Moon Mullins // Water Your Flowers LP
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Moon Mullins // Water Your Flowers LP
¥3,590
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アメリカ・NYの地下ラウンジ作家Moon Mullinsが、2022年10月にNYのインディーポップレーベルRuination Recordsからリリースしたレコードです。
程よく気が抜けた常夏ラウンジ〜チルアウト・フュージョン11曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at Tobira.
--------------------------------
Includes DL code. 12" black vinyl.
Tracklist:
- Starlight 03:21
- Rhumba No. 5 02:01
- Toni 02:46
- Surfboard 02:39
- The Slip 01:43
- Claude's Backyard 01:56
- Orr 03:29
- Vase 02:12
- Drops 01:21
- Blue Mantilla 02:24
- Mid-July 02:30
Artist : Moon Mullins
Label : Ruination Records
アメリカ・NYの地下ラウンジ作家Moon Mullinsが、2022年10月にNYのインディーポップレーベルRuination Recordsからリリースしたレコードです。
程よく気が抜けた常夏ラウンジ〜チルアウト・フュージョン11曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Ruination Records releases available at Tobira.
--------------------------------
Includes DL code. 12" black vinyl.
Tracklist:
- Starlight 03:21
- Rhumba No. 5 02:01
- Toni 02:46
- Surfboard 02:39
- The Slip 01:43
- Claude's Backyard 01:56
- Orr 03:29
- Vase 02:12
- Drops 01:21
- Blue Mantilla 02:24
- Mid-July 02:30
Artist : Moon Mullins
Label : Ruination Records
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Twentynine Palms Highway 08:46 \u003cbr\u003e2. Room #8 10:49 \u003cbr\u003e3. Departures and Arrivals 09:08 \u003cbr\u003e4. Driving to Cap Rock 08:36\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrievous Landscapes is a four-part imagining of the last days of Gram Parsons life and the events immediately following his death. 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{"id":9250262352122,"title":"Picastro \/\/ Double On Time 12inch","handle":"picastro-double-on-time-12inch","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/12リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダ・トロントの実験ポップトリオPicastroが、2026年6月にトロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験ポップ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「……サウンドの観点から見ると、ハイセンが用いた歪んだサンプルは、この作品をPicastroのディスコグラフィーにおける他の作品とは一線を画すものにしている。こうしたサンプルの採用は、彼女がベン・ヴィダの指導の下でAbleton Liveのスキルを磨こうとしたこと、つまりコロナ禍におけるもうひとつの取り組みの直接的な成果である。まったくの偶然だが、音楽的引用を先駆的に用いたことで知られるアメリカの作曲家チャールズ・アイヴスは、彼女が最初にサンプリングした対象の一つだった。ハイセンがアイヴスを素材として最初に惹かれたのは、純粋に音的な直感によるものだったが、彼の作品が引用で満ちていることに気づいたことで、彼女はこの技法をさらに深く探求する勇気を得た。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEPのオープニング曲「Fell The Family Tree」は、アイヴスの『習作第11番』から切り取られた、不安を煽るような不完全なループで始まる。この作品において、アイヴスは「自分自身をサンプリング」しているのだ。この繰り返されるピアノの断片が持つ、執拗でつまずきそうな質感が、EP全体を通してハイセンがこうした抜粋を用いる際の基調を決定づけている。サンプルを用いて一種の音楽的な足場を築くのが一般的な傾向だが、ハイセンは感情的な風景を安定させるためにサンプルを使うことを避けている。その代わりに、彼女はサンプルを緊張感に満ちた不安定な土台として据えたり、周辺で不気味に潜ませたりすることを好む。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Double On Time』において、アイヴスは豊富な音源として機能するだけでなく、ハイセンの引用へのアプローチとその最終的な成果のモデルも提供している。「以前は影響を自然に浸透させていたが、今回はそれをコントロールした」とハイセンは述べ、「このEPは起源について、それを検証し、称え、再定義するものだ」とコメントしている。しかし、彼女にとってそれは単に影響を和らげるという問題ではないのかもしれない。アイヴスと同様に、ハイセンがどのような音楽を、どれほどサンプリングしたり引用したりしようとも、それらの外部の源泉は、彼女の独自の芸術的アイデンティティを強固にする役割を果たすに過ぎないのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3292757839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 12th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Fell The Family Tree \u003cbr\u003e2. Chance Striker \u003cbr\u003e3. Ring Description \u003cbr\u003e4. Move Fast, Break 5. Believer End\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003eFrom a sound perspective, Hysen's deployment of mangled samples immediately distinguishes this release from other entries in Picastro's discography. Their inclusion comes as a direct result of her seeking to sharpen her Ableton Live skills under Ben Vida's guidance, another COVID-era pursuit. Completely coincidentally, American composer Charles Ives—known for his pioneering use of musical quotation—was one of the first things she sampled. Hysen's initial attraction to Ives as a source was purely sonic and intuitive, but the realization that his pieces were littered with citations emboldened her to explore the technique in greater depth.\u003cbr\u003e\u003cbr\u003eEP opener \"Fell The Family Tree\" begins with an anxious truncated loop snatched from Ives' Study #11, a work in which Ives \"samples himself.\" The obsessive, stumbling quality of this repeated piano shard sets the tone for Hysen's use of such excerpts throughout the EP. A more common tendency is to use samples to build a sort of musical scaffolding, but Hysen resists using them to stabilize the emotional landscape. Instead, she prefers them to lie tense, precarious foundations or lurk menacingly on the periphery.\u003cbr\u003e\u003cbr\u003eOn Double On Time, Ives not only serves as a rich audio source, but he also provides the model for Hysen's approach to quotation and its ultimate result. \"I used to let influences seep in, but this time I was controlling them,\" remarks Hysen, commenting that \"the EP is about origins, examining them, celebrating them, re-defining them.\" Yet, it may not even be a question of tempering influences for her. Much like Ives, no matter what and how much Hysen samples or quotes other music, these external sources only serve to bolster her singular artistic identity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Picastro\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2026-06-07T05:47:33+09:00","created_at":"2026-06-06T10:14:23+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48970347774202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Picastro \/\/ Double On Time 12inch","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_f050cb81-824e-428b-82b7-414fa8af7760.jpg?v=1780708345","\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_551ddac7-dd49-43d2-b603-8c35a6a6936e.jpg?v=1780708345"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_f050cb81-824e-428b-82b7-414fa8af7760.jpg?v=1780708345","options":["Title"],"media":[{"alt":null,"id":39594196402426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_f050cb81-824e-428b-82b7-414fa8af7760.jpg?v=1780708345"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_f050cb81-824e-428b-82b7-414fa8af7760.jpg?v=1780708345","width":350},{"alt":null,"id":39594196435194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_551ddac7-dd49-43d2-b603-8c35a6a6936e.jpg?v=1780708345"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_551ddac7-dd49-43d2-b603-8c35a6a6936e.jpg?v=1780708345","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/12リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eカナダ・トロントの実験ポップトリオPicastroが、2026年6月にトロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験ポップ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「……サウンドの観点から見ると、ハイセンが用いた歪んだサンプルは、この作品をPicastroのディスコグラフィーにおける他の作品とは一線を画すものにしている。こうしたサンプルの採用は、彼女がベン・ヴィダの指導の下でAbleton Liveのスキルを磨こうとしたこと、つまりコロナ禍におけるもうひとつの取り組みの直接的な成果である。まったくの偶然だが、音楽的引用を先駆的に用いたことで知られるアメリカの作曲家チャールズ・アイヴスは、彼女が最初にサンプリングした対象の一つだった。ハイセンがアイヴスを素材として最初に惹かれたのは、純粋に音的な直感によるものだったが、彼の作品が引用で満ちていることに気づいたことで、彼女はこの技法をさらに深く探求する勇気を得た。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEPのオープニング曲「Fell The Family Tree」は、アイヴスの『習作第11番』から切り取られた、不安を煽るような不完全なループで始まる。この作品において、アイヴスは「自分自身をサンプリング」しているのだ。この繰り返されるピアノの断片が持つ、執拗でつまずきそうな質感が、EP全体を通してハイセンがこうした抜粋を用いる際の基調を決定づけている。サンプルを用いて一種の音楽的な足場を築くのが一般的な傾向だが、ハイセンは感情的な風景を安定させるためにサンプルを使うことを避けている。その代わりに、彼女はサンプルを緊張感に満ちた不安定な土台として据えたり、周辺で不気味に潜ませたりすることを好む。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Double On Time』において、アイヴスは豊富な音源として機能するだけでなく、ハイセンの引用へのアプローチとその最終的な成果のモデルも提供している。「以前は影響を自然に浸透させていたが、今回はそれをコントロールした」とハイセンは述べ、「このEPは起源について、それを検証し、称え、再定義するものだ」とコメントしている。しかし、彼女にとってそれは単に影響を和らげるという問題ではないのかもしれない。アイヴスと同様に、ハイセンがどのような音楽を、どれほどサンプリングしたり引用したりしようとも、それらの外部の源泉は、彼女の独自の芸術的アイデンティティを強固にする役割を果たすに過ぎないのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3292757839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 12th June 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Fell The Family Tree \u003cbr\u003e2. Chance Striker \u003cbr\u003e3. Ring Description \u003cbr\u003e4. Move Fast, Break 5. Believer End\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003eFrom a sound perspective, Hysen's deployment of mangled samples immediately distinguishes this release from other entries in Picastro's discography. Their inclusion comes as a direct result of her seeking to sharpen her Ableton Live skills under Ben Vida's guidance, another COVID-era pursuit. Completely coincidentally, American composer Charles Ives—known for his pioneering use of musical quotation—was one of the first things she sampled. Hysen's initial attraction to Ives as a source was purely sonic and intuitive, but the realization that his pieces were littered with citations emboldened her to explore the technique in greater depth.\u003cbr\u003e\u003cbr\u003eEP opener \"Fell The Family Tree\" begins with an anxious truncated loop snatched from Ives' Study #11, a work in which Ives \"samples himself.\" The obsessive, stumbling quality of this repeated piano shard sets the tone for Hysen's use of such excerpts throughout the EP. A more common tendency is to use samples to build a sort of musical scaffolding, but Hysen resists using them to stabilize the emotional landscape. Instead, she prefers them to lie tense, precarious foundations or lurk menacingly on the periphery.\u003cbr\u003e\u003cbr\u003eOn Double On Time, Ives not only serves as a rich audio source, but he also provides the model for Hysen's approach to quotation and its ultimate result. \"I used to let influences seep in, but this time I was controlling them,\" remarks Hysen, commenting that \"the EP is about origins, examining them, celebrating them, re-defining them.\" Yet, it may not even be a question of tempering influences for her. Much like Ives, no matter what and how much Hysen samples or quotes other music, these external sources only serve to bolster her singular artistic identity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Picastro\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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※6/12リリースです カナダ・トロントの実験ポップトリオPicastroが、2026年6月にトロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースした12"です。 実験ポップ5曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 「……サウンドの観点から見ると、ハイセンが用いた歪んだサンプルは、この作品をPicastroのディスコグラフィーにおける他の作品とは一線を画すものにしている。こうしたサンプルの採用は、彼女がベン・ヴィダの指導の下でAbleton Liveのスキルを磨こうとしたこと、つまりコロナ禍におけるもうひとつの取り組みの直接的な成果である。まったくの偶然だが、音楽的引用を先駆的に用いたことで知られるアメリカの作曲家チャールズ・アイヴスは、彼女が最初にサンプリングした対象の一つだった。ハイセンがアイヴスを素材として最初に惹かれたのは、純粋に音的な直感によるものだったが、彼の作品が引用で満ちていることに気づいたことで、彼女はこの技法をさらに深く探求する勇気を得た。 EPのオープニング曲「Fell The Family Tree」は、アイヴスの『習作第11番』から切り取られた、不安を煽るような不完全なループで始まる。この作品において、アイヴスは「自分自身をサンプリング」しているのだ。この繰り返されるピアノの断片が持つ、執拗でつまずきそうな質感が、EP全体を通してハイセンがこうした抜粋を用いる際の基調を決定づけている。サンプルを用いて一種の音楽的な足場を築くのが一般的な傾向だが、ハイセンは感情的な風景を安定させるためにサンプルを使うことを避けている。その代わりに、彼女はサンプルを緊張感に満ちた不安定な土台として据えたり、周辺で不気味に潜ませたりすることを好む。...
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{"id":9249923891450,"title":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","handle":"shabason-krgovich-harris-philadelphia-lp","description":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-05T15:52:28+09:00","created_at":"2026-06-05T15:52:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48968789229818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"195081976235","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","options":["Title"],"media":[{"alt":null,"id":32265786556666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","width":700},{"alt":null,"id":32265786589434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース） ポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Idée Fixe...
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![Maxine Funke // Seance 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/max1_a6a9d548-6f23-45b8-ad16-4c52e2c4342c_medium.jpg?v=1780624513)
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{"id":9249732100346,"title":"Maxine Funke \/\/ Seance 12inch [COLOR]","handle":"maxine-funke-seance-12inch-color","description":"\u003cp\u003eニュージーランドのシンガーソングライターMaxine Funkeが、2023年にオーストラリアのA Colourful Stormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク7曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2926564990\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003ehere\u003c\/a\u003e to see more A Colourful Storm releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" transparent red vinyl.\u003cbr\u003e2023 repress - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Fairy Baby 02:58 \u003cbr\u003e2. Quiet Shore 07:42 \u003cbr\u003e3. Lucky Penny 03:20 \u003cbr\u003e4. Moody Relish 03:59 \u003cbr\u003e5. Anzac Day 01:47 \u003cbr\u003e6. Homage 03:26 \u003cbr\u003e7. Goodbye 02:44\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy \/ There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum\u003cspan class=\"bcTruncateMore\"\u003e and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.\u003cbr\u003e\u003cbr\u003eAn assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maxine Funke\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eACOLOUR035C\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th June 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-08T07:20:09+09:00","created_at":"2026-06-05T10:56:59+09:00","vendor":"Tobira Records","type":"","tags":["a colourful storm","folk \/ left-field pop","lp","new"],"price":436900,"price_min":436900,"price_max":436900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48968108179706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maxine Funke \/\/ Seance 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":436900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/max1_a6a9d548-6f23-45b8-ad16-4c52e2c4342c.jpg?v=1780624513","\/\/tobirarecords.com\/cdn\/shop\/files\/max2_063b5270-d0f0-4507-9aee-9625e34f1e72.jpg?v=1780624513"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/max1_a6a9d548-6f23-45b8-ad16-4c52e2c4342c.jpg?v=1780624513","options":["Title"],"media":[{"alt":null,"id":39586331787514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max1_a6a9d548-6f23-45b8-ad16-4c52e2c4342c.jpg?v=1780624513"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max1_a6a9d548-6f23-45b8-ad16-4c52e2c4342c.jpg?v=1780624513","width":350},{"alt":null,"id":39586331820282,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max2_063b5270-d0f0-4507-9aee-9625e34f1e72.jpg?v=1780624513"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/max2_063b5270-d0f0-4507-9aee-9625e34f1e72.jpg?v=1780624513","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eニュージーランドのシンガーソングライターMaxine Funkeが、2023年にオーストラリアのA Colourful Stormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク7曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2926564990\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003ehere\u003c\/a\u003e to see more A Colourful Storm releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" transparent red vinyl.\u003cbr\u003e2023 repress - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Fairy Baby 02:58 \u003cbr\u003e2. Quiet Shore 07:42 \u003cbr\u003e3. Lucky Penny 03:20 \u003cbr\u003e4. Moody Relish 03:59 \u003cbr\u003e5. Anzac Day 01:47 \u003cbr\u003e6. Homage 03:26 \u003cbr\u003e7. Goodbye 02:44\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy \/ There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum\u003cspan class=\"bcTruncateMore\"\u003e and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.\u003cbr\u003e\u003cbr\u003eAn assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maxine Funke\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eACOLOUR035C\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th June 2023\u003c\/span\u003e\u003c\/p\u003e"}
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ニュージーランドのシンガーソングライターMaxine Funkeが、2023年にオーストラリアのA Colourful Stormからリリースしたレコードです。 ベッドルーム・フォーク7曲を収録。オレンジマーブル盤です。 レーベルその他作品はこちら /// Click here to see more A Colourful...
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