THE VILLAGERS // Yes I'm Ready 7inch
THE VILLAGERS // Yes I'm Ready 7inch
¥2,650
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1960年代に活動していたアメリカのソウルバンドTHE VILLAGERSが、2025年7月にドイツのTramp Recordsからリリースした7"です。
ローライダー・ソウル〜ガレージロック2曲を収録。
------------------------------------------------------
7" black vinyl.
Tracklist:
1. The Villagers ft. Jeanne Lavoie - Yes I'm Ready 03:26
2. August ft. Wayne West - The Mirror 02:13
Artist : THE VILLAGERS
Label : Tramp Records
cat no : TR348
1960年代に活動していたアメリカのソウルバンドTHE VILLAGERSが、2025年7月にドイツのTramp Recordsからリリースした7"です。
ローライダー・ソウル〜ガレージロック2曲を収録。
------------------------------------------------------
7" black vinyl.
Tracklist:
1. The Villagers ft. Jeanne Lavoie - Yes I'm Ready 03:26
2. August ft. Wayne West - The Mirror 02:13
Artist : THE VILLAGERS
Label : Tramp Records
cat no : TR348
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¥3,980

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{"id":8928625950970,"title":"Sam Gendel \/\/ blueblue LP","handle":"sam-gendel-blueblue-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年2月に同国老舗レーベルLeaving Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエント・ジャズ〜スピリチュアル・ジャズ14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3977112473\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eblueblue is the latest full-length from multi-instrumentalist and all-around vibe wizard, Sam Gendel. The record, out October 14 via Leaving Records, is a concise, tightly wound song suite whose 14 tracks each correspond to a pattern within sashiko, a traditional style of Japanese embroidery. This conceit remains playfully ambiguous — to what extent, if at all, is Kagome (籠目, woven bamboo) meant to evoke the pattern of the same name, for example? But there is an intuitive sense, throughout blueblue, that Gendel has, in this instance, narrowed his focus. To say that blueblue feels richly textural might be a little on-the-nose, thematically, but alas…it does. There is an intimacy, a humility, and a strength at play here that typifies the work of a master craftsman. Only an artist could make it sound so effortless.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Los Angeleno by way of Central CA, Gendel is by now an institution. Across a dizzying slate of solo releases and collaborations, he has amassed a reputation for not only virtuosic musicianship (primarily as a saxophonist, though the songs that would become blueblue were all initially composed on guitar), but also for his mercurial and prolific output — a corpus of work\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, which, while obviously indebted to jazz and hip hop (and the farther flung, experimental corners of both) is, in a word, unpindownable. In this regard, Leaving Records, with its cri-de-cœur of “All Genre,” is a natural home for Gendel. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe bulk of blueblue was recorded in isolation in a makeshift studio built in a cabin floating atop a tributary of Oregon’s Columbia River. Having sketched out a set of guitar melodies, Gendel recorded the album in five-or-so weeks, during which time he became well-acquainted with the river’s tidal rise and fall. This organic rhythm, which daily lifted the house to meet the horizon, later setting it down gently upon the riverbed, permeates the record. There are pops and groans and artifacts, and, in Tate-jima (縦縞, vertical stripes)—one of blueblue’s more plaintive tracks—even the faint lapping of water.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eEqually essential to the feel of blueblue is Craig Weinrib’s kit work. Gendel and Weinrib collaborated long-distance during Gendel’s time in Oregon, with Gendel sending Weinrib half-finished songs, and giving him carte-blanche to record percussion. The end result is a relaxed, confident exchange between two clearly simpatico musicians, particularly evident in Weinrib’s gorgeously attentive brush technique. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eblueblue is a conceptually sound, mesmerizing, evocative, and sonically idiosyncratic LP. In keeping with its name, blueblue functions as Gendel’s color study, conveying, through repetition and deviation, his devotion to a certain mood — unnamable, but certainly noirish, nostalgic, quasi-psychedelic, and existing in some permanent twilight.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eReal ones know, and for those who don’t yet, blueblue is an accessible and intoxicating entry-point into Gendel's ever-expanding catalog.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-21T14:05:15+09:00","created_at":"2025-09-21T14:04:43+09:00","vendor":"Tobira Records","type":"","tags":["jazz","leaving records","lp","new","sam gendel"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47735683154170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Gendel \/\/ blueblue LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"669158569113","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3273899766_16.jpg?v=1714779788","\/\/tobirarecords.com\/cdn\/shop\/files\/0029408707_10.jpg?v=1714779788"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273899766_16.jpg?v=1714779788","options":["Title"],"media":[{"alt":null,"id":33932635308282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273899766_16.jpg?v=1714779788"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273899766_16.jpg?v=1714779788","width":700},{"alt":null,"id":33932635341050,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029408707_10.jpg?v=1714779788"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029408707_10.jpg?v=1714779788","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年2月に同国老舗レーベルLeaving Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエント・ジャズ〜スピリチュアル・ジャズ14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3977112473\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eblueblue is the latest full-length from multi-instrumentalist and all-around vibe wizard, Sam Gendel. The record, out October 14 via Leaving Records, is a concise, tightly wound song suite whose 14 tracks each correspond to a pattern within sashiko, a traditional style of Japanese embroidery. This conceit remains playfully ambiguous — to what extent, if at all, is Kagome (籠目, woven bamboo) meant to evoke the pattern of the same name, for example? But there is an intuitive sense, throughout blueblue, that Gendel has, in this instance, narrowed his focus. To say that blueblue feels richly textural might be a little on-the-nose, thematically, but alas…it does. There is an intimacy, a humility, and a strength at play here that typifies the work of a master craftsman. Only an artist could make it sound so effortless.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Los Angeleno by way of Central CA, Gendel is by now an institution. Across a dizzying slate of solo releases and collaborations, he has amassed a reputation for not only virtuosic musicianship (primarily as a saxophonist, though the songs that would become blueblue were all initially composed on guitar), but also for his mercurial and prolific output — a corpus of work\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, which, while obviously indebted to jazz and hip hop (and the farther flung, experimental corners of both) is, in a word, unpindownable. In this regard, Leaving Records, with its cri-de-cœur of “All Genre,” is a natural home for Gendel. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe bulk of blueblue was recorded in isolation in a makeshift studio built in a cabin floating atop a tributary of Oregon’s Columbia River. Having sketched out a set of guitar melodies, Gendel recorded the album in five-or-so weeks, during which time he became well-acquainted with the river’s tidal rise and fall. This organic rhythm, which daily lifted the house to meet the horizon, later setting it down gently upon the riverbed, permeates the record. There are pops and groans and artifacts, and, in Tate-jima (縦縞, vertical stripes)—one of blueblue’s more plaintive tracks—even the faint lapping of water.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eEqually essential to the feel of blueblue is Craig Weinrib’s kit work. Gendel and Weinrib collaborated long-distance during Gendel’s time in Oregon, with Gendel sending Weinrib half-finished songs, and giving him carte-blanche to record percussion. The end result is a relaxed, confident exchange between two clearly simpatico musicians, particularly evident in Weinrib’s gorgeously attentive brush technique. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eblueblue is a conceptually sound, mesmerizing, evocative, and sonically idiosyncratic LP. In keeping with its name, blueblue functions as Gendel’s color study, conveying, through repetition and deviation, his devotion to a certain mood — unnamable, but certainly noirish, nostalgic, quasi-psychedelic, and existing in some permanent twilight.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eReal ones know, and for those who don’t yet, blueblue is an accessible and intoxicating entry-point into Gendel's ever-expanding catalog.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Sam Gendelが、2023年2月に同国老舗レーベルLeaving Recordsからリリースしたレコードです。 レイドバックなアンビエント・ジャズ〜スピリチュアル・ジャズ14曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw...
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{"id":8927550963962,"title":"Bokoya \u0026 Gianni Brezzo \/\/ Minari LP","handle":"bokoya-gianni-brezzo-minari-lp","description":"\u003cp\u003eドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとギタリストGianni Brezzoが、2023年6月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e5人がケルンのスタジオで3日間行ったジャムセッション12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的ヒップホップ/ジャズカルテットのBokoyaが、ケルン在住のプロデューサー/ギタリストGianni Brezzo(Jakarta Records)と組んで、Melting Pot Musicからコラボアルバム「Minari」をリリースしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBokoyaは、自分たちを即興のビートミュージックを演奏する4つの頭を持つ人間ドラムマシーンと表現しています。ジャズと呼ぶこともできますが(4人ともジャズミュージシャンとしてキャリアを開始しています\u003c\/em\u003e\u003cem\u003e)、クラウトロックやアンビエント、ダブなどが混じっているので、つまずく覚悟で聞いてほしいと思います。彼らの2枚組アルバム「Hausensession」(Melting Pot Music、2022年)は、参考文献としてお勧めします。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGianni Brezzoの音楽は、もう少しアクセスしやすいですが、レフトフィールドに劣るわけではありません。ジャズは大きな影響力を持ちますが、さらにその上を行きます。アルバム「Tutto Grosso」(Jakarta, 2022)で、\u003cmeta charset=\"utf-8\"\u003eBrezzoはマシュー・ハルソール、サプライズ・シェフ、エル・ミシェルズ・アフェア、BADBADNOTGOODに似た音の波に乗っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレコーディングはケルンのGottesweg Studiosで行われ、BokoyaとGianni Brezzoはいくつかの基本的なスケッチとビートを基に3日夜ジャムりました。セッションはBokoyaとBrezzoによって編集・アレンジされましたが、オーバーダビングは加えられていません\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMinariとは?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eミナリは別名「ウォーターパセリ」とも呼ばれ、韓国料理で多用される香りの良い野菜です。やや苦みがあり、コショウのような風味で知られています。キムチや魚の辛いスープ、煮込み料理、豚バラ肉との相性も抜群です。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823885673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMelting Pot Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eExperimental hip-hop\/jazz quartet Bokoya team up with Cologne-based producer \/ guitarist Gianni Brezzo (Jakarta Records) for collabo album ‘Minari’ on Melting Pot Music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBokoya describe themselves as a four-headed human drum machine that play impro-vised beat music. You can call it jazz if you like (all four members are graduated jazz musicians btw) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. We recommend their double-album ‘Hausensession’ (Melting Pot Music, 2022) as a reference point.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGianni Brezzo's music is a bit easier to access but not less leftfield. Jazz is a major influ-ence, but it goes way further. On his album ‘Tutto Grosso’ (Jakarta, 2022), Brezzo rides a sonic wave similar to Matthew Halsall, Surprise Chef, El Michels Affair and BADBADNOTGOOD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording sessions took place at the Gottesweg Studios in Cologne where Bokoya and Gianni Brezzo jammed for three days and nights based on some basic sketches and beats. The sessions were edited and arranged after by Bokoya and Brezzo but no overdubs added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat is Minari?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMinari, also known as \"water parsley\", is a fragrant vegetable plant that is used exten-sively in Korean cooking. It is known for its somewhat bitter and peppery flavor. It can be found in kimchi, spicy fish soups, stews or paired with pork belly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bokoya \u0026amp; Gianni Brezzo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Melting Pot Music\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-20T09:40:03+09:00","created_at":"2025-09-20T09:39:23+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot","new"],"price":422400,"price_min":422400,"price_max":422400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47733372911866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bokoya \u0026 Gianni Brezzo \/\/ Minari LP","public_title":null,"options":["Default Title"],"price":422400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0673793332018","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242","\/\/tobirarecords.com\/cdn\/shop\/files\/min2_a4f0835e-9ede-4fd4-a2e4-70520d71de42.jpg?v=1686971242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242","options":["Title"],"media":[{"alt":null,"id":32124902408442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min1_8c0fdf24-a075-4e66-b0f5-72a6e5d99748.jpg?v=1686971242","width":700},{"alt":null,"id":32124902441210,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min2_a4f0835e-9ede-4fd4-a2e4-70520d71de42.jpg?v=1686971242"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/min2_a4f0835e-9ede-4fd4-a2e4-70520d71de42.jpg?v=1686971242","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとギタリストGianni Brezzoが、2023年6月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e5人がケルンのスタジオで3日間行ったジャムセッション12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的ヒップホップ/ジャズカルテットのBokoyaが、ケルン在住のプロデューサー/ギタリストGianni Brezzo(Jakarta Records)と組んで、Melting Pot Musicからコラボアルバム「Minari」をリリースしました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBokoyaは、自分たちを即興のビートミュージックを演奏する4つの頭を持つ人間ドラムマシーンと表現しています。ジャズと呼ぶこともできますが(4人ともジャズミュージシャンとしてキャリアを開始しています\u003c\/em\u003e\u003cem\u003e)、クラウトロックやアンビエント、ダブなどが混じっているので、つまずく覚悟で聞いてほしいと思います。彼らの2枚組アルバム「Hausensession」(Melting Pot Music、2022年)は、参考文献としてお勧めします。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGianni Brezzoの音楽は、もう少しアクセスしやすいですが、レフトフィールドに劣るわけではありません。ジャズは大きな影響力を持ちますが、さらにその上を行きます。アルバム「Tutto Grosso」(Jakarta, 2022)で、\u003cmeta charset=\"utf-8\"\u003eBrezzoはマシュー・ハルソール、サプライズ・シェフ、エル・ミシェルズ・アフェア、BADBADNOTGOODに似た音の波に乗っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレコーディングはケルンのGottesweg Studiosで行われ、BokoyaとGianni Brezzoはいくつかの基本的なスケッチとビートを基に3日夜ジャムりました。セッションはBokoyaとBrezzoによって編集・アレンジされましたが、オーバーダビングは加えられていません\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMinariとは?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eミナリは別名「ウォーターパセリ」とも呼ばれ、韓国料理で多用される香りの良い野菜です。やや苦みがあり、コショウのような風味で知られています。キムチや魚の辛いスープ、煮込み料理、豚バラ肉との相性も抜群です。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3823885673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMelting Pot Music:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eExperimental hip-hop\/jazz quartet Bokoya team up with Cologne-based producer \/ guitarist Gianni Brezzo (Jakarta Records) for collabo album ‘Minari’ on Melting Pot Music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBokoya describe themselves as a four-headed human drum machine that play impro-vised beat music. You can call it jazz if you like (all four members are graduated jazz musicians btw) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. We recommend their double-album ‘Hausensession’ (Melting Pot Music, 2022) as a reference point.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGianni Brezzo's music is a bit easier to access but not less leftfield. Jazz is a major influ-ence, but it goes way further. On his album ‘Tutto Grosso’ (Jakarta, 2022), Brezzo rides a sonic wave similar to Matthew Halsall, Surprise Chef, El Michels Affair and BADBADNOTGOOD.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording sessions took place at the Gottesweg Studios in Cologne where Bokoya and Gianni Brezzo jammed for three days and nights based on some basic sketches and beats. The sessions were edited and arranged after by Bokoya and Brezzo but no overdubs added.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat is Minari?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMinari, also known as \"water parsley\", is a fragrant vegetable plant that is used exten-sively in Korean cooking. It is known for its somewhat bitter and peppery flavor. It can be found in kimchi, spicy fish soups, stews or paired with pork belly.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bokoya \u0026amp; Gianni Brezzo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Melting Pot Music\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとギタリストGianni Brezzoが、2023年6月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。 5人がケルンのスタジオで3日間行ったジャムセッション12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "実験的ヒップホップ/ジャズカルテットのBokoyaが、ケルン在住のプロデューサー/ギタリストGianni Brezzo(Jakarta Records)と組んで、Melting Pot Musicからコラボアルバム「Minari」をリリースしました。Bokoyaは、自分たちを即興のビートミュージックを演奏する4つの頭を持つ人間ドラムマシーンと表現しています。ジャズと呼ぶこともできますが(4人ともジャズミュージシャンとしてキャリアを開始しています)、クラウトロックやアンビエント、ダブなどが混じっているので、つまずく覚悟で聞いてほしいと思います。彼らの2枚組アルバム「Hausensession」(Melting Pot Music、2022年)は、参考文献としてお勧めします。Gianni Brezzoの音楽は、もう少しアクセスしやすいですが、レフトフィールドに劣るわけではありません。ジャズは大きな影響力を持ちますが、さらにその上を行きます。アルバム「Tutto Grosso」(Jakarta,...
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