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Lena Hughes // Queen of the Flat Top Guitar LP

Lena Hughes // Queen of the Flat Top Guitar LP

¥3,280
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アメリカ・ミズーリの無名アメリカンプリミティブ作家Lena Hughes(1904-1998) が、60年代にひっそりと自主リリースした幻のアルバムを、同国爪弾きギター専門レーベルTomkins Squareが再発。

牧歌カントリーフォーク11曲を収録。ライナーノーツ付属。

Tompkins Square その他作品はこちら /// Click here to see more Tompkins Square releases available at Tobira. 

----------------------

12" black vinyl. 

Tracklist:

  1. Pearly Dew 02:16
  2. Under the Double Eagle 01:37
  3. Letter Edged in Black 02:02
  4. Blue Heaven 01:30
  5. Galloway Bay 02:01
  6. You Are The Only Star of My Blue Heaven 01:58
  7. Spanish Fan-Dango 03:19
  8. Kentucky Moon Waltz 02:10
  9. Silver Threads Among the Gold 02:03
  10. What A Friend We Have in Jesus 03:04
  11. Cedar Brook Waltz 01:50

++

Tompkins Square:

" A musical 'amateur' who best exemplified true artistry, Lena Hughes was born in Grape Grove Township, Missouri, in 1904. Though she never recorded any 78s and only one LP, Hughes was most influential through her steady performances at various fiddler conventions and folk festivals throughout the Ozarks. She was an excellent fiddler, banjoist and guitar picker who retained the largely extinct repertoire of parlor pieces and the variety of specialized tunings that were necessary to play them. She lived most of her life in Ludlow, Missouri and passed away in 1998.

Lena Hughes' repertoire can be divided roughly in half: finger-picked numbers adapted from fiddle tunes and recast parlor guitar pieces gleaned from popular sentimental songs, hymns, and 19th century airs. As a faithful attendee at folk festivals, Hughes was accompanied by her guitar-playing husband, Jake. Her most mesmerizing performances, such as Pearly Dew, Spanish Fandango, and Kentucky Moon Waltz, depend heavily upon the resonance of the open chord as it relates to the picking of the melodic line, primarily on one string. This tonal reliance is most similar to the "celestial octave" that Washington Phillips employs, with similar effect, on his Train Your Child. This ethereal harmonic technique, which seems so natural in Hughes' playing, is the holy grail for most finger-picking guitarists. Her lack of pretense and her mastery of this repertoire is what defines her legendary status.

These recordings were made in the early 60's in Arkansas and released in very limited fashion as a private press LP. Remastered by Chris King. Designed by Susan Archie. "

Artist : Lena Hughes

Label : Tompkins Square

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アメリカ・ミズーリの無名アメリカンプリミティブ作家Lena Hughes(1904-1998) が、60年代にひっそりと自主リリースした幻のアルバムを、同国爪弾きギター専門レーベルTomkins Squareが再発。

牧歌カントリーフォーク11曲を収録。ライナーノーツ付属。

Tompkins Square その他作品はこちら /// Click here to see more Tompkins Square releases available at Tobira. 

----------------------

12" black vinyl. 

Tracklist:

  1. Pearly Dew 02:16
  2. Under the Double Eagle 01:37
  3. Letter Edged in Black 02:02
  4. Blue Heaven 01:30
  5. Galloway Bay 02:01
  6. You Are The Only Star of My Blue Heaven 01:58
  7. Spanish Fan-Dango 03:19
  8. Kentucky Moon Waltz 02:10
  9. Silver Threads Among the Gold 02:03
  10. What A Friend We Have in Jesus 03:04
  11. Cedar Brook Waltz 01:50

++

Tompkins Square:

" A musical 'amateur' who best exemplified true artistry, Lena Hughes was born in Grape Grove Township, Missouri, in 1904. Though she never recorded any 78s and only one LP, Hughes was most influential through her steady performances at various fiddler conventions and folk festivals throughout the Ozarks. She was an excellent fiddler, banjoist and guitar picker who retained the largely extinct repertoire of parlor pieces and the variety of specialized tunings that were necessary to play them. She lived most of her life in Ludlow, Missouri and passed away in 1998.

Lena Hughes' repertoire can be divided roughly in half: finger-picked numbers adapted from fiddle tunes and recast parlor guitar pieces gleaned from popular sentimental songs, hymns, and 19th century airs. As a faithful attendee at folk festivals, Hughes was accompanied by her guitar-playing husband, Jake. Her most mesmerizing performances, such as Pearly Dew, Spanish Fandango, and Kentucky Moon Waltz, depend heavily upon the resonance of the open chord as it relates to the picking of the melodic line, primarily on one string. This tonal reliance is most similar to the "celestial octave" that Washington Phillips employs, with similar effect, on his Train Your Child. This ethereal harmonic technique, which seems so natural in Hughes' playing, is the holy grail for most finger-picking guitarists. Her lack of pretense and her mastery of this repertoire is what defines her legendary status.

These recordings were made in the early 60's in Arkansas and released in very limited fashion as a private press LP. Remastered by Chris King. Designed by Susan Archie. "

Artist : Lena Hughes

Label : Tompkins Square