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Félicia Atkinson / Richard Chartier // Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) / Recurrence.Expansion LP

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Quickview {"id":8022202450170,"title":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","handle":"felicia-atkinson-richard-chartier-ni-envers-ni-endroit-que-cette-roche-brulante-pour-georgia-o-keeffe-recurrence-expansion-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e","published_at":"2023-09-21T19:14:27+09:00","created_at":"2023-09-21T12:00:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":439000,"price_min":439000,"price_max":439000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44579386261754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Félicia Atkinson \/ Richard Chartier \/\/ Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) \/ Recurrence.Expansion LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","options":["Title"],"media":[{"alt":null,"id":32476273049850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_1fab5e45-8354-4e53-aac4-bce61862ccf4.jpg?v=1695265211","width":700},{"alt":null,"id":32476273082618,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_bc2d0b16-0ec5-42aa-8f19-6c493b67b734.jpg?v=1695265211","width":1200},{"alt":null,"id":32476273115386,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni3_db10bcb8-b84d-48f4-8a43-a7d0f1af400a.jpg?v=1695265211","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスのFélicia AtkinsonとアメリカのRichard Chartier実験音楽家2名が、2023年9月にフランスの実験レーベル\u003cmeta charset=\"utf-8\"\u003ePortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面はスポークンワード〜アンビエントドローン、B面はミニマルなドローン\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830311522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 1000. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFélicia Atkinson - 'Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)' 20:18\u003c\/li\u003e\n\u003cli\u003eRichard Chartier - 'Recurrence.Expansion' 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist bios by Portraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFélicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e--\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eRichard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence.Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson \/ Richard Chartier\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e"}