CRETA (LAMANNA / PUPILLO / ZANISI) // Creta LP

¥2,618

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弦楽器の名手ROBERTO ZANISIと、Boring MachineなどからもリリースするLUCIANO LAMANNA、ZU名義でも活動するMASSIMO PUPILLOと異なるバックグラウンドの3名による共作。一筋縄ではいかない異様な世界観を構築しています。180g、シルクスクリーンスリーブ仕様。DLコード付属

レーベルその他作品はこちら /// Click here to see more Karlrecords/Zehra releases available at Tobira.

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"CRETA is a new trio of artists coming from very different backgrounds: ROBERTO ZANISI is a finger picking guitar player and a virtuoso on strings of all kinds, including “exotic” instruments like the Turkish Cümbüs, the Greek Bouzouki or the Albanian Cifteli. Since 2003 he has been active in many contexts: he worked with GIOVANNI VENOSTA producing sound tracks for SILVIO SOLDINI’s movies, took part as soloist musician in STEWARD COPELAND's tour “La Notte della Taranta (Night of Tarantula)”, played with the American musician AMY DENIO and performed with SAINKHO NAMTCHYLAK. LUCIANO LAMANNA’s main characteristics are experimentation, analog synths, vinyl and a big love for techno. In 2015, the resident DJ at Ex Dogana, Roma and member of the Italian artist collective LSWHR launched the modular synthesizer project BALANCE (with DAVIDE RICCI), and in 2017 he released the album “Divus” with ZU member LUCA T. MAI, to name a few of LAMANNA’s many releases on labels like EARACHE, BORING MACHINES, SCUDERIA et.al. And, last but not least, there is MASSIMO PUPILLO, highly acclaimed bass maniac with ZU, LANIAKEA and in countless other constellations (a.o. PETER and CASPAR BRÖTZMANN, FM EINHEIT, CHRIS CORSANO). As CRETA, they create outlandish sonic pieces that blend sci-fi ambient atmospheres with dark bass pulses and bucolic-mediterranean string instruments – an unique and yet coherent mix of elements that adds consequently to the oeuvres of the three artists!"

artist : CRETA

label : karlrecords

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レーベルその他作品はこちら /// Click here to see more Karlrecords/Zehra releases available at Tobira.

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Includes DL code.\u003c\/p\u003e\n\u003cp\u003eKarlrecords:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree early compositions (1968-1970) by Steve Reich, one of the most prolific exponents of minimal music, in stunning interpretations by the critically acclaimed Ensemble Avantgarde. Available on vinyl (180gr, gatefold sleeve incl. download code) for the first time ever!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSteve Reich (born 1936) is undoubtedly one of the key figures in 20th century contemporary music and along with Terry Riley or Philip Glass one of the founding fathers of so-called minimal music. With classics like “Music For 18 Musicians”, “Drumming” or “Different Trains” the American composer proved himself one of \"a handful of living composers who can legitimately claim to have altered the direction of musical history\" (The Guardian). 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Booklet with English \/ German liner notes by REINHOLD FRIEDL (zeitkratzer) and rare photos from the Xenakis archive.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIANNIS XENAKIS (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter he arrived in Paris in 1947, XENAKIS not only studied composition with MESSIAEN and later became a member of the famous GRM (Groupe de recherches musicales), he also\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e worked as assistant to the famous architect LE CORBUSIER and realized a.o. the Philips Pavilion for the\u003cbr data-mce-fragment=\"1\"\u003eWorld Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian).\u003cbr data-mce-fragment=\"1\"\u003eAlthough XENAKIS also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when\u003cbr data-mce-fragment=\"1\"\u003ecomputers were easier accessible, his so-called \"stochastic synthesis\" (Gendy 3, S.709 \u0026gt; Disc V, Late Works).\u003cbr data-mce-fragment=\"1\"\u003eXENAKIS’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as MICHEL CHION put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.\u003cbr data-mce-fragment=\"1\"\u003eHis so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous\u003cbr data-mce-fragment=\"1\"\u003ecomposition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz-Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.\u003cbr data-mce-fragment=\"1\"\u003eThe most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first time, the complete electroacoustic works of XENAKIS are now available on record – the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director REINHOLD FRIEDL, in\u003cbr data-mce-fragment=\"1\"\u003ecollaboration with sound engineer MARTIN WURMNEST, made these critically reflected stereo mixes possible, which were appropriately mastered by RASHAD BECKER and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : G.A.M.S. \u003c\/p\u003e\n\u003cp\u003elabel : karlrecords\u003c\/p\u003e","published_at":"2022-01-07T16:39:42+09:00","created_at":"2022-01-07T16:39:42+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","karlrecords","lp","monooto","new"],"price":789000,"price_min":789000,"price_max":1649000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42288303243514,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Iannis Xenakis \/\/ .Electroacoustic Works 5xLP \/ 5xCD BOX - LP","public_title":"LP","options":["LP"],"price":1649000,"weight":1700,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42288303276282,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Iannis Xenakis \/\/ .Electroacoustic Works 5xLP \/ 5xCD BOX - CD","public_title":"CD","options":["CD"],"price":789000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0370379488_16.jpg?v=1641542045","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026809124_10.jpg?v=1641542045","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026809075_10.jpg?v=1641542045"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0370379488_16.jpg?v=1641542045","options":["Format"],"media":[{"alt":null,"id":28971112595706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0370379488_16.jpg?v=1641542045"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0370379488_16.jpg?v=1641542045","width":700},{"alt":null,"id":28971112464634,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026809124_10.jpg?v=1641542045"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026809124_10.jpg?v=1641542045","width":1200},{"alt":null,"id":28971112497402,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026809075_10.jpg?v=1641542045"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0026809075_10.jpg?v=1641542045","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20世紀アヴァンギャルド音楽を代表するギリシャの\u003c\/span\u003e作曲家Iannis Xenakis(\u003cspan data-mce-fragment=\"1\"\u003e1922-2001)\u003c\/span\u003e生誕100周年を記念した超豪華5枚組ボックスです。\u003c\/p\u003e\n\u003cp\u003e彼が制作したエレクトロアコースティックの名作をコンパイルした永久保存版です。マスタリングはrashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180g重量盤レコードには8ページのブックレットとポストカード、インサートが付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCDには24ページのブックレットとライナーノートが付属。\u003c\/p\u003e\n\u003cp\u003e※ボックスの形状上、佐川急便（550円)での発送となります\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3546258801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe 5 LP \/ 5 CD box set „Electroacoustic Works“ celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics. Booklet with English \/ German liner notes by REINHOLD FRIEDL (zeitkratzer) and rare photos from the Xenakis archive.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIANNIS XENAKIS (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter he arrived in Paris in 1947, XENAKIS not only studied composition with MESSIAEN and later became a member of the famous GRM (Groupe de recherches musicales), he also\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e worked as assistant to the famous architect LE CORBUSIER and realized a.o. the Philips Pavilion for the\u003cbr data-mce-fragment=\"1\"\u003eWorld Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian).\u003cbr data-mce-fragment=\"1\"\u003eAlthough XENAKIS also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when\u003cbr data-mce-fragment=\"1\"\u003ecomputers were easier accessible, his so-called \"stochastic synthesis\" (Gendy 3, S.709 \u0026gt; Disc V, Late Works).\u003cbr data-mce-fragment=\"1\"\u003eXENAKIS’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as MICHEL CHION put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.\u003cbr data-mce-fragment=\"1\"\u003eHis so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous\u003cbr data-mce-fragment=\"1\"\u003ecomposition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz-Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.\u003cbr data-mce-fragment=\"1\"\u003eThe most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor the first time, the complete electroacoustic works of XENAKIS are now available on record – the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director REINHOLD FRIEDL, in\u003cbr data-mce-fragment=\"1\"\u003ecollaboration with sound engineer MARTIN WURMNEST, made these critically reflected stereo mixes possible, which were appropriately mastered by RASHAD BECKER and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : G.A.M.S. \u003c\/p\u003e\n\u003cp\u003elabel : karlrecords\u003c\/p\u003e"}

20世紀アヴァンギャルド音楽を代表するギリシャの作曲家Iannis Xenakis(1922-2001)生誕100周年を記念した超豪華5枚組ボックスです。彼が制作したエレクトロアコースティックの名作をコンパイルした永久保存版です。マスタリングはrashad beckerが担当しています。 180g重量盤レコードには8ページのブックレットとポストカード、インサートが付属。廃盤です。 CDには24ページのブックレットとライナーノートが付属。 ※ボックスの形状上、佐川急便（550円)での発送となりますレーベルその他作品はこちら /// Click here to see more Karl Records/Zehra...

¥7,890

G.A.M.S. (GUIDO MÖBIUS & ANDI STECHER) // G.A.M.S. LP

Quickview {"id":5841417404581,"title":"G.A.M.S. (GUIDO MÖBIUS \u0026 ANDI STECHER) \/\/ G.A.M.S. LP","handle":"g-a-m-s-guido-mobius-andi-stecher-g-a-m-s-lp","description":"\u003cp\u003eパーカッショニストANDI STECHERとフィードバック奏者GUIDO MÖBIUSによるデュオG.A.M.S.のファーストアルバム。即興演奏の空気を保ちつつも、ただ我武者羅に展開するのではなく抑揚のある演奏はさすがです。NAPALM DEATHでお馴染みMICK HARRISとYUKO MATSUYAMAが参加。180g、DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=897993254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first album of the new duo G.A.M.S. (ANDI STECHER \/ drums and GUIDO MÖBIUS \/ feedback) with special appearances by MICK HARRIS (EX NAPALM DEATH, PAINKILLER, SCORN a.o.) and YUKO MATSUYAMA (HULA HUT \u0026amp; THE SEVEN SEAS).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeedback leads a life of it’s own. It is an uncontrollable sonic accident, usually ear-numbingly loud but sometimes also delicately ethereal. The essence of feedback is being released from bonds, its path is always one of intensification and escape. Its a physical phenomenon and hard to predict.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe duo G.A.M.S. makes music on the edge of losing control. A restless drummer works his way through waves of feedback, which span the full spectrum of frequencies from pumping bass to the highest tones. With the pulse of the feedback ANDI STECHER's drumming, at times feverish and driven, then distanced and abstract, creates polyrhythmic structures. What comes into being is a maelstrom of sound and rhythm - music beyond every style, the power of which lies in its rawness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSTECHER and MÖBIUS switch the roles of desired and undesired sound and thereby create pieces like archaic sculptures. Their music is raw and powerful, but can also be soft and etheric\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e. Sometimes it feels like a delicate organic painting. But here's one thing that G.A.M.S. music certainly isn't - predictable. The duo uses freely improvised spaces and reacts to unplanned sonic events. And despite all it's seeming randomness, G.A.M.S. still manage to compose clearly structured pieces and to reconstruct these in their live program.\u003cbr data-mce-fragment=\"1\"\u003eThrough a cut-up technique patterns of feedback sound fragments are juxtaposed and interlocked in varied combinations. These hypnotic loops move between rhythm and melodies, a web that is carried along by a driving drum set, accents of sub-bass and layers of feedback drones.\u003cbr data-mce-fragment=\"1\"\u003eThe playful drum style of ANDI STECHER is far from conventional rock drumming. Instead he experiments with various materials - for instance by preparing his cymbals with chains or putting different objects on the skin of his drums. He makes offbeat meters and complicated grooves sound easy and light. The same goes for changes in timing or dense textures comprising ghost notes. On the other hand he plays straight forward beats dynamically and with power.\u003cbr data-mce-fragment=\"1\"\u003eSTECHER’s partner in G.A.M.S. is GUIDO MÖBIUS who (with the help of a guitar amp, a microphone and effects) creates live feedbacks which can be massive and noisy but also fragile and gentle. Fleeting and concrete sounds join into dense textures. Feedback is never static rather always in a process of change.\u003cbr data-mce-fragment=\"1\"\u003eMusical guests on the album are ex-NAPALM DEATH drummer and eletronic producer MICK HARRIS (SCORN, FRET) contributing drones and field recordings and the versatile singer YUKO MATSUYAMA (HULA HUT \u0026amp; THE SEVEN SEAS).\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : G.A.M.S. \u003c\/p\u003e\n\u003cp\u003elabel : karlrecords\u003c\/p\u003e","published_at":"2020-10-28T07:05:34+09:00","created_at":"2020-10-28T07:05:33+09:00","vendor":"Tobira Records","type":"","tags":["karlrecords","lp","strange beats"],"price":261800,"price_min":261800,"price_max":261800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36923952627877,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"G.A.M.S. (GUIDO MÖBIUS \u0026 ANDI STECHER) \/\/ G.A.M.S. LP","public_title":null,"options":["Default Title"],"price":261800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1597841735_16.jpg?v=1603836335"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1597841735_16.jpg?v=1603836335","options":["Title"],"media":[{"alt":null,"id":12973548765349,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1597841735_16.jpg?v=1603836335"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1597841735_16.jpg?v=1603836335","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eパーカッショニストANDI STECHERとフィードバック奏者GUIDO MÖBIUSによるデュオG.A.M.S.のファーストアルバム。即興演奏の空気を保ちつつも、ただ我武者羅に展開するのではなく抑揚のある演奏はさすがです。NAPALM DEATHでお馴染みMICK HARRISとYUKO MATSUYAMAが参加。180g、DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=897993254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe first album of the new duo G.A.M.S. (ANDI STECHER \/ drums and GUIDO MÖBIUS \/ feedback) with special appearances by MICK HARRIS (EX NAPALM DEATH, PAINKILLER, SCORN a.o.) and YUKO MATSUYAMA (HULA HUT \u0026amp; THE SEVEN SEAS).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeedback leads a life of it’s own. It is an uncontrollable sonic accident, usually ear-numbingly loud but sometimes also delicately ethereal. The essence of feedback is being released from bonds, its path is always one of intensification and escape. Its a physical phenomenon and hard to predict.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe duo G.A.M.S. makes music on the edge of losing control. A restless drummer works his way through waves of feedback, which span the full spectrum of frequencies from pumping bass to the highest tones. With the pulse of the feedback ANDI STECHER's drumming, at times feverish and driven, then distanced and abstract, creates polyrhythmic structures. What comes into being is a maelstrom of sound and rhythm - music beyond every style, the power of which lies in its rawness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSTECHER and MÖBIUS switch the roles of desired and undesired sound and thereby create pieces like archaic sculptures. Their music is raw and powerful, but can also be soft and etheric\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e. Sometimes it feels like a delicate organic painting. But here's one thing that G.A.M.S. music certainly isn't - predictable. The duo uses freely improvised spaces and reacts to unplanned sonic events. And despite all it's seeming randomness, G.A.M.S. still manage to compose clearly structured pieces and to reconstruct these in their live program.\u003cbr data-mce-fragment=\"1\"\u003eThrough a cut-up technique patterns of feedback sound fragments are juxtaposed and interlocked in varied combinations. These hypnotic loops move between rhythm and melodies, a web that is carried along by a driving drum set, accents of sub-bass and layers of feedback drones.\u003cbr data-mce-fragment=\"1\"\u003eThe playful drum style of ANDI STECHER is far from conventional rock drumming. Instead he experiments with various materials - for instance by preparing his cymbals with chains or putting different objects on the skin of his drums. He makes offbeat meters and complicated grooves sound easy and light. The same goes for changes in timing or dense textures comprising ghost notes. On the other hand he plays straight forward beats dynamically and with power.\u003cbr data-mce-fragment=\"1\"\u003eSTECHER’s partner in G.A.M.S. is GUIDO MÖBIUS who (with the help of a guitar amp, a microphone and effects) creates live feedbacks which can be massive and noisy but also fragile and gentle. Fleeting and concrete sounds join into dense textures. Feedback is never static rather always in a process of change.\u003cbr data-mce-fragment=\"1\"\u003eMusical guests on the album are ex-NAPALM DEATH drummer and eletronic producer MICK HARRIS (SCORN, FRET) contributing drones and field recordings and the versatile singer YUKO MATSUYAMA (HULA HUT \u0026amp; THE SEVEN SEAS).\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : G.A.M.S. \u003c\/p\u003e\n\u003cp\u003elabel : karlrecords\u003c\/p\u003e"}