Various Artists // Field of Progress 2xTAPE
Various Artists // Field of Progress 2xTAPE
¥3,490
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ドイツ・ベルリンの実験レーベルKashual Plastikが、2022年9月にリリースした2本組コンピレーションカセットです。
ほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。
レーベルその他作品はこちら /// Click here to see more Kashual Plastik releases available at Tobira.
---------------------------------
Includes DL code. 2 x Cassette.
Tracklist:
- Mark Harwood - Berlin Field Recording... 04:57
- Feronia Wennborg - Window 04:23
- Nika Son - Hippo 02:54
- Els Vanderweyer - Kuhstall 02:30
- JS - Størung der heiligen Einsamkeit 02:44
- Arv & Miljö - Orario Di Chiusura 03:21
- ML - Fraukes Rechner rechnet ab 02:10
- Red Brut - Spring Fog 05:33
- Møn - Whale Waves 03:49
- Moniek Darge - Nile SoundieDef 02:10
- Dan Gilmore - Goldingesque 00:58
- Felix Kubin - Geschirrspüler 04:23
- MCBN - Bike 01:03
- Robert Schwarz - Lobau bleibt! 02:47
- Louise Wilson - Tuatara 03:19
- Malvern Brume - Snow Contacts & Marsh Walks 04:54
- Nein Rodere - Rat Spandau Afternoon 01:51
- Laila Sakini - Baby 04:23
- Greymouth - Kumomi (edit) 02:15
- Terres - Davis is dead, long life the geese 04:25
- Susannah Stark - Rùm 02:34
- Sholto - Solo Organ 01:52
- Anna Murray - Chofu station 04:08
- Lung Dart - Room Tones 05:01
- A Method To Exist - Tubes to Oldtown 01:58
- Dan Gilmore - Working Sunday for Chris 03:36
- Jamie Burke - Ode To Kingsland High St 02:30
- Laura Not - Latent Heat of Fusion 02:42
Artist : Various
Label : Kashual Plastik
ドイツ・ベルリンの実験レーベルKashual Plastikが、2022年9月にリリースした2本組コンピレーションカセットです。
ほぼメロディー無しの物音コラージュ〜フィールドレコーディング28曲を収録。DLコード付属。既に廃盤のため今回限りの入荷です。
レーベルその他作品はこちら /// Click here to see more Kashual Plastik releases available at Tobira.
---------------------------------
Includes DL code. 2 x Cassette.
Tracklist:
- Mark Harwood - Berlin Field Recording... 04:57
- Feronia Wennborg - Window 04:23
- Nika Son - Hippo 02:54
- Els Vanderweyer - Kuhstall 02:30
- JS - Størung der heiligen Einsamkeit 02:44
- Arv & Miljö - Orario Di Chiusura 03:21
- ML - Fraukes Rechner rechnet ab 02:10
- Red Brut - Spring Fog 05:33
- Møn - Whale Waves 03:49
- Moniek Darge - Nile SoundieDef 02:10
- Dan Gilmore - Goldingesque 00:58
- Felix Kubin - Geschirrspüler 04:23
- MCBN - Bike 01:03
- Robert Schwarz - Lobau bleibt! 02:47
- Louise Wilson - Tuatara 03:19
- Malvern Brume - Snow Contacts & Marsh Walks 04:54
- Nein Rodere - Rat Spandau Afternoon 01:51
- Laila Sakini - Baby 04:23
- Greymouth - Kumomi (edit) 02:15
- Terres - Davis is dead, long life the geese 04:25
- Susannah Stark - Rùm 02:34
- Sholto - Solo Organ 01:52
- Anna Murray - Chofu station 04:08
- Lung Dart - Room Tones 05:01
- A Method To Exist - Tubes to Oldtown 01:58
- Dan Gilmore - Working Sunday for Chris 03:36
- Jamie Burke - Ode To Kingsland High St 02:30
- Laura Not - Latent Heat of Fusion 02:42
Artist : Various
Label : Kashual Plastik
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{"id":9342919835898,"title":"Bosque Vacío \/\/ Aves de Nahá TAPE","handle":"bosque-vacio-aves-de-naha-tape","description":"\u003cp\u003eメキシコの実験デュオBosque Vacíoが、2026年7月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースした再発カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフィールドレコーディング〜物音ドローン6曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Aves de Naháは、人類学、鳥類学、そしてメキシコ・チアパス州ナハのラカンドン共同体との学際的な知識交流の成果である。ラカンドン族と彼らのジャングルに生息する鳥たちとの聴覚的関係性に焦点を当てている。この作品は、鳥を感覚を持つ存在として聴くことを私たちに促す——その鳴き声や歌は天候や時間の移り変わりを告げ、儀式に寄り添い、ジャングルそのものが生きている存在であり、人間、動物、植物、精霊、神々が絶え間なく交わる中で意味が生まれる共有環境に参加する生き物として。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコクタ(灰色のツグミ – Turdus grayi)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eコクタの鳴き声は、移り変わる年周期の前兆と見なされている。森の中でリズミカルに繰り返されるその鳴き声は、時間の経過を示す自然からのメッセージとして受け止められる。このようにしてコクタは始まりと再生を告げ、人間とジャングルの生命の織りなす絆を再確認させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカンブル(オオホロホロ鳥 – Crax rubra)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eラカンドン宇宙観において火と結びつく。カンブルの深い鳴き声は象徴的な意味を持ち、ナハの女性たちによれば、家事の助けを呼ぶことができる——例えばマヤ語でナワ(神聖なタマレス)と呼ばれる儀式のタマレスの準備など。カンブルは火、大地、時間の均衡に参与する存在である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eチョム(クロコンドル – Coragyps atratus)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eラカンドン宇宙観において、動物は狩猟慣行を監督する精霊によって守られている。チョムはこれらの慣行が倫理的に行われることを保証し、過剰な行為に対しては武器を腐らせたり肉を食べられなくすることで罰を与える。ジャングルの自然の均衡と神聖なるものとの繋がりに対する敬意を守る、神聖な仲介者である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサック・チッチ(白鷹 – Pseudastur albicollis)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eラカンドン族の宇宙観において、サック・チッチのような鳥は気候変動を告げる存在であり、その鳴き声は雨の到来を知らせる。この鷹は神聖な動物、「神々の飼い鳥」と見なされ、殺すことは重大な罪とされる。そのような行為は自然の罰を招くとされ、自然と精神性、宇宙の均衡との深い結びつきを反映している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサック・ブジ(メンフクロウ – Tyto alba)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eかつてラカンドン族はフクロウを訪問を告げる使者と考えていたが、現在ではしばしば恐れられている。この変化はツェルタル族の影響によるもので、彼らの鳴き声は不吉な前兆と見なされ、魔術と結びつけられている。女性の声に似たその鳴き声は、彼らが変装した魔女であるという信念を強めた。今日では、家屋に近づくと追い払われるのが一般的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキン(リスカッコウ – Piaya cayana)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eその名は「太陽、日、予言」を意味する。キンは危険を警告する伝令鳥と見なされている。その鳴き声は伝達するメッセージによって異なり、蛇の存在や差し迫った事故を知らせるなどする。ラカンドン族によれば、神々が人間に話すことを教えた鳥であり、その声を注意深く聞くことによって維持される深い絆を表現している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536273928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kok ta' 03:43\u003cbr\u003e2. K'ambul 06:47\u003cbr\u003e3. Ch'om 04:35\u003cbr\u003e4. Säk Ch'ich' 06:44\u003cbr\u003e5. Säk buj 04:28\u003cbr\u003e6. K'in 03:50\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Aves de Nahá is the result of an interdisciplinary exchange of knowledge between anthropology, ornithology, and the Lacandon community of Nahá, Chiapas, México. It centers on the aural relationships between the Lacandon people and the birds of their jungle. The work invites us to listen to birds as sentient beings — creatures whose calls and songs announce shifts in weather and time cycles, accompany rituals, and participate in a shared environment where the jungle itself is a living entity and meaning arises from the ongoing interactions among humans, animals, plants, spirits, and gods within it.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack breakdown \/ about each bird species (text via the label):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Kok ta’ (Clay-colored Thrush – Turdus grayi)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe song of the Kok ta’ is regarded as an omen of the changing annual cycle. Rhythmically repeated in the forest, its call is perceived as a message from nature marking the passage of time. In this way, the Kok ta’ signals beginnings and rebirths, reaffirming the bond between humans and the living fabric of the jungle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eK’ambul (Great Curassow – Crax rubra)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAssociated with fire in Lacandon cosmology. The deep call of the K’ambul holds symbolic meaning and according to the\u003cspan class=\"bcTruncateMore\"\u003e women of Nahá, it can be summoned to assist with domestic tasks – for example, in the preparation of ceremonial tamales called nah wah in Maya (sacred tamales). The K’ambul is a presence that partakes in the balance between fire, earth, and time.\u003cbr\u003e\u003cbr\u003eCh’om (Black Vulture – Coragyps atratus)\u003cbr\u003eIn Lacandon cosmology, animals are protected by spirits that oversee hunting practices. The Ch’om ensures these are carried out ethically, punishing excess by causing weapons to rot or meat to become inedible. It is a sacred mediator that safeguards respect for the natural balance of the jungle and its connection to the divine.\u003cbr\u003e\u003cbr\u003eSäk Ch’ich’ (White Hawk – Pseudastur albicollis)\u003cbr\u003eIn Lacandon cosmology, birds like the Säk Ch’ich’ announce climate changes; its call signals the imminent arrival of rain. This hawk is seen as a sacred animal, a “domestic of the gods,” and killing it is considered a serious offense. Such an act may bring natural punishments, reflecting the deep connection between nature, spirituality, and cosmic balance.\u003cbr\u003e\u003cbr\u003eSäk buj (Barn Owl – Tyto alba)\u003cbr\u003eAlthough once viewed by the Lacandon as messengers announcing visits, barn owls are now often feared. This shift comes from Tseltal influence, where their call is seen as an ill omen and linked to witchcraft. Their cry, resembling a woman's voice, reinforced the belief that they are witches in disguise. Today, they are commonly driven away when they approach homes.\u003cbr\u003e\u003cbr\u003eK’in (Squirrel Cuckoo – Piaya cayana)\u003cbr\u003eIt’s name means “sun, day, prophecy.” The K’in is regarded as a messenger bird that warns of danger. Its call varies depending on the message, such as alerting to the presence of a snake or an impending accident. According to the Lacandon, the gods taught it to speak to humans, expressing a deep bond sustained through the active listening of its voice.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bosque Vacío\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dinzu Artefacts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eDNZ119\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-01T07:52:10+09:00","created_at":"2026-08-01T07:51:24+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","field recording","monooto","new","tape"],"price":256500,"price_min":256500,"price_max":256500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49964962251002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bosque Vacío \/\/ Aves de Nahá TAPE","public_title":null,"options":["Default Title"],"price":256500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/naha1.jpg?v=1771025291","\/\/tobirarecords.com\/cdn\/shop\/files\/naha2.jpg?v=1771025291"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/naha1.jpg?v=1771025291","options":["Title"],"media":[{"alt":null,"id":38328424005882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/naha1.jpg?v=1771025291"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/naha1.jpg?v=1771025291","width":700},{"alt":null,"id":38328424038650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/naha2.jpg?v=1771025291"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/naha2.jpg?v=1771025291","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコの実験デュオBosque Vacíoが、2026年7月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから75本限定でリリースした再発カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフィールドレコーディング〜物音ドローン6曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Aves de Naháは、人類学、鳥類学、そしてメキシコ・チアパス州ナハのラカンドン共同体との学際的な知識交流の成果である。ラカンドン族と彼らのジャングルに生息する鳥たちとの聴覚的関係性に焦点を当てている。この作品は、鳥を感覚を持つ存在として聴くことを私たちに促す——その鳴き声や歌は天候や時間の移り変わりを告げ、儀式に寄り添い、ジャングルそのものが生きている存在であり、人間、動物、植物、精霊、神々が絶え間なく交わる中で意味が生まれる共有環境に参加する生き物として。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコクタ(灰色のツグミ – Turdus grayi)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eコクタの鳴き声は、移り変わる年周期の前兆と見なされている。森の中でリズミカルに繰り返されるその鳴き声は、時間の経過を示す自然からのメッセージとして受け止められる。このようにしてコクタは始まりと再生を告げ、人間とジャングルの生命の織りなす絆を再確認させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカンブル(オオホロホロ鳥 – Crax rubra)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eラカンドン宇宙観において火と結びつく。カンブルの深い鳴き声は象徴的な意味を持ち、ナハの女性たちによれば、家事の助けを呼ぶことができる——例えばマヤ語でナワ(神聖なタマレス)と呼ばれる儀式のタマレスの準備など。カンブルは火、大地、時間の均衡に参与する存在である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eチョム(クロコンドル – Coragyps atratus)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eラカンドン宇宙観において、動物は狩猟慣行を監督する精霊によって守られている。チョムはこれらの慣行が倫理的に行われることを保証し、過剰な行為に対しては武器を腐らせたり肉を食べられなくすることで罰を与える。ジャングルの自然の均衡と神聖なるものとの繋がりに対する敬意を守る、神聖な仲介者である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサック・チッチ(白鷹 – Pseudastur albicollis)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eラカンドン族の宇宙観において、サック・チッチのような鳥は気候変動を告げる存在であり、その鳴き声は雨の到来を知らせる。この鷹は神聖な動物、「神々の飼い鳥」と見なされ、殺すことは重大な罪とされる。そのような行為は自然の罰を招くとされ、自然と精神性、宇宙の均衡との深い結びつきを反映している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサック・ブジ(メンフクロウ – Tyto alba)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eかつてラカンドン族はフクロウを訪問を告げる使者と考えていたが、現在ではしばしば恐れられている。この変化はツェルタル族の影響によるもので、彼らの鳴き声は不吉な前兆と見なされ、魔術と結びつけられている。女性の声に似たその鳴き声は、彼らが変装した魔女であるという信念を強めた。今日では、家屋に近づくと追い払われるのが一般的である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキン(リスカッコウ – Piaya cayana)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eその名は「太陽、日、予言」を意味する。キンは危険を警告する伝令鳥と見なされている。その鳴き声は伝達するメッセージによって異なり、蛇の存在や差し迫った事故を知らせるなどする。ラカンドン族によれば、神々が人間に話すことを教えた鳥であり、その声を注意深く聞くことによって維持される深い絆を表現している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536273928\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 75 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kok ta' 03:43\u003cbr\u003e2. K'ambul 06:47\u003cbr\u003e3. Ch'om 04:35\u003cbr\u003e4. Säk Ch'ich' 06:44\u003cbr\u003e5. Säk buj 04:28\u003cbr\u003e6. K'in 03:50\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Aves de Nahá is the result of an interdisciplinary exchange of knowledge between anthropology, ornithology, and the Lacandon community of Nahá, Chiapas, México. It centers on the aural relationships between the Lacandon people and the birds of their jungle. The work invites us to listen to birds as sentient beings — creatures whose calls and songs announce shifts in weather and time cycles, accompany rituals, and participate in a shared environment where the jungle itself is a living entity and meaning arises from the ongoing interactions among humans, animals, plants, spirits, and gods within it.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrack breakdown \/ about each bird species (text via the label):\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Kok ta’ (Clay-colored Thrush – Turdus grayi)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe song of the Kok ta’ is regarded as an omen of the changing annual cycle. Rhythmically repeated in the forest, its call is perceived as a message from nature marking the passage of time. In this way, the Kok ta’ signals beginnings and rebirths, reaffirming the bond between humans and the living fabric of the jungle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eK’ambul (Great Curassow – Crax rubra)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAssociated with fire in Lacandon cosmology. The deep call of the K’ambul holds symbolic meaning and according to the\u003cspan class=\"bcTruncateMore\"\u003e women of Nahá, it can be summoned to assist with domestic tasks – for example, in the preparation of ceremonial tamales called nah wah in Maya (sacred tamales). The K’ambul is a presence that partakes in the balance between fire, earth, and time.\u003cbr\u003e\u003cbr\u003eCh’om (Black Vulture – Coragyps atratus)\u003cbr\u003eIn Lacandon cosmology, animals are protected by spirits that oversee hunting practices. The Ch’om ensures these are carried out ethically, punishing excess by causing weapons to rot or meat to become inedible. It is a sacred mediator that safeguards respect for the natural balance of the jungle and its connection to the divine.\u003cbr\u003e\u003cbr\u003eSäk Ch’ich’ (White Hawk – Pseudastur albicollis)\u003cbr\u003eIn Lacandon cosmology, birds like the Säk Ch’ich’ announce climate changes; its call signals the imminent arrival of rain. This hawk is seen as a sacred animal, a “domestic of the gods,” and killing it is considered a serious offense. Such an act may bring natural punishments, reflecting the deep connection between nature, spirituality, and cosmic balance.\u003cbr\u003e\u003cbr\u003eSäk buj (Barn Owl – Tyto alba)\u003cbr\u003eAlthough once viewed by the Lacandon as messengers announcing visits, barn owls are now often feared. This shift comes from Tseltal influence, where their call is seen as an ill omen and linked to witchcraft. Their cry, resembling a woman's voice, reinforced the belief that they are witches in disguise. Today, they are commonly driven away when they approach homes.\u003cbr\u003e\u003cbr\u003eK’in (Squirrel Cuckoo – Piaya cayana)\u003cbr\u003eIt’s name means “sun, day, prophecy.” The K’in is regarded as a messenger bird that warns of danger. Its call varies depending on the message, such as alerting to the presence of a snake or an impending accident. According to the Lacandon, the gods taught it to speak to humans, expressing a deep bond sustained through the active listening of its voice.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bosque Vacío\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dinzu Artefacts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eDNZ119\u003c\/span\u003e\u003c\/p\u003e"}
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メキシコの実験デュオBosque Vacíoが、2026年7月にアメリカ・LAの実験レーベルDinzu Artefactsから75本限定でリリースした再発カセットです。 フィールドレコーディング〜物音ドローン6曲を収録。DLコード付属。廃盤です。 以下、レーベルによる解説です。 "Aves de Naháは、人類学、鳥類学、そしてメキシコ・チアパス州ナハのラカンドン共同体との学際的な知識交流の成果である。ラカンドン族と彼らのジャングルに生息する鳥たちとの聴覚的関係性に焦点を当てている。この作品は、鳥を感覚を持つ存在として聴くことを私たちに促す——その鳴き声や歌は天候や時間の移り変わりを告げ、儀式に寄り添い、ジャングルそのものが生きている存在であり、人間、動物、植物、精霊、神々が絶え間なく交わる中で意味が生まれる共有環境に参加する生き物として。 コクタ(灰色のツグミ – Turdus grayi)コクタの鳴き声は、移り変わる年周期の前兆と見なされている。森の中でリズミカルに繰り返されるその鳴き声は、時間の経過を示す自然からのメッセージとして受け止められる。このようにしてコクタは始まりと再生を告げ、人間とジャングルの生命の織りなす絆を再確認させる。 カンブル(オオホロホロ鳥 –...
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{"id":9330374476026,"title":"The Sterling Jubilee Singers \/\/ Jesus Hits Like the Atom Bomb: Gospel Quartet Singing in Jefferson County, Alabama TAPE","handle":"the-sterling-jubilee-singers-jesus-hits-like-the-atom-bomb-gospel-quartet-singing-in-jefferson-county-alabama-tape","description":"\u003cp\u003eアメリカ・ジェファーソンの製鉄所や鉱山で働くアフリカンアメリカンにより1929年に結成されたゴスペルグループThe Sterling Jubilee Singersが、2026年6月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e1994年4月に行ったコンサートのリハーサルの録音14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4210040590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Jesus Hits Like the Atom Bomb 02:59 \u003cbr\u003e2. Devotional 00:54 \u003cbr\u003e3. Peace in the Valley 07:00 \u003cbr\u003e4. God Shall Wipe All Tears Away 03:29 \u003cbr\u003e5. Little Wooden Church on The Hill 03:58 \u003cbr\u003e6. The Lords Prayer 03:12 \u003cbr\u003e7. Will He Welcome Me There 04:49 \u003cbr\u003e8. Job 02:54 \u003cbr\u003e9. I Never Heard a Man 04:36 \u003cbr\u003e10. My Jesus Knows 04:17\u003cbr\u003e11. Every Time I Try To Do My Best 05:22 \u003cbr\u003e12. Operator 02:46 \u003cbr\u003e13. Testimony 02:29 \u003cbr\u003e14. Benediction 00:30\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDoug Seroff, 'On The Battlefield: Gospel Quartets in Jefferson County', (Alabama, 1997) -- text via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eJefferson County is the heartland of black American a cappella gospel quartet singing. For more than [a century] black quartets have thrived in Birmingham and Bessemer, and they have provided immeasurable spiritual uplift and musical enjoyment to a large portion of the local population. The tenacious survival of black quartet traditions in Birmingham and Bessemer preserves a cultural and historical continuity that informs and enriches many lives. The older singers share a sense of brotherhood, a common identification with four-part harmony heritage and lore. For many singers, a powerful desire to perpetuate these traditions is coupled with a belief that singing is their allotted personal service to God. These are reasons why there are so many septuagenarians and octogenarians in the field; they're striving to earn the epitaph, \"He sang until he died.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Sterling Jubilee Singers were founded in 1929 during a vibrant period when large numbers of African-American men who worked in Jefferson County's steel mills and ore mines were forming gospel quartets. African-American a cappella quartet traditions were already generations old in the South when the movement became popular in Birmingham during the 1920s. These traditions have deep roots in nineteenth-century American folk and popular culture. The\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e local quartet activity had its incubation in the mining camps, company quarters, and other segregated black industrial settlements, and was in part a product of the rich fellowship that survived and was enjoyed in those oppressive environs. The original Sterling Jubilees were trained by singing master Charles Bridges, who was a strong force in shaping the Jefferson County a cappella quartet style. The founding members and most of those joining later were union men who worked for U.S. Pipe and other steel-related companies. During the 1940s and '50s they performed at union functions and on local radio programs as the CIO Singers and under that name recorded \"The Spirit of Phil Murray,\" an original song commemorating the death of the first president of the steelworkers union... In the late 1950s gospel music began to feel the influence of instrumentally-based rock and roll and soul music, but the Sterling Jubilees persevered as an a cappella quartet\".\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Sterling Jubilee Singers\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH129\u003c\/p\u003e\n\u003cp\u003eRelease date : 2nd June 2026\u003c\/p\u003e","published_at":"2026-07-30T06:10:35+09:00","created_at":"2026-07-25T14:50:43+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":317000,"price_min":317000,"price_max":317000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49752142315770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Sterling Jubilee Singers \/\/ Jesus Hits Like the Atom Bomb: Gospel Quartet Singing in Jefferson County, Alabama TAPE","public_title":null,"options":["Default Title"],"price":317000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580876736","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/je1_f12eae78-1757-448e-be15-34a1c28bee40.jpg?v=1784958513","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_69ddf56a-aaae-4421-b3d6-ea254613ea9b.jpg?v=1784958512"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_f12eae78-1757-448e-be15-34a1c28bee40.jpg?v=1784958513","options":["Title"],"media":[{"alt":null,"id":40298493968634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_f12eae78-1757-448e-be15-34a1c28bee40.jpg?v=1784958513"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_f12eae78-1757-448e-be15-34a1c28bee40.jpg?v=1784958513","width":350},{"alt":null,"id":40298494001402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_69ddf56a-aaae-4421-b3d6-ea254613ea9b.jpg?v=1784958512"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_69ddf56a-aaae-4421-b3d6-ea254613ea9b.jpg?v=1784958512","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ジェファーソンの製鉄所や鉱山で働くアフリカンアメリカンにより1929年に結成されたゴスペルグループThe Sterling Jubilee Singersが、2026年6月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e1994年4月に行ったコンサートのリハーサルの録音14曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4210040590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Jesus Hits Like the Atom Bomb 02:59 \u003cbr\u003e2. Devotional 00:54 \u003cbr\u003e3. Peace in the Valley 07:00 \u003cbr\u003e4. God Shall Wipe All Tears Away 03:29 \u003cbr\u003e5. Little Wooden Church on The Hill 03:58 \u003cbr\u003e6. The Lords Prayer 03:12 \u003cbr\u003e7. Will He Welcome Me There 04:49 \u003cbr\u003e8. Job 02:54 \u003cbr\u003e9. I Never Heard a Man 04:36 \u003cbr\u003e10. My Jesus Knows 04:17\u003cbr\u003e11. Every Time I Try To Do My Best 05:22 \u003cbr\u003e12. Operator 02:46 \u003cbr\u003e13. Testimony 02:29 \u003cbr\u003e14. Benediction 00:30\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eDoug Seroff, 'On The Battlefield: Gospel Quartets in Jefferson County', (Alabama, 1997) -- text via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eJefferson County is the heartland of black American a cappella gospel quartet singing. For more than [a century] black quartets have thrived in Birmingham and Bessemer, and they have provided immeasurable spiritual uplift and musical enjoyment to a large portion of the local population. The tenacious survival of black quartet traditions in Birmingham and Bessemer preserves a cultural and historical continuity that informs and enriches many lives. The older singers share a sense of brotherhood, a common identification with four-part harmony heritage and lore. For many singers, a powerful desire to perpetuate these traditions is coupled with a belief that singing is their allotted personal service to God. These are reasons why there are so many septuagenarians and octogenarians in the field; they're striving to earn the epitaph, \"He sang until he died.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Sterling Jubilee Singers were founded in 1929 during a vibrant period when large numbers of African-American men who worked in Jefferson County's steel mills and ore mines were forming gospel quartets. African-American a cappella quartet traditions were already generations old in the South when the movement became popular in Birmingham during the 1920s. These traditions have deep roots in nineteenth-century American folk and popular culture. The\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e local quartet activity had its incubation in the mining camps, company quarters, and other segregated black industrial settlements, and was in part a product of the rich fellowship that survived and was enjoyed in those oppressive environs. The original Sterling Jubilees were trained by singing master Charles Bridges, who was a strong force in shaping the Jefferson County a cappella quartet style. The founding members and most of those joining later were union men who worked for U.S. Pipe and other steel-related companies. During the 1940s and '50s they performed at union functions and on local radio programs as the CIO Singers and under that name recorded \"The Spirit of Phil Murray,\" an original song commemorating the death of the first president of the steelworkers union... In the late 1950s gospel music began to feel the influence of instrumentally-based rock and roll and soul music, but the Sterling Jubilees persevered as an a cappella quartet\".\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Sterling Jubilee Singers\u003c\/p\u003e\n\u003cp\u003eLabel : Death Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH129\u003c\/p\u003e\n\u003cp\u003eRelease date : 2nd June 2026\u003c\/p\u003e"}
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アメリカ・ジェファーソンの製鉄所や鉱山で働くアフリカンアメリカンにより1929年に結成されたゴスペルグループThe Sterling Jubilee Singersが、2026年6月にイギリスの発掘専門レーベルDeath Is Not The Endからリリースしたカセットです。 1994年4月に行ったコンサートのリハーサルの録音14曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more...
¥3,170
クイックビュー
{"id":9330192646394,"title":"Various Artists (Death Is Not The End) \/\/ I'm on My Journey Home: Sacred Harp Singing, 1928-1934 TAPE","handle":"various-artists-death-is-not-the-end-im-on-my-journey-home-sacred-harp-singing-1928-1934-tape","description":"\u003cp\u003eイギリスの発掘専門レーベルDeath Is Not The Endが、2026年7月にリリースしたコンピレーションカセットです。\u003c\/p\u003e\n\u003cp\u003e1928-1934に録音したゴスペル12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=290368609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. The Denson Quartet - I'm on My Journey Home 03:22 \u003cbr\u003e2. Denson-Parris Sacred Harp Singers - The Good Old Way 02:39 \u003cbr\u003e3. Alabama Sacred Harp Singers - Religion Is a Fortune 02:55 \u003cbr\u003e4. Allison's Sacred Harp Singers - Sweet Prospect 02:29 \u003cbr\u003e5. Allison's Sacred Harp Singers - Weeping Pilgrim 02:35 \u003cbr\u003e6. Alabama Sacred Harp Singers - Rocky Road 02:50 \u003cbr\u003e7. Georgia Sacred Harp Singers - Windham 02:58 \u003cbr\u003e8. Dye's Sacred Harp Singers - How Firm a Foundation 02:51 \u003cbr\u003e9. Denson's Sacred Harp Singers of Arley, Alabama - Protection 02:20 \u003cbr\u003e10. Middle Georgia Singing Convention No. 1 - Bells of Love 02:51 \u003cbr\u003e11. The OKeh Atlanta Sacred Harp Singers - Return Again 03:18 \u003cbr\u003e12. Huggins \u0026amp; Phillips Sacred Harp Singers - Blooming Youth 02:53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH013RP\u003c\/p\u003e\n\u003cp\u003eRelease date : 30th September 2016\u003c\/p\u003e","published_at":"2026-07-29T07:24:12+09:00","created_at":"2026-07-25T14:38:04+09:00","vendor":"Tobira Records","type":"","tags":["death is not the end","field recording","new","tape"],"price":317000,"price_min":317000,"price_max":317000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49751958520058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Death Is Not The End) \/\/ I'm on My Journey Home: Sacred Harp Singing, 1928-1934 TAPE","public_title":null,"options":["Default Title"],"price":317000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580876750","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/harp1_3db04570-1e03-47d4-a950-b7f0d9935f30.jpg?v=1784957747","\/\/tobirarecords.com\/cdn\/shop\/files\/harp2_ca67fd99-c90a-40c8-9a91-018a0d9f0838.jpg?v=1784957747"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/harp1_3db04570-1e03-47d4-a950-b7f0d9935f30.jpg?v=1784957747","options":["Title"],"media":[{"alt":null,"id":40297001713914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/harp1_3db04570-1e03-47d4-a950-b7f0d9935f30.jpg?v=1784957747"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/harp1_3db04570-1e03-47d4-a950-b7f0d9935f30.jpg?v=1784957747","width":350},{"alt":null,"id":40297001746682,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/harp2_ca67fd99-c90a-40c8-9a91-018a0d9f0838.jpg?v=1784957747"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/harp2_ca67fd99-c90a-40c8-9a91-018a0d9f0838.jpg?v=1784957747","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの発掘専門レーベルDeath Is Not The Endが、2026年7月にリリースしたコンピレーションカセットです。\u003c\/p\u003e\n\u003cp\u003e1928-1934に録音したゴスペル12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=290368609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dinte\"\u003ehere\u003c\/a\u003e to see more Death Is Not The End releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. The Denson Quartet - I'm on My Journey Home 03:22 \u003cbr\u003e2. Denson-Parris Sacred Harp Singers - The Good Old Way 02:39 \u003cbr\u003e3. Alabama Sacred Harp Singers - Religion Is a Fortune 02:55 \u003cbr\u003e4. Allison's Sacred Harp Singers - Sweet Prospect 02:29 \u003cbr\u003e5. Allison's Sacred Harp Singers - Weeping Pilgrim 02:35 \u003cbr\u003e6. Alabama Sacred Harp Singers - Rocky Road 02:50 \u003cbr\u003e7. Georgia Sacred Harp Singers - Windham 02:58 \u003cbr\u003e8. Dye's Sacred Harp Singers - How Firm a Foundation 02:51 \u003cbr\u003e9. Denson's Sacred Harp Singers of Arley, Alabama - Protection 02:20 \u003cbr\u003e10. Middle Georgia Singing Convention No. 1 - Bells of Love 02:51 \u003cbr\u003e11. The OKeh Atlanta Sacred Harp Singers - Return Again 03:18 \u003cbr\u003e12. Huggins \u0026amp; Phillips Sacred Harp Singers - Blooming Youth 02:53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeath Is Not The End\u003c\/p\u003e\n\u003cp\u003ecat no : DEATH013RP\u003c\/p\u003e\n\u003cp\u003eRelease date : 30th September 2016\u003c\/p\u003e"}
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イギリスの発掘専門レーベルDeath Is Not The Endが、2026年7月にリリースしたコンピレーションカセットです。 1928-1934に録音したゴスペル12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Death Is Not...
¥3,170
クイックビュー
{"id":9310353850618,"title":"No Rent Records \/\/ ROCKER - ISSUE #14, AUGUST 2026","handle":"no-rent-records-rocker-issue-14-august-2026","description":"\u003cp\u003eアメリカ・ペンシルベニアの実験/ノイズレーベルNo Rentが、2026年8月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003eノイズ、アンビエント、コンクレート、ドローン、エレクトロアコースティック、テープ音楽、コンピューター音楽、フィールドレコーディングにフォーカスした40ページフルカラーです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJustin Lakes\u003c\/span\u003eのインタビューや\u003cspan\u003eClaire Rousay\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003eのコラムなど掲載しています。\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e40 pages.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eFull color\u003cbr\u003eTriple-gloss cover\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn The Cover: Justin Lakes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eFeatures (text via the label)\u003c\/strong\u003e:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Extensive interview with Justin Lakes by Andrew Pigue, with a gallery of flyers and ephemera from his archive.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- An article years in the making on the history of German Shepherds, told by vocalist Mark Hutchinson.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- The debut of Claire Knows Ball, a new basketball column by Claire Rousay\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e(seriously).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eABOUT THE MAGAZINE (text via No Rent Records) ----\u0026gt;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eROCKER\u003c\/b\u003e is a new bimonthly digest printed and published in the great city of Philadelphia, PA, USA. It focuses on harsh noise, ambient, musique concrète, electroacoustic, drone, tape music, wall noise, experimental, unclassifiable, concept works, computer music, field recording, indeterminate electronic, narrative, ecological, text-based, religious, song, acoustic ensemble, gorenoise, power electronics, and sound design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePublishes Feb, April, June, August, October, December\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach issue contains lengthy artist interviews delving into unusual subjects for the genre, several recurring columns, art page(s), how to's, histories of and guest columns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eROCKER reviews all applicable material, referencing an era where you could get at least a one-sentence review in every zine. There is an up to date list of reviewers along with their tastes (broadly) on page 74. Once a writer agrees to review your material you can expect it to be published within the next 2-3 issues. Positive reviews are not guaranteed, but the review itself is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany interviews are conducted anonymously, with no byline, in order for the paper to speak as one voice. Reviewers reveal their biases in the review guidelines as a service to the artists sending review material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite a pronounced editorial stance, we strive for journalistic integrity, separating advertising and editorial content when copy editing while presenting the subjects spaciously in their own light.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent\u003c\/p\u003e","published_at":"2026-07-15T05:54:56+09:00","created_at":"2026-07-14T16:42:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","books \/ clothing \/ others","drone","field recording","monooto","new","no rent","noise"],"price":326600,"price_min":326600,"price_max":326600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49695549489402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Rent Records \/\/ ROCKER - ISSUE #14, AUGUST 2026","public_title":null,"options":["Default Title"],"price":326600,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_e6f31b46-2729-40ff-94c5-76b602e3e510.jpg?v=1784015068","\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_a8d34f55-6f91-44e1-b640-ff50b6cde594.jpg?v=1784015052"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_e6f31b46-2729-40ff-94c5-76b602e3e510.jpg?v=1784015068","options":["Title"],"media":[{"alt":null,"id":40131780804858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_e6f31b46-2729-40ff-94c5-76b602e3e510.jpg?v=1784015068"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_e6f31b46-2729-40ff-94c5-76b602e3e510.jpg?v=1784015068","width":800},{"alt":null,"id":40131780837626,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_a8d34f55-6f91-44e1-b640-ff50b6cde594.jpg?v=1784015052"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_a8d34f55-6f91-44e1-b640-ff50b6cde594.jpg?v=1784015052","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアの実験/ノイズレーベルNo Rentが、2026年8月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003eノイズ、アンビエント、コンクレート、ドローン、エレクトロアコースティック、テープ音楽、コンピューター音楽、フィールドレコーディングにフォーカスした40ページフルカラーです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJustin Lakes\u003c\/span\u003eのインタビューや\u003cspan\u003eClaire Rousay\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003eのコラムなど掲載しています。\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e40 pages.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eFull color\u003cbr\u003eTriple-gloss cover\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn The Cover: Justin Lakes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eFeatures (text via the label)\u003c\/strong\u003e:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Extensive interview with Justin Lakes by Andrew Pigue, with a gallery of flyers and ephemera from his archive.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- An article years in the making on the history of German Shepherds, told by vocalist Mark Hutchinson.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- The debut of Claire Knows Ball, a new basketball column by Claire Rousay\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e(seriously).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eABOUT THE MAGAZINE (text via No Rent Records) ----\u0026gt;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eROCKER\u003c\/b\u003e is a new bimonthly digest printed and published in the great city of Philadelphia, PA, USA. It focuses on harsh noise, ambient, musique concrète, electroacoustic, drone, tape music, wall noise, experimental, unclassifiable, concept works, computer music, field recording, indeterminate electronic, narrative, ecological, text-based, religious, song, acoustic ensemble, gorenoise, power electronics, and sound design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePublishes Feb, April, June, August, October, December\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach issue contains lengthy artist interviews delving into unusual subjects for the genre, several recurring columns, art page(s), how to's, histories of and guest columns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eROCKER reviews all applicable material, referencing an era where you could get at least a one-sentence review in every zine. There is an up to date list of reviewers along with their tastes (broadly) on page 74. Once a writer agrees to review your material you can expect it to be published within the next 2-3 issues. Positive reviews are not guaranteed, but the review itself is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany interviews are conducted anonymously, with no byline, in order for the paper to speak as one voice. Reviewers reveal their biases in the review guidelines as a service to the artists sending review material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite a pronounced editorial stance, we strive for journalistic integrity, separating advertising and editorial content when copy editing while presenting the subjects spaciously in their own light.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent\u003c\/p\u003e"}
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アメリカ・ペンシルベニアの実験/ノイズレーベルNo Rentが、2026年8月にリリースしたZINEです。 ノイズ、アンビエント、コンクレート、ドローン、エレクトロアコースティック、テープ音楽、コンピューター音楽、フィールドレコーディングにフォーカスした40ページフルカラーです。 Justin LakesのインタビューやClaire Rousayのコラムなど掲載しています。 ------------------------------------------------------------------------------- 40 pages.Full colorTriple-gloss cover On The Cover:...
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