Conic Rose // Live from Kantine Berghain LP

Conic Rose // Live from Kantine Berghain LP

¥4,892

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ドイツ・ベルリンのジャズバンドConic Roseが、2025年12月に自主リリースしたレコードです。

ライブ録音10曲を収録。

--------------------------------------------------------

12" black vinyl.
Edition of 150.

Tracklist:

1. Chopin Rosé (live) 06:39
2. Learn To Be Cool (live) 06:59
3. Projekt 6 (live) 06:39
4. Young Man (live) 11:02
5. Sad Whacky Waving Inflatable Tube Guys (live) 03:47
6. Uli (live) 06:25
7. Gleisdreieck (live) 06:58
8. Honeylake (live) 09:02
9. Nie Wieder Knutschen (live) 07:25
10. Rameau (live) 05:06

Artist : Conic Rose

Label : Self released / Conic Rose

Release date : 11th September 2025

Quantity

+ -

ドイツ・ベルリンのジャズバンドConic Roseが、2025年12月に自主リリースしたレコードです。

ライブ録音10曲を収録。

--------------------------------------------------------

12" black vinyl.
Edition of 150.

Tracklist:

Artist : Conic Rose

Label : Self released / Conic Rose

Release date : 11th September 2025

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Quickview {"id":9020617228538,"title":"Jeff Parker \/\/ Forfolks LP [COLOR]","handle":"jeff-parker-forfolks-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. 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I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-05T14:54:15+09:00","created_at":"2025-12-05T14:52:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48066335703290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Forfolks LP [COLOR]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991969","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595},{"alt":null,"id":36457416753402,"position":2,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e"}

Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...

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Quickview {"id":9020415377658,"title":"Zeca Assumpção \u0026 Lelo Nazario \/\/ Depois do Silêncio LP","handle":"zeca-assumpcao-lelo-nazario-depois-do-silencio-lp","description":"\u003cp\u003eブラジルのベーシストZeca AssumpçãoとピアニストLelo Nazarioが、2025年11月にElations Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2996118128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Depois do Silêncio 05:02\u003cbr\u003e2. Estilingue 04:05\u003cbr\u003e3. Sistema I 06:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sistema II 05:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Jogos Sonoros 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Quintal da Memória 04:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tempo ao Tempo 02:39\u003cbr\u003e\u003c\/span\u003e8. Pensando Baixo 04:43\u003c\/p\u003e\n\u003cp\u003eElations Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eElations Recordings presents “Depois do Silêncio”, an intimate, forward-looking acoustic bass, digital keyboard and synthesiser recording by Brazilian avant-garde jazz luminaries Zeca Assumpção and Lelo Nazario. This release celebrates almost fifty years of the duo’s friendship and musical affinity, continuing a musical dialogue between long-time collaborators. The duo began working together with Hermeto Pascoal’s “Grupo Vice Versa” in the mid 1970s before forging one of Brazil’s most adventurous experimental jazz groups \"Grupo Um\" in 1976; releasing three albums with a shared avant-garde and lateral, exploratory approach to sound fusing jazz and contemporary synthesis with expanded and prepared acoustic playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Depois do Silêncio” reflects the duo’s long development of a shared conception of music, resulting in a work that is both timeless and modern. The music on the album was primarily recorded in Nazario’s UTOPIA Studio, São Paulo, in 1994, featuring Assumpção on acoustic bass and Nazario on his newly acquired Ensoniq TS-12; these recordings were supplemented with acoustic bass for “Quintal da Memória” in 2018 and completed with an additional layer of rich, complex analog and virtual synthesis following their\u003cspan class=\"bcTruncateMore\"\u003e rediscovery of the material in 2022.\u003cbr\u003e\u003cbr\u003eAssumpção’s deeply expressive acoustic bass playing forms the backbone of these compositions, augmented by Nazario’s expansive and exploratory approach to synthesis, its constantly shifting timbres “making music a living organism, which adapts to situations as they appear.” Nazario explains that “although the themes are written, much of the music is improvised based on an organic development of ideas, all intertwined and interrelated exactly as happens in a living organism”.\u003cbr\u003e\u003cbr\u003eThe album title “Depois do Silêncio” (After Silence) references a phrase by the writer Aldous Huxley; “after silence, that which comes nearest to expressing the inexpressible is music”. Assumpção and Nazario continue a search for new forms of musical expression, and here they succeed in creating music that “expand[s] the sound of musical instruments, so opening new horizons in the minds of listeners”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zeca Assumpção \u0026amp; Lelo Nazario\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eElations Recordings \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ELA003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-07T10:15:10+09:00","created_at":"2025-12-05T11:23:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48064637862138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zeca Assumpção \u0026 Lelo Nazario \/\/ Depois do Silêncio LP","public_title":null,"options":["Default Title"],"price":489000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804186179","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962","\/\/tobirarecords.com\/cdn\/shop\/files\/dep2_5a47130c-6b16-423c-b95c-c99ac66559d0.jpg?v=1764900962"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962","options":["Title"],"media":[{"alt":null,"id":37704380711162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962","width":700},{"alt":null,"id":37704380743930,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep2_5a47130c-6b16-423c-b95c-c99ac66559d0.jpg?v=1764900962"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep2_5a47130c-6b16-423c-b95c-c99ac66559d0.jpg?v=1764900962","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eブラジルのベーシストZeca AssumpçãoとピアニストLelo Nazarioが、2025年11月にElations Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2996118128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Depois do Silêncio 05:02\u003cbr\u003e2. Estilingue 04:05\u003cbr\u003e3. Sistema I 06:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sistema II 05:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Jogos Sonoros 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Quintal da Memória 04:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tempo ao Tempo 02:39\u003cbr\u003e\u003c\/span\u003e8. Pensando Baixo 04:43\u003c\/p\u003e\n\u003cp\u003eElations Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eElations Recordings presents “Depois do Silêncio”, an intimate, forward-looking acoustic bass, digital keyboard and synthesiser recording by Brazilian avant-garde jazz luminaries Zeca Assumpção and Lelo Nazario. This release celebrates almost fifty years of the duo’s friendship and musical affinity, continuing a musical dialogue between long-time collaborators. The duo began working together with Hermeto Pascoal’s “Grupo Vice Versa” in the mid 1970s before forging one of Brazil’s most adventurous experimental jazz groups \"Grupo Um\" in 1976; releasing three albums with a shared avant-garde and lateral, exploratory approach to sound fusing jazz and contemporary synthesis with expanded and prepared acoustic playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Depois do Silêncio” reflects the duo’s long development of a shared conception of music, resulting in a work that is both timeless and modern. The music on the album was primarily recorded in Nazario’s UTOPIA Studio, São Paulo, in 1994, featuring Assumpção on acoustic bass and Nazario on his newly acquired Ensoniq TS-12; these recordings were supplemented with acoustic bass for “Quintal da Memória” in 2018 and completed with an additional layer of rich, complex analog and virtual synthesis following their\u003cspan class=\"bcTruncateMore\"\u003e rediscovery of the material in 2022.\u003cbr\u003e\u003cbr\u003eAssumpção’s deeply expressive acoustic bass playing forms the backbone of these compositions, augmented by Nazario’s expansive and exploratory approach to synthesis, its constantly shifting timbres “making music a living organism, which adapts to situations as they appear.” Nazario explains that “although the themes are written, much of the music is improvised based on an organic development of ideas, all intertwined and interrelated exactly as happens in a living organism”.\u003cbr\u003e\u003cbr\u003eThe album title “Depois do Silêncio” (After Silence) references a phrase by the writer Aldous Huxley; “after silence, that which comes nearest to expressing the inexpressible is music”. Assumpção and Nazario continue a search for new forms of musical expression, and here they succeed in creating music that “expand[s] the sound of musical instruments, so opening new horizons in the minds of listeners”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zeca Assumpção \u0026amp; Lelo Nazario\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eElations Recordings \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ELA003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th September 2025\u003c\/span\u003e\u003c\/p\u003e"}

ドイツ・ベルリンのジャズバンドConic Roseが、2023年に自主リリースしたレコードです。ニュージャズ〜ジャズトロニカ12曲を収録。ポストロックリスナーにもオススメです。 -------------------------------------------------------- 12" black vinyl.Vinyl edition of 150. Tracklist: 1. Honeylake...

¥4,598

Quickview {"id":9019183563002,"title":"Jonah Parzen-Johnson \u0026 Lau Nau \/\/ A Few We Remember LP","handle":"jonah-parzen-johnson-lau-nau-a-few-we-remember-lp","description":"\u003cp\u003eフィンランドとアメリカのジャズ作家Jonah Parzen-Johnson \u0026amp; Lau Nauが、2025年12月にフィンランドのジャズレーベルWe Jazzからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=353389475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Longtime Resident 05:49\u003cbr\u003e2. Flight Attendant 04:18\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Apologetic Inquirer 05:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Co-Op Association 06:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. First Time Viewer 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Calming Influencer 06:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Bus Driver 05:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Suspicious Commuter 03:51\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe Jazz Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A Few We Remember is the new album by Jonah Parzen-Johnson and Lau Nau. The recording debut for the new duo of Finnish composer Lau Nau, aka Laura Naukkarinen, and American baritone saxophonist Jonah Parzen-Johnson, it cycles between moments of knotty ambience, whispered melody, and innocent tinkering, as the duo improvises over 8 narrative scores composed by Parzen-Johnson. Jonah Parzen-Johnson says:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For me, telling a story is about more than sharing a set of facts. A well told story is the protective coating around our most intimate and universal feelings. Things too delicate to name. When I want to understand how someone makes me feel, I tell myself our story. There are familiar stories of family and friends, but the story of a quick moment with a stranger can sometimes be the most illuminating. A brief interaction whose fractional reflection helps us understand ourselves in a new way.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“A lot of my musical practice is about trying to find that same storytelling sensation in the experience of performing. That’s how I got going on these narrative scores. Each one is a story you can read, but it's more than that, it's a trigger for a sensation. If all goes well, that’s what makes it into our improvisation. It might be\u003cspan class=\"bcTruncateMore\"\u003e tempting to ask to read the scores, but try to resist. This music isn’t about the stories, it's about how it feels to tell them.”\u003cbr\u003e\u003cbr\u003eJonah Parzen-Johnson \u0026amp; Lau Nau are each prolific and celebrated creators on their own, with 22 albums released between the two of them, but in this fresh conversation, something completely new comes to life. In Laura’s words: “I enjoy recording live takes without overdubs, and this album is exactly that - pure first takes, bubbling creative energy happening in the moment. Jonah’s written stories gave a powerful spark and direction for our improvisations, but the album reminds me of a chemical reaction: a result that is impossible without both of our inputs, and a surprise to each of us.”\u003cbr\u003e\u003cbr\u003eOn the debut single, First Time Viewer, it is almost impossible to tell where Jonah’s fragile baritone saxophone melody begins and where Lau’s live-sampled, processed, and re-synthesized accompaniment ends. As the improvisation develops, a cloud of ethereal fragments forms into a lattice of melody and texture strong enough to support the entire track. We don’t know how this music can sound both delicate and resilient at the same time, but we love it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jonah Parzen-Johnson \u0026amp; Lau Nau\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP91\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th November 2025\u003c\/p\u003e","published_at":"2025-12-06T07:52:27+09:00","created_at":"2025-12-04T11:05:59+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","we jazz records"],"price":429000,"price_min":429000,"price_max":429000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48060718088442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jonah Parzen-Johnson \u0026 Lau Nau \/\/ A Few We Remember LP","public_title":null,"options":["Default Title"],"price":429000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/few1.jpg?v=1764813870","\/\/tobirarecords.com\/cdn\/shop\/files\/few2.jpg?v=1764813871"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/few1.jpg?v=1764813870","options":["Title"],"media":[{"alt":null,"id":37695046025466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/few1.jpg?v=1764813870"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/few1.jpg?v=1764813870","width":700},{"alt":null,"id":37695046058234,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/few2.jpg?v=1764813871"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/few2.jpg?v=1764813871","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドとアメリカのジャズ作家Jonah Parzen-Johnson \u0026amp; Lau Nauが、2025年12月にフィンランドのジャズレーベルWe Jazzからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=353389475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Longtime Resident 05:49\u003cbr\u003e2. Flight Attendant 04:18\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Apologetic Inquirer 05:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Co-Op Association 06:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. First Time Viewer 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Calming Influencer 06:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Bus Driver 05:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Suspicious Commuter 03:51\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe Jazz Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A Few We Remember is the new album by Jonah Parzen-Johnson and Lau Nau. The recording debut for the new duo of Finnish composer Lau Nau, aka Laura Naukkarinen, and American baritone saxophonist Jonah Parzen-Johnson, it cycles between moments of knotty ambience, whispered melody, and innocent tinkering, as the duo improvises over 8 narrative scores composed by Parzen-Johnson. Jonah Parzen-Johnson says:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For me, telling a story is about more than sharing a set of facts. A well told story is the protective coating around our most intimate and universal feelings. Things too delicate to name. When I want to understand how someone makes me feel, I tell myself our story. There are familiar stories of family and friends, but the story of a quick moment with a stranger can sometimes be the most illuminating. A brief interaction whose fractional reflection helps us understand ourselves in a new way.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“A lot of my musical practice is about trying to find that same storytelling sensation in the experience of performing. That’s how I got going on these narrative scores. Each one is a story you can read, but it's more than that, it's a trigger for a sensation. If all goes well, that’s what makes it into our improvisation. It might be\u003cspan class=\"bcTruncateMore\"\u003e tempting to ask to read the scores, but try to resist. This music isn’t about the stories, it's about how it feels to tell them.”\u003cbr\u003e\u003cbr\u003eJonah Parzen-Johnson \u0026amp; Lau Nau are each prolific and celebrated creators on their own, with 22 albums released between the two of them, but in this fresh conversation, something completely new comes to life. In Laura’s words: “I enjoy recording live takes without overdubs, and this album is exactly that - pure first takes, bubbling creative energy happening in the moment. Jonah’s written stories gave a powerful spark and direction for our improvisations, but the album reminds me of a chemical reaction: a result that is impossible without both of our inputs, and a surprise to each of us.”\u003cbr\u003e\u003cbr\u003eOn the debut single, First Time Viewer, it is almost impossible to tell where Jonah’s fragile baritone saxophone melody begins and where Lau’s live-sampled, processed, and re-synthesized accompaniment ends. As the improvisation develops, a cloud of ethereal fragments forms into a lattice of melody and texture strong enough to support the entire track. We don’t know how this music can sound both delicate and resilient at the same time, but we love it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jonah Parzen-Johnson \u0026amp; Lau Nau\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP91\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th November 2025\u003c\/p\u003e"}