Anne Malin // Strange Power! TAPE

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アメリカ・ノースカロライナのシンガーソングライターAnne Malinが、2024年10月に同国インディーレーベルDeal Lifeからリリースしたカセットです。

オルタナ・フォーク10曲を収録。

レーベルその他作品はこちら /// Click here to see more Dear Life releases available at Tobira.

----------------------------

Cassette in norelco case. Cassette edition of 300.

Tracklist:

1. The Pines
2. North Carolina
3. The Saint
4. Judgment Day
5. River 03:20
6. Lilac Bloom
7. I Know
8. Rosemary
9. The Visionary
10. Stories 03:07

Text excerpt by Dear Life:

"Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing in conjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt’s teeming and sensuous personal symbolry: glowing lilacs and gentle queens, dolphins wild and girls who grew up brave — T.S. Eliot sung by Cat Power, backed by Mount Eerie. She sings: “I rose up from water.”

Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly-delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalt taking up the role of self-producer for the first time, mirroring and supporting the record’s Orphic quest by gathering contributions from a coterie of friends wielding an electric range of American instruments. Violins, vibraphones, drum machines, electric guitars dappled with spring reverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by Michael Cormier-O’Leary and Lucas Knapp) — settling the final record in an eerie meridian between spareness and verdancy.

The result is a beguiling and darkly blooming realm: the sound of a personal cosmos being remade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and the stories told since..."

Artist : Anne Malin

Label : Dear Life

CAT No : DLR057cass

Quantity

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アメリカ・ノースカロライナのシンガーソングライターAnne Malinが、2024年10月に同国インディーレーベルDeal Lifeからリリースしたカセットです。

オルタナ・フォーク10曲を収録。

レーベルその他作品はこちら /// Click here to see more Dear Life releases available at Tobira.

----------------------------

Cassette in norelco case. Cassette edition of 300.

Tracklist:

1. The Pines
2. North Carolina
3. The Saint
4. Judgment Day
5. River 03:20
6. Lilac Bloom
7. I Know
8. Rosemary
9. The Visionary
10. Stories 03:07

Text excerpt by Dear Life:

Artist : Anne Malin

Label : Dear Life

CAT No : DLR057cass

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Quickview {"id":8669111582970,"title":"Aki Onda \/\/ 99 Cent Dreams TAPE","handle":"aki-onda-99-cent-dreams-tape","description":"\u003cp\u003e日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『\u003cspan class=\"bcTruncateMore\"\u003eReminiscences of a Journey to Lithuania\u003c\/span\u003e』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは \u003cspan class=\"bcTruncateMore\"\u003eWilliam Klein's 『Muhammad Ali the Greatest』(1969); Ken Jacobs's 『Blonde Cobra』(1963); Michael Snow’s 『Rameau’s Nephew by Diderot』 (1974); Harry Smith's 『Mahagonny』 (1980) and 『Heaven and Earth Magic』 (1962); Bruce Conner’s 『The White Rose』 (1965); Milton Moses Ginsberg's 『Coming Apart』 (1969); Béla Tarr’s 『The Outsider』 (1981)\u003c\/span\u003eなどだ。映画の映像と音の混合に没頭することは、私の作品に滲み出る強烈な経験の蓄積となった。私はサウンドトラックをよく録音し、そのカセットテープは映画製作者の音に対するアプローチを研究する手段となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eつまり、これらは単なる環境音でもなければ、私の個人的な生活の聴覚的記録でもない。私のフィールドレコーディングの実践は、LESの歴史、文化、精神と私を結びつけるツールなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711281190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 17:47\u003cbr\u003e2. Part II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eI recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listening. These recordings carved a dense collage on the magnetic tapes, and I am presenting the sounds here with the same editing style as I captured them almost 20 years ago. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack then, the LES was the place to be. The neighborhood was home to many artists, filmmakers, and musicians, and there was a vibe of genuine bohemian community. A large portion of the area was protected by the Landmarks Commission, and there were many rent-stabilized buildings. Gentrification eventually priced out some of the long-time residents of the LES, who moved to Williamsburg and other parts of Brooklyn, but the rest held on to the rent-stabilized units and have been residing there for decades. Since the 19th century, the area has been inhabited by a succession of immigrant communities, including Italians, Jews, and Puerto Ricans. Toward the East River\u003cspan class=\"bcTruncateMore\"\u003e in Alphabet City (the part of the LES where the avenues are lettered rather than numbered), it was, and still is, a largely Latinx community. The mixture of all of these characteristics created a multicultural and low-key atmosphere that was different from any other part of the city. \u003cbr\u003e\u003cbr\u003eI spent countless hours at Anthology Film Archives (AFA) on the corner of 2nd Street and Second Ave. In 1998, I became acquainted with one of AFA’s co-founders, Jonas Mekas. I first watched his Reminiscences of a Journey to Lithuania (1972) in Tokyo in the '90s, and Mekas’s work became a strong influence on me, so it was a natural consequence to visit him. AFA was a more chaotic, underground place back then. We would hang out in the basement, where Jonas had a photography studio. A few of his Lithuanian friends occupied the other rooms. Jonas gave me copies of Film Culture magazines, which were excellent resources to trace film history. We would have lunch at an Italian restaurant nearby and end up stopping by the trashy Mars Bar on the corner of 1st Street and Second Ave, which was almost like an extension of Jonas's office. With free access to AFA’s screenings, I absorbed the essence of avant-garde cinema. My favorites were: William Klein's Muhammad Ali the Greatest (1969); Ken Jacobs's Blonde Cobra (1963); Michael Snow’s Rameau’s Nephew by Diderot (1974); Harry Smith's Mahagonny (1980) and Heaven and Earth Magic (1962); Bruce Conner’s The White Rose (1965); Milton Moses Ginsberg's Coming Apart (1969); Béla Tarr’s The Outsider (1981), and so on. Immersing myself in cinema’s mixture of visual and sound became a powerful accumulation of experiences that bled into my work. I often taped the soundtracks, and those cassettes became a way to study filmmakers' approaches to sounds. \u003cbr\u003e\u003cbr\u003eSo, these are not just environmental sounds nor are they aural documentation of my personal life. My field recording practice is a tool to connect me to the history, culture, and psyche of the LES, which exists as much in the realm of the imagination as it does in the coordinates of topology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2024-11-22T18:15:25+09:00","created_at":"2024-11-22T17:48:18+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","monooto","new","tape"],"price":213800,"price_min":213800,"price_max":213800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883432136954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aki Onda \/\/ 99 Cent Dreams TAPE","public_title":null,"options":["Default Title"],"price":213800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","options":["Title"],"media":[{"alt":null,"id":35217535140090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","width":700},{"alt":null,"id":35217535172858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『\u003cspan class=\"bcTruncateMore\"\u003eReminiscences of a Journey to Lithuania\u003c\/span\u003e』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは \u003cspan class=\"bcTruncateMore\"\u003eWilliam Klein's 『Muhammad Ali the Greatest』(1969); Ken Jacobs's 『Blonde Cobra』(1963); Michael Snow’s 『Rameau’s Nephew by Diderot』 (1974); Harry Smith's 『Mahagonny』 (1980) and 『Heaven and Earth Magic』 (1962); Bruce Conner’s 『The White Rose』 (1965); Milton Moses Ginsberg's 『Coming Apart』 (1969); Béla Tarr’s 『The Outsider』 (1981)\u003c\/span\u003eなどだ。映画の映像と音の混合に没頭することは、私の作品に滲み出る強烈な経験の蓄積となった。私はサウンドトラックをよく録音し、そのカセットテープは映画製作者の音に対するアプローチを研究する手段となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eつまり、これらは単なる環境音でもなければ、私の個人的な生活の聴覚的記録でもない。私のフィールドレコーディングの実践は、LESの歴史、文化、精神と私を結びつけるツールなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711281190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 17:47\u003cbr\u003e2. Part II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eI recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listening. These recordings carved a dense collage on the magnetic tapes, and I am presenting the sounds here with the same editing style as I captured them almost 20 years ago. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack then, the LES was the place to be. The neighborhood was home to many artists, filmmakers, and musicians, and there was a vibe of genuine bohemian community. A large portion of the area was protected by the Landmarks Commission, and there were many rent-stabilized buildings. Gentrification eventually priced out some of the long-time residents of the LES, who moved to Williamsburg and other parts of Brooklyn, but the rest held on to the rent-stabilized units and have been residing there for decades. Since the 19th century, the area has been inhabited by a succession of immigrant communities, including Italians, Jews, and Puerto Ricans. Toward the East River\u003cspan class=\"bcTruncateMore\"\u003e in Alphabet City (the part of the LES where the avenues are lettered rather than numbered), it was, and still is, a largely Latinx community. The mixture of all of these characteristics created a multicultural and low-key atmosphere that was different from any other part of the city. \u003cbr\u003e\u003cbr\u003eI spent countless hours at Anthology Film Archives (AFA) on the corner of 2nd Street and Second Ave. In 1998, I became acquainted with one of AFA’s co-founders, Jonas Mekas. I first watched his Reminiscences of a Journey to Lithuania (1972) in Tokyo in the '90s, and Mekas’s work became a strong influence on me, so it was a natural consequence to visit him. AFA was a more chaotic, underground place back then. We would hang out in the basement, where Jonas had a photography studio. A few of his Lithuanian friends occupied the other rooms. Jonas gave me copies of Film Culture magazines, which were excellent resources to trace film history. We would have lunch at an Italian restaurant nearby and end up stopping by the trashy Mars Bar on the corner of 1st Street and Second Ave, which was almost like an extension of Jonas's office. With free access to AFA’s screenings, I absorbed the essence of avant-garde cinema. My favorites were: William Klein's Muhammad Ali the Greatest (1969); Ken Jacobs's Blonde Cobra (1963); Michael Snow’s Rameau’s Nephew by Diderot (1974); Harry Smith's Mahagonny (1980) and Heaven and Earth Magic (1962); Bruce Conner’s The White Rose (1965); Milton Moses Ginsberg's Coming Apart (1969); Béla Tarr’s The Outsider (1981), and so on. Immersing myself in cinema’s mixture of visual and sound became a powerful accumulation of experiences that bled into my work. I often taped the soundtracks, and those cassettes became a way to study filmmakers' approaches to sounds. \u003cbr\u003e\u003cbr\u003eSo, these are not just environmental sounds nor are they aural documentation of my personal life. My field recording practice is a tool to connect me to the history, culture, and psyche of the LES, which exists as much in the realm of the imagination as it does in the coordinates of topology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}

アメリカ・LAのトロンボーン奏者Mattie Barbierが、2024年11月に同国LAの実験レーベルDinzu Artefactsからリリースしたカセットです。プリペアード・ユーフォニアムによるミニマルなドローン2曲、1時間を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira....

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Quickview {"id":8669104701690,"title":"Professor Creepshow \/\/ Between Dreams and Reality LP [COLOR] \/ TAPE","handle":"professor-creepshow-between-dreams-and-reality-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※LPは12月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカの常夏ビート集団Jazz PlayazメンバーProfessor Creepshowが、2024年11月に同国地下ラウンジ・ヒップホップレーベルSIC Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eメローなヴェイパー・チルビーツ19曲を収録。LPはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1855379874\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PROFESSOR CREEPSHOW\" href=\"https:\/\/soundcloud.com\/professorcreepshow\" target=\"_blank\"\u003ePROFESSOR CREEPSHOW\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Professor Creepshow - Between Dreams and Reality\" href=\"https:\/\/soundcloud.com\/professorcreepshow\/sets\/professor-creepshow-between-dreams-and-reality\" target=\"_blank\"\u003eProfessor Creepshow - Between Dreams and Reality\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003ehere\u003c\/a\u003e to see more SIC RECORDS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" white vinyl or cassette in norelco case. Cassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dali dreams 02:15\u003cbr\u003e2. to remind you 01:32\u003cbr\u003e3. it won't end here 01:23\u003cbr\u003e4. outcasted 02:59\u003cbr\u003e5. deals of the weak 02:21\u003cbr\u003e6. art can be a complete way of life for me 01:42\u003cbr\u003e7. could you imagine 01:13\u003cbr\u003e8. the things we pay focus 01:38\u003cbr\u003e9. I'll be right back 00:41\u003cbr\u003e10. many nights 01:28\u003cbr\u003e11. airbrush ocean 01:52\u003cbr\u003e12. something you can't explain 01:29\u003cbr\u003e13. just 01:58\u003cbr\u003e14. have a seat 02:56\u003cbr\u003e15. have a seat 2 01:46\u003cbr\u003e16. everything is too much to ask for, so i ask for nothing 01:39\u003cbr\u003e17. enlightenwave 01:30\u003cbr\u003e18. maybe the wind will dry my endless tears away 01:54\u003cbr\u003e19. even 04:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Professor Creepshow\u003c\/p\u003e\n\u003cp\u003eLabel : SIC Records\u003c\/p\u003e","published_at":"2024-11-22T17:43:21+09:00","created_at":"2024-11-22T17:07:48+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","new","sic records","tape"],"price":234800,"price_min":234800,"price_max":568800,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883429941498,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42690519499002,"product_id":8669104701690,"position":2,"created_at":"2024-11-22T17:43:43+09:00","updated_at":"2024-11-22T17:43:44+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036692945_10.jpg?v=1732265024","variant_ids":[46883429941498]},"available":true,"name":"Professor Creepshow \/\/ Between Dreams and Reality LP [COLOR] \/ TAPE - LP","public_title":"LP","options":["LP"],"price":568800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":35217518788858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036692945_10.jpg?v=1732265024"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46883429974266,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42690451865850,"product_id":8669104701690,"position":3,"created_at":"2024-11-22T17:06:00+09:00","updated_at":"2024-11-22T17:06:01+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_84a42a21-bb0e-487f-abf9-4e4a95f80f23.jpg?v=1732262761","variant_ids":[46883429974266]},"available":true,"name":"Professor Creepshow \/\/ Between Dreams and Reality LP [COLOR] \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":234800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":35217456791802,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_84a42a21-bb0e-487f-abf9-4e4a95f80f23.jpg?v=1732262761"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fb2be99d-5584-4316-a62c-766a1d1a5d55.jpg?v=1732262761","\/\/tobirarecords.com\/cdn\/shop\/files\/0036692945_10.jpg?v=1732265024","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_84a42a21-bb0e-487f-abf9-4e4a95f80f23.jpg?v=1732262761"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fb2be99d-5584-4316-a62c-766a1d1a5d55.jpg?v=1732262761","options":["Format"],"media":[{"alt":null,"id":35217456759034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fb2be99d-5584-4316-a62c-766a1d1a5d55.jpg?v=1732262761"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fb2be99d-5584-4316-a62c-766a1d1a5d55.jpg?v=1732262761","width":700},{"alt":null,"id":35217518788858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036692945_10.jpg?v=1732265024"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036692945_10.jpg?v=1732265024","width":1200},{"alt":null,"id":35217456791802,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_84a42a21-bb0e-487f-abf9-4e4a95f80f23.jpg?v=1732262761"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_84a42a21-bb0e-487f-abf9-4e4a95f80f23.jpg?v=1732262761","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※LPは12月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカの常夏ビート集団Jazz PlayazメンバーProfessor Creepshowが、2024年11月に同国地下ラウンジ・ヒップホップレーベルSIC Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eメローなヴェイパー・チルビーツ19曲を収録。LPはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1855379874\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PROFESSOR CREEPSHOW\" href=\"https:\/\/soundcloud.com\/professorcreepshow\" target=\"_blank\"\u003ePROFESSOR CREEPSHOW\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Professor Creepshow - Between Dreams and Reality\" href=\"https:\/\/soundcloud.com\/professorcreepshow\/sets\/professor-creepshow-between-dreams-and-reality\" target=\"_blank\"\u003eProfessor Creepshow - Between Dreams and Reality\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003ehere\u003c\/a\u003e to see more SIC RECORDS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" white vinyl or cassette in norelco case. Cassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dali dreams 02:15\u003cbr\u003e2. to remind you 01:32\u003cbr\u003e3. it won't end here 01:23\u003cbr\u003e4. outcasted 02:59\u003cbr\u003e5. deals of the weak 02:21\u003cbr\u003e6. art can be a complete way of life for me 01:42\u003cbr\u003e7. could you imagine 01:13\u003cbr\u003e8. the things we pay focus 01:38\u003cbr\u003e9. I'll be right back 00:41\u003cbr\u003e10. many nights 01:28\u003cbr\u003e11. airbrush ocean 01:52\u003cbr\u003e12. something you can't explain 01:29\u003cbr\u003e13. just 01:58\u003cbr\u003e14. have a seat 02:56\u003cbr\u003e15. have a seat 2 01:46\u003cbr\u003e16. everything is too much to ask for, so i ask for nothing 01:39\u003cbr\u003e17. enlightenwave 01:30\u003cbr\u003e18. maybe the wind will dry my endless tears away 01:54\u003cbr\u003e19. even 04:11\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Professor Creepshow\u003c\/p\u003e\n\u003cp\u003eLabel : SIC Records\u003c\/p\u003e"}