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{"id":5813386117285,"title":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","handle":"pre-order-akio-suzuki-aki-onda-gi-n-ga-cd","description":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-21T17:58:53+09:00","created_at":"2020-10-21T17:58:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","Hasana Editions","monooto","recommended","sale22"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36821138407589,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","options":["Title"],"media":[{"alt":null,"id":12508852453541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2021,"width":2022,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725"},"aspect_ratio":1.0,"height":2021,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","width":2022},{"alt":null,"id":12782584430757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e"}