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{"id":8728891654394,"title":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","handle":"normal-nada-the-krakmaxter-tribal-progressive-heavy-metal-lp-1","description":"\u003cp\u003e\u003cspan\u003eポルトガル・リスボンのクドゥーロ作家Normal Nada the Krakmaxterが、2023年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・クドゥーロ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"リスボンのアンダーグラウンド音楽界から現れた最もエキセントリックな人物の一人であるテテウは、Qraqmaxter、CiclOFF、Erre Menteなど、さまざまな影のある名で活動してきた。作曲家であると同時に才能豊かなビジュアル・アーティストでもある彼は、ドローイングで哲学的な神話を展開することで知られ、主にボールペンを使って精巧なアニメ風のプロジェクトをスケッチしている。ノーマル・ナダはテテウの最も永続的なプロジェクトであり、ゲームチェンジャーとなったEP『Transmutação Cerebral』から丸8年、ついに待望のデビュー・アルバムが完成した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『TRIBAL PROGRESSIVE HEAVY METAL 』は、アフリカとポルトガルの音楽形態に対する彼の深い知識から発展したナダのメタ・クドゥーロ・マルチバースに具現化されている。数年前、彼はアーカイヴやミックス、リッピングをオリジナルトラックとともに共有するアーカイヴ主義者、ジャンル史家として確立されていた。彼のトラックはアンゴラのクドゥーロやタラシーニャの構造に根ざしているが、Normal Nadaはそれを出発点として、トラップ、ベース・ミュージック、ヘヴィ・メタル、アンビエントの要素を詩的に重ね合わせ、個人的でユニークなストーリーを語る。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beautiful Chaos 03:57\u003cbr\u003e2. Batida 8 02:26\u003cbr\u003e3. Batida Hard Trance 2 03:17\u003cbr\u003e4. Batida 2 Dance 02:27\u003cbr\u003e5. Tribal Progressive Heavy Metal 03:41\u003cbr\u003e6. Da Gamer 03:15\u003cbr\u003e7. Nai Na Chi 03:00\u003cbr\u003e8. Alive 03:37\u003cbr\u003e9. Victory Dance 02:33\u003cbr\u003e10. Dedicado ao sem abrigo esperanca ou quando a esperanca morre 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr\u003e\u003cbr\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr\u003e\u003cbr\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT047lp\u003c\/p\u003e","published_at":"2025-02-24T06:16:14+09:00","created_at":"2025-02-22T17:43:19+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","techno \/ house"],"price":336600,"price_min":336600,"price_max":336600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145075769594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"768558900820","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701","\/\/tobirarecords.com\/cdn\/shop\/files\/pro2_56291c0d-3e74-49bc-9f68-dcb94ec9d8a7.jpg?v=1740213701"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701","options":["Title"],"media":[{"alt":null,"id":35610003996922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1_ab69c3a9-1da7-4bba-a2a6-ede3bbf8f900.jpg?v=1740213701","width":700},{"alt":null,"id":35610004029690,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2_56291c0d-3e74-49bc-9f68-dcb94ec9d8a7.jpg?v=1740213701"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2_56291c0d-3e74-49bc-9f68-dcb94ec9d8a7.jpg?v=1740213701","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eポルトガル・リスボンのクドゥーロ作家Normal Nada the Krakmaxterが、2023年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・クドゥーロ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"リスボンのアンダーグラウンド音楽界から現れた最もエキセントリックな人物の一人であるテテウは、Qraqmaxter、CiclOFF、Erre Menteなど、さまざまな影のある名で活動してきた。作曲家であると同時に才能豊かなビジュアル・アーティストでもある彼は、ドローイングで哲学的な神話を展開することで知られ、主にボールペンを使って精巧なアニメ風のプロジェクトをスケッチしている。ノーマル・ナダはテテウの最も永続的なプロジェクトであり、ゲームチェンジャーとなったEP『Transmutação Cerebral』から丸8年、ついに待望のデビュー・アルバムが完成した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『TRIBAL PROGRESSIVE HEAVY METAL 』は、アフリカとポルトガルの音楽形態に対する彼の深い知識から発展したナダのメタ・クドゥーロ・マルチバースに具現化されている。数年前、彼はアーカイヴやミックス、リッピングをオリジナルトラックとともに共有するアーカイヴ主義者、ジャンル史家として確立されていた。彼のトラックはアンゴラのクドゥーロやタラシーニャの構造に根ざしているが、Normal Nadaはそれを出発点として、トラップ、ベース・ミュージック、ヘヴィ・メタル、アンビエントの要素を詩的に重ね合わせ、個人的でユニークなストーリーを語る。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beautiful Chaos 03:57\u003cbr\u003e2. Batida 8 02:26\u003cbr\u003e3. Batida Hard Trance 2 03:17\u003cbr\u003e4. Batida 2 Dance 02:27\u003cbr\u003e5. Tribal Progressive Heavy Metal 03:41\u003cbr\u003e6. Da Gamer 03:15\u003cbr\u003e7. Nai Na Chi 03:00\u003cbr\u003e8. Alive 03:37\u003cbr\u003e9. Victory Dance 02:33\u003cbr\u003e10. Dedicado ao sem abrigo esperanca ou quando a esperanca morre 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr\u003e\u003cbr\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr\u003e\u003cbr\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT047lp\u003c\/p\u003e"}
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ポルトガル・リスボンのクドゥーロ作家Normal Nada the Krakmaxterが、2023年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 レフトフィールド・クドゥーロ10曲を収録。 以下、レーベルによる解説です。 "リスボンのアンダーグラウンド音楽界から現れた最もエキセントリックな人物の一人であるテテウは、Qraqmaxter、CiclOFF、Erre Menteなど、さまざまな影のある名で活動してきた。作曲家であると同時に才能豊かなビジュアル・アーティストでもある彼は、ドローイングで哲学的な神話を展開することで知られ、主にボールペンを使って精巧なアニメ風のプロジェクトをスケッチしている。ノーマル・ナダはテテウの最も永続的なプロジェクトであり、ゲームチェンジャーとなったEP『Transmutação Cerebral』から丸8年、ついに待望のデビュー・アルバムが完成した。 『TRIBAL PROGRESSIVE HEAVY...
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{"id":8728890147066,"title":"Metal Preyers \/\/ Shadow Swamps LP","handle":"metal-preyers-shadow-swamps-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ/イギリスのレフトフィールド・ダンスデュオ\u003c\/span\u003e\u003cspan\u003eMetal Preyersが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・ストレンジビーツ〜実験アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/90rLwunQU5E?si=x85OKm98lE1i0C_M\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2590254476\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4170788911\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Murking Shadows 03:17\u003cbr\u003e2. Ecto Green Code 01:25\u003cbr\u003e3. The Preyers Forest 03:20\u003cbr\u003e4. Scream Dreamer 03:50\u003cbr\u003e5. Metal Preyers feat Sockethead - Red Swines 02:05\u003cbr\u003e6. Crater Creature 01:05\u003cbr\u003e7. Carpenters Cabin 03:05\u003cbr\u003e8. Slime Things Accent 03:25|\u003cbr\u003e9. Wasp Faced Invasions 01:38\u003cbr\u003e10. Metal Preyers feat Lord Tusk - Metal Mans Revolt 01:56\u003cbr\u003e11. On Her Way 04:00\u003cbr\u003e12. Metal Preyers feat Lord Tusk - Gremlin Gurgle 01:52\u003cbr\u003e13. Shadow Swamps 01:57\u003cbr\u003e14. Escape - The Sunrise 01:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing 2020's acclaimed self-titled debut album, Metal Preyers take the left hand path into a gloomy backwater filled with haunted creatures and fraught with peril. \"Shadow Swamps\" again finds London-based Jesse Hackett handling the music and Chicago's Mariano Chavez fashioning the album's visual identity, which this time includes a short film and book for a fully immersive experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Shadow Swamps\" is the soundtrack to a pitch-black fairy tale about a father and daughter as they journey through a swamp avoiding gremlins, red swines and crater creatures. Musically, it pivots between the clattering Czech new wave experimentation of \"Valerie and her Week of Wonders\" composer Luboš Fišer, or the magical, eccentric lounge of Birmingham's Broadcast, and the grinding industrial grot of Italian pioneer Maurizio Bianchi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis time around, Hackett has roped in production assists from his six year-old-daughter Wonder - who used phone memos to record herself singing - veteran Metal Preyers collaborator Lord TusK, and Manchester-based painter, DJ and producer Richard Harris, aka Sockethead. The crew inks an unsettling, richly\u003cspan class=\"bcTruncateMore\"\u003e textured sonic landscape, with claws of rhythmic smoke curling around chiming otherworldly xylophone, disembodied fiddle drones echoing over screwed 'n chopped beatbox dirt and half-heard magical vocals buried under clouds of white noise.\u003cbr\u003e\u003cbr\u003eIt's an eerie experience from beginning to end, somewhere between 1980s DIY tape music and the quirky soundtracks to the Quay Brothers' cult stop-motion animated shorts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT038lp\u003c\/p\u003e","published_at":"2025-02-24T06:27:33+09:00","created_at":"2025-02-22T17:31:49+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":336600,"price_min":336600,"price_max":336600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145071640826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Metal Preyers \/\/ Shadow Swamps LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170106","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099","\/\/tobirarecords.com\/cdn\/shop\/files\/met2_d53ac44c-5948-428d-bfce-1fb81f5296bc.jpg?v=1740213099"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099","options":["Title"],"media":[{"alt":null,"id":35609996296442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_9f5d021b-e518-4890-ae0d-2906b3de362e.jpg?v=1740213099","width":700},{"alt":null,"id":35609996329210,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/met2_d53ac44c-5948-428d-bfce-1fb81f5296bc.jpg?v=1740213099"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/met2_d53ac44c-5948-428d-bfce-1fb81f5296bc.jpg?v=1740213099","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ/イギリスのレフトフィールド・ダンスデュオ\u003c\/span\u003e\u003cspan\u003eMetal Preyersが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・ストレンジビーツ〜実験アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/90rLwunQU5E?si=x85OKm98lE1i0C_M\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2590254476\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4170788911\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664299114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Murking Shadows 03:17\u003cbr\u003e2. Ecto Green Code 01:25\u003cbr\u003e3. The Preyers Forest 03:20\u003cbr\u003e4. Scream Dreamer 03:50\u003cbr\u003e5. Metal Preyers feat Sockethead - Red Swines 02:05\u003cbr\u003e6. Crater Creature 01:05\u003cbr\u003e7. Carpenters Cabin 03:05\u003cbr\u003e8. Slime Things Accent 03:25|\u003cbr\u003e9. Wasp Faced Invasions 01:38\u003cbr\u003e10. Metal Preyers feat Lord Tusk - Metal Mans Revolt 01:56\u003cbr\u003e11. On Her Way 04:00\u003cbr\u003e12. Metal Preyers feat Lord Tusk - Gremlin Gurgle 01:52\u003cbr\u003e13. Shadow Swamps 01:57\u003cbr\u003e14. Escape - The Sunrise 01:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing 2020's acclaimed self-titled debut album, Metal Preyers take the left hand path into a gloomy backwater filled with haunted creatures and fraught with peril. \"Shadow Swamps\" again finds London-based Jesse Hackett handling the music and Chicago's Mariano Chavez fashioning the album's visual identity, which this time includes a short film and book for a fully immersive experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Shadow Swamps\" is the soundtrack to a pitch-black fairy tale about a father and daughter as they journey through a swamp avoiding gremlins, red swines and crater creatures. Musically, it pivots between the clattering Czech new wave experimentation of \"Valerie and her Week of Wonders\" composer Luboš Fišer, or the magical, eccentric lounge of Birmingham's Broadcast, and the grinding industrial grot of Italian pioneer Maurizio Bianchi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis time around, Hackett has roped in production assists from his six year-old-daughter Wonder - who used phone memos to record herself singing - veteran Metal Preyers collaborator Lord TusK, and Manchester-based painter, DJ and producer Richard Harris, aka Sockethead. The crew inks an unsettling, richly\u003cspan class=\"bcTruncateMore\"\u003e textured sonic landscape, with claws of rhythmic smoke curling around chiming otherworldly xylophone, disembodied fiddle drones echoing over screwed 'n chopped beatbox dirt and half-heard magical vocals buried under clouds of white noise.\u003cbr\u003e\u003cbr\u003eIt's an eerie experience from beginning to end, somewhere between 1980s DIY tape music and the quirky soundtracks to the Quay Brothers' cult stop-motion animated shorts.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT038lp\u003c\/p\u003e"}
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アメリカ/イギリスのレフトフィールド・ダンスデュオMetal Preyersが、2022年にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポストインダストリアル・ストレンジビーツ〜実験アンビエント14曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8728889524474,"title":"Rian Treanor \u0026 Ocen James \/\/ Saccades LP","handle":"rian-treanor-ocen-james-saccades-lp-1","description":"\u003cp\u003eイギリス・ロザラムの実験ダンス作家Rian Treanor \u0026amp; Ocen Jamesが、2023年1月にウガンダのNyege Nyegeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4219333449\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bunga Bule 02:20\u003cbr\u003e2. As It Happens 04:18\u003cbr\u003e3. The Dead Centre 04:42\u003cbr\u003e4. Agoya 03:17\u003cbr\u003e5. Memory Pressure 03:11\u003cbr\u003e6. Naasaccade 05:09\u003cbr\u003e7. Rigi Rigi 05:20\u003cbr\u003e8. Tiyo Ki 04:00\u003cbr\u003e9. Casascade 03:14\u003cbr\u003e10. Remo Rom (Farmers Manual remix) 02:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2018, Rian Treanor left his home in Rotherham, UK, and headed to Kampala for a residency at Nyege Nyege's villa studio. The mind-expanding experience inspired his critically acclaimed 2020 full-length \"File Under UK Metaplasm\", but that wasn't the end of the story. Treanor also spent time working alongside Acholi fiddle player Ocen James, developing an improvisation-heavy collaboration that would push both musicians' idiosyncrasies into completely new places.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTreanor wanted this collaboration to be as tactile and reactive as a live performance with traditional instruments, so he set about working on a digital process that would synchronize with James' approach. Using physical modelling techniques, Treanor created an instrument that explored the tunings and sounds of the a'dungu, an arched harp, and the nah or nag. With Ocen playing his rigi rigi, a single string violin, they intuitively experimented with the spectral properties of sound, using texture and acoustic contours as their structural framework. They were able to develop a sound together that was unconventionally rooted in traditional Ugandan culture, but shuttled into different dimensions of noise, computer music and radical UK rave.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Saccades\" is the buffer between two vastly different sonic\u003cspan class=\"bcTruncateMore\"\u003e universes, united in respect and sprightly curiosity. Treanor's hyperactive computer-controlled rhythms are immediately identifiable on opening track 'Bunga Bule', but the sound palette is distinct: it's more flexible and less digital. James' expressionistic fiddle strokes are a revelation, contorted into hoarse squeals and rough vibrations that rub and flex off Treanor's tin can shuffle. The fertile back and forth continues through the ruff DSP tumble of 'As It Happens', before James cracks open the melodic core of his instrument on 'The Dead Centre', allowing Treanor to dispense with rhythm and meet his fiddle strokes with heavenly drones.\u003cbr\u003e\u003cbr\u003eEach track steps down a different avenue for the two artists, from the nightmarish microtonal twang of 'Memory Pressure' to the 4AM inverted sci-fi club pressure of 'Naasaccade' and the folky dancefloor swing of 'Rigi Rigi'. And when the album closes on a cacophonous remix from Vienna laptop noise pioneers Farmers Manual it's an unexpected gift that makes perfect sense. \"Saccades\" is a cross-cultural collaboration that swerves simplicity but refuses to over-complicate itself - it's about interaction, improvisation and passion.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Rian Treanor \u0026amp; Ocen James\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : NNT041lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-24T06:36:17+09:00","created_at":"2025-02-22T17:22:55+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":336600,"price_min":336600,"price_max":336600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145068855546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rian Treanor \u0026 Ocen James \/\/ Saccades LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170137","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018","\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_c9b1c663-5db0-4533-8877-18cc0127c4a5.jpg?v=1673837018"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018","options":["Title"],"media":[{"alt":null,"id":31380268646650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_b5588be3-5c35-4b69-971c-731e0c8f755a.jpg?v=1673837018","width":700},{"alt":null,"id":31380268679418,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_c9b1c663-5db0-4533-8877-18cc0127c4a5.jpg?v=1673837018"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_c9b1c663-5db0-4533-8877-18cc0127c4a5.jpg?v=1673837018","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロザラムの実験ダンス作家Rian Treanor \u0026amp; Ocen Jamesが、2023年1月にウガンダのNyege Nyegeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポリリズム溢れるストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4219333449\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bunga Bule 02:20\u003cbr\u003e2. As It Happens 04:18\u003cbr\u003e3. The Dead Centre 04:42\u003cbr\u003e4. Agoya 03:17\u003cbr\u003e5. Memory Pressure 03:11\u003cbr\u003e6. Naasaccade 05:09\u003cbr\u003e7. Rigi Rigi 05:20\u003cbr\u003e8. Tiyo Ki 04:00\u003cbr\u003e9. Casascade 03:14\u003cbr\u003e10. Remo Rom (Farmers Manual remix) 02:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2018, Rian Treanor left his home in Rotherham, UK, and headed to Kampala for a residency at Nyege Nyege's villa studio. The mind-expanding experience inspired his critically acclaimed 2020 full-length \"File Under UK Metaplasm\", but that wasn't the end of the story. Treanor also spent time working alongside Acholi fiddle player Ocen James, developing an improvisation-heavy collaboration that would push both musicians' idiosyncrasies into completely new places.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTreanor wanted this collaboration to be as tactile and reactive as a live performance with traditional instruments, so he set about working on a digital process that would synchronize with James' approach. Using physical modelling techniques, Treanor created an instrument that explored the tunings and sounds of the a'dungu, an arched harp, and the nah or nag. With Ocen playing his rigi rigi, a single string violin, they intuitively experimented with the spectral properties of sound, using texture and acoustic contours as their structural framework. They were able to develop a sound together that was unconventionally rooted in traditional Ugandan culture, but shuttled into different dimensions of noise, computer music and radical UK rave.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Saccades\" is the buffer between two vastly different sonic\u003cspan class=\"bcTruncateMore\"\u003e universes, united in respect and sprightly curiosity. Treanor's hyperactive computer-controlled rhythms are immediately identifiable on opening track 'Bunga Bule', but the sound palette is distinct: it's more flexible and less digital. James' expressionistic fiddle strokes are a revelation, contorted into hoarse squeals and rough vibrations that rub and flex off Treanor's tin can shuffle. The fertile back and forth continues through the ruff DSP tumble of 'As It Happens', before James cracks open the melodic core of his instrument on 'The Dead Centre', allowing Treanor to dispense with rhythm and meet his fiddle strokes with heavenly drones.\u003cbr\u003e\u003cbr\u003eEach track steps down a different avenue for the two artists, from the nightmarish microtonal twang of 'Memory Pressure' to the 4AM inverted sci-fi club pressure of 'Naasaccade' and the folky dancefloor swing of 'Rigi Rigi'. And when the album closes on a cacophonous remix from Vienna laptop noise pioneers Farmers Manual it's an unexpected gift that makes perfect sense. \"Saccades\" is a cross-cultural collaboration that swerves simplicity but refuses to over-complicate itself - it's about interaction, improvisation and passion.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Rian Treanor \u0026amp; Ocen James\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : NNT041lp\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロザラムの実験ダンス作家Rian Treanor & Ocen Jamesが、2023年1月にウガンダのNyege Nyegeからリリースしたレコードです。 ポリリズム溢れるストレンジビーツ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala...
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{"id":8728889327866,"title":"Duma s\/t LP","handle":"duma-s-t-lp","description":"\u003cp\u003eクロアチアのDumaが、2022年にウガンダのNyege Nyegeからリリースした再発レコードです。(オリジナルは2020年リリース)\u003c\/p\u003e\n\u003cp\u003e実験グラインドコア9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2365939451\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2287342242\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eVinyl repress - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angels and Abysses 03:10\u003cbr\u003e2. Corners in Nihil 03:29\u003cbr\u003e3. Omni featuring Chrisman 04:10\u003cbr\u003e4. Lionsblood 05:32\u003cbr\u003e5. Uganda with Sam 02:56\u003cbr\u003e6. Kill Yourself Before They Kill You 03:50\u003cbr\u003e7. Pembe 666 04:00\u003cbr\u003e8. Sin Nature 04:32\u003cbr\u003e9. The Echoes of the Beyond 06:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Martin Khanja (aka Lord Spike Heart) and Sam Karugu emerge from Nairobi's flourishing underground metal scene as former members of the bands Lust of a Dying Breed and Seeds of Datura. Together in 2019 they formed Duma (Darkness in Kikuyu) with Sam abandoning bass for production and guitars and Lord Spike Heart providing extreme vocals to the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded at Nyege Nyege Studios in Kampala over three months in mid 2019 their self-titled debut album fuses the frenetic euphoria, unrelenting physicality and rebellious attitude of hardcore punk and trash metal with bone-crunching breakcore and raw, nihilist industrial noise through a claustrophobic vortex of visceral screams.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe savant mix of brutally adrenalized drums, caustic industrial trap, shredding grindcore inspired guitars and abrupt speed changes create a darkly atmospheric menace and is lethal on tracks like the opener \"Angels and Abysses\" , \"Omni\" or \"Uganda with Sam\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe gruelling slow techno dirges and monolithic vocals on \"Pembe 666\" or \"Sin Nature\" add a pinch of dramatic inevitability bringing a new sense of theatricality and terrifying fate awaiting into the record's progression.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA sinister sonic aggression of feral intensity with\u003cspan class=\"bcTruncateMore\"\u003e disregard for styles, Duma promises to impact the burgeoning African metal scene moving it into totally new, boundary-challenging experimental territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duma\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT022lp\u003c\/p\u003e","published_at":"2025-02-24T06:41:10+09:00","created_at":"2025-02-22T17:17:12+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","noise","nyege nyege tapes","techno \/ house"],"price":336600,"price_min":336600,"price_max":336600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145068462330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Duma s\/t LP","public_title":null,"options":["Default Title"],"price":336600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"742521170281","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076","\/\/tobirarecords.com\/cdn\/shop\/files\/dum2_38e9600c-7c92-4169-bf47-7fb022c4fcc0.jpg?v=1740212076"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076","options":["Title"],"media":[{"alt":null,"id":35609982238970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum1_aa557319-4f5a-42fa-b422-670051159264.jpg?v=1740212076","width":700},{"alt":null,"id":35609982271738,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum2_38e9600c-7c92-4169-bf47-7fb022c4fcc0.jpg?v=1740212076"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dum2_38e9600c-7c92-4169-bf47-7fb022c4fcc0.jpg?v=1740212076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eクロアチアのDumaが、2022年にウガンダのNyege Nyegeからリリースした再発レコードです。(オリジナルは2020年リリース)\u003c\/p\u003e\n\u003cp\u003e実験グラインドコア9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2365939451\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2287342242\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eVinyl repress - originally released in 2020. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angels and Abysses 03:10\u003cbr\u003e2. Corners in Nihil 03:29\u003cbr\u003e3. Omni featuring Chrisman 04:10\u003cbr\u003e4. Lionsblood 05:32\u003cbr\u003e5. Uganda with Sam 02:56\u003cbr\u003e6. Kill Yourself Before They Kill You 03:50\u003cbr\u003e7. Pembe 666 04:00\u003cbr\u003e8. Sin Nature 04:32\u003cbr\u003e9. The Echoes of the Beyond 06:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Martin Khanja (aka Lord Spike Heart) and Sam Karugu emerge from Nairobi's flourishing underground metal scene as former members of the bands Lust of a Dying Breed and Seeds of Datura. Together in 2019 they formed Duma (Darkness in Kikuyu) with Sam abandoning bass for production and guitars and Lord Spike Heart providing extreme vocals to the project.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded at Nyege Nyege Studios in Kampala over three months in mid 2019 their self-titled debut album fuses the frenetic euphoria, unrelenting physicality and rebellious attitude of hardcore punk and trash metal with bone-crunching breakcore and raw, nihilist industrial noise through a claustrophobic vortex of visceral screams.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe savant mix of brutally adrenalized drums, caustic industrial trap, shredding grindcore inspired guitars and abrupt speed changes create a darkly atmospheric menace and is lethal on tracks like the opener \"Angels and Abysses\" , \"Omni\" or \"Uganda with Sam\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe gruelling slow techno dirges and monolithic vocals on \"Pembe 666\" or \"Sin Nature\" add a pinch of dramatic inevitability bringing a new sense of theatricality and terrifying fate awaiting into the record's progression.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA sinister sonic aggression of feral intensity with\u003cspan class=\"bcTruncateMore\"\u003e disregard for styles, Duma promises to impact the burgeoning African metal scene moving it into totally new, boundary-challenging experimental territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duma\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : NNT022lp\u003c\/p\u003e"}
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クロアチアのDumaが、2022年にウガンダのNyege Nyegeからリリースした再発レコードです。(オリジナルは2020年リリース) 実験グラインドコア9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege Nyege Tapes...
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{"id":8686954447098,"title":"Jako Maron \/\/ Mahavélouz LP","handle":"jako-maron-mahavelouz-lp","description":"\u003cp\u003e\u003cspan\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e伝統音楽マロヤを再構築した7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6\/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ(バスドラム)とサティ(ハイハット)のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré po saviré(立ち上がれ)」では催眠術のようなロールを生み出し、アメモウトウラオプのアシッドなボブレ・ツワングをゴムのようなバックで奏でている。Maronはこの曲を「精霊と人々をひとつにする呼びかけ」と表現し、突き刺すようなフィードバックの鳴き声を使ってボブレと調和させ、アルバム全体を支える声を紹介している。Bék dann dir (try harder)」では、ガラスのようなKorg PolysixのチャイムとMachinedrumの音でボブレを増強し、「Zésprimaron」(マロンの魂)では、儀式へと私たちをいざない、リズムを儀式的な鼓動にシャッフルし、スクエルシーなシンセサウンドでトランス状態へと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマロンは、「1 piton 3 filaos」(1つの丘と3本の木)でライブでのボブレ実験を終えているが、これは彼の最も野心的なフュージョンであり、アメモウトウラオプの熱狂的な演奏の合間に、幻覚的なフルートとテクノイドのスタブが無重量に立ち上っている。しかし、彼の調査はこれで終わりではない。Maronは「Mahavélouz」に、ボブレをシンセティックに再現した音色の研究を加えている。「Mdé prototrash」では、彼のモジュラーシステムによって特徴的なピング音が再現され、Maronの波打つようなパーカッションと一緒にブンブン、プチプチと、オリジナルの楽器とほとんど見分けがつかない。「dann kér Mahaveli」(素晴らしい土地の中心で)では、サウンドはより不気味だが、合成された鳥の鳴き声や魅惑的なワーブルに結びつけられ、それに劣らず影響を与えている。「Mahavélouz」は、前作よりもさらに特異で、Maronにとって大胆な前進であり、古代の土台の上に驚異的な新種のダンス・ミュージックを構築している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1232149772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in February 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paré po saviré 03:00\u003cbr\u003e2. Dann kér Mahaveli\u003cbr\u003e3. Bék dann dir\u003cbr\u003e4. DEUS ex Maloya\u003cbr\u003e5. Mdé prototrash\u003cbr\u003e6. Zésprimaron\u003cbr\u003e7. Un Piton 3 Filaos\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Jako Maron reimagined Réunion island's politically-charged maloya sound on 'The electro Maloya experiments of Jako Maron', he focused on the genre's distinctive, revolutionary rhythms. Electro-plating the call-and-response thuds, he used the language of techno to upset the expected template, disrupting maloya's 6\/8 pulse with modular bleeps and Roland kicks. He takes a different approach on 'Mahavélouz', focusing on the bobre, traditional maloya's only melodic instrument, a long bow amplified by a calabash that's known as the berimbau in Brazil. Maron was fascinated by the bobre's unique sonic signature, and noted that when it's usually played, it's drowned out by the louder percussive instruments. So he enlisted Zan Amemoutoulaop to play a series of solos, using them to guide the album's four lead tracks and distorting and compressing the serrated hits until they stood confidently in front of his undulating roulér (bass drum) and sati (hi-hat) patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"These four pieces are the culmination of my research into electronic maloya,\" explains Maron. \"There's no need for words on this music; the bobre is the voice, and it is an ancestral voice. It's a reimagining of maloya kabaré in an electro form.\" This is the music that Maron has used to drive his recent live performances, so it\u003cspan class=\"bcTruncateMore\"\u003e prioritizes maloya's dancefloor potential. Swapping the traditional roulér and sati sounds for TR-606, TR-909 and TR-707 hits, he generates a hypnotic roll on opening track 'Paré po saviré' (rise up), forming a rubbery backdrop for Amemoutoulaop's acidic bobre twangs. Maron describes the track as a \"call to bring spirits and people together\", and using piercing feedback squeals to harmonize with the bobre, he introduces us to the voice that anchors the entire album. On 'Bék dann dir (try harder), he augments the bobre with glassy Korg Polysix chimes and Machinedrum sounds, and 'Zésprimaron'(the Maron spirit), ushers us towards a ceremony, shuffling his rhythm into a ritualistic throb, and using squelchy synth sounds to flutter into a trance.\u003cbr\u003e\u003cbr\u003eMaron concludes his live bobre experiments with '1 piton 3 filaos' (one hill and three trees), and it's his most ambitious fusion, with hallucinatory flutes and technoid stabs rising weightlessly in-between Amemoutoulaop's frenetic performance. But this isn't the end of his investigation: Maron fleshes out 'Mahavélouz' with tonal studies that replicate the bobre synthetically. On 'Mdé prototrash', the characteristic ping is re-created by his modular system, and it's almost indistinguishable from the original instrument, buzzing and popping alongside Maron's surging percussion. The sound is more uncanny on 'dann kér Mahaveli' (in the heart of marvelous land) but no less affecting, knotted around synthetic bird calls and entrancing warbles. Even more idiosyncratic than its predecessors, 'Mahavélouz' is a bold step forward for Maron that builds on ancient foundations to construct a staggeringly new kind of dance music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-12-23T07:37:14+09:00","created_at":"2024-12-22T15:03:42+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","recommended","strange beats","techno \/ house"],"price":435500,"price_min":435500,"price_max":435500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46974218469626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jako Maron \/\/ Mahavélouz LP","public_title":null,"options":["Default Title"],"price":435500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","options":["Title"],"media":[{"alt":null,"id":35335615840506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","width":700},{"alt":null,"id":35335615873274,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e伝統音楽マロヤを再構築した7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6\/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ(バスドラム)とサティ(ハイハット)のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré po saviré(立ち上がれ)」では催眠術のようなロールを生み出し、アメモウトウラオプのアシッドなボブレ・ツワングをゴムのようなバックで奏でている。Maronはこの曲を「精霊と人々をひとつにする呼びかけ」と表現し、突き刺すようなフィードバックの鳴き声を使ってボブレと調和させ、アルバム全体を支える声を紹介している。Bék dann dir (try harder)」では、ガラスのようなKorg PolysixのチャイムとMachinedrumの音でボブレを増強し、「Zésprimaron」(マロンの魂)では、儀式へと私たちをいざない、リズムを儀式的な鼓動にシャッフルし、スクエルシーなシンセサウンドでトランス状態へと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマロンは、「1 piton 3 filaos」(1つの丘と3本の木)でライブでのボブレ実験を終えているが、これは彼の最も野心的なフュージョンであり、アメモウトウラオプの熱狂的な演奏の合間に、幻覚的なフルートとテクノイドのスタブが無重量に立ち上っている。しかし、彼の調査はこれで終わりではない。Maronは「Mahavélouz」に、ボブレをシンセティックに再現した音色の研究を加えている。「Mdé prototrash」では、彼のモジュラーシステムによって特徴的なピング音が再現され、Maronの波打つようなパーカッションと一緒にブンブン、プチプチと、オリジナルの楽器とほとんど見分けがつかない。「dann kér Mahaveli」(素晴らしい土地の中心で)では、サウンドはより不気味だが、合成された鳥の鳴き声や魅惑的なワーブルに結びつけられ、それに劣らず影響を与えている。「Mahavélouz」は、前作よりもさらに特異で、Maronにとって大胆な前進であり、古代の土台の上に驚異的な新種のダンス・ミュージックを構築している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1232149772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in February 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paré po saviré 03:00\u003cbr\u003e2. Dann kér Mahaveli\u003cbr\u003e3. Bék dann dir\u003cbr\u003e4. DEUS ex Maloya\u003cbr\u003e5. Mdé prototrash\u003cbr\u003e6. Zésprimaron\u003cbr\u003e7. Un Piton 3 Filaos\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Jako Maron reimagined Réunion island's politically-charged maloya sound on 'The electro Maloya experiments of Jako Maron', he focused on the genre's distinctive, revolutionary rhythms. Electro-plating the call-and-response thuds, he used the language of techno to upset the expected template, disrupting maloya's 6\/8 pulse with modular bleeps and Roland kicks. He takes a different approach on 'Mahavélouz', focusing on the bobre, traditional maloya's only melodic instrument, a long bow amplified by a calabash that's known as the berimbau in Brazil. Maron was fascinated by the bobre's unique sonic signature, and noted that when it's usually played, it's drowned out by the louder percussive instruments. So he enlisted Zan Amemoutoulaop to play a series of solos, using them to guide the album's four lead tracks and distorting and compressing the serrated hits until they stood confidently in front of his undulating roulér (bass drum) and sati (hi-hat) patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"These four pieces are the culmination of my research into electronic maloya,\" explains Maron. \"There's no need for words on this music; the bobre is the voice, and it is an ancestral voice. It's a reimagining of maloya kabaré in an electro form.\" This is the music that Maron has used to drive his recent live performances, so it\u003cspan class=\"bcTruncateMore\"\u003e prioritizes maloya's dancefloor potential. Swapping the traditional roulér and sati sounds for TR-606, TR-909 and TR-707 hits, he generates a hypnotic roll on opening track 'Paré po saviré' (rise up), forming a rubbery backdrop for Amemoutoulaop's acidic bobre twangs. Maron describes the track as a \"call to bring spirits and people together\", and using piercing feedback squeals to harmonize with the bobre, he introduces us to the voice that anchors the entire album. On 'Bék dann dir (try harder), he augments the bobre with glassy Korg Polysix chimes and Machinedrum sounds, and 'Zésprimaron'(the Maron spirit), ushers us towards a ceremony, shuffling his rhythm into a ritualistic throb, and using squelchy synth sounds to flutter into a trance.\u003cbr\u003e\u003cbr\u003eMaron concludes his live bobre experiments with '1 piton 3 filaos' (one hill and three trees), and it's his most ambitious fusion, with hallucinatory flutes and technoid stabs rising weightlessly in-between Amemoutoulaop's frenetic performance. But this isn't the end of his investigation: Maron fleshes out 'Mahavélouz' with tonal studies that replicate the bobre synthetically. On 'Mdé prototrash', the characteristic ping is re-created by his modular system, and it's almost indistinguishable from the original instrument, buzzing and popping alongside Maron's surging percussion. The sound is more uncanny on 'dann kér Mahaveli' (in the heart of marvelous land) but no less affecting, knotted around synthetic bird calls and entrancing warbles. Even more idiosyncratic than its predecessors, 'Mahavélouz' is a bold step forward for Maron that builds on ancient foundations to construct a staggeringly new kind of dance music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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マダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年4月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースしたレコードです。 伝統音楽マロヤを再構築した7曲を収録。 以下、レーベルによる解説です。 "Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ(バスドラム)とサティ(ハイハット)のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。 「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré...
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{"id":8666370736378,"title":"CRAVE \/\/ Inner War Delirium LP","handle":"crave-inner-war-delirium-lp","description":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:43:54+09:00","created_at":"2024-11-16T15:50:14+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","hiphop \/ funk","lp","new","techno \/ house"],"price":387600,"price_min":387600,"price_max":387600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864910811386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"CRAVE \/\/ Inner War Delirium LP","public_title":null,"options":["Default Title"],"price":387600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","options":["Title"],"media":[{"alt":null,"id":35195336818938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","width":700},{"alt":null,"id":35195336851706,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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フランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。 ポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
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{"id":8666369949946,"title":"Aeson Zervas \/\/ Hazlom TAPE","handle":"aeson-zervas-hazlom-tape","description":"\u003cp\u003eギリシャのストレンジビーツ作家Aeson Zervasが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・テクノ〜ブロークン・ストレンジビーツ9曲を収録。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=478564579\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Χωρίς τίτλο 9 06:15\u003cbr\u003e2. Χωρίς τίτλο 10 05:14\u003cbr\u003e3. Χωρίς τίτλο 11 04:17\u003cbr\u003e4. Χωρίς τίτλο 12 03:11\u003cbr\u003e5. Χωρίς τίτλο 13 05:32\u003cbr\u003e6. Χωρίς τίτλο 14 01:49\u003cbr\u003e7. Χωρίς τίτλο 15 01:42\u003cbr\u003e8. Χωρίς τίτλο 16 04:20\u003cbr\u003e9. Χωρίς τίτλο 17 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe enigma that is Aeson Zervas returns with an outstanding plot twist of electro-chaabi street rave abstractions paying homage to his patrilineal Egyptian roots with a rugged, drum-spurred set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePast meets present on nine swaggering renditions of the fiery Cairene street rave sound shotted by likes of EEK \u0026amp; Islam Chipsy that has emerged in ballistic permutations from the likes of ZULI, 3Phaz and 1127 in recent years. No doubt it’s bang up for it in a way that his preceding album did not hint at, and all the better for it, connecting threads between the deep past and heritage of Mediterranean rim musics that continue to inform and branch into the present.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePlangent horns and microtonal keyboards edge into weirder basslines gnawed by noise. Zervas’ zeroes in on the relationship between Greece and Egypt and the broader Arabic world here, but with a crucial artistic license that prompts him to mess with the aesthetic and find something fresh but timeless in the process, uncannily echoing in parts Actress’ hazed out take on Detroit techno.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aeson Zervas\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-22T09:30:07+09:00","created_at":"2024-11-16T15:47:39+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","strange beats","tape","techno \/ house"],"price":222800,"price_min":222800,"price_max":222800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864908189946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aeson Zervas \/\/ Hazlom TAPE","public_title":null,"options":["Default Title"],"price":222800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580","\/\/tobirarecords.com\/cdn\/shop\/files\/ae2.jpg?v=1731739580"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580","options":["Title"],"media":[{"alt":null,"id":35195330199802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae.jpg?v=1731739580","width":700},{"alt":null,"id":35195330232570,"position":2,"preview_image":{"aspect_ratio":0.888,"height":1200,"width":1065,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2.jpg?v=1731739580"},"aspect_ratio":0.888,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ae2.jpg?v=1731739580","width":1065}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャのストレンジビーツ作家Aeson Zervasが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・テクノ〜ブロークン・ストレンジビーツ9曲を収録。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2307028623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=478564579\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Χωρίς τίτλο 9 06:15\u003cbr\u003e2. Χωρίς τίτλο 10 05:14\u003cbr\u003e3. Χωρίς τίτλο 11 04:17\u003cbr\u003e4. Χωρίς τίτλο 12 03:11\u003cbr\u003e5. Χωρίς τίτλο 13 05:32\u003cbr\u003e6. Χωρίς τίτλο 14 01:49\u003cbr\u003e7. Χωρίς τίτλο 15 01:42\u003cbr\u003e8. Χωρίς τίτλο 16 04:20\u003cbr\u003e9. Χωρίς τίτλο 17 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe enigma that is Aeson Zervas returns with an outstanding plot twist of electro-chaabi street rave abstractions paying homage to his patrilineal Egyptian roots with a rugged, drum-spurred set.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePast meets present on nine swaggering renditions of the fiery Cairene street rave sound shotted by likes of EEK \u0026amp; Islam Chipsy that has emerged in ballistic permutations from the likes of ZULI, 3Phaz and 1127 in recent years. No doubt it’s bang up for it in a way that his preceding album did not hint at, and all the better for it, connecting threads between the deep past and heritage of Mediterranean rim musics that continue to inform and branch into the present.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePlangent horns and microtonal keyboards edge into weirder basslines gnawed by noise. Zervas’ zeroes in on the relationship between Greece and Egypt and the broader Arabic world here, but with a crucial artistic license that prompts him to mess with the aesthetic and find something fresh but timeless in the process, uncannily echoing in parts Actress’ hazed out take on Detroit techno.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aeson Zervas\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャのストレンジビーツ作家Aeson Zervasが、2024年10月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから150本限定でリリースしたカセットです。 アラビック・テクノ〜ブロークン・ストレンジビーツ9曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available...
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{"id":8666368049402,"title":"Christian Love Forum \/\/ X-Nihilo TAPE","handle":"christian-love-forum-x-nihilo-tape","description":"\u003cp\u003eギリシャ/ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:58:43+09:00","created_at":"2024-11-16T15:40:24+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864899997946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Christian Love Forum \/\/ X-Nihilo TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","options":["Title"],"media":[{"alt":null,"id":35195317485818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_ff38fcec-e432-4030-a2b0-7701f0439eb7.jpg?v=1731739115","width":700},{"alt":null,"id":35195317518586,"position":2,"preview_image":{"aspect_ratio":0.955,"height":1200,"width":1146,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115"},"aspect_ratio":0.955,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_87385871-c8e6-4028-bf0e-f415006c2c62.jpg?v=1731739115","width":1146}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ/ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1991841509\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4157437222\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1435790068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 99. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hagioscope 01:49\u003cbr\u003e2. Love After Love 04:54\u003cbr\u003e3. Stakeout 01:37\u003cbr\u003e4. Red Nets 04:48\u003cbr\u003e5. Hyper Middle Ages 03:18\u003cbr\u003e6. Shasha Dreams Again 05:39\u003cbr\u003e7. Spice Boys 05:14\u003cbr\u003e8. Napalm 01:06\u003cbr\u003e9. Black Hawk Dawn 05:05\u003cbr\u003e10. Themes for the Golden Jackal (Part I) 03:40\u003cbr\u003e11. Themes for the Golden Jackal (Part II) 02:52\u003cbr\u003e12. Themes for the Golden Jackal (Part III) 03:36\u003cbr\u003e13. Beach House Weekend 02:51\u003cbr\u003e14. Cross County Hate 03:05\u003cbr\u003e15. X-Nihilo 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMesmerising modal cyberfolk and future-primitivism from Thessaloniki’s weirdo enigma Christian Love Forum, manifesting on the awesome Heat Crimes label following their chthonic zingers by The Ephemeron Loop, Mariam Rezaei and CRAVE - a big RIYL László Hortobágyi, Christos Chondropoulos, Muslimgauze, Bootee, Mark Snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAdored by adventurous souls who copped their tape and LP releases for Live Adult Entertainment and The Death of Rave between 2012-2023, Christian Love Forum are a peculiar trio of brothers with Greek and Ukrainian heritage, whose syncretic blends of microtonal Arabic, Greek, and Eastern European modes stands far out from the contemporary milieu.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLast spotted debuting their live show at Berlin Atonal 23 to a spellbound crowd, and on a comp for Vereker’s Endangered Species, CLF serve a a furtive but firm handshake with fellow Greek label Heat Crimes on ‘X-Nihilo’, yielding just under an hour of expressive microtonal synth trills, martial machine rhythm and exquisitely opiated atmospheres that ride the finest line between seriousness and evocative aesthetic ambiguity. In other words; right up our\u003cspan class=\"bcTruncateMore\"\u003e dark alley.\u003cbr\u003e\u003cbr\u003eAs revealed with their Berlin Atonal live show, the trio share and swap roles at will, variously improvising on an unwieldy array of hardware keyboards, rhythm boxes and samplers that congeal in skewed and surprising forms. If we’re not mistaken here, the trio’s affiliate Bootee lends vox to a standout 3-part section of Levantine video nasty soundtrack vibes on ‘Themes for the Golden Jackal’, but the rest is left to the lads to terraform a sprawling yet discrete world unto themselves.\u003cbr\u003e\u003cbr\u003ePerceptively skewing Mark Snow via László Hortobágyi in the arabesque opener ‘Hagioscope’, choral chant encounters tortured romance on ‘Love After Love’, whilst ‘Red Nets’ descends into DIY blooz torpor, and the unyielding suspense of ‘Hyper Middle Ages’ suggests a merger of new beat and dabke, ‘Spice Boys’ comes on like a huff of illicit artificial loud after a coupla captagons, and they beautiful beat a retreat into recesses of the imagination with the faded closing couplet ‘Cross County Hate’ into the drone haze of the LP's title cut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Love Forum\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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ギリシャ/ウクライナのストレンジビーツ兄弟トリオChristian Love Forumが、2024年1月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesから99本限定でリリースしたカセットです。 アラビック・サイケデリア〜実験EBM15曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases...
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{"id":8666366542074,"title":"PÖ \/\/ Cociage TAPE","handle":"po-cociage-tape","description":"\u003cp\u003eフランス/ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3224793995\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Harvest 02:51\u003cbr\u003e2. Cociage 02:45\u003cbr\u003e3. Over The Clouds 04:50\u003cbr\u003e4. Wind 02:54\u003cbr\u003e5. Klafouti 02:49\u003cbr\u003e6. Pleasing You 02:30\u003cbr\u003e7. Fuck Jungle 04:08\u003cbr\u003e8. Nuit Blanche 02:12\u003cbr\u003e9. Galivanting 02:34\u003cbr\u003e10. Koundo 02:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving between France and Uganda, French-Ghanaian vocalist Pö possesses a unique perspective that shapes and deepens her artistic expression. \"Cociage\" is her incendiary debut release, and showcases a confident hybridization of vastly different sounds, from rap and noise to ambient and traditional folk. A member of electronic pop duo Poko Poko alongside Congolese producer Rey Sapienz, Pö creates her enveloping soundscapes almost exclusively with her voice. Looping it into hallucinatory textures, she juxtaposes transcendent shimmers with raspy, post-punk bulletins and quick-fire industrial rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'The Reaping' crashes into the frame with machine-strength kick drums that vibrate against Pö's spiraling ritual chants. It's her voice that holds everything together, looping and soaring with a level of intensity that can break down borders. The album's title track is even more jagged, highlighting Pö's assertive chants that punctuate pounding, distorted drums, sounding like a call to action primed to resonate through time itself. Hard to place sonically, it's music that's rooted in performance and improvisation, with as many thematic links to West African pop and chanson as there\u003cspan class=\"bcTruncateMore\"\u003e are to DIY noise and experimental electronics.\u003cbr\u003e\u003cbr\u003eIt's not all pulverizing intensity either. Pö's sensitive side emerges on 'Over The Clouds', a restrained mantra that sublimes her voice into ethereal pads and breathy, reverberating coos. Sounding like an even more supernatural take on Grouper's faded soundscapes, it's psychedelic new age music seen through a Pan-African lens, far away from the self-mythologizing West Coast private press scene. 'Fuck Jungle' meanwhile flips into a completely different gear, corrupting Pö's voice into an alien gurgle and layering it over scorched earth synths and siren blasts.\u003cbr\u003e\u003cbr\u003eWith \"Cociage\" Pö has defined a musical language that's steeped in cross-cultural history but feels frighteningly new. Urgent, political and defiant at every turn, it's an album that takes a megaphone and hotwires it, sending out a message that resonates on a spiritual level.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PÖ\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:46:44+09:00","created_at":"2024-11-16T15:33:32+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","new","nyege nyege tapes","tape","techno \/ house"],"price":213700,"price_min":213700,"price_max":213700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864894132474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"PÖ \/\/ Cociage TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","options":["Title"],"media":[{"alt":null,"id":35195305230586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_9727385b-04fa-415b-9a2a-f04aeebb5f3a.jpg?v=1731738702","width":700},{"alt":null,"id":35195305263354,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_a2be5653-471d-4836-95fd-bada92a78551.jpg?v=1731738702","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス/ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3224793995\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Harvest 02:51\u003cbr\u003e2. Cociage 02:45\u003cbr\u003e3. Over The Clouds 04:50\u003cbr\u003e4. Wind 02:54\u003cbr\u003e5. Klafouti 02:49\u003cbr\u003e6. Pleasing You 02:30\u003cbr\u003e7. Fuck Jungle 04:08\u003cbr\u003e8. Nuit Blanche 02:12\u003cbr\u003e9. Galivanting 02:34\u003cbr\u003e10. Koundo 02:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving between France and Uganda, French-Ghanaian vocalist Pö possesses a unique perspective that shapes and deepens her artistic expression. \"Cociage\" is her incendiary debut release, and showcases a confident hybridization of vastly different sounds, from rap and noise to ambient and traditional folk. A member of electronic pop duo Poko Poko alongside Congolese producer Rey Sapienz, Pö creates her enveloping soundscapes almost exclusively with her voice. Looping it into hallucinatory textures, she juxtaposes transcendent shimmers with raspy, post-punk bulletins and quick-fire industrial rhythms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'The Reaping' crashes into the frame with machine-strength kick drums that vibrate against Pö's spiraling ritual chants. It's her voice that holds everything together, looping and soaring with a level of intensity that can break down borders. The album's title track is even more jagged, highlighting Pö's assertive chants that punctuate pounding, distorted drums, sounding like a call to action primed to resonate through time itself. Hard to place sonically, it's music that's rooted in performance and improvisation, with as many thematic links to West African pop and chanson as there\u003cspan class=\"bcTruncateMore\"\u003e are to DIY noise and experimental electronics.\u003cbr\u003e\u003cbr\u003eIt's not all pulverizing intensity either. Pö's sensitive side emerges on 'Over The Clouds', a restrained mantra that sublimes her voice into ethereal pads and breathy, reverberating coos. Sounding like an even more supernatural take on Grouper's faded soundscapes, it's psychedelic new age music seen through a Pan-African lens, far away from the self-mythologizing West Coast private press scene. 'Fuck Jungle' meanwhile flips into a completely different gear, corrupting Pö's voice into an alien gurgle and layering it over scorched earth synths and siren blasts.\u003cbr\u003e\u003cbr\u003eWith \"Cociage\" Pö has defined a musical language that's steeped in cross-cultural history but feels frighteningly new. Urgent, political and defiant at every turn, it's an album that takes a megaphone and hotwires it, sending out a message that resonates on a spiritual level.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PÖ\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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フランス/ガーナのポストインダストリアル作家PÖが、2023年3月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下HAKUNA KULALAから150本限定でリリースしたカセットです。 低空飛行のポストインダストリアル・グライム〜実験トラップ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8666365624570,"title":"Munchi \/\/ I Love Mambo Mixtape + Mambo Detonao EP TAPE","handle":"munchi-i-love-mambo-mixtape-mambo-detonao-ep-tape","description":"\u003cp\u003eオランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した: ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's After The End Of The World のために作られた。このミックステープは、Munchiにとって初めての本格的なもので、彼のオリジナル作品とドミニカン・マンボ・カノンのお気に入りのトラックをマッチさせたものだった。当時、ムンチはこの音楽に魅了され、手に入れられるものはすべてダウンロードし、「最も安っぽく、最もチープで、最もダーティで、最もフルーティーループスっぽい」トラックをインターネットの隅々まで探し回った。彼は、この時代が終わり、「洗練された、気取った、ほとんど魂のない」レゲトンが風景を支配するようになったことを嘆いている。「少なくとも、リズムが極めて生々しかった頃は、そこにエネルギーとスピリットを感じることができた。「生きていて、呼吸しているように感じた」。今聴いても、このミックスは当時と同じように生々しく、新鮮で、生命力に満ち、ドミニカ音楽の歴史の中で忘れられがちで、誤解されがちな瞬間の埃を払っているように聴こえる。どんな瞬間にも、トラックは完全に崩壊してしまいそうなほどもろく聞こえ、ただ、素早いビート・フリップ、ヴォーカル・チョップ、生意気なベース・ドロップによって補強される。Munchiは1時間以上にわたって、カリブ海のダンス・ミュージックに忘れがたい足跡を残したこのジャンルのスリルに付き合ってくれる。... 「I Love Mambo 」は、重要なミッシングリンクの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMunchiの『Detonao EP』は、2008年から2010年にかけてロッテルダムでレコーディングされた未発表音源を集めたもので、Munchiの名前を冠した作品の中では最も実験的でミニマルかつアップテンポな作品である。かつてドミニカ共和国のシーンを席巻したジャーキーで可塑的なスピード・ダンスを意図的に近似させ、マンボ・サウンドに独自のスピンを加えている。各トラックは、デチューンされたおもちゃ箱のようなピアノ、ラジオで流されるような声、安っぽくグロッキーなホーンなどで構成され、不穏なほどクリーンだ。オープニング・トラックの「Damu Mambo」は、ループしたヴォーカルと『X-ファイル』の口笛が鳴り響く前に、空洞のような音、ホラー映画の声、苦しげなエア・ホーン、ガラスを割る音、転がるスネアなどで視界に飛び込んでくる。 しかし、ムンチの天才的な才能は、ほとんどどんなものでも首尾一貫したグルーヴに仕上げる能力にある。ポルトガルのバティーダ・サウンドやタンザニアのハイ・ンルグ・シンゲリ(「Comenzo El Party」のパーカッシブなサウンドを聴いてほしい)とも類似点がある。Luis Esta Seguroski VIP'ではオランダの泡のようなスクレイプとベースラインのワンプをシャッフルし、催眠術のような'Ayoba Mambo'では心を揺さぶる'Percolator'のトリルを聴かせる。歴史的な教訓と奔放な文化的マッシュアップが息もつかせず聴き手を魅了する「Detonao」は、Munchiが独自の次元で活動していることを証明している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=723349453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 200.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMambo Detonao EP + 'I love Mambo' Mixtape with 60 minutes of original Mambo music exclusive to the tape only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Damu Mambo 03:35\u003cbr\u003e2. Que Maldito Disco 03:03\u003cbr\u003e3. Comenzo El Party 01:46\u003cbr\u003e4. Tamo En Olla, Pero Hay Mambo 01:32\u003cbr\u003e5. Luis Esta Seguroski VIP 01:59\u003cbr\u003e6. Ayoba Mambo 01:59\u003cbr\u003e7. Klk Frutilu 01:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \"I Love Mambo\" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this\u003cspan class=\"bcTruncateMore\"\u003e music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for \"the cheapest, cheesiest, dirtiest, most Fruityloops-ish\" tracks. He laments that this era has come and gone, leaving \"polished, pretentious and almost soulless\" reggaeton to dominate the landscape. \"At least when the rhythms were extremely raw you could feel the energy and spirit in it,\" he says. \"It felt like it was alive and breathing.\" Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … \"I Love Mambo\" serves as a critical missing link. Munchi's \"Detonao EP\" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and \"X-Files\"\u003ca rel=\"nofollow ugc\" href=\"http:\/\/whistles.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e\u003c\/a\u003e the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, \"Detonao\" is proof that Munchi is operating in a league of his own.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Munchi\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-17T07:06:29+09:00","created_at":"2024-11-16T15:27:54+09:00","vendor":"Tobira Records","type":"","tags":["house","new","nyege nyege tapes","strange beats","tape","techno \/ house"],"price":218800,"price_min":218800,"price_max":218800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864891478266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Munchi \/\/ I Love Mambo Mixtape + Mambo Detonao EP TAPE","public_title":null,"options":["Default Title"],"price":218800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","options":["Title"],"media":[{"alt":null,"id":35195293171962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam1_8b48e795-efe7-40f0-a693-5453038c3bef.jpg?v=1731738327","width":700},{"alt":null,"id":35195293204730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mam2_0e6d1d50-d497-4a44-90e9-d78469d2fef9.jpg?v=1731738327","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した: ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's After The End Of The World のために作られた。このミックステープは、Munchiにとって初めての本格的なもので、彼のオリジナル作品とドミニカン・マンボ・カノンのお気に入りのトラックをマッチさせたものだった。当時、ムンチはこの音楽に魅了され、手に入れられるものはすべてダウンロードし、「最も安っぽく、最もチープで、最もダーティで、最もフルーティーループスっぽい」トラックをインターネットの隅々まで探し回った。彼は、この時代が終わり、「洗練された、気取った、ほとんど魂のない」レゲトンが風景を支配するようになったことを嘆いている。「少なくとも、リズムが極めて生々しかった頃は、そこにエネルギーとスピリットを感じることができた。「生きていて、呼吸しているように感じた」。今聴いても、このミックスは当時と同じように生々しく、新鮮で、生命力に満ち、ドミニカ音楽の歴史の中で忘れられがちで、誤解されがちな瞬間の埃を払っているように聴こえる。どんな瞬間にも、トラックは完全に崩壊してしまいそうなほどもろく聞こえ、ただ、素早いビート・フリップ、ヴォーカル・チョップ、生意気なベース・ドロップによって補強される。Munchiは1時間以上にわたって、カリブ海のダンス・ミュージックに忘れがたい足跡を残したこのジャンルのスリルに付き合ってくれる。... 「I Love Mambo 」は、重要なミッシングリンクの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMunchiの『Detonao EP』は、2008年から2010年にかけてロッテルダムでレコーディングされた未発表音源を集めたもので、Munchiの名前を冠した作品の中では最も実験的でミニマルかつアップテンポな作品である。かつてドミニカ共和国のシーンを席巻したジャーキーで可塑的なスピード・ダンスを意図的に近似させ、マンボ・サウンドに独自のスピンを加えている。各トラックは、デチューンされたおもちゃ箱のようなピアノ、ラジオで流されるような声、安っぽくグロッキーなホーンなどで構成され、不穏なほどクリーンだ。オープニング・トラックの「Damu Mambo」は、ループしたヴォーカルと『X-ファイル』の口笛が鳴り響く前に、空洞のような音、ホラー映画の声、苦しげなエア・ホーン、ガラスを割る音、転がるスネアなどで視界に飛び込んでくる。 しかし、ムンチの天才的な才能は、ほとんどどんなものでも首尾一貫したグルーヴに仕上げる能力にある。ポルトガルのバティーダ・サウンドやタンザニアのハイ・ンルグ・シンゲリ(「Comenzo El Party」のパーカッシブなサウンドを聴いてほしい)とも類似点がある。Luis Esta Seguroski VIP'ではオランダの泡のようなスクレイプとベースラインのワンプをシャッフルし、催眠術のような'Ayoba Mambo'では心を揺さぶる'Percolator'のトリルを聴かせる。歴史的な教訓と奔放な文化的マッシュアップが息もつかせず聴き手を魅了する「Detonao」は、Munchiが独自の次元で活動していることを証明している。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=723349453\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 200.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMambo Detonao EP + 'I love Mambo' Mixtape with 60 minutes of original Mambo music exclusive to the tape only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Damu Mambo 03:35\u003cbr\u003e2. Que Maldito Disco 03:03\u003cbr\u003e3. Comenzo El Party 01:46\u003cbr\u003e4. Tamo En Olla, Pero Hay Mambo 01:32\u003cbr\u003e5. Luis Esta Seguroski VIP 01:59\u003cbr\u003e6. Ayoba Mambo 01:59\u003cbr\u003e7. Klk Frutilu 01:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since his first productions emerged back in 2010, Munchi has put his own spin on everything he's approached, bending moombahton into breakcore and creating moombahcore fusing skullstep and trap and making skulltrap, and curving bachata and merengue … . A voracious listener, he's been able to absorb sounds from across the diaspora - from reggeton and baile funk to Dutch bubbling and Chicago juke - and effortlessly engineer his own twist, creating tracks and mixes with a journalistic hunger for storytelling and contextual deconstruction. Blogger and musicologist Wayne Marshall even coined a separate genre for Munchi's diverse spread of genre-agnostic productions back in 2010: Munchiton. Since then, Munchi has worked with M.I.A. and Pharell Williams among others, and remixed everyone from Skrillex to Nguzunguzu, Noisia to Buraka.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \"I Love Mambo\" was put together in 2010 for Dave Quam's notorious It's After The End Of The World blog. It was Munchi's first proper mixtape, and matched a handful of his original productions with his favorite tracks from the Dominican Mambo canon, that had evolved throughout the 2000’s after merengue ... even got more stripped down with live instruments replaced with digital sounds with the use of daws like fl studio. Munchi was fascinated by this\u003cspan class=\"bcTruncateMore\"\u003e music at the time, downloading everything he could get his hands on, scraping the internet's darkest corners for \"the cheapest, cheesiest, dirtiest, most Fruityloops-ish\" tracks. He laments that this era has come and gone, leaving \"polished, pretentious and almost soulless\" reggaeton to dominate the landscape. \"At least when the rhythms were extremely raw you could feel the energy and spirit in it,\" he says. \"It felt like it was alive and breathing.\" Listening now, the mix sounds as raw, fresh and vital as it did back then, brushing the dust off an often forgotten and certainly misunderstood moment in the history of Dominican music. At any moment the tracks sound so brittle they could collapse completely, only to be bolstered by a swift beat flip, vocal chop or cheeky bass drop. Over the course of an hour, Munchi accompanies us on a thrill ride through a genre that's left an indelible mark on dance music throughout the Caribbean and further afield. … \"I Love Mambo\" serves as a critical missing link. Munchi's \"Detonao EP\" is a collection of unreleased material recorded in Rotterdam between 2008 and 2010, and is among the most experimental, minimal and uptempo material Munchi has put his name to. Here he purposefully approximates the kind of jerky, plasticated speed dance that used to dominate the Dominican scene, offering his own spin on the mambo sound. Each track is unsettlingly clean, assembled from detuned toybox pianos, radio sting voices and cheap, groggy horns: opening track 'Damu Mambo' crashes into view thru hollow clunks, horror movie voices, pained air horns, glass smashes and rolling snares before ceding to looped vocals and \"X-Files\"\u003ca rel=\"nofollow ugc\" href=\"http:\/\/whistles.in\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003e\u003c\/a\u003e the wrong hands, this chaotic assemblage would be as playable as nails on a chalkboard, but Munchi's genius lies in his ability to massage almost anything into a coherent groove. There are even parallels to be drawn with Portugal's wiry batida sound, and Tanzania's hi-nrg singeli (just check those pacy percussive sounds on 'Comenzo El Party'). There's a sense that Munchi is aware of everything existing in the same continuum, shuffling through Dutch bubbling scrapes and bassline womps on 'Luis Esta Seguroski VIP', and mind-altering 'Percolator' trills on the hypnotic 'Ayoba Mambo'. A history lesson and wild-eyed cultural mashup that'll leave you breathless, \"Detonao\" is proof that Munchi is operating in a league of his own.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Munchi\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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オランダのDJ Munchiが、2022年にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたカセットです。 ジュークフットワークやブレイクコア、トラップを盛り込んだ、マッシュアップ・レゲトン〜実験マンボ8曲、60分以上を収録。 カセットのみでの発表となります。 以下、レーベルによる解説です。 "Munchiは2010年に最初の作品を発表して以来、ムンバートンをブレイクコアに曲げ、ムンバコアを作り、スカルステップとトラップを融合させてスカルトラップを作り、バチャータやメレンゲを曲げ......と、アプローチするものすべてに独自のスピンを加えてきた。貪欲なリスナーである彼は、レゲトンやバイレ・ファンクからオランダのバブリングやシカゴのジュークまで、ディアスポラ全域のサウンドを吸収し、独自のアレンジを難なく施し、ストーリーテリングと文脈の解体に飢えたジャーナリスティックなトラックやミックスを生み出してきた。ブロガーであり音楽学者でもあるウェイン・マーシャルは、2010年、ジャンルにとらわれないムンチの多様なプロダクションのために、別のジャンルを創設した: ムンチトンである。それ以来、MunchiはM.I.A.やPharell Williamsらと仕事をし、SkrillexからNguzunguzu、NoisiaからBurakaまでをリミックスしてきた。 「I Love Mambo」は2010年、デイヴ・クアムの悪名高いブログ It's...
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{"id":8666362216698,"title":"Takkak Takkak \/\/ Takkak Takkak LP","handle":"takkak-takkak-takkak-takkak-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本/インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1737549570\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dedemit 01:17\u003cbr\u003e2. Garang 03:37\u003cbr\u003e3. Raung 05:28\u003cbr\u003e4. Raksasa 04:32\u003cbr\u003e5. Amok 04:29\u003cbr\u003e6. Kyouzon 04:04\u003cbr\u003e7. Mezame 04:20\u003cbr\u003e8. Salamander 04:44\u003cbr\u003e9. Takkatakka 06:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA playfully eccentric, pulsating mass of precarious polyrhythms and DIY drones, Takkak Takkak is a brand new project from prolific Berlin-based Japanese producer Shigeru Ishihara (aka Scotch Rolex) and Vilnius-based Indonesian composer and instrument builder Mo’ong Santoso Pribadi, best known as one half of Raja Kirik. The duo found common ground with their borderless enthusiasm for rhythm - hence their tongue-in-cheek, onomatopoeic moniker - and tasked themselves with hacking contemporary and traditional musics, fusing eardrum-piercing club sounds with wiry Asian traditional patterns and howling vocals. And although there are discernible fingerprints from across the musical map, Ishihara and Pribadi debut a sound that's doggedly unconventional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIshihara has spent the last few years obsessively producing and collaborating, working with Shackleton on 2023's 'Death By Tickling', assembling the Nyege stable on 2021's 'Tewari' and collaborating with artists as diverse as Duma, MC Yallah and Aunty Razyor. Pribadi meanwhile has developed his craft alongside Yennu Ariendra, challenging colonial oppression with deviously original music that modernizes medieval Javanese dance forms. His work as an experimental instrument builder - primarily working with\u003cspan class=\"bcTruncateMore\"\u003e found objects and trash - has set Pribadi in good stead for Takkak Takkak, where he goes toe-to-toe with Ishihara, who weaves trance-inducing rhythmic patterns, low-end thumps and dizzying effects around his collaborator's rusty twangs, woodblock clacks and xenharmonic chimes.\u003cbr\u003e\u003cbr\u003eOn the opening track (name here), rattly, tempo-fluxed percussion is caught in a vortex of brassy fanfares and thick subs, building furiously until it's interrupted with a cheeky answerphone bleep. It sets the stage for Garang, a punky, metallic tremor of guitar-like chugs, obscured vocals and fictile strings that wisp around driving kicks - there's gqom, drill and sweaty techno in there somewhere, transformed into a serrated, ritualistic buzz. Ishihara takes the mic on Amok, grunting over Pribadi's clattery beats and breathy handmade instruments, and the track mutates at the half-way point, spiraling into a hybrid of gamelan and diagonal bass music, pneumatic kicks vibrating against pinging metal.\u003cbr\u003e\u003cbr\u003eIt's an impressive balancing act; Takkak Takkak navigate their cross-continental palette with not only knowledge and skill, but a refreshing level of humor. This makes their music as infectious as it is fearless - it's experimental, sure, but Pribadi and Ishihara are having a blast, and they don't care who knows.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takkak Takkak\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:18:10+09:00","created_at":"2024-11-16T15:17:21+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":398900,"price_min":398900,"price_max":398900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864881254650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takkak Takkak \/\/ Takkak Takkak LP","public_title":null,"options":["Default Title"],"price":398900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","options":["Title"],"media":[{"alt":null,"id":35195262894330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk1_b59be9c4-ce10-487a-8402-aa8802b6da72.jpg?v=1731737693","width":700},{"alt":null,"id":35195262927098,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kk2.jpg?v=1731737693","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本/インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=471539075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1737549570\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dedemit 01:17\u003cbr\u003e2. Garang 03:37\u003cbr\u003e3. Raung 05:28\u003cbr\u003e4. Raksasa 04:32\u003cbr\u003e5. Amok 04:29\u003cbr\u003e6. Kyouzon 04:04\u003cbr\u003e7. Mezame 04:20\u003cbr\u003e8. Salamander 04:44\u003cbr\u003e9. Takkatakka 06:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA playfully eccentric, pulsating mass of precarious polyrhythms and DIY drones, Takkak Takkak is a brand new project from prolific Berlin-based Japanese producer Shigeru Ishihara (aka Scotch Rolex) and Vilnius-based Indonesian composer and instrument builder Mo’ong Santoso Pribadi, best known as one half of Raja Kirik. The duo found common ground with their borderless enthusiasm for rhythm - hence their tongue-in-cheek, onomatopoeic moniker - and tasked themselves with hacking contemporary and traditional musics, fusing eardrum-piercing club sounds with wiry Asian traditional patterns and howling vocals. And although there are discernible fingerprints from across the musical map, Ishihara and Pribadi debut a sound that's doggedly unconventional.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIshihara has spent the last few years obsessively producing and collaborating, working with Shackleton on 2023's 'Death By Tickling', assembling the Nyege stable on 2021's 'Tewari' and collaborating with artists as diverse as Duma, MC Yallah and Aunty Razyor. Pribadi meanwhile has developed his craft alongside Yennu Ariendra, challenging colonial oppression with deviously original music that modernizes medieval Javanese dance forms. His work as an experimental instrument builder - primarily working with\u003cspan class=\"bcTruncateMore\"\u003e found objects and trash - has set Pribadi in good stead for Takkak Takkak, where he goes toe-to-toe with Ishihara, who weaves trance-inducing rhythmic patterns, low-end thumps and dizzying effects around his collaborator's rusty twangs, woodblock clacks and xenharmonic chimes.\u003cbr\u003e\u003cbr\u003eOn the opening track (name here), rattly, tempo-fluxed percussion is caught in a vortex of brassy fanfares and thick subs, building furiously until it's interrupted with a cheeky answerphone bleep. It sets the stage for Garang, a punky, metallic tremor of guitar-like chugs, obscured vocals and fictile strings that wisp around driving kicks - there's gqom, drill and sweaty techno in there somewhere, transformed into a serrated, ritualistic buzz. Ishihara takes the mic on Amok, grunting over Pribadi's clattery beats and breathy handmade instruments, and the track mutates at the half-way point, spiraling into a hybrid of gamelan and diagonal bass music, pneumatic kicks vibrating against pinging metal.\u003cbr\u003e\u003cbr\u003eIt's an impressive balancing act; Takkak Takkak navigate their cross-continental palette with not only knowledge and skill, but a refreshing level of humor. This makes their music as infectious as it is fearless - it's experimental, sure, but Pribadi and Ishihara are having a blast, and they don't care who knows.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takkak Takkak\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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日本/インドネシアのストレンジビーツデュオTakkak Takkakが、2024年6月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 ポリリズムで畳み掛ける密林ストレンジビーツ〜リチュアリスティック・テクノ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8666361594106,"title":"Ekuka Moriss Sirikiti \/\/ TE-KWARO ALANGO-EKUKA LP","handle":"ekuka-moriss-sirikiti-ekuka-2x12inch","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフリカン・プリミティブフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378950938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. MITO MON OMEGU 04:03\u003cbr\u003e2. AKEMU MEDE IPWODO DAKO 03:21\u003cbr\u003e3. KWALO JAMI AMON TOO 03:53\u003cbr\u003e4. ICO AWILO KOTI ME KWALO ORANGA 03:47\u003cbr\u003e5. TEC ME OT JOK 04:11\u003cbr\u003e6. PE IYEL CWARI ABONGO BAL 05:28\u003cbr\u003e7. ONYO OCOLO 02:46\u003cbr\u003e8. NYEGENYEGE OYOMO YII JO 03:24\u003cbr\u003e9. OPWODO DAKO PI KUNYU OMOGO 04:55\u003cbr\u003e10. CIL PACO 03:29 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cem\u003eThe first studio album from lukeme maestro and legendary Langi griot Ekuka Morris Sirikiti, 'TE-KWARO ALANGO-EKUKU' is an emotional and historical milestone. In 2018, Nyege Nyege Tapes combed through the artist's work forensically on 'Ekuka', picking out the finest examples of his sound from recordings made by keen-eared listeners who caught his performances on Ugandan radio. Ekuka had never kept any of these tracks; living frugally in Lira, Northern Uganda, he doesn't even own a device to listen to the music. So when he eventually heard the anthology, it triggered an epiphany. The songs - recorded between 1978 and 2003 - brought memories flooding back; some of his bandmates have long since passed away, and Ekuka was suddenly reminded of old friendships and long-forgotten life events. \u003cbr\u003e\u003cbr\u003eFollowing this revelation, and for the first time in his life, Ekuka finally stepped into a proper studio, spending two weeks re-discovering and re-recording his old songs. These new versions capture the artist's virtuosity in microscopic detail: the characteristic rattling sound of his lukeme, an ancient African thumb piano, takes pride of place, but his assertive, agile voice also sounds as if it's been unlocked. On previous recordings, his words were often obscured by saturation, distortion and radio static, and here they're presented\u003cspan class=\"bcTruncateMore\"\u003e with startling clarity as he deconstructs social issues, telling winding, poetic (and often humorous) stories in the griot tradition. Sparse polyrhythmic percussion rattles against the euphoric rhythmelodic thumb piano tones, while Ekuka's voice anchors the music in the daily realities of Northern Uganda. \u003cbr\u003e\u003cbr\u003eOn the opening track 'MITO MON OMEGU', Ekuka stacks quivering lukeme phrases into a tense rhythmic foundation, dancing around the buzzing notes with clipped, casual rhymes that untangle the stresses and strains of romancing a brother's wife. And he travels further into the moral grey zone on 'ICO AWILO KOTI ME KWALO ORANGA', telling the tale of a man who buys a coat to steal beans over an irregular, woody rhythmic knock. The album's de-facto single 'TEC ME OT JOK' is about local witch doctors, and is the first song Ekuka has accompanied with a video. Colorful and cinematic, it juxtaposes footage of his performance - showcasing his lukeme playing in vivid detail - with local dances and narrative snippets that dramatize the interplay between a medicine man and his community. \u003cbr\u003e\u003cbr\u003eEukua is an endlessly inquisitive presence, mixing public service announcements ('ONYO OCOLO' is about paying taxes, while 'CIL PACO' details personal hygiene) with questions about village morals, like on 'OPWODO DAKO PI KUNYU OMOGO' when he recounts an incident when a woman is beaten for harvesting cassava. Everything's presented with an invitation to dance and to reflect, delivered with pathos and mischievous charm by an artist who's seen life's full spectrum in intimate detail. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ekuka Moriss Sirikiti\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:33:33+09:00","created_at":"2024-11-16T15:13:51+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","strange beats"],"price":435800,"price_min":435800,"price_max":435800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864877125882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ekuka Moriss Sirikiti \/\/ TE-KWARO ALANGO-EKUKA LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","options":["Title"],"media":[{"alt":null,"id":35195659452666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0688575609_10.jpg?v=1731748903","width":1200},{"alt":null,"id":35195659550970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035935242_10.jpg?v=1731748905","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフリカン・プリミティブフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378950938\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. MITO MON OMEGU 04:03\u003cbr\u003e2. AKEMU MEDE IPWODO DAKO 03:21\u003cbr\u003e3. KWALO JAMI AMON TOO 03:53\u003cbr\u003e4. ICO AWILO KOTI ME KWALO ORANGA 03:47\u003cbr\u003e5. TEC ME OT JOK 04:11\u003cbr\u003e6. PE IYEL CWARI ABONGO BAL 05:28\u003cbr\u003e7. ONYO OCOLO 02:46\u003cbr\u003e8. NYEGENYEGE OYOMO YII JO 03:24\u003cbr\u003e9. OPWODO DAKO PI KUNYU OMOGO 04:55\u003cbr\u003e10. CIL PACO 03:29 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cem\u003eThe first studio album from lukeme maestro and legendary Langi griot Ekuka Morris Sirikiti, 'TE-KWARO ALANGO-EKUKU' is an emotional and historical milestone. In 2018, Nyege Nyege Tapes combed through the artist's work forensically on 'Ekuka', picking out the finest examples of his sound from recordings made by keen-eared listeners who caught his performances on Ugandan radio. Ekuka had never kept any of these tracks; living frugally in Lira, Northern Uganda, he doesn't even own a device to listen to the music. So when he eventually heard the anthology, it triggered an epiphany. The songs - recorded between 1978 and 2003 - brought memories flooding back; some of his bandmates have long since passed away, and Ekuka was suddenly reminded of old friendships and long-forgotten life events. \u003cbr\u003e\u003cbr\u003eFollowing this revelation, and for the first time in his life, Ekuka finally stepped into a proper studio, spending two weeks re-discovering and re-recording his old songs. These new versions capture the artist's virtuosity in microscopic detail: the characteristic rattling sound of his lukeme, an ancient African thumb piano, takes pride of place, but his assertive, agile voice also sounds as if it's been unlocked. On previous recordings, his words were often obscured by saturation, distortion and radio static, and here they're presented\u003cspan class=\"bcTruncateMore\"\u003e with startling clarity as he deconstructs social issues, telling winding, poetic (and often humorous) stories in the griot tradition. Sparse polyrhythmic percussion rattles against the euphoric rhythmelodic thumb piano tones, while Ekuka's voice anchors the music in the daily realities of Northern Uganda. \u003cbr\u003e\u003cbr\u003eOn the opening track 'MITO MON OMEGU', Ekuka stacks quivering lukeme phrases into a tense rhythmic foundation, dancing around the buzzing notes with clipped, casual rhymes that untangle the stresses and strains of romancing a brother's wife. And he travels further into the moral grey zone on 'ICO AWILO KOTI ME KWALO ORANGA', telling the tale of a man who buys a coat to steal beans over an irregular, woody rhythmic knock. The album's de-facto single 'TEC ME OT JOK' is about local witch doctors, and is the first song Ekuka has accompanied with a video. Colorful and cinematic, it juxtaposes footage of his performance - showcasing his lukeme playing in vivid detail - with local dances and narrative snippets that dramatize the interplay between a medicine man and his community. \u003cbr\u003e\u003cbr\u003eEukua is an endlessly inquisitive presence, mixing public service announcements ('ONYO OCOLO' is about paying taxes, while 'CIL PACO' details personal hygiene) with questions about village morals, like on 'OPWODO DAKO PI KUNYU OMOGO' when he recounts an incident when a woman is beaten for harvesting cassava. Everything's presented with an invitation to dance and to reflect, delivered with pathos and mischievous charm by an artist who's seen life's full spectrum in intimate detail. \u003c\/span\u003e\u003c\/em\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ekuka Moriss Sirikiti\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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北ウガンダの親指ピアノ'ルケメ'奏者Ekuka Moriss Sirikitiが、2024年8月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 アフリカン・プリミティブフォーク10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala /...
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{"id":8431499837690,"title":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","handle":"phelimuncasi-metal-preyers-izigqinamba-lp","description":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ/イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e","published_at":"2024-05-13T06:44:03+09:00","created_at":"2024-05-12T14:31:19+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","new","strange beats","techno \/ house"],"price":331000,"price_min":331000,"price_max":331000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45920860831994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phelimuncasi \u0026 Metal Preyers \/\/ Izigqinamba LP","public_title":null,"options":["Default Title"],"price":331000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","options":["Title"],"media":[{"alt":null,"id":34001398431994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_c04dd4e0-7644-4199-b9a9-b5feedc80407.jpg?v=1715491881","width":700},{"alt":null,"id":34001398464762,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_a67cb00a-a4c7-48fb-8a96-02a4e3323638.jpg?v=1715491881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ/イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e実験アフロビート〜Gqom9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=130140631\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\" data-mce-style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gidigidi ka Makhelwane 03:32\u003cbr\u003e2. Ayi ayi we Crazy 05:16\u003cbr\u003e3. Gqom slowgen Chant 03:12\u003cbr\u003e4. Mgiligi wabaleka 03:47\u003cbr\u003e5. Ngicela siqoze 03:10\u003cbr\u003e6. Coffin Roller 02:18\u003cbr\u003e7. Khala Ngiyabaleka 03:11\u003cbr\u003e8. Like A Corpse 04:32\u003cbr\u003e9. Last Flutter 02:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDurban-based gqom futurists Phelimuncasi continue unpicking their musical seams on this latest borderless statement, teaming up with Metal Preyers to venture further into the desolate unknown. The group met up in Nyege Nyege's Kampala studio last year, where they spent three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time-stretched electronic drums, saturated noise and unstable synths.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album follows on from 2022's critically acclaimed 'Ama Gogela', an impeccably engineered overload of twitchy, dancefloor-focused hybrid club experiments that allied the trio with a slew of the scene's most important beatmakers. Hackett meanwhile was last seen breathing eccentricity and high drama into surrealist folk tales and vintage synth music on the psychedelic 'Shadow Swamps'. And while the divergent pairing might be unexpected, it's rich with revelation; both both Metal Preyers and Phelimuncasi wander far outside their comfort zones, the Durban trio's prominent words and cadences booming over Metal Preyers marshy productions like cryptic transmissions from the far future.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpening track 'Gidigidi ka Makhelwane' erupts in a fizz\u003cspan class=\"bcTruncateMore\"\u003e of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Metal Preyers's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres.\u003cbr\u003e\u003cbr\u003eElsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Metal Preyers, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phelimuncasi \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No: NNT053lp\u003c\/p\u003e"}
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南アフリカ・ダーバンのGqomバンドPhelimuncasiとアメリカ/イギリスのエレクトロニックデュオMetal Preyersが、2024年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesからリリースした共作レコードです。 実験アフロビート〜Gqom9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":8109778338042,"title":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","handle":"nakibembe-embaire-group-nakibembe-embaire-group-lp-1","description":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国(現存する4つの立憲君主制国家のひとつ)にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15~25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール&レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-12-11T19:14:44+09:00","created_at":"2023-12-11T19:13:59+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp","new","strange beats"],"price":303000,"price_min":303000,"price_max":303000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44873908388090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nakibembe Embaire Group \/\/ Nakibembe Embaire Group LP","public_title":null,"options":["Default Title"],"price":303000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","options":["Title"],"media":[{"alt":null,"id":32823109091578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_72511b10-fa7c-4c29-b13a-9f84e756dd0d.jpg?v=1702289642","width":700},{"alt":null,"id":32823109124346,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_a6b81c31-e651-49bb-87a2-6af345accac5.jpg?v=1702289643","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダ・ブソガ王国の小さな村\u003cspan data-mce-fragment=\"1\"\u003eナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eインドネシアのガムランガババンド\u003cmeta charset=\"utf-8\"\u003eGabber Modus Operandiも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"ウガンダのブソガ王国(現存する4つの立憲君主制国家のひとつ)にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15~25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e8分間に及ぶ大曲「Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola」は、バソガ音楽の伝統を紹介する完璧な作品として、我々をアルバムに引き込みます。三重奏のメロディックなパーカッシブ・フレーズは、常に流動的なバックボーンを提供し、ルソガのコール&レスポンス・ボーカルとリズムを明確にするためのシェイカーのスペースを残しています。Omulangira Mpangoでは、さらにテンポを上げ、音符とパターンが混ざり合い、泡のようなハーモニーの雲になりそうです。これらのサウンドが西洋の実験音楽やエレクトロニック・ミュージックの枠組みにいかに浸透しているかに気づくのは難しいことではなく、腐敗することなく提示されるのを聞くと、ソースとつながることがいかに稀であるかを確認することになります。そして、Nakibembeが外部からの影響に対応するとき、その結びつきは相互的で相乗的です。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGMOやWahonoの音楽的アプローチと自分たちのテクニックを融合させるために、彼らはエンベールの鍵盤にオーディオ-MIDIトリガーを装着し、音そのものをかき消すことなく楽器の揺れをとらえることに成功しました。ワホノとGMOは、これらの録音とMIDIデータをもとに、デジタル処理によって音を歪ませ、危険な新境地へとシフトさせ、GMOのIcan Haremによるボーカルの即興演奏を加えました。インドネシアのトリオは、Nakibembeでよりミニマルなアプローチを探求したいと考え、「140」ではまさにその通り、エンベアーのクランクの渦を這うように遅くし、散発的な鳴き声と句読点のようなバンプを加えています。「160」はさらに予想外で、エンベアを完全に失い、生のドラムデータをシンセサイザーに送り込み、同じ紛れもないエネルギーでポップや鳴き声を出します。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eインドネシアとウガンダの民族的伝統の類似性を訴えるイカン・ハレムの冷静な語りから始まり、蛇のようなポリリズムと幻惑的なボーカルが融合したトランスのような曲へと爆発します。このアルバムを聴くと、過去、現在、未来が一直線に並んでいるように感じられます。ダンスミュージックは静的なものではなく、現代の装置に縛られることもなく、植民地化ではなく会話によって、偽りの国境を越えて概念を拡張できます。\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=360329128\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2058760613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNakibembe Xylophone Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUndulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing up the tempo so the notes and patterns almost blur into clouds of bubbling harmony. It's not difficult to notice how these sounds have seeped into the framework of Western experimental and electronic music, and hearing them presented without corruption only serves to confirm how rare it is to connect with the source. And when Nakibembe do correspond with outside influences, the bond is mutual and synergistic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe group needed to work out a way to combine their techniques with GMO and Wahono's own musical approaches, so they fitted the embaire's keys with audio-to-MIDI triggers that allowed them to capture the instrument's swing without drowning out the sound itself. Then, Nakibembe recorded a series of freestyle performances that would demonstrate the range of the instrument; Wahono and GMO took these recordings and the MIDI data and used digital processes to distort and shift the sounds into dangerous new places, adding vocal improvisations from GMO's Ican Harem. The Indonesian trio wanted to explore a more minimalist approach with Nakibembe, and on '140' do exactly that, slowing down the whir of embaire clunks to a crawl and adding sporadic squeals and punctuating bumps. '160' is even more unexpected, losing the embaire completely and feeding the raw drum data into synthesizers that pop and squeak with the same unmistakable energy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut it's the final track '133' that really seals the deal, opening on a sober narrative from Ican Harem that addresses the parallels between Indonesian and Ugandan folk traditions before exploding into a trance-like fusion of serpentine polyrhythms and disorienting vocals. Listening to the album is like hearing the past, present and future aligned; dance music is neither static nor bound to its contemporary apparatus, and conversation rather than colonization can stretch concepts beyond phony borders.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nakibembe Embaire Group\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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ウガンダ・ブソガ王国の小さな村ナキベンベの伝統楽器である巨大な木琴「エンベール」を演奏するバンドNakibembe Embaire Groupが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたデビューレコードです。 ポリリズム全開のプリミティブ・ダンスミュージック8曲を収録。 インドネシアのガムランガババンドGabber Modus Operandiも参加しています。 "ウガンダのブソガ王国(現存する4つの立憲君主制国家のひとつ)にある小さな村、ナキベンベでは、昔から地元の人々が音楽演奏や社交行事のための共同スペースを確保してきました。その中央には深い穴があり、15~25個の木の鍵盤で構成された巨大な木琴「エンベール」を増幅させるために、溝を横切っているのです。丸太の木琴は東アフリカでよく見られるものですが、東部バントゥー系民族のバソガ族が奏でる音楽は、独自のチューニングや踊り、補助的な楽器など、特殊でユニークなものです。最大8人の奏者がエンベールを囲んで同時に演奏し、催眠的なポリリズムを重ね合わせ、さらにボーカルやシェーカー、ドラムを加えたアンサンブルを奏でます。ナキベンベ・キシロフォン・グループは、アンベールを使って演奏する最後のグループのひとつで、彼らのライブを見た人ならわかるように、複雑で重層的な音の壁を作り出し、どこで演奏しても完全に魅了されるのです。バンドはNyege Nyegeフェスティバルの常連で、2020年にはベルリンの伝説的ナイトクラブBerghainで、ジャカルタ出身の前衛バンドGabber Modus OperandiとHarsya Wahonoと共に出演した。デビューアルバムでは、アンサンブルで5曲、インドネシアのトリオとのコラボレーションで3曲を発表しています。一緒に聴くと、Nakibembe自身の運動音だけでなく、インドネシアのメタロフォン主導のガムラン音楽からサウンドアート界の頭脳的なデジタルプロセスまで、より遠い形態と相関する音の波紋が示されます。8分間に及ぶ大曲「Omukazi...
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{"id":8092624093434,"title":"De Schuurman \/\/ Bubbling Inside LP [COLOR]","handle":"de-schuurman-bubbling-inside-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。(オリジナルは2021年にカセットリリース)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2007-2009年に制作した未発表音源13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e1980年代後半、テクノとハウスがヨーロッパ中を駆け巡り、都市から都市へと変遷する中で、キュラソー出身の若いDJが、まったく新しいサウンドを生み出すきっかけとなるミスを犯した。デン・ハーグのクラブVoltageでパフォーマンスをしていたDJ Moortjeは、誤ってダンスホールのトラックを33RPMではなく45RPMでドロップし、プレイアウトさせてしまったのだ。Hi-NRGサウンドを渇望していた観客は、軋んだヴォーカルと急速なビートを気に入り、バブリング(またはバブリング・ハウス)が誕生した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eその後数十年間、バブリングはオランダのアフロ・ディアスポラ的なクラブシーンに欠かせない存在だった。そして、目を見開いた若いDJやプロデューサーの新しい世代が手綱を取り始めると、バブリングはそれに応じて進化していった。2000年代後半、デン・ハーグを拠点とする10代の天才De Schuurmanは、叔父のDJチッピー(このジャンルの共同創設者の一人)や従兄弟のDJデイカード、DJマスターD、スティコ・ジュニア、DJジャストミーの足跡をたどり、パフォーマンスとビート作りを始めた。Fruityloopsを使い、おなじみの泡のようなリズムにラップやR\u0026amp;Bのサンプル、トランスシンセ、エレクトロハウスを融合させ、彼のトラックは瞬く間にオランダのサーキットの常連となった。\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Bubbling Inside』は、2007年から2009年にかけてのDe Schuurmanの最も重要なカットを集めたもので、文脈のために新しい作品もいくつか加えられている。Nyege Nyege Tapesは、ロッテルダムのPantropicalのSascha RothとDe Schuurman本人と共に、これらのトラックのほとんどを探し出し、収集した。これらを一緒に聴くと、この若いプロデューサーがいかに先進的で、オランダの名門を未来へと導いていったかがよくわかる。\u003cbr\u003e\u003cbr\u003e2008年の'First One'は、プロト・ベルゲインの傑作であり、このジャンルの名刺代わりとなっている小生意気なメロディーを、ブンブン響く重低音のキックが支えている。「Pier Je Bil!!!」はテンポを上げ、バブリングのシンコペーション・ダンスホール・キックをクラブでの速射砲のようなクラッターにねじ曲げ、スティールパンのメロディーで飾っている。その他、2019年の「Domina」は、バブリングのDNAを保ちつつ、トラップ・パーカッション、ダブステップ・ベース、不気味なシンセのテクスチャーを変異させ、シュールマンのプロダクション・スタイルがいかに発展したかを示している。「Bubbling Inside」は、最も先見の明のあるプロデューサーの一人が目撃した、バブリングというジャンルの進化の証である。\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696850673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" Military Green vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Brass 02:15\u003cbr\u003e2. Fermina Style 02:41\u003cbr\u003e3. Nu Ga Je Dansen 02:34\u003cbr\u003e4. Pier Je Bill! 02:26\u003cbr\u003e5. Bubbling Inside (ft DJ Electro) 03:28\u003cbr\u003e6. Domina 03:32\u003cbr\u003e7. Poeng Ka Poeng Ka 02:43\u003cbr\u003e8. Fucking Hard 03:41\u003cbr\u003e9. I'm Rich Bitch 02:44\u003cbr\u003e10. Urban Gunz 04:25\u003cbr\u003e11. First One 03:04\u003cbr\u003e12. Bubbling Freakz 02:07\u003cbr\u003e13. Poenka 03:34\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn the late 1980s, as techno and house made its way around Europe, mutating as it hopped from city to city, one young DJ from Curacao made a mistake that would inspire a brand new sound. While he was performing at Den Haag's Club Voltage, DJ Moortje accidentally dropped a dancehall track at 45RPM rather than 33, and let it play out. Thirsty for a hi-NRG sound, the crowd loved the squeaky vocals and rapid beat, and bubbling (or bubbling house) was born.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the next couple of decades, bubbling was a crucial part of Holland's Afro-diasporic club landscape. And as a new generation of wide-eyed young DJs and producers began to take the reins, it evolved accordingly. In the late-2000s, Den Haag-based teenage prodigy Guillermo Schuurman followed in the footsteps of his uncle DJ Chippie (one of the genre's co-founders) and cousins DJ Daycard, DJ Master-D, Stiko Jnr and DJ Justme, and began performing and writing beats. Using Fruityloops, he fused familiar bubbling rhythms with rap and R\u0026amp;B samples, trance synths and electro house wobbles, and his tracks quickly became a regular fixture on the Dutch circuit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Bubbling Inside\" is a collection of Schuurman's most essential cuts from the era (2007-2009), with a couple of newer productions added for context. Crafted solely for the dance, most of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e these tracks were never properly released and have been painstakingly hunted down and collected by the Nyege Nyege Tapes together with Sascha Roth from Pantropical in Rotterdam and De Schuurman himself. Hearing them together highlights just how forward thinking the young producer was, steering a Dutch institution into the future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2008's 'First One' is a proto-Berghain belter, with booming bass-heavy kicks underpinning the kind of cheeky melodies that remain the calling card of the genre. 'Pier Je Bil!!' ratchets up the tempo, twisting bubbling's syncopated dancehall kicks into a rapid-fire club clatter and decorating them with steel-pan melodies. Elsewhere, 2019's 'Domina' shows how Schuurman's production style has developed as he mutates trap percussion, dubstep bass and eerie synth textures, while retaining the DNA of bubbling. \"Bubbling Inside\" is a testament to the evolution of the bubbling genre, as witnessed by one of its most visionary producers.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : De Schuurman\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-11-25T19:13:52+09:00","created_at":"2023-11-25T19:01:38+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","house","lp","techno \/ house"],"price":305000,"price_min":305000,"price_max":305000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44807967539450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"De Schuurman \/\/ Bubbling Inside LP [COLOR]","public_title":null,"options":["Default Title"],"price":305000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574","\/\/tobirarecords.com\/cdn\/shop\/files\/0034248810_10.jpg?v=1700906576"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574","options":["Title"],"media":[{"alt":null,"id":32744336916730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3447342363_16.jpg?v=1700906574","width":700},{"alt":null,"id":32744337015034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034248810_10.jpg?v=1700906576"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034248810_10.jpg?v=1700906576","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。(オリジナルは2021年にカセットリリース)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2007-2009年に制作した未発表音源13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e1980年代後半、テクノとハウスがヨーロッパ中を駆け巡り、都市から都市へと変遷する中で、キュラソー出身の若いDJが、まったく新しいサウンドを生み出すきっかけとなるミスを犯した。デン・ハーグのクラブVoltageでパフォーマンスをしていたDJ Moortjeは、誤ってダンスホールのトラックを33RPMではなく45RPMでドロップし、プレイアウトさせてしまったのだ。Hi-NRGサウンドを渇望していた観客は、軋んだヴォーカルと急速なビートを気に入り、バブリング(またはバブリング・ハウス)が誕生した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eその後数十年間、バブリングはオランダのアフロ・ディアスポラ的なクラブシーンに欠かせない存在だった。そして、目を見開いた若いDJやプロデューサーの新しい世代が手綱を取り始めると、バブリングはそれに応じて進化していった。2000年代後半、デン・ハーグを拠点とする10代の天才De Schuurmanは、叔父のDJチッピー(このジャンルの共同創設者の一人)や従兄弟のDJデイカード、DJマスターD、スティコ・ジュニア、DJジャストミーの足跡をたどり、パフォーマンスとビート作りを始めた。Fruityloopsを使い、おなじみの泡のようなリズムにラップやR\u0026amp;Bのサンプル、トランスシンセ、エレクトロハウスを融合させ、彼のトラックは瞬く間にオランダのサーキットの常連となった。\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Bubbling Inside』は、2007年から2009年にかけてのDe Schuurmanの最も重要なカットを集めたもので、文脈のために新しい作品もいくつか加えられている。Nyege Nyege Tapesは、ロッテルダムのPantropicalのSascha RothとDe Schuurman本人と共に、これらのトラックのほとんどを探し出し、収集した。これらを一緒に聴くと、この若いプロデューサーがいかに先進的で、オランダの名門を未来へと導いていったかがよくわかる。\u003cbr\u003e\u003cbr\u003e2008年の'First One'は、プロト・ベルゲインの傑作であり、このジャンルの名刺代わりとなっている小生意気なメロディーを、ブンブン響く重低音のキックが支えている。「Pier Je Bil!!!」はテンポを上げ、バブリングのシンコペーション・ダンスホール・キックをクラブでの速射砲のようなクラッターにねじ曲げ、スティールパンのメロディーで飾っている。その他、2019年の「Domina」は、バブリングのDNAを保ちつつ、トラップ・パーカッション、ダブステップ・ベース、不気味なシンセのテクスチャーを変異させ、シュールマンのプロダクション・スタイルがいかに発展したかを示している。「Bubbling Inside」は、最も先見の明のあるプロデューサーの一人が目撃した、バブリングというジャンルの進化の証である。\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3696850673\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" Military Green vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Brass 02:15\u003cbr\u003e2. Fermina Style 02:41\u003cbr\u003e3. Nu Ga Je Dansen 02:34\u003cbr\u003e4. Pier Je Bill! 02:26\u003cbr\u003e5. Bubbling Inside (ft DJ Electro) 03:28\u003cbr\u003e6. Domina 03:32\u003cbr\u003e7. Poeng Ka Poeng Ka 02:43\u003cbr\u003e8. Fucking Hard 03:41\u003cbr\u003e9. I'm Rich Bitch 02:44\u003cbr\u003e10. Urban Gunz 04:25\u003cbr\u003e11. First One 03:04\u003cbr\u003e12. Bubbling Freakz 02:07\u003cbr\u003e13. Poenka 03:34\u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn the late 1980s, as techno and house made its way around Europe, mutating as it hopped from city to city, one young DJ from Curacao made a mistake that would inspire a brand new sound. While he was performing at Den Haag's Club Voltage, DJ Moortje accidentally dropped a dancehall track at 45RPM rather than 33, and let it play out. Thirsty for a hi-NRG sound, the crowd loved the squeaky vocals and rapid beat, and bubbling (or bubbling house) was born.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor the next couple of decades, bubbling was a crucial part of Holland's Afro-diasporic club landscape. And as a new generation of wide-eyed young DJs and producers began to take the reins, it evolved accordingly. In the late-2000s, Den Haag-based teenage prodigy Guillermo Schuurman followed in the footsteps of his uncle DJ Chippie (one of the genre's co-founders) and cousins DJ Daycard, DJ Master-D, Stiko Jnr and DJ Justme, and began performing and writing beats. Using Fruityloops, he fused familiar bubbling rhythms with rap and R\u0026amp;B samples, trance synths and electro house wobbles, and his tracks quickly became a regular fixture on the Dutch circuit.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Bubbling Inside\" is a collection of Schuurman's most essential cuts from the era (2007-2009), with a couple of newer productions added for context. Crafted solely for the dance, most of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e these tracks were never properly released and have been painstakingly hunted down and collected by the Nyege Nyege Tapes together with Sascha Roth from Pantropical in Rotterdam and De Schuurman himself. Hearing them together highlights just how forward thinking the young producer was, steering a Dutch institution into the future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2008's 'First One' is a proto-Berghain belter, with booming bass-heavy kicks underpinning the kind of cheeky melodies that remain the calling card of the genre. 'Pier Je Bil!!' ratchets up the tempo, twisting bubbling's syncopated dancehall kicks into a rapid-fire club clatter and decorating them with steel-pan melodies. Elsewhere, 2019's 'Domina' shows how Schuurman's production style has developed as he mutates trap percussion, dubstep bass and eerie synth textures, while retaining the DNA of bubbling. \"Bubbling Inside\" is a testament to the evolution of the bubbling genre, as witnessed by one of its most visionary producers.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : De Schuurman\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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オランダ・デンハーグのバブリング・ハウス作家De Schuurmanが、2023年11月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。(オリジナルは2021年にカセットリリース) 2007-2009年に制作した未発表音源13曲を収録。 以下、レーベルによる解説です。 "1980年代後半、テクノとハウスがヨーロッパ中を駆け巡り、都市から都市へと変遷する中で、キュラソー出身の若いDJが、まったく新しいサウンドを生み出すきっかけとなるミスを犯した。デン・ハーグのクラブVoltageでパフォーマンスをしていたDJ Moortjeは、誤ってダンスホールのトラックを33RPMではなく45RPMでドロップし、プレイアウトさせてしまったのだ。Hi-NRGサウンドを渇望していた観客は、軋んだヴォーカルと急速なビートを気に入り、バブリング(またはバブリング・ハウス)が誕生した。その後数十年間、バブリングはオランダのアフロ・ディアスポラ的なクラブシーンに欠かせない存在だった。そして、目を見開いた若いDJやプロデューサーの新しい世代が手綱を取り始めると、バブリングはそれに応じて進化していった。2000年代後半、デン・ハーグを拠点とする10代の天才De Schuurmanは、叔父のDJチッピー(このジャンルの共同創設者の一人)や従兄弟のDJデイカード、DJマスターD、スティコ・ジュニア、DJジャストミーの足跡をたどり、パフォーマンスとビート作りを始めた。Fruityloopsを使い、おなじみの泡のようなリズムにラップやR&Bのサンプル、トランスシンセ、エレクトロハウスを融合させ、彼のトラックは瞬く間にオランダのサーキットの常連となった。 『Bubbling Inside』は、2007年から2009年にかけてのDe Schuurmanの最も重要なカットを集めたもので、文脈のために新しい作品もいくつか加えられている。Nyege Nyege Tapesは、ロッテルダムのPantropicalのSascha...
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{"id":8023603314938,"title":"Ziúr \/\/ Eyeroll LP","handle":"ziur-eyeroll-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験ビートメイカーZiúrが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e様々なシンガーやラッパーをゲストに迎えたレフトフィールド・テクノ〜レフトフィールド・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"世界は変わったのだ。私たちが孤独に閉じこもっている間に、私たちの日常は変化し、社会的なパターンは進化し、私たちの希望や夢は、私たちがまだ指から拭い去ろうとしている蜘蛛の巣にねじ曲げられた。前作『Antifate』は、革命の香りが漂う中、中世の逃避的ファンタジーを思い起こさせる野心的で複雑なハイブリッドポップ・フィーバードリームだった。しかし、規制が緩和されたとき、彼女は、電子レンジで加熱されたノスタルジーと離隔した麻薬的反復のスパイラルに自らを閉じ込めた混乱した社会を見つめていることに気づいた。EyerollはZiúrの音楽的万能薬であり、創造的な眠りから目を覚まし、外部とのつながりと内省を促すためのチンキ剤なのだ。エルヴィン・ブランディ、アブドーラ・ミニャウィ、アイスボーイ・ヴァイオレット、ジュリアナ・ハクスタブル、レデフ、ジェイムズ・ギンズブルグといったZiúrの選りすぐりのコラボレーターたちが、それぞれ個性的な声を提供し、困惑させるような音のエポックを予告している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZiúrのパレットは、プロジェクトの規模に合わせて進化させなければならなかったが、アルバムのトーンを決定づけたのは純粋に必要だったからだ。レコーディングは主に夜間に行われ、Ziúrは自分が出しているノイズを意識して、オーガニックなパーカッションを録音するユニークな方法を開発した。ロトタム(薄型のチューニング可能なドラム)を使い、彼女はスクラッチし、削り、優しく叩いて、各トラックのうねるような不安定なリズムの背景を作り上げた。冒頭の「Eyeroll」では、エルヴィン・ブランディの原始的なしゃがれ声と叫び声に対して、失われたビー玉のようにガラガラと音を立てている。そして、Brandhiのひねくれた表現が言葉になると、Ziúrはカオティックな衝撃音と飽和したエレクトロニクスの鋸歯状の爆風でそのエネルギーに対抗する。パリのGRMスタジオでモッシュピットを始めるかのように、「私は一番くだらないタバコを巻くの」と彼女は叫ぶ。シモ・セル、カール・ガリ、HVADとの作品に続く「Malikan」では、間髪入れずにアブドゥッラー・ミニアウィが登場し、腐食性のトランペットの爆音と、政治的に煽動的なアラビア語のヴォーカルを披露する。イスラム教以前の詩や、サウジアラビアとエジプトで育った彼が耳にしたクラーンの詠唱にインスパイアされた彼は、世界を横断する迷宮のような物語を紡ぎ、物理的・精神的な境界を同時に破壊する。2作目のコラボレーション『If The City Burns I Will Not Run』では、ミニアウィの範囲はさらに広がっている。\"もし雨が降って街が溺れれば \"と、彼はガス状のエレクトロニクスに乗せて口にする。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMove Onではマンチェスターのアイスボーイ・ヴァイオレットがしなやかなヴォーカルを披露し、「99 Favor Taste」では詩人でありDJでありアーティスト理論家でもあるジュリアナ・ハクスタブルがシュールなインタールードを披露している: Nontrivial Differential」と「Cut Cut Quote」である。前者では、彼女はジウールの骸骨のようなジャズの噴出に切り込み、ラップ・バトルとキャバレーの間を行き来しながら、絶叫したり口ずさんだりする。一方、後者では全く異なり、ブランディはフロントウーマンとしての役割に落ち着き、グランジとサイケデリック・ノー・ウェイヴを掛け合わせたような、めくるめく即興的なパッセージを唸らせる。彼女は多作なプロデューサーであり、2020年代半ばに父娘のインプロ・デュオ、Yeah Youでデビューして以来、自発的に声を使ってきた。彼女はジウールという理想的な箔を見つけた。彼女の落ち着きのないエネルギーと形式を曲げようとする意欲にマッチしたプロデューサーは、エイロールに忘れがたい足跡を残した。しかし、このアルバムで最も優しい瞬間は、ジウール自身によるものだ。「Hasty Revisionism」では、崩壊しそうなビートと流れ落ちるストリングスの上でうなり声を上げながらアルバムを盛り上げ、カントリーのコーダ「Lacrymaturity」で予期せぬ結末を迎える。カントリー・ミュージックと陶酔的で実験的なエレクトロニクスの熱狂的な融合は、最初は不調和に思えるかもしれないが、アルバムの他の部分と照らし合わせると、唯一可能な結論なのだ。EyerollでZiúrは、一体感、人間性、そしてすべてが失われたように見えるときの希望の再生について確固たる声明を出している。このように幅広く、しかし哲学的に調和したコラボレーター・チームを集めることで、彼女はクリエイティブなフリンジに明確に語りかける作品群を作り上げたのだ。今こそ、自分が知っていると思っていることを捨て去り、必要だと思っていなかった橋を架ける時だ。今こそ行動を起こす時なのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女は「クィア・アート」の独りよがりな罠を避けることに全キャリアを費やしてきたかもしれないが、音楽、政治、そしてそれ以上のものに対する多くの規範的な仮定に疑問を投げかける共同声明を組み立てることで、Ziúrはこれまでで最も奇妙なアルバムに巡り合ったのだ。ゾッとする?Eyeroll。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=836530939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyeroll feat Elvin Brandhi 04:02\u003c\/li\u003e\n\u003cli\u003eMalikan feat Abdullah Miniawy 04:08\u003c\/li\u003e\n\u003cli\u003eMove On feat Iceboy Violet 03:43\u003c\/li\u003e\n\u003cli\u003e99 Favor Taste feat Juliana Huxtable 00:57\u003c\/li\u003e\n\u003cli\u003eNontrivial Differential feat Elvin Brandhi 04:27\u003c\/li\u003e\n\u003cli\u003ePartygoodtime feat Ledef 00:09\u003c\/li\u003e\n\u003cli\u003eCut Cut Quote feat Elvin Brandhi 04:20\u003c\/li\u003e\n\u003cli\u003ePique 04:26\u003c\/li\u003e\n\u003cli\u003eIf The City Burns I Will Not Run feat Abdullah Miniawy \u0026amp; James Ginzburg 03:23\u003c\/li\u003e\n\u003cli\u003eHasty Revisionism 03:10\u003c\/li\u003e\n\u003cli\u003eLacrymaturity 02:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZiúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. \"I roll the shittiest cigarette,\" she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged, politically incendiary Arabic vocals. Inspired by pre-Islamic poetry and the Qu'ranic chanters he heard growing up in Saudi Arabia and Egypt, he spins labyrinthine stories that cross between the worlds, breaking down physical and spiritual borders simultaneously. Miniawy's scope is expanded even further on his second collaboration, 'If The City Burns I Will Not Run'. \"If it rains and the city drowns,\" he utters over gaseous electronics, \"I will not run away, but I will be anxious for the heart of one close to me.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a supple vocal turn from Manchester's Iceboy Violet on 'Move On' and a surreal interlude from poet- DJ-artist-theorist Juliana Huxtable on '99 Favor Taste', Brandhi returns with two more hyperactive collaborations: ,'Nontrivial Differential' and 'Cut Cut Quote'. On the former she slices into Ziúr's skeletal jazz eruptions, screaming and crooning interchangeably, fluxing between the rap battle and the cabaret. The latter is completely different meanwhile, with Brandhi settling into her role as front-woman and groaning dizzying improvised passages that sound like grunge crossed with psychedelic no-wave. Brandhi's spiky musical history has prepared her well for this collaboration; she's a prolific producer and has been using her voice spontaneously since debuting with father-daughter improv duo Yeah You in the mid 2020s. She's found an ideal foil in Ziúr, a producer who matches her restless energy and willingness to bend formality, and leaves an indelible mark on Eyeroll. But the album's most tender moments are from Ziúr herself, who winds the album down on 'Hasty Revisionism', growling over collapsable beats and cascading strings, and comes to an unexpected conclusion with country coda 'Lacrymaturity'. Its feverish amalgamation of country music and euphoric, experimental electronics might seem incongruous at first, but in context with the rest of the album is the only possible conclusion. With Eyeroll Ziúr is making a firm statement about togetherness, humanity, and the renewal of hope when all seems lost. By bringing together such a wide but philosophically harmonic team of collaborators, she's conducted a body of work that speaks to the creative fringe in no uncertain terms. Now's the time to throw away what you think you know, and build bridges you didn't think you need. Now's the time for action.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe may have spent her entire career avoiding the solipsistic trappings of \"queer art\", but by assembling a communal statement that questions so many normative assumptions about music, politics, and beyond, Ziúr has chanced upon her queerest album yet. Cringe? Eyeroll.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ziúr\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-09-24T09:43:14+09:00","created_at":"2023-09-23T13:52:57+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","techno \/ house"],"price":322000,"price_min":322000,"price_max":322000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44583445102842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ziúr \/\/ Eyeroll LP","public_title":null,"options":["Default Title"],"price":322000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778","\/\/tobirarecords.com\/cdn\/shop\/files\/ey3_90920ec3-7e42-434f-bb2d-dea83c4cdc7d.jpg?v=1695444779"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778","options":["Title"],"media":[{"alt":null,"id":32486582354170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey1_3871652f-5b8d-4e73-bc28-720e309eeabc.jpg?v=1695444778","width":700},{"alt":null,"id":32486582386938,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey3_90920ec3-7e42-434f-bb2d-dea83c4cdc7d.jpg?v=1695444779"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ey3_90920ec3-7e42-434f-bb2d-dea83c4cdc7d.jpg?v=1695444779","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験ビートメイカーZiúrが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e様々なシンガーやラッパーをゲストに迎えたレフトフィールド・テクノ〜レフトフィールド・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"世界は変わったのだ。私たちが孤独に閉じこもっている間に、私たちの日常は変化し、社会的なパターンは進化し、私たちの希望や夢は、私たちがまだ指から拭い去ろうとしている蜘蛛の巣にねじ曲げられた。前作『Antifate』は、革命の香りが漂う中、中世の逃避的ファンタジーを思い起こさせる野心的で複雑なハイブリッドポップ・フィーバードリームだった。しかし、規制が緩和されたとき、彼女は、電子レンジで加熱されたノスタルジーと離隔した麻薬的反復のスパイラルに自らを閉じ込めた混乱した社会を見つめていることに気づいた。EyerollはZiúrの音楽的万能薬であり、創造的な眠りから目を覚まし、外部とのつながりと内省を促すためのチンキ剤なのだ。エルヴィン・ブランディ、アブドーラ・ミニャウィ、アイスボーイ・ヴァイオレット、ジュリアナ・ハクスタブル、レデフ、ジェイムズ・ギンズブルグといったZiúrの選りすぐりのコラボレーターたちが、それぞれ個性的な声を提供し、困惑させるような音のエポックを予告している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eZiúrのパレットは、プロジェクトの規模に合わせて進化させなければならなかったが、アルバムのトーンを決定づけたのは純粋に必要だったからだ。レコーディングは主に夜間に行われ、Ziúrは自分が出しているノイズを意識して、オーガニックなパーカッションを録音するユニークな方法を開発した。ロトタム(薄型のチューニング可能なドラム)を使い、彼女はスクラッチし、削り、優しく叩いて、各トラックのうねるような不安定なリズムの背景を作り上げた。冒頭の「Eyeroll」では、エルヴィン・ブランディの原始的なしゃがれ声と叫び声に対して、失われたビー玉のようにガラガラと音を立てている。そして、Brandhiのひねくれた表現が言葉になると、Ziúrはカオティックな衝撃音と飽和したエレクトロニクスの鋸歯状の爆風でそのエネルギーに対抗する。パリのGRMスタジオでモッシュピットを始めるかのように、「私は一番くだらないタバコを巻くの」と彼女は叫ぶ。シモ・セル、カール・ガリ、HVADとの作品に続く「Malikan」では、間髪入れずにアブドゥッラー・ミニアウィが登場し、腐食性のトランペットの爆音と、政治的に煽動的なアラビア語のヴォーカルを披露する。イスラム教以前の詩や、サウジアラビアとエジプトで育った彼が耳にしたクラーンの詠唱にインスパイアされた彼は、世界を横断する迷宮のような物語を紡ぎ、物理的・精神的な境界を同時に破壊する。2作目のコラボレーション『If The City Burns I Will Not Run』では、ミニアウィの範囲はさらに広がっている。\"もし雨が降って街が溺れれば \"と、彼はガス状のエレクトロニクスに乗せて口にする。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMove Onではマンチェスターのアイスボーイ・ヴァイオレットがしなやかなヴォーカルを披露し、「99 Favor Taste」では詩人でありDJでありアーティスト理論家でもあるジュリアナ・ハクスタブルがシュールなインタールードを披露している: Nontrivial Differential」と「Cut Cut Quote」である。前者では、彼女はジウールの骸骨のようなジャズの噴出に切り込み、ラップ・バトルとキャバレーの間を行き来しながら、絶叫したり口ずさんだりする。一方、後者では全く異なり、ブランディはフロントウーマンとしての役割に落ち着き、グランジとサイケデリック・ノー・ウェイヴを掛け合わせたような、めくるめく即興的なパッセージを唸らせる。彼女は多作なプロデューサーであり、2020年代半ばに父娘のインプロ・デュオ、Yeah Youでデビューして以来、自発的に声を使ってきた。彼女はジウールという理想的な箔を見つけた。彼女の落ち着きのないエネルギーと形式を曲げようとする意欲にマッチしたプロデューサーは、エイロールに忘れがたい足跡を残した。しかし、このアルバムで最も優しい瞬間は、ジウール自身によるものだ。「Hasty Revisionism」では、崩壊しそうなビートと流れ落ちるストリングスの上でうなり声を上げながらアルバムを盛り上げ、カントリーのコーダ「Lacrymaturity」で予期せぬ結末を迎える。カントリー・ミュージックと陶酔的で実験的なエレクトロニクスの熱狂的な融合は、最初は不調和に思えるかもしれないが、アルバムの他の部分と照らし合わせると、唯一可能な結論なのだ。EyerollでZiúrは、一体感、人間性、そしてすべてが失われたように見えるときの希望の再生について確固たる声明を出している。このように幅広く、しかし哲学的に調和したコラボレーター・チームを集めることで、彼女はクリエイティブなフリンジに明確に語りかける作品群を作り上げたのだ。今こそ、自分が知っていると思っていることを捨て去り、必要だと思っていなかった橋を架ける時だ。今こそ行動を起こす時なのだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e彼女は「クィア・アート」の独りよがりな罠を避けることに全キャリアを費やしてきたかもしれないが、音楽、政治、そしてそれ以上のものに対する多くの規範的な仮定に疑問を投げかける共同声明を組み立てることで、Ziúrはこれまでで最も奇妙なアルバムに巡り合ったのだ。ゾッとする?Eyeroll。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=836530939\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEyeroll feat Elvin Brandhi 04:02\u003c\/li\u003e\n\u003cli\u003eMalikan feat Abdullah Miniawy 04:08\u003c\/li\u003e\n\u003cli\u003eMove On feat Iceboy Violet 03:43\u003c\/li\u003e\n\u003cli\u003e99 Favor Taste feat Juliana Huxtable 00:57\u003c\/li\u003e\n\u003cli\u003eNontrivial Differential feat Elvin Brandhi 04:27\u003c\/li\u003e\n\u003cli\u003ePartygoodtime feat Ledef 00:09\u003c\/li\u003e\n\u003cli\u003eCut Cut Quote feat Elvin Brandhi 04:20\u003c\/li\u003e\n\u003cli\u003ePique 04:26\u003c\/li\u003e\n\u003cli\u003eIf The City Burns I Will Not Run feat Abdullah Miniawy \u0026amp; James Ginzburg 03:23\u003c\/li\u003e\n\u003cli\u003eHasty Revisionism 03:10\u003c\/li\u003e\n\u003cli\u003eLacrymaturity 02:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZiúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. \"I roll the shittiest cigarette,\" she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged, politically incendiary Arabic vocals. Inspired by pre-Islamic poetry and the Qu'ranic chanters he heard growing up in Saudi Arabia and Egypt, he spins labyrinthine stories that cross between the worlds, breaking down physical and spiritual borders simultaneously. Miniawy's scope is expanded even further on his second collaboration, 'If The City Burns I Will Not Run'. \"If it rains and the city drowns,\" he utters over gaseous electronics, \"I will not run away, but I will be anxious for the heart of one close to me.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter a supple vocal turn from Manchester's Iceboy Violet on 'Move On' and a surreal interlude from poet- DJ-artist-theorist Juliana Huxtable on '99 Favor Taste', Brandhi returns with two more hyperactive collaborations: ,'Nontrivial Differential' and 'Cut Cut Quote'. On the former she slices into Ziúr's skeletal jazz eruptions, screaming and crooning interchangeably, fluxing between the rap battle and the cabaret. The latter is completely different meanwhile, with Brandhi settling into her role as front-woman and groaning dizzying improvised passages that sound like grunge crossed with psychedelic no-wave. Brandhi's spiky musical history has prepared her well for this collaboration; she's a prolific producer and has been using her voice spontaneously since debuting with father-daughter improv duo Yeah You in the mid 2020s. She's found an ideal foil in Ziúr, a producer who matches her restless energy and willingness to bend formality, and leaves an indelible mark on Eyeroll. But the album's most tender moments are from Ziúr herself, who winds the album down on 'Hasty Revisionism', growling over collapsable beats and cascading strings, and comes to an unexpected conclusion with country coda 'Lacrymaturity'. Its feverish amalgamation of country music and euphoric, experimental electronics might seem incongruous at first, but in context with the rest of the album is the only possible conclusion. With Eyeroll Ziúr is making a firm statement about togetherness, humanity, and the renewal of hope when all seems lost. By bringing together such a wide but philosophically harmonic team of collaborators, she's conducted a body of work that speaks to the creative fringe in no uncertain terms. Now's the time to throw away what you think you know, and build bridges you didn't think you need. Now's the time for action.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShe may have spent her entire career avoiding the solipsistic trappings of \"queer art\", but by assembling a communal statement that questions so many normative assumptions about music, politics, and beyond, Ziúr has chanced upon her queerest album yet. Cringe? Eyeroll.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ziúr\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ドイツ・ベルリンの実験ビートメイカーZiúrが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。 様々なシンガーやラッパーをゲストに迎えたレフトフィールド・テクノ〜レフトフィールド・ヒップホップ11曲を収録。 以下、レーベルによる解説です。 "世界は変わったのだ。私たちが孤独に閉じこもっている間に、私たちの日常は変化し、社会的なパターンは進化し、私たちの希望や夢は、私たちがまだ指から拭い去ろうとしている蜘蛛の巣にねじ曲げられた。前作『Antifate』は、革命の香りが漂う中、中世の逃避的ファンタジーを思い起こさせる野心的で複雑なハイブリッドポップ・フィーバードリームだった。しかし、規制が緩和されたとき、彼女は、電子レンジで加熱されたノスタルジーと離隔した麻薬的反復のスパイラルに自らを閉じ込めた混乱した社会を見つめていることに気づいた。EyerollはZiúrの音楽的万能薬であり、創造的な眠りから目を覚まし、外部とのつながりと内省を促すためのチンキ剤なのだ。エルヴィン・ブランディ、アブドーラ・ミニャウィ、アイスボーイ・ヴァイオレット、ジュリアナ・ハクスタブル、レデフ、ジェイムズ・ギンズブルグといったZiúrの選りすぐりのコラボレーターたちが、それぞれ個性的な声を提供し、困惑させるような音のエポックを予告している。Ziúrのパレットは、プロジェクトの規模に合わせて進化させなければならなかったが、アルバムのトーンを決定づけたのは純粋に必要だったからだ。レコーディングは主に夜間に行われ、Ziúrは自分が出しているノイズを意識して、オーガニックなパーカッションを録音するユニークな方法を開発した。ロトタム(薄型のチューニング可能なドラム)を使い、彼女はスクラッチし、削り、優しく叩いて、各トラックのうねるような不安定なリズムの背景を作り上げた。冒頭の「Eyeroll」では、エルヴィン・ブランディの原始的なしゃがれ声と叫び声に対して、失われたビー玉のようにガラガラと音を立てている。そして、Brandhiのひねくれた表現が言葉になると、Ziúrはカオティックな衝撃音と飽和したエレクトロニクスの鋸歯状の爆風でそのエネルギーに対抗する。パリのGRMスタジオでモッシュピットを始めるかのように、「私は一番くだらないタバコを巻くの」と彼女は叫ぶ。シモ・セル、カール・ガリ、HVADとの作品に続く「Malikan」では、間髪入れずにアブドゥッラー・ミニアウィが登場し、腐食性のトランペットの爆音と、政治的に煽動的なアラビア語のヴォーカルを披露する。イスラム教以前の詩や、サウジアラビアとエジプトで育った彼が耳にしたクラーンの詠唱にインスパイアされた彼は、世界を横断する迷宮のような物語を紡ぎ、物理的・精神的な境界を同時に破壊する。2作目のコラボレーション『If The City Burns I Will Not Run』では、ミニアウィの範囲はさらに広がっている。"もし雨が降って街が溺れれば "と、彼はガス状のエレクトロニクスに乗せて口にする。Move Onではマンチェスターのアイスボーイ・ヴァイオレットがしなやかなヴォーカルを披露し、「99...
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{"id":8023600365818,"title":"Aunty Rayzor \/\/ Viral Wreckage LP [COLOR]","handle":"aunty-rayzor-viral-wreckage-lp-color","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eナイジェリア・ラゴスのラッパーAunty Rayzorが、2023年9月にウガンダ・カンパラのダンスレーベル\u003cmeta charset=\"utf-8\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアヴァンR\u0026amp;B〜アフロビート〜トラップ12曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBisola Olungbengaが作曲を始めたのは、わずか9歳のときだった。ピアノを弾く母親に励まされ、学校から帰ると妹と競い合い、お菓子のご褒美に詩やコーラスを考えた。以来、\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ヒップホップ、アフロビート、R\u0026amp;Bに実験的なサウンドを融合させ、現代のラゴスをエネルギッシュに描き出す、ジャンルを超えた革新者であり、ナイジェリアで最も勢いのある新進アーティストのひとり、Aunty Rayzorへと進化を遂げた。Viral Wreckageは\u003cmeta charset=\"utf-8\"\u003eOlungbengaのデビューアルバムで、2021年に発表したストリートアンセムKuku Coronaの大ヒットに続く作品である。今回は、彼女のビジョンを実現するために、世界で最もエキサイティングなプロデューサーたちを集めた: コンゴのシンガー、ギタリスト、プロデューサーであるティティ・バコルタ、ウガンダの若手プロデューサー、イル・ジー、日本のベテラン・イノベーター、スコッチ・ロレックス、サンパウロを拠点とするバイレ・ファンク・プロデューサー、DJクリス・フォンテドファンク、フランスのビートメイカー、デブマスター、ナイジェリアのシンガー兼プロデューサー、スリムケース、そしてケニアのアヴァンポップ・フューチャリスト、カベアウシェだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、スコッチ・ロレックスのクロムメッキされたトラップをバックに、ヨルバ語と英語で自己主張の強いラップを繰り広げる。ケニア/ウガンダのアンダーグラウンド・スター、MC Yallahとのプロデューサーの仕事から遠く離れてはいないが、Aunty Rayzorの煽情的で舌を巻くようなラップは、リスナーを定義するのが難しい音楽表現へと誘い、「Doko」に突入するとさらに広がりを見せる。ウィズキッドやミスター・イージといったナイジェリアのスーパースターとコラボしたスリムケースをフィーチャーしたこのトラックは、スウィングする西アフリカのリズムとスリムケースとレイザーの複雑な詩学が溶け合っている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、DJクリス・フォンテドファンクによる腐敗したネオ・バイレのシャッフルの上で囁くように歌う、このアルバムで最もダンスフロア向きのカットのひとつである'Bounce'で、また違ったモードに移行する。サンパウロは今、世界で最も勢いのあるダンスミュージックを生み出しており、レイザーがヴォーカルをとることで、2つの大陸の重要なストリートミュージックを繋ぐ、予想通りの爆発的な作品に仕上がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近Nyege Nyegeと契約したティティ・バコルタは、「Fall Back」で\u003cmeta charset=\"utf-8\"\u003eOlungbengaをまた違ったゾーンへと導き、レイザーの高らかなボーカルを完璧に引き立てる低音のギターリフでヴィンテージ・アフロビートとリンクさせている。バコルタの歌声は完璧な箔付けとなっており、懐古主義的に聞こえることなく、ナイジェリアの歴史を遡る伝統をトラックの中心に据えている。Kabeaushéは「You not worth of my love」でも同様の賛辞を送り、Rayzorのオートチューン風の韻を踏んだ新鮮なアヴァン・R\u0026amp;Bに仕上げている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ナイジェリア人としてのアイデンティティを犠牲にすることなく、幅広い音楽的革新の世界からサウンドを取り込み、折衷的でありながら鋭く焦点を絞ることができる。このアルバムは、ほとんど何の苦労もなく創造的であり、もっと大きなプラットフォームにふさわしいアーティストの心からのストレートなメッセージである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504739552\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent red vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStuttrap 01:47\u003c\/li\u003e\n\u003cli\u003eDoko feat Slimcase 03:55\u003c\/li\u003e\n\u003cli\u003eNina 02:08\u003c\/li\u003e\n\u003cli\u003eBounce 02:20\u003c\/li\u003e\n\u003cli\u003eNever 02:21\u003c\/li\u003e\n\u003cli\u003eTiti Bakorta - Fall Back feat Titi Bakorta 04:00\u003c\/li\u003e\n\u003cli\u003eTobaya 02:12\u003c\/li\u003e\n\u003cli\u003eMelodious Monk 02:34\u003c\/li\u003e\n\u003cli\u003eYou Not Worthy of My Love 02:18\u003c\/li\u003e\n\u003cli\u003eTonedo 02:10\u003c\/li\u003e\n\u003cli\u003eMurder 02:16\u003c\/li\u003e\n\u003cli\u003eSise feat Titi Bakorta 02:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBisola Olungbenga was just nine years old when she started writing music. Encouraged by her piano playing mom, she would come home from school and compete with her sister, dreaming up verses and choruses for rewards of candy. Since then, Olungbenga has evolved into Aunty Razyor, one of Nigeria's most vibrant emerging artists - a cross-genre innovator who blends hip-hop, Afrobeat, R\u0026amp;B and experimental sounds into an energetic portrait of contemporary Lagos. \"Viral Wreckage\" is Olungbenga's debut album, and follows the breakout success of her viral 2021 street anthem 'Kuku Corona'. This time she's assembled a lineup of some of the world's most exciting producers to help realize her vision: Congolese singer, guitarist and producer Titi Bakorta, young Ugandan producer Ill Gee, veteran Japanese innovator Scotch Rolex, São Paulo-based baile funk producer DJ Cris Fontedofunk, French beatmaker Debmaster, Nigerian singer and producer Slimcase, and Kenyan avant pop futurist Kabeaushé.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stuttrap' is the first blast of sound we hear, and Olungbenga quickly pilots us into her sonic universe, rapping assertively in Yoruba and English over Scotch Rolex's chrome-plated trap backdrop. It's not far removed from the producer's work with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Kenyan\/Ugandan underground star MC Yallah, but Aunty Rayzor's incendiary, tongue-twisting raps coax listeners into a musical expression that's hard to define and only gets more expansive when we hit 'Doko'. Featuring Slimcase, who's collaborated with Nigerian superstars like Wizkid and Mr Eazi, this track melts together swinging West African rhythms with complex poetics from both Slimcase and Rayzor. Olungbenga slips into a different mode again on 'Bounce' - one of the album's most dancefloor-ready cuts - almost whispering over a corrosive neo-baile shuffle from DJ Cris Fontedofunk. São Paulo is responsible for some of the world's most effervescent dance music right now, and with Rayzor on vocals the result is predictably explosive, making connections between vital street music from two separate continents.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecent Nyege Nyege signing Titi Bakorta brings Olungbenga into another different zone on 'Fall Back', linking to vintage Afrobeat with low-slung guitar riffs that perfectly compliment Rayzor's soaring vocals. Bakorta's voice is the perfect foil, centering the track in traditions that stretch back through Nigerian history without sounding nostalgic. Kabeaushé hits a similarly complimentary note on 'You not worthy of my love', twisting Rayzor's AutoTune-mangled rhymes into fresh-faced avant R\u0026amp;B that sits a few paces from the mainstream without losing its infectious sing-along quality. And that's the key to unravelling \"Viral Wreckage\" - Olungbenga is able to be eclectic but sharply focused, bringing in sounds from across a wide world of musical innovation without sacrificing her Nigerian identity. It's an album that's almost effortlessly creative, and one that comes straight from the heart of an artist who's deserves a way larger platform.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aunty Rayzor\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-09-24T09:36:36+09:00","created_at":"2023-09-23T13:50:18+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp"],"price":308900,"price_min":308900,"price_max":308900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44583441301754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Aunty Rayzor \/\/ Viral Wreckage LP [COLOR]","public_title":null,"options":["Default Title"],"price":308900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620","\/\/tobirarecords.com\/cdn\/shop\/files\/vi2_3512bc92-d40c-447b-a2d8-ce02d68315da.jpg?v=1695444620"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620","options":["Title"],"media":[{"alt":null,"id":32486574129402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_48680456-a44f-40e8-8b27-005a8e9d889a.jpg?v=1695444620","width":700},{"alt":null,"id":32486574162170,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vi2_3512bc92-d40c-447b-a2d8-ce02d68315da.jpg?v=1695444620"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vi2_3512bc92-d40c-447b-a2d8-ce02d68315da.jpg?v=1695444620","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eナイジェリア・ラゴスのラッパーAunty Rayzorが、2023年9月にウガンダ・カンパラのダンスレーベル\u003cmeta charset=\"utf-8\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアヴァンR\u0026amp;B〜アフロビート〜トラップ12曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBisola Olungbengaが作曲を始めたのは、わずか9歳のときだった。ピアノを弾く母親に励まされ、学校から帰ると妹と競い合い、お菓子のご褒美に詩やコーラスを考えた。以来、\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ヒップホップ、アフロビート、R\u0026amp;Bに実験的なサウンドを融合させ、現代のラゴスをエネルギッシュに描き出す、ジャンルを超えた革新者であり、ナイジェリアで最も勢いのある新進アーティストのひとり、Aunty Rayzorへと進化を遂げた。Viral Wreckageは\u003cmeta charset=\"utf-8\"\u003eOlungbengaのデビューアルバムで、2021年に発表したストリートアンセムKuku Coronaの大ヒットに続く作品である。今回は、彼女のビジョンを実現するために、世界で最もエキサイティングなプロデューサーたちを集めた: コンゴのシンガー、ギタリスト、プロデューサーであるティティ・バコルタ、ウガンダの若手プロデューサー、イル・ジー、日本のベテラン・イノベーター、スコッチ・ロレックス、サンパウロを拠点とするバイレ・ファンク・プロデューサー、DJクリス・フォンテドファンク、フランスのビートメイカー、デブマスター、ナイジェリアのシンガー兼プロデューサー、スリムケース、そしてケニアのアヴァンポップ・フューチャリスト、カベアウシェだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、スコッチ・ロレックスのクロムメッキされたトラップをバックに、ヨルバ語と英語で自己主張の強いラップを繰り広げる。ケニア/ウガンダのアンダーグラウンド・スター、MC Yallahとのプロデューサーの仕事から遠く離れてはいないが、Aunty Rayzorの煽情的で舌を巻くようなラップは、リスナーを定義するのが難しい音楽表現へと誘い、「Doko」に突入するとさらに広がりを見せる。ウィズキッドやミスター・イージといったナイジェリアのスーパースターとコラボしたスリムケースをフィーチャーしたこのトラックは、スウィングする西アフリカのリズムとスリムケースとレイザーの複雑な詩学が溶け合っている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、DJクリス・フォンテドファンクによる腐敗したネオ・バイレのシャッフルの上で囁くように歌う、このアルバムで最もダンスフロア向きのカットのひとつである'Bounce'で、また違ったモードに移行する。サンパウロは今、世界で最も勢いのあるダンスミュージックを生み出しており、レイザーがヴォーカルをとることで、2つの大陸の重要なストリートミュージックを繋ぐ、予想通りの爆発的な作品に仕上がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最近Nyege Nyegeと契約したティティ・バコルタは、「Fall Back」で\u003cmeta charset=\"utf-8\"\u003eOlungbengaをまた違ったゾーンへと導き、レイザーの高らかなボーカルを完璧に引き立てる低音のギターリフでヴィンテージ・アフロビートとリンクさせている。バコルタの歌声は完璧な箔付けとなっており、懐古主義的に聞こえることなく、ナイジェリアの歴史を遡る伝統をトラックの中心に据えている。Kabeaushéは「You not worth of my love」でも同様の賛辞を送り、Rayzorのオートチューン風の韻を踏んだ新鮮なアヴァン・R\u0026amp;Bに仕上げている。\u003cmeta charset=\"utf-8\"\u003eOlungbengaは、ナイジェリア人としてのアイデンティティを犠牲にすることなく、幅広い音楽的革新の世界からサウンドを取り込み、折衷的でありながら鋭く焦点を絞ることができる。このアルバムは、ほとんど何の苦労もなく創造的であり、もっと大きなプラットフォームにふさわしいアーティストの心からのストレートなメッセージである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504739552\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent red vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStuttrap 01:47\u003c\/li\u003e\n\u003cli\u003eDoko feat Slimcase 03:55\u003c\/li\u003e\n\u003cli\u003eNina 02:08\u003c\/li\u003e\n\u003cli\u003eBounce 02:20\u003c\/li\u003e\n\u003cli\u003eNever 02:21\u003c\/li\u003e\n\u003cli\u003eTiti Bakorta - Fall Back feat Titi Bakorta 04:00\u003c\/li\u003e\n\u003cli\u003eTobaya 02:12\u003c\/li\u003e\n\u003cli\u003eMelodious Monk 02:34\u003c\/li\u003e\n\u003cli\u003eYou Not Worthy of My Love 02:18\u003c\/li\u003e\n\u003cli\u003eTonedo 02:10\u003c\/li\u003e\n\u003cli\u003eMurder 02:16\u003c\/li\u003e\n\u003cli\u003eSise feat Titi Bakorta 02:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBisola Olungbenga was just nine years old when she started writing music. Encouraged by her piano playing mom, she would come home from school and compete with her sister, dreaming up verses and choruses for rewards of candy. Since then, Olungbenga has evolved into Aunty Razyor, one of Nigeria's most vibrant emerging artists - a cross-genre innovator who blends hip-hop, Afrobeat, R\u0026amp;B and experimental sounds into an energetic portrait of contemporary Lagos. \"Viral Wreckage\" is Olungbenga's debut album, and follows the breakout success of her viral 2021 street anthem 'Kuku Corona'. This time she's assembled a lineup of some of the world's most exciting producers to help realize her vision: Congolese singer, guitarist and producer Titi Bakorta, young Ugandan producer Ill Gee, veteran Japanese innovator Scotch Rolex, São Paulo-based baile funk producer DJ Cris Fontedofunk, French beatmaker Debmaster, Nigerian singer and producer Slimcase, and Kenyan avant pop futurist Kabeaushé.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stuttrap' is the first blast of sound we hear, and Olungbenga quickly pilots us into her sonic universe, rapping assertively in Yoruba and English over Scotch Rolex's chrome-plated trap backdrop. It's not far removed from the producer's work with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Kenyan\/Ugandan underground star MC Yallah, but Aunty Rayzor's incendiary, tongue-twisting raps coax listeners into a musical expression that's hard to define and only gets more expansive when we hit 'Doko'. Featuring Slimcase, who's collaborated with Nigerian superstars like Wizkid and Mr Eazi, this track melts together swinging West African rhythms with complex poetics from both Slimcase and Rayzor. Olungbenga slips into a different mode again on 'Bounce' - one of the album's most dancefloor-ready cuts - almost whispering over a corrosive neo-baile shuffle from DJ Cris Fontedofunk. São Paulo is responsible for some of the world's most effervescent dance music right now, and with Rayzor on vocals the result is predictably explosive, making connections between vital street music from two separate continents.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecent Nyege Nyege signing Titi Bakorta brings Olungbenga into another different zone on 'Fall Back', linking to vintage Afrobeat with low-slung guitar riffs that perfectly compliment Rayzor's soaring vocals. Bakorta's voice is the perfect foil, centering the track in traditions that stretch back through Nigerian history without sounding nostalgic. Kabeaushé hits a similarly complimentary note on 'You not worthy of my love', twisting Rayzor's AutoTune-mangled rhymes into fresh-faced avant R\u0026amp;B that sits a few paces from the mainstream without losing its infectious sing-along quality. And that's the key to unravelling \"Viral Wreckage\" - Olungbenga is able to be eclectic but sharply focused, bringing in sounds from across a wide world of musical innovation without sacrificing her Nigerian identity. It's an album that's almost effortlessly creative, and one that comes straight from the heart of an artist who's deserves a way larger platform.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aunty Rayzor\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ナイジェリア・ラゴスのラッパーAunty Rayzorが、2023年9月にウガンダ・カンパラのダンスレーベルHakuna Kulalaからリリースしたレコードです。 アヴァンR&B〜アフロビート〜トラップ12曲を収録。赤盤です。 以下、レーベルによる解説です。 "Bisola Olungbengaが作曲を始めたのは、わずか9歳のときだった。ピアノを弾く母親に励まされ、学校から帰ると妹と競い合い、お菓子のご褒美に詩やコーラスを考えた。以来、Olungbengaは、ヒップホップ、アフロビート、R&Bに実験的なサウンドを融合させ、現代のラゴスをエネルギッシュに描き出す、ジャンルを超えた革新者であり、ナイジェリアで最も勢いのある新進アーティストのひとり、Aunty Rayzorへと進化を遂げた。Viral WreckageはOlungbengaのデビューアルバムで、2021年に発表したストリートアンセムKuku Coronaの大ヒットに続く作品である。今回は、彼女のビジョンを実現するために、世界で最もエキサイティングなプロデューサーたちを集めた: コンゴのシンガー、ギタリスト、プロデューサーであるティティ・バコルタ、ウガンダの若手プロデューサー、イル・ジー、日本のベテラン・イノベーター、スコッチ・ロレックス、サンパウロを拠点とするバイレ・ファンク・プロデューサー、DJクリス・フォンテドファンク、フランスのビートメイカー、デブマスター、ナイジェリアのシンガー兼プロデューサー、スリムケース、そしてケニアのアヴァンポップ・フューチャリスト、カベアウシェだ。Olungbengaは、スコッチ・ロレックスのクロムメッキされたトラップをバックに、ヨルバ語と英語で自己主張の強いラップを繰り広げる。ケニア/ウガンダのアンダーグラウンド・スター、MC Yallahとのプロデューサーの仕事から遠く離れてはいないが、Aunty Rayzorの煽情的で舌を巻くようなラップは、リスナーを定義するのが難しい音楽表現へと誘い、「Doko」に突入するとさらに広がりを見せる。ウィズキッドやミスター・イージといったナイジェリアのスーパースターとコラボしたスリムケースをフィーチャーしたこのトラックは、スウィングする西アフリカのリズムとスリムケースとレイザーの複雑な詩学が溶け合っている。Olungbengaは、DJクリス・フォンテドファンクによる腐敗したネオ・バイレのシャッフルの上で囁くように歌う、このアルバムで最もダンスフロア向きのカットのひとつである'Bounce'で、また違ったモードに移行する。サンパウロは今、世界で最も勢いのあるダンスミュージックを生み出しており、レイザーがヴォーカルをとることで、2つの大陸の重要なストリートミュージックを繋ぐ、予想通りの爆発的な作品に仕上がっている。最近Nyege Nyegeと契約したティティ・バコルタは、「Fall...
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{"id":8011727634682,"title":"Titi Bakorta \/\/ Molende LP","handle":"titi-bakorta-molende-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコンゴのマルチ奏者/ポップ作家Titi Bakortaが、2023年8月にNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKop'では、木版画のスナップを吃音(きつおん)のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR\u0026amp;Bの間を、彼のチャントとフレーズがきれいに飛び交う。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QxEHCcKaqJs?si=hplsdpx8azZ70Ht5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165565195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElles Vais 04:44\u003c\/li\u003e\n\u003cli\u003eMolende 03:35\u003c\/li\u003e\n\u003cli\u003eKop 02:47\u003c\/li\u003e\n\u003cli\u003eLaisse Moi Dancer 03:29\u003c\/li\u003e\n\u003cli\u003eGrand Kasai 05:18\u003c\/li\u003e\n\u003cli\u003eLibala Makambo 02:38\u003c\/li\u003e\n\u003cli\u003eNdima Kaka 04:29\u003c\/li\u003e\n\u003cli\u003eNyonso Epesameli Nga 03:04\u003c\/li\u003e\n\u003cli\u003eMotema 03:08\u003c\/li\u003e\n\u003cli\u003eTiti's Haunted House (ft Metal Preyers) 03:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiti Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell of the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R\u0026amp;B. \"Hustling, hustling, hustling, everyday I'm hustling,\" an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds. This closes an album that's able to flaunt Congolese pop and folk sounds behind a vivid gauze of inventive production and songwriting quirks, introducing one of the country's most innovative talents.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-08-27T18:28:24+09:00","created_at":"2023-08-27T17:11:30+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","lp"],"price":305000,"price_min":305000,"price_max":305000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44522091315450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Titi Bakorta \/\/ Molende LP","public_title":null,"options":["Default Title"],"price":305000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","options":["Title"],"media":[{"alt":null,"id":32379443020026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol1.jpg?v=1693123892","width":700},{"alt":null,"id":32379443052794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mol2.jpg?v=1693123892","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコンゴのマルチ奏者/ポップ作家Titi Bakortaが、2023年8月にNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKop'では、木版画のスナップを吃音(きつおん)のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR\u0026amp;Bの間を、彼のチャントとフレーズがきれいに飛び交う。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QxEHCcKaqJs?si=hplsdpx8azZ70Ht5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165565195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElles Vais 04:44\u003c\/li\u003e\n\u003cli\u003eMolende 03:35\u003c\/li\u003e\n\u003cli\u003eKop 02:47\u003c\/li\u003e\n\u003cli\u003eLaisse Moi Dancer 03:29\u003c\/li\u003e\n\u003cli\u003eGrand Kasai 05:18\u003c\/li\u003e\n\u003cli\u003eLibala Makambo 02:38\u003c\/li\u003e\n\u003cli\u003eNdima Kaka 04:29\u003c\/li\u003e\n\u003cli\u003eNyonso Epesameli Nga 03:04\u003c\/li\u003e\n\u003cli\u003eMotema 03:08\u003c\/li\u003e\n\u003cli\u003eTiti's Haunted House (ft Metal Preyers) 03:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiti Bakorta almost didn't make it. Born in and raised in Kinshasa, the Congolese multi-instrumentalist was on his way to Uganda when he fell of the boat as it traversed the mighty Congo River. Unable to swim, Bakorta was saved by a friend who dragged him to the closest city Kisangani, where he was unexpectedly acquainted with local singer Dancer Papalas. Soon they were performing in bands together, traveling across the continents and settling in Tanzania, South Sudan and Dubai - they even appeared in front of General Defao, the beloved Congolese vocalist who fronted legendary soukous bands Grand Zaiko Wawa, Choc Stars and Big Stars. Now based in Kampala, Bakorta offers his own unique take on Congolese pop and folk sounds, weaving traditional elements through a psychedelic lattice of guitar loops, mangled voices and eccentric beatbox rhythms on his debut full-length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHe bends woodblock snaps on 'Kop' into stuttered blurs, wailing emotionally over twanging riffs and bizarre, theatrical xylophone twinkles. It's still pop music on some level, but curved around Bakorta's unwieldy personal narrative - there's a sense that everything could unravel at any time but it all hangs together, strengthened by Bakorta's confident, contemporary\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e production smarts. 'Elles Vais' is more airy, with celestial soukous vocals that float above tight, electronic drums. Tangled guitar echoes overlap each other like dense, weaved tapestries, contrasting perfectly with Bakorta's urgent, driving pulse. Occasionally, he transcends completely, like on 'Molende' where his chants and phrases neatly flutter between praise music and contemporary R\u0026amp;B. \"Hustling, hustling, hustling, everyday I'm hustling,\" an angelic voice coos over phased electric guitar plucks and looped, AutoTuned chorals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt makes perfect sense that Bakorta should team up with Metal Preyers' Jesse Hackett on the album's final track, the aptly-titled 'Titis Haunted House'. The two artists share a similar obsession with moonlit, carnivalesque soundscapes, and Hackett's eerie synths provide a suitably eccentric foundation for Bakorta's ghostly wails and fuzzy guitar sounds. This closes an album that's able to flaunt Congolese pop and folk sounds behind a vivid gauze of inventive production and songwriting quirks, introducing one of the country's most innovative talents.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Titi Bakorta\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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コンゴのマルチ奏者/ポップ作家Titi Bakortaが、2023年8月にNyege Nyege Tapesからリリースしたレコードです。 以下、レーベルによる解説です "Titi Bakortaは危うく助からないところだった。キンシャサで生まれ育ったコンゴ人のマルチ奏者は、ウガンダに向かう途中、大河コンゴ川を横断中にボートから落ちた。泳げなかったBakortaは友人に救われ、最寄りの都市キサンガニまで引きずられ、そこで思いがけず地元のシンガーダンサー・パパラスと知り合った。すぐに彼らは一緒にバンドを組み、大陸を渡り歩き、タンザニア、南スーダン、ドバイに定住し、伝説的なスークス・バンド、グランド・ザイコ・ワワ、チョック・スターズ、ビッグ・スターズの前座を務めたコンゴの愛すべきヴォーカリスト、ジェネラル・デファオの前にも姿を現した。現在カンパラを拠点に活動するバコルタは、コンゴのポップスやフォーク・サウンドに独自のテイストを加え、伝統的な要素をサイケデリックなギター・ループの格子や揶揄されるような声、エキセントリックなビートボックスのリズムに織り交ぜたデビュー作を発表している。Kop'では、木版画のスナップを吃音(きつおん)のようなぼやけ方に曲げ、うねるようなリフと奇妙で芝居がかった木琴のきらめきの上で感情的に泣き叫ぶ。これは、あるレベルではまだポップミュージックだが、Bakortaの扱いにくい個人的な物語を中心に湾曲している。いつすべてが崩壊してもおかしくないような感覚があるが、Bakortaの自信に満ちた現代的なプロダクションの賢さによって、すべてがうまくまとまっている。Elles Vaisは、タイトでエレクトロニックなドラムの上に浮かぶ天空のようなスーク・ヴォーカルで、より風通しが良い。絡み合ったギターのエコーが、密やかに織り上げられたタペストリーのように重なり合い、Bakortaの切迫したドライブするパルスと完璧なコントラストをなしている。Molendeでは、賛美音楽とコンテンポラリーなR&Bの間を、彼のチャントとフレーズがきれいに飛び交う。アルバムのラストトラックであるTitis Haunted Houseで、Bakortaがメタル・プレイヤーズのジェシー・ハケットと組んだのも納得がいく。ハケットの不気味なシンセは、バコルタの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。ハケットの不気味なシンセが、Bakortaの幽霊のような慟哭とファジーなギターサウンドにふさわしいエキセントリックな土台を提供している。このアルバムは、コンゴのポップとフォーク・サウンドを、独創的なプロダクションとソングライティングの奇抜さの鮮やかな紗の後ろで誇示することができ、コンゴで最も革新的な才能の1人を紹介している。" レーベルその他作品はこちら /// Click here to see more...
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{"id":7987865485562,"title":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","handle":"normal-nada-the-krakmaxter-tribal-progressive-heavy-metal-lp","description":"\u003cp\u003e西アフリカ・ギニアビサウ出身ポルトガル・リスボン在住のレフトフィールド・ダンス作家Normal Nada the Krakmaxterが、2023年6月にウガンダのレフトフィールドレーベル\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアフリカ音楽をルーツにしながらベースやレイブ要素を取り入れた10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-06-24T08:33:13+09:00","created_at":"2023-06-23T19:33:35+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":284000,"price_min":284000,"price_max":284000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295055540474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Normal Nada the Krakmaxter \/\/ Tribal Progressive Heavy Metal LP","public_title":null,"options":["Default Title"],"price":284000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417","\/\/tobirarecords.com\/cdn\/shop\/files\/he2_fee3da4e-9cd3-414d-9b83-1b262bc5a4c4.jpg?v=1687516417"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417","options":["Title"],"media":[{"alt":null,"id":32146966544634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_31f22349-9df1-477b-abbc-0ffea60f2f9f.jpg?v=1687516417","width":700},{"alt":null,"id":32146966577402,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_fee3da4e-9cd3-414d-9b83-1b262bc5a4c4.jpg?v=1687516417"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_fee3da4e-9cd3-414d-9b83-1b262bc5a4c4.jpg?v=1687516417","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e西アフリカ・ギニアビサウ出身ポルトガル・リスボン在住のレフトフィールド・ダンス作家Normal Nada the Krakmaxterが、2023年6月にウガンダのレフトフィールドレーベル\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアフリカ音楽をルーツにしながらベースやレイブ要素を取り入れた10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791834061\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep \"Transmutação Cerebral\" he has finally assembled his long-awaited debut album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"TRIBAL PROGRESSIVE HEAVY METAL\" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to the album is like channel hopping\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4\/4 beats and unsettled subs.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBorn and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Nada the Krakmaxter\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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西アフリカ・ギニアビサウ出身ポルトガル・リスボン在住のレフトフィールド・ダンス作家Normal Nada the Krakmaxterが、2023年6月にウガンダのレフトフィールドレーベルNyege Nyege Tapesからリリースしたデビューレコードです。 アフリカ音楽をルーツにしながらベースやレイブ要素を取り入れた10曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala /...
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{"id":7982960607482,"title":"Afrorack \/\/ The Afrorack LP","handle":"afrorack-the-afrorack-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。\"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う \"と、彼は2019年にPan African Musicに語っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの姿勢は「African Drum Machine」で最も顕著で、Bamanyaはユークリッドリズムシーケンサーを使って、彼のCV信号を、多くの東アフリカの音楽形態に存在するポリリズム構造を模倣した複雑なアルゴリズムパターンに分割します。よく聴かないと4分の4拍子のテクノに聞こえるかもしれませんが、注意を向けると、ドラムの異なるレイヤーとギザギザのオシレーターが互いに跳ね返り、催眠的な新しいリズムを生み出すのがわかります。Bamanyaは「Why Serious」でも同様のアプローチをとり、ダビーなベースラインとプラスチッキーなパーカッシブサウンドをファジングして、アブストラクトなエレクトロニクスとFWD思考の東アフリカのクラブサウンドを融合させた熱狂的なハイブリッドを作り上げています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBamanyaの瞑想的で重低音のコンポジションは、特に「Inspired」や「Last Modular」といったトラックでは、ShackletonやAdrian SherwoodのAfrican Head Chargeのサイケデリックなサウンドを思わせます。この2つのトラックは、リゼルギーなトーンシフトと精密なドラムによって、明らかにメタリックなサウンドになっていますが、ネコのうめき声やビデオゲームのブリップといった危険な奇抜さを取り入れながら、常に完全にコントロールできるプロデューサーによって造られています。また、「Osc」や「Rev」のようなビートの少ないトラックでは、Bamanyaはモジュラー音楽の歴史に意識的に言及し、Popol Vuh、Klaus Schulze、Emeraldsのコスミスの世界にアプローチして、東アフリカの特異なリズムの強さでそれを補強しています。「The Afrorack」は、長い間待たれていた会話の始まりです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249579788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Afrorack\" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. \"I believe Africa is at that point where people are getting new tools\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music,\" he told Pan African Music back in 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4\/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. \"The Afrorack\" is the beginning of a conversation that's been long overdue.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Afrorack\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-06-09T07:44:40+09:00","created_at":"2023-06-08T21:28:42+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","strange beats","techno \/ house"],"price":308000,"price_min":308000,"price_max":308000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271918121210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Afrorack \/\/ The Afrorack LP","public_title":null,"options":["Default Title"],"price":308000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","\/\/tobirarecords.com\/cdn\/shop\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","options":["Title"],"media":[{"alt":null,"id":32092836299002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af1_259894f5-84b1-4176-80f9-899dff18e6a0.jpg?v=1686227324","width":700},{"alt":null,"id":32092836331770,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/af2_64144b2b-148b-41cb-bb25-d2287d5aa0f5.jpg?v=1686227324","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。\"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う \"と、彼は2019年にPan African Musicに語っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの姿勢は「African Drum Machine」で最も顕著で、Bamanyaはユークリッドリズムシーケンサーを使って、彼のCV信号を、多くの東アフリカの音楽形態に存在するポリリズム構造を模倣した複雑なアルゴリズムパターンに分割します。よく聴かないと4分の4拍子のテクノに聞こえるかもしれませんが、注意を向けると、ドラムの異なるレイヤーとギザギザのオシレーターが互いに跳ね返り、催眠的な新しいリズムを生み出すのがわかります。Bamanyaは「Why Serious」でも同様のアプローチをとり、ダビーなベースラインとプラスチッキーなパーカッシブサウンドをファジングして、アブストラクトなエレクトロニクスとFWD思考の東アフリカのクラブサウンドを融合させた熱狂的なハイブリッドを作り上げています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBamanyaの瞑想的で重低音のコンポジションは、特に「Inspired」や「Last Modular」といったトラックでは、ShackletonやAdrian SherwoodのAfrican Head Chargeのサイケデリックなサウンドを思わせます。この2つのトラックは、リゼルギーなトーンシフトと精密なドラムによって、明らかにメタリックなサウンドになっていますが、ネコのうめき声やビデオゲームのブリップといった危険な奇抜さを取り入れながら、常に完全にコントロールできるプロデューサーによって造られています。また、「Osc」や「Rev」のようなビートの少ないトラックでは、Bamanyaはモジュラー音楽の歴史に意識的に言及し、Popol Vuh、Klaus Schulze、Emeraldsのコスミスの世界にアプローチして、東アフリカの特異なリズムの強さでそれを補強しています。「The Afrorack」は、長い間待たれていた会話の始まりです。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249579788\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Afrorack\" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. \"I believe Africa is at that point where people are getting new tools\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music,\" he told Pan African Music back in 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4\/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. \"The Afrorack\" is the beginning of a conversation that's been long overdue.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Afrorack\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダのモジュラー開発者Afrorack aka Bamanya Brianが、2023年5月に同国カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 彼が独学で製作したモジュールシステムThe Afrorackを駆使したトライバル・テクノ〜ストレンジビーツ9曲を収録。 以下、レーベルによる解説です。 "アフリカ初のDIYモジュラーシンセサイザーの製作に携わったBamanyaは、自作のモジュールとFXユニットを巨大な壁一面に配置し、「The Afrorack」と名付けました。モジュラーシンセサイザーの世界を調べ始めると、ウガンダでその技術を手に入れるのは難しいことがわかったからです。アフリカ全土に販売店が比較的少ないだけでなく、モジュールが法外に高価であることが多かったからです。そこで彼は独学で電子回路を学び、CV制御のシステムを構築し、現在も進化を続けています。「The Afrorack」はBamanyaのデビューアルバムであり、彼の自由な創造性と落ち着きのないエネルギーが表現されています。彼は、これらのモジュールがヨーロッパやアメリカの音楽スタイルを念頭に置いて開発されたものであることを十分理解しており、システムを自分のニーズに合わせるために、独自の音楽的方法論と言語を開発しました。彼の出発点は、アシッドやテクノを抽象化したものであることが多いが、Bamanyaは東アフリカのリズムや異なるスケールをこれらの馴染みのある構造に取り込み、フラクタルな破片に分裂させます。"アフリカには独自の伝統音楽があるため、人々が利用できなかった新しいツールを手に入れ、それを別の文脈で実験する、そんな段階にあると思う "と、彼は2019年にPan African...
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{"id":7961566052602,"title":"MC YALLAH \/\/ Yallah Beibe LP","handle":"mc-yallah-yallah-beibe-lp","description":"\u003cp\u003eケニア/ウガンダ出身のラッパーMC YALLAHが、2023年4月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003egqom〜グライム12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021784446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn Yallah Gaudencia Mbidde in Kenya and raised in Uganda, MC Yallah has been involved in East Africa's rap scene since 1999. Alternating rhymes in Luganda, Luo, Kiswahili and English, her conscious, poetic and experimental style was slow to creep into Uganda's mainstream. Following a brief but necessary hiatus, she returned to the stage in 2018 with a new lease of life accepting her role as a central component of the Nyege Nyege\/Hakuna Kulala family.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Yallah Beibe\" is the fiery follow-up to Yallah and Berlin-based producer Debmaster's acclaimed 2019 debut \"Kubali\". After her tour plans were cut short as COVID-19 broke out in 2020, Yallah returned to Kampala and started work on her sophomore album at Nyege Nyege's villa. The process was more complicated this time around, developing pointedly from an initial back-and-forth with Debmaster and flourishing as beats appeared from Japanese producer Scotch Rolex and Congolese club maestro Chrisman. The finished album is an international patchwork of futuristic cyber-rap experiments fastened together by Yallah's unforgettable personality and elastic flow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMore charged than its predecessor, \"Yallah\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Beibe\" is an apt soundtrack to a challenging era. Yallah is an experienced and versatile MC and channels her layered understanding of the complicated global cultural landscape into 12 stories that skate through trap, dancehall, club and industrial styles. Her authoritative guiding force is never more evident than on 'No One Seems To Bother', a collaboration with Duma's gravel-voiced singer Lord Spikeheart. Trading bars over Debmaster's slippery, bass-heavy rhythm, Yallah and Spikeheart ink an alternative East African sonic landscape, with activated lyrics (\"the world is going under, no-one seems to bother\") and rasping, death metal-inspired groans.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Yallah Beibe\" is a call to action, a loud siren that's intended to educate the wider world of East Africa's shrouded history and bright future. Yallah's collaboration with rising star Rati Gan 'Bigbung Song' is the best evidence of this, looping Rati's Afro-Caribbean dancefloor flex and Yallah's politicized flow around a twisted bass-heavy beat from Chrisman, joining hands between the DRC, Uganda and the wider diaspora. Tracks like 'Baliwa' and the anthemic 'HERA' meanwhile completely center Yallah's signature lyrical dexterity, playing her tongue twisting raps against Scotch Rolex's pan-global foley-trap splatter. At times, the sounds feel as if they're from their own planet entirely - a fourth world that's rooted in collaboration rather than appropriation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf \"Kubali\" re-established Yallah as a force to be reckoned with, \"Yallah Beibe\" cements her status as one of the world's most exciting MCs, both on record and on the stage. There's nobody doing it quite like her.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MC YALLAH\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2023-04-21T09:41:30+09:00","created_at":"2023-04-20T18:05:58+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44181562327290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"MC YALLAH \/\/ Yallah Beibe LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_fb87f06d-a59a-4db5-b2cf-67279a8572d7.jpg?v=1681981560"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560","options":["Title"],"media":[{"alt":null,"id":31856896606458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_98719703-8605-4dab-995f-24e6681c4c32.jpg?v=1681981560","width":700},{"alt":null,"id":31856896639226,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_fb87f06d-a59a-4db5-b2cf-67279a8572d7.jpg?v=1681981560"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_fb87f06d-a59a-4db5-b2cf-67279a8572d7.jpg?v=1681981560","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eケニア/ウガンダ出身のラッパーMC YALLAHが、2023年4月にウガンダの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003egqom〜グライム12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021784446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eBorn Yallah Gaudencia Mbidde in Kenya and raised in Uganda, MC Yallah has been involved in East Africa's rap scene since 1999. Alternating rhymes in Luganda, Luo, Kiswahili and English, her conscious, poetic and experimental style was slow to creep into Uganda's mainstream. Following a brief but necessary hiatus, she returned to the stage in 2018 with a new lease of life accepting her role as a central component of the Nyege Nyege\/Hakuna Kulala family.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Yallah Beibe\" is the fiery follow-up to Yallah and Berlin-based producer Debmaster's acclaimed 2019 debut \"Kubali\". After her tour plans were cut short as COVID-19 broke out in 2020, Yallah returned to Kampala and started work on her sophomore album at Nyege Nyege's villa. The process was more complicated this time around, developing pointedly from an initial back-and-forth with Debmaster and flourishing as beats appeared from Japanese producer Scotch Rolex and Congolese club maestro Chrisman. The finished album is an international patchwork of futuristic cyber-rap experiments fastened together by Yallah's unforgettable personality and elastic flow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMore charged than its predecessor, \"Yallah\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Beibe\" is an apt soundtrack to a challenging era. Yallah is an experienced and versatile MC and channels her layered understanding of the complicated global cultural landscape into 12 stories that skate through trap, dancehall, club and industrial styles. Her authoritative guiding force is never more evident than on 'No One Seems To Bother', a collaboration with Duma's gravel-voiced singer Lord Spikeheart. Trading bars over Debmaster's slippery, bass-heavy rhythm, Yallah and Spikeheart ink an alternative East African sonic landscape, with activated lyrics (\"the world is going under, no-one seems to bother\") and rasping, death metal-inspired groans.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Yallah Beibe\" is a call to action, a loud siren that's intended to educate the wider world of East Africa's shrouded history and bright future. Yallah's collaboration with rising star Rati Gan 'Bigbung Song' is the best evidence of this, looping Rati's Afro-Caribbean dancefloor flex and Yallah's politicized flow around a twisted bass-heavy beat from Chrisman, joining hands between the DRC, Uganda and the wider diaspora. Tracks like 'Baliwa' and the anthemic 'HERA' meanwhile completely center Yallah's signature lyrical dexterity, playing her tongue twisting raps against Scotch Rolex's pan-global foley-trap splatter. At times, the sounds feel as if they're from their own planet entirely - a fourth world that's rooted in collaboration rather than appropriation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf \"Kubali\" re-established Yallah as a force to be reckoned with, \"Yallah Beibe\" cements her status as one of the world's most exciting MCs, both on record and on the stage. There's nobody doing it quite like her.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : MC YALLAH\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ケニア/ウガンダ出身のラッパーMC YALLAHが、2023年4月にウガンダのHakuna Kulalaからリリースしたレコードです。 gqom〜グライム12曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
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{"id":7909096456442,"title":"Jako Maron \/\/ The electro Maloya experiments of Jako Maron 2xLP","handle":"jako-maron-the-electro-maloya-experiments-of-jako-maron-2xlp","description":"\u003cp\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2023年1月にウガンダのNyege Nyegeからリリースした再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eレユニオン島の伝統音楽マラヤを再解釈した、モジュラー・シンセシスによるレフトフィールド・テクノ〜ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1384687487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTraditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-01-30T07:46:50+09:00","created_at":"2023-01-30T07:46:50+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","strange beats","techno \/ house"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43950343291130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jako Maron \/\/ The electro Maloya experiments of Jako Maron 2xLP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602","options":["Title"],"media":[{"alt":null,"id":31452031844602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3138008331_16.jpg?v=1675032602","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2023年1月にウガンダのNyege Nyegeからリリースした再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eレユニオン島の伝統音楽マラヤを再解釈した、モジュラー・シンセシスによるレフトフィールド・テクノ〜ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1384687487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNyege Nyege Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTraditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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マダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2023年1月にウガンダのNyege Nyegeからリリースした再発2枚組レコードです。 レユニオン島の伝統音楽マラヤを再解釈した、モジュラー・シンセシスによるレフトフィールド・テクノ〜ストレンジビーツ10曲を収録。 ------------------------------------------ Nyege Nyege Tapes: "Jako Maron, was born in St...
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{"id":7872262897914,"title":"DJ Scriby | DJ Marillo | DJ Skothan \/\/ The Gqom Trilogy 3xLP","handle":"dj-scriby-dj-marillo-dj-skothan-the-gqom-trilogy-3xlp","description":"\u003cp\u003eGQOM作家DJ ScribyとDJ Marillo、DJ Skothanが、2022年9月にウガンダのGQOM最前線\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした3-wayスプリット3枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e怒涛の26曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=196277234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eHighlighting the continuing evolution of Durban's globally influential gqom sound, this special trilogy of releases showcases three separate artists from South Africa's fertile musical landscape. The set captures a fresh wave of gqom innovation from veteran producer DJ Skothan aka DJ Scoturn, DJ Scriby, and 20-year-old DJ MaRiiO.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDJ Skothan has been a key figure in Durban's underground scene for many years, producing alongside Phelimuncasi, Bhejani, Tweeyking, Lafaristo, MaRiiO and DJ MP3. His gqom and house tracks have quietly provided a rumbling engine for the city's scene, and \"Nevegation\" is his debut full-length, providing a complex diagram of his dancefloor versatility. This isn't the gqom you might expect to hear: immediately on opener 'The Gringo' familiar sounds - shovel kicks, chopped vocals, sampled gasps, horror movie strings - are shuffled into atypical patterns, creating jerky soundscapes rather than the expected four-on-the-floor bump.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Salut to DJ Lag' pays respect to Durban's Beyoncé-approved pioneer, but twists the template into a propulsive new form, adding rolling and evolving percussion that teases fractal shapes each bar. But the album's most unexpected and forward-thinking moment arrives with the aptly titled 'The King of Gqom', a track\u003cspan class=\"bcTruncateMore\"\u003e that simmers the genre's percussive sounds into limber sci-fi club futurism, tweaking the bass sounds into patterns that nod to dubstep, Jersey club and ballroom.\u003cbr\u003e\u003cbr\u003e25-year-old DJ Scriby has been working behind the scenes since 2013, assisting the first wave of gqom innovators promote their sound both inside Durban and beyond. In 2017 he joined London's Trax Couture to release \"The Clermont EP\", and here he introduces his long-awaited follow-up \"Izingoma zeGqomu\". Scriby's approach to gqom is well-studied and self-aware, which gives him the ability to stretch the sound's scope across the diaspora: just peep the Atlanta trap synths on the dynamic 'Friday 13th', or the absorption of tight grime snares on opening track 'Goi'.\u003cbr\u003e\u003cbr\u003eScriby's engineering skill pushes his productions to the next level, lending slithering downtempo tracks like 'Ouuu1' and 'Igqom Libuye' a widescreen, big-room punch without losing the genre's undulating funk. And the producer even eyes the EDM mainstage with 'Qumqum!!', balancing saccharine synths with jerky kicks, claps and rolling toms.\u003cbr\u003e\u003cbr\u003eThe youngest artist featured in the collection, DJ MaRiiO started producing when he was just 12 years old, watching YouTube production videos. \"No one told me how to use FL Studio,\" he admits, \"and no one helped me doing different genres.\" This might be why his music sounds so completely unique; the basic structure of gqom is still present, but MaRiiO augments these elements with youthful energy and carefree use of unusual sounds and production methods. \"Zulu Man\" opener 'GQom NyeGe' manages to mash together trance synths, DMZ bass and a driving woodblock rhythm that reminds you of its Durban roots, while the bizarre 'Ngom ya Phesh', featuring MaRiiO's regular collaborator Hot Chicks on vocals, pushes the gqom template into the red, with overdriven kicks and disorienting environmental sounds.\u003cbr\u003e\u003cbr\u003eAll three records provide a 360 degree view of Durban's contemporary underground, nodding to the past, present and future of gqom. It's a genre that's constantly in flux as it moves from South Africa's bedrooms and basements to main stages and movie screens across the globe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Scriby | DJ Marillo | DJ Skothan\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-12-19T15:36:12+09:00","created_at":"2022-12-19T11:48:29+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":467000,"price_min":467000,"price_max":467000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43789753188602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"DJ Scriby | DJ Marillo | DJ Skothan \/\/ The Gqom Trilogy 3xLP","public_title":null,"options":["Default Title"],"price":467000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112","\/\/tobirarecords.com\/cdn\/shop\/products\/gq2.jpg?v=1671418111","\/\/tobirarecords.com\/cdn\/shop\/products\/gq3.jpg?v=1671418111"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112","options":["Title"],"media":[{"alt":null,"id":31220702150906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq1.jpg?v=1671418112","width":700},{"alt":null,"id":31220702183674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq2.jpg?v=1671418111"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq2.jpg?v=1671418111","width":1200},{"alt":null,"id":31220702216442,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq3.jpg?v=1671418111"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gq3.jpg?v=1671418111","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eGQOM作家DJ ScribyとDJ Marillo、DJ Skothanが、2022年9月にウガンダのGQOM最前線\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースした3-wayスプリット3枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e怒涛の26曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=196277234\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eHighlighting the continuing evolution of Durban's globally influential gqom sound, this special trilogy of releases showcases three separate artists from South Africa's fertile musical landscape. The set captures a fresh wave of gqom innovation from veteran producer DJ Skothan aka DJ Scoturn, DJ Scriby, and 20-year-old DJ MaRiiO.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDJ Skothan has been a key figure in Durban's underground scene for many years, producing alongside Phelimuncasi, Bhejani, Tweeyking, Lafaristo, MaRiiO and DJ MP3. His gqom and house tracks have quietly provided a rumbling engine for the city's scene, and \"Nevegation\" is his debut full-length, providing a complex diagram of his dancefloor versatility. This isn't the gqom you might expect to hear: immediately on opener 'The Gringo' familiar sounds - shovel kicks, chopped vocals, sampled gasps, horror movie strings - are shuffled into atypical patterns, creating jerky soundscapes rather than the expected four-on-the-floor bump.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Salut to DJ Lag' pays respect to Durban's Beyoncé-approved pioneer, but twists the template into a propulsive new form, adding rolling and evolving percussion that teases fractal shapes each bar. But the album's most unexpected and forward-thinking moment arrives with the aptly titled 'The King of Gqom', a track\u003cspan class=\"bcTruncateMore\"\u003e that simmers the genre's percussive sounds into limber sci-fi club futurism, tweaking the bass sounds into patterns that nod to dubstep, Jersey club and ballroom.\u003cbr\u003e\u003cbr\u003e25-year-old DJ Scriby has been working behind the scenes since 2013, assisting the first wave of gqom innovators promote their sound both inside Durban and beyond. In 2017 he joined London's Trax Couture to release \"The Clermont EP\", and here he introduces his long-awaited follow-up \"Izingoma zeGqomu\". Scriby's approach to gqom is well-studied and self-aware, which gives him the ability to stretch the sound's scope across the diaspora: just peep the Atlanta trap synths on the dynamic 'Friday 13th', or the absorption of tight grime snares on opening track 'Goi'.\u003cbr\u003e\u003cbr\u003eScriby's engineering skill pushes his productions to the next level, lending slithering downtempo tracks like 'Ouuu1' and 'Igqom Libuye' a widescreen, big-room punch without losing the genre's undulating funk. And the producer even eyes the EDM mainstage with 'Qumqum!!', balancing saccharine synths with jerky kicks, claps and rolling toms.\u003cbr\u003e\u003cbr\u003eThe youngest artist featured in the collection, DJ MaRiiO started producing when he was just 12 years old, watching YouTube production videos. \"No one told me how to use FL Studio,\" he admits, \"and no one helped me doing different genres.\" This might be why his music sounds so completely unique; the basic structure of gqom is still present, but MaRiiO augments these elements with youthful energy and carefree use of unusual sounds and production methods. \"Zulu Man\" opener 'GQom NyeGe' manages to mash together trance synths, DMZ bass and a driving woodblock rhythm that reminds you of its Durban roots, while the bizarre 'Ngom ya Phesh', featuring MaRiiO's regular collaborator Hot Chicks on vocals, pushes the gqom template into the red, with overdriven kicks and disorienting environmental sounds.\u003cbr\u003e\u003cbr\u003eAll three records provide a 360 degree view of Durban's contemporary underground, nodding to the past, present and future of gqom. It's a genre that's constantly in flux as it moves from South Africa's bedrooms and basements to main stages and movie screens across the globe.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Scriby | DJ Marillo | DJ Skothan\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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GQOM作家DJ ScribyとDJ Marillo、DJ Skothanが、2022年9月にウガンダのGQOM最前線Hakuna Kulalaからリリースした3-wayスプリット3枚組レコードです。 怒涛の26曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege...
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{"id":7810717810938,"title":"Authentically Plastic \/\/ Raw Space LP","handle":"authentically-plastic-raw-space-lp","description":"\u003cp\u003e2019年9月のNyege Nyegeフェスティバルでの豪快なパフォーマンスにより、ウガンダの政治家から「ナイルの悪魔」とまで呼ばれるカンパラを拠点とする音響催眠術師Authentically Plasticが、2022年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストインダストリアル・\u003cmeta charset=\"utf-8\"\u003eGqom9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2335326003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"RAW SPACE\" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed \"demon of the Nile\" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.\u003cbr\u003e\u003cbr\u003eAs both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.\u003cbr\u003e\u003cbr\u003eOn opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome\u003cspan class=\"bcTruncateMore\"\u003e-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.\u003cbr\u003e\u003cbr\u003eWriting \"RAW SPACE\", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Authentically Plastic\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-10-15T18:22:27+09:00","created_at":"2022-10-15T18:22:27+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","lp","techno \/ house"],"price":309000,"price_min":309000,"price_max":309000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43546793115898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Authentically Plastic \/\/ Raw Space LP","public_title":null,"options":["Default Title"],"price":309000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1299073888_16.jpg?v=1665825963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1299073888_16.jpg?v=1665825963","options":["Title"],"media":[{"alt":null,"id":30754345910522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1299073888_16.jpg?v=1665825963"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1299073888_16.jpg?v=1665825963","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2019年9月のNyege Nyegeフェスティバルでの豪快なパフォーマンスにより、ウガンダの政治家から「ナイルの悪魔」とまで呼ばれるカンパラを拠点とする音響催眠術師Authentically Plasticが、2022年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHakuna Kulalaからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストインダストリアル・\u003cmeta charset=\"utf-8\"\u003eGqom9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2335326003\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"RAW SPACE\" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed \"demon of the Nile\" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.\u003cbr\u003e\u003cbr\u003eAs both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.\u003cbr\u003e\u003cbr\u003eOn opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome\u003cspan class=\"bcTruncateMore\"\u003e-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.\u003cbr\u003e\u003cbr\u003eWriting \"RAW SPACE\", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Authentically Plastic\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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2019年9月のNyege Nyegeフェスティバルでの豪快なパフォーマンスにより、ウガンダの政治家から「ナイルの悪魔」とまで呼ばれるカンパラを拠点とする音響催眠術師Authentically Plasticが、2022年9月に同国Hakuna Kulalaからリリースしたデビューレコードです。 ポストインダストリアル・Gqom9曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at...
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{"id":7649244938490,"title":"Ecko Bazz \/\/ Mmaso LP","handle":"ecko-bazz-mmaso-lp","description":"\u003cp\u003eウガンダのラッパーEcko Bazzが、2022年3月に同国Hakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom〜グライム11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qQ1k44yhafU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2105249984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince the appearance of his cult breakthrough debut Tuli Banyo released on Hakuna Kulala in 2018, Ugandan conscious rapper and MC, Ecko Bazz has challenged perceptions of East Africa's burgeoning rap scene. His style is hard to categorize blending elements of grime, dancehall and US hip-hop and twisting politicized lyrics in Luganda that explore violence, religion, drug abuse or the poverty in the Ugandan slums. This personality anchors his debut album Mmaso, an explosive call to action that balances his manic presence with production from MC Yallah collaborator Debmaster, Kenyan club futurist Slikback, Berlin-based Japanese beatmaker DJ Die Soon and the inimitable DJ Scotch Rolex.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMmaso is driven by Ecko Bazz's kinetic performance on the mic. Anyone that's had the privilege of seeing him live will know what to expect, and his unadulterated flow is immediately focused on the grinding title track. The rapper alternates freely between sober truths and hyperactive screams, flipping between intensity from verse to verse. On Lwaky?, an anxious Debmaster beat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e underpins Bazz's visceral hedonism bending his rhymes in double and half-time and wrenching his voice gymnastically over 808 booms and claps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a pause for breath on the more intimate Mugulu e'yo or the relatively restrained Empungo Mubanga where Slikback provides a breathy and minimal midnight trap rumble to couch the rapper's surreal exuberance. With DJ Die Soon's Bikuba, Bazz mimics the bouncy lead synth to command a presence that refuses to let you forget that, even at his most claustrophobic, he makes music that lives at the club. That's never more evident than on Nkoowola, a standout that made it to Nyege Nyege - Soundcloud Music for the Eagles compilation. Bright, powerful and charged with rebellious energy that resonates through East Africa and beyond.'\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ecko Bazz\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e","published_at":"2022-06-22T16:26:18+09:00","created_at":"2022-06-21T14:38:53+09:00","vendor":"Tobira Records","type":"","tags":["hakuna kulala","hiphop \/ funk","lp","techno \/ house"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42903929553146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ecko Bazz \/\/ Mmaso LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935","\/\/tobirarecords.com\/cdn\/shop\/products\/mm2_1bb6eb86-f18e-4823-af58-b8139153a5b0.jpg?v=1655789935"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935","options":["Title"],"media":[{"alt":null,"id":29941282832634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm1_326088c4-2da1-47c5-9293-33e712fe78aa.jpg?v=1655789935","width":700},{"alt":null,"id":29941282865402,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm2_1bb6eb86-f18e-4823-af58-b8139153a5b0.jpg?v=1655789935"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mm2_1bb6eb86-f18e-4823-af58-b8139153a5b0.jpg?v=1655789935","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウガンダのラッパーEcko Bazzが、2022年3月に同国Hakuna Kulalaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGqom〜グライム11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qQ1k44yhafU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2105249984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eHakuna Kulala:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince the appearance of his cult breakthrough debut Tuli Banyo released on Hakuna Kulala in 2018, Ugandan conscious rapper and MC, Ecko Bazz has challenged perceptions of East Africa's burgeoning rap scene. His style is hard to categorize blending elements of grime, dancehall and US hip-hop and twisting politicized lyrics in Luganda that explore violence, religion, drug abuse or the poverty in the Ugandan slums. This personality anchors his debut album Mmaso, an explosive call to action that balances his manic presence with production from MC Yallah collaborator Debmaster, Kenyan club futurist Slikback, Berlin-based Japanese beatmaker DJ Die Soon and the inimitable DJ Scotch Rolex.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMmaso is driven by Ecko Bazz's kinetic performance on the mic. Anyone that's had the privilege of seeing him live will know what to expect, and his unadulterated flow is immediately focused on the grinding title track. The rapper alternates freely between sober truths and hyperactive screams, flipping between intensity from verse to verse. On Lwaky?, an anxious Debmaster beat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e underpins Bazz's visceral hedonism bending his rhymes in double and half-time and wrenching his voice gymnastically over 808 booms and claps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a pause for breath on the more intimate Mugulu e'yo or the relatively restrained Empungo Mubanga where Slikback provides a breathy and minimal midnight trap rumble to couch the rapper's surreal exuberance. With DJ Die Soon's Bikuba, Bazz mimics the bouncy lead synth to command a presence that refuses to let you forget that, even at his most claustrophobic, he makes music that lives at the club. That's never more evident than on Nkoowola, a standout that made it to Nyege Nyege - Soundcloud Music for the Eagles compilation. Bright, powerful and charged with rebellious energy that resonates through East Africa and beyond.'\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ecko Bazz\u003c\/p\u003e\n\u003cp\u003eLabel : Hakuna Kulala\u003c\/p\u003e"}
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ウガンダのラッパーEcko Bazzが、2022年3月に同国Hakuna Kulalaからリリースしたレコードです。 Gqom〜グライム11曲を収録。 レーベルその他作品はこちら /// Click here to see more Hakuna Kulala releases available at Tobira. ...
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