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{"id":8446300324090,"title":"JP \/\/ field research TAPE","handle":"jp-field-research-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・バーモントの実験レーベルGranite City主宰JPが、2024年4月にカナダの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテープマシーン、フィールドレコーディングによるLo-Fiコンクレート〜コラージュ・ノイズ8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1726575774\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. field study no 1 04:26\u003cbr\u003e2. field study no 2 04:43\u003cbr\u003e3. field study no 3 02:37\u003cbr\u003e4. field study no 4 04:03\u003cbr\u003e5. field study no 5 05:05\u003cbr\u003e6. field study no 6 02:22\u003cbr\u003e7. field study no 7 04:58\u003cbr\u003e8. song for Boulder 03:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by JP:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ethe title chosen explains not just the concept and methods behind this release, but the entire purpose for my interest in sound as a whole. for the past several years, an enthusiasm for exploring sound has subsumed my interest in creating it. for one, there is a directness between the source itself and what it expresses. two, simplicity is efficiency; the entire process was done with field recordings and tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ei’ve also come to a third realization, which is now a general principle in my understanding of “noise” and sound art in general: presentation over simulation. while one could use devices, gadgets or instruments to convey a certain experience of that reality, that reality could be arguably better presented directly and by itself, as \u003c\/em\u003e\u003cem\u003eits own material and representation simultaneously. for example, \u003c\/em\u003e\u003cem\u003ei found it easier to locate areas and certain types of sound or qualities of sound than to recreate or synthesize them with effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe reality conveyed is that the world is defined in many ways by constant sound. as we enter the anthropocene era, human-generated noise has come to define the auditory experience for most people and animals. i also found it difficult to avoid, whenever attempted, during these sessions. i kept thinking about the amount of physical waste myself and others have damaged the environment with, using equipment to create, explore and present our findings in sound. it occurred to me that when searching for areas with interesting sound qualities or just quiet, i no longer see private property as a viable option for our species. many of these locations captured were abandoned, unused properties left in a dangerous state. in some cases, i was harassed or threatened in the process.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JP\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 041 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-19T19:36:50+09:00","created_at":"2024-05-19T12:24:07+09:00","vendor":"Tobira Records","type":"","tags":["buried in slag and debris","drone","monooto","new","noise","tape"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46010976698618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JP \/\/ field research TAPE","public_title":null,"options":["Default Title"],"price":198800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956","options":["Title"],"media":[{"alt":null,"id":34073418072314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp1.jpg?v=1716088956","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・バーモントの実験レーベルGranite City主宰JPが、2024年4月にカナダの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eBuried In Slag and Debrisからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテープマシーン、フィールドレコーディングによるLo-Fiコンクレート〜コラージュ・ノイズ8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1726575774\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227835826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bisad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bisad\"\u003ehere\u003c\/a\u003e to see more Buried In Slag and Debris releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. field study no 1 04:26\u003cbr\u003e2. field study no 2 04:43\u003cbr\u003e3. field study no 3 02:37\u003cbr\u003e4. field study no 4 04:03\u003cbr\u003e5. field study no 5 05:05\u003cbr\u003e6. field study no 6 02:22\u003cbr\u003e7. field study no 7 04:58\u003cbr\u003e8. song for Boulder 03:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by JP:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ethe title chosen explains not just the concept and methods behind this release, but the entire purpose for my interest in sound as a whole. for the past several years, an enthusiasm for exploring sound has subsumed my interest in creating it. for one, there is a directness between the source itself and what it expresses. two, simplicity is efficiency; the entire process was done with field recordings and tapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ei’ve also come to a third realization, which is now a general principle in my understanding of “noise” and sound art in general: presentation over simulation. while one could use devices, gadgets or instruments to convey a certain experience of that reality, that reality could be arguably better presented directly and by itself, as \u003c\/em\u003e\u003cem\u003eits own material and representation simultaneously. for example, \u003c\/em\u003e\u003cem\u003ei found it easier to locate areas and certain types of sound or qualities of sound than to recreate or synthesize them with effects.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe reality conveyed is that the world is defined in many ways by constant sound. as we enter the anthropocene era, human-generated noise has come to define the auditory experience for most people and animals. i also found it difficult to avoid, whenever attempted, during these sessions. i kept thinking about the amount of physical waste myself and others have damaged the environment with, using equipment to create, explore and present our findings in sound. it occurred to me that when searching for areas with interesting sound qualities or just quiet, i no longer see private property as a viable option for our species. many of these locations captured were abandoned, unused properties left in a dangerous state. in some cases, i was harassed or threatened in the process.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JP\u003c\/p\u003e\n\u003cp\u003eLabel : Buried In Slag and Debris\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBISAD 041 \u003c\/span\u003e\u003c\/p\u003e"}
