"},"aspect_ratio":1.031,"height":1164,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験dnb作家Jigen aka Taro Nijikamaが、2023年5月にアメリカ・NYのDouble Circumflexからリリースした再発レコードです。（オリジナルは1998年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e実験dnb9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272806508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. Originally released on CD in 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e流星\u003c\/span\u003e 00:30\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e対不破\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e野弦太刀無銘\u003c\/span\u003e) 05:45\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e空蝉半機\u003c\/span\u003e 07:24\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e迎火狂雲\u003c\/span\u003e 08:00\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e抗狂雲刀残庖\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e青龍将星粉\u003c\/span\u003e) 00:56\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e万年番外地\u003c\/span\u003e 07:52\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e斜枯刀異聞\u003c\/span\u003e 01:10\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無銘\u003c\/span\u003e 01:03\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無季\u003c\/span\u003e 11:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter whipping imaginations into a brittle frenzy with the reissue of Jigen’s ‘Stone Drum Avantgardism’ of the same year, the reticulated breaks and ghostly extended guitar tekkerz of Jigen’s ‘Blood’s Finality’ only deepen the mystery of this short-lived but deeply enchanting late ‘90s project. Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e"}