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{"id":8758886498554,"title":"GAS s\/t 3xLP","handle":"gas-s-t-3xlp","description":"\u003cp\u003eドイツのテクノ作家GASが、2024年8月に同国Kompaktからリリースした再発3枚組レコードです。（オリジナルは1996年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2280812332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e2024 reissue - originally released on Mille Plateaux in 1996. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. GAS 1 13:55\u003cbr\u003e2. GAS 2 18:44\u003cbr\u003e3. GAS 3 14:28\u003cbr\u003e4. GAS 4 11:55\u003cbr\u003e5. GAS 5 16:21\u003cbr\u003e6. GAS 6 17:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKompakt:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKompakt is proud to announce, finally, a reissue of the first, self-titled GAS album. Originally released on electronica imprint Mille Plateaux back in 1996, it’s been unavailable in its original form ever since – the version of GAS included in 2008’s Nah Und Fern box featured several different tracks. Here, however, GAS is restored in all its glory, the debut full-length from Wolfgang Voigt’s most enigmatic, quixotic project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation \u0026amp; Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea\u003cspan class=\"bcTruncateMore\"\u003e for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.\u003cbr\u003e\u003cbr\u003eGAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4\/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.\u003cbr\u003e\u003cbr\u003eIn clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : GAS\u003c\/p\u003e\n\u003cp\u003eLabel : Kompakt\u003c\/p\u003e\n\u003cp\u003ecat no : Kompakt 491\u003c\/p\u003e","published_at":"2025-04-10T08:48:41+09:00","created_at":"2025-04-08T11:00:29+09:00","vendor":"Tobira Records","type":"","tags":["kompakt","lp","new","techno \/ house"],"price":699000,"price_min":699000,"price_max":699000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47243743723770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GAS s\/t 3xLP","public_title":null,"options":["Default Title"],"price":699000,"weight":1000,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101471391","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gas1.jpg?v=1744077500","\/\/tobirarecords.com\/cdn\/shop\/files\/gas2.jpg?v=1744077500"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gas1.jpg?v=1744077500","options":["Title"],"media":[{"alt":null,"id":35852189925626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gas1.jpg?v=1744077500"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gas1.jpg?v=1744077500","width":700},{"alt":null,"id":35852189958394,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gas2.jpg?v=1744077500"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gas2.jpg?v=1744077500","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのテクノ作家GASが、2024年8月に同国Kompaktからリリースした再発3枚組レコードです。（オリジナルは1996年リリース）\u003c\/p\u003e\n\u003cp\u003eアンビエント・テクノ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2280812332\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e2024 reissue - originally released on Mille Plateaux in 1996. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. GAS 1 13:55\u003cbr\u003e2. GAS 2 18:44\u003cbr\u003e3. GAS 3 14:28\u003cbr\u003e4. GAS 4 11:55\u003cbr\u003e5. GAS 5 16:21\u003cbr\u003e6. GAS 6 17:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKompakt:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKompakt is proud to announce, finally, a reissue of the first, self-titled GAS album. Originally released on electronica imprint Mille Plateaux back in 1996, it’s been unavailable in its original form ever since – the version of GAS included in 2008’s Nah Und Fern box featured several different tracks. Here, however, GAS is restored in all its glory, the debut full-length from Wolfgang Voigt’s most enigmatic, quixotic project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation \u0026amp; Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea\u003cspan class=\"bcTruncateMore\"\u003e for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.\u003cbr\u003e\u003cbr\u003eGAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4\/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.\u003cbr\u003e\u003cbr\u003eIn clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : GAS\u003c\/p\u003e\n\u003cp\u003eLabel : Kompakt\u003c\/p\u003e\n\u003cp\u003ecat no : Kompakt 491\u003c\/p\u003e"}
