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{"id":9012370505978,"title":"Toni Dimitrov \/\/ Ghosts Of Atlantis CDr","handle":"toni-dimitrov-ghosts-of-atlantis-cdr","description":"\u003cp\u003e\u003cspan\u003e東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217173047\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003ehere\u003c\/a\u003e to see more Kirigirsu Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCDr in cardstock sleeve with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efront image printed on photo paper and back information sticker.\u003c\/span\u003e\u003cbr\u003eEdition of 40.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ghosts Of Atlantis 28:16\u003cbr\u003e2. African Temples 28:16\u003c\/p\u003e\n\u003cp\u003eKirigirisu Recordings:\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGhosts of Atlantis” unfolds as a sweeping, immersive soundscape. From the opening of the first track, “Ghosts of Atlantis”, you’re plunged into a submerged realm where ambient textures stretch out like the endless deep. Layers of drifting drones and subtle hums evoke the vastness of an ancient sunken continent, while intermittent glitches, crackles, and bursts of feedback add a tension that disrupts the calm — the sound remains ambient at its core, but is threaded through with noise elements that hint at decay, ruin, and the passage of time. The piece moves slowly, evolving almost imperceptibly, so that one becomes aware less of melodic development than of shifting atmospheres, pressure changes, and the slow dissolution of forms.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe second track, “African Temples”, extends this sonic exploration into a different terrain — less mythic undersea ruin, more primordial landmass, ancient rhythms, and continental drift. Again, the ambient base is present: washes of sound, shimmering high harmonics, subterranean rumbles. But the noise elements here are more visceral — metallic rattles, distant percussive blasts, hiss and static, like tectonic plates grinding beneath a hidden land, or a ghost-memory of some lost civilization rising and falling. The track is long-form, meditative yet uneasy — it invites the listener to sink\u003cspan class=\"bcTruncateMore\"\u003e into a state of listening rather than simply hearing, to inhabit a sound world of half-remembered geographies and fading empires. In both pieces, the dual qualities of serenity and unrest are held in tension: ambient calm meets the raw energy of noise, and the result is haunting, expansive, and richly textured.\u003cbr\u003eTogether, the two long-form compositions function as a diptych — an exploration of the watery underworld of a mythic lost empire that gradually extends its metaphor into land, drift, origins, and memory. The ambient core of each piece invites deep listening, focusing on atmosphere rather than melody, while the noise elements draw the listener into a palpable sense of impermanence and collapse. This is sound art that rewards patience, offering an auditory architecture built from memory, myth, and erasure.\u003cbr\u003e\u003cbr\u003eAtlantis as an Obsession\u003cbr\u003eToni Dimitrov’s fascination with the myth of Atlantis serves as the conceptual backbone for this album. Atlantis, in its classical formulation, is the lost island — the vanished super-civilization, the memory of something once mighty and now gone beneath the waves. For Dimitrov, Atlantis becomes a metaphor: for forgotten histories, collapsed ecologies, and the ghost-echoes of human ambition. His obsession manifests in the sonic architecture of the album — the submerged drones mirror the ocean’s enveloping power; the noise bursts reflect collapse and rupture; and the long-form structure echoes geological or mythic time rather than conventional track sequencing. In this way, the album becomes less a collection of songs and more a mythic sound-journey: one enters the realm of Atlantis, wanders through its ruins, listens to the water reclaiming walls and towers, and contemplates what remains when a civilisation disappears. In “African Temples”, he extends this obsession outward — Atlantis as a metaphor for other lost or hidden worlds, for the deep time of continents, and for the sense that beneath the surface of what we see lies something far older and far stranger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toni Dimitrov\u003c\/p\u003e\n\u003cp\u003eLabel : Kirigirisu Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekgr064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-28T13:27:46+09:00","created_at":"2025-11-28T09:35:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","kirigirisu","new"],"price":80000,"price_min":80000,"price_max":80000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48012477169914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Toni Dimitrov \/\/ Ghosts Of Atlantis CDr","public_title":null,"options":["Default Title"],"price":80000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","options":["Title"],"media":[{"alt":null,"id":37635865411834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho1_bb82cf1b-326c-4dce-8e77-8e43beed07cf.jpg?v=1764290035","width":700},{"alt":null,"id":37635865379066,"position":2,"preview_image":{"aspect_ratio":1.012,"height":1186,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035"},"aspect_ratio":1.012,"height":1186,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gho.jpg?v=1764290035","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e東京の実験音楽家Broken Shoulder主宰レーベルKirigirisu Recordings諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、マケドニアのアンビエント作家Toni Dimitrovが、2025年11月に40部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを用いたアンビエントドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217173047\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kiri\"\u003ehere\u003c\/a\u003e to see more Kirigirsu Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCDr in cardstock sleeve with \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efront image printed on photo paper and back information sticker.\u003c\/span\u003e\u003cbr\u003eEdition of 40.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ghosts Of Atlantis 28:16\u003cbr\u003e2. African Temples 28:16\u003c\/p\u003e\n\u003cp\u003eKirigirisu Recordings:\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGhosts of Atlantis” unfolds as a sweeping, immersive soundscape. From the opening of the first track, “Ghosts of Atlantis”, you’re plunged into a submerged realm where ambient textures stretch out like the endless deep. Layers of drifting drones and subtle hums evoke the vastness of an ancient sunken continent, while intermittent glitches, crackles, and bursts of feedback add a tension that disrupts the calm — the sound remains ambient at its core, but is threaded through with noise elements that hint at decay, ruin, and the passage of time. The piece moves slowly, evolving almost imperceptibly, so that one becomes aware less of melodic development than of shifting atmospheres, pressure changes, and the slow dissolution of forms.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe second track, “African Temples”, extends this sonic exploration into a different terrain — less mythic undersea ruin, more primordial landmass, ancient rhythms, and continental drift. Again, the ambient base is present: washes of sound, shimmering high harmonics, subterranean rumbles. But the noise elements here are more visceral — metallic rattles, distant percussive blasts, hiss and static, like tectonic plates grinding beneath a hidden land, or a ghost-memory of some lost civilization rising and falling. The track is long-form, meditative yet uneasy — it invites the listener to sink\u003cspan class=\"bcTruncateMore\"\u003e into a state of listening rather than simply hearing, to inhabit a sound world of half-remembered geographies and fading empires. In both pieces, the dual qualities of serenity and unrest are held in tension: ambient calm meets the raw energy of noise, and the result is haunting, expansive, and richly textured.\u003cbr\u003eTogether, the two long-form compositions function as a diptych — an exploration of the watery underworld of a mythic lost empire that gradually extends its metaphor into land, drift, origins, and memory. The ambient core of each piece invites deep listening, focusing on atmosphere rather than melody, while the noise elements draw the listener into a palpable sense of impermanence and collapse. This is sound art that rewards patience, offering an auditory architecture built from memory, myth, and erasure.\u003cbr\u003e\u003cbr\u003eAtlantis as an Obsession\u003cbr\u003eToni Dimitrov’s fascination with the myth of Atlantis serves as the conceptual backbone for this album. Atlantis, in its classical formulation, is the lost island — the vanished super-civilization, the memory of something once mighty and now gone beneath the waves. For Dimitrov, Atlantis becomes a metaphor: for forgotten histories, collapsed ecologies, and the ghost-echoes of human ambition. His obsession manifests in the sonic architecture of the album — the submerged drones mirror the ocean’s enveloping power; the noise bursts reflect collapse and rupture; and the long-form structure echoes geological or mythic time rather than conventional track sequencing. In this way, the album becomes less a collection of songs and more a mythic sound-journey: one enters the realm of Atlantis, wanders through its ruins, listens to the water reclaiming walls and towers, and contemplates what remains when a civilisation disappears. In “African Temples”, he extends this obsession outward — Atlantis as a metaphor for other lost or hidden worlds, for the deep time of continents, and for the sense that beneath the surface of what we see lies something far older and far stranger.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toni Dimitrov\u003c\/p\u003e\n\u003cp\u003eLabel : Kirigirisu Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ekgr064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
