Hardworking Families // A Room And A Frog TAPE

Quickview {"id":6546980241573,"title":"Fossil Aerosol Mining Project \/\/ The Day 1982 Contaminated 1971 LP","handle":"fossil-aerosol-mining-project-the-day-1982-contaminated-1971-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカリフォルニアのサウンドアーティストJim Haynes主宰Helen Scarsdale Agency諸作を入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e本作は、80年代から活動するイリノイの物音コラージュカルテットFossil Aerosol Mining Projectが2015年にリリースしたレコードです。70年代フィルムからサンプリングされた物音コラージュ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2974588220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3800681054\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2974588220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=920558370\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWith this album, Fossil Aerosol returns to the damaged media and decomposing mediums of the late 20th century. The basic tracks were recorded in 2010, and were remixed and remastered in 2014. The source material for the work consists of dissociated fragments from nearly-lost genre films of the 1970s, filtered by scratched celluloid, bad splices, dropouts, and damaged control tracks.\u003cbr\u003e\u003cbr\u003eThe Day 1982 Contaminated 1971 was released on vinyl by the Helen Scarsdale Agency in 2015. The first 200 copies of the pressing included fragments of 1970s intermission film, recovered from an abandoned drive-in theater during the early 1980s and affixed to the cover art of the album.\u003cbr\u003e\u003cbr\u003eThis digital version includes \"Noice, Coak, and Pre-1982 Occurrences\", an extended \/ remix track that incorporates elements from several pieces on the LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Fossil Aerosol Mining Project\u003c\/p\u003e\n\u003cp\u003elabel : H\u003cspan data-mce-fragment=\"1\"\u003eelen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-02-28T18:42:27+09:00","created_at":"2021-02-28T18:42:27+09:00","vendor":"Tobira Records","type":"","tags":["drone","Helen Scarsdale Agency","lp","monooto","new"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39282414813349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fossil Aerosol Mining Project \/\/ The Day 1982 Contaminated 1971 LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0645391369_16.jpg?v=1614505634"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0645391369_16.jpg?v=1614505634","options":["Title"],"media":[{"alt":null,"id":20343811473573,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0645391369_16.jpg?v=1614505634"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0645391369_16.jpg?v=1614505634","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカリフォルニアのサウンドアーティストJim Haynes主宰Helen Scarsdale Agency諸作を入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e本作は、80年代から活動するイリノイの物音コラージュカルテットFossil Aerosol Mining Projectが2015年にリリースしたレコードです。70年代フィルムからサンプリングされた物音コラージュ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2974588220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3800681054\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2974588220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=920558370\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWith this album, Fossil Aerosol returns to the damaged media and decomposing mediums of the late 20th century. 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カリフォルニアのサウンドアーティストJim Haynes主宰Helen Scarsdale Agency諸作を入荷しました。本作は、80年代から活動するイリノイの物音コラージュカルテットFossil Aerosol Mining Projectが2015年にリリースしたレコードです。70年代フィルムからサンプリングされた物音コラージュ9曲を収録。 With this album, Fossil Aerosol returns to...

¥2,680

Quickview {"id":6546972803237,"title":"The Decline Effect \/\/ Jim Haynes 2xLP","handle":"the-decline-effect-jim-haynes-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカリフォルニアのサウンドアーティストJim Haynes主宰Helen Scarsdale Agency諸作を入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e本作は、オーナー\u003cmeta charset=\"utf-8\"\u003eJim Haynesが2011年にリリースした2枚組レコードです。丁寧に変化していくミニマル物音ドローン全4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998474179\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2749827650\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998474179\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2631874685\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eparapsychology introduced the notion of the decline effect as a statistical phenomenon of diminishing results whilst investigating extra-sensory perception and psychokinesis. where initial findings might substantiate proof of such abilities, further studies would almost always demonstrate the contrary. as such, this ontological disappearing act stands in allegorical parallel to the entropic art of jim haynes and frames his 2011 opus of the corroded drone and a compacted disintegration of sound.\u003cbr\u003e\u003cbr\u003ethis san francisco bay area artist has long defined his work through the pithy phrase: \"i rust things.\" the decline effect continues his investigations with electroacoustic decay through four bodies of evidence left behind from ephemeral aktions, shipwrecked electronics, re-engineered field recordings, and transmissions from the ether. haynes composes through all of these sources through a patient suturing of sympathetic elements, whether they be textural, tonal, visceral, heavenly, sodden, or monolithic. here, embers foretelling a nuclear winter gently waft upon industrial chorales amassed from an army of fidgeting motors; the sulfur-laden hiss from volcanic vents erupts from an organic thrum into boiling crescendos of environmental noise; geiger counter\u003cspan class=\"bcTruncateMore\"\u003e palpitations stream along a leaden sea of modulated radio noise; a warm explosion of sun-bleached distortion caresses the evanescent halos from an undulating mesmerism inexplicably not sourced from a guitar and \/ or digital patch authored by christian fennesz. on the decline effect, haynes' broken minimalism orbits somewhere near the work joe colley, the hafler trio, nurse with wound, and bj nilsen.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jim Haynes\u003c\/p\u003e\n\u003cp\u003elabel : H\u003cspan data-mce-fragment=\"1\"\u003eelen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-02-28T18:19:29+09:00","created_at":"2021-02-28T18:19:29+09:00","vendor":"Tobira Records","type":"","tags":["drone","Helen Scarsdale Agency","lp","monooto","new"],"price":335000,"price_min":335000,"price_max":335000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39282396233893,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Decline Effect \/\/ Jim Haynes 2xLP","public_title":null,"options":["Default Title"],"price":335000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0594858389_10.jpg?v=1614504517"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0594858389_10.jpg?v=1614504517","options":["Title"],"media":[{"alt":null,"id":20343616438437,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0594858389_10.jpg?v=1614504517"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0594858389_10.jpg?v=1614504517","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカリフォルニアのサウンドアーティストJim Haynes主宰Helen Scarsdale Agency諸作を入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e本作は、オーナー\u003cmeta charset=\"utf-8\"\u003eJim Haynesが2011年にリリースした2枚組レコードです。丁寧に変化していくミニマル物音ドローン全4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998474179\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2749827650\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998474179\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2631874685\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eparapsychology introduced the notion of the decline effect as a statistical phenomenon of diminishing results whilst investigating extra-sensory perception and psychokinesis. where initial findings might substantiate proof of such abilities, further studies would almost always demonstrate the contrary. as such, this ontological disappearing act stands in allegorical parallel to the entropic art of jim haynes and frames his 2011 opus of the corroded drone and a compacted disintegration of sound.\u003cbr\u003e\u003cbr\u003ethis san francisco bay area artist has long defined his work through the pithy phrase: \"i rust things.\" the decline effect continues his investigations with electroacoustic decay through four bodies of evidence left behind from ephemeral aktions, shipwrecked electronics, re-engineered field recordings, and transmissions from the ether. haynes composes through all of these sources through a patient suturing of sympathetic elements, whether they be textural, tonal, visceral, heavenly, sodden, or monolithic. here, embers foretelling a nuclear winter gently waft upon industrial chorales amassed from an army of fidgeting motors; the sulfur-laden hiss from volcanic vents erupts from an organic thrum into boiling crescendos of environmental noise; geiger counter\u003cspan class=\"bcTruncateMore\"\u003e palpitations stream along a leaden sea of modulated radio noise; a warm explosion of sun-bleached distortion caresses the evanescent halos from an undulating mesmerism inexplicably not sourced from a guitar and \/ or digital patch authored by christian fennesz. on the decline effect, haynes' broken minimalism orbits somewhere near the work joe colley, the hafler trio, nurse with wound, and bj nilsen.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jim Haynes\u003c\/p\u003e\n\u003cp\u003elabel : H\u003cspan data-mce-fragment=\"1\"\u003eelen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e"}

カリフォルニアのサウンドアーティストJim Haynes主宰Helen Scarsdale Agency諸作を入荷しました。本作は、イリノイの物音コラージュカルテットFossil Aerosol Mining Projectと、ダークアンビエントデュオ400 Lonely Things Nigths and Profecyによるスプリットカセットです。Fossil Aerosol Mining...

¥1,380

Quickview {"id":6545091199141,"title":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","handle":"lawrence-english-transit-15th-anniversary-edition-cd","description":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが2005年にリリースしたアルバムをCDで再発。全7曲の環境音＋アンビエントドローンを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:17:23+09:00","created_at":"2021-02-27T11:12:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","new","room40"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276037341349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lawrence English \/\/ Transit (15th Anniversary Edition) CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr2.jpg?v=1614391976"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976","options":["Title"],"media":[{"alt":null,"id":20330201940133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1.jpg?v=1614391976","width":700},{"alt":null,"id":20330201972901,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr2.jpg?v=1614391976"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr2.jpg?v=1614391976","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア音響シーンの代表格Lawrence Englishが2005年にリリースしたアルバムをCDで再発。全7曲の環境音＋アンビエントドローンを収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664874146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Transit was my first full length solo recording. When I say solo, I’m in no way reducing the contributions of friends like Mike Cooper, Tam Patton, Cat Hope, DJ Olive, Ben Frost, Gail Priest, Scanner, Philip Samartzis, John Chantler and Heinz Riegler who all helped to realise this work. Frankly, without them the record would have been a whole lot less interesting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the title suggests, this is categorically a record about motion, about transitions and about the ways of recognising the lived-in world that is so acutely felt in the earliest years of travelling. During this time, my world view expanded considerably and I was struck by the complexities of the world, the interpersonal relationships people experienced each day, the political intensities that haunted cities (perhaps most clearly captured in the transformed recordings of ultra nationalist speakers on the streets of Tokyo), the dynamic shifts of season (something rather foreign to us antipodeans) and the experiential list goes on.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt the time of making this record, I was quite focused on the idea of creating sound works that were detached from emotion. This wasn’t to say I wanted to create a cold music, but rather one that was utterly focused on the sensory qualities of the experiences that\u003cspan class=\"bcTruncateMore\"\u003e informed it. Phenomenology instead of affect theory I guess you could say. Returning to this record a decade and a half on, it’s funny how powerfully nostalgic and intensely emotional the memories carried in these pieces have become. My intensions, at least from my own listenership, have completely failed and I can say I do (deeply) feel this music (and thankfully sense its places and spaces too).\u003cbr\u003e\u003cbr\u003eEach of the pieces on Transit were born out of field recording. During these years, I was recording literally all the time. I found it a powerful device for memory and also for imagination. Revisiting the recordings months or years after making them, I found different qualities of those times were revealed and those shifts often shaped the way the pieces were composed. It’s with pleasure I share this work again, freshly remastered and with a few little bits and pieces cleaned up.\"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e- Lawrence English\u003c\/p\u003e\n\u003cp\u003eArtist : Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}