field recording / world
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{"id":8438591521018,"title":"Mirt \/\/ A Winter Day on Tarutao CD","handle":"mirt-a-winter-day-on-tarutao-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランド・ワルシャワのフィールドレコーディング作家Mirtが、2017年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eタイ・タルタオ島で収集したフィールドレコーディング5曲を収録。6面ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=453158160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Morning 13:00\u003cbr\u003e2. Bay Water 02:42\u003cbr\u003e3. Afternoon 20:46\u003cbr\u003e4. Oxbow Water 06:59\u003cbr\u003e5. Evening 13:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2024-05-17T10:37:18+09:00","created_at":"2024-05-16T18:59:33+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45975260692730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mirt \/\/ A Winter Day on Tarutao CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_da67eb5e-1400-4b4f-bc78-405723d49742.jpg?v=1715853509","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_864670b7-e62f-425a-bd1e-ce5db01b291c.jpg?v=1715853509"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_da67eb5e-1400-4b4f-bc78-405723d49742.jpg?v=1715853509","options":["Title"],"media":[{"alt":null,"id":34043021033722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_da67eb5e-1400-4b4f-bc78-405723d49742.jpg?v=1715853509"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_da67eb5e-1400-4b4f-bc78-405723d49742.jpg?v=1715853509","width":700},{"alt":null,"id":34043021066490,"position":2,"preview_image":{"aspect_ratio":1.535,"height":782,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_864670b7-e62f-425a-bd1e-ce5db01b291c.jpg?v=1715853509"},"aspect_ratio":1.535,"height":782,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_864670b7-e62f-425a-bd1e-ce5db01b291c.jpg?v=1715853509","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランド・ワルシャワのフィールドレコーディング作家Mirtが、2017年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eタイ・タルタオ島で収集したフィールドレコーディング5曲を収録。6面ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=453158160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Morning 13:00\u003cbr\u003e2. Bay Water 02:42\u003cbr\u003e3. Afternoon 20:46\u003cbr\u003e4. Oxbow Water 06:59\u003cbr\u003e5. Evening 13:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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ポーランド・ワルシャワのフィールドレコーディング作家Mirtが、2017年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。 タイ・タルタオ島で収集したフィールドレコーディング5曲を収録。6面ゲートフォルド、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more saamleng releases available at Tobira....
¥2,270
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{"id":8438588375290,"title":"Mirt \/\/ Bikes in Hanoi, Bats in Phong Nha CD","handle":"mirt-bikes-in-hanoi-bats-in-phong-nha-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランド・ワルシャワのフィールドレコーディング作家Mirtが、2016年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eベトナム・ハノイとフォンニャで収集したフィールドレコーディング2曲を収録。ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=616436461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bikes in Hanoi 15:13\u003cbr\u003e2. Bats in Phong Nha 21:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng \u003c\/p\u003e","published_at":"2024-05-17T10:26:38+09:00","created_at":"2024-05-16T18:57:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45975245193466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mirt \/\/ Bikes in Hanoi, Bats in Phong Nha CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/han1_918d5d25-4a95-45a3-b2fc-20619aa27c15.jpg?v=1715853376","\/\/tobirarecords.com\/cdn\/shop\/files\/han2_2a1990e1-6fb2-45b4-a716-6c3b89319100.jpg?v=1715853377"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_918d5d25-4a95-45a3-b2fc-20619aa27c15.jpg?v=1715853376","options":["Title"],"media":[{"alt":null,"id":34043005239546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_918d5d25-4a95-45a3-b2fc-20619aa27c15.jpg?v=1715853376"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_918d5d25-4a95-45a3-b2fc-20619aa27c15.jpg?v=1715853376","width":700},{"alt":null,"id":34043005272314,"position":2,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han2_2a1990e1-6fb2-45b4-a716-6c3b89319100.jpg?v=1715853377"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han2_2a1990e1-6fb2-45b4-a716-6c3b89319100.jpg?v=1715853377","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eポーランド・ワルシャワのフィールドレコーディング作家Mirtが、2016年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eベトナム・ハノイとフォンニャで収集したフィールドレコーディング2曲を収録。ゲートフォルド、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=616436461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bikes in Hanoi 15:13\u003cbr\u003e2. Bats in Phong Nha 21:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng \u003c\/p\u003e"}
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¥2,270
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{"id":8438542467322,"title":"Various Artists (Honest Jon's) \/\/ The Paths Of Pain \/ The CAIFE Label, Quito, 1960-68 2xLP","handle":"various-artists-the-paths-of-pain-the-caife-label-quito-1960-68-2xlp-copy","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエクアドル・キトのレーベルThe CAIFEが1960-1968年に出版した音源をコンパイルした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロックやクンビアといった大衆音楽と石油ブームによって音楽産業全体に大きな変化が訪れた南米諸国ですが、それらが影響を及ぼす直前のエクアドルでは国産の音楽が最後の黄金期を迎えていました。本作はそれらの最後のボヘミアン音楽を収めたコンピレーション作品です。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eトナーダ、アルバソ、ヤラビ、カルナバル、サンフアニート、インカにルーツを持つヤンボ、ウィーンのワルツをもとにしたパシージョといった音楽スタイルが、ポルトガルやスペインを経由してカリブ海に伝わり、それらをもとに独自の音楽性を築いたフォークローレ24曲を収録。ゲートフォルド仕様、フルカラーブックレットが付属しています。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106704115\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBiluka Y Los Canibales - 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\"Desesperacion\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e8.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLos Tres Ases - \"Lejos De Ti\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e9.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eConjunto CAIFE - \"Vaca Lechera\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e10.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Amor De Mi Linda Guambra\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e11.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBiluka Y Los Canibales - \"El Anacu De Mi Guambra\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e12.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLucho Munoz - \"Pasional\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e13.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Carnaval De Guaranda\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e14.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLos Tres Ase - \"La Naranja\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e15.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDuo Aguayo Huayamabe - \"Mi Dulce Amor\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e16.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanas Mendoza Suasti - \"Sangrante Corazon\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e17.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Plegaria\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e18.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanos Castro - \"Los Huachis\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e19.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eRaul Emiliani Y Hector Bonilla - \"Chola Cuencana\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e20.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBiluka Y Los Canibales - \"Cashari Shunguito\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e21.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanas Mendoza Suasti - \"Longuito Enamorado\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e22.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDuo Aguayo Huayamabe - \"Desde Que TuTe Fuiste\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e23.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSegunado Bautista - \"Sendero Del Dolor\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e24.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Corazon Que No Olvida\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eHonest Jon's Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eA dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eForms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eExhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFabulous music, like nothing else, exquisitely suffused with sadness and soul. Hotly recommended.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eHonest Jon's Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-07-14T08:31:02+09:00","created_at":"2024-05-16T18:30:48+09:00","vendor":"Tobira Records","type":"","tags":["field recording","honest jon's records","lp","new"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45974985605370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Honest Jon's) \/\/ The Paths Of Pain \/ The CAIFE Label, Quito, 1960-68 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_77cace7b-46b8-4715-ae0d-8d0bb88704a4.jpg?v=1715851850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_77cace7b-46b8-4715-ae0d-8d0bb88704a4.jpg?v=1715851850","options":["Title"],"media":[{"alt":null,"id":34042906378490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_77cace7b-46b8-4715-ae0d-8d0bb88704a4.jpg?v=1715851850"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_77cace7b-46b8-4715-ae0d-8d0bb88704a4.jpg?v=1715851850","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエクアドル・キトのレーベルThe CAIFEが1960-1968年に出版した音源をコンパイルした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロックやクンビアといった大衆音楽と石油ブームによって音楽産業全体に大きな変化が訪れた南米諸国ですが、それらが影響を及ぼす直前のエクアドルでは国産の音楽が最後の黄金期を迎えていました。本作はそれらの最後のボヘミアン音楽を収めたコンピレーション作品です。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eトナーダ、アルバソ、ヤラビ、カルナバル、サンフアニート、インカにルーツを持つヤンボ、ウィーンのワルツをもとにしたパシージョといった音楽スタイルが、ポルトガルやスペインを経由してカリブ海に伝わり、それらをもとに独自の音楽性を築いたフォークローレ24曲を収録。ゲートフォルド仕様、フルカラーブックレットが付属しています。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2106704115\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hjr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hjr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Honest Jon's Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x 12\" black vinyl.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBiluka Y Los Canibales - \"Cotopaxi\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e2.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDuo Mendoza-Oztiz - \"Cansados Pies Corazon Mio\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e3.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanas Mendoza Suasti - \"Ingratitud\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e4.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eOlga Gutierrez - \"Dulce Mirada\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e5.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLos Inaquingas - \"Ensonacion\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e6.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanos Castro - \"Taita Salasaca\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e7.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Desesperacion\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e8.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLos Tres Ases - \"Lejos De Ti\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003cbr\u003e\u003c\/span\u003e9.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eConjunto CAIFE - \"Vaca Lechera\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e10.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Amor De Mi Linda Guambra\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e11.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBiluka Y Los Canibales - \"El Anacu De Mi Guambra\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e12.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLucho Munoz - \"Pasional\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e13.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Carnaval De Guaranda\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e14.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eLos Tres Ase - \"La Naranja\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e15.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDuo Aguayo Huayamabe - \"Mi Dulce Amor\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e16.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanas Mendoza Suasti - \"Sangrante Corazon\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e17.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Plegaria\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e18.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanos Castro - \"Los Huachis\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e19.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eRaul Emiliani Y Hector Bonilla - \"Chola Cuencana\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e20.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBiluka Y Los Canibales - \"Cashari Shunguito\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e21.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHermanas Mendoza Suasti - \"Longuito Enamorado\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e22.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eDuo Aguayo Huayamabe - \"Desde Que TuTe Fuiste\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e23.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSegunado Bautista - \"Sendero Del Dolor\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003cbr\u003e24.\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBenitez Y Valencia - \"Corazon Que No Olvida\"\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eN\/A\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eHonest Jon's Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eA dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eForms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eExhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFabulous music, like nothing else, exquisitely suffused with sadness and soul. Hotly recommended.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eHonest Jon's Records\u003c\/span\u003e\u003c\/p\u003e"}
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エクアドル・キトのレーベルThe CAIFEが1960-1968年に出版した音源をコンパイルした2枚組レコードです。 ロックやクンビアといった大衆音楽と石油ブームによって音楽産業全体に大きな変化が訪れた南米諸国ですが、それらが影響を及ぼす直前のエクアドルでは国産の音楽が最後の黄金期を迎えていました。本作はそれらの最後のボヘミアン音楽を収めたコンピレーション作品です。トナーダ、アルバソ、ヤラビ、カルナバル、サンフアニート、インカにルーツを持つヤンボ、ウィーンのワルツをもとにしたパシージョといった音楽スタイルが、ポルトガルやスペインを経由してカリブ海に伝わり、それらをもとに独自の音楽性を築いたフォークローレ24曲を収録。ゲートフォルド仕様、フルカラーブックレットが付属しています。 レーベルその他作品はこちら /// Click here to see more Honest Jon's Records releases available at Tobira....
¥4,980
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{"id":8429016154362,"title":"Various Artists (Buh Records) \/\/ Viva el sábado: Hits de disco pop peruano (1978-1989) LP","handle":"various-artists-viva-el-sabado-hits-de-disco-pop-peruano-1978-1989-lp","description":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1978年から1989年までに制作しれたペルー産ディスコポップの発掘音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zk9D1lTBw4Y?si=tMUe6ljUGr_oBEzB\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rollets - Patinando (1980) 04:34\u003cbr\u003e2. Grupo Cremolada - Amazonas (1982) 04:08\u003cbr\u003e3. Santodomingo Kid - Caminito (1978) 04:03\u003cbr\u003e4. Grupo Swing - Bosque solitario (1982) 03:41\u003cbr\u003e5. Grupo San Francisco - Sin ti (1985) 04:14\u003cbr\u003e6. Pepo Rok - Te lo dije (1986) 04:02\u003cbr\u003e7. Los Roller's de Tarapoto - Amor cibernético (1985) 04:19\u003cbr\u003e8. Jaque Mate - Abrígame (1989) 03:46\u003cbr\u003e9. Grupo América - Amo a Susana (1986) 04:09\u003cbr\u003e10. Annie - Jungla de Cemento (1989) 05:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis compilation brings together for the first time diverse Peruvian musical groups that immersed themselves in dance music following the codes brought by the disco revolution. As a phenomenon of a new culture, the global dissemination of disco music had various variations and reformulations. The way it took root in Peru constitutes a fascinating yet underexplored history, despite the numerous recordings that came to light, mainly in the 1980s, running parallel to the boom of Peruvian tropical music, the emergence of a new pop rock scene, and the widespread use of synthesizers and electronic drums. And even though the groups were eclectic and moved across various musical genres, their dance music hits have now become cult pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom Lima to Trujillo, from Iquitos to Tarapoto, this compilation presents a wide range of sounds designed for the dance floor: unrestrained, eclectic, and high-energy. From pioneering groups with brief yet foundational trajectories like Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar), who range from boogie to soul disco with electrifying synthesizer sounds\u003cspan class=\"bcTruncateMore\"\u003e. But also, the exotic arrangements of Grupo América and Grupo Cremolada, to the tropical disco pop sound of Grupo San Francisco or Los Roller's de Tarapoto. From the space disco ventures of Grupo Swing to the synthesized pop sound of Pepo Rok, Jaque Mate, or Annie.\u003cbr\u003e\u003cbr\u003e\"Viva el sábado: Hits de disco pop peruano (1978-1989)\" constitutes a fabulous and unique document to delve into Peruvian dance music and initiates a new series at Buh Records that will present in various volumes some of the treasures of disco music in Peru.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR171\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-12T10:33:31+09:00","created_at":"2024-05-10T18:14:36+09:00","vendor":"Tobira Records","type":"","tags":["buh records","field recording","folk \/ left-field pop","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45900980715770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Buh Records) \/\/ Viva el sábado: Hits de disco pop peruano (1978-1989) LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478","\/\/tobirarecords.com\/cdn\/shop\/files\/viva2.jpg?v=1715332478"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478","options":["Title"],"media":[{"alt":null,"id":33987556475130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478","width":700},{"alt":null,"id":33987556507898,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva2.jpg?v=1715332478"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva2.jpg?v=1715332478","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1978年から1989年までに制作しれたペルー産ディスコポップの発掘音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zk9D1lTBw4Y?si=tMUe6ljUGr_oBEzB\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rollets - Patinando (1980) 04:34\u003cbr\u003e2. Grupo Cremolada - Amazonas (1982) 04:08\u003cbr\u003e3. Santodomingo Kid - Caminito (1978) 04:03\u003cbr\u003e4. Grupo Swing - Bosque solitario (1982) 03:41\u003cbr\u003e5. Grupo San Francisco - Sin ti (1985) 04:14\u003cbr\u003e6. Pepo Rok - Te lo dije (1986) 04:02\u003cbr\u003e7. Los Roller's de Tarapoto - Amor cibernético (1985) 04:19\u003cbr\u003e8. Jaque Mate - Abrígame (1989) 03:46\u003cbr\u003e9. Grupo América - Amo a Susana (1986) 04:09\u003cbr\u003e10. Annie - Jungla de Cemento (1989) 05:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis compilation brings together for the first time diverse Peruvian musical groups that immersed themselves in dance music following the codes brought by the disco revolution. As a phenomenon of a new culture, the global dissemination of disco music had various variations and reformulations. The way it took root in Peru constitutes a fascinating yet underexplored history, despite the numerous recordings that came to light, mainly in the 1980s, running parallel to the boom of Peruvian tropical music, the emergence of a new pop rock scene, and the widespread use of synthesizers and electronic drums. And even though the groups were eclectic and moved across various musical genres, their dance music hits have now become cult pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom Lima to Trujillo, from Iquitos to Tarapoto, this compilation presents a wide range of sounds designed for the dance floor: unrestrained, eclectic, and high-energy. From pioneering groups with brief yet foundational trajectories like Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar), who range from boogie to soul disco with electrifying synthesizer sounds\u003cspan class=\"bcTruncateMore\"\u003e. But also, the exotic arrangements of Grupo América and Grupo Cremolada, to the tropical disco pop sound of Grupo San Francisco or Los Roller's de Tarapoto. From the space disco ventures of Grupo Swing to the synthesized pop sound of Pepo Rok, Jaque Mate, or Annie.\u003cbr\u003e\u003cbr\u003e\"Viva el sábado: Hits de disco pop peruano (1978-1989)\" constitutes a fabulous and unique document to delve into Peruvian dance music and initiates a new series at Buh Records that will present in various volumes some of the treasures of disco music in Peru.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR171\u003c\/span\u003e\u003c\/p\u003e"}
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ペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。 本作は、1978年から1989年までに制作しれたペルー産ディスコポップの発掘音源集です。 レーベルその他作品はこちら /// Click here to see more Buh Records releases available...
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{"id":8262444744954,"title":"Mirt \/\/ Tristes Tropiques CD","handle":"mirt-tristes-tropiques-cd","description":"\u003cp\u003eポーランドのフィールドレコーディング作家Mirt が、2019年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eワルシャワで収集したフィールドレコーディング13曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1420928448\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFading 01:38\u003c\/li\u003e\n\u003cli\u003eAbandoned Concrete 04:58\u003c\/li\u003e\n\u003cli\u003eSpatial I 05:02\u003c\/li\u003e\n\u003cli\u003eGranular 05:49\u003c\/li\u003e\n\u003cli\u003eFading (Continuation) 00:31\u003c\/li\u003e\n\u003cli\u003eSaturation 01:53\u003c\/li\u003e\n\u003cli\u003eHotel Room Drone 03:37\u003c\/li\u003e\n\u003cli\u003eSteady Pulse 04:14\u003c\/li\u003e\n\u003cli\u003eSaturation (Continuation) 01:13\u003c\/li\u003e\n\u003cli\u003eSpatial (Different One) 02:41\u003c\/li\u003e\n\u003cli\u003eCrescendo 02:35\u003c\/li\u003e\n\u003cli\u003eSpatial II 04:43\u003c\/li\u003e\n\u003cli\u003eHappy End? 02:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2024-04-04T10:13:34+09:00","created_at":"2024-04-03T10:29:29+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504683802874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mirt \/\/ Tristes Tropiques CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trop.jpg?v=1712107771","\/\/tobirarecords.com\/cdn\/shop\/files\/trop2.jpg?v=1712107772"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trop.jpg?v=1712107771","options":["Title"],"media":[{"alt":null,"id":33537645183226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trop.jpg?v=1712107771"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trop.jpg?v=1712107771","width":700},{"alt":null,"id":33537645215994,"position":2,"preview_image":{"aspect_ratio":1.525,"height":787,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trop2.jpg?v=1712107772"},"aspect_ratio":1.525,"height":787,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trop2.jpg?v=1712107772","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのフィールドレコーディング作家Mirt が、2019年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eワルシャワで収集したフィールドレコーディング13曲を収録。6面デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1420928448\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFading 01:38\u003c\/li\u003e\n\u003cli\u003eAbandoned Concrete 04:58\u003c\/li\u003e\n\u003cli\u003eSpatial I 05:02\u003c\/li\u003e\n\u003cli\u003eGranular 05:49\u003c\/li\u003e\n\u003cli\u003eFading (Continuation) 00:31\u003c\/li\u003e\n\u003cli\u003eSaturation 01:53\u003c\/li\u003e\n\u003cli\u003eHotel Room Drone 03:37\u003c\/li\u003e\n\u003cli\u003eSteady Pulse 04:14\u003c\/li\u003e\n\u003cli\u003eSaturation (Continuation) 01:13\u003c\/li\u003e\n\u003cli\u003eSpatial (Different One) 02:41\u003c\/li\u003e\n\u003cli\u003eCrescendo 02:35\u003c\/li\u003e\n\u003cli\u003eSpatial II 04:43\u003c\/li\u003e\n\u003cli\u003eHappy End? 02:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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{"id":8262443073786,"title":"Bogdan Jankowski \/\/ Himalaya and Karakoram • Voices from the Mountains • 1971–2003 CD","handle":"bogdan-jankowski-himalaya-and-karakoram","description":"\u003cp\u003eポーランドのフィールドレコーディング作家／登山家Bogdan Jankowskiが、2020年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e1971-2003年に彼がヒマラヤやカラコラムで録音したフィールドレコーディング24曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003eBogdan Jankowski（1938-2019）は、アンジェイ・ザワダ率いるポーランドの歴史的な登山遠征に数多く参加した。当初は主に登山家として参加したが、その後の展示会では無線通信を担当することが多くなった。彼は無数の写真と録音を持ち帰った。毎回、数十時間分の録音が持ち帰られたが、そのほとんどは旅の過程を記録したものだった。それらは無線通信と、時折のスピーチから成っている。しかし、Bogdan Jankowskiは遠征の合間の余暇には、彼を取り巻く空間、つまり山々やそこに住む人々、彼らの日常生活の音の現実に耳を傾けていた。アーカイブのこの部分は、地元の音楽、祈り、周囲の音などのフィールドレコーディングで構成されている。『Himalaya and Karakoram • Voices from the Mountains』は、Bogdan Jankowskiの最も興味深い録音のセレクションで、1971年のクニャン・チシュへの最初の遠征から始まり、2002\/2003年のK2遠征に参加した最後の遠征までが収録されている。低地からベースキャンプに向かうキャラバン隊、次第にまばらになる村や牧畜小屋、アイスクライミング、登頂への挑戦、そして最後に谷へ、文明へと戻る。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3179893309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBuddhist Monastery Gong 00:52\u003c\/li\u003e\n\u003cli\u003eBuddhist Prayers 04:32\u003c\/li\u003e\n\u003cli\u003eMorning Prayers 05:47\u003c\/li\u003e\n\u003cli\u003eWater Prayer Wheels I 01:03\u003c\/li\u003e\n\u003cli\u003ePuja Before Departure 02:42\u003c\/li\u003e\n\u003cli\u003eWater Prayer Wheels II 01:16\u003c\/li\u003e\n\u003cli\u003eMuezzin in Skardu 02:20\u003c\/li\u003e\n\u003cli\u003eEnsemble of the Mir of Nagar 01:56\u003c\/li\u003e\n\u003cli\u003eCamels in the Caravana 01:46\u003c\/li\u003e\n\u003cli\u003eCaravan Moves On 02:13\u003c\/li\u003e\n\u003cli\u003eRadio I 00:25\u003c\/li\u003e\n\u003cli\u003eRadio II 00:24\u003c\/li\u003e\n\u003cli\u003eWind Howling Outside a Tent 02:39\u003c\/li\u003e\n\u003cli\u003eRadio III 00:33\u003c\/li\u003e\n\u003cli\u003eCrampons and Ice Axe 04:36\u003c\/li\u003e\n\u003cli\u003eRadio IV 00:51\u003c\/li\u003e\n\u003cli\u003eCamp Under K2 02:47\u003c\/li\u003e\n\u003cli\u003eBreaths 03:43\u003c\/li\u003e\n\u003cli\u003eReport From the Top of Everest 03:20\u003c\/li\u003e\n\u003cli\u003eEvening Camp 03:14\u003c\/li\u003e\n\u003cli\u003eDrumming 00:25\u003c\/li\u003e\n\u003cli\u003eSinging nad Dancing Sherpa 03:04\u003c\/li\u003e\n\u003cli\u003eCaravan 02:13\u003c\/li\u003e\n\u003cli\u003eNew Year Concert 01:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bogdan Jankowski (1938–2019) took part in many Polish historical mountaineering expeditions led by Andrzej Zawada. Initially, he participated in them primarily as a climber, but on subsequent exhibitions he was more and more responsible for radio communication. He brought countless photos and sound recordings back. Each trip resulted in several dozen hours of such recordings, most of which documented the course of the trip. They consist of radio communication, as well as occasional speeches. However, in his spare time between expedition duties, Jankowski turned his ear to the space surrounding him—the sonic reality of the mountains, their inhabitants and their daily habits. This part of the archive consists of field recordings of local music, prayers and sounds of the surroundings. „Himalaya and Karakoram. Voices from the Mountains” is a selection of Bogdan Jankowski’s most interesting recordings, starting with the first expedition to Kunyang Chhish in 1971 to the last expedition he participated in, K2 in 2002\/2003. However, the recordings are not presented in chronological order here, but rather in line with the natural course of each trip—a caravan leading from the lowlands through increasingly sparse villages and herding sheds to the base camp, ice climbing, attempts to reach the summit and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e finally return to the valleys, to civilization. They are not only an extraordinary testimony of Polish Himalayan climbing culture, but they also establish the foundations for field recordings in Poland.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThe recordings come from the expeditions to:\u003cbr\u003e- Kunyang Chhish (Fall 1971, tracks: 7, 8)\u003cbr\u003e- Lhotse (Fall\/Winter 1974, tracks: 1, 3, 4, 6, 10, 20)\u003cbr\u003e- Mount Everest (Winter 1979\/80, tracks: 2, 5, 11, 14–16, 18, 19, 21–23)\u003cbr\u003e- K2 (Polish-Canadian-British, Winter 1987\/88, track: 12, 17)\u003cbr\u003e- Nanga Parbat (Winter 1996\/97, track: 24)\u003cbr\u003e- K2 (headed by Krzysztof Wielicki, Winter 2002\/03, tracks: 9, 13)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bogdan Jankowski\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2024-04-04T09:32:35+09:00","created_at":"2024-04-03T10:24:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504616333562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bogdan Jankowski \/\/ Himalaya and Karakoram • Voices from the Mountains • 1971–2003 CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/him1.jpg?v=1712107458","\/\/tobirarecords.com\/cdn\/shop\/files\/him2.jpg?v=1712107458"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/him1.jpg?v=1712107458","options":["Title"],"media":[{"alt":null,"id":33537628012794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/him1.jpg?v=1712107458"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/him1.jpg?v=1712107458","width":700},{"alt":null,"id":33537628045562,"position":2,"preview_image":{"aspect_ratio":1.399,"height":858,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/him2.jpg?v=1712107458"},"aspect_ratio":1.399,"height":858,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/him2.jpg?v=1712107458","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのフィールドレコーディング作家／登山家Bogdan Jankowskiが、2020年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e1971-2003年に彼がヒマラヤやカラコラムで録音したフィールドレコーディング24曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003eBogdan Jankowski（1938-2019）は、アンジェイ・ザワダ率いるポーランドの歴史的な登山遠征に数多く参加した。当初は主に登山家として参加したが、その後の展示会では無線通信を担当することが多くなった。彼は無数の写真と録音を持ち帰った。毎回、数十時間分の録音が持ち帰られたが、そのほとんどは旅の過程を記録したものだった。それらは無線通信と、時折のスピーチから成っている。しかし、Bogdan Jankowskiは遠征の合間の余暇には、彼を取り巻く空間、つまり山々やそこに住む人々、彼らの日常生活の音の現実に耳を傾けていた。アーカイブのこの部分は、地元の音楽、祈り、周囲の音などのフィールドレコーディングで構成されている。『Himalaya and Karakoram • Voices from the Mountains』は、Bogdan Jankowskiの最も興味深い録音のセレクションで、1971年のクニャン・チシュへの最初の遠征から始まり、2002\/2003年のK2遠征に参加した最後の遠征までが収録されている。低地からベースキャンプに向かうキャラバン隊、次第にまばらになる村や牧畜小屋、アイスクライミング、登頂への挑戦、そして最後に谷へ、文明へと戻る。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3179893309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold sleeve. Edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBuddhist Monastery Gong 00:52\u003c\/li\u003e\n\u003cli\u003eBuddhist Prayers 04:32\u003c\/li\u003e\n\u003cli\u003eMorning Prayers 05:47\u003c\/li\u003e\n\u003cli\u003eWater Prayer Wheels I 01:03\u003c\/li\u003e\n\u003cli\u003ePuja Before Departure 02:42\u003c\/li\u003e\n\u003cli\u003eWater Prayer Wheels II 01:16\u003c\/li\u003e\n\u003cli\u003eMuezzin in Skardu 02:20\u003c\/li\u003e\n\u003cli\u003eEnsemble of the Mir of Nagar 01:56\u003c\/li\u003e\n\u003cli\u003eCamels in the Caravana 01:46\u003c\/li\u003e\n\u003cli\u003eCaravan Moves On 02:13\u003c\/li\u003e\n\u003cli\u003eRadio I 00:25\u003c\/li\u003e\n\u003cli\u003eRadio II 00:24\u003c\/li\u003e\n\u003cli\u003eWind Howling Outside a Tent 02:39\u003c\/li\u003e\n\u003cli\u003eRadio III 00:33\u003c\/li\u003e\n\u003cli\u003eCrampons and Ice Axe 04:36\u003c\/li\u003e\n\u003cli\u003eRadio IV 00:51\u003c\/li\u003e\n\u003cli\u003eCamp Under K2 02:47\u003c\/li\u003e\n\u003cli\u003eBreaths 03:43\u003c\/li\u003e\n\u003cli\u003eReport From the Top of Everest 03:20\u003c\/li\u003e\n\u003cli\u003eEvening Camp 03:14\u003c\/li\u003e\n\u003cli\u003eDrumming 00:25\u003c\/li\u003e\n\u003cli\u003eSinging nad Dancing Sherpa 03:04\u003c\/li\u003e\n\u003cli\u003eCaravan 02:13\u003c\/li\u003e\n\u003cli\u003eNew Year Concert 01:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003esaamleng:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bogdan Jankowski (1938–2019) took part in many Polish historical mountaineering expeditions led by Andrzej Zawada. Initially, he participated in them primarily as a climber, but on subsequent exhibitions he was more and more responsible for radio communication. He brought countless photos and sound recordings back. Each trip resulted in several dozen hours of such recordings, most of which documented the course of the trip. They consist of radio communication, as well as occasional speeches. However, in his spare time between expedition duties, Jankowski turned his ear to the space surrounding him—the sonic reality of the mountains, their inhabitants and their daily habits. This part of the archive consists of field recordings of local music, prayers and sounds of the surroundings. „Himalaya and Karakoram. Voices from the Mountains” is a selection of Bogdan Jankowski’s most interesting recordings, starting with the first expedition to Kunyang Chhish in 1971 to the last expedition he participated in, K2 in 2002\/2003. However, the recordings are not presented in chronological order here, but rather in line with the natural course of each trip—a caravan leading from the lowlands through increasingly sparse villages and herding sheds to the base camp, ice climbing, attempts to reach the summit and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e finally return to the valleys, to civilization. They are not only an extraordinary testimony of Polish Himalayan climbing culture, but they also establish the foundations for field recordings in Poland.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThe recordings come from the expeditions to:\u003cbr\u003e- Kunyang Chhish (Fall 1971, tracks: 7, 8)\u003cbr\u003e- Lhotse (Fall\/Winter 1974, tracks: 1, 3, 4, 6, 10, 20)\u003cbr\u003e- Mount Everest (Winter 1979\/80, tracks: 2, 5, 11, 14–16, 18, 19, 21–23)\u003cbr\u003e- K2 (Polish-Canadian-British, Winter 1987\/88, track: 12, 17)\u003cbr\u003e- Nanga Parbat (Winter 1996\/97, track: 24)\u003cbr\u003e- K2 (headed by Krzysztof Wielicki, Winter 2002\/03, tracks: 9, 13)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bogdan Jankowski\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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ポーランドのフィールドレコーディング作家／登山家Bogdan Jankowskiが、2020年に同国フィールドレコーディングレーベルsaamlengからリリースしたCDです。 1971-2003年に彼がヒマラヤやカラコラムで録音したフィールドレコーディング24曲を収録。ブックレット付属。 以下、レーベルによる解説です。 Bogdan Jankowski（1938-2019）は、アンジェイ・ザワダ率いるポーランドの歴史的な登山遠征に数多く参加した。当初は主に登山家として参加したが、その後の展示会では無線通信を担当することが多くなった。彼は無数の写真と録音を持ち帰った。毎回、数十時間分の録音が持ち帰られたが、そのほとんどは旅の過程を記録したものだった。それらは無線通信と、時折のスピーチから成っている。しかし、Bogdan Jankowskiは遠征の合間の余暇には、彼を取り巻く空間、つまり山々やそこに住む人々、彼らの日常生活の音の現実に耳を傾けていた。アーカイブのこの部分は、地元の音楽、祈り、周囲の音などのフィールドレコーディングで構成されている。『Himalaya and Karakoram • Voices from the Mountains』は、Bogdan...
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{"id":8262441894138,"title":"Mirt \/\/ Another Day on Tarutao CD","handle":"mirt-another-day-on-tarutao-cd","description":"\u003cp\u003eポーランドのフィールドレコーディング作家Mirt が、2018年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eタイ・タルタオ島で収集したフィールドレコーディング10曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=931802415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e... 01:39\u003c\/li\u003e\n\u003cli\u003e... 03:16\u003c\/li\u003e\n\u003cli\u003e... 02:43\u003c\/li\u003e\n\u003cli\u003e... 01:25\u003c\/li\u003e\n\u003cli\u003e... 02:38\u003c\/li\u003e\n\u003cli\u003e... 02:59\u003c\/li\u003e\n\u003cli\u003e... 02:05\u003c\/li\u003e\n\u003cli\u003e... 04:07\u003c\/li\u003e\n\u003cli\u003e... 03:01\u003c\/li\u003e\n\u003cli\u003e... 04:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRecorded in February 2018 on Tarutao Island.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorder: Sound Device MixPre-3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMicrophones: DPA 4060\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e","published_at":"2024-04-04T10:11:03+09:00","created_at":"2024-04-03T10:20:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","saamleng"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504602243322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mirt \/\/ Another Day on Tarutao CD","public_title":null,"options":["Default Title"],"price":227000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ano1.jpg?v=1712107261","\/\/tobirarecords.com\/cdn\/shop\/files\/ano2_5b2e0256-6eb1-40ba-b1fd-29a6389edde2.jpg?v=1712107262"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano1.jpg?v=1712107261","options":["Title"],"media":[{"alt":null,"id":33537615757562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano1.jpg?v=1712107261"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano1.jpg?v=1712107261","width":700},{"alt":null,"id":33537615790330,"position":2,"preview_image":{"aspect_ratio":1.399,"height":858,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano2_5b2e0256-6eb1-40ba-b1fd-29a6389edde2.jpg?v=1712107262"},"aspect_ratio":1.399,"height":858,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano2_5b2e0256-6eb1-40ba-b1fd-29a6389edde2.jpg?v=1712107262","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのフィールドレコーディング作家Mirt が、2018年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eタイ・タルタオ島で収集したフィールドレコーディング10曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=931802415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock gatefold sleeve. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e... 01:39\u003c\/li\u003e\n\u003cli\u003e... 03:16\u003c\/li\u003e\n\u003cli\u003e... 02:43\u003c\/li\u003e\n\u003cli\u003e... 01:25\u003c\/li\u003e\n\u003cli\u003e... 02:38\u003c\/li\u003e\n\u003cli\u003e... 02:59\u003c\/li\u003e\n\u003cli\u003e... 02:05\u003c\/li\u003e\n\u003cli\u003e... 04:07\u003c\/li\u003e\n\u003cli\u003e... 03:01\u003c\/li\u003e\n\u003cli\u003e... 04:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eRecorded in February 2018 on Tarutao Island.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorder: Sound Device MixPre-3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMicrophones: DPA 4060\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mirt\u003c\/p\u003e\n\u003cp\u003eLabel : saamleng\u003c\/p\u003e"}
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ポーランドのフィールドレコーディング作家Mirt が、2018年に自身主宰レーベルsaamlengから300部限定でリリースしたCDです。 タイ・タルタオ島で収集したフィールドレコーディング10曲を収録。デジパック仕様です。 レーベルその他作品はこちら /// Click here to see more saamleng releases available at...
¥2,270
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{"id":8246154985722,"title":"Muwieri Xaure \/\/ Hikuri Yuawi Iyarieya TAPE","handle":"muwieri-xaure-hikuri-yuawi-iyarieya-tape","description":"\u003cp\u003eメキシコの伝統音楽家Muwieri Xaureが、2021年にアリゾナのフォルクローレレーベルTransitoryから40本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメキシコ伝統音楽ウィシャリカ12曲を収録。（オリジナルトラックです）\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Muwieri Xaure（スペイン語ではエウセビオ・ロペスとしても知られる）は、長年にわたるウィシャリカの伝統音楽家であり、サン・アンドレス・コハミアータ州ラ・ラグーナのコミュニティの元リーダーである。ウィシャリタリ族（ウィシャリカの複数形）は、メキシコ北西部のシエラ・マドレ・オクシデンタル山脈の先住民で、15,000年以上前からそこに住んでいる。その間に彼らは豊かな文化的伝統を築き上げ、その中で「ヒクリ」（スペイン語では一般にペヨーテと呼ばれる）は薬として、また精神的な教師として中心的な役割を果たしてきた。この貴重なレコーディングで、Muwieri Xaureは、彼の生まれ故郷であるサン・アンドレス州とサンタ・カタリーナ州の音楽的伝統を統合しつつ、メキシーサやメキシコ文化との関係を表現したオリジナル曲の新しいコレクションを披露してくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くの先住民文化がそうであるように、近代化と進歩という西洋の建前が、ウィシャリカ族に古くから伝わる慣習を絶滅の危機にさらしている。部族は毎年、先祖代々受け継がれてきた聖地を徒歩で巡礼し、そこでヒクリという植物を使った癒しの儀式を行っている。しかし、大鉱業会社やその他の企業の侵食により、彼らの聖地は私企業に売却され、その資源が搾取されるようになり、巡礼はますます困難なものとなり、彼らの遺産である固有の動植物種も脅かされている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1254588817\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003ehere\u003c\/a\u003e to see more Transitory Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Cassette in norelco case. Edition of 40.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTsaurixika meyun+awa 03:15\u003c\/li\u003e\n\u003cli\u003eWikixi memekun+awa 04:17\u003c\/li\u003e\n\u003cli\u003eTuutu waleu ut+ane 04:59\u003c\/li\u003e\n\u003cli\u003eKwiniya kwikariyari 04:52\u003c\/li\u003e\n\u003cli\u003eNekwayumaiwe 05:38\u003c\/li\u003e\n\u003cli\u003eWirikuta nait+ reya uwa 04:29\u003c\/li\u003e\n\u003cli\u003eT+riyari te manakatekai 04:55\u003c\/li\u003e\n\u003cli\u003eTuutu Neutikwaka 04:27\u003c\/li\u003e\n\u003cli\u003eMukuyuawi mieme 03:45\u003c\/li\u003e\n\u003cli\u003eWirikuta ne iwama mautahu 06:08\u003c\/li\u003e\n\u003cli\u003eTsineleu eliet+ me payeika 04:03\u003c\/li\u003e\n\u003cli\u003eTamatsika Kauyumari 04:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eTransitory Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eMuwieri Xaure (also known as Eusebio López in Spanish) is a longstanding traditional Wixárika musician and former leader of the community of La Laguna, San Andrés Cohamiata. The Wixáritari (plural of Wixárika) are indigenous to the Sierra Madre Occidental mountain range in Northwestern Mexico and have existed there for over 15,000 years. In that time they have developed a rich cultural tradition, in which \"hikuri\" (commonly called peyote in Spanish) plays a central role as a medicine and spiritual teacher. In this rare recording, Muwieri Xaure presents us with a new collection of original songs that unify the musical traditions of his native San Andrés and Santa Catarina while also expressing his relationship with Mextiza and Mexican culture.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike so many indigenous cultures, the Western constructs of modernity and progress have placed the Wixárika's ancient practices at risk of extinction. Each year, the tribes make monumental pilgrimages on foot to sacred sites that have been passed down through generations of ancestors, where they perform healing rites with the hikuri plant. The encroachment of large mining corporations and other business interests has seen their consecrated lands being sold off to private entities and exploited for their resources\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, making their pilgrimages increasingly difficult and threatening the endemic plant and animal species with which their heritage is intertwined.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecently in December of 2020, following Wixárika tradition, Eusebio hosted a three-day ceremony to pass on his leadership position of the La Laguna. He has held this position for the last two years, managing and manifesting many benefits in their community such as public lighting, construction of a tiled roof and a communal kitchen in the police station, and the building of a hydraulic concrete road. Muwieri made this album for you to enjoy this traditional music from his heart and hopes that you will support him in fulfilling the many responsibilities that surrendering his position implies.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Muwieri Xaure\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Transitory Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-24T19:14:08+09:00","created_at":"2024-03-27T17:33:15+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","tape","transitory tapes"],"price":248400,"price_min":248400,"price_max":248400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45418149708026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Muwieri Xaure \/\/ Hikuri Yuawi Iyarieya TAPE","public_title":null,"options":["Default Title"],"price":248400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hik1.jpg?v=1711528397","\/\/tobirarecords.com\/cdn\/shop\/files\/hik2.jpg?v=1711528397","\/\/tobirarecords.com\/cdn\/shop\/files\/hik3.jpg?v=1711528397"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik1.jpg?v=1711528397","options":["Title"],"media":[{"alt":null,"id":33471530533114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik1.jpg?v=1711528397"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik1.jpg?v=1711528397","width":700},{"alt":null,"id":33471530565882,"position":2,"preview_image":{"aspect_ratio":0.783,"height":1200,"width":939,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik2.jpg?v=1711528397"},"aspect_ratio":0.783,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik2.jpg?v=1711528397","width":939},{"alt":null,"id":33471530598650,"position":3,"preview_image":{"aspect_ratio":0.955,"height":1200,"width":1146,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik3.jpg?v=1711528397"},"aspect_ratio":0.955,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hik3.jpg?v=1711528397","width":1146}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコの伝統音楽家Muwieri Xaureが、2021年にアリゾナのフォルクローレレーベルTransitoryから40本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eメキシコ伝統音楽ウィシャリカ12曲を収録。（オリジナルトラックです）\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Muwieri Xaure（スペイン語ではエウセビオ・ロペスとしても知られる）は、長年にわたるウィシャリカの伝統音楽家であり、サン・アンドレス・コハミアータ州ラ・ラグーナのコミュニティの元リーダーである。ウィシャリタリ族（ウィシャリカの複数形）は、メキシコ北西部のシエラ・マドレ・オクシデンタル山脈の先住民で、15,000年以上前からそこに住んでいる。その間に彼らは豊かな文化的伝統を築き上げ、その中で「ヒクリ」（スペイン語では一般にペヨーテと呼ばれる）は薬として、また精神的な教師として中心的な役割を果たしてきた。この貴重なレコーディングで、Muwieri Xaureは、彼の生まれ故郷であるサン・アンドレス州とサンタ・カタリーナ州の音楽的伝統を統合しつつ、メキシーサやメキシコ文化との関係を表現したオリジナル曲の新しいコレクションを披露してくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くの先住民文化がそうであるように、近代化と進歩という西洋の建前が、ウィシャリカ族に古くから伝わる慣習を絶滅の危機にさらしている。部族は毎年、先祖代々受け継がれてきた聖地を徒歩で巡礼し、そこでヒクリという植物を使った癒しの儀式を行っている。しかし、大鉱業会社やその他の企業の侵食により、彼らの聖地は私企業に売却され、その資源が搾取されるようになり、巡礼はますます困難なものとなり、彼らの遺産である固有の動植物種も脅かされている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1254588817\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003ehere\u003c\/a\u003e to see more Transitory Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Cassette in norelco case. Edition of 40.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTsaurixika meyun+awa 03:15\u003c\/li\u003e\n\u003cli\u003eWikixi memekun+awa 04:17\u003c\/li\u003e\n\u003cli\u003eTuutu waleu ut+ane 04:59\u003c\/li\u003e\n\u003cli\u003eKwiniya kwikariyari 04:52\u003c\/li\u003e\n\u003cli\u003eNekwayumaiwe 05:38\u003c\/li\u003e\n\u003cli\u003eWirikuta nait+ reya uwa 04:29\u003c\/li\u003e\n\u003cli\u003eT+riyari te manakatekai 04:55\u003c\/li\u003e\n\u003cli\u003eTuutu Neutikwaka 04:27\u003c\/li\u003e\n\u003cli\u003eMukuyuawi mieme 03:45\u003c\/li\u003e\n\u003cli\u003eWirikuta ne iwama mautahu 06:08\u003c\/li\u003e\n\u003cli\u003eTsineleu eliet+ me payeika 04:03\u003c\/li\u003e\n\u003cli\u003eTamatsika Kauyumari 04:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eTransitory Tapes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eMuwieri Xaure (also known as Eusebio López in Spanish) is a longstanding traditional Wixárika musician and former leader of the community of La Laguna, San Andrés Cohamiata. The Wixáritari (plural of Wixárika) are indigenous to the Sierra Madre Occidental mountain range in Northwestern Mexico and have existed there for over 15,000 years. In that time they have developed a rich cultural tradition, in which \"hikuri\" (commonly called peyote in Spanish) plays a central role as a medicine and spiritual teacher. In this rare recording, Muwieri Xaure presents us with a new collection of original songs that unify the musical traditions of his native San Andrés and Santa Catarina while also expressing his relationship with Mextiza and Mexican culture.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike so many indigenous cultures, the Western constructs of modernity and progress have placed the Wixárika's ancient practices at risk of extinction. Each year, the tribes make monumental pilgrimages on foot to sacred sites that have been passed down through generations of ancestors, where they perform healing rites with the hikuri plant. The encroachment of large mining corporations and other business interests has seen their consecrated lands being sold off to private entities and exploited for their resources\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, making their pilgrimages increasingly difficult and threatening the endemic plant and animal species with which their heritage is intertwined.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecently in December of 2020, following Wixárika tradition, Eusebio hosted a three-day ceremony to pass on his leadership position of the La Laguna. He has held this position for the last two years, managing and manifesting many benefits in their community such as public lighting, construction of a tiled roof and a communal kitchen in the police station, and the building of a hydraulic concrete road. Muwieri made this album for you to enjoy this traditional music from his heart and hopes that you will support him in fulfilling the many responsibilities that surrendering his position implies.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Muwieri Xaure\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Transitory Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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メキシコの伝統音楽家Muwieri Xaureが、2021年にアリゾナのフォルクローレレーベルTransitoryから40本限定でリリースしたカセットです。 メキシコ伝統音楽ウィシャリカ12曲を収録。（オリジナルトラックです） ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "Muwieri Xaure（スペイン語ではエウセビオ・ロペスとしても知られる）は、長年にわたるウィシャリカの伝統音楽家であり、サン・アンドレス・コハミアータ州ラ・ラグーナのコミュニティの元リーダーである。ウィシャリタリ族（ウィシャリカの複数形）は、メキシコ北西部のシエラ・マドレ・オクシデンタル山脈の先住民で、15,000年以上前からそこに住んでいる。その間に彼らは豊かな文化的伝統を築き上げ、その中で「ヒクリ」（スペイン語では一般にペヨーテと呼ばれる）は薬として、また精神的な教師として中心的な役割を果たしてきた。この貴重なレコーディングで、Muwieri Xaureは、彼の生まれ故郷であるサン・アンドレス州とサンタ・カタリーナ州の音楽的伝統を統合しつつ、メキシーサやメキシコ文化との関係を表現したオリジナル曲の新しいコレクションを披露してくれる。 多くの先住民文化がそうであるように、近代化と進歩という西洋の建前が、ウィシャリカ族に古くから伝わる慣習を絶滅の危機にさらしている。部族は毎年、先祖代々受け継がれてきた聖地を徒歩で巡礼し、そこでヒクリという植物を使った癒しの儀式を行っている。しかし、大鉱業会社やその他の企業の侵食により、彼らの聖地は私企業に売却され、その資源が搾取されるようになり、巡礼はますます困難なものとなり、彼らの遺産である固有の動植物種も脅かされている。" レーベルその他作品はこちら /// Click here to...
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{"id":8246151151866,"title":"Tamborileros del Pastor \/\/ Tamborileros del Pastor CD+ZINE","handle":"tamborileros-del-pastor-tamborileros-del-pastor-cd-zine","description":"\u003cp\u003e1880年頃からメキシコ北東部を中心に伝承されている儀式音楽ピコタにフォーカスしたCD+ZINEです。\u003c\/p\u003e\n\u003cp\u003e1992年に行われた洗礼式での珍しい録音です。24ページの7\"サイズZINEにはピコタの歴史についてのエッセイと写真が掲載されています。表紙の色はランダムにお送りします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代のメキシコ北東部では、少なくとも1880年頃から \"ピコタ \"あるいは \"タンボラの音楽 \"が演奏されていることが確実に知られている。これは、この地域で知られている最も古い音楽表現であるが、その起源を正確に知る手がかりとなる遺物はほとんど見つかっていない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eタマウリパス州とヌエボ・レオン州を隔てる国境地帯の牧場では、ピコタはもともと雨乞いの儀式で演奏されていたと言われている。エル・アンヘロ村のある住民は、彼の祖父母は、オレンジ、レモン、グレープフルーツの産地である現在の柑橘地方にサトウキビ、豆、トウモロコシを植えるとき、それらは彼らと共存する精霊を呼び寄せるための領土だと言っていたと語る。農民の多くは黒人で、「この世のものではない」と考えられていたが、彼らは他の人々と同じように土地を耕し、自分たちの家族を養っていた。彼らはまた、毎年6月から9月にかけて顕著な雨が降ることで、彼らの仕事を楽にしてくれるメキシコ湾岸からの霊的存在に敬意を払う方法を同僚たちに教えた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタンボラソ（ピコタの別称）は、田舎の農作業で使われるだけでなく、呪術や異教に由来する典型的な守護聖人のお祝い、結婚式、埋葬、行列、洗礼式、コンヴィテ（洗礼式）などで演奏され、徒弟制度の伝統のおかげで現代にも受け継がれている。コンヴィテは、土着のミトテを現代的に表現したものである。タンボラを先頭に、コミュニティ全体が参加する政治的な行列である。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e現在、山間部のいくつかの地域では、葬儀の際にタンボラソを演奏し、冥界に向かう故人の魂に寄り添うと言われている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピコタをはじめとする多くの古代ジャンルは、都市化、経済的抑圧、土地の剥奪といったグローバリゼーションの脅威を乗り越えてきた。マヌエル・ペーニャ・ドリアが言うように、歌う塵は塵に還らない。それは永遠を感じさせる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3734997704\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003ehere\u003c\/a\u003e to see more Transitory Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD packaged in a 24-page Spanish and English zine with background on Música de Tambora and the production of the recording. \u003c\/span\u003e\u003cspan\u003eFront cover may vary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA_1 01:39\u003c\/li\u003e\n\u003cli\u003eA_2 01:04\u003c\/li\u003e\n\u003cli\u003eA_3 01:56\u003c\/li\u003e\n\u003cli\u003eA_4 02:12\u003c\/li\u003e\n\u003cli\u003eA_5 04:56\u003c\/li\u003e\n\u003cli\u003eB_1 01:43\u003c\/li\u003e\n\u003cli\u003eB_2 02:31\u003c\/li\u003e\n\u003cli\u003eB_3* 05:14\u003c\/li\u003e\n\u003cli\u003eB_4* 01:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTransitory Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn contemporary northeastern Mexico, it is known with certainty that the \"picota\" or \"música de tambora\" has been played since at least 1880. Although this makes it the oldest musical expression known from the region, few remnants have been found that reveal precise clues about its origin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the ranches of the border area that divides the states of Tamaulipas and Nuevo León, it is said that the picota was originally played during ceremonies to attract rain. A resident of the village of El Anhelo recounts that his grandparents used to say that when sugarcane, beans and corn were planted in what is now known as the Citrus Region – a producer of oranges, lemons and grapefruit – these were territories of invocation of spirits that coexisted with them. Many of the peasants, who were mostly black, were thought to be \"not of this world\", though they plowed the land in the same way as the rest to subsist and support their families. They also taught their colleagues how to pay tribute to spiritual entities from the Gulf coast that year after year made their work easier with the arrival of prominent rains from June to September.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn addition to being interpreted in agricultural activities in the countryside, the tamborazo – another name for the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e picota – was played in typical patron saint celebrations of magical-pagan origin, weddings, burials, processions, baptisms and convites, and has been preserved into modernity thanks to a tradition of apprenticeship. The convite is the modern expression of the indigenous mitote. It is a political procession, in which the entire community participates with the tambora at the front.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCurrently, in some places in the mountains, it is said that the tamborazo is played at funerals to accompany the soul of the deceased on its journey to the underworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the picota and many other ancient genres that survive the threats of globalization such as urbanization, economic oppression and the dispossession of land, much remains to be rescued and studied. As Manuel Peña Doria says, the dust that sings does not return to dust. It has a touch of eternity.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tamborileros del Pastor\u003c\/p\u003e\n\u003cp\u003eLabel : Transitory Tapes\u003c\/p\u003e","published_at":"2024-03-28T17:16:31+09:00","created_at":"2024-03-27T17:21:45+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","strange beats","transitory tapes"],"price":498900,"price_min":498900,"price_max":498900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45418109206778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tamborileros del Pastor \/\/ Tamborileros del Pastor CD+ZINE","public_title":null,"options":["Default Title"],"price":498900,"weight":280,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pas1_eeac64f0-0cf3-4916-a7f8-0963e1d2f3f0.jpg?v=1711527706","\/\/tobirarecords.com\/cdn\/shop\/files\/pas2.jpg?v=1711527707","\/\/tobirarecords.com\/cdn\/shop\/files\/pas3.jpg?v=1711527706","\/\/tobirarecords.com\/cdn\/shop\/files\/pas4.jpg?v=1711527707"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas1_eeac64f0-0cf3-4916-a7f8-0963e1d2f3f0.jpg?v=1711527706","options":["Title"],"media":[{"alt":null,"id":33471473156346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas1_eeac64f0-0cf3-4916-a7f8-0963e1d2f3f0.jpg?v=1711527706"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas1_eeac64f0-0cf3-4916-a7f8-0963e1d2f3f0.jpg?v=1711527706","width":700},{"alt":null,"id":33471473189114,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas2.jpg?v=1711527707"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas2.jpg?v=1711527707","width":1200},{"alt":null,"id":33471473221882,"position":3,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas3.jpg?v=1711527706"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas3.jpg?v=1711527706","width":1200},{"alt":null,"id":33471473254650,"position":4,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas4.jpg?v=1711527707"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pas4.jpg?v=1711527707","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1880年頃からメキシコ北東部を中心に伝承されている儀式音楽ピコタにフォーカスしたCD+ZINEです。\u003c\/p\u003e\n\u003cp\u003e1992年に行われた洗礼式での珍しい録音です。24ページの7\"サイズZINEにはピコタの歴史についてのエッセイと写真が掲載されています。表紙の色はランダムにお送りします。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代のメキシコ北東部では、少なくとも1880年頃から \"ピコタ \"あるいは \"タンボラの音楽 \"が演奏されていることが確実に知られている。これは、この地域で知られている最も古い音楽表現であるが、その起源を正確に知る手がかりとなる遺物はほとんど見つかっていない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eタマウリパス州とヌエボ・レオン州を隔てる国境地帯の牧場では、ピコタはもともと雨乞いの儀式で演奏されていたと言われている。エル・アンヘロ村のある住民は、彼の祖父母は、オレンジ、レモン、グレープフルーツの産地である現在の柑橘地方にサトウキビ、豆、トウモロコシを植えるとき、それらは彼らと共存する精霊を呼び寄せるための領土だと言っていたと語る。農民の多くは黒人で、「この世のものではない」と考えられていたが、彼らは他の人々と同じように土地を耕し、自分たちの家族を養っていた。彼らはまた、毎年6月から9月にかけて顕著な雨が降ることで、彼らの仕事を楽にしてくれるメキシコ湾岸からの霊的存在に敬意を払う方法を同僚たちに教えた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタンボラソ（ピコタの別称）は、田舎の農作業で使われるだけでなく、呪術や異教に由来する典型的な守護聖人のお祝い、結婚式、埋葬、行列、洗礼式、コンヴィテ（洗礼式）などで演奏され、徒弟制度の伝統のおかげで現代にも受け継がれている。コンヴィテは、土着のミトテを現代的に表現したものである。タンボラを先頭に、コミュニティ全体が参加する政治的な行列である。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e現在、山間部のいくつかの地域では、葬儀の際にタンボラソを演奏し、冥界に向かう故人の魂に寄り添うと言われている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eピコタをはじめとする多くの古代ジャンルは、都市化、経済的抑圧、土地の剥奪といったグローバリゼーションの脅威を乗り越えてきた。マヌエル・ペーニャ・ドリアが言うように、歌う塵は塵に還らない。それは永遠を感じさせる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3734997704\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trata\"\u003ehere\u003c\/a\u003e to see more Transitory Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD packaged in a 24-page Spanish and English zine with background on Música de Tambora and the production of the recording. \u003c\/span\u003e\u003cspan\u003eFront cover may vary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA_1 01:39\u003c\/li\u003e\n\u003cli\u003eA_2 01:04\u003c\/li\u003e\n\u003cli\u003eA_3 01:56\u003c\/li\u003e\n\u003cli\u003eA_4 02:12\u003c\/li\u003e\n\u003cli\u003eA_5 04:56\u003c\/li\u003e\n\u003cli\u003eB_1 01:43\u003c\/li\u003e\n\u003cli\u003eB_2 02:31\u003c\/li\u003e\n\u003cli\u003eB_3* 05:14\u003c\/li\u003e\n\u003cli\u003eB_4* 01:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTransitory Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn contemporary northeastern Mexico, it is known with certainty that the \"picota\" or \"música de tambora\" has been played since at least 1880. Although this makes it the oldest musical expression known from the region, few remnants have been found that reveal precise clues about its origin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the ranches of the border area that divides the states of Tamaulipas and Nuevo León, it is said that the picota was originally played during ceremonies to attract rain. A resident of the village of El Anhelo recounts that his grandparents used to say that when sugarcane, beans and corn were planted in what is now known as the Citrus Region – a producer of oranges, lemons and grapefruit – these were territories of invocation of spirits that coexisted with them. Many of the peasants, who were mostly black, were thought to be \"not of this world\", though they plowed the land in the same way as the rest to subsist and support their families. They also taught their colleagues how to pay tribute to spiritual entities from the Gulf coast that year after year made their work easier with the arrival of prominent rains from June to September.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn addition to being interpreted in agricultural activities in the countryside, the tamborazo – another name for the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e picota – was played in typical patron saint celebrations of magical-pagan origin, weddings, burials, processions, baptisms and convites, and has been preserved into modernity thanks to a tradition of apprenticeship. The convite is the modern expression of the indigenous mitote. It is a political procession, in which the entire community participates with the tambora at the front.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCurrently, in some places in the mountains, it is said that the tamborazo is played at funerals to accompany the soul of the deceased on its journey to the underworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the picota and many other ancient genres that survive the threats of globalization such as urbanization, economic oppression and the dispossession of land, much remains to be rescued and studied. As Manuel Peña Doria says, the dust that sings does not return to dust. It has a touch of eternity.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tamborileros del Pastor\u003c\/p\u003e\n\u003cp\u003eLabel : Transitory Tapes\u003c\/p\u003e"}
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1880年頃からメキシコ北東部を中心に伝承されている儀式音楽ピコタにフォーカスしたCD+ZINEです。 1992年に行われた洗礼式での珍しい録音です。24ページの7"サイズZINEにはピコタの歴史についてのエッセイと写真が掲載されています。表紙の色はランダムにお送りします。 以下、レーベルによる解説です。 "現代のメキシコ北東部では、少なくとも1880年頃から "ピコタ "あるいは "タンボラの音楽 "が演奏されていることが確実に知られている。これは、この地域で知られている最も古い音楽表現であるが、その起源を正確に知る手がかりとなる遺物はほとんど見つかっていない。タマウリパス州とヌエボ・レオン州を隔てる国境地帯の牧場では、ピコタはもともと雨乞いの儀式で演奏されていたと言われている。エル・アンヘロ村のある住民は、彼の祖父母は、オレンジ、レモン、グレープフルーツの産地である現在の柑橘地方にサトウキビ、豆、トウモロコシを植えるとき、それらは彼らと共存する精霊を呼び寄せるための領土だと言っていたと語る。農民の多くは黒人で、「この世のものではない」と考えられていたが、彼らは他の人々と同じように土地を耕し、自分たちの家族を養っていた。彼らはまた、毎年6月から9月にかけて顕著な雨が降ることで、彼らの仕事を楽にしてくれるメキシコ湾岸からの霊的存在に敬意を払う方法を同僚たちに教えた。 タンボラソ（ピコタの別称）は、田舎の農作業で使われるだけでなく、呪術や異教に由来する典型的な守護聖人のお祝い、結婚式、埋葬、行列、洗礼式、コンヴィテ（洗礼式）などで演奏され、徒弟制度の伝統のおかげで現代にも受け継がれている。コンヴィテは、土着のミトテを現代的に表現したものである。タンボラを先頭に、コミュニティ全体が参加する政治的な行列である。現在、山間部のいくつかの地域では、葬儀の際にタンボラソを演奏し、冥界に向かう故人の魂に寄り添うと言われている。ピコタをはじめとする多くの古代ジャンルは、都市化、経済的抑圧、土地の剥奪といったグローバリゼーションの脅威を乗り越えてきた。マヌエル・ペーニャ・ドリアが言うように、歌う塵は塵に還らない。それは永遠を感じさせる。" レーベルその他作品はこちら /// Click here to...
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{"id":8245162705146,"title":"Mykolaiv Singers \/\/ Winter Songs, Wedding Songs LP","handle":"mykolaiv-singers-winter-songs-wedding-songs-lp","description":"\u003cp\u003eウクライナ南部・\u003cmeta charset=\"utf-8\"\u003eムィコラーイウで受け継がれる民謡を民俗学者\u003cmeta charset=\"utf-8\"\u003eTETIANO CHUKNOがコンパイルしたレコードです。\u003c\/p\u003e\n\u003cp\u003ePurgeならではの装丁も素晴らしいです。ウクライナ語と英語による歌詞シートを含む20ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"長い間制作されていたこのLPの発表は、ロシアのウクライナ侵攻によって急がれました。\u003cmeta charset=\"utf-8\"\u003eムィコラーイウ地方で配布された数本のテープを除き、すべて未発表のもので、ウクライナ・ムィコラーイウの村々で主に女性グループによって歌われる古い古い歌（冬、結婚式、戦争、セックス、パンの歌）です。歌手であり民\u003cspan data-mce-fragment=\"1\"\u003e俗\u003c\/span\u003e学者でもあるTETIANO CHUKNOが過去10年間に収集したこのLPには、各曲のウクライナ語のオリジナル歌詞シートと、KSENIA GINCHUK、STEPHEN WATTS \u0026amp; STANLEY SCHTINTERによる英語訳を含む20ページのブックレットが付属しています。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=223925412\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. Includes 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. untitled\u003cbr\u003eB. untitled\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe announcement of this long in the making LP was hastened by Russia’s invasion of Ukraine. All previously unreleased in any form - spare a few tapes distributed in the Mykolaiv region - these are old, old songs (of winter, weddings, war, sex, bread) predominantly sung by groups of women, and all from the villages of Mykolaiv, Ukraine. Collected over the last decade by singer and ethnographer, TETIANO CHUKNO, the LP comes with a 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation: by KSENIA GINCHUK, and STEPHEN WATTS \u0026amp; STANLEY SCHTINTER.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mykolaiv Singers\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e","published_at":"2024-03-26T20:27:28+09:00","created_at":"2024-03-26T20:24:33+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","purge","recommended"],"price":558000,"price_min":558000,"price_max":558000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45410010792186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mykolaiv Singers \/\/ Winter Songs, Wedding Songs LP","public_title":null,"options":["Default Title"],"price":558000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_93149ef8-e2e6-4198-a1b2-da8991e1fc87.jpg?v=1711452276","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_d5559b88-5439-4224-bd34-738d69eb7a7a.jpg?v=1711452276"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_93149ef8-e2e6-4198-a1b2-da8991e1fc87.jpg?v=1711452276","options":["Title"],"media":[{"alt":null,"id":33464987222266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_93149ef8-e2e6-4198-a1b2-da8991e1fc87.jpg?v=1711452276"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_93149ef8-e2e6-4198-a1b2-da8991e1fc87.jpg?v=1711452276","width":700},{"alt":null,"id":33464987255034,"position":2,"preview_image":{"aspect_ratio":0.993,"height":1200,"width":1192,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_d5559b88-5439-4224-bd34-738d69eb7a7a.jpg?v=1711452276"},"aspect_ratio":0.993,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_d5559b88-5439-4224-bd34-738d69eb7a7a.jpg?v=1711452276","width":1192}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウクライナ南部・\u003cmeta charset=\"utf-8\"\u003eムィコラーイウで受け継がれる民謡を民俗学者\u003cmeta charset=\"utf-8\"\u003eTETIANO CHUKNOがコンパイルしたレコードです。\u003c\/p\u003e\n\u003cp\u003ePurgeならではの装丁も素晴らしいです。ウクライナ語と英語による歌詞シートを含む20ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"長い間制作されていたこのLPの発表は、ロシアのウクライナ侵攻によって急がれました。\u003cmeta charset=\"utf-8\"\u003eムィコラーイウ地方で配布された数本のテープを除き、すべて未発表のもので、ウクライナ・ムィコラーイウの村々で主に女性グループによって歌われる古い古い歌（冬、結婚式、戦争、セックス、パンの歌）です。歌手であり民\u003cspan data-mce-fragment=\"1\"\u003e俗\u003c\/span\u003e学者でもあるTETIANO CHUKNOが過去10年間に収集したこのLPには、各曲のウクライナ語のオリジナル歌詞シートと、KSENIA GINCHUK、STEPHEN WATTS \u0026amp; STANLEY SCHTINTERによる英語訳を含む20ページのブックレットが付属しています。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=223925412\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. Includes 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA. untitled\u003cbr\u003eB. untitled\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe announcement of this long in the making LP was hastened by Russia’s invasion of Ukraine. All previously unreleased in any form - spare a few tapes distributed in the Mykolaiv region - these are old, old songs (of winter, weddings, war, sex, bread) predominantly sung by groups of women, and all from the villages of Mykolaiv, Ukraine. Collected over the last decade by singer and ethnographer, TETIANO CHUKNO, the LP comes with a 20-page booklet containing the Ukrainian-language original lyric sheet for each song, along with its English translation: by KSENIA GINCHUK, and STEPHEN WATTS \u0026amp; STANLEY SCHTINTER.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mykolaiv Singers\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e"}
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ウクライナ南部・ムィコラーイウで受け継がれる民謡を民俗学者TETIANO CHUKNOがコンパイルしたレコードです。 Purgeならではの装丁も素晴らしいです。ウクライナ語と英語による歌詞シートを含む20ページのブックレットが付属。 以下、レーベルによる解説です。 "長い間制作されていたこのLPの発表は、ロシアのウクライナ侵攻によって急がれました。ムィコラーイウ地方で配布された数本のテープを除き、すべて未発表のもので、ウクライナ・ムィコラーイウの村々で主に女性グループによって歌われる古い古い歌（冬、結婚式、戦争、セックス、パンの歌）です。歌手であり民俗学者でもあるTETIANO CHUKNOが過去10年間に収集したこのLPには、各曲のウクライナ語のオリジナル歌詞シートと、KSENIA GINCHUK、STEPHEN WATTS & STANLEY SCHTINTERによる英語訳を含む20ページのブックレットが付属しています。 " レーベルその他作品はこちら /// Click here to...
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{"id":8227323937018,"title":"Staalplaatsoundsystem \u0026 Lola Landscape Architects \/\/ Composed Nature \/ Yokomono Pro LP","handle":"staalplaatsoundsystem-lola-landscape-architects-composed-nature-yokomono-pro-lp","description":"\u003cp\u003eオランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eインスタレーション2作を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター（Centrum voor Beeldende Kunst Dordrecht）のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver Me Timbers」と題された楽曲が作られた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStaalplaat Soundsystemによる「Yokomono pro」は、もともとインドのKhoj（ニューデリーの国際芸術家協会）のために開発された。この作品は、社会的な音やコミュニケーションとしてのクラクションの騒音について問いかけている。インドの交通の信じられないほどの量と大きさ、そしてそれが生み出す音が、このプロジェクトのインスピレーションとなった。彼らのコミュニケーション言語はクラクションで話されているようで、ヨーロッパでウインカーを使うのと同じように、必要なことはすべてクラクションで合図する。私たちは、この車の合図という現象を傍受し、いわゆる意味のある構造の中に重ね合わせようとした。30台のオート人力車を雇い、クラクションを遠隔操作するための技術的な準備をした。これによって、あらかじめ決められたルートを自動車が走るのと同期して、リズミカルなパターンを演奏することが可能になった。クラクションを鳴らすタクシーを合唱団として使い、声のパターンとダイナミックな空間的な動きの組み合わせを形成し、それによって未決定のサウンド・コレオグラフィーが生み出される。\" 注釈と図表を含む4ページのインサート付属。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UXeq-MKUNFo?si=wyE7HjDYpo113hur\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Composed Nature (A Composition For Of 64 Trees) 18:12\u003cbr\u003eB Yokomono Pro (A Composition For Of 30 Cars) 10:48\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"LP Produced by Staalplaat Soundsystem in order to document their recent sonic activities and researches, this LP record is focused on 2 projects. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects, is an installation developed for the Centrum voor Beeldende Kunst Dordrecht, consisting of a matrix of 64 trees. Controllable mechanical vibrators are mounted on individual trees and are operated through custom made software. The sound of each tree can vary from a barely audible noise to a heavy ‘Green noise’, thereby offering different sound textures to be played. To play the trees, many spatial sonic patterns have been programmed, and a musical composition titled ‘Shiver Me Timbers’ has been written. ‘Yokomono pro’ by Staalplaat Soundsystem, was originally developed for the Indian Khoj (International Artists Association in New Delhi). This piece questions horn noise as a social sound and communication. The incredible volume and size of Indian traffic and the sounds it produces, was the inspiration for this project. Their communication language seems to be spoken with the horn; signaling with it everything needed, much the way we use indicator lights in Europe. We seek to intercept this phenomenon of car signaling and overlay it within a so-called meaningful structure. 30 auto rickshaws were hired and prepared technically in order to remotely take over control of their horns. This enabled to synchronously play rhythmic patterns as the autos drive along a pre-determined route. Using the taxis with their horns as a choir, it forms a combination of voice patterns and dynamic spatial movements which in turn create an undetermined sound choreography.” Includes a 4-page insert with notes and diagrams.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staalplaatsoundsystem \u0026amp; Lola Landscape Architects\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2024-03-17T09:38:46+09:00","created_at":"2024-03-17T09:38:12+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","drone","field recording","lp","monooto","new"],"price":374400,"price_min":374400,"price_max":374400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45358948843770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Staalplaatsoundsystem \u0026 Lola Landscape Architects \/\/ Composed Nature \/ Yokomono Pro LP","public_title":null,"options":["Default Title"],"price":374400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896","\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471_bbd3d66c-3af7-46e3-a3aa-146127c24a1c.jpg?v=1710635896"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896","options":["Title"],"media":[{"alt":null,"id":33396167573754,"position":1,"preview_image":{"aspect_ratio":0.992,"height":599,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896"},"aspect_ratio":0.992,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_41c5c9dd-c5b2-4d8a-9f4d-3d6dd0aa2f77.jpg?v=1710635896","width":594},{"alt":null,"id":33396167672058,"position":2,"preview_image":{"aspect_ratio":0.988,"height":600,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471_bbd3d66c-3af7-46e3-a3aa-146127c24a1c.jpg?v=1710635896"},"aspect_ratio":0.988,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-3285296-1465466030-9471_bbd3d66c-3af7-46e3-a3aa-146127c24a1c.jpg?v=1710635896","width":593}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlga Marghenからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eインスタレーション2作を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター（Centrum voor Beeldende Kunst Dordrecht）のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver Me Timbers」と題された楽曲が作られた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStaalplaat Soundsystemによる「Yokomono pro」は、もともとインドのKhoj（ニューデリーの国際芸術家協会）のために開発された。この作品は、社会的な音やコミュニケーションとしてのクラクションの騒音について問いかけている。インドの交通の信じられないほどの量と大きさ、そしてそれが生み出す音が、このプロジェクトのインスピレーションとなった。彼らのコミュニケーション言語はクラクションで話されているようで、ヨーロッパでウインカーを使うのと同じように、必要なことはすべてクラクションで合図する。私たちは、この車の合図という現象を傍受し、いわゆる意味のある構造の中に重ね合わせようとした。30台のオート人力車を雇い、クラクションを遠隔操作するための技術的な準備をした。これによって、あらかじめ決められたルートを自動車が走るのと同期して、リズミカルなパターンを演奏することが可能になった。クラクションを鳴らすタクシーを合唱団として使い、声のパターンとダイナミックな空間的な動きの組み合わせを形成し、それによって未決定のサウンド・コレオグラフィーが生み出される。\" 注釈と図表を含む4ページのインサート付属。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UXeq-MKUNFo?si=wyE7HjDYpo113hur\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Composed Nature (A Composition For Of 64 Trees) 18:12\u003cbr\u003eB Yokomono Pro (A Composition For Of 30 Cars) 10:48\u003c\/p\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"LP Produced by Staalplaat Soundsystem in order to document their recent sonic activities and researches, this LP record is focused on 2 projects. Composed Nature by Staalplaat Soundsystem and LOLA landscape architects, is an installation developed for the Centrum voor Beeldende Kunst Dordrecht, consisting of a matrix of 64 trees. Controllable mechanical vibrators are mounted on individual trees and are operated through custom made software. The sound of each tree can vary from a barely audible noise to a heavy ‘Green noise’, thereby offering different sound textures to be played. To play the trees, many spatial sonic patterns have been programmed, and a musical composition titled ‘Shiver Me Timbers’ has been written. ‘Yokomono pro’ by Staalplaat Soundsystem, was originally developed for the Indian Khoj (International Artists Association in New Delhi). This piece questions horn noise as a social sound and communication. The incredible volume and size of Indian traffic and the sounds it produces, was the inspiration for this project. Their communication language seems to be spoken with the horn; signaling with it everything needed, much the way we use indicator lights in Europe. We seek to intercept this phenomenon of car signaling and overlay it within a so-called meaningful structure. 30 auto rickshaws were hired and prepared technically in order to remotely take over control of their horns. This enabled to synchronously play rhythmic patterns as the autos drive along a pre-determined route. Using the taxis with their horns as a choir, it forms a combination of voice patterns and dynamic spatial movements which in turn create an undetermined sound choreography.” Includes a 4-page insert with notes and diagrams.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Staalplaatsoundsystem \u0026amp; Lola Landscape Architects\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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オランダのサウンドアート集団Staalplaatsoundsystemと環境建築集団Lola Landscape Architectsが、2011年にイタリアの実験レーベルAlga Marghenからリリースした共作レコードです。 インスタレーション2作を収録。ブックレット付属。 以下、レーベルによる解説です。 "Staalplaat Soundsystemによって制作されたこのLPレコードは、彼らの最近の音響活動と研究を記録するために、2つのプロジェクトに焦点を当てている。Staalplaat SoundsystemとLOLAランドスケープ・アーキテクトによるComposed Natureは、ドルトレヒト北芸術センター（Centrum voor Beeldende Kunst Dordrecht）のために開発されたインスタレーションで、64本の木のマトリクスで構成されている。制御可能な機械式バイブレーターが個々の木に取り付けられ、カスタムメイドのソフトウェアで操作される。それぞれの木の音は、ほとんど聞こえない音から重々しい「グリーン・ノイズ」まで変化し、それによって演奏される音のテクスチャーが異なる。木々を演奏するために、多くの空間的な音のパターンがプログラムされ、「Shiver...
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{"id":8214972662010,"title":"Dagar Brothers \/\/ Berlin 1964 - Live CD","handle":"dagar-brothers-berlin-1964-live-cd","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e","published_at":"2024-03-09T08:19:09+09:00","created_at":"2024-03-08T10:51:37+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","cd","field recording"],"price":248900,"price_min":248900,"price_max":248900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313299906810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dagar Brothers \/\/ Berlin 1964 - Live CD","public_title":null,"options":["Default Title"],"price":248900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","options":["Title"],"media":[{"alt":null,"id":33335982260474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","width":700},{"alt":null,"id":33335982293242,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e"}
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北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ---------------------------- CD...
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{"id":8214972367098,"title":"Dagar Brothers \/\/ Berlin 1964 - The Lost Studio Recording LP","handle":"dagar-brothers-berlin-1964-the-lost-studio-recording-lp","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2467674308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaga Malkauns 22:19\u003c\/li\u003e\n\u003cli\u003eRaga Jaijaivanti 24:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Berlin 1964 – The Lost Studio Recording (released alongside BT115, a newly discovered concert recording from the same trip) presents two unheard side-long performances in crystalline fidelity, recorded at the International Institute for Comparative Studies and Documentation in Berlin headed by Alain Daniélou. These stunning recordings were consigned to the archive because, as Peter Pannke explains in his liner notes, which recount his meeting with Danielou many years after these recordings were made, the tape ran out during ‘Raga Jaijaivanti’, which terminates abruptly soon after the entry of the pakhawaj.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of the severe, serious midnight ‘Raga Malkauns’, set to a ten beat cycle once the pakhawaj enters, and the complex early evening ‘Raga Jaijaivanti’, set to a fourteen beat cycle in its rhythmic section. True to the traditional dhrupad structure, both performances are dominated by the long free-floating alap section, where the notes of the raga are gradually introduced, slowly climbing in pitch and intensity as the two singers trade improvisations that display a stunning range of vocal tones and remarkable subtlety in mictrotonal nuance. The performance of ‘Raga Malkauns’ is divided roughly in half, with the pakhawaj and unison singing entering around thirteen minutes through; Raja Chatrapati Singh’s performance is particularly striking in its endlessly inventive metrical nuance within the overall crescendo and acceleration. On ‘Raga Jaijaivanti’, the alap lasts almost twenty minutes, with Singh joining only for a few minutes of sparse pakhawaj hits before the tape cuts off, the absence of the more active concluding section serving only to magnify the mystical calm the Dagar Brothers establish in this setting of a 16th century love poem.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 114\u003c\/p\u003e","published_at":"2024-03-09T08:18:14+09:00","created_at":"2024-03-08T10:48:32+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","field recording","lp","new"],"price":438900,"price_min":438900,"price_max":438900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313296924922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dagar Brothers \/\/ Berlin 1964 - The Lost Studio Recording LP","public_title":null,"options":["Default Title"],"price":438900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","options":["Title"],"media":[{"alt":null,"id":33335976263930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_50e91489-f690-489b-b8a0-43b61e0989e3.jpg?v=1709862514","width":700},{"alt":null,"id":33335976296698,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_c44ffdf0-abc8-45c2-bb77-67620860d9bf.jpg?v=1709862514","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2467674308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaga Malkauns 22:19\u003c\/li\u003e\n\u003cli\u003eRaga Jaijaivanti 24:04\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Black Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e...Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Berlin 1964 – The Lost Studio Recording (released alongside BT115, a newly discovered concert recording from the same trip) presents two unheard side-long performances in crystalline fidelity, recorded at the International Institute for Comparative Studies and Documentation in Berlin headed by Alain Daniélou. These stunning recordings were consigned to the archive because, as Peter Pannke explains in his liner notes, which recount his meeting with Danielou many years after these recordings were made, the tape ran out during ‘Raga Jaijaivanti’, which terminates abruptly soon after the entry of the pakhawaj.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of the severe, serious midnight ‘Raga Malkauns’, set to a ten beat cycle once the pakhawaj enters, and the complex early evening ‘Raga Jaijaivanti’, set to a fourteen beat cycle in its rhythmic section. True to the traditional dhrupad structure, both performances are dominated by the long free-floating alap section, where the notes of the raga are gradually introduced, slowly climbing in pitch and intensity as the two singers trade improvisations that display a stunning range of vocal tones and remarkable subtlety in mictrotonal nuance. The performance of ‘Raga Malkauns’ is divided roughly in half, with the pakhawaj and unison singing entering around thirteen minutes through; Raja Chatrapati Singh’s performance is particularly striking in its endlessly inventive metrical nuance within the overall crescendo and acceleration. On ‘Raga Jaijaivanti’, the alap lasts almost twenty minutes, with Singh joining only for a few minutes of sparse pakhawaj hits before the tape cuts off, the absence of the more active concluding section serving only to magnify the mystical calm the Dagar Brothers establish in this setting of a 16th century love poem.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 114\u003c\/p\u003e"}
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北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack Truffleからリリースしたレコードです。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ---------------------------- 12"...
¥4,389
![Bulla en el Barrio // Vámonos que nos Vamos LP [COLOR]](http://tobirarecords.com/cdn/shop/files/bull1_f70e49ad-8e47-45f7-8575-e6967e5dfffa_medium.jpg?v=1707885614)
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{"id":8174251835642,"title":"Bulla en el Barrio \/\/ Vámonos que nos Vamos LP [COLOR]","handle":"bulla-en-el-barrio-vamonos-que-nos-vamos-lp-color","description":"\u003cp\u003eアメリカ・NY発のブジェレンゲ（コロンビア・カリブ海沿岸の伝統音楽）バンドBulla en el Barrioが、2024年1月に同国シカゴの\u003cspan data-mce-fragment=\"1\"\u003eSonorama\u003c\/span\u003eからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eモダン・ブジェレンゲ8曲を収録。白盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m4TSq639WdI?si=OpbkW7-vHKbQ-bRG\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Um-OaHTddsU?si=rxbJv2KImSDV-PpY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wtkyRhph2kI?si=IZ2zPpZ_26wVlFB5\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MT8m40pVCTo?si=utvqDt4oEUuEkovH\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/92iUojvopNQ?si=ac6Mf2mOsDzDKINH\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white opaque vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSan Antonio (fandango) 04:21\u003c\/li\u003e\n\u003cli\u003eMadre Luna (sentao) 05:09\u003c\/li\u003e\n\u003cli\u003eMadre Sol (fandango) 03:56\u003c\/li\u003e\n\u003cli\u003eMadre Fuego (sentao) 03:39\u003c\/li\u003e\n\u003cli\u003eEl Bocao (chalupa) 03:27\u003c\/li\u003e\n\u003cli\u003eColombia sin Panamá (sentao) 04:25\u003c\/li\u003e\n\u003cli\u003eAkie en al avenida (chalupa) 02:57\u003c\/li\u003e\n\u003cli\u003eVámonos (chalupa) 03:18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Figure \u0026amp; Ground:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003eSince 2015, Bulla en el Barrio has been envisioned as a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collective and a study group of the traditional rueda de bullerengue – dance music originating from the Caribbean coast of Colombia that transmits ancient African rhythms and knowledge. The group’s main focus and mission is to recreate the participative energy and vibes of la rueda, the circle. It’s a concept that allows people with no prior musical experience to clap, sing, dance, socialize, and celebrate life in an open space.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOliveros and co-founder Camilo Rodriguez – both in NY tropical futurism band Combo Chimbita – first experimented with writing their own bullerengue during their monthly residencies at Barbès in Brooklyn, culminating intwo singles released by Names You Can Trust in 2017. Thanks to these recordings, these two Bulla en el Barrio compositions are now sung in music festivals and ruedas all over Bullerengue territory.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBulla now presents eight original songs recorded live, preserving and documenting the participative and rough vibes of the ruedas and live performances. 'We’ve been playing together since 2015,' describes Rodriguez. 'The group is a space to study, connect, to learn, so this record captures a moment where we were – taking a picture of a process. This was just what was happening at that time. It was a way to document what we were doing and our process learning, documenting bullerengue' [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bulla en el Barrio \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSonorama x Figure \u0026amp; Ground\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-02-17T07:35:42+09:00","created_at":"2024-02-14T13:40:11+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp"],"price":528000,"price_min":528000,"price_max":528000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45185492386042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bulla en el Barrio \/\/ Vámonos que nos Vamos LP [COLOR]","public_title":null,"options":["Default Title"],"price":528000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bull1_f70e49ad-8e47-45f7-8575-e6967e5dfffa.jpg?v=1707885614","\/\/tobirarecords.com\/cdn\/shop\/files\/bull2_dc21ed83-2213-4aa8-9028-8c4c1e57fab0.jpg?v=1707885614","\/\/tobirarecords.com\/cdn\/shop\/files\/bull3_8d88262f-aca7-495e-b502-85b92fffd2fe.jpg?v=1707885614"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull1_f70e49ad-8e47-45f7-8575-e6967e5dfffa.jpg?v=1707885614","options":["Title"],"media":[{"alt":null,"id":33168657547514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull1_f70e49ad-8e47-45f7-8575-e6967e5dfffa.jpg?v=1707885614"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull1_f70e49ad-8e47-45f7-8575-e6967e5dfffa.jpg?v=1707885614","width":700},{"alt":null,"id":33168657580282,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull2_dc21ed83-2213-4aa8-9028-8c4c1e57fab0.jpg?v=1707885614"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull2_dc21ed83-2213-4aa8-9028-8c4c1e57fab0.jpg?v=1707885614","width":1200},{"alt":null,"id":33168657613050,"position":3,"preview_image":{"aspect_ratio":1.4,"height":857,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull3_8d88262f-aca7-495e-b502-85b92fffd2fe.jpg?v=1707885614"},"aspect_ratio":1.4,"height":857,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bull3_8d88262f-aca7-495e-b502-85b92fffd2fe.jpg?v=1707885614","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NY発のブジェレンゲ（コロンビア・カリブ海沿岸の伝統音楽）バンドBulla en el Barrioが、2024年1月に同国シカゴの\u003cspan data-mce-fragment=\"1\"\u003eSonorama\u003c\/span\u003eからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eモダン・ブジェレンゲ8曲を収録。白盤です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m4TSq639WdI?si=OpbkW7-vHKbQ-bRG\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Um-OaHTddsU?si=rxbJv2KImSDV-PpY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wtkyRhph2kI?si=IZ2zPpZ_26wVlFB5\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MT8m40pVCTo?si=utvqDt4oEUuEkovH\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/92iUojvopNQ?si=ac6Mf2mOsDzDKINH\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white opaque vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSan Antonio (fandango) 04:21\u003c\/li\u003e\n\u003cli\u003eMadre Luna (sentao) 05:09\u003c\/li\u003e\n\u003cli\u003eMadre Sol (fandango) 03:56\u003c\/li\u003e\n\u003cli\u003eMadre Fuego (sentao) 03:39\u003c\/li\u003e\n\u003cli\u003eEl Bocao (chalupa) 03:27\u003c\/li\u003e\n\u003cli\u003eColombia sin Panamá (sentao) 04:25\u003c\/li\u003e\n\u003cli\u003eAkie en al avenida (chalupa) 02:57\u003c\/li\u003e\n\u003cli\u003eVámonos (chalupa) 03:18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Figure \u0026amp; Ground:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003eSince 2015, Bulla en el Barrio has been envisioned as a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collective and a study group of the traditional rueda de bullerengue – dance music originating from the Caribbean coast of Colombia that transmits ancient African rhythms and knowledge. The group’s main focus and mission is to recreate the participative energy and vibes of la rueda, the circle. It’s a concept that allows people with no prior musical experience to clap, sing, dance, socialize, and celebrate life in an open space.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOliveros and co-founder Camilo Rodriguez – both in NY tropical futurism band Combo Chimbita – first experimented with writing their own bullerengue during their monthly residencies at Barbès in Brooklyn, culminating intwo singles released by Names You Can Trust in 2017. Thanks to these recordings, these two Bulla en el Barrio compositions are now sung in music festivals and ruedas all over Bullerengue territory.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBulla now presents eight original songs recorded live, preserving and documenting the participative and rough vibes of the ruedas and live performances. 'We’ve been playing together since 2015,' describes Rodriguez. 'The group is a space to study, connect, to learn, so this record captures a moment where we were – taking a picture of a process. This was just what was happening at that time. It was a way to document what we were doing and our process learning, documenting bullerengue' [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bulla en el Barrio \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSonorama x Figure \u0026amp; Ground\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NY発のブジェレンゲ（コロンビア・カリブ海沿岸の伝統音楽）バンドBulla en el Barrioが、2024年1月に同国シカゴのSonoramaからリリースしたデビューレコードです。 モダン・ブジェレンゲ8曲を収録。白盤です。 ---------------------------------- 12" white opaque vinyl. Edition of 500. Tracklist:...
¥5,280
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{"id":8146862702842,"title":"Various Artists (Death Is Not The End) \/\/ River of Revenge: Brazilian Country Music 1929-1961, Vol. 1 CD","handle":"various-artists-river-of-revenge-brazilian-country-music-1929-1961-vol-1-cd","description":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2022年にリリースしたコンピレーションCDです。\u003c\/p\u003e\n\u003cp\u003e1929-1961年に録音されたブラジルのカントリー音楽ムジカカイピラ16曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504254918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. CD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNhá Zefa \u0026amp; Nhô Pai - We'll Never Forget 02:55\u003c\/li\u003e\n\u003cli\u003eLeôncio \u0026amp; Leonel - Envious Affair 03:05\u003c\/li\u003e\n\u003cli\u003eGrupo Sertanejo do Lenço Preto - Oh I Cry 02:17\u003c\/li\u003e\n\u003cli\u003eMandi \u0026amp; Sorocabinha - Bad Weather 02:41\u003c\/li\u003e\n\u003cli\u003eJeca Mineiro \u0026amp; Bambuí - River of Revenge 03:09\u003c\/li\u003e\n\u003cli\u003eZé Mané \u0026amp; Zé Pagão - White Rose 02:29\u003c\/li\u003e\n\u003cli\u003eZico Dias \u0026amp; Ferrinho - I Went for a Walk in the City 02:37\u003c\/li\u003e\n\u003cli\u003eMariano \u0026amp; Caçula - Shaved Moustache 02:58\u003c\/li\u003e\n\u003cli\u003eTonico \u0026amp; Tinoco - Example of Faith 02:50\u003c\/li\u003e\n\u003cli\u003eSulino \u0026amp; Marrueiro - Return of the Cowboy 03:21\u003c\/li\u003e\n\u003cli\u003eMoreno \u0026amp; Moreninho - City of Roses 02:51\u003c\/li\u003e\n\u003cli\u003eValdomiro \u0026amp; Valdemar - Old Saying 02:41\u003c\/li\u003e\n\u003cli\u003eSerrinha \u0026amp; Caboclinho - The Crimes and Death of Dioguinho 06:39\u003c\/li\u003e\n\u003cli\u003eRaul Torres \u0026amp; Serrinha - Friday the 13th 02:36\u003c\/li\u003e\n\u003cli\u003eCanário \u0026amp; Passarinho - Goodbye 02:48\u003c\/li\u003e\n\u003cli\u003eMandi \u0026amp; Soroca\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first volume in a survey of a form of Brazilian country music known as música caipira (\"hillbilly music\") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country \u0026amp; western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s \u0026amp; 50s and the beginning of the 60s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the \"outback\"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss \u0026amp; betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country \u0026amp; western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2024-01-21T07:32:42+09:00","created_at":"2024-01-19T12:20:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","death is not the end","field recording"],"price":256000,"price_min":256000,"price_max":256000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45045780250874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ River of Revenge: Brazilian Country Music 1929-1961, Vol. 1 CD","public_title":null,"options":["Default Title"],"price":256000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/river1_f52a0196-e985-45d4-9aea-bfa22e25fada.jpg?v=1705634434","\/\/tobirarecords.com\/cdn\/shop\/files\/river2_7052c3fc-68dd-413e-a1f4-71c287142f27.jpg?v=1705634434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/river1_f52a0196-e985-45d4-9aea-bfa22e25fada.jpg?v=1705634434","options":["Title"],"media":[{"alt":null,"id":33007364767994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/river1_f52a0196-e985-45d4-9aea-bfa22e25fada.jpg?v=1705634434"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/river1_f52a0196-e985-45d4-9aea-bfa22e25fada.jpg?v=1705634434","width":700},{"alt":null,"id":33007364800762,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/river2_7052c3fc-68dd-413e-a1f4-71c287142f27.jpg?v=1705634434"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/river2_7052c3fc-68dd-413e-a1f4-71c287142f27.jpg?v=1705634434","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2022年にリリースしたコンピレーションCDです。\u003c\/p\u003e\n\u003cp\u003e1929-1961年に録音されたブラジルのカントリー音楽ムジカカイピラ16曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504254918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. CD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNhá Zefa \u0026amp; Nhô Pai - We'll Never Forget 02:55\u003c\/li\u003e\n\u003cli\u003eLeôncio \u0026amp; Leonel - Envious Affair 03:05\u003c\/li\u003e\n\u003cli\u003eGrupo Sertanejo do Lenço Preto - Oh I Cry 02:17\u003c\/li\u003e\n\u003cli\u003eMandi \u0026amp; Sorocabinha - Bad Weather 02:41\u003c\/li\u003e\n\u003cli\u003eJeca Mineiro \u0026amp; Bambuí - River of Revenge 03:09\u003c\/li\u003e\n\u003cli\u003eZé Mané \u0026amp; Zé Pagão - White Rose 02:29\u003c\/li\u003e\n\u003cli\u003eZico Dias \u0026amp; Ferrinho - I Went for a Walk in the City 02:37\u003c\/li\u003e\n\u003cli\u003eMariano \u0026amp; Caçula - Shaved Moustache 02:58\u003c\/li\u003e\n\u003cli\u003eTonico \u0026amp; Tinoco - Example of Faith 02:50\u003c\/li\u003e\n\u003cli\u003eSulino \u0026amp; Marrueiro - Return of the Cowboy 03:21\u003c\/li\u003e\n\u003cli\u003eMoreno \u0026amp; Moreninho - City of Roses 02:51\u003c\/li\u003e\n\u003cli\u003eValdomiro \u0026amp; Valdemar - Old Saying 02:41\u003c\/li\u003e\n\u003cli\u003eSerrinha \u0026amp; Caboclinho - The Crimes and Death of Dioguinho 06:39\u003c\/li\u003e\n\u003cli\u003eRaul Torres \u0026amp; Serrinha - Friday the 13th 02:36\u003c\/li\u003e\n\u003cli\u003eCanário \u0026amp; Passarinho - Goodbye 02:48\u003c\/li\u003e\n\u003cli\u003eMandi \u0026amp; Soroca\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first volume in a survey of a form of Brazilian country music known as música caipira (\"hillbilly music\") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country \u0026amp; western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s \u0026amp; 50s and the beginning of the 60s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the \"outback\"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss \u0026amp; betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country \u0026amp; western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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イギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2022年にリリースしたコンピレーションCDです。 1929-1961年に録音されたブラジルのカントリー音楽ムジカカイピラ16曲を収録。 レーベルその他作品はこちら /// Click here to see more Death Is Not The...
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{"id":8136542617850,"title":"Various Artists (Death Is Not The End) \/\/ Pure Wicked Tune: Rare Groove Blues Dances \u0026 House Parties, 1985-1992 LP","handle":"death-is-not-the-end-pure-wicked-tune-rare-groove-blues-dances-house-parties-1985-1992-lp","description":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2024年1月にリリースしたレアグルーブのコレクションです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1985-1992年にイギリス・南ロンドンと東ロンドンの早朝のハウスパーティーやブルースダンスで演奏されたレアグルーヴ19曲をミックステープスタイルで収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Pure Wicked Tune』は、1980年代半ばから1990年代初頭にかけて、主に南ロンドンと東ロンドンの早朝のハウスパーティーやブルースダンスで演奏されたレアグルーヴや「ソウル・ブルース」サウンドシステムを収録したDIYカセットレコーディングから抜粋、カットアップしたミックステープスタイルのコレクションである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eファンカデリック、タッチ・オブ・クラス、ラスト・エディション、JBクルー、マンハッタン、5thアヴェニューといったサウンドは、もともと1980年代半ばに形成され始めた。ラヴァーズロックが衰退し、レゲエシーンがよりハードなデジタルスタイルのダンスホールに支配されつつある中、これらのサウンドは、レゲエサウンドシステム独特のスタイルで、キラーレアなソウル、ファンク、ブギーのレコードをミックスし、トースト、サイレン、エフェクトをふんだんに使って演奏するという、タイトだが忠実な観客に強力なオルタナティブを提供した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eハウスパーティーやブルースダンスでの演奏が最も有名で、通常は小さなアパートや倉庫で行われ、そのようなイベントの開催時間は一般的に早朝から翌日の午後遅くまでだった。1990年代初頭にダンスミュージックが爆発的にヒットした後、その人気は下火になったが、それ以降もリバイバルセッションの需要は続いている。イギリスの主要なレゲエやダンスホールのサウンドシステムが、その後のハードコアやジャングルのようなUKサウンドに影響を与えたことは比較的よく知られているが、これらのサウンドと、前述のスタイルがポピュラーなレアグルーヴのカットをサンプリングする傾向にあること、特にTom \u0026amp; Jerry、4hero、Reinforced、LTJ Bukemらの作品によく表れていることから、同じような線を引くことができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e本作は、70年代後半から90年代初頭にかけて制作されたブルースパーティー、ダンス、クラッシュのアーカイブDIYカセット・レコーディングからの抜粋を通して、UKサウンドシステム・カルチャーのサウンドを探求するコレクションシリーズの第一弾である。しばしば複製され、広く共有されたこれらのラフで準備万端の「サウンド・テープ」は、電波やレコードショップではなかなか入手できなかった音楽を鋭い耳に提供し、英国の音楽事情に深く根ざしながらも見過ごされがちな影響を残すことになった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3030830616\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Science (Intro) 02:03\u003cbr\u003e2. Flashlight 01:35\u003cbr\u003e3. Birth Night 01:43\u003cbr\u003e4. Fire 01:15\u003cbr\u003e5. Darkness Bout Ya (Flashlight II) 01:20\u003cbr\u003e6. Shit Hot 04:04\u003cbr\u003e7. All John Travolta 03:48\u003cbr\u003e8. Nuff Imports 02:03\u003cbr\u003e9. Chillin in the Morning 03:07\u003cbr\u003e10. Pure Niceness (Flashlight III) 01:17\u003cbr\u003e11. Shockout Business 01:51\u003cbr\u003e12. Pure Wicked Tune 03:59\u003cbr\u003e13. Work to Do 02:55\u003cbr\u003e14. Sweetback (No Poll Tax) 07:01\u003cbr\u003e15. Canning Town Posse 01:06\u003cbr\u003e16. Hello Stranger (Flashlight IV) 00:58\u003cbr\u003e17. Special Birthday Request (Find a Partner) 03:27\u003cbr\u003e18. Set Speed Operator 01:07\u003cbr\u003e19. For All Those Who Never Hear It Proper (Outro Chop) 02:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePure Wicked Tune is a mixtape-style collection of extracts \u0026amp; cut-ups, taken from DIY cassette recordings featuring rare groove and \"soul blues\" soundsystems playing at early morning house parties and blues dances - mostly in South \u0026amp; East London - between the mid 1980s \u0026amp; early 90s. \u003cbr\u003e\u003cbr\u003eSounds like Funkadelic, Touch of Class, Latest Edition, JB Crew, Manhattan, 5th Avenue (and the many more featured on this tape) originally began to form in the mid-1980s. With lovers rock dwindling, and the reggae scene becoming dominated by harder digital-style dancehall, these sounds provided a tight but loyal crowd with a potent alternative - playing a mixture of killer rare soul, funk and boogie records in an inimitably reggae soundsystem style, complete with toasting, sirens and effects aplenty. \u003cbr\u003e\u003cbr\u003eThey were most well-known for playing at house parties and blues dances, typically in small flats or warehouses, with timing of such events generally running from the early morning hours until late the next afternoon. Though the popularity of the sounds faded following the dance music explosion of the early 1990s, there has been continued demand for revival sessions ever since. Whilst the influence of key British reggae \u0026amp; dancehall soundsystems on\u003cspan class=\"bcTruncateMore\"\u003e subsequent UK sounds like hardcore \u0026amp; jungle is relatively well documented, a similar line can just as easily be drawn from these sounds and the aforementioned styles' tendency toward sampling popular rare groove cuts, particularly well evidenced in the work of Tom \u0026amp; Jerry, 4hero, Reinforced \u0026amp; LTJ Bukem among others. \u003cbr\u003e\u003cbr\u003eThis represents the first outing in a series of collections exploring the sounds of UK soundsystem culture, via extracts from archival DIY cassette recordings of blues parties, dances \u0026amp; clashes made between the late 70s and early 90s. Often duplicated and shared widely, these ruff and ready \"sound tapes\" provided keen ears with music that wasn't otherwise readily available on the airwaves or in the record shops, and would go on to leave a deeply-rooted but too often overlooked influence on the UK's musical landscape.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eCat No : DEATH062LP\u003c\/p\u003e","published_at":"2024-01-15T17:12:08+09:00","created_at":"2024-01-15T16:55:40+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","hiphop \/ funk","new"],"price":418900,"price_min":418900,"price_max":418900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44997104140538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ Pure Wicked Tune: Rare Groove Blues Dances \u0026 House Parties, 1985-1992 LP","public_title":null,"options":["Default Title"],"price":418900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3789322623_16.jpg?v=1705306305","\/\/tobirarecords.com\/cdn\/shop\/files\/0034328007_10.jpg?v=1705306306"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3789322623_16.jpg?v=1705306305","options":["Title"],"media":[{"alt":null,"id":32979145523450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3789322623_16.jpg?v=1705306305"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3789322623_16.jpg?v=1705306305","width":700},{"alt":null,"id":32979145556218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034328007_10.jpg?v=1705306306"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034328007_10.jpg?v=1705306306","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2024年1月にリリースしたレアグルーブのコレクションです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1985-1992年にイギリス・南ロンドンと東ロンドンの早朝のハウスパーティーやブルースダンスで演奏されたレアグルーヴ19曲をミックステープスタイルで収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Pure Wicked Tune』は、1980年代半ばから1990年代初頭にかけて、主に南ロンドンと東ロンドンの早朝のハウスパーティーやブルースダンスで演奏されたレアグルーヴや「ソウル・ブルース」サウンドシステムを収録したDIYカセットレコーディングから抜粋、カットアップしたミックステープスタイルのコレクションである。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eファンカデリック、タッチ・オブ・クラス、ラスト・エディション、JBクルー、マンハッタン、5thアヴェニューといったサウンドは、もともと1980年代半ばに形成され始めた。ラヴァーズロックが衰退し、レゲエシーンがよりハードなデジタルスタイルのダンスホールに支配されつつある中、これらのサウンドは、レゲエサウンドシステム独特のスタイルで、キラーレアなソウル、ファンク、ブギーのレコードをミックスし、トースト、サイレン、エフェクトをふんだんに使って演奏するという、タイトだが忠実な観客に強力なオルタナティブを提供した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eハウスパーティーやブルースダンスでの演奏が最も有名で、通常は小さなアパートや倉庫で行われ、そのようなイベントの開催時間は一般的に早朝から翌日の午後遅くまでだった。1990年代初頭にダンスミュージックが爆発的にヒットした後、その人気は下火になったが、それ以降もリバイバルセッションの需要は続いている。イギリスの主要なレゲエやダンスホールのサウンドシステムが、その後のハードコアやジャングルのようなUKサウンドに影響を与えたことは比較的よく知られているが、これらのサウンドと、前述のスタイルがポピュラーなレアグルーヴのカットをサンプリングする傾向にあること、特にTom \u0026amp; Jerry、4hero、Reinforced、LTJ Bukemらの作品によく表れていることから、同じような線を引くことができる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e本作は、70年代後半から90年代初頭にかけて制作されたブルースパーティー、ダンス、クラッシュのアーカイブDIYカセット・レコーディングからの抜粋を通して、UKサウンドシステム・カルチャーのサウンドを探求するコレクションシリーズの第一弾である。しばしば複製され、広く共有されたこれらのラフで準備万端の「サウンド・テープ」は、電波やレコードショップではなかなか入手できなかった音楽を鋭い耳に提供し、英国の音楽事情に深く根ざしながらも見過ごされがちな影響を残すことになった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3030830616\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Science (Intro) 02:03\u003cbr\u003e2. Flashlight 01:35\u003cbr\u003e3. Birth Night 01:43\u003cbr\u003e4. Fire 01:15\u003cbr\u003e5. Darkness Bout Ya (Flashlight II) 01:20\u003cbr\u003e6. Shit Hot 04:04\u003cbr\u003e7. All John Travolta 03:48\u003cbr\u003e8. Nuff Imports 02:03\u003cbr\u003e9. Chillin in the Morning 03:07\u003cbr\u003e10. Pure Niceness (Flashlight III) 01:17\u003cbr\u003e11. Shockout Business 01:51\u003cbr\u003e12. Pure Wicked Tune 03:59\u003cbr\u003e13. Work to Do 02:55\u003cbr\u003e14. Sweetback (No Poll Tax) 07:01\u003cbr\u003e15. Canning Town Posse 01:06\u003cbr\u003e16. Hello Stranger (Flashlight IV) 00:58\u003cbr\u003e17. Special Birthday Request (Find a Partner) 03:27\u003cbr\u003e18. Set Speed Operator 01:07\u003cbr\u003e19. For All Those Who Never Hear It Proper (Outro Chop) 02:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePure Wicked Tune is a mixtape-style collection of extracts \u0026amp; cut-ups, taken from DIY cassette recordings featuring rare groove and \"soul blues\" soundsystems playing at early morning house parties and blues dances - mostly in South \u0026amp; East London - between the mid 1980s \u0026amp; early 90s. \u003cbr\u003e\u003cbr\u003eSounds like Funkadelic, Touch of Class, Latest Edition, JB Crew, Manhattan, 5th Avenue (and the many more featured on this tape) originally began to form in the mid-1980s. With lovers rock dwindling, and the reggae scene becoming dominated by harder digital-style dancehall, these sounds provided a tight but loyal crowd with a potent alternative - playing a mixture of killer rare soul, funk and boogie records in an inimitably reggae soundsystem style, complete with toasting, sirens and effects aplenty. \u003cbr\u003e\u003cbr\u003eThey were most well-known for playing at house parties and blues dances, typically in small flats or warehouses, with timing of such events generally running from the early morning hours until late the next afternoon. Though the popularity of the sounds faded following the dance music explosion of the early 1990s, there has been continued demand for revival sessions ever since. Whilst the influence of key British reggae \u0026amp; dancehall soundsystems on\u003cspan class=\"bcTruncateMore\"\u003e subsequent UK sounds like hardcore \u0026amp; jungle is relatively well documented, a similar line can just as easily be drawn from these sounds and the aforementioned styles' tendency toward sampling popular rare groove cuts, particularly well evidenced in the work of Tom \u0026amp; Jerry, 4hero, Reinforced \u0026amp; LTJ Bukem among others. \u003cbr\u003e\u003cbr\u003eThis represents the first outing in a series of collections exploring the sounds of UK soundsystem culture, via extracts from archival DIY cassette recordings of blues parties, dances \u0026amp; clashes made between the late 70s and early 90s. Often duplicated and shared widely, these ruff and ready \"sound tapes\" provided keen ears with music that wasn't otherwise readily available on the airwaves or in the record shops, and would go on to leave a deeply-rooted but too often overlooked influence on the UK's musical landscape.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003eCat No : DEATH062LP\u003c\/p\u003e"}
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イギリス・ロンドンの発掘専門レーベルDeath Is Not The Endが、2024年1月にリリースしたレアグルーブのコレクションです。 1985-1992年にイギリス・南ロンドンと東ロンドンの早朝のハウスパーティーやブルースダンスで演奏されたレアグルーヴ19曲をミックステープスタイルで収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Pure Wicked Tune』は、1980年代半ばから1990年代初頭にかけて、主に南ロンドンと東ロンドンの早朝のハウスパーティーやブルースダンスで演奏されたレアグルーヴや「ソウル・ブルース」サウンドシステムを収録したDIYカセットレコーディングから抜粋、カットアップしたミックステープスタイルのコレクションである。ファンカデリック、タッチ・オブ・クラス、ラスト・エディション、JBクルー、マンハッタン、5thアヴェニューといったサウンドは、もともと1980年代半ばに形成され始めた。ラヴァーズロックが衰退し、レゲエシーンがよりハードなデジタルスタイルのダンスホールに支配されつつある中、これらのサウンドは、レゲエサウンドシステム独特のスタイルで、キラーレアなソウル、ファンク、ブギーのレコードをミックスし、トースト、サイレン、エフェクトをふんだんに使って演奏するという、タイトだが忠実な観客に強力なオルタナティブを提供した。ハウスパーティーやブルースダンスでの演奏が最も有名で、通常は小さなアパートや倉庫で行われ、そのようなイベントの開催時間は一般的に早朝から翌日の午後遅くまでだった。1990年代初頭にダンスミュージックが爆発的にヒットした後、その人気は下火になったが、それ以降もリバイバルセッションの需要は続いている。イギリスの主要なレゲエやダンスホールのサウンドシステムが、その後のハードコアやジャングルのようなUKサウンドに影響を与えたことは比較的よく知られているが、これらのサウンドと、前述のスタイルがポピュラーなレアグルーヴのカットをサンプリングする傾向にあること、特にTom & Jerry、4hero、Reinforced、LTJ Bukemらの作品によく表れていることから、同じような線を引くことができる。本作は、70年代後半から90年代初頭にかけて制作されたブルースパーティー、ダンス、クラッシュのアーカイブDIYカセット・レコーディングからの抜粋を通して、UKサウンドシステム・カルチャーのサウンドを探求するコレクションシリーズの第一弾である。しばしば複製され、広く共有されたこれらのラフで準備万端の「サウンド・テープ」は、電波やレコードショップではなかなか入手できなかった音楽を鋭い耳に提供し、英国の音楽事情に深く根ざしながらも見過ごされがちな影響を残すことになった。"...
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{"id":8135698055418,"title":"Institute of Landscape and Urban Studies \/\/ Gotthard Transect 2xTAPE + BOOKLET","handle":"landscape-and-urban-studies-gotthard-transect-by-institute-2xtape","description":"\u003cp\u003eスイス・チューリッヒ工科大学景観建築研究グループInstitute of Landscape and Urban Studiesが、2022年にリリースした2本組カセット＋ブックレットです。\u003c\/p\u003e\n\u003cp\u003e世界最長のトンネルゴッタルドベーストンネルの4箇所でトランセクト法を応用して\u003cspan data-mce-fragment=\"1\" class=\"sewngqxcvf4zsz1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"sewngqxcvf4zsz1\"\u003e\u003c\/span\u003e収集したフィールドレコーディング4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状状上、佐川急便での発送となりますのでレコード等とお求めいただくとおトクです\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、チューリッヒ工科大学教授\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eIsabelle Fehlmann\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ゴッタルドはさまざまな物語や神話と結びついている。ゴッタルド山脈を越える道は、13世紀のラバの道から19世紀には重要な道路へと発展した。ゴッタルド山脈を越える最初の鉄道路線は1882年に開通し、当時世界最長の鉄道トンネルも建設された。橋やギャラリーは、すぐにスイスのランドマークとして知られるようになった。今も昔も、ゴッタルドは政治、経済、文化の中心地を結ぶ中心的な役割を果たしている。今も昔も、堂々たるアルプスの山頂と最新の交通インフラとの相互作用は、スイスのアイデンティティを強く象徴するものとなっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバム『Gotthard Transect』は、チューリッヒ工科大学のクリストフ・ジロット景観建築学科で行われたセミナーの成果である。ライントランセクト法を応用し、学生たちは景観を貫く決められた線に沿って音響と視覚のサンプルを記録・収集した。映像は4つのセクションに分けられ、それぞれが山脈を越える段階に対応している。これらは、学生たちが高山の風景に物理的に近づいたことを反映している。Transectという言葉は、ラテン語のtrans（通る）とsecare（切る）に由来し、2016年に開通した世界最長のゴッタルドベーストンネルにも関連している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサブタイトルの『Sight and Sound Observations above the new Base Tunnel』とは、高山地帯のトンネルを可能な限りたどる旅のことである。トンネルの暗闇に入ると、旅人にとって景色は消えてしまうが、散策路に沿ったトンネルの痕跡はほとんど隠されたままである。唯一の例外は換気立坑で、この時ばかりは地底の音が地表に聞こえてくる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=512105882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003ehere\u003c\/a\u003e to see more \u003cspan data-mce-fragment=\"1\" aria-disabled=\"false\" class=\"Polaris-Tag_375hg Polaris-Tag--removable_1q527\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"Polaris-Tag__TagText_lsfh6\" title=\"Institute of Landscape and Urban Studies\"\u003eInstitute of Landscape and Urban Studies\u003c\/span\u003e\u003c\/span\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e2x cassette in carstock assembled box. Includes booklet and f\u003cspan data-mce-fragment=\"1\"\u003eour photographic leporellos (see photos for more information)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eErstfeld – Bristen 10:00\u003c\/li\u003e\n\u003cli\u003eBristen – Sedrun 10:00\u003c\/li\u003e\n\u003cli\u003eLukmanier – Faido 10:00\u003c\/li\u003e\n\u003cli\u003eFaido – Bodio 10:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eIsabelle Fehlmann via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Gotthard is associated with a variety of stories and myths. The passage over the range developed from a mule track in the 13th century to an important road in the 19th century. The first railway line over the Gotthard opened in 1882 – it included the longest railway tunnel in the world at the time. The bridges and galleries soon became known landmarks of Switzerland. Now, as then, the Gotthard is a central link between major political, economic and cultural centers. Now as before, the interplay between imposing alpine summits and the most modern transport infrastructures nourishes the Swiss identity with strong symbolism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album Gotthard Transect is the result of a seminar at the Chair of Landscape Architecture of Christophe Girot at ETH Zurich. Applying the transect method, students recorded and collected acoustic and visual samples along a predefined line through the landscape. The footage is divided into four sections, each corresponding to a stage in the crossing over the range. They are reflecting the physical proximity of the students to the alpine landscape. The word Transect, derived from Latin trans (through) and secare (cut), also relates to the Gotthard Base Tunnel that opened in 2016, and is currently the longest railway tunnel in the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe subtitle \"Sight and Sound Observations above the new Base Tunnel\" refers to the journey following the tunnel as closely as possible on the alpine terrain. While the landscape disappears for the travelers when they enter the darkness of the tunnel, evidence of the tunnel along the walking path remains mostly hidden. The only exception is a ventilation shaft, which for once brings sounds from the depths to the surface.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Landscape and Urban Studies\u003c\/p\u003e\n\u003cp\u003eLabel : Institute of Landscape and Urban Studies\u003c\/p\u003e","published_at":"2024-01-14T17:42:13+09:00","created_at":"2024-01-14T15:46:04+09:00","vendor":"Tobira Records","type":"","tags":["field recording","Institute of Landscape and Urban Studies","monooto","new","tape"],"price":398100,"price_min":398100,"price_max":398100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44993370980602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Institute of Landscape and Urban Studies \/\/ Gotthard Transect 2xTAPE + BOOKLET","public_title":null,"options":["Default Title"],"price":398100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gott1.jpg?v=1705214766","\/\/tobirarecords.com\/cdn\/shop\/files\/gott2.jpg?v=1705214767","\/\/tobirarecords.com\/cdn\/shop\/files\/gott3.jpg?v=1705214767"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott1.jpg?v=1705214766","options":["Title"],"media":[{"alt":null,"id":32974556102906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott1.jpg?v=1705214766"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott1.jpg?v=1705214766","width":700},{"alt":null,"id":32974556135674,"position":2,"preview_image":{"aspect_ratio":1.54,"height":779,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott2.jpg?v=1705214767"},"aspect_ratio":1.54,"height":779,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott2.jpg?v=1705214767","width":1200},{"alt":null,"id":32974556168442,"position":3,"preview_image":{"aspect_ratio":0.793,"height":1200,"width":952,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott3.jpg?v=1705214767"},"aspect_ratio":0.793,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gott3.jpg?v=1705214767","width":952}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・チューリッヒ工科大学景観建築研究グループInstitute of Landscape and Urban Studiesが、2022年にリリースした2本組カセット＋ブックレットです。\u003c\/p\u003e\n\u003cp\u003e世界最長のトンネルゴッタルドベーストンネルの4箇所でトランセクト法を応用して\u003cspan data-mce-fragment=\"1\" class=\"sewngqxcvf4zsz1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"sewngqxcvf4zsz1\"\u003e\u003c\/span\u003e収集したフィールドレコーディング4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状状上、佐川急便での発送となりますのでレコード等とお求めいただくとおトクです\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、チューリッヒ工科大学教授\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eIsabelle Fehlmann\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ゴッタルドはさまざまな物語や神話と結びついている。ゴッタルド山脈を越える道は、13世紀のラバの道から19世紀には重要な道路へと発展した。ゴッタルド山脈を越える最初の鉄道路線は1882年に開通し、当時世界最長の鉄道トンネルも建設された。橋やギャラリーは、すぐにスイスのランドマークとして知られるようになった。今も昔も、ゴッタルドは政治、経済、文化の中心地を結ぶ中心的な役割を果たしている。今も昔も、堂々たるアルプスの山頂と最新の交通インフラとの相互作用は、スイスのアイデンティティを強く象徴するものとなっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバム『Gotthard Transect』は、チューリッヒ工科大学のクリストフ・ジロット景観建築学科で行われたセミナーの成果である。ライントランセクト法を応用し、学生たちは景観を貫く決められた線に沿って音響と視覚のサンプルを記録・収集した。映像は4つのセクションに分けられ、それぞれが山脈を越える段階に対応している。これらは、学生たちが高山の風景に物理的に近づいたことを反映している。Transectという言葉は、ラテン語のtrans（通る）とsecare（切る）に由来し、2016年に開通した世界最長のゴッタルドベーストンネルにも関連している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサブタイトルの『Sight and Sound Observations above the new Base Tunnel』とは、高山地帯のトンネルを可能な限りたどる旅のことである。トンネルの暗闇に入ると、旅人にとって景色は消えてしまうが、散策路に沿ったトンネルの痕跡はほとんど隠されたままである。唯一の例外は換気立坑で、この時ばかりは地底の音が地表に聞こえてくる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=512105882\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003ehere\u003c\/a\u003e to see more \u003cspan data-mce-fragment=\"1\" aria-disabled=\"false\" class=\"Polaris-Tag_375hg Polaris-Tag--removable_1q527\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"Polaris-Tag__TagText_lsfh6\" title=\"Institute of Landscape and Urban Studies\"\u003eInstitute of Landscape and Urban Studies\u003c\/span\u003e\u003c\/span\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e2x cassette in carstock assembled box. Includes booklet and f\u003cspan data-mce-fragment=\"1\"\u003eour photographic leporellos (see photos for more information)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eErstfeld – Bristen 10:00\u003c\/li\u003e\n\u003cli\u003eBristen – Sedrun 10:00\u003c\/li\u003e\n\u003cli\u003eLukmanier – Faido 10:00\u003c\/li\u003e\n\u003cli\u003eFaido – Bodio 10:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eIsabelle Fehlmann via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Gotthard is associated with a variety of stories and myths. The passage over the range developed from a mule track in the 13th century to an important road in the 19th century. The first railway line over the Gotthard opened in 1882 – it included the longest railway tunnel in the world at the time. The bridges and galleries soon became known landmarks of Switzerland. Now, as then, the Gotthard is a central link between major political, economic and cultural centers. Now as before, the interplay between imposing alpine summits and the most modern transport infrastructures nourishes the Swiss identity with strong symbolism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album Gotthard Transect is the result of a seminar at the Chair of Landscape Architecture of Christophe Girot at ETH Zurich. Applying the transect method, students recorded and collected acoustic and visual samples along a predefined line through the landscape. The footage is divided into four sections, each corresponding to a stage in the crossing over the range. They are reflecting the physical proximity of the students to the alpine landscape. The word Transect, derived from Latin trans (through) and secare (cut), also relates to the Gotthard Base Tunnel that opened in 2016, and is currently the longest railway tunnel in the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe subtitle \"Sight and Sound Observations above the new Base Tunnel\" refers to the journey following the tunnel as closely as possible on the alpine terrain. While the landscape disappears for the travelers when they enter the darkness of the tunnel, evidence of the tunnel along the walking path remains mostly hidden. The only exception is a ventilation shaft, which for once brings sounds from the depths to the surface.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Landscape and Urban Studies\u003c\/p\u003e\n\u003cp\u003eLabel : Institute of Landscape and Urban Studies\u003c\/p\u003e"}
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スイス・チューリッヒ工科大学景観建築研究グループInstitute of Landscape and Urban Studiesが、2022年にリリースした2本組カセット＋ブックレットです。 世界最長のトンネルゴッタルドベーストンネルの4箇所でトランセクト法を応用して収集したフィールドレコーディング4曲を収録。 ※ケースの形状状上、佐川急便での発送となりますのでレコード等とお求めいただくとおトクです ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、チューリッヒ工科大学教授Isabelle Fehlmannによる解説です。 "ゴッタルドはさまざまな物語や神話と結びついている。ゴッタルド山脈を越える道は、13世紀のラバの道から19世紀には重要な道路へと発展した。ゴッタルド山脈を越える最初の鉄道路線は1882年に開通し、当時世界最長の鉄道トンネルも建設された。橋やギャラリーは、すぐにスイスのランドマークとして知られるようになった。今も昔も、ゴッタルドは政治、経済、文化の中心地を結ぶ中心的な役割を果たしている。今も昔も、堂々たるアルプスの山頂と最新の交通インフラとの相互作用は、スイスのアイデンティティを強く象徴するものとなっている。アルバム『Gotthard Transect』は、チューリッヒ工科大学のクリストフ・ジロット景観建築学科で行われたセミナーの成果である。ライントランセクト法を応用し、学生たちは景観を貫く決められた線に沿って音響と視覚のサンプルを記録・収集した。映像は4つのセクションに分けられ、それぞれが山脈を越える段階に対応している。これらは、学生たちが高山の風景に物理的に近づいたことを反映している。Transectという言葉は、ラテン語のtrans（通る）とsecare（切る）に由来し、2016年に開通した世界最長のゴッタルドベーストンネルにも関連している。 サブタイトルの『Sight...
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{"id":8133729452282,"title":"Various Artists (Institute of Landscape and Urban Studies) \/\/ Sonic Topologies 2xLP + BOOKLET [COLOR]","handle":"various-artists-institute-of-landscape-and-urban-studies-sonic-topologies-2xlp-booklet","description":"\u003cp\u003eスイス・チューリッヒ工科大学景観建築学科の研究グループInstitute of Landscape and Urban Studiesが、2023年12月にリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e2022年6月にチューリッヒで行われたフェスティバル『Sonic Topologies』の記録作品です。48ページのブックレット付属。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、チューリッヒ工科大学教授／本フェスティバルキュレーター\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLudwig Berger\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003e場所を聴く方法はいくつあるだろうか？『Sonic Topologies』は、チューリッヒの都市景観における、地下と地上、水中と水上という幅広い音のリサーチを紹介する。このプロジェクトでは、空の貯水池、植物園、温泉、湖の音と音響を探求する。2022年6月、30人のサウンドアーティスト、建築家、研究者が、これらの場所でコンサート、トーク、ウォーク、ワークショップを展開した。アーティストや科学者たちは、空間を振動させ、そのコンテクストを変化させ、遠い場所や時代へとつなげ、種や学問分野の境界を越えた出会いを可能にする。その多様な方法と手段によって、このプロジェクトは場所のさまざまな側面と可能性を明らかにするだけでなく、私たちがテキストと写真の用語集と2枚のレコードという形でまとめた、音のある風景研究のための多用途なツールボックスも提供している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最初のLPは、空の貯水室の音響刺激で幕を開ける。クリスチャン・ツェンダーとサーデット・トゥルケスによる長い残響のヴォーカル・インプロヴィゼーションに続き、カナダのデュオ、ライマー＆シュタインによるホルンとエレクトロニクスのための共鳴するインストゥルメンタル作品と、トモコ・ソーヴァージのウォーターボウル。続く作品は、水中と水上のスピーカーでケーファーベルクの温泉を活性化させる。建築家であり作曲家でもあるリー・タヴォーによるシンセサイザー曲は、音の速度の違いを聴き取ることができ、ペリラのアンビエント曲は、声とハーモニーの波の親密な世界に浸らせてくれる。\u003cbr\u003e2枚目のLPは、植物園の動植物を紹介している：音人類学者パトリシア・イェッギによる、春の朝鳥を追った時系列モンタージュ。生物学者フアン・ロペス＆ロク・シュトゥルムによるレーザー録音は、夏の昆虫の隠された振動の世界を明らかにする。Banu Çiçek Tülüによる電子音楽は、植物学の歴史を教えてくれる。5曲のデジタル・ボーナス・トラックは、庭園とその周辺のさまざまなレイヤーをさらに探求している。レコードの最後を飾るのは、湖上でのライブ・パフォーマンスだ： ファビアン・グッチャーは水中ピアノ・ワイヤーでボートを漕ぎ、エマイユ＆サルトリウスは2隻の動くボートの上でドラム・デュオを演奏し、湖の音響の地平線に消えていく。各面の最後には、フレイ＆コッホのデュオによるサウンド・エクササイズがあり、リスナーをそれぞれの環境とリスニングの次元に誘う。\"\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1414521531\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2282740627\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=397808485\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1078229773\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003ehere\u003c\/a\u003e to see more \u003cspan class=\"Polaris-Tag_375hg Polaris-Tag--removable_1q527\" aria-disabled=\"false\" data-mce-fragment=\"1\"\u003e\u003cspan title=\"Institute of Landscape and Urban Studies\" class=\"Polaris-Tag__TagText_lsfh6\" data-mce-fragment=\"1\"\u003eInstitute of Landscape and Urban Studies\u003c\/span\u003e\u003c\/span\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. With transparent vinyls and a 48 page sonic research glossary booklet with photos and artist quotes glacier. \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Christian Zehnder – Embrional Stream 07:12\u003cbr\u003e2. Saadet Türköz – Exhibition of the Voice 07:42\u003cbr\u003e3. Jen Reimer \u0026amp; Max Stein – Lyren 07:53\u003cbr\u003e4. Aio Frei \u0026amp; Franziska Koch – Listening With – Exercise Body-Earthing 01:45\u003cbr\u003e5. Tomoko Sauvage – Waterbowls Live at Lyren 07:04\u003cbr\u003e6. Li Tavor – Where is you and how am I to them (Long Version) 18:44\u003cbr\u003e7. Perila – Fading Sky 03:26\u003cbr\u003e8. Aio Frei \u0026amp; Franziska Koch – Listening With – Exercise Immediate Surrounding\/Impact 01:52\u003cbr\u003e9. Patricia Jäggi – Dawn Chorus of an Urban Island 05:52\u003cbr\u003e10. Rok Šturm \u0026amp; Juan López – Vibroscape of the Old Botanical Garden 05:57\u003cbr\u003e11. Banu Çiçek Tülü – While Rain Drops On The Lake (Long Version) 18:02\u003cbr\u003e12. Aio Frei \u0026amp; Franziska Koch – Listening With – Exercise Ancestral Listening\/Positionality 01:07\u003cbr\u003e13. Fabian Gutscher – Boat Piece II 05:41\u003cbr\u003e14. Camille Emaille \u0026amp; Julian Sartorius – Drum Duo on Two Boats 05:55\u003cbr\u003e15. Aio Frei \u0026amp; Franziska Koch - Listening With – Exercise Transtemporal Listening 02:14\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLudwig Berger\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"How many ways are there to listen to a place? “Sonic Topologies” presents a wide range of sonic research in Zurich’s urban landscape—underground and above ground, underwater and on the water. The project explores the sounds and acoustics of an empty reservoir, a botanical garden, a thermal bath, and a lake. In June 2022, thirty sound artists, architects and researchers developed concerts, talks, walks and workshops for these places. Their contributions reveal hidden and overlooked sounds and voices; the artists and scientists make spaces vibrate, shift their contexts, and connect them to distant locations and times; they enable encounters across species and disciplinary boundaries. With its manifold methods and instruments, the project not only reveals different aspects and potentials of the sites, but also offers a versatile toolbox for sonic landscape research which we compiled in the form of a glossary of texts and photographs, as well as two vinyl records. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The first LP opens with acoustic stimulations of the empty reservoir chambers. Long reverberating vocal improvisations by Christian Zehnder and Saadet Türköz are followed by resonant instrumental pieces for horn and electronics by Canadian duo Reimer \u0026amp; Stein and Tomoko Sauvage's water bowls. The following pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e activate the Käferberg thermal bath with speakers both in and above water. A synthesizer composition by architect and composer Li Tavor makes the different speeds of sound audible, while Perila's ambient piece immerses us in an intimate world of vocal and harmonic waves. \u003cbr data-mce-fragment=\"1\"\u003e The second LP introduces the fauna and flora of the botanical garden: A chronological montage by sound anthropologist Patricia Jäggi traces the morning birds in spring. Laser recordings of the biologists Juan López \u0026amp; Rok Śturm reveal the hidden vibrational world of summer insects. An electronic piece by Banu Çiçek Tülü tells us the history of botanical plants. The five digital bonus tracks explore further the different layers of the garden as well as its surroundings. The record closes with live performances on the lake: Fabian Gutscher rows a boat with underwater piano wires, and Emaille \u0026amp; Sartorius play a drum duo on two moving boats, disappearing into the acoustic horizon of the lake. Sound exercises by the duo Frei \u0026amp; Koch at the end of each side invite the listeners to explore their own environment and dimensions of listening.\u003c\/span\u003e.\"\u003c\/em\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Institute of Landscape and Urban Studies\u003cbr\u003e\u003c\/p\u003e","published_at":"2024-01-11T14:05:58+09:00","created_at":"2024-01-11T14:05:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","field recording","Institute of Landscape and Urban Studies","lp","monooto","new","recommended","sound poetry"],"price":677800,"price_min":677800,"price_max":677800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44981604581626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Institute of Landscape and Urban Studies) \/\/ Sonic Topologies 2xLP + BOOKLET [COLOR]","public_title":null,"options":["Default Title"],"price":677800,"weight":1080,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0559197854_16.jpg?v=1704950055","\/\/tobirarecords.com\/cdn\/shop\/files\/0034446670_10.jpg?v=1704950055","\/\/tobirarecords.com\/cdn\/shop\/files\/0034446707_10.jpg?v=1704950055","\/\/tobirarecords.com\/cdn\/shop\/files\/0034446717_10.jpg?v=1704950055","\/\/tobirarecords.com\/cdn\/shop\/files\/0034446728_10.jpg?v=1704950055"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0559197854_16.jpg?v=1704950055","options":["Title"],"media":[{"alt":null,"id":32959424790778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0559197854_16.jpg?v=1704950055"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0559197854_16.jpg?v=1704950055","width":700},{"alt":null,"id":32959423054074,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446670_10.jpg?v=1704950055"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446670_10.jpg?v=1704950055","width":1200},{"alt":null,"id":32959423283450,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446707_10.jpg?v=1704950055"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446707_10.jpg?v=1704950055","width":1200},{"alt":null,"id":32959423414522,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446717_10.jpg?v=1704950055"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446717_10.jpg?v=1704950055","width":1200},{"alt":null,"id":32959424233722,"position":5,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446728_10.jpg?v=1704950055"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034446728_10.jpg?v=1704950055","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス・チューリッヒ工科大学景観建築学科の研究グループInstitute of Landscape and Urban Studiesが、2023年12月にリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e2022年6月にチューリッヒで行われたフェスティバル『Sonic Topologies』の記録作品です。48ページのブックレット付属。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、チューリッヒ工科大学教授／本フェスティバルキュレーター\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLudwig Berger\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003e場所を聴く方法はいくつあるだろうか？『Sonic Topologies』は、チューリッヒの都市景観における、地下と地上、水中と水上という幅広い音のリサーチを紹介する。このプロジェクトでは、空の貯水池、植物園、温泉、湖の音と音響を探求する。2022年6月、30人のサウンドアーティスト、建築家、研究者が、これらの場所でコンサート、トーク、ウォーク、ワークショップを展開した。アーティストや科学者たちは、空間を振動させ、そのコンテクストを変化させ、遠い場所や時代へとつなげ、種や学問分野の境界を越えた出会いを可能にする。その多様な方法と手段によって、このプロジェクトは場所のさまざまな側面と可能性を明らかにするだけでなく、私たちがテキストと写真の用語集と2枚のレコードという形でまとめた、音のある風景研究のための多用途なツールボックスも提供している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最初のLPは、空の貯水室の音響刺激で幕を開ける。クリスチャン・ツェンダーとサーデット・トゥルケスによる長い残響のヴォーカル・インプロヴィゼーションに続き、カナダのデュオ、ライマー＆シュタインによるホルンとエレクトロニクスのための共鳴するインストゥルメンタル作品と、トモコ・ソーヴァージのウォーターボウル。続く作品は、水中と水上のスピーカーでケーファーベルクの温泉を活性化させる。建築家であり作曲家でもあるリー・タヴォーによるシンセサイザー曲は、音の速度の違いを聴き取ることができ、ペリラのアンビエント曲は、声とハーモニーの波の親密な世界に浸らせてくれる。\u003cbr\u003e2枚目のLPは、植物園の動植物を紹介している：音人類学者パトリシア・イェッギによる、春の朝鳥を追った時系列モンタージュ。生物学者フアン・ロペス＆ロク・シュトゥルムによるレーザー録音は、夏の昆虫の隠された振動の世界を明らかにする。Banu Çiçek Tülüによる電子音楽は、植物学の歴史を教えてくれる。5曲のデジタル・ボーナス・トラックは、庭園とその周辺のさまざまなレイヤーをさらに探求している。レコードの最後を飾るのは、湖上でのライブ・パフォーマンスだ： ファビアン・グッチャーは水中ピアノ・ワイヤーでボートを漕ぎ、エマイユ＆サルトリウスは2隻の動くボートの上でドラム・デュオを演奏し、湖の音響の地平線に消えていく。各面の最後には、フレイ＆コッホのデュオによるサウンド・エクササイズがあり、リスナーをそれぞれの環境とリスニングの次元に誘う。\"\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1414521531\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2282740627\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=397808485\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3004528613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1078229773\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/iola\"\u003ehere\u003c\/a\u003e to see more \u003cspan class=\"Polaris-Tag_375hg Polaris-Tag--removable_1q527\" aria-disabled=\"false\" data-mce-fragment=\"1\"\u003e\u003cspan title=\"Institute of Landscape and Urban Studies\" class=\"Polaris-Tag__TagText_lsfh6\" data-mce-fragment=\"1\"\u003eInstitute of Landscape and Urban Studies\u003c\/span\u003e\u003c\/span\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. With transparent vinyls and a 48 page sonic research glossary booklet with photos and artist quotes glacier. \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Christian Zehnder – Embrional Stream 07:12\u003cbr\u003e2. Saadet Türköz – Exhibition of the Voice 07:42\u003cbr\u003e3. Jen Reimer \u0026amp; Max Stein – Lyren 07:53\u003cbr\u003e4. Aio Frei \u0026amp; Franziska Koch – Listening With – Exercise Body-Earthing 01:45\u003cbr\u003e5. Tomoko Sauvage – Waterbowls Live at Lyren 07:04\u003cbr\u003e6. Li Tavor – Where is you and how am I to them (Long Version) 18:44\u003cbr\u003e7. Perila – Fading Sky 03:26\u003cbr\u003e8. Aio Frei \u0026amp; Franziska Koch – Listening With – Exercise Immediate Surrounding\/Impact 01:52\u003cbr\u003e9. Patricia Jäggi – Dawn Chorus of an Urban Island 05:52\u003cbr\u003e10. Rok Šturm \u0026amp; Juan López – Vibroscape of the Old Botanical Garden 05:57\u003cbr\u003e11. Banu Çiçek Tülü – While Rain Drops On The Lake (Long Version) 18:02\u003cbr\u003e12. Aio Frei \u0026amp; Franziska Koch – Listening With – Exercise Ancestral Listening\/Positionality 01:07\u003cbr\u003e13. Fabian Gutscher – Boat Piece II 05:41\u003cbr\u003e14. Camille Emaille \u0026amp; Julian Sartorius – Drum Duo on Two Boats 05:55\u003cbr\u003e15. Aio Frei \u0026amp; Franziska Koch - Listening With – Exercise Transtemporal Listening 02:14\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLudwig Berger\u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"How many ways are there to listen to a place? “Sonic Topologies” presents a wide range of sonic research in Zurich’s urban landscape—underground and above ground, underwater and on the water. The project explores the sounds and acoustics of an empty reservoir, a botanical garden, a thermal bath, and a lake. In June 2022, thirty sound artists, architects and researchers developed concerts, talks, walks and workshops for these places. Their contributions reveal hidden and overlooked sounds and voices; the artists and scientists make spaces vibrate, shift their contexts, and connect them to distant locations and times; they enable encounters across species and disciplinary boundaries. With its manifold methods and instruments, the project not only reveals different aspects and potentials of the sites, but also offers a versatile toolbox for sonic landscape research which we compiled in the form of a glossary of texts and photographs, as well as two vinyl records. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e The first LP opens with acoustic stimulations of the empty reservoir chambers. Long reverberating vocal improvisations by Christian Zehnder and Saadet Türköz are followed by resonant instrumental pieces for horn and electronics by Canadian duo Reimer \u0026amp; Stein and Tomoko Sauvage's water bowls. The following pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e activate the Käferberg thermal bath with speakers both in and above water. A synthesizer composition by architect and composer Li Tavor makes the different speeds of sound audible, while Perila's ambient piece immerses us in an intimate world of vocal and harmonic waves. \u003cbr data-mce-fragment=\"1\"\u003e The second LP introduces the fauna and flora of the botanical garden: A chronological montage by sound anthropologist Patricia Jäggi traces the morning birds in spring. Laser recordings of the biologists Juan López \u0026amp; Rok Śturm reveal the hidden vibrational world of summer insects. An electronic piece by Banu Çiçek Tülü tells us the history of botanical plants. The five digital bonus tracks explore further the different layers of the garden as well as its surroundings. The record closes with live performances on the lake: Fabian Gutscher rows a boat with underwater piano wires, and Emaille \u0026amp; Sartorius play a drum duo on two moving boats, disappearing into the acoustic horizon of the lake. Sound exercises by the duo Frei \u0026amp; Koch at the end of each side invite the listeners to explore their own environment and dimensions of listening.\u003c\/span\u003e.\"\u003c\/em\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Institute of Landscape and Urban Studies\u003cbr\u003e\u003c\/p\u003e"}
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スイス・チューリッヒ工科大学景観建築学科の研究グループInstitute of Landscape and Urban Studiesが、2023年12月にリリースした2枚組コンピレーションレコードです。 2022年6月にチューリッヒで行われたフェスティバル『Sonic Topologies』の記録作品です。48ページのブックレット付属。クリア盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、チューリッヒ工科大学教授／本フェスティバルキュレーターLudwig Bergerによる解説です。 "場所を聴く方法はいくつあるだろうか？『Sonic Topologies』は、チューリッヒの都市景観における、地下と地上、水中と水上という幅広い音のリサーチを紹介する。このプロジェクトでは、空の貯水池、植物園、温泉、湖の音と音響を探求する。2022年6月、30人のサウンドアーティスト、建築家、研究者が、これらの場所でコンサート、トーク、ウォーク、ワークショップを展開した。アーティストや科学者たちは、空間を振動させ、そのコンテクストを変化させ、遠い場所や時代へとつなげ、種や学問分野の境界を越えた出会いを可能にする。その多様な方法と手段によって、このプロジェクトは場所のさまざまな側面と可能性を明らかにするだけでなく、私たちがテキストと写真の用語集と2枚のレコードという形でまとめた、音のある風景研究のための多用途なツールボックスも提供している。 最初のLPは、空の貯水室の音響刺激で幕を開ける。クリスチャン・ツェンダーとサーデット・トゥルケスによる長い残響のヴォーカル・インプロヴィゼーションに続き、カナダのデュオ、ライマー＆シュタインによるホルンとエレクトロニクスのための共鳴するインストゥルメンタル作品と、トモコ・ソーヴァージのウォーターボウル。続く作品は、水中と水上のスピーカーでケーファーベルクの温泉を活性化させる。建築家であり作曲家でもあるリー・タヴォーによるシンセサイザー曲は、音の速度の違いを聴き取ることができ、ペリラのアンビエント曲は、声とハーモニーの波の親密な世界に浸らせてくれる。2枚目のLPは、植物園の動植物を紹介している：音人類学者パトリシア・イェッギによる、春の朝鳥を追った時系列モンタージュ。生物学者フアン・ロペス＆ロク・シュトゥルムによるレーザー録音は、夏の昆虫の隠された振動の世界を明らかにする。Banu...
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{"id":8115919716602,"title":"Die Walpoden \/\/ Down Under Schierstein Bridge TAPE","handle":"die-walpoden-down-under-schierstein-bridge-tape","description":"\u003cp\u003eドイツの実験集団Die Walpodenが、2023年11月に\u003cspan data-mce-fragment=\"1\"\u003eスコットランド\u003c\/span\u003eの実験／物音レーベル\u003cspan data-mce-fragment=\"1\"\u003eMolt Fluidから40本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼らが行ったサウンドウォークの記録作品\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1832768359\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003ehere\u003c\/a\u003e to see more Molt Fluid releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Cassette in norelco case. Edition of 40.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalpodenakademie soundwalk side A 24:42\u003c\/li\u003e\n\u003cli\u003eWalpodenakademie soundwalk side B 27:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eMolt Fluid:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAll noises performed by Brandstifter, Ingmar Ehler, Michael Klotzki and Tanja Roolfs at\u003c\/em\u003e \u003cem\u003ethe 1st Walpoden Art Walk (WAWA) at the banks of the river Rhine in Mainz-Mombach on March 19th 2023. Fieldrecordings + Linernotes: Wingel Mendoza. Picture: Brandstifter. The Fieldrecording was part of the intermedia exhibition „Down Under Schierstein Bridge“ at the non for profit art organisation Walpodenakademie of Mainzer Kunstverein Walpodenstr. 21 e.V..\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Die Walpoden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Molt Fluid\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-21T15:36:55+09:00","created_at":"2023-12-20T14:09:40+09:00","vendor":"Tobira Records","type":"","tags":["field recording","molt fluid","monooto","new","tape"],"price":197400,"price_min":197400,"price_max":197400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44906033807610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Die Walpoden \/\/ Down Under Schierstein Bridge TAPE","public_title":null,"options":["Default Title"],"price":197400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_434ca4d7-5574-4ec4-b6b4-3b4eec80a0e7.jpg?v=1703048981","\/\/tobirarecords.com\/cdn\/shop\/files\/do2_d07e4f4b-b513-4782-9c09-9dd18d0a581f.jpg?v=1703048981"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_434ca4d7-5574-4ec4-b6b4-3b4eec80a0e7.jpg?v=1703048981","options":["Title"],"media":[{"alt":null,"id":32856015012090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_434ca4d7-5574-4ec4-b6b4-3b4eec80a0e7.jpg?v=1703048981"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_434ca4d7-5574-4ec4-b6b4-3b4eec80a0e7.jpg?v=1703048981","width":700},{"alt":null,"id":32856015044858,"position":2,"preview_image":{"aspect_ratio":0.725,"height":1200,"width":870,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_d07e4f4b-b513-4782-9c09-9dd18d0a581f.jpg?v=1703048981"},"aspect_ratio":0.725,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_d07e4f4b-b513-4782-9c09-9dd18d0a581f.jpg?v=1703048981","width":870}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの実験集団Die Walpodenが、2023年11月に\u003cspan data-mce-fragment=\"1\"\u003eスコットランド\u003c\/span\u003eの実験／物音レーベル\u003cspan data-mce-fragment=\"1\"\u003eMolt Fluidから40本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼らが行ったサウンドウォークの記録作品\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1832768359\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mltfld\"\u003ehere\u003c\/a\u003e to see more Molt Fluid releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e Cassette in norelco case. Edition of 40.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalpodenakademie soundwalk side A 24:42\u003c\/li\u003e\n\u003cli\u003eWalpodenakademie soundwalk side B 27:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eMolt Fluid:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAll noises performed by Brandstifter, Ingmar Ehler, Michael Klotzki and Tanja Roolfs at\u003c\/em\u003e \u003cem\u003ethe 1st Walpoden Art Walk (WAWA) at the banks of the river Rhine in Mainz-Mombach on March 19th 2023. Fieldrecordings + Linernotes: Wingel Mendoza. Picture: Brandstifter. The Fieldrecording was part of the intermedia exhibition „Down Under Schierstein Bridge“ at the non for profit art organisation Walpodenakademie of Mainzer Kunstverein Walpodenstr. 21 e.V..\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Die Walpoden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Molt Fluid\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの実験集団Die Walpodenが、2023年11月にスコットランドの実験／物音レーベルMolt Fluidから40本限定でリリースしたカセットです。 彼らが行ったサウンドウォークの記録作品です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Molt Fluid releases available at Tobira....
¥1,974
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{"id":8095576162554,"title":"Umeko Ando \/\/ Ihunke 2xLP","handle":"umeko-ando-ihunke-2xlp","description":"\u003cp\u003eアイヌのシンガー／口琴奏者Umeko Andoが、2023年10月にリリースした再発2枚組レコードです。（オリジナルは2000年リリース）\u003c\/p\u003e\n\u003cp\u003e同郷トンコリ奏者OKIプロデュースによる16曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=894388318\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003ehere\u003c\/a\u003e to see more Pingipung releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePekanpe Uk 05:19\u003c\/li\u003e\n\u003cli\u003eIhunke 03:37\u003c\/li\u003e\n\u003cli\u003eHutare Chui 02:20\u003c\/li\u003e\n\u003cli\u003eRewrew 03:20\u003c\/li\u003e\n\u003cli\u003eIyomante Upopo 05:55\u003c\/li\u003e\n\u003cli\u003eMukkuri 1 02:33\u003c\/li\u003e\n\u003cli\u003eYaisama 02:36\u003c\/li\u003e\n\u003cli\u003eMukkuri 2 03:07\u003c\/li\u003e\n\u003cli\u003eSaraba - Iya Ko Ko 06:02\u003c\/li\u003e\n\u003cli\u003eSarorun Rimse 03:09\u003c\/li\u003e\n\u003cli\u003eBattaki 04:22\u003c\/li\u003e\n\u003cli\u003eKusuep Kamuy 00:47\u003c\/li\u003e\n\u003cli\u003eHerutun Rutun 03:11\u003c\/li\u003e\n\u003cli\u003eChup Kawa Kamuy Ran 04:33\u003c\/li\u003e\n\u003cli\u003eHekuri Sarari 03:06\u003c\/li\u003e\n\u003cli\u003eAtuy So Kata (extended version) 03:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Ihunke” was her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. It was released on CD in Japan only and is finally available on vinyl (2LP + linernotes, DLC included). “Ihunke” is following last year’s single “Iuta Upopo” [Pingipung 58, incl. M.Rux Remix] which had been received with overwhelming enthusiasm and was quickly sold out.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOki Kano: “It was a lot of fun to record with Umeko Ando. Many Ainu hesitate to break with tradition – if Umeko hadn’t\u003cspan class=\"bcTruncateMore\"\u003e been so flexible to work with the younger generation and recording technology, this album would never have happened. Our sessions were intense, and we were proud and happy about making such beautiful music.”\u003cbr\u003e\u003cbr\u003e++\u003cbr\u003e\u003cbr\u003eHistorical background: Only recently (in 2008) have the Ainu officially been acknowledged as indigenous people who are culturally independent from Japan. This record is an example of how their music has been passed on through generations in the underground Ainu communities while it was oppressed by the Japanese hegemony. It deserves a huge audience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e","published_at":"2023-11-29T06:15:30+09:00","created_at":"2023-11-27T14:56:13+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","pingipung"],"price":493000,"price_min":493000,"price_max":493000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44816219799802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Umeko Ando \/\/ Ihunke 2xLP","public_title":null,"options":["Default Title"],"price":493000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575","\/\/tobirarecords.com\/cdn\/shop\/files\/ih2.jpg?v=1701064575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575","options":["Title"],"media":[{"alt":null,"id":32754462785786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih1.jpg?v=1701064575","width":700},{"alt":null,"id":32754462818554,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih2.jpg?v=1701064575"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ih2.jpg?v=1701064575","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイヌのシンガー／口琴奏者Umeko Andoが、2023年10月にリリースした再発2枚組レコードです。（オリジナルは2000年リリース）\u003c\/p\u003e\n\u003cp\u003e同郷トンコリ奏者OKIプロデュースによる16曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=894388318\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pnpng\"\u003ehere\u003c\/a\u003e to see more Pingipung releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePekanpe Uk 05:19\u003c\/li\u003e\n\u003cli\u003eIhunke 03:37\u003c\/li\u003e\n\u003cli\u003eHutare Chui 02:20\u003c\/li\u003e\n\u003cli\u003eRewrew 03:20\u003c\/li\u003e\n\u003cli\u003eIyomante Upopo 05:55\u003c\/li\u003e\n\u003cli\u003eMukkuri 1 02:33\u003c\/li\u003e\n\u003cli\u003eYaisama 02:36\u003c\/li\u003e\n\u003cli\u003eMukkuri 2 03:07\u003c\/li\u003e\n\u003cli\u003eSaraba - Iya Ko Ko 06:02\u003c\/li\u003e\n\u003cli\u003eSarorun Rimse 03:09\u003c\/li\u003e\n\u003cli\u003eBattaki 04:22\u003c\/li\u003e\n\u003cli\u003eKusuep Kamuy 00:47\u003c\/li\u003e\n\u003cli\u003eHerutun Rutun 03:11\u003c\/li\u003e\n\u003cli\u003eChup Kawa Kamuy Ran 04:33\u003c\/li\u003e\n\u003cli\u003eHekuri Sarari 03:06\u003c\/li\u003e\n\u003cli\u003eAtuy So Kata (extended version) 03:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“Ihunke” was her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. It was released on CD in Japan only and is finally available on vinyl (2LP + linernotes, DLC included). “Ihunke” is following last year’s single “Iuta Upopo” [Pingipung 58, incl. M.Rux Remix] which had been received with overwhelming enthusiasm and was quickly sold out.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe 16 Ainu songs on “Ihunke” are delicate, natural gems. They are built on Oki Kano’s Tonkori patterns (a 5-string harp), over which Umeko Ando develops her repetitive, mantric vocals, often in a call-response manner. Oki Kano is one of very few professional Tonkori players who performs worldwide with his Oki Dub Ainu Band. The songs possess a mystical energy – when crows call accurately with Ando’s brittle voice in the first song, it seems like natural powers join in with her music. Her voice sounds like animals of the sky and the forest.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOki Kano: “It was a lot of fun to record with Umeko Ando. Many Ainu hesitate to break with tradition – if Umeko hadn’t\u003cspan class=\"bcTruncateMore\"\u003e been so flexible to work with the younger generation and recording technology, this album would never have happened. Our sessions were intense, and we were proud and happy about making such beautiful music.”\u003cbr\u003e\u003cbr\u003e++\u003cbr\u003e\u003cbr\u003eHistorical background: Only recently (in 2008) have the Ainu officially been acknowledged as indigenous people who are culturally independent from Japan. This record is an example of how their music has been passed on through generations in the underground Ainu communities while it was oppressed by the Japanese hegemony. It deserves a huge audience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e"}
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アイヌのシンガー／口琴奏者Umeko Andoが、2023年10月にリリースした再発2枚組レコードです。（オリジナルは2000年リリース） 同郷トンコリ奏者OKIプロデュースによる16曲を収録。ライナーノーツとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Pingipung releases available at Tobira. ---------------------- Includes...
¥4,930
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{"id":8094827839738,"title":"Bounaly \/\/ Dimanche à Bamako LP","handle":"bounaly-dimanche-a-bamako-lp","description":"\u003cp\u003eマリ・バマコのギタリストBounalyが、2023年11月にSahel Soundsからリリースしたレビューレコードです。\u003c\/p\u003e\n\u003cp\u003e現地の結婚式などで演奏したライブ録音中心の6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592895626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWato To 08:20\u003c\/li\u003e\n\u003cli\u003eMa Chérie 07:55\u003c\/li\u003e\n\u003cli\u003eTouré Iseye 06:42\u003c\/li\u003e\n\u003cli\u003eChérie ye Bani 09:27\u003c\/li\u003e\n\u003cli\u003eMali Mussow 09:16\u003c\/li\u003e\n\u003cli\u003eTamala 04:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFirst heard by global audiences on Sahel Sounds’ Music from Saharan WhatsApp series, Malian guitar hero Bounaly (the stage name of Ali \"Bounaly\" Traore) makes his full-length debut with “Dimanche à Bamako” (“Sunday in Bamako”). Recorded live on location, the music on \"Dimanche à Bamako\" is a mix of regional favorites, traditional standards, and originals. Long songs with looping rhythms, pounding kick drums, and electric shredding guitars, punctuated by shout-outs to the guests of honor. A raw and frenetic take on Northern Mali desert sound, playing for the diaspora at a Bamako wedding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Dimanche a Bamako\" is a Malian colloquialism, in reference to Sundays as a day of celebrations. On any given Sunday, the well dressed head out en masse to various festivities happening throughout the city. Neighborhood streets are blocked off, tents assembled over in impromptu courtyards, colorful carpets laid down, and sound systems assembled. \"Everyone has time; people are free to go because there is no work on this day. It's the day to relax,\" explains Bounaly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBounaly’s music is not something one would typically associate with the capital. This is desert guitar from\u003cspan class=\"bcTruncateMore\"\u003e Bounaly’s hometown of Niafounke (the birthplace of Ali Farka Toure). In 2012, vast swaths of the North of Mali were invaded by jihadists and plunged into chaos, and the diaspora resettled in the capital. Over the ensuing decade, Bamako has become a permanent home for the Northerners. The emerging community is spread throughout various neighborhoods, but all come together in celebration on Sundays.\u003cbr\u003e\u003cbr\u003eJoined by vocalist Alhousseini Maiga and their neighborhood backing band, this recording gives listeners a personal invitation to a Sunday in Bamako.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Bounaly\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e","published_at":"2023-12-05T14:42:34+09:00","created_at":"2023-11-26T12:52:37+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","sahel sounds","strange beats"],"price":357000,"price_min":357000,"price_max":357000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812302975226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bounaly \/\/ Dimanche à Bamako LP","public_title":null,"options":["Default Title"],"price":357000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759","\/\/tobirarecords.com\/cdn\/shop\/files\/bama2.jpg?v=1700970759"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759","options":["Title"],"media":[{"alt":null,"id":32747958731002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama1.jpg?v=1700970759","width":700},{"alt":null,"id":32747958763770,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama2.jpg?v=1700970759"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bama2.jpg?v=1700970759","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eマリ・バマコのギタリストBounalyが、2023年11月にSahel Soundsからリリースしたレビューレコードです。\u003c\/p\u003e\n\u003cp\u003e現地の結婚式などで演奏したライブ録音中心の6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592895626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWato To 08:20\u003c\/li\u003e\n\u003cli\u003eMa Chérie 07:55\u003c\/li\u003e\n\u003cli\u003eTouré Iseye 06:42\u003c\/li\u003e\n\u003cli\u003eChérie ye Bani 09:27\u003c\/li\u003e\n\u003cli\u003eMali Mussow 09:16\u003c\/li\u003e\n\u003cli\u003eTamala 04:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFirst heard by global audiences on Sahel Sounds’ Music from Saharan WhatsApp series, Malian guitar hero Bounaly (the stage name of Ali \"Bounaly\" Traore) makes his full-length debut with “Dimanche à Bamako” (“Sunday in Bamako”). Recorded live on location, the music on \"Dimanche à Bamako\" is a mix of regional favorites, traditional standards, and originals. Long songs with looping rhythms, pounding kick drums, and electric shredding guitars, punctuated by shout-outs to the guests of honor. A raw and frenetic take on Northern Mali desert sound, playing for the diaspora at a Bamako wedding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Dimanche a Bamako\" is a Malian colloquialism, in reference to Sundays as a day of celebrations. On any given Sunday, the well dressed head out en masse to various festivities happening throughout the city. Neighborhood streets are blocked off, tents assembled over in impromptu courtyards, colorful carpets laid down, and sound systems assembled. \"Everyone has time; people are free to go because there is no work on this day. It's the day to relax,\" explains Bounaly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBounaly’s music is not something one would typically associate with the capital. This is desert guitar from\u003cspan class=\"bcTruncateMore\"\u003e Bounaly’s hometown of Niafounke (the birthplace of Ali Farka Toure). In 2012, vast swaths of the North of Mali were invaded by jihadists and plunged into chaos, and the diaspora resettled in the capital. Over the ensuing decade, Bamako has become a permanent home for the Northerners. The emerging community is spread throughout various neighborhoods, but all come together in celebration on Sundays.\u003cbr\u003e\u003cbr\u003eJoined by vocalist Alhousseini Maiga and their neighborhood backing band, this recording gives listeners a personal invitation to a Sunday in Bamako.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Bounaly\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e"}
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マリ・バマコのギタリストBounalyが、2023年11月にSahel Soundsからリリースしたレビューレコードです。 現地の結婚式などで演奏したライブ録音中心の6曲を収録。 レーベルその他作品はこちら /// Click here to see more Sahel Sounds releases available at Tobira. ----------------------------...
¥3,570
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{"id":8094818369786,"title":"salad \/\/ Riverside Ishiyama TAPE","handle":"salad-riverside-ishiyama-tape","description":"\u003cp\u003e香川の物音デュオsaladが、2023年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eフィールドレコーディング2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729108329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeaceful time with the baby 18:02\u003c\/li\u003e\n\u003cli\u003eStop everything, when the baby cries 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmbracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener in a calm and joyful atmosphere where each mesmerizing moment is a celebration of life and an affirmation that everything is precisely as it should be.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : salad\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-11-26T14:19:39+09:00","created_at":"2023-11-26T12:24:28+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","field recording","monooto","new","tape"],"price":206400,"price_min":206400,"price_max":206400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812286820602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"salad \/\/ Riverside Ishiyama TAPE","public_title":null,"options":["Default Title"],"price":206400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070","\/\/tobirarecords.com\/cdn\/shop\/files\/ish2.jpg?v=1700969070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070","options":["Title"],"media":[{"alt":null,"id":32747846172922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish1.jpg?v=1700969070","width":700},{"alt":null,"id":32747846205690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish2.jpg?v=1700969070"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ish2.jpg?v=1700969070","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e香川の物音デュオsaladが、2023年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eフィールドレコーディング2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729108329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeaceful time with the baby 18:02\u003c\/li\u003e\n\u003cli\u003eStop everything, when the baby cries 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmbracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener in a calm and joyful atmosphere where each mesmerizing moment is a celebration of life and an affirmation that everything is precisely as it should be.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : salad\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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香川の物音デュオsaladが、2023年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。 フィールドレコーディング2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira. -------------------------...
¥2,064
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{"id":8088588452090,"title":"Kate Carr \/\/ false dawn CD","handle":"kate-carr-false-dawn-cd","description":"\u003cp\u003eイギリス・ロンドンの実験／物音レーベルFlaming Pines主宰Kate Carrが、2023年3月にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e楽器や物音で構築した100%人工的な\u003cspan data-mce-fragment=\"1\"\u003e深夜の森擬音作品です。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3356371768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003ehere\u003c\/a\u003e to see more Flaming Pines releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003efalse dawn 27:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eKate Carr\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A foley forest of bird horns, frog rattles, bags of rice, bug clickers, bottles of water and squeaky toys awakens after a long dark evening.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have spent a lot of time recording dawn choruses at many different field recording workshops. Never knowing what to do with all these recordings, I embarked on a quest to perform my own version of one in my studio. As such this work is an experiment in artifice, a forest I have breathed and gestured into existence via horns and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e whistles, rattles and squeaky toys.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis piece comes out of a series of live performances of dawn choruses I did in London as well as one in Vienna in 2022.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kate Carr\u003c\/p\u003e\n\u003cp\u003eLabel : Flaming Pines\u003c\/p\u003e","published_at":"2023-11-22T13:07:06+09:00","created_at":"2023-11-21T19:43:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","field recording","flaming pines","monooto","new"],"price":197800,"price_min":197800,"price_max":197800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44794388545786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kate Carr \/\/ false dawn CD","public_title":null,"options":["Default Title"],"price":197800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428","options":["Title"],"media":[{"alt":null,"id":32723296387322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fal1.jpg?v=1700563428","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの実験／物音レーベルFlaming Pines主宰Kate Carrが、2023年3月にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e楽器や物音で構築した100%人工的な\u003cspan data-mce-fragment=\"1\"\u003e深夜の森擬音作品です。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3356371768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/flaming-pines\"\u003ehere\u003c\/a\u003e to see more Flaming Pines releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003efalse dawn 27:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eKate Carr\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A foley forest of bird horns, frog rattles, bags of rice, bug clickers, bottles of water and squeaky toys awakens after a long dark evening.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have spent a lot of time recording dawn choruses at many different field recording workshops. Never knowing what to do with all these recordings, I embarked on a quest to perform my own version of one in my studio. As such this work is an experiment in artifice, a forest I have breathed and gestured into existence via horns and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e whistles, rattles and squeaky toys.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis piece comes out of a series of live performances of dawn choruses I did in London as well as one in Vienna in 2022.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kate Carr\u003c\/p\u003e\n\u003cp\u003eLabel : Flaming Pines\u003c\/p\u003e"}
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イギリス・ロンドンの実験／物音レーベルFlaming Pines主宰Kate Carrが、2023年3月にリリースしたCDです。 楽器や物音で構築した100%人工的な深夜の森擬音作品です。デジパック仕様です。 レーベルその他作品はこちら /// Click here to see more Flaming Pines releases available at Tobira. ...
¥1,978
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{"id":8056694112506,"title":"Gonçalo Cardoso \u0026 Ruben Pater \/\/ A Study into 21st Century Drone Acoustics LP+BOOKLET","handle":"goncalo-cardoso-ruben-pater-a-study-into-21st-century-drone-acoustics-lp","description":"\u003cp\u003eポルトガルの密林レーベルDiscrepant主宰Gonçalo CardosoとデザイナーRuben Paterが、2015年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e音楽ジャンルのドローンではなく、飛行するドローンに焦点を当てた一枚です。\u003c\/p\u003e\n\u003cp\u003eA面は小型ドローンから軍用大型ドローンまで17種類のドローンのフィールドレコーディングを、B面はGonçalo Cardosoによる長尺ドローンを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLリンクと12ページのブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2531345740\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1161992576\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3551792479\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link and a 12 page booklet.\u003cspan\u003e 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGonçalo F Cardoso - The Life and Death of a 21st Century Drone Machine 23:08\u003c\/li\u003e\n\u003cli\u003eQAV400 01:14\u003c\/li\u003e\n\u003cli\u003eParrot AR 00:48\u003c\/li\u003e\n\u003cli\u003eRaven RQ-11 01:10\u003c\/li\u003e\n\u003cli\u003eScanEagle 00:35\u003c\/li\u003e\n\u003cli\u003eShadow RQ-7 00:23\u003c\/li\u003e\n\u003cli\u003eHarpy 00:10\u003c\/li\u003e\n\u003cli\u003eRustom-1 00:11\u003c\/li\u003e\n\u003cli\u003eFire Scout MQ-8 01:25\u003c\/li\u003e\n\u003cli\u003eHeron 01:03\u003c\/li\u003e\n\u003cli\u003eHermes 900 01:20\u003c\/li\u003e\n\u003cli\u003eHeron TP 00:38\u003c\/li\u003e\n\u003cli\u003ePredator MQ-1 00:46\u003c\/li\u003e\n\u003cli\u003eReaper MQ - 9 01:09\u003c\/li\u003e\n\u003cli\u003eGlobal Hawk RQ - 4 00:48\u003c\/li\u003e\n\u003cli\u003enEURON 00:12\u003c\/li\u003e\n\u003cli\u003eX - 47B 00:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscrepant:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"‘\u003cem\u003eA Study into 21st Century Drone Acoustics’ is an auditive investigation by composer Gonçalo F. Cardoso (Discrepant records) and designer Ruben Pater (Untold Stories). What kind engines are drones equipped with? What do they sound like? What are the psychological effects of the sounds in areas of conflict? Side A features field recordings of 17 drone types, ranging from small consumer drones to large military drones. The B side presents a soundscape by Gonçalo F. Cardoso, inspired by the abusive and destructive power or drone technology. The composition focuses on the conceptual (sound) life and death of an aerial drone machine in the 21st century. The vinyl LP is printed on metallicized cardboard and comes with a 12 page booklet with documentation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gonçalo Cardoso \u0026amp; Ruben Pater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Discrepant\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-30T14:35:44+09:00","created_at":"2023-10-30T12:01:01+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","drone","field recording","lp","monooto","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44703626854650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gonçalo Cardoso \u0026 Ruben Pater \/\/ A Study into 21st Century Drone Acoustics LP+BOOKLET","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863","\/\/tobirarecords.com\/cdn\/shop\/files\/gon2.jpg?v=1698634862","\/\/tobirarecords.com\/cdn\/shop\/files\/gon3.jpg?v=1698634863"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863","options":["Title"],"media":[{"alt":null,"id":32619906400506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon1.jpg?v=1698634863","width":700},{"alt":null,"id":32619906433274,"position":2,"preview_image":{"aspect_ratio":1.749,"height":686,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon2.jpg?v=1698634862"},"aspect_ratio":1.749,"height":686,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon2.jpg?v=1698634862","width":1200},{"alt":null,"id":32619906466042,"position":3,"preview_image":{"aspect_ratio":1.78,"height":674,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon3.jpg?v=1698634863"},"aspect_ratio":1.78,"height":674,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gon3.jpg?v=1698634863","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルの密林レーベルDiscrepant主宰Gonçalo CardosoとデザイナーRuben Paterが、2015年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e音楽ジャンルのドローンではなく、飛行するドローンに焦点を当てた一枚です。\u003c\/p\u003e\n\u003cp\u003eA面は小型ドローンから軍用大型ドローンまで17種類のドローンのフィールドレコーディングを、B面はGonçalo Cardosoによる長尺ドローンを収録。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLリンクと12ページのブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2531345740\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1161992576\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3551792479\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3517946601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link and a 12 page booklet.\u003cspan\u003e 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGonçalo F Cardoso - The Life and Death of a 21st Century Drone Machine 23:08\u003c\/li\u003e\n\u003cli\u003eQAV400 01:14\u003c\/li\u003e\n\u003cli\u003eParrot AR 00:48\u003c\/li\u003e\n\u003cli\u003eRaven RQ-11 01:10\u003c\/li\u003e\n\u003cli\u003eScanEagle 00:35\u003c\/li\u003e\n\u003cli\u003eShadow RQ-7 00:23\u003c\/li\u003e\n\u003cli\u003eHarpy 00:10\u003c\/li\u003e\n\u003cli\u003eRustom-1 00:11\u003c\/li\u003e\n\u003cli\u003eFire Scout MQ-8 01:25\u003c\/li\u003e\n\u003cli\u003eHeron 01:03\u003c\/li\u003e\n\u003cli\u003eHermes 900 01:20\u003c\/li\u003e\n\u003cli\u003eHeron TP 00:38\u003c\/li\u003e\n\u003cli\u003ePredator MQ-1 00:46\u003c\/li\u003e\n\u003cli\u003eReaper MQ - 9 01:09\u003c\/li\u003e\n\u003cli\u003eGlobal Hawk RQ - 4 00:48\u003c\/li\u003e\n\u003cli\u003enEURON 00:12\u003c\/li\u003e\n\u003cli\u003eX - 47B 00:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscrepant:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"‘\u003cem\u003eA Study into 21st Century Drone Acoustics’ is an auditive investigation by composer Gonçalo F. Cardoso (Discrepant records) and designer Ruben Pater (Untold Stories). What kind engines are drones equipped with? What do they sound like? What are the psychological effects of the sounds in areas of conflict? Side A features field recordings of 17 drone types, ranging from small consumer drones to large military drones. The B side presents a soundscape by Gonçalo F. Cardoso, inspired by the abusive and destructive power or drone technology. The composition focuses on the conceptual (sound) life and death of an aerial drone machine in the 21st century. The vinyl LP is printed on metallicized cardboard and comes with a 12 page booklet with documentation.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gonçalo Cardoso \u0026amp; Ruben Pater\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Discrepant\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガルの密林レーベルDiscrepant主宰Gonçalo CardosoとデザイナーRuben Paterが、2015年にリリースした共作レコードです。 音楽ジャンルのドローンではなく、飛行するドローンに焦点を当てた一枚です。 A面は小型ドローンから軍用大型ドローンまで17種類のドローンのフィールドレコーディングを、B面はGonçalo Cardosoによる長尺ドローンを収録。DLリンクと12ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more Discrepant releases available at...
¥3,980
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{"id":8030362927354,"title":"R. Pierre \/\/ Antigua CDr","handle":"r-pierre-antigua-cdr","description":"\u003cp\u003eアメリカ・LAの実験／ダンスレーベルJungle Gym主宰R. Pierreが、2023年8月にLAの実験レーベルTouristから20部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音コラージュ作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43358895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in plastic sleeve with card insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Antigua Suite 27:02\u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : Tourist\u003c\/p\u003e","published_at":"2023-10-15T13:11:33+09:00","created_at":"2023-10-08T16:00:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","Jungle Gym","monooto","new"],"price":128000,"price_min":128000,"price_max":128000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44613968462074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"R. Pierre \/\/ Antigua CDr","public_title":null,"options":["Default Title"],"price":128000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445","\/\/tobirarecords.com\/cdn\/shop\/files\/an2_9b828a2d-33f9-4d65-ab3d-4da108a0963c.jpg?v=1696748445","\/\/tobirarecords.com\/cdn\/shop\/files\/an3_629f9032-3561-4f4e-a690-066e8999036e.jpg?v=1696748445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445","options":["Title"],"media":[{"alt":null,"id":32535939645690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an_9986d5c0-313c-4ac7-85ad-5a44f03f6e00.jpg?v=1696748445","width":600},{"alt":null,"id":32535939678458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_9b828a2d-33f9-4d65-ab3d-4da108a0963c.jpg?v=1696748445"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an2_9b828a2d-33f9-4d65-ab3d-4da108a0963c.jpg?v=1696748445","width":600},{"alt":null,"id":32535939711226,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an3_629f9032-3561-4f4e-a690-066e8999036e.jpg?v=1696748445"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an3_629f9032-3561-4f4e-a690-066e8999036e.jpg?v=1696748445","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験／ダンスレーベルJungle Gym主宰R. Pierreが、2023年8月にLAの実験レーベルTouristから20部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音コラージュ作品です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43358895\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in plastic sleeve with card insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Antigua Suite 27:02\u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : Tourist\u003c\/p\u003e"}
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アメリカ・LAの実験／ダンスレーベルJungle Gym主宰R. Pierreが、2023年8月にLAの実験レーベルTouristから20部限定でリリースしたCDrです。 フィールドレコーディングによる物音コラージュ作品です。 --------------------------------------- CDr in plastic sleeve with card insert. Tracklist: 1 ...
¥1,280
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{"id":8021907112186,"title":"DJ ZNOBIA \/\/ Inventor Vol 1 LP","handle":"dj-znobia-inventor-vol-1-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代後半、DJ ZNOBIAは、ブラジルに次いで世界で2番目にポルトガル語を話す国である南西アフリカのエネルギーとスピリットを表現する新しいジャンルを創り出す旅に出た。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDJ ZNOBIAは当初、マイケルジャクソンが特に好きなダンサーとして名を馳せたが、その後フルーティループスでプロデュースを独学。アンゴラの伝統的なリズムとエレクトロニックビートの融合に触発され、さまざまなサウンドやスタイルを試し始めた。たゆまぬ努力の結果、彼は最終的にアンゴラの音楽シーンに革命を起こすジャンル、クドゥーロを開発した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル語で「ハード・アス」を意味するクドゥーロは、センバ、キラパンガ、カズクタといったアンゴラの伝統音楽の要素と現代的なエレクトロビートを組み合わせ、ハイエナジーで感染力のあるサウンドを生み出している。DJ ZNOBIAは、シンセサイザー、ドラムマシン、サンプリングされたボーカルを革新的に使用することで、クドゥーロに独特の個性を与え、瞬く間にこのジャンルのパイオニアとして、また主要プロデューサーとして認知されるようになった。彼の作品の多くが、アンゴラが2002年に終結したばかりのひどい内戦の渦中にあったという事実が、彼の物語をより注目すべきものにしている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の画期的なプロダクションによって、DJ ZNOBIAはアンゴラ国内だけでなく、アメリカやヨーロッパなど国際的にクドゥーロが広く普及する道を開いた。彼の「Batida 13 Horas」などのトラックは、このジャンルのアンセムとなり、地元アーティストとのコラボレーションは、クドゥーロをメインストリームに押し上げるのに貢献した。クドゥーロは、ポルトガルのアフロ・ディアスポラ・コミュニティ、特にプリンシペ・ディスコのDJやプロデューサー、DJ Marfox、DJ Nervoso、Niggafoxらに多大な影響を与えてきた。2008年、クドゥーロが初めて国際的なシーンに登場したのは、イギリスとスリランカのラップ界のスーパースターM.I.A.が、M.I.A.の2007年のアルバム『Kala』に収録されたシングル「Sound of Kuduro」で、DJ ZNOBIAとブラカ・ソン・システマとコラボしたときだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eプロデューサー、DJ、MC、そして公人としてのDJ ZNOBIAの影響は、過去30年以上に渡ってアンゴラ文化に多大な影響を与えてきた。彼はまた、キゾンバのいとこで、セクシーでパーカッシブな音楽とダンスで大人気のジャンル、タラヒーニャのパイオニアの1人とみなされている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146340253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMarimba 03:47\u003c\/li\u003e\n\u003cli\u003eZabinamina feat Puto Prata 03:48\u003c\/li\u003e\n\u003cli\u003eU uu 03:34\u003c\/li\u003e\n\u003cli\u003eWo 03:25\u003c\/li\u003e\n\u003cli\u003eCuba em Angola 03:42\u003c\/li\u003e\n\u003cli\u003eEsfregado 03:37\u003c\/li\u003e\n\u003cli\u003eLamento feat Ricardo 03:18\u003c\/li\u003e\n\u003cli\u003eTirou Ponto feat Nakobeta 03:41\u003c\/li\u003e\n\u003cli\u003ePausa 03:26\u003c\/li\u003e\n\u003cli\u003eTom e Jerry 03:50\u003c\/li\u003e\n\u003cli\u003ePiquena 03:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA massive honor to be releasing the first in a four volume retrospective of one of Africa’s most influential musicians of the last 30 years - kuduro and tarraxinha pioneer and originator DJ Znobia. A genius of street music and the pivotal visionary of Angola’s digital musical modernism, Znobia is the inventor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNyege Nyege Tapes went through over 700 tracks in Znobia’s archive (with double that number reputed to have been lost) to prepare a 4 Volume retrospective of his musical output from the late 90s to mid 2000s. Hailing from the musseke - or shantytown - of Barrio Do Rangel in the Angolan capital of Luanda, DJ Znobia was born Sebastião Lopes in 1979.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the late 1990s, DJ Znobia embarked on a journey to create a new genre that would capture the energy and spirit of the South West African country, the second biggest Portuguese speaking country in the world after Brazil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZnobia initially found renown as a dancer particularly fond of Michael Jackson, before teaching himself how to produce with Fruity Loops. Inspired by the fusion of traditional Angolan rhythms with electronic beats, he began experimenting with different sounds and styles. Through his tireless efforts, he eventually developed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e a genre that would revolutionise the Angolan music scene: kuduro.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKuduro, which means \"hard ass\" in Portuguese, combines elements of traditional Angolan music such as semba, kilapanga, and kazukuta with modern electronic beats, resulting in a high-energy and infectious sound. DJ Znobia's innovative use of synthesisers, drum machines, and sampled vocals gave kuduro its distinctive character, and he quickly gained recognition as the genre's pioneer and leading producer. The fact that much of his output happened while Angola was in the grip of a terrible civil war, which only ended in 2002, makes his story even more remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his groundbreaking productions, DJ Znobia paved the way for the widespread popularity of kuduro both in Angola and internationally in America and Europe. His tracks, such as “Batida 13 Horas'' became anthems of the genre, and his collaborations with local artists helped to propel kuduro into the mainstream. Kuduro has been hugely influential in Afro-diasporan communities in Portugal , and especially with the Príncipe Discos DJs and producers such as Dj Marfox, Dj Nervoso and Niggafox. In 2008, kuduro first arrived on the international scene, when British-Sri Lankan rap superstar M.I.A. collaborated with Znobia and Buraka Son Sistema on the single Sound of Kuduro which appeared on M.I.A.’s 2007 album Kala.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJ Znobia's influence as a producer, DJ, MC and public figure has had a great imprint in Angolan culture for the better part of the last three decades. He is also considered one of the pioneers of the hugely popular tarraxinha genre of music and dance; the sexy, percussive cousin of kizomba; the name means “little screw\/ screwdriver”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2023-09-20T18:16:45+09:00","created_at":"2023-09-20T18:16:45+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hakuna kulala","house","lp","new"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44576661242106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ ZNOBIA \/\/ Inventor Vol 1 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526","\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","options":["Title"],"media":[{"alt":null,"id":32473828065530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3714952721_16.jpg?v=1695201509","width":700},{"alt":null,"id":32473828098298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044555_10.jpg?v=1695201526","width":1200},{"alt":null,"id":32473828131066,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033044558_10.jpg?v=1695201529","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代後半、DJ ZNOBIAは、ブラジルに次いで世界で2番目にポルトガル語を話す国である南西アフリカのエネルギーとスピリットを表現する新しいジャンルを創り出す旅に出た。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDJ ZNOBIAは当初、マイケルジャクソンが特に好きなダンサーとして名を馳せたが、その後フルーティループスでプロデュースを独学。アンゴラの伝統的なリズムとエレクトロニックビートの融合に触発され、さまざまなサウンドやスタイルを試し始めた。たゆまぬ努力の結果、彼は最終的にアンゴラの音楽シーンに革命を起こすジャンル、クドゥーロを開発した。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポルトガル語で「ハード・アス」を意味するクドゥーロは、センバ、キラパンガ、カズクタといったアンゴラの伝統音楽の要素と現代的なエレクトロビートを組み合わせ、ハイエナジーで感染力のあるサウンドを生み出している。DJ ZNOBIAは、シンセサイザー、ドラムマシン、サンプリングされたボーカルを革新的に使用することで、クドゥーロに独特の個性を与え、瞬く間にこのジャンルのパイオニアとして、また主要プロデューサーとして認知されるようになった。彼の作品の多くが、アンゴラが2002年に終結したばかりのひどい内戦の渦中にあったという事実が、彼の物語をより注目すべきものにしている。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e彼の画期的なプロダクションによって、DJ ZNOBIAはアンゴラ国内だけでなく、アメリカやヨーロッパなど国際的にクドゥーロが広く普及する道を開いた。彼の「Batida 13 Horas」などのトラックは、このジャンルのアンセムとなり、地元アーティストとのコラボレーションは、クドゥーロをメインストリームに押し上げるのに貢献した。クドゥーロは、ポルトガルのアフロ・ディアスポラ・コミュニティ、特にプリンシペ・ディスコのDJやプロデューサー、DJ Marfox、DJ Nervoso、Niggafoxらに多大な影響を与えてきた。2008年、クドゥーロが初めて国際的なシーンに登場したのは、イギリスとスリランカのラップ界のスーパースターM.I.A.が、M.I.A.の2007年のアルバム『Kala』に収録されたシングル「Sound of Kuduro」で、DJ ZNOBIAとブラカ・ソン・システマとコラボしたときだった。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eプロデューサー、DJ、MC、そして公人としてのDJ ZNOBIAの影響は、過去30年以上に渡ってアンゴラ文化に多大な影響を与えてきた。彼はまた、キゾンバのいとこで、セクシーでパーカッシブな音楽とダンスで大人気のジャンル、タラヒーニャのパイオニアの1人とみなされている。\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146340253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMarimba 03:47\u003c\/li\u003e\n\u003cli\u003eZabinamina feat Puto Prata 03:48\u003c\/li\u003e\n\u003cli\u003eU uu 03:34\u003c\/li\u003e\n\u003cli\u003eWo 03:25\u003c\/li\u003e\n\u003cli\u003eCuba em Angola 03:42\u003c\/li\u003e\n\u003cli\u003eEsfregado 03:37\u003c\/li\u003e\n\u003cli\u003eLamento feat Ricardo 03:18\u003c\/li\u003e\n\u003cli\u003eTirou Ponto feat Nakobeta 03:41\u003c\/li\u003e\n\u003cli\u003ePausa 03:26\u003c\/li\u003e\n\u003cli\u003eTom e Jerry 03:50\u003c\/li\u003e\n\u003cli\u003ePiquena 03:27\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eA massive honor to be releasing the first in a four volume retrospective of one of Africa’s most influential musicians of the last 30 years - kuduro and tarraxinha pioneer and originator DJ Znobia. A genius of street music and the pivotal visionary of Angola’s digital musical modernism, Znobia is the inventor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNyege Nyege Tapes went through over 700 tracks in Znobia’s archive (with double that number reputed to have been lost) to prepare a 4 Volume retrospective of his musical output from the late 90s to mid 2000s. Hailing from the musseke - or shantytown - of Barrio Do Rangel in the Angolan capital of Luanda, DJ Znobia was born Sebastião Lopes in 1979.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the late 1990s, DJ Znobia embarked on a journey to create a new genre that would capture the energy and spirit of the South West African country, the second biggest Portuguese speaking country in the world after Brazil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZnobia initially found renown as a dancer particularly fond of Michael Jackson, before teaching himself how to produce with Fruity Loops. Inspired by the fusion of traditional Angolan rhythms with electronic beats, he began experimenting with different sounds and styles. Through his tireless efforts, he eventually developed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e a genre that would revolutionise the Angolan music scene: kuduro.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKuduro, which means \"hard ass\" in Portuguese, combines elements of traditional Angolan music such as semba, kilapanga, and kazukuta with modern electronic beats, resulting in a high-energy and infectious sound. DJ Znobia's innovative use of synthesisers, drum machines, and sampled vocals gave kuduro its distinctive character, and he quickly gained recognition as the genre's pioneer and leading producer. The fact that much of his output happened while Angola was in the grip of a terrible civil war, which only ended in 2002, makes his story even more remarkable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith his groundbreaking productions, DJ Znobia paved the way for the widespread popularity of kuduro both in Angola and internationally in America and Europe. His tracks, such as “Batida 13 Horas'' became anthems of the genre, and his collaborations with local artists helped to propel kuduro into the mainstream. Kuduro has been hugely influential in Afro-diasporan communities in Portugal , and especially with the Príncipe Discos DJs and producers such as Dj Marfox, Dj Nervoso and Niggafox. In 2008, kuduro first arrived on the international scene, when British-Sri Lankan rap superstar M.I.A. collaborated with Znobia and Buraka Son Sistema on the single Sound of Kuduro which appeared on M.I.A.’s 2007 album Kala.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDJ Znobia's influence as a producer, DJ, MC and public figure has had a great imprint in Angolan culture for the better part of the last three decades. He is also considered one of the pioneers of the hugely popular tarraxinha genre of music and dance; the sexy, percussive cousin of kizomba; the name means “little screw\/ screwdriver”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DJ ZNOBIA\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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アンゴラ・ルアンダのクドゥーロ作家DJ ZNOBIAが、2023年9月にウガンダ・カンパラのダンスレーベルNyege Nyege Tapesからリリースしたレコードです。 彼が1996-2005年の間に制作した700以上のトラックからNyege Nyegeがコンパイルした11曲を収録。4シリーズの1作目です。 以下、レーベルによる解説です。 "過去30年間でアフリカで最も影響力のあるミュージシャンの一人、クドゥーロとタラヒーニャのパイオニアでありオリジネーターであるDJ ZNOBIAの4作にわたる回顧録の第1弾をリリースできることを大変光栄に思う。ストリートミュージックの天才であり、アンゴラのデジタルミュージック・モダニズムの重要な先見者であるDJ ZNOBIAは、その発明者でもある。Nyege Nyege Tapesは、DJ ZNOBIAのアーカイヴにある700以上のトラック（失われたトラックはその2倍とも言われている）に目を通し、1990年代後半から2000年代半ばまでの彼の音楽活動を4作に渡って振り返る。アンゴラの首都ルアンダにあるバリオ・ド・ランゲルのムセケ（シャントタウン）出身のDJ ZNOBIAは、1979年にセバスチャン・ロペスとして生まれた。1990年代後半、DJ...
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{"id":8018691195130,"title":"Umeko Ando \/\/ Upopo Sanke 2xLP","handle":"umeko-ando-upopo-sanke-2x12","description":"\u003cp\u003eアイヌのシンガー／口琴奏者Umeko Andoが、2023年8月にリリースした再発2枚組レコードです。（オリジナルは2003年リリース）\u003c\/p\u003e\n\u003cp\u003e十勝の農場で録音した14曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1960794117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChorakkun (チョーラックン) 02:50\u003c\/li\u003e\n\u003cli\u003eEri Rimse (エリ リムセ) 04:10\u003c\/li\u003e\n\u003cli\u003eSaranpe (サランペ ) 04:53\u003c\/li\u003e\n\u003cli\u003eIuta Upopo (イウタ ウポポ) 06:22\u003c\/li\u003e\n\u003cli\u003eSuchochoy (スチョチョイ) 04:52\u003c\/li\u003e\n\u003cli\u003eChup Kamuy Ho (チュプ カムイ ホー) 01:15\u003c\/li\u003e\n\u003cli\u003eSarukiusinay Kotan (サルキウシナイ コタン) 03:20\u003c\/li\u003e\n\u003cli\u003eUtari Opun Parewa (ウタリ オブン パレワ) 03:58\u003c\/li\u003e\n\u003cli\u003eMukkkuri Hawehe (ムックリ ハゥエヘ) 02:58\u003c\/li\u003e\n\u003cli\u003eEmusi Rimse (エムシ リムセ) 03:44\u003c\/li\u003e\n\u003cli\u003eKu Rimse (クー リムセ) 04:57\u003c\/li\u003e\n\u003cli\u003eHerekan Ho (ヘレカン ホー) 03:13\u003c\/li\u003e\n\u003cli\u003eRera Suye (レラ スエ) 00:47\u003c\/li\u003e\n\u003cli\u003eAruo (アルオー) 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eUpopo Sanke“ means “Let's sing a song\" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric, hypnotic quality in a vocal style that is perhaps best described as elastic, relaxed and breathing. The lyrics praise the lush nature of the islands. They mention the deity Kamuy, who can appear in the form of animals such as bears or swordfish, and the singers repeatedly ask the audience to dance. Listening to this music can be a meditative experience. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Upopo Sanke“ was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Kano about the stories of the 14 songs.\u003cbr data-mce-fragment=\"1\"\u003eOki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation. This music would not exist if the Ainu had not maintained their culture in remote and secret communities against Japanese hegemony. Thanks to Oki Kano, Umeko Ando's interpretation of Ainu music has been recorded in great detail from within the community. \"Upopo Sanke\" is a treasure of the Ainu heritage.\u003cbr data-mce-fragment=\"1\"\u003e\"Upopo Sanke\" was mixed again in part by Oki Kano before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album was the second album by Umeko Ando, the follow-up to \"Ihunke\", originally recorded in 2000 and also re-released in 2018 by Pingipung together with Oki Kano. The vinyl editions of \"Ihunke\" and also the 7’' single \"Iuta Upopo\" including an M.RUX remix have long been sold out. They will be made available again in the course of the release of \"Upopo Sanke\".\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e","published_at":"2023-09-18T07:31:39+09:00","created_at":"2023-09-17T12:03:51+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","pingipung"],"price":539000,"price_min":539000,"price_max":539000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44568249073914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Umeko Ando \/\/ Upopo Sanke 2xLP","public_title":null,"options":["Default Title"],"price":539000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833","\/\/tobirarecords.com\/cdn\/shop\/files\/upopo2.jpg?v=1694919833"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833","options":["Title"],"media":[{"alt":null,"id":32463931506938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo1.jpg?v=1694919833","width":700},{"alt":null,"id":32463931539706,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo2.jpg?v=1694919833"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/upopo2.jpg?v=1694919833","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイヌのシンガー／口琴奏者Umeko Andoが、2023年8月にリリースした再発2枚組レコードです。（オリジナルは2003年リリース）\u003c\/p\u003e\n\u003cp\u003e十勝の農場で録音した14曲を収録。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1960794117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChorakkun (チョーラックン) 02:50\u003c\/li\u003e\n\u003cli\u003eEri Rimse (エリ リムセ) 04:10\u003c\/li\u003e\n\u003cli\u003eSaranpe (サランペ ) 04:53\u003c\/li\u003e\n\u003cli\u003eIuta Upopo (イウタ ウポポ) 06:22\u003c\/li\u003e\n\u003cli\u003eSuchochoy (スチョチョイ) 04:52\u003c\/li\u003e\n\u003cli\u003eChup Kamuy Ho (チュプ カムイ ホー) 01:15\u003c\/li\u003e\n\u003cli\u003eSarukiusinay Kotan (サルキウシナイ コタン) 03:20\u003c\/li\u003e\n\u003cli\u003eUtari Opun Parewa (ウタリ オブン パレワ) 03:58\u003c\/li\u003e\n\u003cli\u003eMukkkuri Hawehe (ムックリ ハゥエヘ) 02:58\u003c\/li\u003e\n\u003cli\u003eEmusi Rimse (エムシ リムセ) 03:44\u003c\/li\u003e\n\u003cli\u003eKu Rimse (クー リムセ) 04:57\u003c\/li\u003e\n\u003cli\u003eHerekan Ho (ヘレカン ホー) 03:13\u003c\/li\u003e\n\u003cli\u003eRera Suye (レラ スエ) 00:47\u003c\/li\u003e\n\u003cli\u003eAruo (アルオー) 05:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ePingipung:\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eUpopo Sanke“ means “Let's sing a song\" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-response structure of many of the songs is performed with a mantric, hypnotic quality in a vocal style that is perhaps best described as elastic, relaxed and breathing. The lyrics praise the lush nature of the islands. They mention the deity Kamuy, who can appear in the form of animals such as bears or swordfish, and the singers repeatedly ask the audience to dance. Listening to this music can be a meditative experience. There seems to be a gentle smile in every note and syllable. This music softly hits the heart.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Upopo Sanke“ was recorded on a farm in Tokachi in the summer of 2003. We hear dogs barking, a distant thunderstorm and voices imitating animals. The liner notes that accompany the 2LP release gather the anecdotal memories of Umeko Ando and Oki\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Kano about the stories of the 14 songs.\u003cbr data-mce-fragment=\"1\"\u003eOki Kano is a musical ambassador of the Ainu culture who tours worldwide with his Oki Dub Ainu Band and also gives solo concerts, always playing the Tonkori, the five-stringed Ainu harp.\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu have suffered from the oppression of their culture and language by Japan, especially since the 18th and 19th centuries. Only recently, in 2008, were the Ainu officially recognized again as an indigenous people culturally independent of Japan. As a result of the marginalization, there are now only a few hundred native speakers of the Ainu language left, making it a particularly worthy object of preservation. This music would not exist if the Ainu had not maintained their culture in remote and secret communities against Japanese hegemony. Thanks to Oki Kano, Umeko Ando's interpretation of Ainu music has been recorded in great detail from within the community. \"Upopo Sanke\" is a treasure of the Ainu heritage.\u003cbr data-mce-fragment=\"1\"\u003e\"Upopo Sanke\" was mixed again in part by Oki Kano before being mastered and cut to vinyl by Kassian Troyer. The 2LP plays on 45rpm and it sounds fantastic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album was the second album by Umeko Ando, the follow-up to \"Ihunke\", originally recorded in 2000 and also re-released in 2018 by Pingipung together with Oki Kano. The vinyl editions of \"Ihunke\" and also the 7’' single \"Iuta Upopo\" including an M.RUX remix have long been sold out. They will be made available again in the course of the release of \"Upopo Sanke\".\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Umeko Ando\u003c\/p\u003e\n\u003cp\u003eLabel : Pingipung\u003c\/p\u003e"}
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アイヌのシンガー／口琴奏者Umeko Andoが、2023年8月にリリースした再発2枚組レコードです。（オリジナルは2003年リリース） 十勝の農場で録音した14曲を収録。ライナーノーツとDLコード付属。 --------------------------------------- 2x12" black vinyl. Includes DL code. Tracklist: Chorakkun (チョーラックン) 02:50...
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{"id":8012079300858,"title":"コージュン Kojun \/\/ 水中庭園 (The Water Garden) LP","handle":"コージュン-kojun-水中庭園-the-water-garden-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e沖縄の音楽家コージュンが、2023年8月に大阪のEM Recordsからリリースした再発レコードです。（オリジナルは1993年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"「平和なアジア」の心象風景を託した琉球電子サロンミュージック。この二つとない逸品『水中庭園』(1993)の発表30周年を祝した初LPリリース。 ボーナス曲を加えてお届けします。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e沖縄の音楽家、コージュンこと國場幸順（こくば こうじゅん）は、70年代から数々のバンドと関わって「裏方のコージュン」と呼ばれ、80年代半ばに六人組という幻のバンド（※註）を作ったことで一部に知られる。この『水中庭園』は、琉球王朝交易時代に着想をえた「平和なアジア」をイメージした「BGM」を作ろうと制作着手された作品だが、予期せぬコンサートバンド結成（のちの六人組）のため制作は中断。その後、バンドが消滅してプロジェクトが白紙に返ったものの、彼は機会を待ち1993 年に本作を完成させた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『水中庭園』は、沖縄をルーツとしながら広くアジアの音楽にも影響されており、アジア各地の伝統的音階に由来するフレーズを重ね、改変し、典型的な西洋の和音ハーモニーの動きを排除した点に大きな特徴がある。電子楽器とマルチトラックを使い、彼いわく「線を積み重ねる」ようなメロディー集積の実験は、沖縄からアジア世界へ新しいエネルギーを拡散させることを目指したかのようだ。そのすがすがしさと不思議さ、楽しさと色気のユニークな混合物であるサウンドはアジア由来の音階を束ねた結果に思われる。シンセとドラムマシンを駆使して心地よく特徴的なリズムを刻んでいるが、それはダンスフロアのためではなく、テクノロジーを駆使した「BGM＝軽音楽」としての電子サロンミュージックをイメージしている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e國場のいう「平和なアジア」とは、海上交易で繁栄した近世以前の東アジア～東南アジアの営みを想像したもので、そのネットワークでは物だけでなく音も行き来し、どの音楽（音階）も新しく「ポップな」ものとして迎えられたと彼は思い描く。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e※註：六人組は坂本龍一のレーベルメイトとして、ビル・ラズウェルのプロデュースで世界デビューする予定だったが、不運が重なって解散した。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843743829\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes english + japanese liner notes. Originally released on CD in 1993. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Kaw * [1’55”]\u003cbr\u003eA2. Parade [4’37”]\u003cbr\u003eA3. Lady with Chinese Parasol [4’09”]\u003cbr\u003eA4. Gate of Market [4’14”]\u003cbr\u003eA5. A Trip to the Bamboo Forest * [4’49”]\u003cbr\u003e\u003cbr\u003eB1. The Water Garden [7’50”]\u003cbr\u003eB2. Vessel with Torch [4’24”]\u003cbr\u003eB3. Ravine [4’18”]\u003cbr\u003eB4. Dancing in the Lotus Garden [5’47”]\u003cbr\u003e+ BONUS TRACK\u003c\/p\u003e\n\u003cp\u003eEM Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A buoyant masterpiece from the early 90s, “The Water Garden” was created by Okinawa-born Kojun Kokuba under the inspiring image of a “happy Asia” thriving in the sea-based trading networks of the medieval to pre-modern era, with the concept that various types of music, as well as physical goods, were distributed and dispersed across the seas connecting various parts of east and southeast Asia. Fittingly, the music here has definite and distinctive Ryukyu island roots, but is informed by a number of other Asian musical traditions, layering phrases derived from numerous Asian scales, often altered by Kojun, eschewing typical Western chordal harmonic movement. Kojun uses the synths and multitrack recorders of the early 90s to, in his words, “pile up lines” in sweet and not at all overbearing melodic accumulations, with a desire to distribute and disperse a new energy from Okinawa to the rest of Asia and the world. Despite a pleasing and compelling rhythmic lilt and the use of synths and drum machines, this music was not created as a product for the dance floor; Kojun envisioned a type of electronic salon music, a “light music” made with contemporary technology. This is the first LP edition of the self-produced original 1993 CD release and includes bonus tracks and liner notes in English and\u003cspan class=\"bcTruncateMore\"\u003e Japanese.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : コージュン Kojun\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e","published_at":"2023-08-29T14:53:06+09:00","created_at":"2023-08-29T14:22:02+09:00","vendor":"Tobira Records","type":"","tags":["em records","field recording","lp","new","post newage"],"price":363000,"price_min":363000,"price_max":363000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44524227625210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"コージュン Kojun \/\/ 水中庭園 (The Water Garden) LP","public_title":null,"options":["Default Title"],"price":363000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524","\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_78660c9d-6e91-4229-b7ab-d8c6dafec4eb.jpg?v=1693286524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524","options":["Title"],"media":[{"alt":null,"id":32383496257786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_8f1c6b24-0e4c-44d4-97b1-184c04c02ad8.jpg?v=1693286524","width":700},{"alt":null,"id":32383496290554,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_78660c9d-6e91-4229-b7ab-d8c6dafec4eb.jpg?v=1693286524"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_78660c9d-6e91-4229-b7ab-d8c6dafec4eb.jpg?v=1693286524","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e沖縄の音楽家コージュンが、2023年8月に大阪のEM Recordsからリリースした再発レコードです。（オリジナルは1993年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"「平和なアジア」の心象風景を託した琉球電子サロンミュージック。この二つとない逸品『水中庭園』(1993)の発表30周年を祝した初LPリリース。 ボーナス曲を加えてお届けします。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e沖縄の音楽家、コージュンこと國場幸順（こくば こうじゅん）は、70年代から数々のバンドと関わって「裏方のコージュン」と呼ばれ、80年代半ばに六人組という幻のバンド（※註）を作ったことで一部に知られる。この『水中庭園』は、琉球王朝交易時代に着想をえた「平和なアジア」をイメージした「BGM」を作ろうと制作着手された作品だが、予期せぬコンサートバンド結成（のちの六人組）のため制作は中断。その後、バンドが消滅してプロジェクトが白紙に返ったものの、彼は機会を待ち1993 年に本作を完成させた。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『水中庭園』は、沖縄をルーツとしながら広くアジアの音楽にも影響されており、アジア各地の伝統的音階に由来するフレーズを重ね、改変し、典型的な西洋の和音ハーモニーの動きを排除した点に大きな特徴がある。電子楽器とマルチトラックを使い、彼いわく「線を積み重ねる」ようなメロディー集積の実験は、沖縄からアジア世界へ新しいエネルギーを拡散させることを目指したかのようだ。そのすがすがしさと不思議さ、楽しさと色気のユニークな混合物であるサウンドはアジア由来の音階を束ねた結果に思われる。シンセとドラムマシンを駆使して心地よく特徴的なリズムを刻んでいるが、それはダンスフロアのためではなく、テクノロジーを駆使した「BGM＝軽音楽」としての電子サロンミュージックをイメージしている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e國場のいう「平和なアジア」とは、海上交易で繁栄した近世以前の東アジア～東南アジアの営みを想像したもので、そのネットワークでは物だけでなく音も行き来し、どの音楽（音階）も新しく「ポップな」ものとして迎えられたと彼は思い描く。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e※註：六人組は坂本龍一のレーベルメイトとして、ビル・ラズウェルのプロデュースで世界デビューする予定だったが、不運が重なって解散した。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843743829\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes english + japanese liner notes. Originally released on CD in 1993. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Kaw * [1’55”]\u003cbr\u003eA2. Parade [4’37”]\u003cbr\u003eA3. Lady with Chinese Parasol [4’09”]\u003cbr\u003eA4. Gate of Market [4’14”]\u003cbr\u003eA5. A Trip to the Bamboo Forest * [4’49”]\u003cbr\u003e\u003cbr\u003eB1. The Water Garden [7’50”]\u003cbr\u003eB2. Vessel with Torch [4’24”]\u003cbr\u003eB3. Ravine [4’18”]\u003cbr\u003eB4. Dancing in the Lotus Garden [5’47”]\u003cbr\u003e+ BONUS TRACK\u003c\/p\u003e\n\u003cp\u003eEM Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A buoyant masterpiece from the early 90s, “The Water Garden” was created by Okinawa-born Kojun Kokuba under the inspiring image of a “happy Asia” thriving in the sea-based trading networks of the medieval to pre-modern era, with the concept that various types of music, as well as physical goods, were distributed and dispersed across the seas connecting various parts of east and southeast Asia. Fittingly, the music here has definite and distinctive Ryukyu island roots, but is informed by a number of other Asian musical traditions, layering phrases derived from numerous Asian scales, often altered by Kojun, eschewing typical Western chordal harmonic movement. Kojun uses the synths and multitrack recorders of the early 90s to, in his words, “pile up lines” in sweet and not at all overbearing melodic accumulations, with a desire to distribute and disperse a new energy from Okinawa to the rest of Asia and the world. Despite a pleasing and compelling rhythmic lilt and the use of synths and drum machines, this music was not created as a product for the dance floor; Kojun envisioned a type of electronic salon music, a “light music” made with contemporary technology. This is the first LP edition of the self-produced original 1993 CD release and includes bonus tracks and liner notes in English and\u003cspan class=\"bcTruncateMore\"\u003e Japanese.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : コージュン Kojun\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e"}
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沖縄の音楽家コージュンが、2023年8月に大阪のEM Recordsからリリースした再発レコードです。（オリジナルは1993年リリース） 以下、レーベルによる解説です。 "「平和なアジア」の心象風景を託した琉球電子サロンミュージック。この二つとない逸品『水中庭園』(1993)の発表30周年を祝した初LPリリース。 ボーナス曲を加えてお届けします。沖縄の音楽家、コージュンこと國場幸順（こくば こうじゅん）は、70年代から数々のバンドと関わって「裏方のコージュン」と呼ばれ、80年代半ばに六人組という幻のバンド（※註）を作ったことで一部に知られる。この『水中庭園』は、琉球王朝交易時代に着想をえた「平和なアジア」をイメージした「BGM」を作ろうと制作着手された作品だが、予期せぬコンサートバンド結成（のちの六人組）のため制作は中断。その後、バンドが消滅してプロジェクトが白紙に返ったものの、彼は機会を待ち1993 年に本作を完成させた。『水中庭園』は、沖縄をルーツとしながら広くアジアの音楽にも影響されており、アジア各地の伝統的音階に由来するフレーズを重ね、改変し、典型的な西洋の和音ハーモニーの動きを排除した点に大きな特徴がある。電子楽器とマルチトラックを使い、彼いわく「線を積み重ねる」ようなメロディー集積の実験は、沖縄からアジア世界へ新しいエネルギーを拡散させることを目指したかのようだ。そのすがすがしさと不思議さ、楽しさと色気のユニークな混合物であるサウンドはアジア由来の音階を束ねた結果に思われる。シンセとドラムマシンを駆使して心地よく特徴的なリズムを刻んでいるが、それはダンスフロアのためではなく、テクノロジーを駆使した「BGM＝軽音楽」としての電子サロンミュージックをイメージしている。國場のいう「平和なアジア」とは、海上交易で繁栄した近世以前の東アジア～東南アジアの営みを想像したもので、そのネットワークでは物だけでなく音も行き来し、どの音楽（音階）も新しく「ポップな」ものとして迎えられたと彼は思い描く。※註：六人組は坂本龍一のレーベルメイトとして、ビル・ラズウェルのプロデュースで世界デビューする予定だったが、不運が重なって解散した。" レーベルその他作品はこちら /// Click here to see more EM Records releases...
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{"id":8008433664250,"title":"Niagara \/\/ 1807 - Músicas Retiradas Dos CDRs LP","handle":"niagara-1807-musicas-retiradas-dos-cdrs-lp","description":"\u003cp\u003eポルトガル・ロウレスのコラージュ・ストレンジビーツトリオNiagaraが、2021年に同国密林レーベルDiscrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らが2014-2018年に自主リリースしたCDRからのコンパイルアルバムです。密林系テクノ〜ニューエイジ・アンビエント17曲を収録。\u003c\/p\u003e\n\u003cp\u003eDJツールとしても利便性が高い一枚です。DLリンク付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1161724730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes DL link. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePombal 02:31\u003c\/li\u003e\n\u003cli\u003eEsc8 03:13 \u003c\/li\u003e\n\u003cli\u003eEgyptiu 01:25\u003c\/li\u003e\n\u003cli\u003eMégane 03:05\u003c\/li\u003e\n\u003cli\u003eEsc4 00:54 \u003c\/li\u003e\n\u003cli\u003eLanterna 01:28 \u003c\/li\u003e\n\u003cli\u003eEsc10 02:04 \u003c\/li\u003e\n\u003cli\u003eEspuma 03:25\u003c\/li\u003e\n\u003cli\u003eEsc1 02:15 \u003c\/li\u003e\n\u003cli\u003e7 02:05\u003c\/li\u003e\n\u003cli\u003eCorsa 01:18\u003c\/li\u003e\n\u003cli\u003eDacia 01:46\u003c\/li\u003e\n\u003cli\u003eA8 00:40\u003c\/li\u003e\n\u003cli\u003eMapas 02:29\u003c\/li\u003e\n\u003cli\u003ePEna 01:28\u003c\/li\u003e\n\u003cli\u003eEsc12 01:30\u003c\/li\u003e\n\u003cli\u003ePonta Delgada 02:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12\" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emachines '1807' paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of 'Esc8' through the glowing tones and fragmented melodies of 'Egyptiu' and into the malfunctioning swirl of the stark 'Esc 10' or the polluted 4\/4 thump and funky guitar line of 'Mapas'. Equally disruptive and inviting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Niagara\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-19T14:37:03+09:00","created_at":"2023-08-19T14:36:24+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","field recording","lp","new","post newage","strange beats"],"price":376000,"price_min":376000,"price_max":376000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44490790469882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Niagara \/\/ 1807 - Músicas Retiradas Dos CDRs LP","public_title":null,"options":["Default Title"],"price":376000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387","\/\/tobirarecords.com\/cdn\/shop\/files\/0024949654_10_56636cab-a1f7-469a-8687-530f6d6b8ab9.jpg?v=1692423387"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387","options":["Title"],"media":[{"alt":null,"id":32348555870458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2338866564_16_8e3ee1b4-59ee-4b65-8e3b-2fd60bd863db.jpg?v=1692423387","width":700},{"alt":null,"id":32348555903226,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0024949654_10_56636cab-a1f7-469a-8687-530f6d6b8ab9.jpg?v=1692423387"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0024949654_10_56636cab-a1f7-469a-8687-530f6d6b8ab9.jpg?v=1692423387","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガル・ロウレスのコラージュ・ストレンジビーツトリオNiagaraが、2021年に同国密林レーベルDiscrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らが2014-2018年に自主リリースしたCDRからのコンパイルアルバムです。密林系テクノ〜ニューエイジ・アンビエント17曲を収録。\u003c\/p\u003e\n\u003cp\u003eDJツールとしても利便性が高い一枚です。DLリンク付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1161724730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. Includes DL link. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePombal 02:31\u003c\/li\u003e\n\u003cli\u003eEsc8 03:13 \u003c\/li\u003e\n\u003cli\u003eEgyptiu 01:25\u003c\/li\u003e\n\u003cli\u003eMégane 03:05\u003c\/li\u003e\n\u003cli\u003eEsc4 00:54 \u003c\/li\u003e\n\u003cli\u003eLanterna 01:28 \u003c\/li\u003e\n\u003cli\u003eEsc10 02:04 \u003c\/li\u003e\n\u003cli\u003eEspuma 03:25\u003c\/li\u003e\n\u003cli\u003eEsc1 02:15 \u003c\/li\u003e\n\u003cli\u003e7 02:05\u003c\/li\u003e\n\u003cli\u003eCorsa 01:18\u003c\/li\u003e\n\u003cli\u003eDacia 01:46\u003c\/li\u003e\n\u003cli\u003eA8 00:40\u003c\/li\u003e\n\u003cli\u003eMapas 02:29\u003c\/li\u003e\n\u003cli\u003ePEna 01:28\u003c\/li\u003e\n\u003cli\u003eEsc12 01:30\u003c\/li\u003e\n\u003cli\u003ePonta Delgada 02:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++ \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalogue with '1807'. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out of print self released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12\" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emachines '1807' paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of 'Esc8' through the glowing tones and fragmented melodies of 'Egyptiu' and into the malfunctioning swirl of the stark 'Esc 10' or the polluted 4\/4 thump and funky guitar line of 'Mapas'. Equally disruptive and inviting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Niagara\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscrepant\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガル・ロウレスのコラージュ・ストレンジビーツトリオNiagaraが、2021年に同国密林レーベルDiscrepantからリリースしたレコードです。 彼らが2014-2018年に自主リリースしたCDRからのコンパイルアルバムです。密林系テクノ〜ニューエイジ・アンビエント17曲を収録。 DJツールとしても利便性が高い一枚です。DLリンク付属。 レーベルその他作品はこちら /// Click here to see more Discrepant releases available at Tobira. ------------------------------- Edition...
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{"id":8003356098810,"title":"Various Artists (Death Is Not The End) \/\/ Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. II TAPE","handle":"various-artists-waiting-for-your-return-a-shidaiqu-anthology-1927-1952-pt-ii-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの発掘専門レーベルDeath Is Not The Endが2023年2月にリリースした、忘れ去られた上海産民謡「シダイク」のコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Shidaiqu（シダイク）は文字通り「時代の歌」を意味し、1920年代後半に国際都市上海に浸透し始めたハイブリッドな音楽ジャンルを表す言葉として使われている。西洋のポップス、ジャズ、ブルース、ハリウッド映画にインスパイアされた映画のサウンドトラックを、中国の伝統的な要素と融合させたシダイクは、共産主義以前の戦間期における中国大衆歌謡と映画の黄金時代を形成することになる、音楽と文化の融合を象徴している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Returnは、このスタイルのアンソロジー的概観のために、幅広いレコーディング・コレクションを集めたものである。先駆的な作曲家である李錦輝（1927年、娘の李明輝がヴォーカルをとった「霧雨」は、しばしば最初のシダイク・レコードと呼ばれる）の作品から、より洗練された1930年代、40年代の作品まで、その初期を紹介する、 中国の西洋の影響を受けたポピュラー音楽と映画産業が、七大歌姫（\u003cmeta charset=\"utf-8\"\u003eBai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee、そして最も多作なZhou Xuan）の流行とともに黄金期を迎えた頃である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのコレクションに収録されているのは、1950年代初頭に上海でこの音楽が終焉を迎える直前まで録音されたトラックである。この時期、中国共産党はシダイクを「イエローミュージック」と非難し、ナイトクラブやポップミュージックの制作を非合法化し、西洋式の楽器を破壊した。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3948382603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYan Fei - Little Things 02:56\u003c\/li\u003e\n\u003cli\u003eBai Lizhu - Tuberose 03:05\u003c\/li\u003e\n\u003cli\u003eYao Lee - Send You Off 02:44\u003c\/li\u003e\n\u003cli\u003eChen Yumei - Spring Night Song 02:43\u003c\/li\u003e\n\u003cli\u003eYing Yin - Pillow Picture 02:34\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Spring Flowers like Brocade 03:06\u003c\/li\u003e\n\u003cli\u003eBai Hong - Falling Flowers and Flowing Water 03:12\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Meet by Chance 02:52\u003c\/li\u003e\n\u003cli\u003eZhou Xuan \u0026amp; Yan Hua - The Destination of Love 03:06\u003c\/li\u003e\n\u003cli\u003eLi Li-Hua - I Want to Follow You 03:15\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Prayer under the Moon 02:57\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Spring Breeze Brings Troubles 03:05\u003c\/li\u003e\n\u003cli\u003eChen Juanjuan - Window to the Soul 02:50\u003c\/li\u003e\n\u003cli\u003eMin Yao - Rural Song 02:57\u003c\/li\u003e\n\u003cli\u003eBai Guang - Dongshan Green 02:54\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - I Want to Forget You 02:44\u003c\/li\u003e\n\u003cli\u003eGong Qiuxia \u0026amp; Huang Yuanyin - I Ask You 02:58\u003c\/li\u003e\n\u003cli\u003eLu Ming - In the Mood for Love 02:27\u003c\/li\u003e\n\u003cli\u003eWang Qinglong - Spring Flowers, When Will You Come Again 02:41\u003c\/li\u003e\n\u003cli\u003eLi Xianglan - Second Dream 02:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song \u0026amp; film in the pre-communism interwar period.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Return brings together a wide collection of recordings for an anthological overview of the style. Taking in it's early beginnings in the work of the pioneering composer Li Jinhui - whose 1927 song \"Drizzle\", featuring the vocals of his daughter Li Minghui, is often referred to as the first shidaiqu record - through to more polished 1930s \u0026amp; 40s examples, when China's western-influenced popular music \u0026amp; movie industry reached it's golden age with the prevalence of the Seven Great Singing Stars (Bai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee and perhaps most prolific of all, Zhou Xuan).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluded in the collection are tracks recorded right up until the music's demise in Shanghai in the early 1950s - during which time the Chinese Communist Party denounced shidaiqu as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e \"yellow music\", outlawed nightclubs and pop music production, and destroyed western-style instruments - following which, much of these singers would decamp to Hong Kong where many saw further success throughout the 1950s and into the 1960s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2023-08-09T15:20:13+09:00","created_at":"2023-08-08T23:40:12+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","tape"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44440625479930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ Waiting for Your Return: A Shidaiqu Anthology 1927-1952, Pt. II TAPE","public_title":null,"options":["Default Title"],"price":245000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614","\/\/tobirarecords.com\/cdn\/shop\/files\/wait2.jpg?v=1691505614"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614","options":["Title"],"media":[{"alt":null,"id":32310698475770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait1.jpg?v=1691505614","width":700},{"alt":null,"id":32310698508538,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait2.jpg?v=1691505614"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wait2.jpg?v=1691505614","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの発掘専門レーベルDeath Is Not The Endが2023年2月にリリースした、忘れ去られた上海産民謡「シダイク」のコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Shidaiqu（シダイク）は文字通り「時代の歌」を意味し、1920年代後半に国際都市上海に浸透し始めたハイブリッドな音楽ジャンルを表す言葉として使われている。西洋のポップス、ジャズ、ブルース、ハリウッド映画にインスパイアされた映画のサウンドトラックを、中国の伝統的な要素と融合させたシダイクは、共産主義以前の戦間期における中国大衆歌謡と映画の黄金時代を形成することになる、音楽と文化の融合を象徴している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Returnは、このスタイルのアンソロジー的概観のために、幅広いレコーディング・コレクションを集めたものである。先駆的な作曲家である李錦輝（1927年、娘の李明輝がヴォーカルをとった「霧雨」は、しばしば最初のシダイク・レコードと呼ばれる）の作品から、より洗練された1930年代、40年代の作品まで、その初期を紹介する、 中国の西洋の影響を受けたポピュラー音楽と映画産業が、七大歌姫（\u003cmeta charset=\"utf-8\"\u003eBai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee、そして最も多作なZhou Xuan）の流行とともに黄金期を迎えた頃である。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのコレクションに収録されているのは、1950年代初頭に上海でこの音楽が終焉を迎える直前まで録音されたトラックである。この時期、中国共産党はシダイクを「イエローミュージック」と非難し、ナイトクラブやポップミュージックの制作を非合法化し、西洋式の楽器を破壊した。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3948382603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYan Fei - Little Things 02:56\u003c\/li\u003e\n\u003cli\u003eBai Lizhu - Tuberose 03:05\u003c\/li\u003e\n\u003cli\u003eYao Lee - Send You Off 02:44\u003c\/li\u003e\n\u003cli\u003eChen Yumei - Spring Night Song 02:43\u003c\/li\u003e\n\u003cli\u003eYing Yin - Pillow Picture 02:34\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Spring Flowers like Brocade 03:06\u003c\/li\u003e\n\u003cli\u003eBai Hong - Falling Flowers and Flowing Water 03:12\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Meet by Chance 02:52\u003c\/li\u003e\n\u003cli\u003eZhou Xuan \u0026amp; Yan Hua - The Destination of Love 03:06\u003c\/li\u003e\n\u003cli\u003eLi Li-Hua - I Want to Follow You 03:15\u003c\/li\u003e\n\u003cli\u003eZhou Xuan - Prayer under the Moon 02:57\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - Spring Breeze Brings Troubles 03:05\u003c\/li\u003e\n\u003cli\u003eChen Juanjuan - Window to the Soul 02:50\u003c\/li\u003e\n\u003cli\u003eMin Yao - Rural Song 02:57\u003c\/li\u003e\n\u003cli\u003eBai Guang - Dongshan Green 02:54\u003c\/li\u003e\n\u003cli\u003eWu Yingyin - I Want to Forget You 02:44\u003c\/li\u003e\n\u003cli\u003eGong Qiuxia \u0026amp; Huang Yuanyin - I Ask You 02:58\u003c\/li\u003e\n\u003cli\u003eLu Ming - In the Mood for Love 02:27\u003c\/li\u003e\n\u003cli\u003eWang Qinglong - Spring Flowers, When Will You Come Again 02:41\u003c\/li\u003e\n\u003cli\u003eLi Xianglan - Second Dream 02:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eDeath Is Not The End:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShidaiqu literally means “songs of the era”, a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song \u0026amp; film in the pre-communism interwar period.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaiting for Your Return brings together a wide collection of recordings for an anthological overview of the style. Taking in it's early beginnings in the work of the pioneering composer Li Jinhui - whose 1927 song \"Drizzle\", featuring the vocals of his daughter Li Minghui, is often referred to as the first shidaiqu record - through to more polished 1930s \u0026amp; 40s examples, when China's western-influenced popular music \u0026amp; movie industry reached it's golden age with the prevalence of the Seven Great Singing Stars (Bai Hong, Bai Guang, Gong Qiuxia, Li Xianglan, Wu Yingyin, Yao Lee and perhaps most prolific of all, Zhou Xuan).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIncluded in the collection are tracks recorded right up until the music's demise in Shanghai in the early 1950s - during which time the Chinese Communist Party denounced shidaiqu as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e \"yellow music\", outlawed nightclubs and pop music production, and destroyed western-style instruments - following which, much of these singers would decamp to Hong Kong where many saw further success throughout the 1950s and into the 1960s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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イギリスの発掘専門レーベルDeath Is Not The Endが2023年2月にリリースした、忘れ去られた上海産民謡「シダイク」のコンピレーションカセットです。 以下、レーベルによる解説です。 "Shidaiqu（シダイク）は文字通り「時代の歌」を意味し、1920年代後半に国際都市上海に浸透し始めたハイブリッドな音楽ジャンルを表す言葉として使われている。西洋のポップス、ジャズ、ブルース、ハリウッド映画にインスパイアされた映画のサウンドトラックを、中国の伝統的な要素と融合させたシダイクは、共産主義以前の戦間期における中国大衆歌謡と映画の黄金時代を形成することになる、音楽と文化の融合を象徴している。Waiting for Your Returnは、このスタイルのアンソロジー的概観のために、幅広いレコーディング・コレクションを集めたものである。先駆的な作曲家である李錦輝（1927年、娘の李明輝がヴォーカルをとった「霧雨」は、しばしば最初のシダイク・レコードと呼ばれる）の作品から、より洗練された1930年代、40年代の作品まで、その初期を紹介する、 中国の西洋の影響を受けたポピュラー音楽と映画産業が、七大歌姫（Bai Hong, Bai Guang,...
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{"id":8002360639738,"title":"Various Artists \/\/ Field of Progress 2xTAPE","handle":"various-artists-field-of-progress-2xtape","description":"\u003cp\u003eドイツ・ベルリンの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikが、2022年9月に\u003c\/span\u003eリリースした2本組コンピレーションカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=344706716\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3191550807\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2296992055\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2 x Cassette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMark Harwood - Berlin Field Recording... 04:57\u003c\/li\u003e\n\u003cli\u003eFeronia Wennborg - Window 04:23\u003c\/li\u003e\n\u003cli\u003eNika Son - Hippo 02:54\u003c\/li\u003e\n\u003cli\u003eEls Vanderweyer - Kuhstall 02:30\u003c\/li\u003e\n\u003cli\u003eJS - Størung der heiligen Einsamkeit 02:44\u003c\/li\u003e\n\u003cli\u003eArv \u0026amp; Miljö - Orario Di Chiusura 03:21\u003c\/li\u003e\n\u003cli\u003eML - Fraukes Rechner rechnet ab 02:10\u003c\/li\u003e\n\u003cli\u003eRed Brut - Spring Fog 05:33\u003c\/li\u003e\n\u003cli\u003eMøn - Whale Waves 03:49\u003c\/li\u003e\n\u003cli\u003eMoniek Darge - Nile SoundieDef 02:10\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Goldingesque 00:58\u003c\/li\u003e\n\u003cli\u003eFelix Kubin - Geschirrspüler 04:23\u003c\/li\u003e\n\u003cli\u003eMCBN - Bike 01:03\u003c\/li\u003e\n\u003cli\u003eRobert Schwarz - Lobau bleibt! 02:47\u003c\/li\u003e\n\u003cli\u003eLouise Wilson - Tuatara 03:19\u003c\/li\u003e\n\u003cli\u003eMalvern Brume - Snow Contacts \u0026amp; Marsh Walks 04:54\u003c\/li\u003e\n\u003cli\u003eNein Rodere - Rat Spandau Afternoon 01:51\u003c\/li\u003e\n\u003cli\u003eLaila Sakini - Baby 04:23\u003c\/li\u003e\n\u003cli\u003eGreymouth - Kumomi (edit) 02:15\u003c\/li\u003e\n\u003cli\u003eTerres - Davis is dead, long life the geese 04:25\u003c\/li\u003e\n\u003cli\u003eSusannah Stark - Rùm 02:34\u003c\/li\u003e\n\u003cli\u003eSholto - Solo Organ 01:52\u003c\/li\u003e\n\u003cli\u003eAnna Murray - Chofu station 04:08\u003c\/li\u003e\n\u003cli\u003eLung Dart - Room Tones 05:01\u003c\/li\u003e\n\u003cli\u003eA Method To Exist - Tubes to Oldtown 01:58\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Working Sunday for Chris 03:36\u003c\/li\u003e\n\u003cli\u003eJamie Burke - Ode To Kingsland High St 02:30\u003c\/li\u003e\n\u003cli\u003eLaura Not - Latent Heat of Fusion 02:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik \u003c\/p\u003e","published_at":"2023-08-07T14:42:15+09:00","created_at":"2023-08-06T15:53:58+09:00","vendor":"Tobira Records","type":"","tags":["field recording","kashual plastik","monooto","new","recommended","tape"],"price":349000,"price_min":349000,"price_max":349000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44430821622010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Field of Progress 2xTAPE","public_title":null,"options":["Default Title"],"price":349000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840","\/\/tobirarecords.com\/cdn\/shop\/files\/field2.jpg?v=1691304840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840","options":["Title"],"media":[{"alt":null,"id":32302941143290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field1.jpg?v=1691304840","width":700},{"alt":null,"id":32302941176058,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field2.jpg?v=1691304840"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/field2.jpg?v=1691304840","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKashual Plastikが、2022年9月に\u003c\/span\u003eリリースした2本組コンピレーションカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=344706716\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3191550807\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2296992055\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263573637\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kapl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/kapl\"\u003ehere\u003c\/a\u003e to see more Kashual Plastik releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2 x Cassette.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMark Harwood - Berlin Field Recording... 04:57\u003c\/li\u003e\n\u003cli\u003eFeronia Wennborg - Window 04:23\u003c\/li\u003e\n\u003cli\u003eNika Son - Hippo 02:54\u003c\/li\u003e\n\u003cli\u003eEls Vanderweyer - Kuhstall 02:30\u003c\/li\u003e\n\u003cli\u003eJS - Størung der heiligen Einsamkeit 02:44\u003c\/li\u003e\n\u003cli\u003eArv \u0026amp; Miljö - Orario Di Chiusura 03:21\u003c\/li\u003e\n\u003cli\u003eML - Fraukes Rechner rechnet ab 02:10\u003c\/li\u003e\n\u003cli\u003eRed Brut - Spring Fog 05:33\u003c\/li\u003e\n\u003cli\u003eMøn - Whale Waves 03:49\u003c\/li\u003e\n\u003cli\u003eMoniek Darge - Nile SoundieDef 02:10\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Goldingesque 00:58\u003c\/li\u003e\n\u003cli\u003eFelix Kubin - Geschirrspüler 04:23\u003c\/li\u003e\n\u003cli\u003eMCBN - Bike 01:03\u003c\/li\u003e\n\u003cli\u003eRobert Schwarz - Lobau bleibt! 02:47\u003c\/li\u003e\n\u003cli\u003eLouise Wilson - Tuatara 03:19\u003c\/li\u003e\n\u003cli\u003eMalvern Brume - Snow Contacts \u0026amp; Marsh Walks 04:54\u003c\/li\u003e\n\u003cli\u003eNein Rodere - Rat Spandau Afternoon 01:51\u003c\/li\u003e\n\u003cli\u003eLaila Sakini - Baby 04:23\u003c\/li\u003e\n\u003cli\u003eGreymouth - Kumomi (edit) 02:15\u003c\/li\u003e\n\u003cli\u003eTerres - Davis is dead, long life the geese 04:25\u003c\/li\u003e\n\u003cli\u003eSusannah Stark - Rùm 02:34\u003c\/li\u003e\n\u003cli\u003eSholto - Solo Organ 01:52\u003c\/li\u003e\n\u003cli\u003eAnna Murray - Chofu station 04:08\u003c\/li\u003e\n\u003cli\u003eLung Dart - Room Tones 05:01\u003c\/li\u003e\n\u003cli\u003eA Method To Exist - Tubes to Oldtown 01:58\u003c\/li\u003e\n\u003cli\u003eDan Gilmore - Working Sunday for Chris 03:36\u003c\/li\u003e\n\u003cli\u003eJamie Burke - Ode To Kingsland High St 02:30\u003c\/li\u003e\n\u003cli\u003eLaura Not - Latent Heat of Fusion 02:42\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Kashual Plastik \u003c\/p\u003e"}
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ドイツ・ベルリンの実験レーベルKashual Plastikが、2022年9月にリリースした2本組コンピレーションカセットです。 ほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。 レーベルその他作品はこちら /// Click here to see more Kashual Plastik releases available at Tobira. ---------------------------------...
¥3,490
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{"id":7993209192698,"title":"Kiwiro Boys \/\/ Vijana Wa Kazi LP","handle":"kiwiro-boys-vijana-wa-kazi-lp","description":"\u003cp\u003e1970年代に活動していたケニアのKiwiro Boysが、2023年4月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。（オリジナルは1979年にリリース）\u003c\/p\u003e\n\u003cp\u003e軽快なアフリカン・ポップ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2379693541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe Are Busy Bodies:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eVijana Wa Kazi is a Kenyan benga rarity by one of the country's leading 70's groups that compiles several of their singles into a standalone album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLed by the late John Otonde, the group issued nearly two dozen 7” singles between 1976 and the early 1980s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album has been remastered by Jason NeSmith at Chase Park Transduction. Art restoration has been completed by Steve Lewin.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kiwiro Boys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : We Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-07-09T13:24:57+09:00","created_at":"2023-07-09T10:44:17+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","we are busy bodies"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44326699794682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kiwiro Boys \/\/ Vijana Wa Kazi LP","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059","\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_14b5a404-dd0c-4c2b-a600-f75f5af7112c.jpg?v=1688867059"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059","options":["Title"],"media":[{"alt":null,"id":32203490787578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki1_09ac7bfe-ec04-47a6-bbf7-8d4ea61cb196.jpg?v=1688867059","width":700},{"alt":null,"id":32203490820346,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_14b5a404-dd0c-4c2b-a600-f75f5af7112c.jpg?v=1688867059"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ki2_14b5a404-dd0c-4c2b-a600-f75f5af7112c.jpg?v=1688867059","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1970年代に活動していたケニアのKiwiro Boysが、2023年4月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。（オリジナルは1979年にリリース）\u003c\/p\u003e\n\u003cp\u003e軽快なアフリカン・ポップ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2379693541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe Are Busy Bodies:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eVijana Wa Kazi is a Kenyan benga rarity by one of the country's leading 70's groups that compiles several of their singles into a standalone album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLed by the late John Otonde, the group issued nearly two dozen 7” singles between 1976 and the early 1980s.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album has been remastered by Jason NeSmith at Chase Park Transduction. Art restoration has been completed by Steve Lewin.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kiwiro Boys\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : We Are Busy Bodies\u003c\/span\u003e\u003c\/p\u003e"}
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1970年代に活動していたケニアのKiwiro Boysが、2023年4月にカナダ・トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースした再発レコードです。（オリジナルは1979年にリリース） 軽快なアフリカン・ポップ6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more We Are Busy Bodies...
¥3,650
Quickview
{"id":7987849822458,"title":"Okonkolo \/\/ Cantos LP","handle":"okonkolo-cantos-lp","description":"\u003cp\u003eヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198039142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a world where chaos seems to be in control more often than not, music can occasionally be a temporary respite; and at best, a form of salvation. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the transcendent realm of Okonkolo: Yoruban Santeria music like you have never heard before. Okonkolo transports listeners to another realm; a spiritual dance with gods beyond our grasp, held together by rhythm, passion and musical virtuosity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group is the life’s work of New York-born percussionist and Yoruba Chango priest Abraham “Aby” Rodriguez. His group quietly released Rezos, a gorgeous 10-Inch EP in 2016 on Brooklyn’s Big Crown, and has now returned to give the world even more hypnotic incantations on their debut full length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing nine songs, each of the group’s religious epiphanies on Cantos follow a similar path, with transcendently hypnotic results. As with all Santeria ritual musical accompaniment, drums are at the center of all offerings – namely, the Bata and Coro. In Okonkolo, they are played by Rodriguez, Gene Golden and Xavier Rivera. Building on these rhythms, vocals play an equally important role in the proceedings, sung in Yoruba, contributed by Aby and the powerful female voices of Amma McKen and Jadele\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e McPherson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...On Cantos there are multiple examples of how this musical hybrid can move listeners. Take “Yemaya,” where plucked guitars break down into dissonant sul pont violin textures. As the batá drums build in intensity the arrangement culminates in guitars and descending clarinet arpeggios, Nick Movshon's propulsive bass brings the piece to a climactic finale. Or “Canto Asoyin” where an imagined Santeria \/ Stax session gives way to a gutbucket guitar refrain, before transitioning to a high-life section where ancient and modern Nigerian musical traditions wink slyly at each other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Ochun” is sung first by Abraham and then by Amma McKen, and each version is quietly startling. Amma's begins with ominous piano chords that lead to plucked cellos and violins in counterpoint against a soca guitar riff, preceding a descrescendo into baritone sax and viola tremolos. As Amma explains, “Through the song, there is possession. We are the vehicles through which all of this positive energy flows. It’s a language, and it’s very sacred.” And then there is “Obatala,” which has a sublime breakdown where pizzicato violins, violas and cellos mimic the different drums of the batá ensemble.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany listeners will barely register these mercurial arrangements and their admittedly strange juxtapositions against Orisha music. Only upon closer inspection does one become aware of how these ancient songs are being shifted and reimagined, and how they linger ethereally between worlds, just like the orishas.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e","published_at":"2023-06-24T09:38:32+09:00","created_at":"2023-06-23T19:03:48+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","field recording","jazz","lp"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295007600890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Okonkolo \/\/ Cantos LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","options":["Title"],"media":[{"alt":null,"id":32146842059002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_87da68fd-be0b-4b27-98a9-8caefb190c35.jpg?v=1687514630","width":700},{"alt":null,"id":32146842091770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca3_6a194984-816e-47fe-a28d-01dfd1052f75.jpg?v=1687514630","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198039142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eText excerpt by Big Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a world where chaos seems to be in control more often than not, music can occasionally be a temporary respite; and at best, a form of salvation. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the transcendent realm of Okonkolo: Yoruban Santeria music like you have never heard before. Okonkolo transports listeners to another realm; a spiritual dance with gods beyond our grasp, held together by rhythm, passion and musical virtuosity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe group is the life’s work of New York-born percussionist and Yoruba Chango priest Abraham “Aby” Rodriguez. His group quietly released Rezos, a gorgeous 10-Inch EP in 2016 on Brooklyn’s Big Crown, and has now returned to give the world even more hypnotic incantations on their debut full length.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeaturing nine songs, each of the group’s religious epiphanies on Cantos follow a similar path, with transcendently hypnotic results. As with all Santeria ritual musical accompaniment, drums are at the center of all offerings – namely, the Bata and Coro. In Okonkolo, they are played by Rodriguez, Gene Golden and Xavier Rivera. Building on these rhythms, vocals play an equally important role in the proceedings, sung in Yoruba, contributed by Aby and the powerful female voices of Amma McKen and Jadele\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e McPherson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e--\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...On Cantos there are multiple examples of how this musical hybrid can move listeners. Take “Yemaya,” where plucked guitars break down into dissonant sul pont violin textures. As the batá drums build in intensity the arrangement culminates in guitars and descending clarinet arpeggios, Nick Movshon's propulsive bass brings the piece to a climactic finale. Or “Canto Asoyin” where an imagined Santeria \/ Stax session gives way to a gutbucket guitar refrain, before transitioning to a high-life section where ancient and modern Nigerian musical traditions wink slyly at each other.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Ochun” is sung first by Abraham and then by Amma McKen, and each version is quietly startling. Amma's begins with ominous piano chords that lead to plucked cellos and violins in counterpoint against a soca guitar riff, preceding a descrescendo into baritone sax and viola tremolos. As Amma explains, “Through the song, there is possession. We are the vehicles through which all of this positive energy flows. It’s a language, and it’s very sacred.” And then there is “Obatala,” which has a sublime breakdown where pizzicato violins, violas and cellos mimic the different drums of the batá ensemble.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMany listeners will barely register these mercurial arrangements and their admittedly strange juxtapositions against Orisha music. Only upon closer inspection does one become aware of how these ancient songs are being shifted and reimagined, and how they linger ethereally between worlds, just like the orishas.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Okonkolo\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e"}
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ヨルバ・アフロバンドOkonkoloが、2018年にアメリカ・NYのBig Crownからリリースしたレコードです。 レーベルその他作品はこちら /// Click here to see more Big Crown Records releases available at Tobira. ----------------------...
¥2,890
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{"id":7987847495930,"title":"Roger Bekono \/\/ Roger Bekono LP \/ TAPE","handle":"rober","description":"\u003cp\u003eカメルーン・ヤウンデのビクツィ作家Roger Bekonoが、2023年6月にリリースした再発アルバムです。（オリジナルは1989年リリース）\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメルーン出身のアーティスト、ミュージシャン、作曲家、パフォーマー、ギタリストであるRoger Bekonoは、4つ打ちの激しいビクツィを通して、カメルーン音楽の現代史に深い足跡を残しました。このエウォンド語のダンス・ポップ・スタイルは、3連符のリズムがうねるように絡み合うタペストリーを形成し、90年代に入るとヨーロッパの「ワールド・ミュージック」シーンで国際的に脚光を浴びるようになりました。コンゴのルンバ、メレンゲ、マコッサといった既成の音楽と肩を並べる国際的な音楽へと発展したのです。Bekonoは、そのユニークな、そしてスウェーヴな声で、10年以上にわたって、この伝統的なリズムから都市型ダンス・ムーヴメントへと変化したムーヴメントの進化に大きく貢献しました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1282623719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or cassette. LP includes extensive liner notes. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJolie Poupée 07:25\u003c\/li\u003e\n\u003cli\u003eEtom Mot 07:29\u003c\/li\u003e\n\u003cli\u003eEnying Moni 07:29\u003c\/li\u003e\n\u003cli\u003eYe Wo Kombel 07:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Awesome Tapes From Africa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCameroonian artist, musician, author, composer, performer and guitarist Roger Bekono made a deep mark in the contemporary history of Cameroonian music through the four-on-the-floor, ribald intensity of bikutsi. The Ewondo-language dance-pop style that forms an undulating tapestry of interlocking triplet rhythmic interplay came to international prominence in the European “world music” scene as the 90s began. But the relentless sound of bikutsi developed in Yaoundé at the hands of Bekono and many others, as it developed from a village-based singing style performed mostly by women into a cosmopolitan music force that rivaled the popularity of established musics like Congolese rhumba, merengue and makossa. With his unique—some say suave—voice, Bekono contributed much over a period of more than 10 years as part of the evolution of this traditional rhythm-turned-urban dance movement...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roger Bekono\u003c\/p\u003e\n\u003cp\u003eLabel : Awesome Tapes From Africa\u003c\/p\u003e","published_at":"2023-06-23T19:30:38+09:00","created_at":"2023-06-23T18:58:13+09:00","vendor":"Tobira Records","type":"","tags":["awesome tapes from africa","field recording","lp","tape"],"price":169000,"price_min":169000,"price_max":298000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295001112826,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39534360035578,"product_id":7987847495930,"position":2,"created_at":"2023-06-23T18:58:13+09:00","updated_at":"2023-06-23T18:58:15+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295","variant_ids":[44295001112826]},"available":true,"name":"Roger Bekono \/\/ Roger Bekono LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32146823053562,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44295001145594,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39534360002810,"product_id":7987847495930,"position":3,"created_at":"2023-06-23T18:58:13+09:00","updated_at":"2023-06-23T18:58:15+09:00","alt":null,"width":1200,"height":895,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295","variant_ids":[44295001145594]},"available":true,"name":"Roger Bekono \/\/ Roger Bekono LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32146823119098,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295","\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295","options":["Format"],"media":[{"alt":null,"id":32146823020794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_41508500-5b8d-4ada-aecb-e14fa63dd6aa.jpg?v=1687514295","width":700},{"alt":null,"id":32146823053562,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1a48737d-748b-41d2-8b56-1c28591d7d53.jpg?v=1687514295","width":1200},{"alt":null,"id":32146823119098,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_fff0b13c-9196-496b-a481-4de5173d2aa0.jpg?v=1687514295","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカメルーン・ヤウンデのビクツィ作家Roger Bekonoが、2023年6月にリリースした再発アルバムです。（オリジナルは1989年リリース）\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメルーン出身のアーティスト、ミュージシャン、作曲家、パフォーマー、ギタリストであるRoger Bekonoは、4つ打ちの激しいビクツィを通して、カメルーン音楽の現代史に深い足跡を残しました。このエウォンド語のダンス・ポップ・スタイルは、3連符のリズムがうねるように絡み合うタペストリーを形成し、90年代に入るとヨーロッパの「ワールド・ミュージック」シーンで国際的に脚光を浴びるようになりました。コンゴのルンバ、メレンゲ、マコッサといった既成の音楽と肩を並べる国際的な音楽へと発展したのです。Bekonoは、そのユニークな、そしてスウェーヴな声で、10年以上にわたって、この伝統的なリズムから都市型ダンス・ムーヴメントへと変化したムーヴメントの進化に大きく貢献しました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1282623719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/atfa\"\u003ehere\u003c\/a\u003e to see more Awesome Tapes From Africa releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or cassette. LP includes extensive liner notes. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJolie Poupée 07:25\u003c\/li\u003e\n\u003cli\u003eEtom Mot 07:29\u003c\/li\u003e\n\u003cli\u003eEnying Moni 07:29\u003c\/li\u003e\n\u003cli\u003eYe Wo Kombel 07:51\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt by Awesome Tapes From Africa:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCameroonian artist, musician, author, composer, performer and guitarist Roger Bekono made a deep mark in the contemporary history of Cameroonian music through the four-on-the-floor, ribald intensity of bikutsi. The Ewondo-language dance-pop style that forms an undulating tapestry of interlocking triplet rhythmic interplay came to international prominence in the European “world music” scene as the 90s began. But the relentless sound of bikutsi developed in Yaoundé at the hands of Bekono and many others, as it developed from a village-based singing style performed mostly by women into a cosmopolitan music force that rivaled the popularity of established musics like Congolese rhumba, merengue and makossa. With his unique—some say suave—voice, Bekono contributed much over a period of more than 10 years as part of the evolution of this traditional rhythm-turned-urban dance movement...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roger Bekono\u003c\/p\u003e\n\u003cp\u003eLabel : Awesome Tapes From Africa\u003c\/p\u003e"}
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カメルーン・ヤウンデのビクツィ作家Roger Bekonoが、2023年6月にリリースした再発アルバムです。（オリジナルは1989年リリース） 以下、レーベルによる解説です。 "カメルーン出身のアーティスト、ミュージシャン、作曲家、パフォーマー、ギタリストであるRoger Bekonoは、4つ打ちの激しいビクツィを通して、カメルーン音楽の現代史に深い足跡を残しました。このエウォンド語のダンス・ポップ・スタイルは、3連符のリズムがうねるように絡み合うタペストリーを形成し、90年代に入るとヨーロッパの「ワールド・ミュージック」シーンで国際的に脚光を浴びるようになりました。コンゴのルンバ、メレンゲ、マコッサといった既成の音楽と肩を並べる国際的な音楽へと発展したのです。Bekonoは、そのユニークな、そしてスウェーヴな声で、10年以上にわたって、この伝統的なリズムから都市型ダンス・ムーヴメントへと変化したムーヴメントの進化に大きく貢献しました。" レーベルその他作品はこちら /// Click here to see more Awesome Tapes From Africa releases...
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{"id":7984169648378,"title":"Jana Winderen \/ Hubert Michel \/\/ TAPE SERIES 005 TAPE","handle":"jana-winderen-hubert-michel-tape-series-005-tape","description":"\u003cp\u003eノルウェーのJana WinderenとフランスのHubert Michelフィールドレコーディング作家2名が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年5月にフランスの\u003c\/span\u003eフィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA面は彼女のスタジオ近く、B面はフランス・マルティニーク島での\u003c\/span\u003eフィールドレコーディングです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、Jana WinderenによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スタジオの窓の外、古いカエデの木の下で録音しました。一晩でカエデの種が全部地面に落ちて、雪の中に埋もれてしまいました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Hubert Michel\u003c\/span\u003eによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マルティニークで休暇を過ごしたとき、私は日暮れ時の音の移り変わりに衝撃を受けました。クロツグミが次第に鳴き止み、マルティニークのヒロデスガエルが反復的かつ精巧な作曲をします。\u003cbr data-mce-fragment=\"1\"\u003e夜明けには、この録音を象徴するような、さまざまな音の出来事が起こります。窓は内と外を隔てるものであり、私たちはバカンス客の活動も聞くことができます。ミュリエル・パレンヌ（当時は録音に気づいていなかった）による蚊取りは、その良い例です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2203567294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Edition of 53.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement \/ track information via Presque Tout:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e► JANA WINDEREN\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreeze from the South\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e01\/29\/2023, 11:45 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded outside my studio window under the old maple tree. Overnight all the maple seeds fell to the ground and got buried in the snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophone : Sound Field 350\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sonosax R4+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(Jana Winderen is published by Touch Music \/ Fairwood Music (UK) Ltd)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► HUBERT MICHEL\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrande Anse, Les Anses-d'Arlet, Martinique (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e08\/08\/2022, at dusk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[14°29'54.9\"N 61°04'51.4\"W]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpending holidays in Martinique, I was struck by the sonic transition taking place at nightfall. Blackbird Grackles gradually stop singing while the martinican Hylodes frogs set up their repetitive and elaborate compositions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMany sound events emerge at dawn, ponctuating this\u003cspan class=\"bcTruncateMore\"\u003e recording. A window being a separation between an inside and an outside, we can also hear our vacationer activities, the mosquito hunt by Murielle Palenne - unaware of the recording at the time - is a good example of these.\u003cbr\u003e\u003cbr\u003eRecorder : Tascam DR-70D\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jana Winderen \/ Hubert Michel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Presque Tout\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-13T14:01:27+09:00","created_at":"2023-06-13T13:21:25+09:00","vendor":"Tobira Records","type":"","tags":["field recording","new","presque tout","tape"],"price":255400,"price_min":255400,"price_max":255400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44277873180922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jana Winderen \/ Hubert Michel \/\/ TAPE SERIES 005 TAPE","public_title":null,"options":["Default Title"],"price":255400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087","\/\/tobirarecords.com\/cdn\/shop\/files\/tape2_6cf4010f-8309-456a-9a80-c9df9e213ee7.jpg?v=1686630087"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087","options":["Title"],"media":[{"alt":null,"id":32108777308410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape1_9458831e-368f-4e01-ad5d-a18d2e2f63db.jpg?v=1686630087","width":700},{"alt":null,"id":32108777341178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape2_6cf4010f-8309-456a-9a80-c9df9e213ee7.jpg?v=1686630087"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tape2_6cf4010f-8309-456a-9a80-c9df9e213ee7.jpg?v=1686630087","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのJana WinderenとフランスのHubert Michelフィールドレコーディング作家2名が、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023年5月にフランスの\u003c\/span\u003eフィールドレコーディング専門レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresque Toutから53本限定でリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA面は彼女のスタジオ近く、B面はフランス・マルティニーク島での\u003c\/span\u003eフィールドレコーディングです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、Jana WinderenによるA面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スタジオの窓の外、古いカエデの木の下で録音しました。一晩でカエデの種が全部地面に落ちて、雪の中に埋もれてしまいました。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Hubert Michel\u003c\/span\u003eによるB面の解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マルティニークで休暇を過ごしたとき、私は日暮れ時の音の移り変わりに衝撃を受けました。クロツグミが次第に鳴き止み、マルティニークのヒロデスガエルが反復的かつ精巧な作曲をします。\u003cbr data-mce-fragment=\"1\"\u003e夜明けには、この録音を象徴するような、さまざまな音の出来事が起こります。窓は内と外を隔てるものであり、私たちはバカンス客の活動も聞くことができます。ミュリエル・パレンヌ（当時は録音に気づいていなかった）による蚊取りは、その良い例です。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2203567294\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prto\"\u003ehere\u003c\/a\u003e to see more Presque Tout releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Edition of 53.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement \/ track information via Presque Tout:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e► JANA WINDEREN\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreeze from the South\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e01\/29\/2023, 11:45 p.m.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded outside my studio window under the old maple tree. Overnight all the maple seeds fell to the ground and got buried in the snow.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMicrophone : Sound Field 350\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRecorder : Sonosax R4+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(Jana Winderen is published by Touch Music \/ Fairwood Music (UK) Ltd)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e++\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e► HUBERT MICHEL\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrande Anse, Les Anses-d'Arlet, Martinique (FR)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e08\/08\/2022, at dusk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e[14°29'54.9\"N 61°04'51.4\"W]\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpending holidays in Martinique, I was struck by the sonic transition taking place at nightfall. Blackbird Grackles gradually stop singing while the martinican Hylodes frogs set up their repetitive and elaborate compositions.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMany sound events emerge at dawn, ponctuating this\u003cspan class=\"bcTruncateMore\"\u003e recording. A window being a separation between an inside and an outside, we can also hear our vacationer activities, the mosquito hunt by Murielle Palenne - unaware of the recording at the time - is a good example of these.\u003cbr\u003e\u003cbr\u003eRecorder : Tascam DR-70D\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jana Winderen \/ Hubert Michel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Presque Tout\u003c\/span\u003e\u003c\/p\u003e"}
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ノルウェーのJana WinderenとフランスのHubert Michelフィールドレコーディング作家2名が、2023年5月にフランスのフィールドレコーディング専門レーベルPresque Toutから53本限定でリリースしたスプリットカセットです。 A面は彼女のスタジオ近く、B面はフランス・マルティニーク島でのフィールドレコーディングです。廃盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、Jana WinderenによるA面の解説です。 "スタジオの窓の外、古いカエデの木の下で録音しました。一晩でカエデの種が全部地面に落ちて、雪の中に埋もれてしまいました。" Hubert MichelによるB面の解説です。 "マルティニークで休暇を過ごしたとき、私は日暮れ時の音の移り変わりに衝撃を受けました。クロツグミが次第に鳴き止み、マルティニークのヒロデスガエルが反復的かつ精巧な作曲をします。夜明けには、この録音を象徴するような、さまざまな音の出来事が起こります。窓は内と外を隔てるものであり、私たちはバカンス客の活動も聞くことができます。ミュリエル・パレンヌ（当時は録音に気づいていなかった）による蚊取りは、その良い例です。" レーベルその他作品はこちら /// Click here to...
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{"id":7980203901178,"title":"Namian Sidibé \/\/ Namian Sidibé LP","handle":"namian-sidibe-namian-sidibe-lp","description":"\u003cp\u003e西アフリカ・マリ共和国のシンガーソングライターNamian Sidibéが、2023年5月に西アフリカ専門レーベルSahel Soundsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声というシンプルな構成で紡がれるアフリカン・プリミティブ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3838483663\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. From a rising generation of young Malian divas leveraging social media, Namian has built a following, publishing videos and dedications in song, accompanied by her cousin Jules Diabaté on acoustic guitar. Recorded at her home, with powerful yet restrained vocals that drift over melancholy acoustic guitar, Namian explores epic generational songs and poetry, brought into the Tik Tok age.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Namian Sidibé\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e","published_at":"2023-05-30T19:54:37+09:00","created_at":"2023-05-30T13:46:55+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp","sahel sounds"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259672391930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Namian Sidibé \/\/ Namian Sidibé LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","\/\/tobirarecords.com\/cdn\/shop\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","options":["Title"],"media":[{"alt":null,"id":32036800987386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1_29d2b6db-f966-4b2d-b6df-1336bba82953.jpg?v=1685422017","width":700},{"alt":null,"id":32036801020154,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam2_3c6a7a08-93f7-4201-9275-f00cb59bacda.jpg?v=1685422017","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e西アフリカ・マリ共和国のシンガーソングライターNamian Sidibéが、2023年5月に西アフリカ専門レーベルSahel Soundsからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eアコースティックギターと声というシンプルな構成で紡がれるアフリカン・プリミティブ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3838483663\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother side of modern Malian praise songs: an intimate, stripped down, acoustic session from Namian Sidibé. 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{"id":7978355622138,"title":"murmer \/\/ tether LP","handle":"murmer-tether-lp","description":"\u003cp\u003eアメリカ／エストニアの実験音楽家／フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化（夏でした）、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eタワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも（今は亡き父と）、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4142793949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003emurmer is the long-standing project of american\/estonian field recordist and composer patrick mcginley, and with tether, the helen scarsdale agency welcomes murmer back to our roster, over a decade since he graced us with his last production for the agency. his field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that which is alien, sublime, and profound. here lies the tremendous prowess of the contact microphone, as wielded by an accomplished musician! the source material cited by mcginley includes cables, fences, wires, and vents.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethere is a heft to many of these sounds as heard throughout all of \"taevast\" with deep throbbing pulsations from arctic wind generating subharmonic patterns upon thick high-tension wires. elsewhere the subtle dissonance from a rasping cooling fan blooms into a brooding ambience that is sublimely rich in its metallic timbres and complex reverberations. mcginley has long been an exemplary artist in the field of phonography even as he is less prolific than others. on tether, he has produced a majestic if occasionally foreboding work on par with the mythic wire recordings of alan lamb, jacob kirkegaard's haunted resonance from chernobyl, and much of the touch catalogue for that matter!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePatrick McGinley :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 2006, I made a collection of recordings at a mobile phone mast in Mooste, southeast Estonia. It is a guyed tower, 80 meters tall, affixed to 3 support points with heavy cables. I attached my self-made contact microphones to these cables with poster tack, and spent many hours over several weeks recording the various wind and weather variances (it was summer), and the birds that passed or settled on the tower or cables.\u003cbr\u003eThis was one of my first visits to Estonia, where I now live, and one of the things that marked me about that experience was the access: the tower had no fences or protections around it (I have not been back there recently to answer my own question of whether or not this is still the case); it stands in the middle of a field of tall grass along a dirt road in the countryside, just out of view of the few nearby houses, and during all the hours I spent there I was never disturbed or shooed away.\u003cbr\u003e\u003cbr\u003eFor more than 16 years, I have been thinking about this location and these recordings, and have made several attempts to work with them. I have used the sounds in installations a handful of times, and uploaded one short edit to the Aporee Soundmaps, but have never managed to use them in any composed work. They always seemed too big for any structure I could provide them, whether I left them on their own, or partnered them with other sounds. Finally, in 2019, after putting them down and picking them up again repeatedly over so many years, they seemed to allow me in, although it took me another few years before they were happy with what I could offer. They stand now not quite alone - the majority of the layered sounds in the piece come from various edits of those cable recordings, but I added two other contrasting sounds, related to one another: one is snowflakes landing delicately on a plastic cakebox with microphones inside it, and the other is a frosted field of grass thawing on a lightly warming autumn morning (both these recordings can also be heard on their own on Aporee).\u003cbr\u003e\u003cbr\u003eComing back to those cables brought to mind so many other wind-driven sounds that I had spent time with and recorded, but never returned to, that I began digging through my archives looking for them. I ended up with a pool of sounds from resonant wires, cables, fences, poles, fans, and vents, which became the basis for the 2nd work on this release. One of these sounds is among the first sounds I ever recorded, possibly within a month or so of buying my first microphone and minidisc recorder: the rhythmic fan of a beer cooler in a pub where I worked in North London in 1999. Other sounds in the piece include another phone tower, recorded on the northern coast of France in 2008, a telephone pole recorded in the Beaujolais region in 2010, the drone of ventilator fans at a factory in Tezno, Slovenia in 2012, an electric sheep fence in the Scottish Borders in 2013, a hanging wire in a storage space in Rovaniemi, Finland in 2016, and, with no relation to cables or wind at all, calcium deposits being cleaned from the inside of an electric kettle here in Estonia in 2019.\u003cbr\u003e\u003cbr\u003eI offer these two new pieces as my first solo publication since 2018, the first release on a physical medium since 2016. No one has ever accused me of working too fast, or being too prolific. I have a need, it seems, to leave a physical space of time around my work, before I can consider it 'finished'. Perhaps it is a simple need to forget how I did something, or *that* I did something; perhaps I have a need to be able to hear a work as a first-time listener would, before I can consider it ready for such an encounter. In some part of my mind I have to forget it before I can let it go. Well, I've just about forgotten that London beer cooler now, and that walk in the Beaujolais (with my father, who has since passed away), and that sheep fence next to our campsite in the Borders, and that kettle that is now leaky. So I guess it's time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : murmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-24T15:48:50+09:00","created_at":"2023-05-24T15:24:57+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","Helen Scarsdale Agency","lp","monooto"],"price":367600,"price_min":367600,"price_max":367600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44250545684730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"murmer \/\/ tether LP","public_title":null,"options":["Default Title"],"price":367600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","options":["Title"],"media":[{"alt":null,"id":32011517952250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","width":700},{"alt":null,"id":32011518017786,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ／エストニアの実験音楽家／フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化（夏でした）、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eタワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも（今は亡き父と）、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4142793949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003emurmer is the long-standing project of american\/estonian field recordist and composer patrick mcginley, and with tether, the helen scarsdale agency welcomes murmer back to our roster, over a decade since he graced us with his last production for the agency. his field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that which is alien, sublime, and profound. here lies the tremendous prowess of the contact microphone, as wielded by an accomplished musician! the source material cited by mcginley includes cables, fences, wires, and vents.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethere is a heft to many of these sounds as heard throughout all of \"taevast\" with deep throbbing pulsations from arctic wind generating subharmonic patterns upon thick high-tension wires. elsewhere the subtle dissonance from a rasping cooling fan blooms into a brooding ambience that is sublimely rich in its metallic timbres and complex reverberations. mcginley has long been an exemplary artist in the field of phonography even as he is less prolific than others. on tether, he has produced a majestic if occasionally foreboding work on par with the mythic wire recordings of alan lamb, jacob kirkegaard's haunted resonance from chernobyl, and much of the touch catalogue for that matter!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePatrick McGinley :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 2006, I made a collection of recordings at a mobile phone mast in Mooste, southeast Estonia. It is a guyed tower, 80 meters tall, affixed to 3 support points with heavy cables. I attached my self-made contact microphones to these cables with poster tack, and spent many hours over several weeks recording the various wind and weather variances (it was summer), and the birds that passed or settled on the tower or cables.\u003cbr\u003eThis was one of my first visits to Estonia, where I now live, and one of the things that marked me about that experience was the access: the tower had no fences or protections around it (I have not been back there recently to answer my own question of whether or not this is still the case); it stands in the middle of a field of tall grass along a dirt road in the countryside, just out of view of the few nearby houses, and during all the hours I spent there I was never disturbed or shooed away.\u003cbr\u003e\u003cbr\u003eFor more than 16 years, I have been thinking about this location and these recordings, and have made several attempts to work with them. I have used the sounds in installations a handful of times, and uploaded one short edit to the Aporee Soundmaps, but have never managed to use them in any composed work. They always seemed too big for any structure I could provide them, whether I left them on their own, or partnered them with other sounds. Finally, in 2019, after putting them down and picking them up again repeatedly over so many years, they seemed to allow me in, although it took me another few years before they were happy with what I could offer. They stand now not quite alone - the majority of the layered sounds in the piece come from various edits of those cable recordings, but I added two other contrasting sounds, related to one another: one is snowflakes landing delicately on a plastic cakebox with microphones inside it, and the other is a frosted field of grass thawing on a lightly warming autumn morning (both these recordings can also be heard on their own on Aporee).\u003cbr\u003e\u003cbr\u003eComing back to those cables brought to mind so many other wind-driven sounds that I had spent time with and recorded, but never returned to, that I began digging through my archives looking for them. I ended up with a pool of sounds from resonant wires, cables, fences, poles, fans, and vents, which became the basis for the 2nd work on this release. One of these sounds is among the first sounds I ever recorded, possibly within a month or so of buying my first microphone and minidisc recorder: the rhythmic fan of a beer cooler in a pub where I worked in North London in 1999. Other sounds in the piece include another phone tower, recorded on the northern coast of France in 2008, a telephone pole recorded in the Beaujolais region in 2010, the drone of ventilator fans at a factory in Tezno, Slovenia in 2012, an electric sheep fence in the Scottish Borders in 2013, a hanging wire in a storage space in Rovaniemi, Finland in 2016, and, with no relation to cables or wind at all, calcium deposits being cleaned from the inside of an electric kettle here in Estonia in 2019.\u003cbr\u003e\u003cbr\u003eI offer these two new pieces as my first solo publication since 2018, the first release on a physical medium since 2016. No one has ever accused me of working too fast, or being too prolific. I have a need, it seems, to leave a physical space of time around my work, before I can consider it 'finished'. Perhaps it is a simple need to forget how I did something, or *that* I did something; perhaps I have a need to be able to hear a work as a first-time listener would, before I can consider it ready for such an encounter. In some part of my mind I have to forget it before I can let it go. Well, I've just about forgotten that London beer cooler now, and that walk in the Beaujolais (with my father, who has since passed away), and that sheep fence next to our campsite in the Borders, and that kettle that is now leaky. So I guess it's time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : murmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ／エストニアの実験音楽家／フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験／ノイズレーベルHelen Scarsdale Agencyから200部限定でリリースしたレコードです。 フィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 以下、作家本人による解説です。 "2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化（夏でした）、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。タワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。このケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも（今は亡き父と）、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。" レーベルその他作品はこちら /// Click here to see more Helen Scarsdale...
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{"id":7977869574394,"title":"Adriano Cava \/\/ Inutile Discendere TAPE","handle":"adriano-cava-inutile-discendere-tape","description":"\u003cp\u003eイタリア・トリノの音響作家Adriano Cavaが、2023年5月に同国実験レーベルSecond Sleepからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/adriano-cava-transient-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1519672783\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded between Po river, Trasimeno lake and Monte Catarelto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adriano Cava\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Second Sleep\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-22T20:55:17+09:00","created_at":"2023-05-22T20:08:48+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","monooto","new","recommended","second sleep","tape"],"price":194700,"price_min":194700,"price_max":194700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247709057274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adriano Cava \/\/ Inutile Discendere TAPE","public_title":null,"options":["Default Title"],"price":194700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730","\/\/tobirarecords.com\/cdn\/shop\/files\/di2_3ed1dcc4-f5d9-43ee-9950-7d28b92ec18a.jpg?v=1684753730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730","options":["Title"],"media":[{"alt":null,"id":32003212083450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_0dc81e5d-4ee4-4662-8205-0ea7878e6cec.jpg?v=1684753730","width":700},{"alt":null,"id":32003212148986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di2_3ed1dcc4-f5d9-43ee-9950-7d28b92ec18a.jpg?v=1684753730"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di2_3ed1dcc4-f5d9-43ee-9950-7d28b92ec18a.jpg?v=1684753730","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・トリノの音響作家Adriano Cavaが、2023年5月に同国実験レーベルSecond Sleepからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングによる物音ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/adriano-cava-transient-tape\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1519672783\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded between Po river, Trasimeno lake and Monte Catarelto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adriano Cava\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Second Sleep\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア・トリノの音響作家Adriano Cavaが、2023年5月に同国実験レーベルSecond Sleepからリリースしたカセットです。 フィールドレコーディングによる物音ドローン6曲を収録。 前作もおすすめです。 レーベルその他作品はこちら /// Click here to see more Second Sleep releases available at...
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{"id":7966981128442,"title":"Babsy Konate \/\/ Tounga TAPE","handle":"babsy-konate-tounga-tape","description":"\u003cp\u003eサハラ砂漠の端にあるマリ共和国・ガオのポップ／ガオラップ作家Babsy Konateが、2023年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSahel Soundsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e陽気な\u003cmeta charset=\"utf-8\"\u003eガオラップ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1835238733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComing from the city of Gao, on the edge of the Saharan desert, Malian producer Baba ‘’Babsy’’ Konate is one of the key figures in the development of \"Gao Rap\", a regional genre of modern autotuned Songhoi music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter presenting some of his work on our Gao Rap compilation from 2018, Tounga is the first release of the artist’s solo work, gathering a decade of tracks that merge sweet autotuned vocals, crunchy drum loops and plucked digital harpsichord, in a playful testament to 2000s PC music, with the sample packs of a modest FruityLoops project. The result is familiar yet otherworldly, drawing from an abundance of distinct cultural expression: folkloric takamba from the Songhai, Hausa film soundtracks from Northern Nigeria, Hip Hop from Bamako and Ragga from Niamey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter relocating to Bamako and learning the art of production from his brother (the acclaimed guitarist Oumar Konate), Babsy traveled to Gao with a mobile studio, setting up shop in the center of town, soon inundated with rappers wanting to record. These ephemeral studios laid the foundation for the emergent new genre, shaped by Babsy's signature sound of fluttering melody lines and lush vocals. His productions soon became synonymous with the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e regional style of modern Gao music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGlobal audiences might place Babsy's compositions alongside trap or soundcloud experiments, with collaged pastiche, hyper kitsch, and lo-fi aesthetics. This mix of disparate influences is best heard on tracks like the upbeat ‘’Erness Fassa’’, a dedication to a close friend, that sports a vaguely Caribbean flavor with elastic, highly addictive spacey beats, or the hypnotic programming and quivering synth pads of \"Tounga\", where Babsy asks Malians in exile to remember home and to their families they left behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the sound may converge with familiar genres, Babsy's tracks are soulfully earnest, with love ballads, praise songs and advice. Tounga perfectly illustrates his ability to take whatever's around and experiment in free-form innovations, forging a style that’s both his own and a new direction for Songhai music.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Babsy Konate\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e","published_at":"2023-05-02T10:46:23+09:00","created_at":"2023-05-01T12:47:48+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hiphop \/ funk","sahel sounds","tape"],"price":169000,"price_min":169000,"price_max":169000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44203520000250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Babsy Konate \/\/ Tounga TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/toung.jpg?v=1682912869","\/\/tobirarecords.com\/cdn\/shop\/files\/toung2.jpg?v=1682912869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/toung.jpg?v=1682912869","options":["Title"],"media":[{"alt":null,"id":31903496110330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/toung.jpg?v=1682912869"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/toung.jpg?v=1682912869","width":700},{"alt":null,"id":31903496143098,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/toung2.jpg?v=1682912869"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/toung2.jpg?v=1682912869","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eサハラ砂漠の端にあるマリ共和国・ガオのポップ／ガオラップ作家Babsy Konateが、2023年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSahel Soundsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e陽気な\u003cmeta charset=\"utf-8\"\u003eガオラップ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1835238733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahso\"\u003ehere\u003c\/a\u003e to see more Sahel Sounds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eSahel Sounds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eComing from the city of Gao, on the edge of the Saharan desert, Malian producer Baba ‘’Babsy’’ Konate is one of the key figures in the development of \"Gao Rap\", a regional genre of modern autotuned Songhoi music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter presenting some of his work on our Gao Rap compilation from 2018, Tounga is the first release of the artist’s solo work, gathering a decade of tracks that merge sweet autotuned vocals, crunchy drum loops and plucked digital harpsichord, in a playful testament to 2000s PC music, with the sample packs of a modest FruityLoops project. The result is familiar yet otherworldly, drawing from an abundance of distinct cultural expression: folkloric takamba from the Songhai, Hausa film soundtracks from Northern Nigeria, Hip Hop from Bamako and Ragga from Niamey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter relocating to Bamako and learning the art of production from his brother (the acclaimed guitarist Oumar Konate), Babsy traveled to Gao with a mobile studio, setting up shop in the center of town, soon inundated with rappers wanting to record. These ephemeral studios laid the foundation for the emergent new genre, shaped by Babsy's signature sound of fluttering melody lines and lush vocals. His productions soon became synonymous with the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e regional style of modern Gao music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGlobal audiences might place Babsy's compositions alongside trap or soundcloud experiments, with collaged pastiche, hyper kitsch, and lo-fi aesthetics. This mix of disparate influences is best heard on tracks like the upbeat ‘’Erness Fassa’’, a dedication to a close friend, that sports a vaguely Caribbean flavor with elastic, highly addictive spacey beats, or the hypnotic programming and quivering synth pads of \"Tounga\", where Babsy asks Malians in exile to remember home and to their families they left behind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the sound may converge with familiar genres, Babsy's tracks are soulfully earnest, with love ballads, praise songs and advice. Tounga perfectly illustrates his ability to take whatever's around and experiment in free-form innovations, forging a style that’s both his own and a new direction for Songhai music.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Babsy Konate\u003c\/p\u003e\n\u003cp\u003eLabel : Sahel Sounds\u003c\/p\u003e"}
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サハラ砂漠の端にあるマリ共和国・ガオのポップ／ガオラップ作家Babsy Konateが、2023年4月にSahel Soundsからリリースしたカセットです。 陽気なガオラップ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Sahel Sounds releases available at Tobira. ...
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{"id":7954623693050,"title":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","handle":"philip-samartzis-atmospheres-and-disturbances-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-04-19T11:14:11+09:00","created_at":"2023-04-06T13:30:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","new","room40"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154679099642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Philip Samartzis \/\/ Atmospheres And Disturbances CD+BOOKLET","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","options":["Title"],"media":[{"alt":null,"id":31793702338810,"position":1,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_89a32271-6074-41a0-bb42-f2ba923fdd12.jpg?v=1680755429","width":1200},{"alt":null,"id":31793702371578,"position":2,"preview_image":{"aspect_ratio":2.885,"height":416,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429"},"aspect_ratio":2.885,"height":416,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at2_91992402-0740-4654-9978-2d8a8058f470.jpg?v=1680755429","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eフィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021633728\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD in matte laminate sleeve, with insert card and artist book featuring essay and photographs from Philip Samartzis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement from Philip Samartzis:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures. The composition is based on field work undertaken at the High-Altitude Research Station at Jungfraujoch, Switzerland where for four weeks I deployed various recording devices around the station, and in the surrounding alpine environment to register natural, anthropogenic and geophysical forces. The project provides new encounters of an endangered alpine environment to enhance the way we perceive and engage with notions of place, community, and environmental dissonance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring fieldwork I used different microphones to record a variety of acoustic, spatial, atmospheric, and vibration-based phenomena. Omnidirectional microphones registered wind, snow, and ice as well as social, material, and industrial sound emanating from the nearby train terminus and viewing platforms. Hydrophones were placed within water and ice to record geophysical sound resonating within the frozen environment of Jungfraujoch and the adjacent glacier. The recordings capture the pervasive presence of anthropogenic sound permeating throughout the landscape produced by tourists, transport operations and recreational sports. Accelerometers were\u003cspan class=\"bcTruncateMore\"\u003e attached to various surfaces and structures to record solid vibration generated by high-velocity wind, and the process of melting and freezing. The recordings produced by the accelerometers clearly express the stress and fatigue occurring within the material structure of buildings and infrastructure.\u003cbr\u003e\u003cbr\u003eAtmospheres and Disturbances is designed to place audiences deep inside an extreme environment to afford embodied experiences of an alpine ecology under duress.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Philip Samartzis\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストラリア・メルボルンの音響作家Philip Samartzisが、2023年3月に同国実験レーベルRoom40からリリースしたCDとブックレットです。 フィールドレコーディング5曲を収録。ブックレットにはエッセイと写真が掲載されています。以下、作家本人による解説です。 「Atmospheres and Disturbances」は、世界的な気温の上昇によって引き起こされる高地の生態系の変化を記録したものです。この作品は、スイスのユングフラウヨッホにある高地研究ステーションで行われたフィールドワークに基づいています。4週間にわたり、私はステーション周辺や周囲の高山環境に様々な記録装置を配置し、自然、人為的、地球物理的な力を記録しました。このプロジェクトは、絶滅の危機に瀕したアルプスの環境との新たな出会いを提供し、場所、コミュニティ、環境不協和の概念に対する私たちの認識と関わり方を向上させるものです。フィールドワークでは、さまざまなマイクロホンを使って、音響、空間、大気、振動に基づくさまざまな現象を記録しました。全方位マイクは、風、雪、氷、そして近くの電車の終着駅や展望台から発せられる社会的、物質的、産業的な音を記録しました。また、ユングフラウヨッホと隣接する氷河の凍った環境の中で共鳴する物理的な音を記録するため、水中や氷中にハイドロフォンを設置しました。観光客や交通機関、レクリエーション・スポーツによって生み出される人為的な音が、風景全体に浸透している様子が記録されています。加速度計は様々な表面や構造物に取り付けられ、高速風や融解・凍結のプロセスによって発生する固体振動を記録しています。加速度計の記録は、建物やインフラの材料構造内で発生する応力や疲労を明確に表現しています。「Atmospheres and Disturbances」は、観客が極限環境に身を置くことで、危機にさらされたアルプスの生態系を体感できるように設計されています。 レーベルその他作品はこちら /// Click here to see more Room40 releases...
¥2,980
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{"id":7939707502842,"title":"Vitesse et Précipitation \/\/ st LP","handle":"do-it-youssef-vitesse-et-precipitation-lp","description":"\u003cp\u003eフランスのエキゾチック・フォークトリオVitesse et Précipitationが、2023年2月に300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーとバイオリン、ベンディールによるエキゾチック・フォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2333512157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl edition of 300.\u003c\/p\u003e\n\u003cp\u003eRecorded in October 2021 by Vitesse et Précipitation in Marseille.\u003cbr data-mce-fragment=\"1\"\u003eMixed in February 2022 by Richard Cuvillier in Lille. \u003c\/p\u003e\n\u003cp\u003eArtist : Do It Youssef !\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDo It Youssef !\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-18T14:20:02+09:00","created_at":"2023-03-18T12:09:03+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44097623523578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vitesse et Précipitation \/\/ st LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_d6bf5fc2-779d-402c-b6aa-62abf71cf2db.jpg?v=1679108944"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945","options":["Title"],"media":[{"alt":null,"id":31697228103930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8b5c92c3-2528-40e2-bf11-19aa256f4f61.jpg?v=1679108945","width":700},{"alt":null,"id":31697228136698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_d6bf5fc2-779d-402c-b6aa-62abf71cf2db.jpg?v=1679108944"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_d6bf5fc2-779d-402c-b6aa-62abf71cf2db.jpg?v=1679108944","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのエキゾチック・フォークトリオVitesse et Précipitationが、2023年2月に300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーとバイオリン、ベンディールによるエキゾチック・フォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2333512157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl edition of 300.\u003c\/p\u003e\n\u003cp\u003eRecorded in October 2021 by Vitesse et Précipitation in Marseille.\u003cbr data-mce-fragment=\"1\"\u003eMixed in February 2022 by Richard Cuvillier in Lille. \u003c\/p\u003e\n\u003cp\u003eArtist : Do It Youssef !\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDo It Youssef !\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのエキゾチック・フォークトリオVitesse et Précipitationが、2023年2月に300部限定でリリースしたデビューレコードです。 バンジョーとバイオリン、ベンディールによるエキゾチック・フォーク8曲を収録。DLコード付属。 ----------------------------------------- 12" black vinyl edition of 300. Recorded in October...
¥3,580
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{"id":7925527904506,"title":"Various Artists \/\/ Longing for the Shadow: Ryūkōka Recordings, 1921-1939 LP","handle":"various-artists-longing-for-the-shadow-ryukoka-recordings-1921-1939-lp","description":"\u003cp\u003e1920-1930年代の日本の流行歌のコンピレーションレコードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4252093764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeki Taneko - Akemi's Poems 03:26\u003c\/li\u003e\n\u003cli\u003eKusunoki Shigeo - Longing for the Shadow 03:35\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - Sad Gull 03:24\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Please Forgive Me 03:12\u003c\/li\u003e\n\u003cli\u003eIchimaru - If You Go Down the Tenryū 03:15\u003c\/li\u003e\n\u003cli\u003eMitsuko Nemoto - Cosmos Elegy 02:45\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Tokyo Daughter 02:44\u003c\/li\u003e\n\u003cli\u003eChiyako Sato - Skyscraper 03:10\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - The Dream Is Short Lived 03:05\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama \u0026amp; Masao Koga - Is Sake Tears or Sighs? 03:27\u003c\/li\u003e\n\u003cli\u003eOtomaru - Yoneyama Sanri 03:25\u003c\/li\u003e\n\u003cli\u003eHamako Watanabe - I Don't Forget 03:13\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Asama Smoke 03:40\u003c\/li\u003e\n\u003cli\u003eYoshio Tabata - Farewell Ship 03:38\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Farewell Youth 02:46\u003c\/li\u003e\n\u003cli\u003eKouta Katsutaro - Stand Up Tomorrow 03:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeath Is Not The End:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues \u0026amp; jazz elements into traditional and classical Japanese music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis collection of 1920s \u0026amp; 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of western pop music during post-war US occupation.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e","published_at":"2023-02-25T16:40:41+09:00","created_at":"2023-02-25T15:31:21+09:00","vendor":"Tobira Records","type":"","tags":["asia","death is not the end","field recording","lp"],"price":409000,"price_min":409000,"price_max":409000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44023441522938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Longing for the Shadow: Ryūkōka Recordings, 1921-1939 LP","public_title":null,"options":["Default Title"],"price":409000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_fed987dd-0776-4c8e-bf31-ad191f19a163.jpg?v=1677306719"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720","options":["Title"],"media":[{"alt":null,"id":31584866402554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_c27d6d7e-a42f-4716-b6e5-08bc3f5ae347.jpg?v=1677306720","width":700},{"alt":null,"id":31584866435322,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_fed987dd-0776-4c8e-bf31-ad191f19a163.jpg?v=1677306719"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_fed987dd-0776-4c8e-bf31-ad191f19a163.jpg?v=1677306719","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1920-1930年代の日本の流行歌のコンピレーションレコードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4252093764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeki Taneko - Akemi's Poems 03:26\u003c\/li\u003e\n\u003cli\u003eKusunoki Shigeo - Longing for the Shadow 03:35\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - Sad Gull 03:24\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Please Forgive Me 03:12\u003c\/li\u003e\n\u003cli\u003eIchimaru - If You Go Down the Tenryū 03:15\u003c\/li\u003e\n\u003cli\u003eMitsuko Nemoto - Cosmos Elegy 02:45\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Tokyo Daughter 02:44\u003c\/li\u003e\n\u003cli\u003eChiyako Sato - Skyscraper 03:10\u003c\/li\u003e\n\u003cli\u003eYayoi Tanaka - The Dream Is Short Lived 03:05\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama \u0026amp; Masao Koga - Is Sake Tears or Sighs? 03:27\u003c\/li\u003e\n\u003cli\u003eOtomaru - Yoneyama Sanri 03:25\u003c\/li\u003e\n\u003cli\u003eHamako Watanabe - I Don't Forget 03:13\u003c\/li\u003e\n\u003cli\u003eAkasaka Koume - Asama Smoke 03:40\u003c\/li\u003e\n\u003cli\u003eYoshio Tabata - Farewell Ship 03:38\u003c\/li\u003e\n\u003cli\u003eIchirō Fujiyama - Farewell Youth 02:46\u003c\/li\u003e\n\u003cli\u003eKouta Katsutaro - Stand Up Tomorrow 03:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeath Is Not The End:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues \u0026amp; jazz elements into traditional and classical Japanese music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis collection of 1920s \u0026amp; 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of western pop music during post-war US occupation.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e"}
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1920-1930年代の日本の流行歌のコンピレーションレコードです。 レーベルその他作品はこちら /// Click here to see more Death Is Not The End releases available at Tobira....
¥4,090
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{"id":7922230624506,"title":"R. Pierre \/\/ KTLA TAPE","handle":"r-pierre-ktla-tape","description":"\u003cp\u003eアメリカ・LAの実験／ダンスレーベルJungle Gym主宰\u003cspan data-mce-fragment=\"1\"\u003eR. Pierreが、2023年2月に\u003c\/span\u003e40本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したミニマル・物音コラージュ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684475633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003ehere\u003c\/a\u003e to see more Jungle Gym Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 40. \u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJungle Gym Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-02-21T06:42:58+09:00","created_at":"2023-02-21T06:42:58+09:00","vendor":"Tobira Records","type":"","tags":["field recording","Jungle Gym","monooto","sale22","tape"],"price":169000,"price_min":169000,"price_max":169000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44009481306362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"R. Pierre \/\/ KTLA TAPE","public_title":null,"options":["Default Title"],"price":169000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466","\/\/tobirarecords.com\/cdn\/shop\/products\/0031361061_10.jpg?v=1676929506"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466","options":["Title"],"media":[{"alt":null,"id":31558444974330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3678543032_16.jpg?v=1676929466","width":700},{"alt":null,"id":31558446547194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031361061_10.jpg?v=1676929506"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031361061_10.jpg?v=1676929506","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験／ダンスレーベルJungle Gym主宰\u003cspan data-mce-fragment=\"1\"\u003eR. Pierreが、2023年2月に\u003c\/span\u003e40本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを加工したミニマル・物音コラージュ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2684475633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003ehere\u003c\/a\u003e to see more Jungle Gym Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 40. \u003c\/p\u003e\n\u003cp\u003eArtist : R. Pierre\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJungle Gym Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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アメリカ・LAの実験／ダンスレーベルJungle Gym主宰R. Pierreが、2023年2月に40本限定でリリースしたカセットです。 フィールドレコーディングを加工したミニマル・物音コラージュ2曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Jungle Gym Records releases available at...
¥1,690
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{"id":7908961059066,"title":"Glauco Salvo \/\/ Field Studies Vol.1 TAPE","handle":"glauco-salvo-field-studies-vol-1-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイタリアの音響作家Glauco Salvoが、2020年に自身のプライベートレーベルField Studiesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとエレクトロニクスによるエレクトロ・アコースティック5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=166646268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldstds\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldstds\"\u003ehere\u003c\/a\u003e to see more Field Studies releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA collection of field recordings with electronic and electro-acoustic sound intrusions.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glauco Salvo\u003c\/p\u003e\n\u003cp\u003eLabel : field studies\u003c\/p\u003e","published_at":"2023-01-29T14:16:11+09:00","created_at":"2023-01-29T12:14:04+09:00","vendor":"Tobira Records","type":"","tags":["field recording","field studies","monooto","new","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43949263028474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Glauco Salvo \/\/ Field Studies Vol.1 TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_69084a3c-cda1-4bb8-b384-43f3aec9f50b.jpg?v=1674962047","\/\/tobirarecords.com\/cdn\/shop\/products\/gl2_75779e53-df6f-47c6-a989-37c5e8fadfd9.jpg?v=1674962047"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_69084a3c-cda1-4bb8-b384-43f3aec9f50b.jpg?v=1674962047","options":["Title"],"media":[{"alt":null,"id":31449915064570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_69084a3c-cda1-4bb8-b384-43f3aec9f50b.jpg?v=1674962047"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl1_69084a3c-cda1-4bb8-b384-43f3aec9f50b.jpg?v=1674962047","width":700},{"alt":null,"id":31449915097338,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl2_75779e53-df6f-47c6-a989-37c5e8fadfd9.jpg?v=1674962047"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/gl2_75779e53-df6f-47c6-a989-37c5e8fadfd9.jpg?v=1674962047","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイタリアの音響作家Glauco Salvoが、2020年に自身のプライベートレーベルField Studiesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとエレクトロニクスによるエレクトロ・アコースティック5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=166646268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldstds\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldstds\"\u003ehere\u003c\/a\u003e to see more Field Studies releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA collection of field recordings with electronic and electro-acoustic sound intrusions.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glauco Salvo\u003c\/p\u003e\n\u003cp\u003eLabel : field studies\u003c\/p\u003e"}
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イタリアの音響作家Glauco Salvoが、2020年に自身のプライベートレーベルField Studiesからリリースしたカセットです。 フィールドレコーディングとエレクトロニクスによるエレクトロ・アコースティック5曲を収録。DLコード付属。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Field Studies releases available...
¥1,780
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{"id":7869289496826,"title":"Domiziana Bocina \u0026 Edoardo Cammisa \/\/ Lake Studies CDR+PRINTS","handle":"domiziana-bocina-edoardo-cammisa-lake-studies-cd-prints","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアの実験／物音レーベル\u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity主宰Edoardo Cammisaと写真家Domiziana Bocinaが、2022年11月に15部限定でリリースしたCDR＋写真です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアヴィリアーナ湖自然公園での\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング〜物音13曲を収録。\u003cmeta charset=\"utf-8\"\u003e湖畔で撮影した写真13枚とDLコード付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eDomiziana Bocina（写真） Edoardo Cammisa（録音）は、イタリア・アヴィリアーナ湖自然公園の水景の中で起こる出来事をインタラクティブに解釈している。この作品自体は、ドライな研究でも、徹底的な創造的再文脈化でもないが、この作品の方法論は、両方のアプローチから得られている。この作品は、人間と自然の二元論に対して大きく両義的な、曖昧で超現実的な立場を見出し、そこから、ドキュメンテーションにつきものの力学を考察し、関与している。つまり、ドキュメンテーションする者とされる者がいかに構築され定義されるか、可視化され物語られ、相互に影響力を交換するように示される。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアーティストたちのプロセスは、撮影（記録者と被記録者の相互作用、被写体の識別と隔離、視覚的構成）、後処理（電気音響と電子写真の操作）、テキスト性（曲名）などに及んでる。桟橋の足音、木の伐採、カメラのシャッター、避けられない高速道路のうめき声、植生に負ける人工構造物、葉の間を通り抜ける風、水鳥の鳴き声、水中の秘密の出来事がハイドロフォンによって暴露される、厳しいフィルタリングと微妙なサンプリング、タイトル、いくつかは説明的、いくつかは反射的です。世界の中の世界、世界の下の世界、世界に対する世界、すべての相互関係。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4202731170\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSounds Against Humanity その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Limited edition of \u003cspan data-mce-fragment=\"1\"\u003e15 hand-numbered copies. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Full prints of the thirteen photographs on high quality 300 gr. cardboard.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— White CDr.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Transparent plastic envelope.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdward Trethowan:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Domiziana Bocina (photography) and Edoardo Cammisa (sound recording) here interactively interpret events amid waterscapes of the Lago Grande, Parco Naturale dei Laghi di Avigliana, Italy. Although itself neither a dry study nor a thorough creative recontextualisation, this work’s methodology draws from both approaches. It finds its own vague, surreal position, largely ambivalent towards human–nature dualism, from which to consider and engage with some of documentation’s familiar dynamics: how documenter and documented are constructed and delineated, made visible, narrated, shown to interact and exchange influence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe process of the artists reaches across capture (documenter–documented interaction, subject discrimination and isolation, visual composition), post-processing (electroacoustic and electrophotographic manipulation) and textuality (track titles). At these levels, direct and indirect human and non-human activities continuously overlap: jetty footsteps, a tree felling, camera shutters, the inevitable motorway moan; synthetic structures succumbing to vegetation, wind wisping through and by leaves, waterfowl chatter, secret underwater events hydrophonically exposed; strict filtering and subtle sampling; titles, some descriptive and others reflective. Worlds within and beneath and against worlds, all interrelation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Domiziana Bocina \u0026amp; Edoardo Cammisa\u003c\/p\u003e\n\u003cp\u003eLabel : Sounds Against Humanity\u003c\/p\u003e","published_at":"2022-12-16T16:11:19+09:00","created_at":"2022-12-16T12:18:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","sounds against humanity"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43778011234554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Domiziana Bocina \u0026 Edoardo Cammisa \/\/ Lake Studies CDR+PRINTS","public_title":null,"options":["Default Title"],"price":248000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_a9fb37d9-a412-4e9b-8e10-fcff1707c6a5.jpg?v=1671160687","\/\/tobirarecords.com\/cdn\/shop\/products\/do3_2ead4d4b-8bd9-4c50-afa7-97bb40774fcc.jpg?v=1671160687","\/\/tobirarecords.com\/cdn\/shop\/products\/do4_8d91bda6-9514-46ca-a6c5-22f8bd5a7850.jpg?v=1671160688"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688","options":["Title"],"media":[{"alt":null,"id":31201092534522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_8a82c366-fbb7-4cb9-a300-c00043482e20.jpg?v=1671160688","width":700},{"alt":null,"id":31201092567290,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_a9fb37d9-a412-4e9b-8e10-fcff1707c6a5.jpg?v=1671160687"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_a9fb37d9-a412-4e9b-8e10-fcff1707c6a5.jpg?v=1671160687","width":1200},{"alt":null,"id":31201092600058,"position":3,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do3_2ead4d4b-8bd9-4c50-afa7-97bb40774fcc.jpg?v=1671160687"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do3_2ead4d4b-8bd9-4c50-afa7-97bb40774fcc.jpg?v=1671160687","width":1200},{"alt":null,"id":31201092632826,"position":4,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do4_8d91bda6-9514-46ca-a6c5-22f8bd5a7850.jpg?v=1671160688"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do4_8d91bda6-9514-46ca-a6c5-22f8bd5a7850.jpg?v=1671160688","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアの実験／物音レーベル\u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity主宰Edoardo Cammisaと写真家Domiziana Bocinaが、2022年11月に15部限定でリリースしたCDR＋写真です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアヴィリアーナ湖自然公園での\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディング〜物音13曲を収録。\u003cmeta charset=\"utf-8\"\u003e湖畔で撮影した写真13枚とDLコード付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eDomiziana Bocina（写真） Edoardo Cammisa（録音）は、イタリア・アヴィリアーナ湖自然公園の水景の中で起こる出来事をインタラクティブに解釈している。この作品自体は、ドライな研究でも、徹底的な創造的再文脈化でもないが、この作品の方法論は、両方のアプローチから得られている。この作品は、人間と自然の二元論に対して大きく両義的な、曖昧で超現実的な立場を見出し、そこから、ドキュメンテーションにつきものの力学を考察し、関与している。つまり、ドキュメンテーションする者とされる者がいかに構築され定義されるか、可視化され物語られ、相互に影響力を交換するように示される。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアーティストたちのプロセスは、撮影（記録者と被記録者の相互作用、被写体の識別と隔離、視覚的構成）、後処理（電気音響と電子写真の操作）、テキスト性（曲名）などに及んでる。桟橋の足音、木の伐採、カメラのシャッター、避けられない高速道路のうめき声、植生に負ける人工構造物、葉の間を通り抜ける風、水鳥の鳴き声、水中の秘密の出来事がハイドロフォンによって暴露される、厳しいフィルタリングと微妙なサンプリング、タイトル、いくつかは説明的、いくつかは反射的です。世界の中の世界、世界の下の世界、世界に対する世界、すべての相互関係。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4202731170\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSounds Against Humanity その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sah\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSounds Against Humanity releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Limited edition of \u003cspan data-mce-fragment=\"1\"\u003e15 hand-numbered copies. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Full prints of the thirteen photographs on high quality 300 gr. cardboard.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— White CDr.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Transparent plastic envelope.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eEdward Trethowan:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Domiziana Bocina (photography) and Edoardo Cammisa (sound recording) here interactively interpret events amid waterscapes of the Lago Grande, Parco Naturale dei Laghi di Avigliana, Italy. Although itself neither a dry study nor a thorough creative recontextualisation, this work’s methodology draws from both approaches. It finds its own vague, surreal position, largely ambivalent towards human–nature dualism, from which to consider and engage with some of documentation’s familiar dynamics: how documenter and documented are constructed and delineated, made visible, narrated, shown to interact and exchange influence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe process of the artists reaches across capture (documenter–documented interaction, subject discrimination and isolation, visual composition), post-processing (electroacoustic and electrophotographic manipulation) and textuality (track titles). At these levels, direct and indirect human and non-human activities continuously overlap: jetty footsteps, a tree felling, camera shutters, the inevitable motorway moan; synthetic structures succumbing to vegetation, wind wisping through and by leaves, waterfowl chatter, secret underwater events hydrophonically exposed; strict filtering and subtle sampling; titles, some descriptive and others reflective. Worlds within and beneath and against worlds, all interrelation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Domiziana Bocina \u0026amp; Edoardo Cammisa\u003c\/p\u003e\n\u003cp\u003eLabel : Sounds Against Humanity\u003c\/p\u003e"}
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イタリアの実験／物音レーベルSounds Against Humanity主宰Edoardo Cammisaと写真家Domiziana Bocinaが、2022年11月に15部限定でリリースしたCDR＋写真です。 アヴィリアーナ湖自然公園でのフィールドレコーディング〜物音13曲を収録。湖畔で撮影した写真13枚とDLコード付属。以下、レーベルによる解説です。 Domiziana Bocina（写真） Edoardo Cammisa（録音）は、イタリア・アヴィリアーナ湖自然公園の水景の中で起こる出来事をインタラクティブに解釈している。この作品自体は、ドライな研究でも、徹底的な創造的再文脈化でもないが、この作品の方法論は、両方のアプローチから得られている。この作品は、人間と自然の二元論に対して大きく両義的な、曖昧で超現実的な立場を見出し、そこから、ドキュメンテーションにつきものの力学を考察し、関与している。つまり、ドキュメンテーションする者とされる者がいかに構築され定義されるか、可視化され物語られ、相互に影響力を交換するように示される。アーティストたちのプロセスは、撮影（記録者と被記録者の相互作用、被写体の識別と隔離、視覚的構成）、後処理（電気音響と電子写真の操作）、テキスト性（曲名）などに及んでる。桟橋の足音、木の伐採、カメラのシャッター、避けられない高速道路のうめき声、植生に負ける人工構造物、葉の間を通り抜ける風、水鳥の鳴き声、水中の秘密の出来事がハイドロフォンによって暴露される、厳しいフィルタリングと微妙なサンプリング、タイトル、いくつかは説明的、いくつかは反射的です。世界の中の世界、世界の下の世界、世界に対する世界、すべての相互関係。 Sounds Against Humanity その他作品はこちら ///...
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{"id":7867607384314,"title":"Phauss \/\/ Audiodrome CD+BOOKLET","handle":"phauss-audiodrome-cd","description":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1987年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eスイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434673642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 44-page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePhauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first composition Zürich - Zürich is a piece that traces a line around the world, Phauss travelling on a round the world air ticket stopping only in countries where conflict was present. This unsettling journey became a meditation on the evolving state of the world in those moments. Voices, traffic, cafes, radios, transportation system and other incidental environments float into one another in a kind of stream of (temporally incongruous) consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second work Alger - Lagos brings to mind some of Brion Gysin and William S. Burroughs tape cut-ups. Street musicians are splice against bursts of radio, roadside conversations and searing blasts of industrial noise captured from aircraft and other unfamiliar sources. It is an unsteadying journey where even the sounds of the everyday feel alien and repositioned. The sounds call to us prompting a sensing that is at its heart utterly fascinated, and fascinating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe edition includes a book featuring an exhaustive collection of photographs, documents and artworks made by Von Hausswolff and Pauser during their journeys undertaken to complete each of the compositions. Many of these images and artworks have never been published previously.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-12-14T15:34:14+09:00","created_at":"2022-12-14T15:14:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","room40"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43770305675514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phauss \/\/ Audiodrome CD+BOOKLET","public_title":null,"options":["Default Title"],"price":318000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","options":["Title"],"media":[{"alt":null,"id":31188357644538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph1_f8adc1eb-e39e-4f1e-82bc-77bfd1b45020.jpg?v=1670998466","width":700},{"alt":null,"id":31188357677306,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ph2_79b72aac-003f-48e1-83e5-0f5f6d6b19c7.jpg?v=1670998466","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1987年リリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eスイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3434673642\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes 44-page perfect bound book featuring photographs, artwork and documents from CM vom Hausswolff and Erik Pauser's creation of Audiodrome. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoom40:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePhauss is Carl Michael von Hausswolff and Erik Pauser. Formed in the early 1980s, Phauss operated amidst of generation of uncharacteristic Swedish artists concerned with reshaping the edges of practices in sound, light, performance and vision. It was a monumentally fertile period for Sweden in that a confluence of factors allowed artists to dedicate themselves to the relentless excavation of ideas, drilling down to the absolute core of their interests and ways of making.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVon Hausswolff and Pauser, who both operated across sound and installation, used Phauss as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for failure, just as much as success.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAudiodrome collects together two discreet works that sit somewhere between field recording, chance composition and experimental soundscape. Both pieces pre-date the widespread arrival of field recording as a creative practice, and expand outward the work that had been developed by musique concréte and other experimental music approaches concerned with the intersections of found sound and composition. Both works were devised using the same working methodology, whereby an alarm would sound every few days and wherever and whenever it sounded the pair would start recording their surroundings. Those raw material became the basis for the pieces.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first composition Zürich - Zürich is a piece that traces a line around the world, Phauss travelling on a round the world air ticket stopping only in countries where conflict was present. This unsettling journey became a meditation on the evolving state of the world in those moments. Voices, traffic, cafes, radios, transportation system and other incidental environments float into one another in a kind of stream of (temporally incongruous) consciousness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second work Alger - Lagos brings to mind some of Brion Gysin and William S. Burroughs tape cut-ups. Street musicians are splice against bursts of radio, roadside conversations and searing blasts of industrial noise captured from aircraft and other unfamiliar sources. It is an unsteadying journey where even the sounds of the everyday feel alien and repositioned. The sounds call to us prompting a sensing that is at its heart utterly fascinated, and fascinating.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe edition includes a book featuring an exhaustive collection of photographs, documents and artworks made by Von Hausswolff and Pauser during their journeys undertaken to complete each of the compositions. Many of these images and artworks have never been published previously.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phauss\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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スウェーデンの美術家Carl Michael von Hausswolffと同国映像作家Erik PauserによるデュオPhaussが、2022年12月にオーストラリアの実験レーベルRoom40からリリースした再発CDです。（オリジナルは1987年リリース） スイス、シリア、レバノン、シリア、イラン、パキスタン、インド、タイ、フィリピン、モロッコ、アルジェリア、ニジェールで録音したフィールドレコーディングによるコラージュ・サウンドスケープ集です。 写真やアートワーク、ドキュメントを掲載した44ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available...
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{"id":7852023775482,"title":"Dev Smith \/\/ Sentiments Of Green TAPE \/ TAPE+PHOTOBOOK","handle":"dev-smith-sentiments-of-green-tape-tape-photobook","description":"\u003cp\u003e アメリカ・LAの写真家／サウンドアーティストDev Smithが、2022年12月に同州実験／ダンスレーベルJungle Gym Recordsから25部限定(カセットのみは54部限定)でリリースした写真集付きデビュー作です。\u003c\/p\u003e\n\u003cp\u003e彼がアイルランドで録音したフィールドレコーディングによるサウンドスケープ12曲を収録。写真集は20ページのフルカラープリントです。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4082288137\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003ehere\u003c\/a\u003e to see more Jungle Gym Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE+PHOTOBOOK:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 25. Sea-fog white cassette + double sided J-card in a clear hard shell case AND 20 page photo book by Dev Smith (1st edition). \u003cbr\u003ePrinted, hand assembled and packaged in Los Angeles.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 54. Sea-fog white cassette + double sided J-card in a clear hard shell case. Hand packaged. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJungle Gym Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJUNGLE GYM RECORDS presents \"Sentiments Of Green\", official debut of Los Angeles based photographer and sound artist Dev Smith. With a small collection of film cameras and handheld recorders, Smith captures the quietest moments of a recent trip to Ireland with grace and organic attention to detail, a sonic and photographic diary both deeply personal and universally human. Presented here for the first time via limited edition cassette and photo book, Smith debuts with great purpose and intent...\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Dev Smith\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Jungle Gym Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-20T10:43:27+09:00","created_at":"2022-11-28T09:15:08+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","field recording","Jungle Gym","monooto","recommended","tape"],"price":168000,"price_min":168000,"price_max":288000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43700427587834,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38491262681338,"product_id":7852023775482,"position":3,"created_at":"2022-11-28T09:15:08+09:00","updated_at":"2022-11-28T09:15:09+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de3_81642eb7-aff9-4f1b-a876-be90a1c83439.jpg?v=1669594509","variant_ids":[43700427587834]},"available":false,"name":"Dev Smith \/\/ Sentiments Of Green TAPE \/ TAPE+PHOTOBOOK - TAPE","public_title":"TAPE","options":["TAPE"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31088165847290,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de3_81642eb7-aff9-4f1b-a876-be90a1c83439.jpg?v=1669594509"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43700427620602,"title":"TAPE + PHOTOBOOK","option1":"TAPE + PHOTOBOOK","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38491262648570,"product_id":7852023775482,"position":2,"created_at":"2022-11-28T09:15:08+09:00","updated_at":"2022-11-28T09:15:09+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_947e5231-020e-4978-9879-ee75be941ad6.jpg?v=1669594509","variant_ids":[43700427620602]},"available":true,"name":"Dev Smith \/\/ Sentiments Of Green TAPE \/ TAPE+PHOTOBOOK - TAPE + PHOTOBOOK","public_title":"TAPE + PHOTOBOOK","options":["TAPE + PHOTOBOOK"],"price":288000,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31088165814522,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_947e5231-020e-4978-9879-ee75be941ad6.jpg?v=1669594509"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d69f7fbf-6a10-4925-a7b5-2efd2883e5bd.jpg?v=1669594509","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_947e5231-020e-4978-9879-ee75be941ad6.jpg?v=1669594509","\/\/tobirarecords.com\/cdn\/shop\/products\/de3_81642eb7-aff9-4f1b-a876-be90a1c83439.jpg?v=1669594509","\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.42.png?v=1669674718","\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.32.png?v=1669674718","\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.23.png?v=1669674718","\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.14.png?v=1669674718","\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.06.png?v=1669674718"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d69f7fbf-6a10-4925-a7b5-2efd2883e5bd.jpg?v=1669594509","options":["product type"],"media":[{"alt":null,"id":31088165781754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d69f7fbf-6a10-4925-a7b5-2efd2883e5bd.jpg?v=1669594509"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d69f7fbf-6a10-4925-a7b5-2efd2883e5bd.jpg?v=1669594509","width":700},{"alt":null,"id":31088165814522,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_947e5231-020e-4978-9879-ee75be941ad6.jpg?v=1669594509"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_947e5231-020e-4978-9879-ee75be941ad6.jpg?v=1669594509","width":1200},{"alt":null,"id":31088165847290,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de3_81642eb7-aff9-4f1b-a876-be90a1c83439.jpg?v=1669594509"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de3_81642eb7-aff9-4f1b-a876-be90a1c83439.jpg?v=1669594509","width":1200},{"alt":null,"id":31095283581178,"position":4,"preview_image":{"aspect_ratio":2.184,"height":814,"width":1778,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.42.png?v=1669674718"},"aspect_ratio":2.184,"height":814,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.42.png?v=1669674718","width":1778},{"alt":null,"id":31095283613946,"position":5,"preview_image":{"aspect_ratio":2.114,"height":840,"width":1776,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.32.png?v=1669674718"},"aspect_ratio":2.114,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.32.png?v=1669674718","width":1776},{"alt":null,"id":31095283646714,"position":6,"preview_image":{"aspect_ratio":2.164,"height":818,"width":1770,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.23.png?v=1669674718"},"aspect_ratio":2.164,"height":818,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.23.png?v=1669674718","width":1770},{"alt":null,"id":31095283679482,"position":7,"preview_image":{"aspect_ratio":2.163,"height":822,"width":1778,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.14.png?v=1669674718"},"aspect_ratio":2.163,"height":822,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.14.png?v=1669674718","width":1778},{"alt":null,"id":31095283712250,"position":8,"preview_image":{"aspect_ratio":2.197,"height":824,"width":1810,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.06.png?v=1669674718"},"aspect_ratio":2.197,"height":824,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2022-11-297.31.06.png?v=1669674718","width":1810}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e アメリカ・LAの写真家／サウンドアーティストDev Smithが、2022年12月に同州実験／ダンスレーベルJungle Gym Recordsから25部限定(カセットのみは54部限定)でリリースした写真集付きデビュー作です。\u003c\/p\u003e\n\u003cp\u003e彼がアイルランドで録音したフィールドレコーディングによるサウンドスケープ12曲を収録。写真集は20ページのフルカラープリントです。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4082288137\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/junglegym\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/junglegym\"\u003ehere\u003c\/a\u003e to see more Jungle Gym Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE+PHOTOBOOK:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 25. Sea-fog white cassette + double sided J-card in a clear hard shell case AND 20 page photo book by Dev Smith (1st edition). \u003cbr\u003ePrinted, hand assembled and packaged in Los Angeles.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTAPE:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 54. Sea-fog white cassette + double sided J-card in a clear hard shell case. Hand packaged. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJungle Gym Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJUNGLE GYM RECORDS presents \"Sentiments Of Green\", official debut of Los Angeles based photographer and sound artist Dev Smith. With a small collection of film cameras and handheld recorders, Smith captures the quietest moments of a recent trip to Ireland with grace and organic attention to detail, a sonic and photographic diary both deeply personal and universally human. Presented here for the first time via limited edition cassette and photo book, Smith debuts with great purpose and intent...\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Dev Smith\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Jungle Gym Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAの写真家／サウンドアーティストDev Smithが、2022年12月に同州実験／ダンスレーベルJungle Gym Recordsから25部限定(カセットのみは54部限定)でリリースした写真集付きデビュー作です。 彼がアイルランドで録音したフィールドレコーディングによるサウンドスケープ12曲を収録。写真集は20ページのフルカラープリントです。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Jungle Gym Records releases available...
¥1,680
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{"id":7847624376570,"title":"Kazuya Matsumoto \/\/ 無常 Mujo 2xCD","handle":"kama","description":"\u003cp\u003e日本の音響作家Kazuya Matsumotoが、2022年11月にリリースした2枚組CDです。没入感のある物音〜フィールドレコーディング33曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e170 x 140mm 変形紙ジャケット入りの2枚組CD です。 32ページカラーブックレット, 録音時の映像風景動画へのQRコードが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2014年から2022年まで制作期間に9年の歳月を費やした松本一哉の2枚組のサード・アルバムは\u003cspan class=\"bcTruncateMore\"\u003e、1st「水のかたち」と対になる、氷の音をテーマにしたアルバム。\u003cbr\u003e\u003cbr\u003e凍結した湖や流氷などが起こす音と共に、本来楽器ではない モノなどを使用し即興で 1 発録音をしたり、色々な仕掛けを用いて環境そのものに働きかけて録音した内容で、disc1 は氷上で起こる事との演奏や働きかけを基にし、disc2 はハイドロフォンを使用し氷下で起こっ ていた事との演奏や働きかけを基にした構成になっています。\u003cbr\u003e\u003cbr\u003e大自然の予測不能な変化に向き合い、年をいくつもまたいで理想の音を求め続けた圧倒的スケールの超大作。まさに無常の日々としか表せない境地にまで達したその録音は、自然が織りなす神秘をダイナミックかつ繊細に封じ込めた、作家自身の魂の塊のような大傑作 です。CDには松本一哉自身が録音時に撮影した氷や自然の32ページのカラーブックレット写真集が付属しています。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1360167526\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"kazuya matsumoto\" href=\"https:\/\/soundcloud.com\/kazuya-matsumoto\" target=\"_blank\"\u003ekazuya matsumoto\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"3rd「無常」トレイラー \/ third album「Mujo」Trailer (mixture of tracks included in disc 1 and disc 2)\" href=\"https:\/\/soundcloud.com\/kazuya-matsumoto\/3rd-mujo-trailer\" target=\"_blank\"\u003e3rd「無常」トレイラー \/ third album「Mujo」Trailer (mixture of tracks included in disc 1 and disc 2)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes 2 discs plus 32 pages full color booklet in 170 x 140mm size paper jacket with QR code link to video of the recording sceneries.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eNature Bliss:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 3rd album \"Mujo\" (meaning \"transience\" in Japanese) by the Japanese sound artist Kazuya Matsumoto.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was made from 2014 to 2022. It is an album of improvisation and recording simultaneously, using non-instrument objects along with the sounds that occur from a frosted lake and drifting ice, and recordings made by affecting the environment itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is comprised of 2 discs. Disc 1 features performing and interaction with sounds that occurs above the ice. Disc 2 features performing and interaction with sounds that occurs below the ice using hydrophones.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is an album opposed to his first album \"Mizu No Katachi (Shape of Water)\" confronting the harsh and ever changing environment and he recalls those recording days as \"transience\", also expressing his feeling towards the never ending explorations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording captures the dynamic and delicate sounds of the ice and nature as well as his soul put into the 9 years. Includes 32 pages full color booklet with photography of the ice and nature taken by Matsumoto at the time of the recordings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Musician, sound artist, drummer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWith the percussionist background, Matsumoto uses his experience through playing and listening to environmental sounds, using non instrumental objects such as found objects, nature, body and devices for various sound expressions. He aims to break the boundaries between his output and the surrounding environmental sounds to explore deep listening improvisation expressions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreviously he has released 3 albums \"Mizu No Katachi (2015)\", \"OchiruChiruMichiru (2017)\" and “Mujo (2022)\" from the renown SPEKK label. Aside from creating music by improvising with the unpredictable nature, he also compose music for films, visual works, plays and commercial facilities. He also tours throughout Japan for performances including tour “Listen to the sound of people” tour which is aimed to just meet acquainted people without doing any performances \u003c\/span\u003e\u003cspan\u003ewithin the COVID-19 situation, space exhibitions and sound installations, site-specific exhibitions (residing and using the sound of that space). He also participates in the performance group Busstrio lead by Yuichiro Konno. He is also the executive committee member of the Ashi No Geijutsu Genya Festival held in Shiretoko Peninsula from 2021, always pursuing expressions based on sounds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kazuya Matsumoto\u003c\/p\u003e\n\u003cp\u003eLabel : Nature Bliss\u003c\/p\u003e","published_at":"2022-12-04T14:56:33+09:00","created_at":"2022-11-24T11:49:36+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto"],"price":400000,"price_min":400000,"price_max":400000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43681205256442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kazuya Matsumoto \/\/ 無常 Mujo 2xCD","public_title":null,"options":["Default Title"],"price":400000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_9960cdcf-eb1e-429c-82d6-8b0a8d01b12f.jpg?v=1669258177","\/\/tobirarecords.com\/cdn\/shop\/products\/mu3_5e826c7c-f53f-4e42-a27f-c9e5e69f0b5a.jpg?v=1669258177","\/\/tobirarecords.com\/cdn\/shop\/products\/mu4.jpg?v=1669258177"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_9960cdcf-eb1e-429c-82d6-8b0a8d01b12f.jpg?v=1669258177","options":["Title"],"media":[{"alt":null,"id":31063877517562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_9960cdcf-eb1e-429c-82d6-8b0a8d01b12f.jpg?v=1669258177"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu1_9960cdcf-eb1e-429c-82d6-8b0a8d01b12f.jpg?v=1669258177","width":700},{"alt":null,"id":31063877550330,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu3_5e826c7c-f53f-4e42-a27f-c9e5e69f0b5a.jpg?v=1669258177"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu3_5e826c7c-f53f-4e42-a27f-c9e5e69f0b5a.jpg?v=1669258177","width":1200},{"alt":null,"id":31063877583098,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu4.jpg?v=1669258177"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mu4.jpg?v=1669258177","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の音響作家Kazuya Matsumotoが、2022年11月にリリースした2枚組CDです。没入感のある物音〜フィールドレコーディング33曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e170 x 140mm 変形紙ジャケット入りの2枚組CD です。 32ページカラーブックレット, 録音時の映像風景動画へのQRコードが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e2014年から2022年まで制作期間に9年の歳月を費やした松本一哉の2枚組のサード・アルバムは\u003cspan class=\"bcTruncateMore\"\u003e、1st「水のかたち」と対になる、氷の音をテーマにしたアルバム。\u003cbr\u003e\u003cbr\u003e凍結した湖や流氷などが起こす音と共に、本来楽器ではない モノなどを使用し即興で 1 発録音をしたり、色々な仕掛けを用いて環境そのものに働きかけて録音した内容で、disc1 は氷上で起こる事との演奏や働きかけを基にし、disc2 はハイドロフォンを使用し氷下で起こっ ていた事との演奏や働きかけを基にした構成になっています。\u003cbr\u003e\u003cbr\u003e大自然の予測不能な変化に向き合い、年をいくつもまたいで理想の音を求め続けた圧倒的スケールの超大作。まさに無常の日々としか表せない境地にまで達したその録音は、自然が織りなす神秘をダイナミックかつ繊細に封じ込めた、作家自身の魂の塊のような大傑作 です。CDには松本一哉自身が録音時に撮影した氷や自然の32ページのカラーブックレット写真集が付属しています。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1360167526\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"kazuya matsumoto\" href=\"https:\/\/soundcloud.com\/kazuya-matsumoto\" target=\"_blank\"\u003ekazuya matsumoto\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"3rd「無常」トレイラー \/ third album「Mujo」Trailer (mixture of tracks included in disc 1 and disc 2)\" href=\"https:\/\/soundcloud.com\/kazuya-matsumoto\/3rd-mujo-trailer\" target=\"_blank\"\u003e3rd「無常」トレイラー \/ third album「Mujo」Trailer (mixture of tracks included in disc 1 and disc 2)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eincludes 2 discs plus 32 pages full color booklet in 170 x 140mm size paper jacket with QR code link to video of the recording sceneries.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eNature Bliss:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 3rd album \"Mujo\" (meaning \"transience\" in Japanese) by the Japanese sound artist Kazuya Matsumoto.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album was made from 2014 to 2022. It is an album of improvisation and recording simultaneously, using non-instrument objects along with the sounds that occur from a frosted lake and drifting ice, and recordings made by affecting the environment itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album is comprised of 2 discs. Disc 1 features performing and interaction with sounds that occurs above the ice. Disc 2 features performing and interaction with sounds that occurs below the ice using hydrophones.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is an album opposed to his first album \"Mizu No Katachi (Shape of Water)\" confronting the harsh and ever changing environment and he recalls those recording days as \"transience\", also expressing his feeling towards the never ending explorations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe recording captures the dynamic and delicate sounds of the ice and nature as well as his soul put into the 9 years. Includes 32 pages full color booklet with photography of the ice and nature taken by Matsumoto at the time of the recordings.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Musician, sound artist, drummer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWith the percussionist background, Matsumoto uses his experience through playing and listening to environmental sounds, using non instrumental objects such as found objects, nature, body and devices for various sound expressions. He aims to break the boundaries between his output and the surrounding environmental sounds to explore deep listening improvisation expressions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreviously he has released 3 albums \"Mizu No Katachi (2015)\", \"OchiruChiruMichiru (2017)\" and “Mujo (2022)\" from the renown SPEKK label. Aside from creating music by improvising with the unpredictable nature, he also compose music for films, visual works, plays and commercial facilities. He also tours throughout Japan for performances including tour “Listen to the sound of people” tour which is aimed to just meet acquainted people without doing any performances \u003c\/span\u003e\u003cspan\u003ewithin the COVID-19 situation, space exhibitions and sound installations, site-specific exhibitions (residing and using the sound of that space). He also participates in the performance group Busstrio lead by Yuichiro Konno. He is also the executive committee member of the Ashi No Geijutsu Genya Festival held in Shiretoko Peninsula from 2021, always pursuing expressions based on sounds.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kazuya Matsumoto\u003c\/p\u003e\n\u003cp\u003eLabel : Nature Bliss\u003c\/p\u003e"}
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日本の音響作家Kazuya Matsumotoが、2022年11月にリリースした2枚組CDです。没入感のある物音〜フィールドレコーディング33曲を収録。 170 x 140mm 変形紙ジャケット入りの2枚組CD です。 32ページカラーブックレット, 録音時の映像風景動画へのQRコードが付属。 以下、レーベル解説です。 2014年から2022年まで制作期間に9年の歳月を費やした松本一哉の2枚組のサード・アルバムは、1st「水のかたち」と対になる、氷の音をテーマにしたアルバム。凍結した湖や流氷などが起こす音と共に、本来楽器ではない モノなどを使用し即興で 1 発録音をしたり、色々な仕掛けを用いて環境そのものに働きかけて録音した内容で、disc1...
¥4,000
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{"id":7830513025274,"title":"Sarah Ruth and Monte Espina \/\/ cuatro estaciones 2xCD","handle":"sarah-ruth-and-monte-espina-cuatro-estaciones-2xcd","description":"\u003cp\u003eアメリカ・テキサスの物音作家Sarah RuthとMonte Espinaが、2022年10月に同州実験レーベルFull Spectrumから150部限定でリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003e物音とフィールドレコーディングによるメロディ皆無のサウンドスケープ4曲、約2時間を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889642628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith autumn at the door, Full Spectrum Records is excited to share an expansive new collaboration from Texas-based improvisers Sarah Ruth Alexander and Monte Espina – ‘Cuatro Estaciones.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese recordings date back to the fall of 2020, when the pandemic was still in full swing. Desperately wanting to make music with people again, Alexander reached out to Monte Espina’s Ernesto Montiel and Miguel Espinel to see if they could potentially devise a way for the three of them to safely work together. Realizing that she had access to several acres of wooded property through her work at Joe Snow’s Aquatic Plants in Argyle, Texas – replete with man-made ponds, trails, and free flowing creeks – they hatched a plan to improvise and record en plein air, taking advantage of the environment’s natural acoustic features in the process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat first session in October 2020 was meant to be a one-off; but realizing the potentiality presented by seasonal shifts in the landscape, the trio decided to return to the property for a fresh session during each following season, selecting a new location for each performance, as well as inviting a small circle of friends to serve as a functional audience of sorts. The resulting material was documented by Stephen Lucas and ultimately refined\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e into this finished form by Andrew Weathers, thus providing a sweeping portrait of both the land itself and this small cadre of improvisers’ collective efforts to maintain creative connection during a fundamentally isolating time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is truly elemental music that we feel hits at the core of the Full Spectrum ethos, embodying deep connection and profound expression in dialogue with the natural world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Ruth and Monte Espina\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2022-11-09T08:02:41+09:00","created_at":"2022-11-07T14:33:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","Full Spectrum Records","monooto"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43623307018490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sarah Ruth and Monte Espina \/\/ cuatro estaciones 2xCD","public_title":null,"options":["Default Title"],"price":258000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206","\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_42bda51e-055b-44c8-92d7-efdbb2c04051.jpg?v=1667799207"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206","options":["Title"],"media":[{"alt":null,"id":30938679509242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu1_2826902f-59e7-442d-9ac5-2a0d327de302.jpg?v=1667799206","width":700},{"alt":null,"id":30938679542010,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_42bda51e-055b-44c8-92d7-efdbb2c04051.jpg?v=1667799207"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_42bda51e-055b-44c8-92d7-efdbb2c04051.jpg?v=1667799207","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの物音作家Sarah RuthとMonte Espinaが、2022年10月に同州実験レーベルFull Spectrumから150部限定でリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003e物音とフィールドレコーディングによるメロディ皆無のサウンドスケープ4曲、約2時間を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1889642628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith autumn at the door, Full Spectrum Records is excited to share an expansive new collaboration from Texas-based improvisers Sarah Ruth Alexander and Monte Espina – ‘Cuatro Estaciones.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese recordings date back to the fall of 2020, when the pandemic was still in full swing. Desperately wanting to make music with people again, Alexander reached out to Monte Espina’s Ernesto Montiel and Miguel Espinel to see if they could potentially devise a way for the three of them to safely work together. Realizing that she had access to several acres of wooded property through her work at Joe Snow’s Aquatic Plants in Argyle, Texas – replete with man-made ponds, trails, and free flowing creeks – they hatched a plan to improvise and record en plein air, taking advantage of the environment’s natural acoustic features in the process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat first session in October 2020 was meant to be a one-off; but realizing the potentiality presented by seasonal shifts in the landscape, the trio decided to return to the property for a fresh session during each following season, selecting a new location for each performance, as well as inviting a small circle of friends to serve as a functional audience of sorts. The resulting material was documented by Stephen Lucas and ultimately refined\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e into this finished form by Andrew Weathers, thus providing a sweeping portrait of both the land itself and this small cadre of improvisers’ collective efforts to maintain creative connection during a fundamentally isolating time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is truly elemental music that we feel hits at the core of the Full Spectrum ethos, embodying deep connection and profound expression in dialogue with the natural world.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Ruth and Monte Espina\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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アメリカ・テキサスの物音作家Sarah RuthとMonte Espinaが、2022年10月に同州実験レーベルFull Spectrumから150部限定でリリースした2枚組CDです。 物音とフィールドレコーディングによるメロディ皆無のサウンドスケープ4曲、約2時間を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available...
¥2,580
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{"id":7830387228922,"title":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","handle":"amelia-cuni-mumbai-04-02-1996-2xlp","description":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-08T17:19:28+09:00","created_at":"2022-11-07T11:50:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","field recording","lp"],"price":508000,"price_min":508000,"price_max":508000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622691733754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Amelia Cuni \/\/ Mumbai 04.02.1996 2xLP","public_title":null,"options":["Default Title"],"price":508000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","options":["Title"],"media":[{"alt":null,"id":30937487606010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_70e87e28-3916-4c6d-9a38-d66c81a12513.jpg?v=1667789440","width":700},{"alt":null,"id":30937487638778,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_a87aa2c8-06eb-4647-bef1-106c1f021179.jpg?v=1667789440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=644778719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing on from the stunning recording of her 1992 performance at the Berlin Parampara Festival (BT079), Black Truffle is pleased to continue its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours of music. Beginning with the serene Raga Lalit, Cuni dwells for over twenty-five minutes on its opening alap movement, accompanied only by tanpura, her limpid yet full-bodied voice moving from graceful exposition in free tempo to increasingly rhythmically active variations, gradually spiralling upward in register. She is then joined by master pakwahaj player Manik Munde for the raga’s dhrupad and dhamar sections, the resonant tone of the drum and his constant invention with the complex 14-beat cycle serving as the perfect accompaniment for Cuni’s ecstatic melodic developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the more solemn Raga Bhairav, Cuni’s alap, again stretching out over a whole side, is particularly notable for its powerful held notes and mastery of microtonal movement of pitch. After\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Munde returns for another rhythmically intricate dhamar movement, the record ends with the buoyancy of the Raga Alhaiya Bilaval, whose mode has, for the Western listener, an unmistakably ‘major’ quality. The rapturous applause that greets the performance is reflected in a remarkable selection of press clippings contemporary with the recording, which demonstrate Cuni’s success with Indian critics. Arriving in a gorgeous gatefold featuring stunning colour photographs of Cuni taken by legendary Australian fashion photographer Robyn Beeche (who resided in India from the early 90s), Mumbai. 04.02.1996 is a document of indescribable beauty and a moving testament to music’s ability to cross national and cultural borders.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amelia Cuni\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}
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イタリア・ミラノ出身ベルリン在住、インドにて北インド古典音楽ドゥルパドの技術を磨いてきたAmelia Cuniが、2022年9月にオーストラリアの実験レーベルBlack Truffleからリリースした2枚組レコードです。 彼女が1996年にムンバイで行ったコンサートの長尺ラーガ・ドローンを収録。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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