NAVVI // Omni LP [COLOR]

¥3,450

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アメリカ・ワシントンのエレクトロニック・ポップデュオNAVVIが、2023年6月にワシントンのアンビエントレーベルHush Hushからリリースした再発レコードです。（オリジナルは2016年リリース）

ダンサブルなエレクトロニック・ポップ11曲を収録。DLコード付属。ゴールド盤です。

レーベルその他作品はこちら /// Click here to see more Hush Hush releases available at Tobira.

-----------------------------

Includes DL code. 12" gold vinyl reissue of NAVVI's 2016 debut album.

Tracklist:

Simpatico 03:29
Close 03:50
Polychrome 04:22
Interstate 00:42
What Reason Do We Need? 03:43
In Gold 04:18
Follow You 04:10
Another Phase 03:16
Sol 03:29
Time 00:46
From The End And Start 03:35

Artist : NAVVI

Label : Hush Hush

Quantity

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ダンサブルなエレクトロニック・ポップ11曲を収録。DLコード付属。ゴールド盤です。

レーベルその他作品はこちら /// Click here to see more Hush Hush releases available at Tobira.

-----------------------------

Includes DL code. 12" gold vinyl reissue of NAVVI's 2016 debut album.

Tracklist:

Simpatico 03:29
Close 03:50
Polychrome 04:22
Interstate 00:42
What Reason Do We Need? 03:43
In Gold 04:18
Follow You 04:10
Another Phase 03:16
Sol 03:29
Time 00:46
From The End And Start 03:35

Artist : NAVVI

Label : Hush Hush

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Quickview {"id":8781947601146,"title":"Kim Hiorthøy \/\/ Ghost Note LP","handle":"kim-hiorthoy-ghost-note-lp","description":"\u003cp\u003eノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年3月に\u003cspan\u003eベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkel\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e内省的なアンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、　本作は、不確かさと定義不可能性を受け入れることへの招待状となる\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037788080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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ノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年3月にベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkelからリリースしたレコードです。内省的なアンビエント・ジャズ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ以下、レーベルによる解説です。 "前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。ほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、　本作は、不確かさと定義不可能性を受け入れることへの招待状となる" レーベルその他作品はこちら /// Click here to...

¥4,480

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Hurombo 05:02\u003cbr\u003e2. Kuvachenjedza\u003cbr\u003e3. Wako Ndiwako\u003cbr\u003e4. Ndonda\u003cbr\u003e5. Msengu\u003cbr\u003e6. Marume Azere Dare\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn English, the Shona word \"Useza\" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled \"kaleidophonic\" back in 1970.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn ancient art within North-Eastern Zimbabwe's Shona culture, the matepe is traditionally used in local rituals, where its ambiguous psychoacoustic mirages evoke trance states to aid communication with ancestral spirits. Only half a century ago, ceremonies amongst the Sena Tonga and Kore-Kore peoples might easily involve six or more musicians, each playing interlocking polyrhythmic sequences. In 2025, the music is threatened with extinction; following decades of vilification from Zimbabwe's evangelical and pentecostal churches, who associate the rituals with witchcraft, there are fewer than ten master\u003cspan class=\"bcTruncateMore\"\u003e musicians left.\u003cbr\u003e\u003cbr\u003eCalled the \"Mozart of mbira\" by composer Keith Goddard, 83-year-old Chawasarira has been developing his relationship with the instrument since he was just a young man. He grew up in a Catholic mission and was dedicated to the church, founding his own choir, but he maintained his connection to Zimbabwean culture by studying the region's traditional rhythms. Chawasarira's father had been a well-known drummer, and when Chawasarira was older, working as a teacher at the mission school, he ventured out to observe local mbira ensembles, eventually participating regularly in spirit ceremonies. And although there were tensions between Chawasarira's work with the church and his interest in traditional ceremonial music, he managed to strike a precarious balance, introducing drums to his Catholic services in the 1960s and even composing a mass for karimba. Chawasarira's reputation grew steadily; he was invited to Lousville University in the 1990s to represent Zimbabwe at a contemporary composition festival, and his youth ensembles helped popularize Shona mbira music not just at home, but around the world.\u003cbr\u003e\u003cbr\u003eToday's evangelicals are less tolerant than the Catholic church however, with fundamentalist preachers blaming mbira music for all manner of tragedy. Chawasarira remains undeterred; living in Chitungwiza, he builds matepes and karimbas and tutors children, and 'Useza' is a celebration of his years of experience, a way for the maestro to preserve his repertoire for future generations. Recorded at the dead of night, the rest of the township sound asleep, the album reproduces the mesmerizing sound of a Shona ritual by overlaying discrete fractal sequences filled with haunting overtones and buzzing rhythms. Chawasarira works alone, chanting over the weightless polyrhythms to create musical illusions that offer multiple perspectives for listening. It's a technique that's been approached by various minimalist composers and avant-garde explorers in the 20th century and beyond, and Chawasarira goes straight to the source, skillfully substantiating kaleidophony and safeguarding Zimbabwe's heritage.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chaka Chawasarira\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT074\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T08:50:38+09:00","created_at":"2025-05-09T07:40:49+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","recommended"],"price":435500,"price_min":435500,"price_max":435500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304442020090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chaka Chawasarira \/\/ Useza LP","public_title":null,"options":["Default Title"],"price":435500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","options":["Title"],"media":[{"alt":null,"id":35999368446202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","width":700},{"alt":null,"id":35999368478970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/12発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eジンバブエのマテぺ名手Chaka Chawasariraが、2025年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eショナ族の儀式音楽6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英語では、ショナ語の「Useza 」は、偉大な技術、細心の注意、正確さを持つ人を意味し、Chaka Chawasariraの生涯の練習を完璧に照らし出している。ジンバブエの著名なアーティストであり教育者である彼は、マテペの最後の名手の一人である。マテペは、親指と人差し指の両方で演奏するムビラスタイルの大型楽器で、リズムの複雑さを広げるために演奏される。Usezaでは、1970年に民族音楽学者のアンドリュー・トレイシーが「カレイドフォニック（万華鏡のような）」と評した、変幻自在の和声進行を引き起こす催眠術のようなシーケンスをオーバーダビングし、マテペの幻想的な可能性を存分に発揮している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジンバブエ北東部のショナ族の文化に古くから伝わる芸術であるマテペは、伝統的に地元の儀式に使われてきた。その曖昧な音響心理学的蜃気楼は、祖先の霊とのコミュニケーションを助けるトランス状態を呼び起こす。ほんの半世紀前までは、セナ・トンガ族やコレ・コレ族の儀式には6人以上の音楽家が参加し、それぞれが連動したポリリズムを演奏していた。2025年、この音楽は絶滅の危機に瀕している。儀式を魔術と結びつけるジンバブエの福音派教会やペンテコステ派教会からの数十年にわたる誹謗中傷の結果、マスターミュージシャンは10人も残っていない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家のキース・ゴダードから「ムビラのモーツァルト」と呼ばれる83歳のチャワサリラは、若い頃からこの楽器との関係を深めてきた。カトリックの伝道施設で育った彼は教会に献身し、自ら聖歌隊を創設したが、ジンバブエの伝統的なリズムを研究することで、ジンバブエ文化とのつながりを保っていた。チャワサリラの父親は有名なドラマーで、チャワサリラが大きくなってミッションスクールで教師として働くようになると、彼は地元のムビラ・アンサンブルを見学に出かけ、やがて精霊の儀式に定期的に参加するようになった。チャワサリラの教会での仕事と伝統的な儀式音楽への関心との間には緊張関係があったが、1960年代にはカトリックの礼拝にドラムを導入したり、カリンバのためのミサ曲を作曲したりと、不安定なバランスを取ることに成功した。チャワサリラの名声は着実に高まり、1990年代にはジンバブエを代表する現代作曲フェスティバルにルースヴィル大学に招かれ、彼の青少年アンサンブルは国内のみならず世界中にショナ・ムビラ音楽を広めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、今日の福音派はカトリック教会ほど寛容ではなく、原理主義的な説教者たちはムビラ音楽をあらゆる悲劇の原因だと非難している。チトゥングウィザに住むチャワサリラは、マテペやカリンバを作り、子供たちの家庭教師をしている。「Useza」は、彼の長年の経験を称えるものであり、マエストロが後世にレパートリーを残すための手段でもある。真夜中に録音されたこのアルバムは、ショナ族の儀式の魅惑的なサウンドを再現している。チャワサリラは一人で、重みのないポリリズムの上で詠唱し、聴き手に多角的な視点を提供する音楽的イリュージョンを作り出す。チャワサリラは、カレイドフォニーを巧みに立証し、ジンバブエの遺産を守りながら、その源流に真っ向から取り組んでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613892982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hurombo 05:02\u003cbr\u003e2. Kuvachenjedza\u003cbr\u003e3. Wako Ndiwako\u003cbr\u003e4. Ndonda\u003cbr\u003e5. Msengu\u003cbr\u003e6. Marume Azere Dare\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn English, the Shona word \"Useza\" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled \"kaleidophonic\" back in 1970.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn ancient art within North-Eastern Zimbabwe's Shona culture, the matepe is traditionally used in local rituals, where its ambiguous psychoacoustic mirages evoke trance states to aid communication with ancestral spirits. Only half a century ago, ceremonies amongst the Sena Tonga and Kore-Kore peoples might easily involve six or more musicians, each playing interlocking polyrhythmic sequences. In 2025, the music is threatened with extinction; following decades of vilification from Zimbabwe's evangelical and pentecostal churches, who associate the rituals with witchcraft, there are fewer than ten master\u003cspan class=\"bcTruncateMore\"\u003e musicians left.\u003cbr\u003e\u003cbr\u003eCalled the \"Mozart of mbira\" by composer Keith Goddard, 83-year-old Chawasarira has been developing his relationship with the instrument since he was just a young man. He grew up in a Catholic mission and was dedicated to the church, founding his own choir, but he maintained his connection to Zimbabwean culture by studying the region's traditional rhythms. Chawasarira's father had been a well-known drummer, and when Chawasarira was older, working as a teacher at the mission school, he ventured out to observe local mbira ensembles, eventually participating regularly in spirit ceremonies. And although there were tensions between Chawasarira's work with the church and his interest in traditional ceremonial music, he managed to strike a precarious balance, introducing drums to his Catholic services in the 1960s and even composing a mass for karimba. Chawasarira's reputation grew steadily; he was invited to Lousville University in the 1990s to represent Zimbabwe at a contemporary composition festival, and his youth ensembles helped popularize Shona mbira music not just at home, but around the world.\u003cbr\u003e\u003cbr\u003eToday's evangelicals are less tolerant than the Catholic church however, with fundamentalist preachers blaming mbira music for all manner of tragedy. Chawasarira remains undeterred; living in Chitungwiza, he builds matepes and karimbas and tutors children, and 'Useza' is a celebration of his years of experience, a way for the maestro to preserve his repertoire for future generations. Recorded at the dead of night, the rest of the township sound asleep, the album reproduces the mesmerizing sound of a Shona ritual by overlaying discrete fractal sequences filled with haunting overtones and buzzing rhythms. Chawasarira works alone, chanting over the weightless polyrhythms to create musical illusions that offer multiple perspectives for listening. It's a technique that's been approached by various minimalist composers and avant-garde explorers in the 20th century and beyond, and Chawasarira goes straight to the source, skillfully substantiating kaleidophony and safeguarding Zimbabwe's heritage.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chaka Chawasarira\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT074\u003c\/span\u003e\u003c\/p\u003e"}

※5/12発送開始しますジンバブエのマテぺ名手Chaka Chawasariraが、2025年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。ショナ族の儀式音楽6曲を収録。以下、レーベルによる解説です。 "英語では、ショナ語の「Useza 」は、偉大な技術、細心の注意、正確さを持つ人を意味し、Chaka Chawasariraの生涯の練習を完璧に照らし出している。ジンバブエの著名なアーティストであり教育者である彼は、マテペの最後の名手の一人である。マテペは、親指と人差し指の両方で演奏するムビラスタイルの大型楽器で、リズムの複雑さを広げるために演奏される。Usezaでは、1970年に民族音楽学者のアンドリュー・トレイシーが「カレイドフォニック（万華鏡のような）」と評した、変幻自在の和声進行を引き起こす催眠術のようなシーケンスをオーバーダビングし、マテペの幻想的な可能性を存分に発揮している。ジンバブエ北東部のショナ族の文化に古くから伝わる芸術であるマテペは、伝統的に地元の儀式に使われてきた。その曖昧な音響心理学的蜃気楼は、祖先の霊とのコミュニケーションを助けるトランス状態を呼び起こす。ほんの半世紀前までは、セナ・トンガ族やコレ・コレ族の儀式には6人以上の音楽家が参加し、それぞれが連動したポリリズムを演奏していた。2025年、この音楽は絶滅の危機に瀕している。儀式を魔術と結びつけるジンバブエの福音派教会やペンテコステ派教会からの数十年にわたる誹謗中傷の結果、マスターミュージシャンは10人も残っていない。作曲家のキース・ゴダードから「ムビラのモーツァルト」と呼ばれる83歳のチャワサリラは、若い頃からこの楽器との関係を深めてきた。カトリックの伝道施設で育った彼は教会に献身し、自ら聖歌隊を創設したが、ジンバブエの伝統的なリズムを研究することで、ジンバブエ文化とのつながりを保っていた。チャワサリラの父親は有名なドラマーで、チャワサリラが大きくなってミッションスクールで教師として働くようになると、彼は地元のムビラ・アンサンブルを見学に出かけ、やがて精霊の儀式に定期的に参加するようになった。チャワサリラの教会での仕事と伝統的な儀式音楽への関心との間には緊張関係があったが、1960年代にはカトリックの礼拝にドラムを導入したり、カリンバのためのミサ曲を作曲したりと、不安定なバランスを取ることに成功した。チャワサリラの名声は着実に高まり、1990年代にはジンバブエを代表する現代作曲フェスティバルにルースヴィル大学に招かれ、彼の青少年アンサンブルは国内のみならず世界中にショナ・ムビラ音楽を広めた。...

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Quickview {"id":8781945602298,"title":"Goodbye Press \/\/ Dawn of the Dead T-SHIRT - TIE DYE\/WHITE - S, M, L, XL","handle":"goodbye-press-dawn-of-the-dead-t-shirt-tie","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・シカゴのアパレルブランドGoodbye Pressが、2024年12月にリリースした100%リサイクル綿Tシャツ(Made in LA)です。\u003c\/p\u003e\n\u003cp\u003e2004年公開の映画『Dawn of the Dead』をサンプリングしています。\u003c\/p\u003e\n\u003cp\u003eタイダイは手染めのため一点一点異なります。\u003c\/p\u003e\n\u003cp\u003eM 肩幅49　身丈70　着丈73\u003c\/p\u003e\n\u003cp\u003eL 肩幅55　身丈72　着丈75\u003c\/p\u003e\n\u003cp\u003eXL 肩幅58　身丈74　着丈77\u003c\/p\u003e\n\u003cp\u003ehand tie-dyed *all tie dyes are slightly different*\u003cbr\u003e100% Recycled cotton, 6.5 oz, made in Los Angeles California\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gdbypr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gdbypr\"\u003ehere\u003c\/a\u003e to see more Goodbye Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : Goodbye Press\u003c\/p\u003e","published_at":"2025-05-09T08:42:25+09:00","created_at":"2025-05-09T07:40:35+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","goodbye press","new"],"price":797700,"price_min":797700,"price_max":852600,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304441659642,"title":"TIE DYE M","option1":"TIE DYE M","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":43918570324218,"product_id":8781945602298,"position":1,"created_at":"2025-05-09T07:41:26+09:00","updated_at":"2025-05-09T07:48:14+09:00","alt":null,"width":1050,"height":1050,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/FrontTieDye.webp?v=1746744494","variant_ids":[47304441659642,47304441692410]},"available":true,"name":"Goodbye Press \/\/ Dawn of the Dead T-SHIRT - 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アメリカ・シカゴのアパレルブランドGoodbye Pressが、2024年12月にリリースした100%リサイクル綿Tシャツ(Made in LA)です。 2004年公開の映画『Dawn of the Dead』をサンプリングしています。タイダイは手染めのため一点一点異なります。 M 肩幅49　身丈70　着丈73 L 肩幅55　身丈72　着丈75 XL ...

¥7,977

Quickview {"id":8781757022458,"title":"Le Motel \/\/ Odd Numbers \/ Số Lẻ LP","handle":"le-motel-odd-numbers-số-lẻ-lp","description":"\u003cp\u003e\u003cspan\u003eベルギー・ブリュッセルのベース作家Le Motelが、\u003c\/span\u003e2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1943554343\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Le Motel\" href=\"https:\/\/soundcloud.com\/le-motel\" target=\"_blank\"\u003eLe Motel\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Odd Numbers \/ Số Lẻ\" href=\"https:\/\/soundcloud.com\/le-motel\/sets\/odd-numbers-s-l\" target=\"_blank\"\u003eOdd Numbers \/ Số Lẻ\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elithographic 4-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Cried Like a Child of Three \/ Tôi đã khóc như một đứa trẻ lên ba (feat. Yvonne Quỳnh-Lan Dương, Bui Thi Oanh, Chi chi, Ma Ma Chi and Are Ro) 04:42\u003cbr\u003e2. Xăm Hường 02:47\u003cbr\u003e3. Early Night with Fa and the Dang Brothers \/ Đầu hôm với Fa và anh em nhà họ Đặng (feat. Long Dang) 02:43\u003cbr\u003e4. La Palanche \/ Đòn gánh 03:38\u003cbr\u003e5. The Universe Is a Rabid Creature \/ Vũ trụ là con thú điên (feat. Yvonne Quỳnh-Lan Dương, Phapxa Chan and Bui Thi Oanh) 03:37\u003cbr\u003e6. Hanoi - The Motorcycle Empire \/ Hà Nội - Đế chế Xe ôm (feat. Gretar Ingi Gunnlaugsson and Dung Tran Quoc) 02:58 video\u003cbr\u003e7. A Conversation Under the Night Sky \/ Cuộc chuyện dưới trời đêm 02:26\u003cbr\u003e8. Altar \/ Bàn thờ 02:46\u003cbr\u003e9. Roóng Poọc (feat. Giáy) 02:19\u003cbr\u003e10. Chàm Islands (feat. Hoàng Tuấn) 02:35\u003cbr\u003e11. Lục bát 03:32\u003cbr\u003e12. The Perfume River \/ Sông Hương (feat. Truong Phu) 01:33\u003cbr\u003e13. Tuj Lub (feat. Lander Gyselinck) 04:11\u003cbr\u003e14. Đông Ba Market (feat. Hoàng Tuấn and Yvonne Quỳnh-Lan Dương) 02:31\u003cbr\u003e15. Home Is a Fire \/ Nhà là một ngọn lửa 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt took a village to create Le Motel’s Odd Numbers \/ Số Lẻ. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers \/ Số Lẻ—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators\u003cspan class=\"bcTruncateMore\"\u003e are Yvonne Quỳnh-Lan Dương, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).\u003cbr\u003e\u003cbr\u003eThe result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers \/ Số Lẻ suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT15\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T09:02:34+09:00","created_at":"2025-05-08T19:19:07+09:00","vendor":"Tobira Records","type":"","tags":["balmat","house","lp","new","techno \/ house"],"price":474000,"price_min":474000,"price_max":474000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303777714426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Motel \/\/ Odd Numbers \/ Số Lẻ LP","public_title":null,"options":["Default Title"],"price":474000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","options":["Title"],"media":[{"alt":null,"id":35997869015290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","width":700},{"alt":null,"id":35997869048058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eベルギー・ブリュッセルのベース作家Le Motelが、\u003c\/span\u003e2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1943554343\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Le Motel\" href=\"https:\/\/soundcloud.com\/le-motel\" target=\"_blank\"\u003eLe Motel\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Odd Numbers \/ Số Lẻ\" href=\"https:\/\/soundcloud.com\/le-motel\/sets\/odd-numbers-s-l\" target=\"_blank\"\u003eOdd Numbers \/ Số Lẻ\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elithographic 4-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Cried Like a Child of Three \/ Tôi đã khóc như một đứa trẻ lên ba (feat. Yvonne Quỳnh-Lan Dương, Bui Thi Oanh, Chi chi, Ma Ma Chi and Are Ro) 04:42\u003cbr\u003e2. Xăm Hường 02:47\u003cbr\u003e3. Early Night with Fa and the Dang Brothers \/ Đầu hôm với Fa và anh em nhà họ Đặng (feat. Long Dang) 02:43\u003cbr\u003e4. La Palanche \/ Đòn gánh 03:38\u003cbr\u003e5. The Universe Is a Rabid Creature \/ Vũ trụ là con thú điên (feat. Yvonne Quỳnh-Lan Dương, Phapxa Chan and Bui Thi Oanh) 03:37\u003cbr\u003e6. Hanoi - The Motorcycle Empire \/ Hà Nội - Đế chế Xe ôm (feat. Gretar Ingi Gunnlaugsson and Dung Tran Quoc) 02:58 video\u003cbr\u003e7. A Conversation Under the Night Sky \/ Cuộc chuyện dưới trời đêm 02:26\u003cbr\u003e8. Altar \/ Bàn thờ 02:46\u003cbr\u003e9. Roóng Poọc (feat. Giáy) 02:19\u003cbr\u003e10. Chàm Islands (feat. Hoàng Tuấn) 02:35\u003cbr\u003e11. Lục bát 03:32\u003cbr\u003e12. The Perfume River \/ Sông Hương (feat. Truong Phu) 01:33\u003cbr\u003e13. Tuj Lub (feat. Lander Gyselinck) 04:11\u003cbr\u003e14. Đông Ba Market (feat. Hoàng Tuấn and Yvonne Quỳnh-Lan Dương) 02:31\u003cbr\u003e15. Home Is a Fire \/ Nhà là một ngọn lửa 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt took a village to create Le Motel’s Odd Numbers \/ Số Lẻ. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers \/ Số Lẻ—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators\u003cspan class=\"bcTruncateMore\"\u003e are Yvonne Quỳnh-Lan Dương, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).\u003cbr\u003e\u003cbr\u003eThe result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers \/ Số Lẻ suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT15\u003c\/span\u003e\u003c\/p\u003e"}