Hasana Editions 眼科医 T-SHIRT (XL)
Hasana Editions 眼科医 T-SHIRT (XL)
¥2,980
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インドネシアの実験/物音レーベルHasana Editionsの「眼科医」Tシャツです。肌触りが非常に良い100%綿素材です。
Limited edition T-shirt.
3 colors screen-printed on white. 100% Cotton.
Check your visual acuity with this short sleeve t-shirt inspired by Snellen chart. Blurry Hasana Editions tag on left chest, customized ophthalmologist chart at the back.
インドネシアの実験/物音レーベルHasana Editionsの「眼科医」Tシャツです。肌触りが非常に良い100%綿素材です。
Limited edition T-shirt.
3 colors screen-printed on white. 100% Cotton.
Check your visual acuity with this short sleeve t-shirt inspired by Snellen chart. Blurry Hasana Editions tag on left chest, customized ophthalmologist chart at the back.
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{"id":8290805383418,"title":"Bani Haykal \/\/ This is You Glitching My Death TAPE","handle":"bani-haykal-this-is-you-glitching-my-death-tape","description":"\u003cp\u003eシンガポールの実験音楽家Bani Haykalが、2019年にインドネシアの物音レーベルHasana Editionsよから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜ストレンジビーツ7曲を収録。DLコード付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"アーティスト、作曲家、ミュージシャンとして、シンガポール出身のBani Haykalは、インスタレーション、詩、パフォーマンスなど、フィードバック/フィードフォワード・メカニズムにおけるインターフェイスと相互作用の様式を軸とするさまざまな形態で研究を行っている。彼はデータポリティクス、音楽、スペキュラティブ・フィクションの交差点に魅了されている。彼は幅広い楽器を使い、物語、構造化された即興、話し言葉を探求している。本書では、実現しなかった夢という視点から、未来というアイデアと戯れる。主にマレー語で書かれ、朗読される彼の声は、自由形式の詩的なものから、怒りに満ちた抗議演説、異例の音楽構成に包まれた初期のマレー系ポップ・シンガーの魅惑的な反映まで、さまざまに行き来する。THIS IS YOU GLITCHING MY DEATH』に収録された作品は、平凡な日常を詩的な領域へと攪乱し、自らの言葉で時間と対峙する状況における不安について考察している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=871689294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eAs an artist, composer, and musician, Singaporean Bani Haykal’s research interests culminate in various forms including installation, poetry, and performance that revolve around modes of interfacing and interaction in feedback\/feedforward mechanisms. He is fascinated with the intersection of data politics, music and speculative fiction. He works with a broad range of instruments, exploring the narratives, structured improvisation and spoken words. For this volume, Haykal played with the idea of futurity from the perspective of unrealized dreams. Written and recited mostly in Malay, his voice roams from the freeform poetic to the wrathful protest speech, to seductive reflections of the early Malay pop singers wrapped in unorthodox musical composition. The works in This is You Glitching My Death examine anxieties in a situation to disrupt the mundanities into poetic territory that confronts time on its own terms.\" \u003c\/em\u003e- Hasana Editions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bani Haykal\u003c\/p\u003e\n\u003cp\u003eLabel : Hasana Editions\u003c\/p\u003e","published_at":"2024-04-09T19:52:00+09:00","created_at":"2024-04-09T19:49:47+09:00","vendor":"Tobira Records","type":"","tags":["asia","Hasana Editions","strange beats","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45596360147194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bani Haykal \/\/ This is You Glitching My Death TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/glitching.jpg?v=1712659790"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/glitching.jpg?v=1712659790","options":["Title"],"media":[{"alt":null,"id":33646996947194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glitching.jpg?v=1712659790"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/glitching.jpg?v=1712659790","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシンガポールの実験音楽家Bani Haykalが、2019年にインドネシアの物音レーベルHasana Editionsよから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜ストレンジビーツ7曲を収録。DLコード付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"アーティスト、作曲家、ミュージシャンとして、シンガポール出身のBani Haykalは、インスタレーション、詩、パフォーマンスなど、フィードバック/フィードフォワード・メカニズムにおけるインターフェイスと相互作用の様式を軸とするさまざまな形態で研究を行っている。彼はデータポリティクス、音楽、スペキュラティブ・フィクションの交差点に魅了されている。彼は幅広い楽器を使い、物語、構造化された即興、話し言葉を探求している。本書では、実現しなかった夢という視点から、未来というアイデアと戯れる。主にマレー語で書かれ、朗読される彼の声は、自由形式の詩的なものから、怒りに満ちた抗議演説、異例の音楽構成に包まれた初期のマレー系ポップ・シンガーの魅惑的な反映まで、さまざまに行き来する。THIS IS YOU GLITCHING MY DEATH』に収録された作品は、平凡な日常を詩的な領域へと攪乱し、自らの言葉で時間と対峙する状況における不安について考察している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=871689294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eAs an artist, composer, and musician, Singaporean Bani Haykal’s research interests culminate in various forms including installation, poetry, and performance that revolve around modes of interfacing and interaction in feedback\/feedforward mechanisms. He is fascinated with the intersection of data politics, music and speculative fiction. He works with a broad range of instruments, exploring the narratives, structured improvisation and spoken words. For this volume, Haykal played with the idea of futurity from the perspective of unrealized dreams. Written and recited mostly in Malay, his voice roams from the freeform poetic to the wrathful protest speech, to seductive reflections of the early Malay pop singers wrapped in unorthodox musical composition. The works in This is You Glitching My Death examine anxieties in a situation to disrupt the mundanities into poetic territory that confronts time on its own terms.\" \u003c\/em\u003e- Hasana Editions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bani Haykal\u003c\/p\u003e\n\u003cp\u003eLabel : Hasana Editions\u003c\/p\u003e"}
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シンガポールの実験音楽家Bani Haykalが、2019年にインドネシアの物音レーベルHasana Editionsよから100本限定でリリースしたカセットです。 実験ポップ〜ストレンジビーツ7曲を収録。DLコード付属。 以下、レーベルによる解説です。 "アーティスト、作曲家、ミュージシャンとして、シンガポール出身のBani Haykalは、インスタレーション、詩、パフォーマンスなど、フィードバック/フィードフォワード・メカニズムにおけるインターフェイスと相互作用の様式を軸とするさまざまな形態で研究を行っている。彼はデータポリティクス、音楽、スペキュラティブ・フィクションの交差点に魅了されている。彼は幅広い楽器を使い、物語、構造化された即興、話し言葉を探求している。本書では、実現しなかった夢という視点から、未来というアイデアと戯れる。主にマレー語で書かれ、朗読される彼の声は、自由形式の詩的なものから、怒りに満ちた抗議演説、異例の音楽構成に包まれた初期のマレー系ポップ・シンガーの魅惑的な反映まで、さまざまに行き来する。THIS IS YOU GLITCHING MY DEATH』に収録された作品は、平凡な日常を詩的な領域へと攪乱し、自らの言葉で時間と対峙する状況における不安について考察している。" レーベルその他作品はこちら /// Click here to...
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{"id":5830542917797,"title":"Sarah Hennies with Andy Meyerson \/\/ Extra Time CD","handle":"sarah-hennies-with-andy-meyerson-extra-time-cd","description":"\u003cp\u003eこれまでにmappaやBlack Truffleなどからリリースを重ねてきたパーカッショニストSarah Henniesの新作がインドネシア物音最高峰Hasanaから2020年10月リリース。本作はPrinceの名曲の様々な要素をアコースティック・パーカッション・ワークで複雑にリワークしたものです。300部限定。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3428098055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eWorking with a variety of musical, sociopolitical, and psychological issues, the American composer\/percussionist Sarah Hennies often explores queer \u0026amp; trans identity, love, intimacy, psychoacoustics, and percussion. For this volume, she invited the San Fransisco-based percussionist and co-founder of queer nü-metal collective COMMANDO, Andy Meyerson to collaborate and to actualize some of the scores. All pieces in Extra Time are intricate reworked versions of various elements of well-known songs by Prince, in an acoustic percussion-work situation. For example, in the album centerpiece “Kisses”, the percussionist is instructed to perform four simultaneous tempos while sometimes independently speeding up or slowing down individual hands and feet. During this already a near-impossible task, the percussionist must also attempt to toss several objects into a metal bucket placed increasingly far away from where the percussionist is seated. 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{"id":5813386117285,"title":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","handle":"pre-order-akio-suzuki-aki-onda-gi-n-ga-cd","description":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-21T17:58:53+09:00","created_at":"2020-10-21T17:58:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","Hasana Editions","monooto","recommended","sale22"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36821138407589,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","options":["Title"],"media":[{"alt":null,"id":12508852453541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2021,"width":2022,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725"},"aspect_ratio":1.0,"height":2021,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","width":2022},{"alt":null,"id":12782584430757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e"}
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これまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。 レーベルその他作品はこちら /// Click here to see more Hasana Editions releases available at Tobira. ...
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{"id":5830557335717,"title":"Andy Rantzen, Jochen Gutsch, Lawrence English \/\/ On the Completion of My Master Work TAPE","handle":"andy-rantzen-jochen-gutsch-lawrence-english-on-the-completion-of-my-master-work-tape","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e豪シドニーのデュオAndy RantzenとJochen Gutschが同国ブリスベンのアンビエント作家でありroom40主宰Lawrence Englishとタッグを組んだ作品が、インドネシア物音最高峰Hasanaより2020年10月リリース。15-18分の楽曲2曲を収録。100部限定です。\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4038580797\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eFor this volume, Sydney duo Andy Rantzen and Jochen Gutsch team up with Brisbane-based Lawrence English to create a new trio work, themed around the ideas, life, and personality of a German philosopher, poet and thinker, Arthur Schopenhauer. Based on Rantzen’s spoken words and English’s haunting sine waves, Gutsch structured the piece by adding piano, trumpets, wailing guitar, and thumping percussion, arranged as the original composition “On the Completion of My Master Work”. On the flip side of the tape, comes the reimagined version of the title piece. Both pieces appear as reflections to each other, maybe challenging each other, making conversations and questioning each existence.\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Andy Rantzen, Jochen Gutsch, Lawrence English\u003c\/p\u003e\n\u003cp\u003elabel : Hasana Editions\u003c\/p\u003e","published_at":"2020-10-25T08:19:10+09:00","created_at":"2020-10-25T08:19:09+09:00","vendor":"Tobira Records","type":"","tags":["asia","drone","Hasana Editions","monooto","tape"],"price":162800,"price_min":162800,"price_max":162800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36881650942117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andy Rantzen, Jochen Gutsch, Lawrence English \/\/ On the Completion of My Master Work TAPE","public_title":null,"options":["Default Title"],"price":162800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1997188518_16.jpg?v=1603581739","\/\/tobirarecords.com\/cdn\/shop\/products\/0021983242_10.jpg?v=1603581743"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1997188518_16.jpg?v=1603581739","options":["Title"],"media":[{"alt":null,"id":12783878996133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1997188518_16.jpg?v=1603581739"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1997188518_16.jpg?v=1603581739","width":700},{"alt":null,"id":12783884959909,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021983242_10.jpg?v=1603581743"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021983242_10.jpg?v=1603581743","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e豪シドニーのデュオAndy RantzenとJochen Gutschが同国ブリスベンのアンビエント作家でありroom40主宰Lawrence Englishとタッグを組んだ作品が、インドネシア物音最高峰Hasanaより2020年10月リリース。15-18分の楽曲2曲を収録。100部限定です。\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4038580797\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eFor this volume, Sydney duo Andy Rantzen and Jochen Gutsch team up with Brisbane-based Lawrence English to create a new trio work, themed around the ideas, life, and personality of a German philosopher, poet and thinker, Arthur Schopenhauer. Based on Rantzen’s spoken words and English’s haunting sine waves, Gutsch structured the piece by adding piano, trumpets, wailing guitar, and thumping percussion, arranged as the original composition “On the Completion of My Master Work”. On the flip side of the tape, comes the reimagined version of the title piece. Both pieces appear as reflections to each other, maybe challenging each other, making conversations and questioning each existence.\"\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eartist : Andy Rantzen, Jochen Gutsch, Lawrence English\u003c\/p\u003e\n\u003cp\u003elabel : Hasana Editions\u003c\/p\u003e"}
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豪シドニーのデュオAndy RantzenとJochen Gutschが同国ブリスベンのアンビエント作家でありroom40主宰Lawrence Englishとタッグを組んだ作品が、インドネシア物音最高峰Hasanaより2020年10月リリース。15-18分の楽曲2曲を収録。100部限定です。 レーベルその他作品はこちら /// Click here to see more Hasana Editions releases available at...
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