Luz Azul // Luz Azul LP

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アメリカ・LAのボイスパフォーマーAnna HomlerとMarcos Fernandes、Robert MontoyaによるユニットLuz Azulのセルフタイトルレコードです。

ストレンジビーツ〜物音フリージャズ5曲を収録。

Edition of 350.

Vinyl release of this unearthed 2008 recording Anna Homler made with Marcos Fernandes and Robert Montoya. Includes an extra insert with liner notes by Tom Recchion (Los Angeles Free Music Society).

Description by Cortizona:

" Luz Azul is a group started by LA-based vocal and performance artist Anna Homler (aka Breadwoman) together with musicians Marcos Fernandes and Robert Montoya in 2007. On this record they compose their own mesmerising cosmic universe where the hypnotic speaking in tongue voice of Anna Homler blends mesmerisingly together with the sound of her found toys, intensified by the shamanistic percussion of Marcos and the pulsating electronics
of Montoya.

As fellow percussionists and sound artists, Marcos Fernandes and Robert Montoya’s collaborations began in 1983 and ran the gamut from ambient to noise, rock to electronica to improvisation. Both were founding members of Trummerflora, a collective of creative musicians based in San Diego from 1999 to 2009.
All three artists were active in the improvised music scene in Southern California and met at Spring Reverb 2006, an annual festival of experimental music curated by the Trummerflra Collective. At the time, Fernandes was experimenting with processed percussion as well as phonography and samples while Montoyawas exploring improvisational possibilities on the computer. Fernandes and Homler expressed their mutual interest in collaborating but it was not until the fall of 2007 that they performed a series of concerts together. Pleased with the results, they performed together again in the spring of 2008 with the addition of Montoya. There was chemistry and the trio promptly decided to enter the studio to capture their collective magic. The session yielded the music found on Luz Azul. "

Artist : Luz Azul

Label : Cortizona

Quantity

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アメリカ・LAのボイスパフォーマーAnna HomlerとMarcos Fernandes、Robert MontoyaによるユニットLuz Azulのセルフタイトルレコードです。

ストレンジビーツ〜物音フリージャズ5曲を収録。

Edition of 350.

Vinyl release of this unearthed 2008 recording Anna Homler made with Marcos Fernandes and Robert Montoya. Includes an extra insert with liner notes by Tom Recchion (Los Angeles Free Music Society).

Description by Cortizona:

Artist : Luz Azul

Label : Cortizona

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Waldman has accompanied his aunt, poet Anne Waldman, since the age of ten. Waldman is a co-founding member of Radical Reversal, Diva of Deva Loka, and Notable Deaths. He has performed with Patti Smith, William Parker, Nadah El Shazly, Malcolm Mooney, Thurston Moore, Godspeed! You Black Emperor, Charles Hayward, Luke Stewart and Yoshiko Chuma. Waldman is also a member of NYC’s Heroes Are Gang Leaders (led by poet Thomas Sayers Ellis and saxophonist James Brandon Lewis), of Sam Shalabi’s Land of Kush, and of the Norwegian hardcore group MoE. As a youngster, Waldman was taken under the wing of avant-garde giant Paul Bley. Along with Anne Waldman and cousin Ambrose Bye, Waldman is a co-producer for Fast Speaking Music - a NYC poetry and music label which has released recordings with Amiri Baraka, Meredith Monk, William Parker, Laurie Anderson, Eileen Myles, CAConrad, Fred Moten, Daniel Carter, Clark Coolidge, Thurston Moore, Joanne Kyger and many others.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAncient to the future 2.0\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWatermelancholia is about the law of Karma:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ea law so obvious that it often goes unspecified\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand ignored.\u003cbr data-mce-fragment=\"1\"\u003eNeglecting this law invites a world of chaos.\u003cbr data-mce-fragment=\"1\"\u003eIt’s been articulated in endless ways.\u003cbr data-mce-fragment=\"1\"\u003eSome have called it Cosmic Law or Natural Law.\u003cbr data-mce-fragment=\"1\"\u003eOthers translate it as Do No Harm.\u003cbr data-mce-fragment=\"1\"\u003e(liner notes excerpt)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe moment the first bass note of Luke Stewart kicks in on ‘Watermelancholia’, followed by the swelling drum roll of Malick Koly and the lush leading voice of Janice Lowe you feel Devin Brahja will take you on a deep mind blowing spiritual journey.\u003cbr\u003e\u003cbr\u003eChanneling wild seventies Impulse vibes on ‘O.P.K’ or, could we say, even resonating the guts of early Art Ensemble of Chicago and the tempering spirit of Max Roach’s ‘We Insist’ era: BRAHJA is soul searching their spirit on ‘Watermelancholia.\u003cbr\u003e\u003cbr\u003eA poetic stream of conciousness, backboned by topnotch musicians, transcending the cosmic universe, trying to find answers and musically connecting.\u003cbr\u003e\u003cbr\u003eWatermelancholia is a meditation on healing the inner schism between the sense of self - the ego - and the innerbeing. It is about bringing the ego tojustice; putting it on trial, as it were. (liner notes excerpt)\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BRAHJA\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}

アメリカ・NYのサックス／マルチ奏者Devin Brahja Waldman率いるBRAHJAが、2022年12月にベルギーの実験レーベルCortizonaからリリースしたレコードです。スピリチュアルジャズ5曲を収録。DLコードとブックレット付属。レーベルその他作品はこちら /// Click here to see more Cortizona releases available at Tobira. ---------------------------...

¥4,190

Quickview {"id":7897584894202,"title":"Frederik Croene \/\/ Solastalgia LP","handle":"frederik-croene-solastalgia-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーのピアニストFrederik Croeneが、2022年9月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eCortizonaから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e気候変動をコンセプトにしたピアノコンテンポラリー4曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e気候変動の心配な兆候について語り合う言葉を、私たちはまだ見つけられていないのです。8月のはじめに紅葉の上を歩いていて不安になるのは、ごく普通のことでしょう。でも、それをどうやって伝えればいいのでしょう？私たちは、ヒステリックな狂信者になりたくないのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの音楽で、気候の痛みそのものに焦点を当て、リスナーが潜在的に感じている不安や環境に対する懸念の高まりを探るよう、やさしく誘うことを試みています。現実の世界と同じように、私たちは現実の問題を回避しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、4つの異なる試みによって、最終的に私たち全員をつなぐことになる、より深い痛みについてのコミュニケーションへの道を切り開こうとしています。私の一般的な手法は、偽りのノスタルジアに満ちた心地よいメロディーから始まり、自爆モードにギアチェンジした後、痛々しいクエスチョンマークに変化していくものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最初のパートは、繰り返される音符を伴った牧歌的なメロディーで始まり、遠くでミュートされたアラームのエコーのようになります。そのメロディーは、ラヴェルの「夜のガスパール」のような高音域の不協和音の旋律へと痛烈に説明され始めます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2曲目ではビートルズのような暖かいメロディー（And I love her）が、後のレノンの曲のような奇妙なヒッピーのマントラと対決しています。文章は音節に還元され、その結果、あまりの意味の重さにクラッシュして震える孤独な音になります。ショスタコーヴィチの最新作、ヴィオラとピアノのためのソナタのように。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eバッハのErbarme dich, Mein Gottの下降旋律は、第3曲の上下のヴォイシングに響き、エンニオ・モリコーネらしい、脅威のウェスタン・ドットのリズム伴奏と並置されます。このリズムはやがて、1972年のキャプテン・ビーフハートの初期エコロジー警告歌Blabber and Smoke（大きな窓ガラスがある／あなたの窓に痛みがある、それはあなたたちを吊るすつもりだ、... あなたたちをぶら下げる）を引用するように発展していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e曲の中盤では、音楽が爆発し、3つのレイヤーがキーボードの上に散らばり、別の痛みを伴う疑問符に向かって名人芸のような大渦巻きを繰り広げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRZAのアルバム「Liquid Swords」の最初の音を引用しているのが、かろうじて目に付く程度で、苦い答えはビジネスに戻っています。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e最後の曲はある種のマントラであり、全編を通して同じ7\/4のパルスです。キーボードのAとBのダンパーはミドルペダルによって解放され、常にレゾナンスを維持します。メロディックなセルは、量感を変化させながら、小さな鐘のようなパーカッシブなクラスター演奏と交互に繰り返されます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの曲を作曲しているとき、日曜日の朝、教会を出て、鐘の音を聞きながら、地元の方言で世間話をする人たちの間を取り持っているイメージが浮かんできました。どうやら私は、このような会話を呼び起こそうとしたようです。しかし、その会話には架空の警戒すべき話題、つまり現代の話題が注入されているのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3011480209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=737704253\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code +\u003cspan data-mce-fragment=\"1\"\u003e insert \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFrederik Croene (August ’22):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing concerns about the environment. As in real life, we circumvent the real issues because they are just too big, there are no words,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eno expressions yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album tries, in four different attempts, to carve out a path towards communicating about a deeper pain that eventually will connect us all. My general method is to start with a comforting melody, full of fake nostalgia, which, after changing gear to autodestruct mode, morphs into a painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first part sets off with an idyllic melody, accompanied by repeated notes, as a far, muted echo of an alarm. The melody starts to explain itself painfully into a dissonant whirlwind in the high register, sounding not unlike Ravel’s Gaspard de la Nuit bravura.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the second piece a warm Beatles like melody (And I love her) gets confronted with the weird hippie mantra of a later Lennon song War is over, if you want it. Sentences get reduced to syllables and result in lonely notes that crash and shiver under the burden of too much meaning. Like Shostakovich’s latest work, the Sonata for viola and piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe descending melody of Bach’s Erbarme dich, Mein Gott is echoed in the upper and lower voicings of the third piece, juxtaposed to a typical, threatening Ennio Morricone Western dotted rhythm accompaniment. This rhythm eventually evolves into citing the 1972 Captain Beefheart early ecological warning song Blabber and Smoke (there’s a big pane\/pain in your window, it’s gonna hang you all,… dangle you all).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTowards the middle of the piece, the music explodes and the three layers get dispersed all over the keyboard in a virtuosic maelstrom towards another painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bitter answer is going back to business with a barely noticeable citation of the first notes of the RZA’s Liquid Swords album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe final piece is some kind of mantra, the same 7\/4 pulse all throughout the piece. The dampers of all A’s and B’s on the keyboard are released by the middle pedal, thus sustaining an ever present resonance. Melodic cells alternate in shifting quantifications with small, bell like percussive cluster playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile composing this piece an image crept up: walking out of the church on Sunday morning, tolling bells enthusiastically moderating the churchgoers’ small talk in the local dialect. Apparently I have tried to evoke this kind of conversation, but injecting it with fictitious alarming conversation topics, the contemporary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frederik Croene \u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2023-01-18T09:54:42+09:00","created_at":"2023-01-18T09:54:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cortizona","jazz","lp","new"],"price":375000,"price_min":375000,"price_max":375000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43905090322682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Frederik Croene \/\/ Solastalgia LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360","options":["Title"],"media":[{"alt":null,"id":31392962445562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2520894285_16.jpg?v=1674003360","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギーのピアニストFrederik Croeneが、2022年9月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eCortizonaから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e気候変動をコンセプトにしたピアノコンテンポラリー4曲を収録。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e気候変動の心配な兆候について語り合う言葉を、私たちはまだ見つけられていないのです。8月のはじめに紅葉の上を歩いていて不安になるのは、ごく普通のことでしょう。でも、それをどうやって伝えればいいのでしょう？私たちは、ヒステリックな狂信者になりたくないのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの音楽で、気候の痛みそのものに焦点を当て、リスナーが潜在的に感じている不安や環境に対する懸念の高まりを探るよう、やさしく誘うことを試みています。現実の世界と同じように、私たちは現実の問題を回避しています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、4つの異なる試みによって、最終的に私たち全員をつなぐことになる、より深い痛みについてのコミュニケーションへの道を切り開こうとしています。私の一般的な手法は、偽りのノスタルジアに満ちた心地よいメロディーから始まり、自爆モードにギアチェンジした後、痛々しいクエスチョンマークに変化していくものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最初のパートは、繰り返される音符を伴った牧歌的なメロディーで始まり、遠くでミュートされたアラームのエコーのようになります。そのメロディーは、ラヴェルの「夜のガスパール」のような高音域の不協和音の旋律へと痛烈に説明され始めます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2曲目ではビートルズのような暖かいメロディー（And I love her）が、後のレノンの曲のような奇妙なヒッピーのマントラと対決しています。文章は音節に還元され、その結果、あまりの意味の重さにクラッシュして震える孤独な音になります。ショスタコーヴィチの最新作、ヴィオラとピアノのためのソナタのように。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eバッハのErbarme dich, Mein Gottの下降旋律は、第3曲の上下のヴォイシングに響き、エンニオ・モリコーネらしい、脅威のウェスタン・ドットのリズム伴奏と並置されます。このリズムはやがて、1972年のキャプテン・ビーフハートの初期エコロジー警告歌Blabber and Smoke（大きな窓ガラスがある／あなたの窓に痛みがある、それはあなたたちを吊るすつもりだ、... あなたたちをぶら下げる）を引用するように発展していきます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e曲の中盤では、音楽が爆発し、3つのレイヤーがキーボードの上に散らばり、別の痛みを伴う疑問符に向かって名人芸のような大渦巻きを繰り広げます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRZAのアルバム「Liquid Swords」の最初の音を引用しているのが、かろうじて目に付く程度で、苦い答えはビジネスに戻っています。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e最後の曲はある種のマントラであり、全編を通して同じ7\/4のパルスです。キーボードのAとBのダンパーはミドルペダルによって解放され、常にレゾナンスを維持します。メロディックなセルは、量感を変化させながら、小さな鐘のようなパーカッシブなクラスター演奏と交互に繰り返されます。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの曲を作曲しているとき、日曜日の朝、教会を出て、鐘の音を聞きながら、地元の方言で世間話をする人たちの間を取り持っているイメージが浮かんできました。どうやら私は、このような会話を呼び起こそうとしたようです。しかし、その会話には架空の警戒すべき話題、つまり現代の話題が注入されているのです。\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3011480209\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=737704253\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code +\u003cspan data-mce-fragment=\"1\"\u003e insert \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFrederik Croene (August ’22):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWe haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing concerns about the environment. As in real life, we circumvent the real issues because they are just too big, there are no words,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eno expressions yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album tries, in four different attempts, to carve out a path towards communicating about a deeper pain that eventually will connect us all. My general method is to start with a comforting melody, full of fake nostalgia, which, after changing gear to autodestruct mode, morphs into a painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first part sets off with an idyllic melody, accompanied by repeated notes, as a far, muted echo of an alarm. The melody starts to explain itself painfully into a dissonant whirlwind in the high register, sounding not unlike Ravel’s Gaspard de la Nuit bravura.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the second piece a warm Beatles like melody (And I love her) gets confronted with the weird hippie mantra of a later Lennon song War is over, if you want it. Sentences get reduced to syllables and result in lonely notes that crash and shiver under the burden of too much meaning. Like Shostakovich’s latest work, the Sonata for viola and piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe descending melody of Bach’s Erbarme dich, Mein Gott is echoed in the upper and lower voicings of the third piece, juxtaposed to a typical, threatening Ennio Morricone Western dotted rhythm accompaniment. This rhythm eventually evolves into citing the 1972 Captain Beefheart early ecological warning song Blabber and Smoke (there’s a big pane\/pain in your window, it’s gonna hang you all,… dangle you all).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTowards the middle of the piece, the music explodes and the three layers get dispersed all over the keyboard in a virtuosic maelstrom towards another painful question mark.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe bitter answer is going back to business with a barely noticeable citation of the first notes of the RZA’s Liquid Swords album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe final piece is some kind of mantra, the same 7\/4 pulse all throughout the piece. The dampers of all A’s and B’s on the keyboard are released by the middle pedal, thus sustaining an ever present resonance. Melodic cells alternate in shifting quantifications with small, bell like percussive cluster playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile composing this piece an image crept up: walking out of the church on Sunday morning, tolling bells enthusiastically moderating the churchgoers’ small talk in the local dialect. Apparently I have tried to evoke this kind of conversation, but injecting it with fictitious alarming conversation topics, the contemporary.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Frederik Croene \u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}

ベルギーのピアニストFrederik Croeneが、2022年9月に同国実験レーベルCortizonaから400部限定でリリースしたレコードです。気候変動をコンセプトにしたピアノコンテンポラリー4曲を収録。DLコード付属。以下、作家本人による解説です。気候変動の心配な兆候について語り合う言葉を、私たちはまだ見つけられていないのです。8月のはじめに紅葉の上を歩いていて不安になるのは、ごく普通のことでしょう。でも、それをどうやって伝えればいいのでしょう？私たちは、ヒステリックな狂信者になりたくないのです。私はこの音楽で、気候の痛みそのものに焦点を当て、リスナーが潜在的に感じている不安や環境に対する懸念の高まりを探るよう、やさしく誘うことを試みています。現実の世界と同じように、私たちは現実の問題を回避しています。このアルバムでは、4つの異なる試みによって、最終的に私たち全員をつなぐことになる、より深い痛みについてのコミュニケーションへの道を切り開こうとしています。私の一般的な手法は、偽りのノスタルジアに満ちた心地よいメロディーから始まり、自爆モードにギアチェンジした後、痛々しいクエスチョンマークに変化していくものです。最初のパートは、繰り返される音符を伴った牧歌的なメロディーで始まり、遠くでミュートされたアラームのエコーのようになります。そのメロディーは、ラヴェルの「夜のガスパール」のような高音域の不協和音の旋律へと痛烈に説明され始めます。2曲目ではビートルズのような暖かいメロディー（And I love her）が、後のレノンの曲のような奇妙なヒッピーのマントラと対決しています。文章は音節に還元され、その結果、あまりの意味の重さにクラッシュして震える孤独な音になります。ショスタコーヴィチの最新作、ヴィオラとピアノのためのソナタのように。バッハのErbarme dich, Mein Gottの下降旋律は、第3曲の上下のヴォイシングに響き、エンニオ・モリコーネらしい、脅威のウェスタン・ドットのリズム伴奏と並置されます。このリズムはやがて、1972年のキャプテン・ビーフハートの初期エコロジー警告歌Blabber and Smoke（大きな窓ガラスがある／あなたの窓に痛みがある、それはあなたたちを吊るすつもりだ、... あなたたちをぶら下げる）を引用するように発展していきます。曲の中盤では、音楽が爆発し、3つのレイヤーがキーボードの上に散らばり、別の痛みを伴う疑問符に向かって名人芸のような大渦巻きを繰り広げます。RZAのアルバム「Liquid...

¥3,750

Quickview {"id":7626898014458,"title":"Patty Waters \/\/ You Loved Me LP","handle":"patty-waters-you-loved-me-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill EvansやHerbie Hancockなどとの共演でも知られるアメリカ・NYのシンガーPatty Watersが、1970年代に制作した未発表曲をコンパイルしたレコードです。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3698073287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code +\u003cspan data-mce-fragment=\"1\"\u003e insert with liner notes by Eric Terino.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFirst time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single ‘My One And Only Love’ and a recorded live session at Lone Mountain College in 1974.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album ‘You Loved Me’ is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60’s and her post 90’s releases.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe missing link between the radical ingenue of the 1960s and her late 90’s songs wherein she expressed the resolution of all of her life’s moments through mature readings of traditional songs and jazz standards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album aims to provide that missing link and to finally complete the picture of her storied recording career.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what would have been her third LP, the ‘You Loved Me’ album serves as the inverse of Patty’s debut.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile her debut “Sings” concerned itself with themes of heartbreak, loneliness and yearning, there’s an abundance of love, joy and togetherness on “You Loved Me”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOr in Patty’s own words: “I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e could be“\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn ‘You Loved Me’ Patty Waters velvet voice captures this longing for love, straight from her soul to your heart.\u003cbr data-mce-fragment=\"1\"\u003eCrossing the border of avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-side while the 14 minute composition ‘Touched By Rodin In A Paris Museum’ on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'You Loved Me’ proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, why Miles Davis was impressed by her and why she can count Patti Smith and Yoko Ono (to name a few) amongst her fans.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patty Waters\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2022-06-05T11:28:53+09:00","created_at":"2022-06-05T10:27:10+09:00","vendor":"Tobira Records","type":"","tags":["cortizona","folk \/ left-field pop","jazz","lp","new"],"price":375000,"price_min":375000,"price_max":375000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42824890548474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patty Waters \/\/ You Loved Me LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1654392431","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/yo2_c939c93b-901a-472f-b2c1-fd3746060014.jpg?v=1654392431"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1654392431","options":["Title"],"media":[{"alt":null,"id":29811292242170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1654392431"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1654392431","width":700},{"alt":null,"id":29811292274938,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/yo2_c939c93b-901a-472f-b2c1-fd3746060014.jpg?v=1654392431"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/yo2_c939c93b-901a-472f-b2c1-fd3746060014.jpg?v=1654392431","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill EvansやHerbie Hancockなどとの共演でも知られるアメリカ・NYのシンガーPatty Watersが、1970年代に制作した未発表曲をコンパイルしたレコードです。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3698073287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code +\u003cspan data-mce-fragment=\"1\"\u003e insert with liner notes by Eric Terino.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFirst time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single ‘My One And Only Love’ and a recorded live session at Lone Mountain College in 1974.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album ‘You Loved Me’ is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60’s and her post 90’s releases.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe missing link between the radical ingenue of the 1960s and her late 90’s songs wherein she expressed the resolution of all of her life’s moments through mature readings of traditional songs and jazz standards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album aims to provide that missing link and to finally complete the picture of her storied recording career.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what would have been her third LP, the ‘You Loved Me’ album serves as the inverse of Patty’s debut.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile her debut “Sings” concerned itself with themes of heartbreak, loneliness and yearning, there’s an abundance of love, joy and togetherness on “You Loved Me”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOr in Patty’s own words: “I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e could be“\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn ‘You Loved Me’ Patty Waters velvet voice captures this longing for love, straight from her soul to your heart.\u003cbr data-mce-fragment=\"1\"\u003eCrossing the border of avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-side while the 14 minute composition ‘Touched By Rodin In A Paris Museum’ on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'You Loved Me’ proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, why Miles Davis was impressed by her and why she can count Patti Smith and Yoko Ono (to name a few) amongst her fans.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patty Waters\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}